Toshihiro Oki links pale brick volumes to form Long Island weekend retreat

This blog post, part of "The Home Page" series, delves into various aspects of architecture, home design, and local events, beginning with a personal account of a visit to Chicago. The author describes the architectural style of Chicago Bungalows, specifically highlighting a recently purchased home by her son and daughter-in-law in the Montclare neighborhood. These bungalows, built between 1910 and 1930, are noted for their brick construction and prevalence, with over 80,000 such homes forming "bungalow belts" across the city. The narrative touches upon the affordability of these homes relative to Santa Barbara standards, emphasizing the satisfaction derived from the new homeowners' happiness. Further into the Chicago visit, the author recounts a tour of Frank Lloyd Wright’s home and studio in Oak Park. This historical site served as the residence where Wright and his wife raised their six children and where Wright commenced his architectural career, earning him recognition as a leading American architect. The tour was guided by a docent named Amelia, whose historical insights enriched the experience. The author particularly enjoyed envisioning the daily life of the Wright family and the evolution of Wright's professional practice within that space. Specific architectural details are highlighted, such as the lighting in the octagonal library where Wright met clients, and the thoughtful placement and design of the windows, which included both decorative elements and functional features like a deeply recessed window in the children's playroom designed to create a window seat and maximize natural light. Shifting focus from Chicago, the article transitions to an upcoming local event: the Ojai Holiday Home Tour and Marketplace. This event, scheduled for the weekend of November 16 and 17, is presented as an opportunity for readers to immerse themselves in the holiday spirit. The tour will feature four distinct homes in the Ojai Valley, ranging from a collector’s cottage to an expansive orchard estate. A complimentary shuttle service will be provided to facilitate transportation between the featured homes. Concurrently, Libbey Park will host a holiday marketplace, complete with Santa Claus appearances and musical entertainment. The event serves as a fundraiser for the Ojai Music Festival, with tickets priced at $45. The article concludes with a general wish for readers to find joy in their day, positioning the Ojai event as a potential source of such joy. #ChicagoBungalows #FrankLloydWright #ArchitecturalTour #OjaiHolidayHomeTour #RealEstate #HomeDesign #Travel #Fundraiser

Aman Kyoto, the latest addition to the Aman group and the final project designed by the late Australian architect Kerry Hill, offers a unique luxury experience nestled within a 24,000 sqm forested estate in Kyoto. Unlike typical luxury resorts that aim to impress with opulent displays, Aman Kyoto emphasizes integration with its natural surroundings, making its architectural design almost invisible. Hill's deep appreciation for the garden, which he discovered 20 years prior and advocated for as the sole location for Aman Kyoto, guided this design philosophy. The resort's structures, including the restaurant, spa, and guest rooms, are uniformly clad in dark wood strips, enabling them to blend seamlessly with the dense foliage and shifting patterns of light and shadow. Upon entering the expansive rooms, which are approximately 60 sqm, guests find no overt decorative elements. Instead, floor-to-ceiling panels direct attention to the natural beauty outside, fostering a connection with the surrounding environment of cedar, cypress, camellia, and Japanese maple trees that change with the seasons. The understated approach extends to the amenities; while prices begin at around S$2,500 per night (excluding breakfast), the luxury is found in meticulously curated details such as marshmallow-soft chenille bathrobes by Ploh and Hinoki wood bathtubs that diffuse a calming fragrance when filled with warm water. This form of luxury is characterized by exclusivity and a deeply immersive cultural experience. The resort prides itself on bringing the essence of Kyoto to its guests, eliminating the need to venture outside. The spa features traditional onsen bathing facilities and treatments utilizing local ingredients like Kyoto green tea, tamba kuromame, local sake, and cold-pressed tsubaki oil. The signature 90-minute Aman Kyoto treatment begins with a hot spring soak, followed by a foot soak with ceremonial sake and 24k gold leaves, a sea-salt scrub blended with detoxifying matcha powder, and a breathing exercise with seasonal essential oils. A relaxing shiatsu massage concludes with freshly brewed green tea, selected by a local tea master, and Japanese-inspired sweets such as warabi mochi or fresh persimmon with vegan chocolate. The culinary experience at the Living Pavilion, led by executive chef Kentaro Torii, is a tribute to regional ingredients. Chef Torii, who meticulously sourced local produce for months, presents a wide repertoire that blends contemporary European degustation with Japanese nuances. Dishes might include jackfish carpaccio with mountain herbs, yuzu, and bottarga, or caramelised Ohmi wagyu from Shiga prefecture. The resort also offers rare heritage produce, such as hyotan pickles, intensely umami soy sauce from a local family brewer, and sansho berries harvested from the resort's own hills. Beyond the tangible, Aman Kyoto offers a profound sense of peace and a return to nature. Situated in a historic neighborhood known for its artistic community, the garden provides a Zen-like calm. Uneven stone paths invite barefoot exploration of the mossy grounds, and trails through the hills offer opportunities for quiet contemplation amidst birdsong and butterflies. The resort fosters a deep, restorative sleep, with guests falling asleep to forest views bathed in moonlight and the sounds of cicadas. In a world of increasing sensory overload, Aman Kyoto provides a sanctuary that offers what is truly needed: tranquility and an immersive connection to nature and culture, leaving guests thoroughly impressed by its subtle yet profound impact. #AmanKyoto #LuxuryResort #OnsenRyokan #KerryHillArchitects #JapaneseDesign #KyotoTravel #ZenExperience #UnderstatedLuxury #ArchitecturalIntegration

This article details the construction and design of a new three-bedroom modern Japanese-style house located in Lennox Head on the NSW north coast, built by video editor Raquel Banks and builder Jack Nyboer of Nobo Build. The project, which took approximately two years from design to completion, features a single-story layout with two courtyards and a self-contained studio, thoughtfully integrated into its natural surroundings overlooking a nature reserve. The house's design centers around maximizing daylight and connecting indoor and outdoor living spaces through dual north-facing courtyard gardens. The central courtyard serves as a communal outdoor space ideal for entertaining, while a more private rear courtyard, adjoining the main bedroom, includes a plunge pool and outdoor shower, creating an adult retreat. This innovative layout ensures that every area of the home enjoys a view of the garden, fulfilling Jack's initial vision for the property. The exterior of the home features charred jarrah-clad walls, utilizing the Japanese shou sugi ban technique for timber preservation, which also provides a raw, maintenance-free aesthetic that contrasts with the brighter interior. The interior palette, selected by Raquel, emphasizes warmth and coziness through materials such as spotted-gum veneer kitchen cabinetry, travertine benchtops and bathroom tiles, and polished concrete flooring. This neutral base allows for personalization through soft furnishings and contemporary artworks by local artists, which introduce summery and playful colors. Collaboration was a key aspect of the project, with long-time friends architect Hayley Pryor and landscape designer/carpenter Rhys Heggie contributing their expertise. Hayley Pryor was instrumental in proposing the two separate courtyards and the detached studio. The construction itself was largely a hands-on effort by Jack and Rhys, involving long days but ultimately resulting in a home that surpassed expectations. Material choices throughout the house were inspired by the landscape, featuring organic and simple finishes selected for their textural and tonal qualities. The kitchen combines spotted gum cabinetry with overhead MDF cabinets in Moss Grey, complemented by a travertine benchtop. In the bathrooms, travertine flooring and custom-made spotted-gum mirrors reflect the natural theme. The landscape design incorporates Australian native plantings such as coastal pigface, kangaroo paw, and banksia and blueberry ash trees, thriving in the local climate. The living zone boasts a soaring raked ceiling and louvered windows that facilitate cooling breezes and cross-ventilation, especially during warmer seasons. Expansive glazing throughout the home frames views of the lush courtyards. Though the couple has since sold the house, they express immense pride in their first joint project, emphasizing the journey from an initial idea to a tangible home and the value of teamwork. #JapaneseStyleHome #CoastalLiving #CourtyardDesign #SustainableDesign #IndoorOutdoorLiving #ArchitecturalInnovation #MaterialPalette #LennoxHead

Exposed brick, a material with a long and diverse history in construction across various cultures, is now experiencing a resurgence in contemporary interior design, particularly within retail spaces and furniture. This versatile material has transcended its traditional structural role, evolving into a foundational element for artistic and cultural expression, as evidenced by its application in Roman architecture and the strategic perforated designs found in the Mediterranean. Renowned architects like Louis Kahn, Walter Gropius, Mario Ridolfi, Aldo Rossi, and Renzo Piano have previously showcased brick's capacity for innovation. Today, exposed bricks, interior bricks, and brick tiles are transforming spaces, integrating historical heritage with sustainable design practices. Kengo Kuma's design for Camper's Barcelona storefront exemplifies this trend, where the architect merges Japanese and Spanish cultural influences. Kuma reinterprets traditional brick tiles, creating a unique fish-scale pattern that forms decorative matrices, displays, desks, and chairs. This approach highlights the module's versatility and its ability to serve multiple functions within a retail environment. Similarly, Japanese designer Tsuyoshi Hayashi's "Kawara Bench" collection reimagines the traditional Japanese clay shingles, Kawara. Conceived in 2014, the collection incorporates salvaged and ready-made shingle scraps into lightweight wooden structures, showcasing a sustainable and artistic use of materials. The addition of color to these pieces further expands the aesthetic possibilities of brick. In furniture design, Simone Bonanni's Obon coffee table collection for Moooi uses terracotta, celebrating its warm tones and embracing slight imperfections as part of its aesthetic. These minimalist tray tables, in various sizes and mounted on cylindrical bases, introduce an earthy touch to modern interiors. The application of brick also extends to specific regional contexts, such as Aesop's Sao Paulo store, which pays homage to Brazil's traditional cobogó bricks. Designed by Fernando and Humberto Campana, the store utilizes perforated bricks to provide natural shade and ventilation, creating a seamless flow between indoor and outdoor spaces. The design incorporates radial motifs, reflecting artisanal traditions and Mediterranean influences, similar to Patricia Urquiola's Tierras and Celosia collections for Mutina. Tierras features modular, multi-colored porcelain stoneware claddings with earthy tones, bringing tactile materiality to industrial production. Celosia, on the other hand, consists of hollow terracotta modules that use a three-dimensional effect to redefine interior aesthetics. In Aesop's Brussels location, Bernard Dubois Architects employed traditional yellow brick tiles, common in the Benelux region, referencing works by modernist pioneer Hendrik Petrus Berlage. Dubois uses basic rotations and aggregations of these tiles, laying them vertically to cover curved surfaces, creating a continuous and uniform interior that balances tradition with innovative design principles. This global reinterpretation of brick underscores its enduring relevance and adaptability in contemporary architecture and interior design, moving beyond its ancient origins to shape modern retail and living spaces. #ExposedBrick #InteriorDesign #RetailArchitecture #SustainableDesign #KengoKuma #TsuyoshiHayashi #SimoneBonanni #CampanaBrothers #PatriciaUrquiola #ArchitecturalMaterials

Furuya Design has meticulously transformed an existing wooden bungalow on Amami Ōshima into a SANU Second Home, deeply integrating it with the island's subtropical environment. Situated in Tatsugo Town, near Amami Airport and overlooking Akaogi Bay, the project is part of SANU's membership-based vacation home network. The site is characterized by its tranquil inland sea, coral stone foundations, and resilient akagi trees, which have adapted to the strong ocean winds. The design philosophy behind this renovation focused on blurring the lines between the built structure and the surrounding natural landscape, emphasizing framing, texture, and creating an immersive atmosphere. The architects addressed the compact footprint of the original bungalow by introducing robust, expressive exterior walls, creating a double-skin facade. This innovative approach integrates existing elements like storm shutters and aluminum sashes while enhancing the home's performance and aesthetic appeal. The outer layer, clad in wood, is designed to mimic the textured, layered appearance of local fan palms, creating dynamic shadow play throughout the day. A crucial design intervention involved elevating a new attic-level viewpoint. This addition provides occupants with a unique vantage point to observe the coastline, framed by palm fronds, and to experience the sensory input of shifting leaves and distant surf, establishing a profound connection to the natural soundscape. Internally, Furuya Design implemented a significant vertical expansion by removing the original ceiling. This created a double-height atrium, linking the newly added attic viewpoint with the main living areas below. This central space functions as an indoor balcony, serving as a transition zone between the comfort of the interior and the expansive outdoors. The floor plan radiates from this atrium, incorporating distinct zones for living, dining, sleeping, and utility, ensuring a flexible layout suitable for both private contemplation and communal activities. The interior design prioritizes permeable boundaries, with carefully positioned openings that frame specific views of the landscape, drawing inspiration from the art of Isson Tanaka, known for his depictions of Amami's natural beauty. The renovation also paid close attention to Amami's unique botanical character, where tropical plants like hibiscus, plumeria, and bougainvillea flourish outdoors year-round, unlike their indoor cultivation in colder climates. Furuya Design collaborated with a local botanical garden to augment the site's existing vegetation, selecting species native to the island to enhance the ecological richness of the grounds. This botanical focus extended to a broader ecological consideration, particularly in light of the pest damage affecting sago palms, a symbolic species on Amami. The project became an opportunity to reflect on the role of architecture not only in preserving natural aesthetics but also in fostering a deeper engagement with and responsiveness to natural ecosystems facing environmental challenges. This partnership with SANU underscored a commitment to addressing the declining natural systems and promoting environmental awareness through architectural design and landscaping choices. #FuruyaDesign #SANUHome #AmamiOshima #JapaneseArchitecture #BungalowRenovation #NatureImmersedDesign #WoodArchitecture #SubtropicalEnvironment #ArchitecturalRenovation

The architecture firm OWIU, co-founded by Joel Wong and Amanda Gunawan in 2018, undertook a project to revitalize a neglected 1955 Mid-Century Modern home located in the foothills of Mount Washington, Los Angeles. Their design approach for this residence was heavily influenced by the Japanese Ryokan aesthetic, characterized by subtlety, neutrality, and a focus on harmonious energetic balance. This philosophy, which the firm has previously applied to other projects in L.A., emphasizes egoless, collaborative design that integrates various elements to manifest a cohesive vision. The renovation aimed to create an open and flowing space where transitions between rooms are subtly marked without the use of obtrusive walls. This was achieved through intentional design elements such as slight steps between areas, symbolic textural variations, and strategic plays on transparency. Gunawan explains that this approach allows for the demarcation of spaces while maintaining a synchronized flow throughout the house, making occupants implicitly aware of spatial changes. Upon entering the home, the design directs the eye towards a substantial garden through expansive floor-to-ceiling windows, offering views of palm trees and the distant city skyline, thereby connecting the interior with the natural surroundings. Wong notes that the home's secluded location, away from the typical Los Angeles hustle, was a key attraction for the project. Externally, the outdoor deck was designed to respect the plot's topography, featuring interweaving curves that harmonize with the natural landscape. The interior and exterior surfaces are painted in earthy tones, ranging from terra-cotta to beige, to reflect the surrounding environment. The foyer is finished with Venetian plaster, which introduces the delicate texture of the nearby mountains into the living space. OWIU also prioritized sustainability by incorporating copious amounts of reclaimed wood and preserving existing elements of the house wherever possible. A notable design feature is OWIU's reintroduction of glass privacy blocks, a quintessential Mid-Century Modern element that has fallen out of favor. Gunawan aimed to restore the material's original appeal, highlighting its versatility, structural integrity, and ability to allow light penetration. These glass blocks are utilized in various ways, such as forming a wall between the bathroom and the main living area to ensure privacy without hindering flow, and serving as the base for an impressive bean-shaped kitchen counter, creating the illusion that it floats. This thoughtful application showcases the material's potential beyond its often-misunderstood association with 1980s design. Drawing further inspiration from the tea ceremony rooms found in traditional ryokan, OWIU constructed an elevated deck off the main bedroom. This feature evokes the serene platform of a Zen garden, facilitating a smooth transition from the private quarters into nature. The design intends for this step-down to be an almost imperceptible ritual, encouraging stillness and contemplation for the residents. Gunawan emphasizes that this space offers an escape, promoting a sense of calm and introspection, which is the ultimate goal of the home's design. #OWIU #MidCenturyModern #JapaneseRyokanAesthetic #LosAngeles #HomeDesign #InteriorArchitecture #SustainableDesign #GlassBlocks #ZenGarden

Muji, the Japanese lifestyle brand known for its minimalist 'no-brand' approach to everyday goods, has unveiled a unique, large-scale installation titled 'Muji Materials Garden' in New York. This installation marks the 10th anniversary of Muji's retail launch in New York and represents a rare collaboration with outside designers. Toru Tsunoda, Muji US president, commissioned local American design duo Ladies & Gentlemen Studio, comprised of Dylan Davis and Jean Lee, for this inaugural New York Design Week activation. The primary objective was to create an immersive experience that delves into Muji's distinct design ethos and its commitment to honest materials, offering a fresh interpretation inspired by traditional Japanese rock gardens. The 'Muji Materials Garden' installation moves away from the typical flamboyant displays often seen at design festivals, instead offering a series of meditative vignettes. These vignettes are designed to explore the origins of Muji's core product offerings, focusing on materials such as wood, stainless steel, plastic, cotton, ceramics, paper, and glass. Each section thoughtfully pairs finished Muji designs with their fundamental, elemental sources. For instance, delicate glass bowls are presented on beds of sand, illustrating the raw material from which they are formed. Soft cotton apparel is displayed alongside wispy fronds of cotton plants, highlighting the natural origin of the fabric. Ceramic dishes are arranged on plinths made of clay slabs, directly linking the final product to its earthy beginnings. Further demonstrating this material journey, clear storage units are positioned above a pool of opaque plastic pellets, providing a visual connection to the raw polymer. A stainless steel desk is showcased amidst rocks and minerals, from which the metal is mined and processed, emphasizing the industrial transformation of natural resources. A central gravel path connects these diverse vignettes, serving as both a physical and metaphorical conduit. This pathway offers visitors a tactile and visual lesson in contemporary material science, effectively blurring the lines between natural origins and manufactured goods. The pairings, despite the industrial processes involved, are presented in a surprisingly soothing manner, fostering a deeper appreciation for the materials. Dylan Davis, one half of Ladies & Gentlemen Studio, articulated the designers' intent, stating their desire for visitors to perceive materials through the lens of a designer, capturing the inherent fascination associated with them. The exhibition highlights Muji's philosophy of emphasizing the inherent qualities of materials and the simplicity of form. By showcasing the raw components alongside the finished products, the installation educates and engages the public on the origins and transformations of everyday items. It underscores Muji's dedication to quality, functionality, and a respectful understanding of the resources used in its designs. The installation is a contemplative journey, encouraging visitors to pause and consider the fundamental elements that contribute to the creation of Muji's minimalist products. The 'Muji Materials Garden' is more than just an exhibition of products; it is an educational and experiential display that invites introspection on the journey of materials from nature to designed objects. This approach aligns perfectly with Muji’s brand identity, which champions simplicity, sustainability, and the intrinsic value of materials. The collaboration with Ladies & Gentlemen Studio demonstrates Muji's openness to innovative interpretations of its brand values, particularly in a significant market like New York. The installation was on view until May 29th at the Muji Soho pop-up located at 434 Broadway, New York, NY 10013, providing a unique cultural experience during New York Design Week. #Muji #JapaneseRockGarden #Minimalism #NewYorkDesignWeek #InstallationArt #MaterialScience #LadiesAndGentlemenStudio #DesignExhibition

OEO Studio, based in Copenhagen, has completed a luxury apartment in Tokyo's Opus Arisugawa Terrace & Residence, collaborating with Japanese property developer ReBita. The project seamlessly integrates Scandinavian design principles with traditional Japanese aesthetics and materials, reflecting a cross-cultural design philosophy. The apartment showcases OEO Studio's expertise in creating spaces that are both clean and rich in local character. The interior design features a kitchen crafted in Denmark by Garde Hvalsøe, known for its handcrafted cabinetry, and furniture from prominent brands such as Gubi, Stellar Works, and Brdr Krüger in the living room. Art pieces by Finnish artist Jaakko Mattila and Danish photographer Søren Rønholt further enhance the Scandinavian influence. The apartment’s layout promotes a natural flow between designated areas, fostering a warm and inviting atmosphere. Textural elements are central to the design, with rammed earth walls in the entryway providing a connection to nature, and columns made from Japanese Ōya stone dividing the living and kitchen spaces. Entrance areas are distinguished by deep blue indigo tiles, while Finnish birch paper yarn rugs, featuring patterns inspired by traditional Japanese textiles, introduce tactile comfort. The flooring creates visual interest through a juxtaposition of stone in the living room and wood in adjacent areas. A notable design feature is a movable wall that allows for flexible privacy settings. The bedrooms explore contrasts, with one designed in a darker palette and another in a lighter one, furnished with pieces from Karakter, Brdr Krüger, Stellar Works, and Fritz Hansen. The en-suite bathrooms continue the material narrative with stonework and wooden cabinetry, highlighted by a hinoki wood bathtub. This project exemplifies OEO Studio's ability to blend diverse cultural influences into a cohesive and luxurious living environment. The studio drew upon its established design heritage, integrating it thoughtfully with Japanese traditions to create an apartment that respects both backgrounds while offering a contemporary, elegant aesthetic. The use of natural materials and a focus on craftsmanship underscore the design's commitment to quality and longevity. The combination of Danish and Japanese design elements creates a unique dialogue between minimalist principles and a profound appreciation for texture and natural forms, resulting in a residence that is both sophisticated and deeply rooted in its context. #OEOStudio #TokyoApartment #ScandinavianDesign #JapaneseHeritage #InteriorDesign #LuxuryLiving #CrossCulturalDesign #NaturalMaterials

The False Bay Residence and Writer’s Cabin, designed by Seattle-based architects Olson Kundig, is situated on Washington’s San Juan Islands, offering exquisite views of the bay and mountains while minimizing environmental impact. The architectural design features a restrained, minimal palette and composition, taking cues from the surrounding agricultural buildings with a steeply pitched roof, open interior, loft space, and overall height that resonates with the local vernacular. The material palette is limited to wood, concrete, and steel, creating a natural and warm aesthetic that blends with the blues and greens of the lush surroundings. Thoughtful design solutions address daylighting and privacy, with large windows emphasizing the connection to the outdoors. The interiors, efficiently laid out, provide ample space for entertaining, family activities, and the display of the owner's extensive art collection. Geremia Design undertook the furnishing and decoration of these spaces, combining restraint, simplicity, and richness to create an elegant atmosphere. A 15-foot-tall, steel pivot entry door opens into a combined art gallery and living area. Upon entry, an iconic block bench by John Eric Byer in blackened maple is revealed, adorned with a mirror piece by Sabine Marcelis and Brit van Nerven, with large openings showcasing the surrounding views. The double-height, glazed living spaces ensure abundant natural light and unobstructed views of the landscape. The upper floor wraps around the main living space below, providing picturesque views from both levels. The living area features coffee bean tables by Holly Hunt, a silk Tai Ping rust carpet, and a custom Living Divani Sofa. Laurier Blanc acrylic glass Hekla Side Table & Stool, embedded with burnt wood trunk, complements Taylor Forrest Club chairs, positioned beneath an Amir Zaki photograph. A steel fireplace separates the dining space from the open kitchen, with concrete floors extending throughout the main floor. White walls are accented by dark window frames, steel contrasts, and other natural materials. Lighting by Wintercheck Factory sits atop a credenza by Wüd Furniture Design. Custom-designed open-shelving credenzas align with the window mullions, situated beneath a Tom Burrows artwork. The Olson Kundig-designed kitchen boasts green soapstone countertops and oak veneer cabinets, featuring custom Olson Kundig hardware. The soapstone counters and backsplash reflect the natural setting, drawing in hues and colors from the surrounding landscape. Above, a loft area is open to the main living space, with a bedroom on each level separated from the social areas. The loft space is furnished simply, with colorful artwork and rich textiles. Full-height casework includes a built-in desk that can be concealed behind pocket hinge doors. Playful artwork by Ben Chickadel adorns the architectural palette, adding vibrant colors and textures. The bath areas maintain the natural, simple material palette, featuring a large soaking tub atop pebble tile. The master bedroom includes a custom leather-and-steel bed, a collaboration between Geremia and fabricator Tod Von Mertens, and a rolled-steel and Thassos marble fireplace. A vintage Mario Bellini club chair is placed by the hearth. The Writer’s Cabin, a 500-square-foot glass guest cottage, is surrounded by three wooden decks that can be raised via hydraulic winches, wire rope, pivoting sheaves, and lead blocks to serve as shutters or opened to connect with the landscape. This cabin, with its floor-to-ceiling windows and custom shutter-deck enclosure, offers a profound connection to the natural environment. The cozy sitting area serves as an ideal writer's retreat, and a rotatable fireplace provides warmth both inside and outside. #OlsonKundig #GeremiaDesign #FalseBayResidence #WriterSCabin #ModernArchitecture #InteriorDesign #PacificNorthwest #ArtCollection

This article highlights the creation of a 7,812-square-foot dream home on Maxwell Bay of Lake Minnetonka in Orono, Minnesota. The homeowners, having previously resided in several lakefront properties, sought a contemporary design that harmonized with rustic materials, reflecting the natural surroundings. Architect Peter Eskuche of Eskuche Associates was commissioned for the design, with construction handled by Stonewood, LLC. The resulting aesthetic is termed 'mountain-modern,' characterized by clean lines, a low-pitch roof, and the incorporation of reclaimed barn-wood siding, cor-ten steel, and other dark metal accents. The entrance of the home features a grand 10-foot-tall door, opening into interior spaces that blend metal, glass, and wood, further enhanced by reclaimed timbers and stone. A notable architectural element is a stone-clad wall that bisects the house, creating steel-framed openings from the foyer to the main living areas. Within the gathering room, a steel and glass wine cellar serves both a functional and artistic purpose. A steel staircase with substantial wood treads connects the three levels of the residence, complemented by a glass and steel elevator for accessibility. Interior designer Annie Graunke of Studio M focused on incorporating beautiful woods with distinct grains to introduce warmth into the expansive, open-plan home. The design maintains straight lines while integrating plush textures and materials, creating subtle parallels between the furniture and the architectural elements. The kitchen, which flows into the dining and gathering spaces, boasts custom brown-stained, vertical grain, clear oak cabinets and marble countertops, including a waterfall edge on the island. Sliding glass doors in the kitchen lead to a versatile porch equipped with a wood-burning fireplace, infrared ceiling heaters, an outdoor kitchen with a grill, and automated screens and vinyl shades, facilitating year-round outdoor living. Upstairs, the home accommodates private bedrooms and bathrooms for the daughters. The master suite features a fireplace and a glass door that opens onto a deck with an outdoor gas fireplace. The master bathroom is appointed with stone vanities and a glass shower. The lower level includes a fitness room, a bathroom with a sauna, a guest suite, and a linear fireplace with a blackened steel surround and a floor-to-ceiling Cambria wall. A multi-panel glass Marvin door provides access to the pool deck, which offers views of the lake. Sven Gustafson, president and CEO of Stonewood, LLC, noted that the home embodies the couple's long-held dreams and travel-inspired ideas, meticulously integrated into a residence tailored to their lifestyle and aesthetic preferences. This property was also featured on Midwest Home's 2018 Luxury Home Tour, with sponsors including Andersen Windows & Doors and Phantom Screens. #LakesideHome #LuxuryHomeTour #MountainModernDesign #StonewoodLLC #EskucheDesign #LakeMinnetonka #ContemporaryArchitecture #RusticMaterials #OronoRealEstate

In Miami's Wynwood neighborhood, Michael Hsu and his team have created Uchi Miami, an extension of the renowned Austin-based Japanese restaurant. Opened late last year amid the COVID-19 pandemic, the restaurant's design meticulously integrates Japanese traditions of craft and artistry, evident from its sushi rolls to its carefully chosen wooden elements. The design vision was heavily influenced by Japanese wrapping techniques, particularly how gifts, vegetables, and fruits are presented, fostering an atmosphere of continuous discovery within the space. Hsu emphasized how architectural inspiration was drawn from ropes, strings, and the act of tying things together, leading to a deliberate exploration of material paradoxes. Upon entering, guests are greeted by a custom wall crafted from concrete blocks and interwoven cotton rope, appearing to be held in place solely by the ropes. This unique piece was created by local artist Vas Bets. The restaurant's design incorporates bespoke artwork throughout, adding a whimsical touch that resonates with the surrounding neighborhood. Examples include a hand-drawn chalk mural by Sam Angus Jackson depicting jellyfish above the sushi counter and custom woven lighting fixtures that appear to float above dining tables, designed by Warbach. These elements contribute to a holistic sensory experience, which Hsu described as a primary goal. To enhance this sensory journey, the team utilized organic materials and biophilic elements, such as lush, vibrant plants. The seating arrangement offers a mix of intimate booths and communal tables, catering to various dining preferences. A significant challenge in the design process was managing Miami's intense sunlight, especially for an upscale dining establishment. To achieve a more subdued and intimate ambiance, Hsu opted to drape the glass facade. This strategic use of drapery creates a varied blend of tonal textures and hues, effectively diffusing the natural light while simultaneously instilling a sense of mystery, reminiscent of a meticulously wrapped package tied with string. The restaurant's interior features several notable design elements that reinforce the Japanese aesthetic. Rattan booths provide a sense of privacy for diners. Curved banquettes and booths showcase interwoven seat backs, reflecting traditional textile practices. In the bar area, walnut and ash wood are prominently used to create a focal point, further highlighting the concept of contrasting elements that is central to the design. Hand-woven wall hangings by local artist Elan Byrd adorn the walls of the private dining area, adding another layer of textural richness. Even the restrooms maintain the geometric forms and material palette seen throughout the rest of the restaurant, ensuring a cohesive design experience. The exterior also features a custom brick wall by Vas Bets, welcoming guests and setting the tone for the interior experience. The overall design successfully translates the delicate artistry and material sensitivity of Japanese traditions into a contemporary restaurant setting, creating a space that is both visually engaging and experientially rich. #JapaneseTradition #RestaurantDesign #MichaelHsu #UchiMiami #InteriorDesign #WynwoodMiami #MaterialContrast #SensorialExperience #BiophilicDesign

Rye-based designer Emily Meszkat undertook the renovation of a three-story “upside down” vacation home in Weekapaug, Rhode Island, for former Westchester clients. The project aimed to create a luxurious yet family- and pet-friendly escape for a family of four, their dog, and extended visitors. The design emphasized a healthy use of color and pattern, incorporating whimsical touches while ensuring durable materials suitable for heavy traffic and a coastal environment. The homeowners, a sailing family, desired an infusion of coastal vibes without resorting to a simplistic blue and white palette. Meszkat collaborated with architect Kenneth Wieber and contractor Field + Co. to bring the vision to life. The home's 'upside down' layout positions the main living areas on the upper floors to maximize water views, which necessitated robust design choices for high-traffic zones like the stairs. Meszkat selected an indoor/outdoor runner for the staircase to withstand sand and salty shoes. Nautical elements were subtly integrated throughout, such as ship-like circular windows, shiplap, and glass tiles resembling mermaid scales. Traditional elements were given a coastal twist, including ginger jars with rattan details and rattan-wrapped brass lights. In the entryway, ginger jars with a coastal rattan twist provide a traditional aesthetic, while a durable indoor/outdoor runner was chosen for the heavily used stairs. The living room features a shiplap and marble fireplace that combines a carefree beach house feel with luxury. A pure wool rug with a nautical stripe and Pottery Barn sofas in a traditional style contribute to the inviting atmosphere. A wicker table painted in Sherwin Williams Salty Dog blue adds a pop of color. The powder room, located off the main living room, introduces a feminine touch with a pink Thibaut wallpaper that subtly incorporates blue patterns, a Kohler seashell-like sink, and a scalloped Oomph mirror. The kitchen features a custom white hood with wood accents, brass details, and Serena & Lily rattan barstools. A glass backsplash provides sparkle, and the space is painted in Benjamin Moore Simply White for a warm, crisp, and airy feel. A custom dining table by Dunes and Duchess is illuminated by a Capiz shell light. For the dry bar, Meszkat utilized Casablanca Tile with sea colors and a brass inlay, contrasting with hydrangea blue cabinets painted in Benjamin Moore’s Santorini, and elevated with glass hardware. The first-floor living space, designed for heavy in-and-out traffic from the beach and backyard parties, includes a fully equipped kitchenette with custom cabinetry by Primrose Woodworks and Lunada Bay tiles. Indoor/outdoor rugs and slipcovered sofas ensure easy maintenance. The first-floor guest bathroom incorporates blue-and-white-striped penny tiles from Casablanca Tiles, Phillip Jeffries vinyl wallpaper with a surfer vibe, brass fixtures, and a custom vanity by Primrose Woodworks. The primary bedroom, situated on the third floor for optimal views, features a custom reading nook with a green printed Thibaut fabric and Phillip Jeffries grasscloth in a hydrangea blue hue. Made Good indoor/outdoor side tables offer versatile seating. The primary bathroom maintains a serene, spa-like atmosphere with white and gray tile, porcelain resembling Calacatta marble, all-brass fixtures, and nautical lighting by Visual Comfort. The overall design successfully balances luxury, functionality, and a cohesive coastal aesthetic while introducing unexpected pops of color and pattern. #VacationHome #RhodeIslandDesign #InteriorDesign #CoastalDecor #HomeRenovation #EmilyMeszkatInteriors #LuxuryLiving #FamilyFriendlyDesign #Weekapaug

The 'Onjuku Beach House,' designed by Japanese architectural practice Bakoko, is a single-family residence situated in Onjuku, Japan, near the sandy white beaches southeast of Tokyo. The dwelling features a low-profile exterior that integrates with the local bluffs. Its construction employs traditional Japanese timber framing methods, utilizing modern technology to enhance efficiency and precision. The exterior is clad with cedar planks, which are treated with a preservative stain to achieve a weathered aesthetic. Sliding wooden shutters, positioned parallel to the wood deck, serve a similar function to the traditional Japanese engawa, providing a mechanism to enclose and protect the entire home from seasonal typhoons. The project incorporates advanced timber framing techniques, where traditional labor-intensive interlocking joints, historically used for earthquake-resistant structures, are now created with robotic machinery. This technology allows for the precise precutting of each joint in seconds. A timber supplier generates templates from blueprints, and then the lumber is accurately trimmed, numbered, and delivered to the construction site. This process enables workers to assemble the units like a large puzzle, using a wooden mallet to secure the joints. Additional bolts are incorporated to reinforce the structure and resist lateral forces, crucial for earthquake resistance. This innovative construction method significantly reduces the need for highly skilled woodworking labor on-site and achieves millimeter accuracy. Furthermore, it virtually eliminates waste during the construction phase. The entire structure can be erected in a single day due to the prefabrication and precision of the components. The article details the construction stages, starting from the foundations, and illustrates the assembly of the wood frame, the use of tongue and groove joints, and the installation of cedar cladding, both before and after treatment with a preservative. The final images showcase the completed exterior, including the porch, cedar deck, and sliding doors, highlighting the integration of traditional aesthetics with modern construction efficiency. The 'Onjuku Beach House' exemplifies a harmonious blend of traditional Japanese architectural principles with contemporary technological advancements. The design respects the local environment through its low-profile massing and material choices, while the construction methodology showcases a forward-thinking approach to efficiency, precision, and sustainability in timber construction. This project demonstrates how modern industrial processes can be leveraged to preserve and enhance historical building practices, particularly in regions prone to natural phenomena like typhoons and earthquakes. #Bakoko #OnjukuBeachHouse #JapaneseArchitecture #TimberFraming #EarthquakeResistantDesign #SustainableConstruction #CoastalArchitecture #PrecutTechnology

Acne Studios, the Swedish fashion label, has opened a new flagship store in Tokyo's Aoyama district, a move that encapsulates the brand's playful yet minimalist aesthetic. The store, located on a prominent corner of Omotesando, an area known for its architectural significance, was designed by Acne Studios' founder and creative director, Jonny Johansson, in collaboration with Stockholm-based studio Halleroed. This new location replaces a previous store on a nearby backstreet and represents the culmination of Johansson's long-standing connection and inspiration drawn from Japan. The conceptual foundation for the store was inspired by the idea of a 'garage' – an open, technical space. Johansson envisioned an interior that maintained the skeleton of the original building, incorporating extensive use of glass to create a seamless flow between the inside and outside, allowing visitors to feel connected to Aoyama. This structural openness is complemented by a unique design element: softly-textured pink granite stone. This material is used to connect various spaces, extending across floors and walls, and forms two prominent, airy staircases with clean, minimalist lines and subtly indented handrails. The choice of pink for the granite was deliberate, aimed at avoiding a 'banal' or 'naïve' impression. According to Ruxandra Halleröd, co-founder of Halleroed, the team explored various textures and materials before settling on a granite that intensifies in pink hue when flamed. This approach was intended to create a mature and nuanced pink, moving beyond typical feminine connotations to become a 'pop color' that aligns with Acne Studios' slightly vague yet distinct brand identity. Contrasting the soft pink granite, the store integrates reflective metal accents, angled mirrors, and dynamic stainless steel clothing hangers that are sharply suspended from the ceiling. This blend of materials and forms adds to the store's contemporary and edgy atmosphere. Further enhancing the creative interior are bespoke elements from long-term Acne Studios collaborators. British designer Max Lamb contributed a series of pieces, including shiny soft leather seats that appear to merge with the walls, tufted carpets, and 'Blob' chairs made from hand-dyed yarns. Illumination is provided by dozens of custom strip-lighting fixtures, conceived by designer Benoit Lalloz, which are strategically placed across ceilings and integrated into metal displays. Surrealist mannequins by artist Daniel Silver introduce an additional layer of artistry. Ruxandra Halleröd emphasizes that the design thrives on contrasts, mirroring Tokyo's own blend of high-tech and historical elements. The stark, hard-material-clad building contrasts with the irregular, shiny furniture, creating unexpected visual and tactile experiences. Christian Halleröd, also a co-founder of Halleroed, highlights Japan as a significant source of inspiration, particularly for its commitment to quality and craftsmanship. The store's opening is also marked by a collaboration with artist Takuro Kuwata, who created a series of candy-bright ceramic vessels and reinvented the brand's 'Camero' bag and denim jeans with rainbow designs and trompe l'œil effects. This reflects Johansson's perspective that "fashion is supposed to be fun" and a desire for luxury to be inclusive rather than exclusive, a philosophy that deeply informs the new Tokyo flagship. #AcneStudios #Tokyo #FlagshipStore #FashionDesign #RetailArchitecture #InteriorDesign #JapaneseCraftsmanship #ContemporaryArt

A family from Virginia sought a coastal retreat that would offer a dramatic departure from their traditional primary residence in the D.C. area. They chose Marco Island, commissioning HLevel Architecture for the design, BUILD for construction, and David Fruscione of Republic of Decor for the interiors. The 6,600-square-foot, five-bedroom home, initially conceived as a spec house, was transformed into a personalized sanctuary reflecting the clients' desire for a casual, coastal, and transitional feel while maintaining sophistication. The design ethos is characterized by a palette of blues and neutrals, echoing the surrounding water. The exterior features a blue metal roof, and the two-story glass entry is accentuated by an 11.5-foot-long blown-glass chandelier from Hammerton. The main living spaces are grounded by wide-plank oak floors, complemented by floating shelves and reclaimed beams that add warmth against 11.5-foot ceilings and expansive glass walls. The study exemplifies an elevated coastal design with a navy built-in, grasscloth wallpaper, and brass sconces, framed in black metal to create a sophisticated and textured environment. The kitchen stands as a central feature, showcasing a custom blue and brass hood above a Wolf range. This is balanced by a porcelain tile backsplash and a 10.5-foot island, painted in a blue-black finish and topped with quartz featuring subtle gray veining. Antiqued mirrored glass conceals Sub-Zero refrigeration units, while brass accents on Arteriors pendant lighting and other fixtures contribute to a cohesive warm aesthetic throughout the space. Illumination was a key priority, with a comprehensive lighting plan incorporating various fixtures, from brass pendants to sculptural sconces, to create a layered glow. In the primary suite, subtle textures ensure the focus remains on the Bay view. Phillip Jeffries wallcovering adorns the headboard wall, and the ensuite bathroom features porcelain tile and quartzite countertops. Penny tile shower flooring in soft putty and mushroom tones maintains the home’s neutral foundation, illuminated by alabaster sconces from Chapman & Myers. Upstairs, the bedrooms introduce more individualized expressions, including a particularly feminine suite for the couple's teenage daughter, adorned with Laura Park wallpaper in pinks and corals and a bubble-glass fixture. Personal touches are evident throughout the home, from the curated mix of art and accessories in the great room to a distinct family photo wall between the entry and kitchen, which was a surprise commissioned by the owner for her husband, celebrating decades of memories. Outdoors, a raised pool and spa complement a Turkish limestone-clad loggia, which houses an open-air kitchen, dining, and living area, extending the waterfront living experience. The pool bath provides a dramatic element with vibrant Stroheim wallpaper, complemented by a Stone Forest vanity featuring a solid marble top over knurled brass and wood shelves. This home successfully blends bold design elements with coastal ease, offering a distinct departure from formal living for the family. #HomeTour #CoastalDesign #InteriorDesign #LuxuryHome #MarcoIsland #RepublicOfDecor #ArchitecturalDesign #CustomInteriors #WaterfrontLiving