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Inside a mid-century modern house so good, its architect was afraid to mess it up

The article details the thoughtful renovation of a 1956 midcentury modern house in the Berkeley Hills, originally designed by Chinese-American architect Roger Lee for biochemist Clinton Ballou and his wife Dorothy. The house, known for its simple floor plan, warm timber-paneled walls, and stunning bay views, was largely untouched after more than 50 years of continuous occupancy by the Ballou family. When new owners, Stephanie-Dolores Henkle and Jordan Crane, purchased the property, they recognized its architectural significance and sought to update it while preserving Lee's original intent. Henkle and Crane, who previously lived in varied historical properties, were drawn to the Berkeley Hills house for its inherent charm and panoramic views of the San Francisco Bay. After living in the house for a few years to understand its nuances, they decided to enlist Casper Mork-Ulnes, a Norwegian-born architect known for his work on historic projects. Mork-Ulnes acknowledged the challenge of working with such a well-preserved and iconic modernist structure, stating he was initially "frightened" by the prospect of altering a "great house." The renovation approach was described as an "edit" rather than a complete overhaul, with the guiding principle being: "if Roger Lee came in today, would he approve of the things we did?" Mork-Ulnes found a connection with Lee's philosophy of making modernism accessible. Utilizing Lee's original drawings, the architect aimed to clarify and reinforce the home's initial design concepts through precise, minimal interventions. The primary goal was to enhance the legibility between the interior and exterior spaces, a core tenet of California modernism, by strategically removing some internal walls to open up views from the front door directly to the bay. A significant design modification involved the creation of a central rectilinear volume, clad in meranti timber. This new element cleverly integrates storage, the pantry, and both bathrooms, making them virtually disappear when closed. A playful detail within the bathrooms is the use of floor-to-ceiling tomato-red tiles, inspired by the dramatic sunsets over the bay. The overall effect of these changes was so subtle that Mork-Ulnes noted, "people are almost, like 'What did they change here?' It was that surgical." Further refinements focused on meticulous details, such as concealing electrical outlets, replacing outdated trim with clean shadow gaps, sanding the original floors, and designing HVAC vents to be inconspicuous. The design philosophy championed by Crane was to "do less, hide things, take away." The galley-style kitchen, a nod to the Ballous' reputation for entertaining, was retained for its cozy atmosphere rather than being converted to an open-concept layout. A small dining room and a hidden cocktail bar within the central volume further enhanced the home's entertaining capabilities. Despite pandemic-related delays, the construction concluded in 2022. Henkle and Crane, along with their dog Shotsi, now enjoy the warm and comfortable ambiance of their revitalized home, particularly appreciating the evening views of the city lights and sunsets. Crane described the atmosphere as having a "sexy, late-night Tokyo vibe." Mork-Ulnes expressed confidence that Roger Lee would approve of their efforts, as the renovation diligently aimed to reinforce the original concept and "aura" of the house. #MidcenturyModern #ResidentialArchitecture #Renovation #RogerLee #CasperMorkUlnes #BerkeleyHills #CaliforniaDesign #ArchitecturalPreservation #MidcenturyModern #ResidentialArchitecture #Renovation #RogerLee #CasperMorkUlnes #BerkeleyHills #CaliforniaDesign #ArchitecturalPreservation
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