This architect's home in Goa uses bricklaying techniques from Northern Africa

Interior architect Kunal Shah's Goa home is a 2,500 square-foot residence designed as an homage to nature and its reflection in art, incorporating a minimalist aesthetic through white washes, wood, and natural greenery. The home is structured across two levels, with a deliberate focus on controlling heat and maximizing natural light and air circulation. A double-height living room serves as a central feature, specifically engineered to allow hot air to rise and to facilitate a constant flow of air through openings on three sides, ensuring comfort without extensive air-conditioning. This design also provides expansive views, capturing both sunrise and sunset. The layout includes a library on the mezzanine level, strategically positioned to offer a spacious view of the double-height living room, maintaining a sense of openness. The dining room, originally a bedroom, is situated on the other side of the entrance foyer, connecting to a powder room and kitchen. The upper level houses the main bedroom and a terrace, while a guest bedroom is located on the ground floor. The house prominently integrates its natural surroundings; views of lush vegetation are framed by Burma teak windows. Shah carefully considered the light filtering through existing trees like jackfruit and mango, tailoring window sizes to optimize natural light without creating symmetry, but rather solving environmental challenges and enhancing the atmosphere. The material palette emphasizes natural elements, with flooring in grey kota and black kadappa stone, chosen for their aging properties and ability to absorb solar glare. Bathrooms are finished in white Indian marble. Shah advocates for natural materials due to their sustainability, aesthetic appeal, and graceful aging process, noting that they become smoother with use and maintain their integrity without chemical intervention. The interior decor and art collection introduce color into an otherwise muted palette, complemented by the rich tones of linseed-oil-finished Burma teak wood. This wood not only adds visual depth but also provides a tactile experience, with the grain and texture perceptible to touch and feel. The art and decor pieces are a diverse collection, reflecting Shah’s personal journey and tastes, rather than adhering to a strict design philosophy. He incorporates both street finds and items collected during travels, acknowledging that the curation is an eclectic mix of pieces acquired for their momentary significance. Many larger furniture items, such as beds, wardrobes, mirrors, and bookshelves, were custom-designed by Shah himself, aligning with a mid-century modernist aesthetic blended with colonial influences and Art Deco flourishes. Notable designer pieces are interspersed throughout, complementing his extensive art collection, which includes works by Zarina Hashmi and Jeram Patel, and sculptures by Laki Senanayake. The home is a testament to thoughtful design, where art, texture, and nature harmoniously converge to create a unique living experience in Goa. #GoaHome #InteriorDesign #ArchitecturalDesign #NaturalMaterials #ArtCollection #SustainableDesign #MidCenturyModern #GoaArchitecture #KunalShah

This article explores seven Indian homes that showcase the timeless charm and versatility of bricks in their architectural design. Bricks are presented not merely as a construction material but as a medium for artistic expression, blending tradition with modernity across various residential projects, from urban apartments to lakeside retreats. Each featured home demonstrates how architects and homeowners have embraced exposed brickwork to create unique, aesthetically pleasing, and often sustainable living spaces. The first home, a weekend retreat in Gujarat designed by Vaissnavi Shukl, exemplifies a red brick wonder. The owners specifically requested exposed brick, which also functions as a load-bearing superstructure. The design incorporates features like long slit windows, pergolas, and clerestories to manage sunlight, complemented by an RCC brise-soleil to minimize western glare. Interior elements include plywood finishes, leather-finish Kota stone flooring, and wooden furniture, creating a low-maintenance and inviting atmosphere where the natural light and brick aesthetic are central. In Delhi, Shonan Purie Trehan's design for her parents' home utilizes brick to weave personal memories into the architecture. This residence, hidden behind trees in Golf Links, integrates elements of Art Deco, intricate inlaid floors, handcrafted tiles, and personal photographs, all crafted in collaboration with artisans. The sculptural handmade brick exterior, with each shifting brick meticulously placed, creates a fluid and poetic spatial experience, dynamically connecting gardens, patios, and a pool with the interiors. Bengaluru's 'The Garden House,' designed by Nayanika Natesh of NNAD Studio, focuses on biophilic flourishes for an elderly couple passionate about environmental sustainability. This 1,800-square-foot bungalow features numerous open and green spaces, utilizing upcycled and refurbished architectural components and furniture. The brick-clad exterior and interior showcase a minimal color scheme, with decor and soft furnishings breaking the monotony. Clerestory windows and intricate iron filigree allow natural light to filter in, while a sunken seating area with brick-based benches enhances the airy and flexible milieu. Amit Khanna of Amit Khanna Design Associates highlights the enduring appeal of brick, concrete, and stone in a three-level villa in Gurugram. The design intentionally restricts itself to these three materials, creating a timeless aesthetic reminiscent of ancient monuments. One wing features an inscrutable brick façade, partially perforated by a 'jaali' (screen) that filters light during the day and creates a shimmering effect at night. The use of locally sourced, thin 'nikki' bricks from Sinauli, Uttar Pradesh, emphasizes sustainability and allows for elegant, narrow horizontal apertures in the 'jaali' design. In Kerala, architect Srijit Srinivas designed a minimalist home for Rajnath R and Preetha B, focusing on exposed brickwork and eco-sensitive results. Faced with a challenging 2,178-square-foot plot in a busy neighborhood, Srinivas opted for a simple platonic cuboid form with a slanted front. A stunning brick lattice treatment on the front façade ensures privacy for living and sleeping areas on the upper floor while allowing for unhindered airflow, creating a private oasis amidst the urban bustle. Ankleshwar, Gujarat, features a multigenerational courtyard home by Tarun Patel of MISA Architects, designed to be 'inside out' while maintaining privacy. Patel crafted an alternating brick pattern for the façade, welcoming light but deterring prying eyes. He meticulously calculated the smallest brick-to-cement ratio and even demonstrated the brick bond technique to contractors. Concrete bands along window sills and lintels were integrated to stabilize the brick walls and fortify the structure, enveloping it in the beauty of bricks while ensuring seclusion. Finally, Jitendra Sabalpara of Design Work Group in Surat designed a light-filled bungalow where brick is integral to the design, reflecting Louis Kahn's philosophy on material use. The four-storey, five-bedroom home features a façade of brick, black granite, and concrete, giving it a distinctive identity. The exposed brick wall, large arched opening, and contemporary metal screen (jaali) provide a breathable, climate-responsive skin, with granite stone cladding complementing the earthy tones of the brick. #IndianHomes #BrickArchitecture #RusticDesign #SustainableHomes #ArchitecturalDesign #InteriorDesign #Materiality #ModernTraditional #EcoFriendly

Bharat Floorings, a Mumbai-based company manufacturing vintage cement tiles, has a rich history dating back to 1922 when it was founded by Pherozeshah Mehta and his nephew Rustom Mehta. Inspired by India's freedom struggle and the call for economic independence, the company initially stamped each tile with a map of undivided India as a symbol of patriotism. Their products quickly gained popularity among Indian maharajas, with examples still found in places like Umaid Bhavan Palace in Jodhpur, and even the ruling British class, who used them in universities and public buildings. The company has consistently adapted to technological advancements throughout its history, from the Art Deco movie theatres of the 1940s to the terrazzo and mosaic tiles of the 1970s, and the heavy-duty Stilan tiles used in India's railway stations. In the new millennium, Bharat Floorings has contributed to significant restoration projects, including the UNESCO award-winning Dr Bhau Daji Lad Mumbai City Museum and The Royal Bombay Yacht Club. Today, Bharat Floorings focuses on design innovation, collaborating with various designers such as Alice Von Baume (textile designer), Sameer Kulavoor (graphic designer), and Tanya and Sandeep Khosla to create diverse collections. Their 'Made in India' collection, developed with Idea Spice Design, features patterns inspired by different Indian states, like the phulkari from Punjab and the jharoka from Rajasthan. The handcrafted heritage tiles, which celebrate the culture of old Bombay, remain their most popular collection, appealing to designers like Isla Van Damme (Loulou), who values traditional craftsmanship over mechanization. The increasing popularity of patterned floors, fueled by social media trends like #ihavethisthingwithfloors, has drawn renewed attention to unique flooring options. Firdaus Variava, vice chairman of Bharat Floorings, notes the growing demand for their products, particularly for vacation homes and resorts in states like Goa. Architects and designers, such as Gurmeet Akali of Studio Momo and Raya Shankhwalker, appreciate the rustic texture and muted tones of cement tiles, which provide an old-world, bohemian character. These tiles offer a durable and permanent flooring solution, lasting decades at a reasonable price, in contrast to mass-produced vitrified tiles. The manufacturing process for cement tiles is labor-intensive, involving about seven manual steps over 25 days, from mixing colors to hand-pressing them into molds, followed by water curing and air drying. This handcrafted approach provides employment to numerous artisans and results in unique, sturdy tiles with variations that machine-made alternatives lack. Designers like Loulou have used Bharat tiles in prominent projects, including the original Bungalow Eight concept store in Mumbai and several luxury homes and boutique hotels in Goa. Gurmeet Akali even recounted an instance where leftover tiles were creatively repurposed to form unique patterns, adhering to a zero-waste policy. Bharat Floorings exemplifies a successful blend of traditional Indian craftsmanship with modern consumer relevance, transforming a historical technique into a cherished design element. #CementTiles #IndianCraftsmanship #ArchitecturalDesign #InteriorDesign #HistoricPreservation #GoaHomes #FlooringSolutions #MadeInIndia #DesignInnovation

Swastik Bhavan, the ancestral home of Jay Mehta in Porbandar, Gujarat, stands as a remarkable example of Art Deco architecture from the 1920s. Built by his grandfather, Nanji Kalidas Mehta, the industrialist and philanthropist, the house reflects both his personal journey and the architectural trends of its time. Nanji Kalidas Mehta, who left Porbandar for East Africa at a young age in 1900, returned as a successful businessman and commissioned the construction of Swastik Bhavan, which was completed in 1936. The residence was designed by the royal architect Purushottam Mistry, a choice that underscored the home's significance and Nanjibhai’s standing within the community. The name "Swastik Bhavan" itself is a tribute to Nanjibhai's faith and his adherence to the Arya Samaj reform movement, which emphasizes traditional Indian values and beliefs. The house was built along Uganda Road, a main thoroughfare featuring palatial mansions of individuals who had prospered in East Africa, highlighting a shared history among the city's successful residents. The architectural design of Swastik Bhavan is a fusion of Art Deco principles with adaptive features suitable for the local climate and a large family. It is a double-storeyed structure constructed with limestone from the nearby Adityana quarry. The interiors boast Italian marble floors, Japanese tiles, and frosted Art Deco glass chandeliers from Europe, alongside furniture sourced from Africa, showcasing a global influence in its design and materials. A distinctive feature is the roughly triangular courtyard at its heart, which, though unusual in an Indian context, served as a space for family rituals and children's play. The layout of the home is characterized by a central cupola-topped octagonal curving tower, which houses a stairwell and acts as the main welcoming feature, radiating into V-shaped buildings. This octagonal design extends to a lower informal waiting room at the entrance, leading into a formal spacious sitting room. The home was designed to accommodate extensive family gatherings, featuring six large bedroom suites, each comprising reception chambers, sleeping rooms, and worship spaces, as well as ample storage. Nanjibhai and his wife occupied the largest suites on the ground floor, while the upper floor was designated for their children and their families. Throughout the house, deliberate architectural choices ensure comfort and ventilation. Wide verandas, double-ventilation features, and double-pane windows were incorporated to channel sea breezes and modulate indoor temperatures. The wide corridors, adorned with Minton tiles, provide shade and ventilation to the large interior rooms, offering respite from the harsh sun and monsoon rains. The interior aesthetics include pastel pink, green, and yellow lozenge patterns on terrazzo floors, contrasting with terracotta jali railings and a sweeping staircase with dark-colored wood risers and a flower motif. Swastik Bhavan has been a hub for notable guests, including the maharaja and maharani of Porbandar, former Indian prime ministers like Indira Gandhi and Morarji Desai, and even Prime Minister Narendra Modi. Kamal Mehta, Nanjibhai’s granddaughter, recalls that Field Marshal Sam Manekshaw and many other eminent personalities, including writers, thought leaders, and poets, have been welcomed guests. The house continues to serve as a gathering place for the extended Mehta family, with its airy bedrooms still utilized during family reunions. The dining room, with its marble cabochon flooring and yellow Porbandar stone accents, connects to a spacious kitchen known for preserving century-old recipes. The art collected by Nanjibhai and his wife during their travels to Japan adorns the walls, adding to the home's rich historical and cultural tapestry. Nearly a century after its construction, Swastik Bhavan remains a cherished repository of memories and a living testament to Nanjibhai’s vision and values, embodying a unique blend of tradition, modernity, and global influences in its Art Deco design. #ArtDecoArchitecture #AncestralHome #IndianHeritage #GujaratDesign #HistoricalHomes #FamilyLegacy #ArchitecturalDesign #Porbandar

The Bengaluru residence of Namratha and Raveen Shastry, co-founder of Myntra, represents their seventh move in 17 years, designed to be their 'forever' home. The couple, dedicated climate activists, prioritized natural materials and a minimal carbon footprint. Their previous 6,000-square-foot home was deemed too large, leading them to opt for a smaller, more intimate space for their daughter, Sthuthi, and their Shitzu, Sky. Architects Aatira Zacharias and Bhyrav B.R. of 1LeapingFrog Studio, whose design philosophy aligns with the Shastrys' sustainable vision, were commissioned for the project. The building incorporates passive cooling mechanisms that effectively negate the need for air conditioning, even in Bengaluru's 40-degree Celsius heat, showcasing a strong commitment to environmental sustainability. The design approach was further shaped by the clients' support for local craftsmanship. Departing from contemporary trends of 'cement finishes' and 'oxide-feel' paints, the Shastrys sought authenticity. They collaborated with a Kerala expert to implement genuine oxide finishes in various colors across selected walls and floors, including bathrooms. This traditional technique is complemented by extensive use of ochre Jaisalmer stone flooring, which serves a practical purpose for puja rituals, as it resists turmeric stains. Waste tiles were repurposed to create intricate china mosaic patterns, adding unique decorative accents throughout the home. The penthouse, originally a three-bedroom unit, was reconfigured to include an additional luxurious master bedroom suite on the terrace level, providing privacy and serene views. The terrace also offers an open-to-sky space ideal for relaxation. The living, dining, and kitchen areas are seamlessly integrated, creating an expansive feel. Natural light floods the living room, which opens onto a shaded balcony, while a skylight in the dining area introduces dynamic lighting throughout the day. A sculptural granite staircase with a double-height design serves as a focal point, enhancing the spatial volume, and is illuminated by pendant lights from Purple Turtles. Each bedroom is distinguished by a unique oxide color. The master suite's unconventional bathroom is a significant feature, providing Raveen Shastry with a space for creative reflection. All built-in furnishings, including vanities and wardrobes, were custom-designed by 1LeapingFrog Studio. Loose furniture and lighting were sourced from local stores like Tusker Katha, Freedom Tree, and Olie, ensuring consistency with the home's aesthetic and ethos. The kitchen was supplied by Panasonic, while carpets came from Jaipur Rugs and Hatsu, and fabrics from Drapes Avenue, Fabindia, and Wishing Chair. The artwork displayed is either personal to the clients or collected during their travels. The project avoided hazardous paints, creating a healthier environment free from noxious chemical odors, which was appreciated by the construction workers. This Bengaluru home exemplifies a successful integration of traditional materials, sustainable practices, and modern design, reflecting the clients' unique vision and commitment to environmentally responsible living. #BengaluruHomes #ClimateResponsiveDesign #SustainableArchitecture #JaisalmerStone #OxideFinishes #LocalCraftsmanship #EcoFriendlyHome #PenthouseDesign #IndianAesthetic

Asim Merchant, a Mumbai-based designer, embarked on a unique passion project: the respectful restoration of an old Indo-Portuguese villa in Moira, a serene hamlet in North Goa. Merchant was captivated by the villa's location and the inherent beauty of its dilapidated structure, despite its neglected state. His primary objective was to infuse a subtle modern elegance while preserving the intrinsic, age-old charm of the home. This involved a deep dive into the historical context of Goan villas, studying their construction methods, the rationale behind specific architectural choices, and the materials used. The restoration was guided by the principle of 'restore, not recreate,' emphasizing the retention of as many original elements as possible. Merchant's extensive research into traditional Goan architecture, including the placement of wells and chosen heights, provided a foundational understanding of the villa's historical significance. He meticulously studied how such structures endured heavy monsoons without cement and how natural light and cooling mechanisms were integrated into 150-year-old designs. Key to the restoration was the integration of skylights, installed as long bands of glass across all roofs, including the living room, to maximize natural light. This design choice allows the sunlight to animate the interior spaces throughout the day. The balcão (porch) of the original home was carefully preserved and restored, maintaining its columns and roof wood. Multi-toned slate tiles with metallic glints were used to anchor the porch, reflecting traditional aesthetics. Merchant ensured that any modifications or extensions blended seamlessly with the surrounding, historically rich neighborhood. This commitment to contextual harmony extended to details such as the height of the house and the choice of tiles, drawing inspiration from the local architecture. A significant decision was to retain all existing trees on the property, which was a deciding factor for the previous owner in selling the villa to Merchant. This underscored his dedication to preserving the site's natural and historical integrity. While the villa's footprint remained largely unchanged, a portion of the original G+1 structure was converted into a G+2. This required strengthening the existing plinth, a complex process that involved recreating reinforcements using local materials like laterite stone, red mud, lime, and cement with wire mesh to support the fragile, almost-collapsing mud walls. The interior design maintained a natural and raw aesthetic, featuring exposed lime plaster on walls and restored wooden shutters on wardrobes integrated into the walls. The villa's long facade, a distinctive feature, was emphasized to create an impressive entrance from the adjoining roads. The furniture, a blend of vintage finds and custom pieces from Merchant's brand, Red Blue & Yellow, reflected the project's influence by inspiring a new line of vintage resort furniture tailored for second homes. The master bedroom, a self-contained double-height space, also benefits from abundant natural light. Ultimately, the project earned the approval of the local community, including long-time residents, who recognized the respectful approach taken by Merchant. This restoration offers a hopeful alternative for the preservation of Goa's numerous old, beautiful, and often crumbling villas, demonstrating that modern intervention can coexist harmoniously with historical preservation. #GoaHome #VillaRestoration #IndoPortugueseArchitecture #AsimMerchant #ArchitecturalPreservation #SustainableDesign #TraditionalCraftsmanship #NaturalLight #GoanHeritage

Uvais Subu, an architect known for his Tropical Architecture Bureau in Calicut, Kerala, focuses on integrating built structures with their natural topography. His design philosophy is deeply rooted in the vernacular architecture of Kerala, a region rich in heritage with diverse landscapes including seaside, paddy fields, and hilly areas, each inspiring unique architectural forms. Subu's approach emphasizes finding beauty within the land itself. Influenced by Geoffrey Bawa, Subu gained experience in Sri Lanka with Philip Weeraratne Architects and later in Dhaka with Kashef Chowdhury at Urbana, both known for their tropical modernism. These experiences shaped his distinctive design language, characterized by the use of natural materials, an interplay of volumes, and a strong connection to the natural environment. A recent project, "Re-born Living," involved redesigning a ten-year-old family home in Perinthalmanna, Kerala, for a textile merchant. The goal was to create a residence that would remain relevant and beautiful for another 20 to 25 years. Subu's initial step involved understanding the family's lifestyle and their interactions within the home. He observed that despite being a small family, they were very close and enjoyed spending time outdoors frequently. The original architect's layout was described as a "cliche," featuring a central dining room flanked by other rooms, which could feel cramped during gatherings. Subu reimagined this space, creating a more interconnected floor plan. The dining room was reoriented to open directly onto a landscaped garden, providing an unexpected and tranquil view that makes the rest of the world seem distant. The old dining room was transformed into a family room, designed with a variety of seating options to accommodate different preferences. This space features textured fabrics, plush armchairs, a wooden platform by the window, and a comfortable rug, catering to diverse needs. On the ground floor, the master bedroom was expanded, and a larger bay window was incorporated, offering views of the landscaped garden. This design ensures that residents wake up to the sight of lush greenery. Additionally, two bedrooms on the first floor were merged to create a spacious bedroom for the client's son, complete with an attached lounge. The client's desire for a "Bali resort vibe" guided many of the design choices. A significant portion of the furniture, including a striking dining table crafted from a single slab of wood, was sourced from Indonesia. The interior design combines these rich wood textures with whitewashed cement finishes on the walls, while cane accents, such as on rugs and lampshades, add a touch of softness. Subu believes that these natural materials and timeless designs will age gracefully, becoming even more beautiful over time. #KeralaHomes #TropicalModernism #ContemporaryDesign #NaturalMaterials #GeoffreyBawa #HomeRedesign #ArchitecturalRenovation #InteriorDesign #LandscapeIntegration

The project "Heirlooms in Concrete," designed by Greyscale Design Studio, addresses the evolving residential landscape of Bangalore, India. This residence, completed in 2024 and spanning 5000 square feet, blends traditional and modern architectural elements to accommodate changing family dynamics and spatial constraints. The design aims to foster continuity while embracing contemporary living. The project is situated in Bengaluru, India, and was photographed by Anand Jaju. The architectural team was led by Girish Mysore, Magesh Manohar, and Ninu Ahluwalia, with Rutvik Rustampur as the lead team member. Structural engineering was provided by Civitech Design, and civil engineering by Pro Constructions. The project's narrative was penned by Megala Gurumurthi. The integration of modern design with traditional values is a central theme, reflecting the balance required in rapidly urbanizing areas. The exterior of the residence, as seen in the dusk photograph, showcases a modern facade with subtle design features. The interior photography highlights the use of wood and natural light, creating a warm and inviting atmosphere. Key spaces, such as the kitchen, living room, and dining area, are designed to be functional yet aesthetically pleasing. The double-height dining area, for instance, emphasizes openness and connectivity within the home. The design incorporates courtyards, enhancing natural ventilation and light, and providing green spaces within the urban dwelling. The residence features elements like a pantry leading to a terrace, indicating a focus on indoor-outdoor living and functional extensions of living spaces. The staircase designs, some incorporating green oxide finishes, serve as prominent architectural features, connecting different levels of the house. Bay windows in the kids' bedroom overlook courtyards, further reinforcing the connection to nature and thoughtful space planning. The use of wood throughout the interiors, including in furniture and structural elements, contributes to a cohesive design language. Various floor plans (ground, first, second, third, and fourth) are provided, illustrating the spatial organization across multiple levels. These plans suggest a layered approach to living, where distinct zones are created for different family activities while maintaining an overall sense of unity. Elevations and sections offer insights into the building's structural integrity and aesthetic proportions, revealing a commitment to both form and function. The design also emphasizes accessibility and flow, with clear pathways and interconnected spaces. Materials used prominently in the construction include wood and concrete. These choices contribute to the home's aesthetic character and durability, aligning with both traditional and modern construction practices. The combination of these materials allows for a rich textural palette while ensuring structural soundness. The project aims to create a home that is not only visually appealing but also adaptable to the evolving needs of its inhabitants, embodying a sense of heritage through its enduring materials and thoughtful design. #ResidentialArchitecture #GreyscaleDesignStudio #Bengaluru #India #ModernDesign #TraditionalElements #ConcreteArchitecture #WoodInteriors #UrbanHousing

The article explores the pervasive and enduring role of wood in Indian home design, showcasing 14 different residences that exemplify its versatility and aesthetic appeal. Wood is presented not merely as a construction material but as a fundamental element that imbues homes with character, history, and a sense of belonging. The piece highlights how wood can make new houses feel established and rich with stories, drawing on its natural warmth and cultural significance in India. Several homes demonstrate wood's application as an accent. In a Gurgaon residence designed by Joint Studio, wood provides warmth and continuity, appearing in ceiling beams, perforated screens, center tables, and antique consoles. Fluted wooden headboards in bedrooms further integrate the material, echoing traditional Indian crafts. This approach establishes wood as a unifying element with deep hues and natural finishes, creating a sense of rootedness for a retired naval family. Other examples focus on wood as a central narrative in the material palette. An apartment in Pune by Alkove-Design prioritizes tactile surfaces over visual spectacle, using reclaimed wood, black stone, lime plaster, and natural veneer. Reclaimed wood frames entryways, adding a subtle sense of memory and grounding calmness, with timber-framed elements and natural veneer contributing to richly textured spaces. The concept of homes "wrapped in wood" is also explored, where wood dominates interiors without being overbearing. A Hyderabad home for software professionals, designed to blend Indian roots with modern living, features wood-veneer ceilings, jaali lattices, and various furniture pieces. Wood becomes the leading design element, creating a timeless Indian design heritage while maintaining a refined modern aesthetic. Sustainability is another key aspect, as seen in Rahul Mishra’s family retreat in Uttarakhand. This home integrates wood and stone reclaimed from old local houses, with most wooden furniture crafted in-house. Pinewood and Jaisalmer sandstone floors, along with a wooden altar in a glass solarium, emphasize a design ethos deeply connected to its environment, pairing local craft with natural calm. Wood is also shown to articulate subtle details and evoke legacy. A Thrissur home in Kerala, built around a traditional courtyard, incorporates antiques like 200-year-old windows and consoles made from reclaimed ceiling wood. Small wooden touches in furniture, like dining chairs with wood and rattan, and repurposed wooden embellishments, quietly convey memory and emotion, highlighting how simple material use can tell profound stories. The balance between indoor and outdoor spaces is achieved through wood in a Kozhikode residence by Stapati. Here, wood frames views, defines planes, and draws the outdoors inside, helping the home blend with its lush tropical environment. Open ceilings, characteristic of the design, are complemented by the liberal use of wood, reminiscent of nostalgic wooden bungalows. Innovation in wood application is presented in a Goa villa by Ini Chatterji, which uses coconut wood as its primary architectural fabric. Collapsible louvred coconut-wood doors act as walls, allowing the entire house to open up to the outside, celebrating material ingenuity while rooting the home in Goa’s tropical vernacular. Similarly, a Hyderabad residence by Sona Reddy Studio uses seasoned wood alongside lime plaster and natural stones to blend ancestral haveli sensibilities with contemporary minimalism, with a grand teak door anchoring the design. Further illustrations include a Mumbai home by STaND Design that uses wood to create a personal sanctuary, incorporating Japanese wabi-sabi influences through vertical teak wood panels and curated wooden artifacts. A Hyderabad home by Studio Nilasha achieves warm minimalism with wood, sandstone, and lime plaster, where wooden coffee tables and storage units soften the minimalist aesthetic. A Bengaluru home by A Threshold uses teakwood doors, frames, and furniture to connect indoors with surrounding greenery, while a Hyderabad villa by Sona Reddy Studio integrates wooden pergolas and black-stained wood to create a curated nostalgic farmhouse retreat. Finally, a Pawna weekend home by NACL Studio is built like a log house with imported Russian wood, emphasizing rustic charm, and an Ahmedabad home by Kerning Design Co. uses teak wood to evoke the warm, nostalgic aroma of sandalwood, connecting design to scent and memory. #IndianHomes #WoodDesign #HomeDecor #SustainableDesign #ArchitecturalFeatures #InteriorDesign #Materiality #TraditionalCrafts #ModernLiving

In an era characterized by rapid production and technological advancement, a burgeoning movement within Indian design emphasizes the enduring value of craftsmanship. This approach views craft not merely as a relic of the past but as a cornerstone for contemporary luxury, transforming traditional techniques into innovative designs for modern interiors. The movement prioritizes tactility, patience, and the unique story embedded within each handcrafted object, fostering a connection between material, memory, and emotion. Several pioneering Indian brands are redefining craftsmanship by integrating classical idioms with modern materials and sensibilities. These brands demonstrate a commitment to preserving traditional skills while adapting them to suit current aesthetic preferences and functional needs. Their creations range from repoussé metal furniture and hand-illustrated, embroidered wallpapers to jacquard textiles and sculptural woodwork. This thoughtful adaptation ensures that heritage techniques remain relevant and desirable in contemporary homes, setting new standards for traditional heirlooms. Among these brands, KalakaariHaath stands out for its unique blend of illustration and embroidery. Each piece originates from a hand-drawn sketch, which is then meticulously translated into intricate threadwork, sequins, and beads. This process results in tactile wall art, framed textiles, and bespoke wallpapers that blur the lines between fine art and functional decor. KalakaariHaath’s work often draws inspiration from nature, folklore, and personal memories, embodying a narrative depth that champions intimacy and careful observation. A recent collaboration with the Welfare of Stray Dogs, which transformed portraits of street animals into textile tributes, exemplifies the brand's empathetic approach to design. Magicsimsim similarly uses embroidery as a medium for storytelling, crafting tapestries rich in myth and cultural memory. The studio's raw silk panels are adorned with heritage techniques such as Aari, Zardozi, Marori, and Pitta, executed by generations of skilled artisans. Collections like 'Akshayvata,' which depicts the immortal banyan tree with ornate needlework and semi-precious stones, and 'Mayura on Ghat,' which renders the peacock in shimmering Zardozi, showcase a delicate fusion of textile and jewelry. Magicsimsim also incorporates Japanese beads and Austrian crystals to create painterly effects, repositioning embroidered art as both a cherished heirloom and a contemporary collectible. Karu, a multidisciplinary design studio, approaches craftsmanship through the lens of sacred geometry, temple architecture, and folk symbolism. Their creations, including sculptural wall panels and shrine-like forms, are contemplative by design, often finished with burnished gold leaf. Karu’s process is guided by intuition, resisting repetition to ensure that each object possesses a unique, quiet presence. The brand focuses on creating enduring presences that invite stillness and anchor emotions within the home, offering a sense of permanence in a rapidly changing world. KVAR Design, under Kunal Mehta, transforms textiles into immersive narratives inspired by nature. Installations like 'The Secret Garden' feature meticulously stitched birds, blooms, and insects, celebrating intricate detail and expressive freedom. The 'Tadoba' collection, a collaboration with National Geographic’s Sudhir Shivaram, weaves wildlife photography into jacquard fabrics, offering richly textured surfaces for cushions and wall coverings. KVAR’s work aims to create lasting pieces grounded in material richness and narrative intent, as seen in 'Vrindavan,' which reimagines the sacred hues of the Banke Bihari Temple in vibrant silk Dupion. Scarlet Splendour infuses glamour into generational craft, where furniture becomes a theatrical statement. The brand utilizes repoussé, an ancient metal-shaping technique, to create striking pieces such as Sacha Walckhoff's 'The Land of Legends' panel, adorned with semi-precious stones. Their 'Forest Bar' evokes old-world opulence, while the 'Orbit Bar' features geological orbs and custom lighting, embodying a blend of spectacle and deep technical craftsmanship passed down through generations. Each piece reflects a commitment to transforming raw material into functional, timeless art. Chester's embodies a legacy of craftsmanship centered on carved wood. Renowned for its Chesterfields, the studio honors 19th-century forms through deep buttoning, rich detailing, and robust construction. Artisans utilize time-tested techniques with solid beech and pine framing, hand-polished teak, and leathers finished in their Tamil Nadu tanneries. Their carved floral panels, headboards, and sideboards demonstrate traditional chiseling techniques adapted for modern design. Chester's commitment to quality ensures longevity, producing furniture that ages beautifully and becomes a cherished heirloom. These brands collectively represent a shared ethic of intentional making, valuing process, and celebrating craftsmanship, offering collectible objects that bring story and soul to contemporary homes. #IndianCraftsmanship #HomeDecor #ArtisanalDesign #LuxuryInteriors #TextileArt #SculpturalFurniture #TraditionalTechniques #ModernInteriors #CulturalHeritage

TropiBox, a residential project located in Kochi, Kerala, India, designed by the local firm Tropical Architecture Bureau (TAB), exemplifies a harmonious blend of traditional and contemporary architectural elements. The design philosophy behind TropiBox draws heavily from tropical modernism, an architectural style that emerged in the late 1940s, integrating European modernist principles with indigenous building techniques prevalent in tropical regions. This approach was specifically chosen to address Kochi's hot climate, creating a dwelling that offers both comfort and aesthetic appeal. The exterior of TropiBox is characterized by smooth, rounded layers of cement plaster, a design choice inspired by traditional stone-carved architecture. These curved walls enclose a series of internal courtyards and planters, which are central to the home's climate-responsive design. The strategic placement of these elements promotes natural ventilation and provides pockets of lush greenery, enhancing the living experience within the tropical environment. Uvais Subu, the founder of TAB, notes that the design aims for a futuristic feel through its smooth, flowing curves and layered cement plaster, while simultaneously incorporating minimalist carvings that acknowledge and celebrate the region's rich cultural heritage. Upon entering TropiBox, residents are greeted by a covered porch that leads into a living room. The layout then descends into a double-height kitchen and dining area, which forms the central hub of the home. This expansive space is naturally illuminated by a circular skylight, creating a bright and airy atmosphere. The design facilitates an open flow between indoor and outdoor spaces; sliding glass doors to the south connect the dining area to a small patio and swimming pool, while the north and west sides open up to planted courtyards partially covered by metal canopies. These interconnected spaces are intended to foster family interaction while maintaining privacy for individual inhabitants. The internal journey continues to the first floor via a black staircase, accented by a section of rough stone-clad wall. The upper level houses three bedrooms, all arranged around an upper living area that offers views down to the ground floor from an L-shaped balcony. This multi-level arrangement ensures a dynamic interplay of spaces and viewpoints throughout the home. In terms of interior design, TropiBox consistently fuses tradition with modernity. The flooring exhibits a contrast between irregularly-paved areas and smooth stone, creating varied textures underfoot. Similarly, rough-plastered walls are juxtaposed with crisp metal window frames and canopies, highlighting the blend of natural and manufactured materials. Custom-built features, such as a stone-clad, steel-topped kitchen island, are thoughtfully integrated alongside vintage and repurposed furniture pieces. This eclectic mix contributes to what Subu describes as the home's unique charm, successfully merging "old-world charm with the modern." The choice of materials, from wood and stone to concrete, is deliberate, enhancing the natural textures and minimalist lines that define the tropical modernist aesthetic. Photography for the project was provided by Turtle Arts Photography, capturing the essence of this thoughtfully designed Keralan residence. #TropicalModernism #KeralanArchitecture #ResidentialDesign #CementPlaster #InternalCourtyards #SustainableDesign #ModernIndianHome #ArchitecturalInnovation #ClimateResponsiveDesign

The 'Play' House, situated in Bumi Serpong Damai, Tangerang, Indonesia, is a two-story residence designed by Indonesian architects Aboday. It is part of a new gated housing cluster comprising 120 residences. The project involved integrating an existing 120-square-meter house with a new building on an adjacent 200-square-meter empty plot. Due to corner setback restrictions, the combined structure occupies 150 square meters of the total 320-square-meter land. The exterior of the house features a straightforward design that mimics the sloping roofs of neighboring houses. Exposed concrete is the dominant material, punctuated by small glass incisions and openings towards the main road. The overall appearance is inward-oriented, with vertical green walls that aim to soften the otherwise stark concrete aesthetic. The house is intended for a multi-generational family of three, with a particular focus on the needs of a five-year-old boy, which influenced the playful design elements. One of the distinctive features is a sculptural concrete slide, tucked into the corner between two main building masses. This slide serves as an alternative 'transportation mode' for the child, connecting his second-floor bedroom to the dining room on the first floor. It also functions as a private play area, occasionally covered with plastic and clothes to create a secret cave. In contrast, a standard open staircase is located between a small library and the living area. Inside, the house largely consists of open-plan spaces, with the exception of three enclosed bedrooms. The interior palette is dominated by white and grey, featuring exposed concrete walls and ceilings. Inherent flaws from the concrete pouring process have been left visible, contributing to the natural ornamentation of the house. Concrete was chosen for its dual qualities of structural strength and flexibility, which allows for interesting spatial tensions. Addressing the challenge of heat retention in a tropical climate, given the extensive use of concrete, the architects implemented several strategies. These include an exceptionally high ceiling of ten meters, a special heat-resistant membrane coating on the external roof surface, and the incorporation of numerous climbing plants on the external walls that are expected to grow to the roof, providing natural shading. The design emphasizes natural ventilation and lighting; open spaces are not air-conditioned and rely on strategic openings and incisions between walls, windows, and the roof. A series of ceiling fans, suspended by metal rods, further aids air circulation. To create a continuous flow of air, certain walls are built with a 40-centimeter gap, housing horizontal glass louvres that act as 'rain' windows. Large trees strategically planted in the garden provide essential shade to areas with floor-to-ceiling glass windows. These 'low-tech' solutions aim to mitigate common problems associated with concrete construction in hot climates, creating a comfortable living environment. #AbodayArchitects #IndonesianArchitecture #ConcreteHouse #PlayfulDesign #SustainableArchitecture #TropicalClimateDesign #ResidentialArchitecture #GreenWalls #NaturalVentilation

K10 Studio has unveiled Casa Infinity, a contemporary concrete residence located on Costa Rica's Pacific coast. This architectural project integrates raw materials to create a modern tropical aesthetic, with a notable L-shaped infinity pool serving as a central design element that visually connects the home's interior with its natural surroundings. The residence is situated on a hilltop in Guanacaste, offering subtle ocean views amidst surrounding Teak trees. The design philosophy behind Casa Infinity focuses on blurring the boundaries between indoor and outdoor spaces. The L-shaped infinity pool is strategically placed to act as the primary axis around which the social areas of the house are organized, enhancing this connection to the garden and the Pacific Ocean. The architectural composition is characterized by two distinct volumes. The front volume, designed to face the street, is constructed from exposed concrete, providing a sense of privacy and a grand, temple-like facade. Local artisans were involved in creating a dynamic mosaic texture on this concrete surface, adding a unique artistic touch. The main entrance is further accentuated by large Teak wood panels, which introduce a natural and welcoming element to the robust concrete structure. The material palette of Casa Infinity emphasizes a balance between the raw industrial feel of concrete and the warmth of natural wood. Exposed concrete walls and ceilings are utilized throughout the residence, offering a textured finish that imbues the structure with character and integrates it more deeply with its environment. This minimalist approach is thoughtfully combined with wooden elements to achieve a distinct 'tropical' aesthetic. The construction process benefited from prefabrication techniques, which were employed to ensure both the quality and efficiency of the build. In contrast to the concrete front, the rear volume features a striking steel structure complemented by a ceiling made of local Teak slats. This combination creates a visual and material contrast that adds depth to the design. The living areas are equipped with tempered glass doors that can be fully opened, extending the indoor spaces onto terraces and further dissolving the barrier between the interior and exterior. The infinity pool, which wraps around the first floor, includes a built-in bench, offering a space for relaxation and social interaction while overlooking the picturesque landscape. Casa Infinity exemplifies simplicity, sophistication, and high-end finishes. K10 Studio, the Costa Rican architecture firm behind the project, has successfully blended minimalist design principles with the specific requirements of a tropical climate. The design incorporates natural cross ventilation and solar control techniques, ensuring a harmonious and comfortable living environment that continuously fosters a connection to its natural setting. #ResidentialArchitecture #ConcreteArchitecture #InfinityPool #CostaRica #TropicalDesign #K10Studio #SustainableDesign #WoodArchitecture #Guanacaste

The article showcases a collection of six distinct brick houses across India, each celebrating the enduring appeal of brick as a building material and its integration with vernacular design principles. These homes demonstrate how brick's timeless texture, rich colors, and inherent strength contribute to spaces that are both aesthetically pleasing and exceptionally durable, while also being climate-responsive. The first featured home, located in Thiruvananthapuram, Kerala, was designed by Srijit Srinivas for a family of four. This 8000-square-foot residence utilizes exposed, load-bearing bricks not only for their traditional aesthetic but also for their ability to keep the interior cool in the local climate. The architect emphasized brick as a beautiful material with properties that reduce heat, and the desire for the house to be an "art piece in brick" by embracing its natural imperfections. Next, the article highlights the ancestral home of Gurmeet Sangha Rai in Nawanpind Sardaran, Punjab. This 125-year-old haveli, built by her great-great-grandfather, has been undergoing renovations and additions for 17 years. Its design incorporates elements from the vernacular architectural vocabulary of rural Punjab, evident in the exposed brick, absence of cladding and plaster, and the presence of large verandas, corridors, and arches, reflecting the architectural style of the Lahore region. In Solapur, an ancestral home was replaced with a new structure designed by Avinash Ankalge and Harshith Nayak of A Threshold. The family desired a new building that would retain the spirit and memories of its predecessor. The architects responded by integrating a contemporary framework and materiality with traditional wisdom, ensuring the new home seamlessly blends with its tightly packed neighborhood of traditional exposed basalt and brick houses, while also addressing the harsh regional climate. The fourth example, Villa Maati, is a farmhouse on the outskirts of Bengaluru. Designed as an ode to vernacular architecture and brick houses, it aims to provide a tranquil retreat amidst coconut plantations. The architects responded to the client's brief by incorporating traditional climate-responsive elements such as wide-open courtyards, interconnected verandas, and natural building materials, fostering a harmonious connection between indoor and outdoor spaces. RLDA's design for a 4,365-square-foot farmhouse in New Delhi, named The Brick House, returns to fundamental architectural principles. The house’s primary material and aesthetic element is brick, rooted in the native craft of brickmaking. The architects, particularly Rahoul B. Singh, sought to explore space and light through this classical material, creating an interplay of light and shade with interior courtyards and expansive views. The material palette is simple, featuring brick, gravel (bajri), and concrete, with white cement tiles for the interior flooring. Finally, the article presents a ship-inspired villa in Thoothukudi, Tamil Nadu, designed by Vignesh Sekar and Karthik Vasuki of Studio f/8. Drawing inspiration from Thoothukudi’s maritime heritage, the design features an exposed brick facade sculpted into wave-like parametric projections. The interior continues the nautical theme with marble plaster walls, metal columns, and handrails evocative of a steamship. The flooring uses Kota, Kadapa, and yellow Jaisalmer marble to mimic a tilting tide, and seashells adorn the roof as a metaphorical homage to the coastline. #BrickHouses #VernacularDesign #IndianArchitecture #ClimateResponsiveDesign #ExposedBrick #ArchitecturalDesign #HomeInteriors #TraditionalCraftsmanship

Staircases, often considered a mere functional link between floors, are re-envisioned by architects as opportunities for artistic expression and defining architectural elements within a home. This perspective transforms the utilitarian necessity into a focal point, capable of creating dramatic moments and adding significant aesthetic value. Banduk Smith Studio, for instance, integrated the staircase as a central element in their Tower House, emphasizing its role in vertical circulation and making it a core around which other activities unfold. The design minimized horizontal circulation, reinforcing the staircase as an integral part of the living space. Ashiesh Shah's approach to a Mumbai duplex apartment showcases an experimental form for the staircase, combining sharp, polished black steps with a delicate, curved sweep at the base, demonstrating a blend of modernity and elegance. Abin Chaudhuri literally interpreted the idea of a sculptural staircase for a Bengaluru home by incorporating sculptures at various points on cantilevered treads. The design is further accentuated by a vibrant, siren-red balustrade, intentionally drawing attention and becoming a striking feature. Puran Kumar's design, while influenced by the surrounding mango trees, features an equally captivating, industrial-looking suspended steel staircase. This minimalist yet dramatic centerpiece gently curves upwards, embodying simplicity with a strong visual impact. Matra Architects and Rurban Planners adopted a concrete approach for a home designed for artists. Their interpretation of a sculptural staircase offers a dramatic twist on the traditional spiral, replacing gentle curves with sharp, angular forms, showcasing innovative use of material and geometry. Khosla Associates conceptualized a rust-orange staircase for a Bengaluru residence, crafted from mild steel and timber treads. This design stands out as the most noticeable feature in the living room, asserting its presence through color and form. Beyond their individual sculptural qualities, some staircases are notable for their contextual roles. In the Deolali House, the staircase enhances the experience of its unparalleled views, transforming the ascent or descent into a dynamic viewing platform. Similarly, a house in Kathaluwa, Sri Lanka, utilizes its staircase as a private sanctuary, strategically shielded from lake views, offering a sense of seclusion. The High Street House in Islamabad features a black marble staircase that, when illuminated by a thick glass wall at night, transforms into a luminous box, adding a captivating glow to the urban setting. These examples collectively illustrate how leading architects use staircases not just for utility, but as artistic statements, integrated elements that define spatial experiences, and dramatic focal points within contemporary homes. #HomeDesign #ArchitecturalDesign #StaircaseDesign #InteriorArchitecture #SculpturalElements #ModernHomes #LuxuryInteriors #IndianArchitecture

The 'House of Heights' project, designed by Idam Design Studio and completed in 2023, is located in Kayamkulam, India, spanning an area of 285 square meters. This residential architecture project emphasizes the profound impact of design on relationships and overall well-being within a household. The core philosophy behind the house posits that a dwelling can significantly transform its occupants, highlighting the living room as a central space for social interaction and emotional expression. The design of the house integrates specific features to foster a sense of connection and openness. The living room, characterized by its notable height, is designed as an open arena for daily conversations and family gatherings, underscoring its role as the most frequently used and social space in the home. This architectural choice aims to create an environment that facilitates constant communication and strengthens familial bonds. The project documentation includes various photographic views, such as exterior shots showcasing the garden and interior views detailing the dining room and kitchen, often featuring wood as a prominent material. Several images illustrate the spatial qualities of the house, including interior photographs that highlight the careful consideration of lighting and furniture, such as sofas and chairs, within the living room and bedroom areas. Exterior photography captures the overall aesthetic, including a courtyard, further illustrating the integration of indoor and outdoor spaces. The project utilizes materials such as concrete and brick, which are common in residential construction and contribute to the house's structural integrity and aesthetic. The design also incorporates detailed plans, including a site plan, ground floor plan, and first-floor plan, alongside sections and elevations, providing a comprehensive understanding of its layout and structure. The 'House of Heights' reflects contemporary architectural practices that prioritize user experience and well-being. By focusing on the functional and emotional aspects of living spaces, the design seeks to create a home that is not merely a shelter but a catalyst for positive interactions among its residents. The project details were curated by Hana Abdel, with photographs taken by Out Of Focus, ensuring a thorough visual representation of the completed work. Manufacturers like Hafele, Jaquar, Kajaria, and Nuvocotto contributed to the project with their products. The project was led by architects Jishnu Vijay, Govind S Mohan, and Prijith Vijayan from Idam Design Studio. The use of specific materials and the thoughtful arrangement of spaces are integral to the design's success, supporting the idea that a home's architecture can influence the daily lives and relationships of its inhabitants. This project is categorized under residential architecture, specifically as a house, and is recognized as a 'Built Project' and a 'Selected Project' within the architectural community. #ResidentialArchitecture #HouseDesign #IdamDesignStudio #KayamkulamIndia #ArchitecturalPhotography #InteriorDesign #ConcreteBrick #WellbeingInDesign