Restoring the Grade II listed Jacobean manor house, Langdon Court

Langdon Court, a 500-year-old Jacobean building in Down Thomas, has been meticulously restored by fashion designer Donna Ida Thornton and her husband Robert Walton MBE, President of the UK Restaurant Association. The Grade II*-listed property, once facing disrepair and vandalism, has been transformed into a high-end, 16-bedroom country house hotel, aiming to blend historical grandeur with modern luxury and comfort. The restoration project, which spanned two years and included an unexpected legal battle, was driven by the couple's vision to create a hotel that feels like a welcoming home. The house, characterized by Donna as embodying 'understated British elegance,' features sumptuous interiors that juxtapose glamorous elements like chandeliers with cozy furnishings and unique amenities such as a snack room with a popcorn machine. Each room is designed to be a treat, incorporating vintage lights, Soho Home furniture, and artwork by Tracy Emin. The bathrooms are particularly notable for their design, and the overall aesthetic harmonizes with the building's historical features, including Tudor flooring and art deco green tiles in the Palm Court, which is highlighted as a stunning area. The couple's appreciation for the building's history is evident in their careful preservation of details, such as a 19th-century graffiti etching on a windowpane. Langdon Court's rich history includes ownership by the Crown, inheritance by Henry VIII's sixth wife Catherine Parr, and later by the Calmady family in 1555. In the early 20th century, it was frequented by Edward VII during the ownership of the Cory family. After serving as a nursing home post-World War II, the property suffered from neglect, with period features being covered up and the building eventually becoming a target for vandals. Donna and Robert acquired the property in 2021, recognizing its 'incredible bones' despite its dilapidated state. The restoration process involved not only aesthetic and structural repairs but also significant modern updates to ensure comfort and efficiency, with each room's temperature controlled via an app. The couple's commitment to the project was fueled by a desire to preserve Langdon Court for future generations, viewing it as a legacy to Devon and England. Robert Walton emphasizes the therapeutic quality of the house and the couple's good fortune in being its custodians. The property is set within 10 acres of gardens and parkland, adding to its appeal. Beyond its architectural and historical significance, Langdon Court functions as a versatile venue, attracting guests for various events such as weddings, shooting parties, foodie gatherings, and corporate retreats. It also hosts unique experiences like the 'ultimate pyjama party,' involving candle making, meals, and movie viewings. The hotel's operational success is supported by a dedicated team, including a gardener and caretaker, who are essential to maintaining its grandeur and daily functions. The transformation of Langdon Court exemplifies a successful blend of historical preservation and contemporary hospitality, creating a unique destination that respects its past while embracing modern needs. #HistoricalProperty #LuxuryHotel #CountryHouse #RestorationProject #InteriorDesign #Devon #JacobeanArchitecture #HeritagePreservation #Hospitality #DonnaIdaThornton

The article details the extensive two-and-a-half-year renovation of a 150-year-old Victorian mansion in West Highland, Denver, undertaken by Jan and Steve Davis. This historic property, originally built in 1875 by Ambrose Bosler, had suffered years of neglect, resulting in a damaged roof, warped foundation, and various structural issues. The city of Denver had even initiated foreclosure proceedings in 2015 due to significant liens. The Davises, particularly Jan, recognized the colossal nature of the project but trusted Steve's expertise as a contractor. Despite having recently completed renovations on a smaller bungalow intended as their forever home, the couple was compelled to purchase the mansion due to a city requirement that the new owners reside on the property. The renovation project faced considerable challenges due to the mansion's status as both a Denver and National Historic Landmark. This designation mandated a rigorous design and construction approval process. The Davises meticulously referenced old photographs to ensure historical accuracy in their restoration efforts. They replaced all the wood trim, painted every piece of molding, and sourced era-appropriate furnishings from antique stores. Architect Jessica Reske guided the reconstruction of the home's distinctive brick tower, which had been removed decades prior, offering panoramic views from Pikes Peak to the Flatirons. Architectural elements, such as the exterior molding and iron detailing, were carefully replicated with the help of Tabor Millwork and Architectural Iron Company. Inside, the home’s layout was reconfigured to include an elevator, a request from Jan to facilitate aging in place. The original window openings, protected by the landmark status, dictated the placement of new features, such as custom vanities in the main bathroom and the kitchen sink within an island due to low window sills. Many interior upgrades drew inspiration from the home's original design: new interior doors were modeled after the single surviving original door, antique chandeliers and sconces from Bonnie Brae Lighting & Repair mirrored period fixtures, and a walnut-and-ash inset in the white-oak entryway floor replicated the original. This approach aimed to blend modern functionality with historical character, making the house feel both new and inherently old. To address the challenge of making the cavernous rooms with 12-foot ceilings feel inviting, Jan enlisted Amy McCawley of Lusso Interior Design. McCawley introduced contemporary touches, including Benjamin Moore’s gray-green Croquet paint on the kitchen cabinets and a sleek marble fireplace in the living room. Antique-looking hardware and family heirlooms, such as a gold mirror and a chest, further integrated the home's historical and contemporary aesthetics. In the main bedroom, a blend of new furniture like a Pottery Barn bed and Benjamin Moore’s Graytint paint color harmonized with family antiques, such as a blue chair from Steve's grandmother and an antique side table. Similarly, an heirloom carved-wood lamp, once part of Steve’s childhood home, found a new place in the living room. Outside, Jan, a Colorado State University-certified master gardener, transformed the expansive front yard into a lush green space. She designed a potager garden near the kitchen and a wild, organic English garden filled with agastache, peonies, cardoons, and salvias, providing natural privacy. Laurel Raines of Dig Studio planned the garden and the hardscape, which included a patio and dining area off the kitchen and a walkway of Borgert stone pavers. Perimeter hedges were planted to further enhance privacy from the street. The Davises' overarching philosophy throughout the project was to “do the right thing for the house,” a principle that ultimately benefited them as well, creating a harmonious blend of historical preservation and modern living within a revitalized landmark. #HistoricRestoration #VictorianMansion #HomeRenovation #InteriorDesign #LandscapeDesign #ArchitecturalPreservation #DenverRealEstate #WestHighland

Clinton Manor Courtyard Apartments, built in 1940, represents a significant example of American Colonial Revival courtyard apartment architecture in the Greater Wilshire area of Los Angeles. This multi-family residential property is recognized for its historical association with the pre-World War II motion picture industry, providing picturesque and affordable living spaces for studio and service workers. The design of Clinton Manor reflects the principles of the Garden City movement, incorporating elements of Southern California indoor/outdoor living to offer residents an idyllic environment during a period of national economic hardship. The property's developer, Aetna Construction Company, played a pivotal role in mass housing development both before and after World War II. Clinton Manor showcases the company's evolution from apartment construction to large-scale subdivisions, such as Rancho San Pedro and the City of Lakewood. Architecturally, Clinton Manor is a large-scale example of the courtyard apartment typology, characterized by its high density of 54 units, economical building materials, and simplified American Colonial Revival design elements. These features highlight the construction priorities of the 1930s, which focused on density, economy, and creating a sense of aesthetic appeal. Clinton Manor gained notable historical significance through its early tenants, Ruth and Elliot Handler, who established their plastics company, which later became Mattel, Inc., from their apartment and on-site garage. The Handlers subsequently created the iconic Barbie doll. In 2022, the long-term owner sold the property to a large holding company, prompting concerns among residents about potential redevelopment and the loss of its historic character. In response, residents formed the Clinton Manor Coalition to advocate for the preservation of their home. With support from the Los Angeles Conservancy, the Clinton Manor Coalition successfully nominated the property for designation as an L.A. Historic-Cultural Monument (HCM). The designation process involved multiple steps, including consideration by the Cultural Heritage Commission in October 2024, a recommendation for designation in December 2024, and subsequent approval by the Planning & Land Use Committee of the City Council in February 2025. The City Council officially adopted the Clinton Manor Courtyard Apartments as an L.A. Historic-Cultural Monument in February 2025, ensuring its protection. The Los Angeles Conservancy emphasizes the importance of preserving historic multi-family residences like Clinton Manor, particularly in the context of development pressures threatening such buildings across Los Angeles. These rent-stabilized properties often constitute a significant portion of the city's affordable housing stock. The Conservancy highlights that historic housing offers access to city amenities, open spaces that foster community, a balance of density and privacy, lush greenery, and a strong sense of history and place. The collective effort of Clinton Manor's residents to nominate their home serves as a powerful testament to its significance and the community's commitment to its future preservation. #ClintonManor #CourtyardApartments #HistoricPreservation #LosAngelesArchitecture #AmericanColonialRevival #HistoricCulturalMonument #AffordableHousing #CommunityAdvocacy #MattelOrigin

New England's extensive collection of aged housing stock often presents a complex history within its structures. While some homes clearly showcase their original character through well-preserved elements like floorboards and bannisters, many others have undergone numerous alterations over the decades, leading to a significant divergence from their initial design. This article explores the growing trend of restoring historic homes, emphasizing how owners can revitalize lost character while simultaneously integrating modern functionalities. Walter Beebe-Center, president of Essex Restoration, highlights that nearly every historic home has experienced remodeling, often resulting in the removal of beautiful original features and the addition of elements that are out of context. For new owners of these properties, this means their homes may lack much of their early aesthetic appeal due to generations of updates. The process of restoration offers an opportunity to bring back the home's authentic character, whether aiming for museum-quality accuracy or simply reintroducing nostalgic touches, all while making the space suitable for contemporary living. Sara Berndt, a homeowner in West Medford, exemplifies this approach. Over three years, she meticulously uncovered the original layers of her folk Victorian home, dating back to at least 1910. Her primary motivation was not to impose a new style but to restore the house to its original state, thus preserving its legacy. This often involves undoing previous, sometimes improper, renovations that may have diminished the home's historic integrity. Nathan Goodwin, a historic preservation carpenter, underscores the importance of thorough research into a home's original appearance. He notes that many quick-flip renovations often neglect the thoughtful process required for historic restoration, leading to hastily assembled modifications. Goodwin advises homeowners to delve into the historical context of their homes, understanding why they were built in a particular way. Peter Smith, who directs North Bennet Street School's preservation carpentry program, describes the process as "forensic carpentry." He explains that most people are not trained to properly assess historic homes, often mistakenly viewing them as tear-downs. Smith emphasizes the need to understand the built environment by carefully peeling back layers to read the historic fabric, connecting tangible history with academic knowledge. While authenticity is crucial, Beebe-Center points out that not every original feature will be relevant to modern life. He suggests a balanced approach where historic aesthetics are blended with modern practical functions. This might involve opening up a small, historically accurate kitchen to create a more functional space, while preserving a formal parlor. The goal is to make harmonious changes that allow the house to be functional in the 21st century without sacrificing its aesthetic integrity. The restoration process can be time-consuming due to the need for period-appropriate materials and traditional methods, which contrasts with the often-misleading timelines presented in modern renovation shows. Smith, for instance, sources lumber from local mills for historic timber frame construction, a practice that requires more patience than using materials from big-box stores. Specialists like Goodwin are in high demand, with long booking times, underscoring the scarcity of skilled historic restoration professionals. Projects can range from strict historic preservation to a combination of restoration and modern renovation. Defining the specific historical period to be referenced is key to establishing a cohesive philosophy for refurbishment. Resources such as old photographs, neighborhood tours, and even remnants like wallpaper scraps can provide valuable clues about a home's original colors and architectural details. For those daunted by a full-scale restoration, experts recommend starting small, perhaps focusing on two rooms or the facade. Prioritizing details like moldings, door casings, and window trim can significantly enhance a home's historic quality. Windows, often overlooked, are critical style indicators; well-maintained 100-year-old windows can last another century if properly restored, proving more durable than many modern replacements. Additionally, salvaging period-appropriate fixtures and fittings from places like The Old House Parts Company can provide simple yet impactful ways to restore historic character to a home. #HistoricHomeRestoration #HomeImprovement #NewEnglandArchitecture #PreservationCarpentry #HistoricRenovation #ArchitecturalDetails #RealEstate #OldHouseParts

This article details the Netherton family's journey in revitalizing a 100-year-old Craftsman bungalow located outside of Bolivar, Missouri. Brian and Nikki Netherton acquired the two-acre property, which includes three barns, with the intention of raising their children, Dalia (8) and Paul (6), in a rural setting reminiscent of their own upbringings on farms. Nikki was particularly drawn to the historical details of the house, such as its decorative concrete column bases on the front porch, which evoked a sense of over a century of history. Upon purchasing the home, the Nethertons embarked on extensive restoration efforts focused on preserving the original character of the bungalow. Brian dedicated an entire winter to meticulously removing thick, black carpet adhesive from the original hardwood floors using a heat gun and scraper. The couple also undertook more significant renovations, including replacing windows and adding a half bathroom. A notable project involved the dining room fireplace, which was part of a 1969 addition and did not align with the Craftsman aesthetic. They removed cedar trim and wood panels, replacing them with sheetrock that was painted to match the room, and opted for a minimal brick hearth to allow for a seating area. On the exterior, Brian began peeling away vinyl siding, a material that had obscured many of the bungalow's original features. This process uncovered the home’s authentic white cedar shake siding, a gable with beveled trim above the front porch, and even the original bracket boards, revealing the architectural details that had been hidden for over 50 years. The house's history dates back to 1914 when it was built by Charles and Stella Hood after a tornado destroyed their previous home. Nikki discovered the Hood family's names etched in the concrete of the basement floor, a testament to the home's deep roots. Nikki Netherton's passion for historic homes significantly influences the interior decoration. She favors items with an old-world charm, aiming to create a "fancy-feeling lifestyle" with cloth napkins, tea and coffee serving sets, flower vases, candlesticks, and vinyl records. She frequently sources furniture, wall art, and blue-and-white dishes from local antique shops like Back Road Relics in Bolivar. Her decorating choices reflect a desire to instill in her children an appreciation for architectural history and well-crafted items from the past. The home also serves as a canvas for the family's cherished traditions and the kind of childhood they envision for their children. The living room's built-in bookcase colonnades, originally featuring a curtain rod, were transformed into a stage with a red curtain. This stage now hosts an annual nativity play performed by Dalia, Paul, and their cousins, with Nikki providing piano accompaniment. During the winter months, the family embraces their natural surroundings by foraging pine branches, pine cones, and holly twigs from their property to use as decorations, fostering a cozy atmosphere conducive to reading, baking, and sipping hot tea by the fire. #HomeRenovation #CraftsmanBungalow #HistoricHome #FamilyLife #InteriorDesign #HomeRestoration #RuralLiving #ArchitecturalPreservation

The "Gingerbread House" in Larchmont, a historic summer cottage built in 1872 near Manor Beach, underwent a comprehensive interior redesign to suit an active young family with three daughters. Designer Laurie Scovotti was tasked with lightening the home's interiors while preserving its unique character, which includes rich millwork and whimsical architectural details. The primary directive was to create a brighter, more youthful, and modern feel within the Victorian Gothic structure. Scovotti achieved this by juxtaposing the home's original architecture with relaxed, clean-lined furnishings and a vibrant palette of colors and patterns. Blue tones were established as a grounding hue, reflecting the family's passion for sailing and the home's coastal proximity, complemented by accents of pinks, greens, and floral motifs. The exterior also received a fresh update, with a classic white complemented by light blue trim, following a collaboration with color consultant Debra Kling. The large living room was cleverly divided into two distinct areas. One section was designed for intimate conversations around the fireplace, featuring deep-blue velvet chairs and an airier feel created by a lighter-colored stone mantel surround. The homeowners' existing art pieces, including watery prints and a colorful painting, were integrated into the decor. The other side of the living room, bathed in natural light from floor-to-ceiling windows, evokes a summery ambiance with light blues and pinks, anchored by a large blue coffee table and softened by subtly patterned drapes. Dark crown molding in several rooms was painted to reduce visual weight, though a prominent wood beam in the living room ceiling was retained. In the dining room, a dramatic "Inisfree" wallpaper by Carrier and Company for Lee Jofa served as the foundational design element. The low ceiling was visually elevated by painting it in Benjamin Moore Smoke, a shade also applied to the millwork around the mantel, which itself received a fresh coat of white paint. The space was kept calm and neutral with a wool-and-jute rug, a delicate glass chandelier, and refined dining chairs, with rounded doorways providing elegant transitions. The former passthrough area was transformed into a functional bar room, blending traditional elements, such as the homeowners' rug, with mid-century pieces like a rattan bar cabinet and leather chairs. The walls, painted in Benjamin Moore’s “Jamestown Blue,” contribute to a relaxed lounging atmosphere. The husband's office was designed to balance wood-paneled walls with a bright blue ceiling, and heavy curtains were replaced with unlined woven shades. A metal-and-glass desk adds a modern touch, and built-in shelves display personal items like sailing trophies and books. A hallway connecting bedrooms was updated into a vibrant lounge space, featuring durable vinyl grass cloth on the walls, a cleverly concealed electrical panel behind artwork, and an array of pillows in various prints and textures to add brightness and energy. Each of the daughters' rooms was personalized according to their preferred color themes, with Scovotti expanding on these palettes. For instance, the oldest daughter's room incorporated softened primary colors around a floral "Carly" wallpaper, providing a fun and adaptable space. Another girl's bedroom balanced dark window trim with modern furniture and bold patterns, utilizing blue-and-green fabrics and mint-green walls to create a peaceful yet youthful environment. The primary bedroom, a serene retreat for the couple, heavily features blues. The decor is light and bright, with dark blue accents on the bed frame and a Greek-key pattern on the drapes. A four-poster bed from Maiden Home is strategically placed to maximize the water view, and a comfortable armchair was reupholstered in a vintage Schumacher print. The wife's dressing room, located at the top of a spiral staircase, functions as an office with an impressive view. Drapes in a blue-and-white Schumacher fabric frame a circular window, and a burlwood desk lightens the room's darker wood elements. A nautical compass inlay on the floor adds a decorative touch. Scovotti also provides advice for incorporating color into a home, suggesting starting with impactful but not overwhelming additions like large artwork or upholstered chairs, rather than painting entire rooms, and encouraging individuals to trust their intuition regarding color choices. #HistoricHomeRenovation #InteriorDesign #FamilyFriendlyDesign #LarchmontHome #LaurieScovotti #ColorPalette #ModernVictorian #CoastalDecor #HomeRedecoration

David and Emma Engerer, a young couple, have embarked on a significant endeavor to revitalize the historic Stuart Neighborhood in Kalamazoo through the renovation and rental of its aging houses. David, 28, from metro Detroit, and Emma, 22, from Austin, Texas, met at a skateboarding contest in Houston and later married in October 2019. Their venture into real estate began after David's graduation from Western Michigan University, encouraged by his father to purchase and renovate older homes to generate rental income. The couple's commitment to the neighborhood is evident in their hands-on approach to renovations, with David performing most of the restoration work alongside Emma. Their efforts have been lauded by local residents, including Gary Wark, president of the Stuart Area Restoration Association, who notes the positive contrast with absentee landlords. The Engerers are part of a growing trend of younger individuals investing in the historic area, which boasts many houses dating back to the 1870s when it was a thriving community for businessmen and professionals. David emphasizes the importance of maintaining a vision for the properties' potential, despite the inherent challenges of home fix-ups. Their first acquisition was an American Foursquare stucco house at 821 Kalamazoo Ave., built in 1910. Originally a single-family residence, it had been converted into a duplex in the 1920s and suffered from neglect, including foundation, roof, plumbing, and electrical issues. Emma humorously compared it to the 'Money Pit' movie. Despite its condition, the house had existing tenants, and its structural integrity was surprisingly sound. This initial project served as a significant learning experience for the couple. Following this, the Engerers purchased two more 19th-century homes in the neighborhood, with plans for additional acquisitions. One of these is their personal residence, a 4,000-square-foot Queen Anne Victorian at 418 Stuart Ave., known as the French/Allen House, built in 1895. This house, rich in history with four bedrooms, 3.5 bathrooms, stained-glass windows, and a sweeping veranda, was originally appointed by Marshall Field. It was once owned by Dorr French, a justice of the peace and city attorney, and later by Harold Allen, vice president of First National Bank and corporate secretary for The Upjohn Co. They acquired this house in May 2020 at a reduced price, undertaking interior upgrades such as replacing old galvanized steel pipes and plumbing, replicating door moldings, and re-doing bathrooms, all while meticulously preserving the historic integrity. David expresses strong disapproval of renovations that strip old homes of their original charming features. Local historian Sharon Carlson, a resident of the Stuart Neighborhood, commends the Engerers' dedication, noting that landlords who live in the neighborhood tend to be the most effective. In July 2020, they bought another rental property at 500 Stuart Ave., a four-unit dwelling built by George Rickman in the late 1880s, one of three brick Queen Anne-style houses on the street. They are currently performing exterior and limited interior renovations, with more extensive work planned as tenant leases expire. This house, along with its neighbors, is distinctive for its brick construction, unusual for Victorian homes of that era. Emma, who initially had no plans to leave Texas, credits her move to Michigan to her relationship with David and a strong sense of divine guidance. She discovered Michigan's distinct seasons, a new experience compared to Texas. David's background includes a past as an aspiring professional skateboarder and snowskater, sponsored by Ambition Snowskates. He graduated from Western Michigan University with a degree in exercise science, initially intending to become a physical therapist, but discovered a passion for home renovation after summer jobs involving repairs. David's father, a successful physical therapist and experienced home renovator, has been a significant mentor, guiding them with insights into making properties profitable and managing renovations. The Engerers emphasize that while financial viability is crucial for such projects, passion and vision are paramount. They plan to remain in the Stuart Neighborhood long-term, expressing their love for the community and its historical homes. #HistoricHomeRenovations #StuartNeighborhood #KalamazooRealEstate #PropertyInvestment #CommunityRevitalization #QueenAnneVictorian #OldHouseRestoration #RentalProperties #NeighborhoodDevelopment

The article presents a curated list of top country house specialists in Britain, recognized in Country Life's Top 100, crucial for individuals undertaking new-build projects or restoring listed buildings. The selection emphasizes the importance of skilled craftspeople in achieving high-quality outcomes. Each featured company is highlighted for its distinct expertise and contributions to the field of home construction, renovation, and interior design, often with a focus on traditional techniques, sustainable practices, and heritage preservation. Artichoke, a firm with over 30 years of experience, specializes in bespoke kitchens and fitted joinery, known for sensitive updates to period homes and now offering comprehensive interior design services. They prioritize British timber suppliers and cure wood on-site, ensuring a seamless experience from their Somerset base. Artorius Faber, a family-run natural stone specialist from Somerset, creates bespoke interior flagstone flooring, exterior paving, and architectural details like staircases. They utilize stone from their own quarry and reclaimed materials for projects ranging from Georgian townhouses to heritage buildings, offering full-service design and installation. Graphenstone is recognized for its leadership in sustainable paint manufacturing, producing 'Purifying Paints' from lime, calcium carbonates, natural minerals, and graphene. This non-toxic, 21st-century technology, combined with traditional materials, results in ecological, sustainable, and durable paints favored by prominent designers and used in prestigious locations like The Ashmolean and Historic Royal Palaces. Jack Badger, a traditional joinery company, consists of skilled craftspeople celebrated for their work on prestigious heritage projects. Founded 15 years ago, the firm excels in period architectural joinery and carving, including doors, flooring, gates, kitchens, and bespoke pieces. Their commitment to authentic, handmade joinery helps preserve traditional skills, as exemplified by their award-winning work on a medieval manor house. Knowles, established over 30 years ago, is a construction company known for its expertise in complex super-prime projects. This family-run firm provides comprehensive construction and specialist heritage services in London and the Home Counties, including special projects and aftercare. Lapicida, a leading luxury tile and stone specialist, offers a wide array of natural stones, antique reclaimed stone, and Italian porcelains. With showrooms in Harrogate and London, they provide custom design and manufacturing services, including a new collection in collaboration with English Heritage. Oakwrights specializes in award-winning oak-frame homes, extensions, and garden buildings. They use renewable green oak, focusing on energy efficiency and high-performance characteristics. They built the UK's first oak-frame Passivhaus and offer in-house architectural design and workshop visits. Prime Oak is a market leader in oak-frame garden rooms, orangeries, annexes, garages, and stables. Founded in 1999, the company uses sustainable, air-dried oak, manufactured in Staffordshire with show sites in several locations. Moulding, established in 1798, is a family-owned residential builder specializing in new-builds and renovations of country houses. With over 100 craftspeople, they offer in-house bespoke joinery and planned preventative maintenance, also maintaining English Heritage sites across the West of England. R. W. Armstrong, founded in 1957, is another family-owned residential builder operating across the South of England and London. They specialize in the refurbishment and renovation of country houses and listed properties, as well as constructing bespoke new homes, offering in-house joinery and custom architectural interiors. Rose of Jericho, a Dorset-based team, possesses extensive knowledge of materials for conservation, repair, and decoration of traditional and historic buildings. They provide consultancy services, currently for the Tower of London and Hampton Court Palace, and are launching a new natural chalk wash paint. W. G. Carter, established in 1947, is a full-service construction company specializing in the restoration and renovation of country and heritage houses, many of which are listed. Operating across Oxfordshire, the Cotswolds, and surrounding counties, the award-winning firm is run by James Robertson. ZOTA, a Cirencester-based construction company, is known for its work in the Cotswolds on new-builds and renovation projects. They collaborate with leading architecture and interior-design studios, providing a complete service from initial planning to realization, including bespoke cabinetry, smart home technology, sustainable solutions, and a specialist decorating team. #CountryHouseSpecialists #BuildingRestoration #HomeRenovation #BespokeJoinery #SustainableBuilding #ArchitecturalInteriors #HeritagePreservation #Craftsmanship #LuxuryHomes

Mount Vernon's Preservation team undertook the temporary removal of the New Room's floorboards as part of the ongoing Mansion Revitalization Project. This crucial step aimed to repair the Mansion's underlying framing and offered significant insights into 18th- and 19th-century construction techniques. For years, there was debate regarding the originality of the New Room's floorboards, with the presence of 19th-century nails driven through the face of each board suggesting a later replacement. This nailing technique contrasted with the blind nailing method, a more sophisticated 18th-century practice where nails were concealed by being driven at an angle through the board's edge, creating a smooth surface, as observed in Washington's study. The face-nailing indicated that the floorboards had been lifted previously, but it remained unclear whether they were reinstalled or replaced entirely. Further investigation by Director of Preservation Tom Reinhart in 2013 provided critical clues. The New Room's flooring exhibited gauging and undercutting, a standard 18th-century Chesapeake practice to ensure a level surface. This involved planing the top and sides of boards while leaving the undersides rough-sawn, then cutting a rabbet along the underside edges to ensure uniform thickness at the joists. Additionally, clear evidence of blind nailing and doweling was found, further supporting the idea that the boards were original. Documentary evidence from a 1787 letter showed Washington requesting unusually long, inch-and-a-half-thick plank, 24-foot-long, for floorboards—measurements that matched the existing New Room floorboards. The unlikelihood of finding salvaged 18th-century 24-foot blind-nailed boards for replacement solidified Reinhart's conclusion that these floorboards were indeed original to George Washington. The removal process commenced with meticulous documentation using photogrammetry to create 3D models and label each board, ensuring a reliable guide for reinstallation. The room's mopboards were carefully removed, followed by the slow and careful release of 57 floorboards over two weeks. Preservation carpenters gently worked the boards up, often sawing through stubborn nails to avoid damage. Once the floorboards were lifted, plywood was temporarily installed, later replaced by a more robust lateral shoring system, or "dance floor," providing a stable working surface and additional structural support from the cellar below. Upon lifting the floorboards, the team discovered direct evidence of 18th-century craftsmanship, including cut dowels and bent nails from the original blind nailing technique. This confirmed the floorboards' authenticity and indicated they had been face-nailed back into place during earlier repairs. Dendrochronology revealed that much of the underlying framing, including many joists and one surviving summer beam, had been replaced in 1838. This large undertaking would have necessitated lifting the floorboards, explaining the 19th-century nailing techniques observed. The floorboards were then transported to the Preservation lab for in-depth analysis, where Project Preservationist Clay Fellows and his team documented fastener locations, providing crucial information for designing new joists and summer beams. Contract conservator Andy Compton and former carpenter Dave Weir cleaned and repaired the floorboards, plugging 19th-century nail holes to restore their original 18th-century appearance. The floorboards will be reinstalled using the original blind nailing method, ensuring the structural integrity of the Mansion and deepening the understanding of 18th-century craftsmanship for future generations. #MountVernon #MansionRevitalizationProject #HistoricPreservation #18thCenturyCraftsmanship #FloorboardRestoration #GeorgeWashingtonHome #ArchitecturalResearch #Dendrochronology #Conservation

This article highlights the extensive renovation of a 1927 Santa Monica bungalow, originally designed by architect and Academy Award-nominated art director Leland Fuller. The house, which had been featured in Good Housekeeping in 1932, held significant historical charm, including a Dutch door, exposed beams, and a Latin inscription above the fireplace. Despite its historical value, the bungalow's original 1,200 square feet felt cramped to its current owner, an entertainment and media executive who purchased the home in 2010. The home suffered from a cluttered kitchen, a small breakfast area that doubled as a side entry, and a single bathroom, leading to a lack of a proper foyer or 'drop zone.' Lisa Henderson of Harvest Architecture was enlisted to undertake a comprehensive makeover. The owner desired a larger extension at the back of the house to accommodate a dining room and kitchen, suitable for entertaining. She also expressed interest in blending the existing English cottage aesthetic with contemporary materials like steel and glass doors and windows, along with brightly colored tiles. A key part of the vision was to create an outdoor space that flowed from an upper patio to a lower area, transforming the old driveway into a functional outdoor living space. The renovation process involved touching almost every inch of the original structure, with the exception of the hall bathroom. Approximately 350 square feet were added, and the floor plan of the entire back portion of the house—encompassing the kitchen, dining room, living room, and primary suite—was reconfigured. The project included installing new windows, roofing, HVAC systems, electrical wiring, plumbing, and fresh paint. A notable design challenge arose when the owner felt the living room ceiling, despite its original beams, was too low. The ceiling was subsequently raised by four inches, a modification that Lisa Henderson noted had a significant psychological impact on the perception of space and brightness. The finished renovation resulted in a brighter and airier home, characterized by bold colors, unique fixtures, and custom-made furnishings and accents. Nearly everything, from the book-matched marble in the kitchen to the hand-painted tiles in the primary bathroom, was custom-designed. The Riviera Bronze doors were a significant element, enhancing the connection between the indoor and outdoor spaces. The owner expressed immense satisfaction with the renovation, praising the collaborative design process and the final outcome, which she felt maintained the home's unique charm while meeting modern needs. The house now feels both cozy and unique, a successful blend of historical preservation and contemporary enhancement. #BungalowRenovation #SantaMonica #HomeTour #LelandFuller #HarvestArchitecture #InteriorDesign #CustomHome #HistoricPreservation #HomeMakeover

This article details the extensive restoration of a Georgian cottage in Barbon, South Cumbria, by Rachel and David Ellershaw. The couple initially overlooked the property due to its condition and price but were ultimately charmed by its period features and potential. After purchasing the two-bedroom terraced cottage, built in 1800, in August 2010, they embarked on a major renovation project that transformed both the house and their lives. The renovation began in June 2011, starting with the upper floor to allow more time to save for structural work on the ground floor. The avocado bathroom suite was replaced, and its layout reconfigured to include a freestanding bath and shower. In 2012, attention shifted to the bedrooms, with the master bedroom undergoing significant changes, including the reinstallation of a chimney, a new fireplace sourced from eBay, a cast-iron radiator, and varnished floorboards. The guest room required less intervention. The most challenging phase involved the ground floor, where the couple discovered original Yorkstone flags beneath the carpet, which became a focal point. They removed the wall separating the cramped galley kitchen and the former living room to create a spacious open-plan kitchen-diner. This structural alteration also necessitated pulling down much of the old lath and plaster ceiling. A wood-burning stove was relocated to the inglenook fireplace in the new sitting room, and an Aga was installed in the kitchen. New sash windows were fitted at the front of the cottage, and a lean-to conservatory was replaced with a newly built one, with David Ellershaw actively participating in its construction alongside a joiner. Throughout the renovation, the Ellershaws made conscious design choices to enhance the cottage's character and functionality. The exterior was repainted, and the garden landscaped with a cobblestone path, lavender, and bay trees to enhance symmetry. Interior finishes included Farrow & Ball paints such as 'Mole’s Breath,' 'Purbeck Stone,' 'Old White,' 'Clunch,' 'Light Blue,' 'Pointing,' and 'Castle Gray.' The kitchen was fitted with Lacewing Green crackle glaze tiles from Marlborough Tiles and granite worktops from Westmorland Stone. Furnishings were carefully selected from retailers like Laura Ashley, and custom artwork was commissioned. The restoration not only resulted in a charming home but also inspired David to launch his own property renovation company, Ellershaw Property Renovation. #GeorgianCottage #HomeRestoration #CountryCharm #OpenPlanLiving #PeriodFeatures #HomeRenovation #InteriorDesign #DIYHomeImprovement #YorkshireDales

In 2001, Marion and Jeffery Barker purchased a 1960s brick ranch home on 18 acres in Virginia's Northern Neck, overlooking Nomini Creek, a tributary of the Potomac. Despite the house being outdated and the timing of the purchase—just a week after 9/11—being uncertain, the couple was drawn to the property's prime waterfront location and its manageable two-hour drive from their Bethesda residence, making it ideal for weekend escapes. At the time, Marion owned the consulting firm Palladian Partners, and Jeffery was a scientist at the National Institutes of Health. They envisioned transforming the modest ranch into a modern dream home but knew it would require significant time and resources. After saving for 15 years, the Barkers initiated a gradual redesign in 2016, enlisting Jeffery’s daughter, Brooklyn architect Alexandra Barker, for the project. A key challenge was environmental regulations, which mandated that the new structure adhere to the existing foundation and original footprint due to its proximity to the water. Despite these constraints, the renovated home represents a dramatic transformation from its original, cramped layout. The new design emphasizes an open floor plan, extensive walls of windows, and expansive water views, creating a stark contrast to the previous structure. Alexandra Barker's design strategy focused on maximizing the property's natural surroundings. She incorporated oversized storefront glass instead of standard residential windows to offer uninterrupted vistas, a feature she considers the home's most special detail. The architect also prioritized the use of locally sourced materials where possible, including granite for the kitchen backsplash from Richmond, reclaimed-oak floors, and bluestone around the pool area. This approach not only supported local businesses but also integrated the home more deeply with its regional environment. The homeowners, Marion and Jeffery, were described by Alexandra as highly collaborative and flexible clients, contributing to a smooth design process. An added benefit for Alexandra was the prospect of personally enjoying the finished product with her family. The redesigned home includes three guest rooms, each with an en suite bathroom, providing comfortable accommodation for visiting family members, including Alexandra and her siblings. The primary suite, located on the second floor, is a highlight, featuring 365-degree views and access to a private roof deck. This rooftop space, initially intended for an office, was repurposed due to budget considerations and ultimately became one of the owners' favorite features. The renovation was completed in 2021, and the retired couple, Marion and Jeffery, expressed that the two-decade wait was worthwhile. They now share their property with local wildlife, including bald eagles, deer, ospreys, and otters. The constant natural beauty, particularly the sunrises and sunsets over Nomini Creek, provides immense satisfaction, with Jeffery reportedly having captured hundreds of photographs of these daily spectacles. The project successfully converted a dated ranch into a modern, waterfront marvel that harmonizes with its natural setting. #HomeRenovation #ModernDesign #WaterfrontProperty #ArchitecturalTransformation #VirginiaRealEstate #SustainableMaterials #BeforeAndAfter #FamilyProject #NorthernNeck

Shandy Hall, a historic estate in Wilmington, North Carolina, underwent a comprehensive reconstruction led by Dr. Robert Fleury and Mark Batson of Tongue & Groove Design+Build. The property, originally a land grant from King George II in 1737, has a rich history, serving as a home for sailors during the Revolutionary War and a headquarters during the Civil War. Despite being rebuilt multiple times after a fire in the mid-1800s, little of the original structure remained by the time Fleury acquired it in 2019. The reconstruction project was conceived not as a demolition and new build, but as a meticulous recreation of the original 18th-century structure using modern materials to ensure longevity. A feasibility study revealed that prior renovations had left few authentic remnants, mostly limited to lock sets, a few doors, and timber beams in the foundation. This led to the decision to carefully deconstruct the existing home, salvaging these original pieces, and then rebuild on the same footprint and architectural style of the 1700s. The goal was to honor the past while creating a functional, livable home for the future. Interior designer Liz Carroll contributed to the project, focusing on a Southern-style aesthetic that blended seamlessly with the home’s historical roots. The design process began with extensive research in the North Carolina Room at New Hanover County’s library, gathering historical photos and documents. Each room was measured to accurately replicate the original layout, with minor adjustments made for improved functionality and flow, addressing issues like narrow hallways or low ceiling heights. Many salvaged materials, including original floor joists and heart pine, were repurposed throughout the home. Seven original fireplaces were recreated using salvaged brick, and traditional elements such as wainscoting were incorporated into the dining room to evoke an 18th-century ambiance. The interior design scheme drew inspiration from a late 19th-century Swedish chest, which influenced the integration of family heirlooms and a treasured tapestry. A unique design feature is a 1902 family canoe, suspended above the staircase with an electrical mechanism for raising and lowering. The kitchen was returned to its original location and updated with modern amenities, including a flip window for access to an outdoor grilling area and pool. Natural stone countertops with green variations, copper accents, and custom cabinetry with vintage details contribute to a warm and inviting atmosphere. The outdoor area features a lap pool, a nod to Dr. Fleury’s background as a collegiate swimmer, and a nine-foot custom farmer’s table and benches made from wood salvaged from the original Shandy Hall. The upstairs layout maintained the original design, featuring two en suite bedrooms, fireplaces, balconies, and a newly added bunk room in the front gable. Interior paint colors, including serene blues, mossy greens, and pops of yellow and deep red, along with carefully selected window treatments featuring traditional textiles like florals, toile, paisley, and checks, reinforce the home’s historical character and connection to its surroundings along Bradley Creek. The reconstructed Shandy Hall now stands as a testament to historical preservation and thoughtful modern living. #ShandyHall #HistoricHome #HomeReconstruction #SouthernArchitecture #InteriorDesign #HistoricPreservation #WilmingtonNC #CustomBuild

Jessica Siegel and her husband purchased a four-story, 11-foot-wide Carroll Gardens home in December, after the initial buyer withdrew due to extensive structural issues, including water damage, sagging floors, and severe termite infestation. Despite these challenges, Siegel, a designer at GDD Interiors, viewed the property's deteriorated state as an opportunity for a comprehensive renovation to restore its original grandeur while optimizing the limited space. The mid-19th-century house, though narrow, featured appealing architectural elements such as a curved staircase and elegant moldings. The inspector noted the termite damage was the most significant he had encountered in the neighborhood. Siegel’s vision was to preserve the home's historic character while modernizing its functionality. By June, the Siegels engaged architect Brenda Nelson from NVDA and Kelly Construction as their contractor. The demolition phase progressed rapidly due to the small footprint of the house. During this process, they discovered an additional three feet of ceiling height on the top floor, which was a pleasant surprise. Siegel took charge of the entire design process, including the layout, room dimensions, and the selection of all interior elements, from kitchen marble to plumbing fixtures, lighting, millwork, and furniture. The renovation necessitated a complete overhaul of the home’s infrastructure, including new plumbing, electrical systems, and central air and heating. A key aspect of the renovation involved modifying the garden-level kitchen. The back wall was removed, the remaining brick repointed, and a steel beam installed for structural support. A custom hot-rolled steel window wall, manufactured by A&S;, was then fitted, significantly transforming the space. This window, though costly, was considered a worthwhile investment by Siegel, as it dramatically enhanced the floor's aesthetic and openness. Photographs detail the kitchen's condition before and during the renovation, illustrating the extent of the work. The project also focused on preserving and re-creating the home's original moldings. Due to minimal previous updates, many original moldings were still present, albeit damaged. When sections were beyond repair, the contractor used salvageable pieces as templates for milling new ones. Plaster moldings were entrusted to a specialist for duplication. Additional pieces were sourced from Dykes. Approximately half of the finished moldings, including those on the parlor floor ceiling, are original, with the other half being new reproductions. The cost for plaster restoration was approximately $10,000, and woodwork restoration cost around $18,000. Furnishing the 11-foot-wide home required meticulous planning, emphasizing quality over quantity. Siegel carefully selected a smaller number of pieces that fit perfectly and were aesthetically pleasing. The design principle of ensuring easy passage throughout the home was crucial. For instance, a built-in banquette was incorporated into the entryway to serve as a dining solution, as a traditional dining set would not fit. Custom furniture, including a long, narrow table for the parlor, was ordered to accommodate the unique dimensions of the home. The renovation successfully blended historical preservation with modern living requirements, transforming a neglected property into a functional and elegant home. #HomeRenovation #CarrollGardens #NarrowHouse #HistoricPreservation #InteriorDesign #TermiteDamage #StructuralRenovation #CustomMillwork

The Patricia Shoppe, a business inspired by its proprietor Erin Anchutz Bosman's great-grandmother, embarked on an extensive renovation project of the former Egg Harbor Town Hall. This historical building, originally constructed in the 1880s, served as a public meeting place and government building for over a century before being sold in 1990 and subsequently housing an antique shop. The renovation, completed in 2005, aimed to transform the structure into the new home for Patricia Shoppe, while simultaneously preserving its historical integrity. The original Patricia Shoppe, founded in Chicago in 1937 by Patricia McGrath Lind, was an exclusive women's boutique offering custom-designed clothing, hats, gloves, and jewelry. Erin, deeply inspired by her great-grandmother's elegance and entrepreneurial spirit, sought to continue this legacy with her own shop. The current Patricia Shoppe mirrors the original's focus on high-quality women's accessories and jewelry. The renovation of the Egg Harbor Town Hall presented significant challenges. Structural issues, such as a severely dry-rotted, hand-hewn central beam, necessitated its replacement. This required lifting the flooring, which ultimately led to the decision to replace the original pine floorboards due to their condition. During this process, workers discovered wood scraps with horseshoe imprints in the crawl space, suggesting that Belgian Draft horses were used to haul the massive beam into place during the building's initial construction. The usable portions of the original beam were repurposed for garden landscaping. New walls and plastering were also essential due to the building's long history of settling. Despite the need for modern upgrades, preserving the building's historical elements was a priority for Erin and her husband, Kevin. Salvaged pine floorboards were planed down and repurposed as window trim. The flagpole, though likely not original, stands as a testament to the building's past. The raised stage area was converted into office and storage space, with linoleum flooring designed to replicate the pattern once seen in the main hall. While the exterior and structural renovations focused on the building's history, the interior design aimed to evoke the 1930s era of the original Patricia Shoppe. This was achieved through details like a black and white checkered tile floor and replica fixtures in the bathroom. The main shop area features rustic cherry wood flooring, hand-oiled using a historically accurate technique. Silk paneling replaced the original bead board wainscoting, adding to the elegant atmosphere. Lighting fixtures were carefully chosen to reflect the style of the Chicago store, and antique display fixtures completed the sophisticated ambiance. The new Patricia Shoppe officially opened its doors in the spring of 2005. The property also includes a second historical structure, a former Egg Harbor Fire Department station, which Erin and Kevin aspire to renovate in the future. Their commitment to preserving local history and the success of the initial renovation have inspired them to continue these restoration efforts, further intertwining their family's legacy with the community's heritage. #PatriciaShoppe #EggHarbor #RenovationProject #HistoricPreservation #SmallBusiness #InteriorDesign #FamilyLegacy #ArchitecturalRestoration