pointONE showroom / Suto Interior Architects

The article highlights Heather Chontos's collaboration with Layered, focusing on a new rug collection that translates her abstract paintings into hand-tufted rugs. The collection aims to capture the depth, color, and shape of Chontos's artwork, making her vibrant and expressive pieces accessible as functional home decor. These rugs are presented as a unique way to bring art into interior spaces, offering both visual appeal and tactile quality through their hand-tufted construction. Following this, the article introduces Clé's refreshed Architect's Palette tile collection. Clé has updated this classic collection by introducing a silkier matte glaze and expanding the available color palette. This refresh aims to provide designers and homeowners with more sophisticated and versatile options for tiling projects, emphasizing an earthy touch that enhances the collection's aesthetic and functional appeal for various architectural and interior applications. The ORA Lamp Series by Dana Harel, from White Dirt Studio, is also featured, showcasing sculptural lighting crafted from gypsum cement, muslin, and brass. These lamps are noted for their unique forms and the way they play with light and shadow, adding an artistic element to any room. The design combines diverse materials to create visually compelling and structurally interesting lighting fixtures. Fireclay Tile's new customizable bath fittings collection marks the company's expansion beyond surface materials. This new venture allows for personalized bath designs, giving customers more control over the aesthetics of their bathrooms. The collection emphasizes customization, enabling a cohesive and unique look when paired with Fireclay's extensive tile offerings. Molteni&C's Milan showroom and its top products are explored, conceived as the home of an astute collector. The showroom acts as a curated space displaying a range of high-end furniture and decor that reflects a sophisticated and eclectic taste. This segment offers a glimpse into the brand's design philosophy and product highlights. Visionnaire's new Italian-luxe showroom in London's Design District is also presented, inviting readers to explore its opulent offerings. The showroom is designed to exhibit Visionnaire's luxurious furniture and home accessories, providing a destination for high-end interior design inspiration and purchases. Lawson-Fenning's NoHo shop in New York, designed by Josh Grene, is highlighted for its glowing terra-cotta hues. The shop's design creates a warm and inviting atmosphere, showcasing the brand's furniture and decor in a distinctive setting that emphasizes natural tones and materials. Ege and Snøhetta's collaboration on a carpet collection, Matter, is introduced, which reimagines flooring with generative flatweaves. This partnership combines innovative design with functional materiality, offering floor coverings that are both aesthetically engaging and practical for various commercial and residential applications. Finally, the article mentions several other product highlights, including an array of seating designs for a fall refresh, Carole Baijing’s understated furniture collection for Geiger, Slalom’s sustainable acoustic panels made with FSC-certified wood and recycled materials, Rop van Mierlo’s bold and shaggy rug series for CC-Tapis, Hem and Kusheda Mensah’s playful ottoman collaboration, Jiang Qiong Er’s poetic bamboo collection for Roche Bobois, Kevin Walz’s colorful collaboration with Ralph Pucci, Kriskadecor and Rafa Ortega’s nature-inspired Khronos collection with acoustic properties, and Jill Malek’s pastel glass mural panels inspired by natural phenomena. #InteriorDesign #ProductLaunch #HomeDecor #TileDesign #LightingDesign #FurnitureCollection #Showroom #TextileArt #AcousticPanels

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

The article highlights several kitchen and bath design showrooms that serve as sources of inspiration for designers and clients alike. These showrooms offer comprehensive displays, allowing visitors to experience diverse design elements, materials, and technologies in fully realized settings, rather than through small vignettes. Designers leverage these spaces to showcase their creative vision, distinct design styles, and the latest trends in the industry. Bluebell Fine Cabinetry & Design in Wayne, PA, exemplifies this approach with its 5,000-sq.-ft. showroom featuring four custom kitchens, a bar, and a beverage pantry. The showroom's philosophy is to provide full-size displays that immerse clients in purpose-driven spaces. The 'Gulfstream' kitchen display, for instance, incorporates eucalyptus veneer used in aircraft interiors and a 5’x15′ island with a cantilevered Peruvian walnut top, alongside a concealed door leading to another display. Another notable display, the 'Reeded' kitchen, showcases reeded rift white oak cabinetry and fluted glass details, reflecting current design trends. The showroom also includes a dark and moody beverage pantry with blue/gray painted cabinetry and bleached walnut millwork, alongside a design library with adjustable lighting to help clients visualize materials under various conditions. Bakes & Kropp Fine Cabinetry's new flagship showroom in New York City's A&D Building is another example. Bob Bakes, co-founder and head of design, emphasizes the unique challenge and thrill of designing showrooms, which require multiple distinct yet cohesive kitchen displays. The 2,000-sq.-ft. space features eight displays, including three kitchens, a wine room, a butler's pantry, and a dressing area. The showroom's entrance presents a 'soft modern' impact kitchen with a mix of white and steel blue/gray cabinetry and natural stone countertops. Subsequent displays showcase a more traditional style with hand-painted white and burled walnut cabinetry, and a transitional kitchen with Cinder-stained walnut and Harbor Gray-painted cabinetry, many with functional, 'live' appliances. The wine room is highlighted as a favorite, demonstrating the firm's broader capabilities beyond kitchens. Rocpal Kitchen & Bath Studio in Oshawa, ON, Canada, has expanded into a 12,000-sq.-ft. showroom, fulfilling owner Fernando Rocchetta's vision of a dynamic and interactive one-stop shop for home renovations. The showroom features five full kitchen displays, eight vanity displays, an ensuite, mudroom, laundry room, walk-in closet, wine room, and an outdoor kitchen. It also includes a lower level for retail products and provides on-site interior design expertise. Displays are meticulously designed for functionality and aesthetic appeal, often eliciting a 'wow' reaction from visitors. Live features such as a GE Monogram pizza oven, Sub-Zero refrigerator, Cove dishwasher, and Invisacook induction cooktop demonstrate appliances in action. The walk-in closet and ensuite display, with its calming colors and Salice accessories, is a particular highlight for the showroom manager. Haggard Home Cabinetry & Design in Johns Creek, GA, moved into a 5,400-sq.-ft. showroom, tripling its previous space. April Haggard, the owner, designed the showroom to reflect both kitchen/bath design and interior design services, a unique combination in her area. Kitchen displays line the perimeter, with furniture filling the middle, creating a cozy, home-like atmosphere. The showroom includes smaller vignettes for a laundry room, primary bathroom, and closet, and showcases cabinetry lines spanning various budget levels. Instead of displaying appliances, Haggard focuses on items she sells, such as tile, countertops, flooring, and cabinetry. The showroom also features two dedicated design centers for cabinetry and interior design, complete with islands, televisions for design projections, and extensive samples. A conference room incorporates a repurposed white kitchen display, showcasing a hint of whimsy with pink tiles and wallpaper. A.T.C. Design Center in Fremont, CA, expanded its showroom to 5,000 sq. ft., integrating a former warehouse space. The new layout includes six kitchens and three bathrooms, along with extensive material sample displays. A central, oversized workbench/multi-use island made from five different Neolith slabs serves as a focal point, demonstrating the firm's expertise with unique materials and hosting networking events and client meetings. One kitchen display effectively blends modern and traditional styles, showcasing glossy white slab cabinetry alongside green shaker-style cabinetry, anchored by a large centerpiece island with Raphael Stone quartz. The showroom also prominently displays porcelain, quartz, and tile samples in visually distinctive and easily accessible ways, helping clients visualize full slab applications. #ShowroomDesign #KitchenDesign #BathDesign #InteriorDesign #Cabinetry #DesignTrends #HomeRenovation #MaterialSelection #ClientExperience

The author attends the High Point Market, the world's largest home furnishings trade show, to observe emerging trends in interior design for 2020. Accompanied by local designers, the author explores various showrooms, noting a significant return to classic furniture forms. Manufacturers are reinterpreting traditional pieces through embellishments, exaggerations, or simplifications, creating fresh perspectives on familiar designs. Statement pieces are abundant, ranging from upholstered chairs and sofas featuring sculptural metal or wood exoskeletons to uniquely formed tables, consoles, and chests, alongside elaborate chandeliers. Color and texture are making a strong comeback. The palette includes blues, greens, soft pinks, and earth tones, alongside neutrals and even hints of 1970s harvest gold. Upholstery features soft velvets, fuzzy sheepskins, and embossed fabrics like snakeskin and alligator. Traditional florals, in both petite and overscale prints, are also returning, appearing on case pieces such as media cabinets and consoles. Seating upholstered with vertical channel tufting evokes an Art Deco aesthetic, while pieces with horizontal tufting offer a more exotic feel. Mixed metals remain prominent, with brass making a significant resurgence. Contemporary Italian firms like Calligaris incorporate shiny 1970s-style brass tubing with blackened nickel or bronzed metals, while traditional manufacturers such as Hickory Chair opt for softer, brushed brass finishes. Material mixing extends beyond metals to include cabinets and consoles with upholstered frames and natural stone tops, textured metal elements, and caned insets. Stone finishes, both natural and faux, are widely used for tabletops, including thick, 1970s-inspired designs and sleek porcelain surfaces mimicking marble. Geodes and crystals are employed as decorative elements, appearing in bowls, boxes, and even a fireplace surround. Dining tables, regardless of shape or style, are generally large, often featuring sculpted pedestals. Nesting side tables and coffee table groupings are prevalent, as are collections of small drink tables reminiscent of 1970s cigarette tables. Practicality is also a key theme, with many multimodal pieces designed for versatility, such as adjustable console tables that can function as sofa tables or narrow kitchen islands, and sofas with ratchet backs for adjustable lounging. Cocktail tables with tops that raise to desktop height also demonstrate this focus on functionality. Additionally, indoor/outdoor performance fabrics are gaining popularity, with traditional fabric houses like Thibaut and Kravet integrating them into their core offerings. #HighPointMarket #InteriorDesign #HomeDecor #FurnitureTrends #DesignExposition #ColorTrends #MaterialInnovation #FurnitureDesign

This article highlights ten furniture and lighting designs from Japanese brands and designers, curated to coincide with Designart Tokyo, an annual design festival that showcases architecture, interiors, product design, and art across various locations in Tokyo. The selection features a range of products including outdoor lantern lamps, sculptural tables, and carved wooden chairs, all previously showcased on Dezeen Showroom. Among the featured designs is the Kawara Armchair by Ronan and Erwan Bouroullec for Koyori. This chair is characterized by its classic shape, designed for dining or meeting settings, and its representation of high-quality Japanese craftsmanship. The box-like structure of the chair is intended to provide comfort. Another notable piece is the Sculpture Casting Bronze table by Time & Style, which incorporates a metal casting technique traditionally used for Buddhist statues in Japan for its large, sculptural base. This base is paired with an elliptical oak tabletop available in two sizes. Eterble fabric tablecloths by Japanese tableware brand Eterble are also presented. These tablecloths are made from recycled fabric, sourced from discarded items from weddings, hotels, and function rooms, and are offered in a neutral color palette. Seiki Design Studio, led by Kyoto-based designer Seiki Ishii, introduces the Bell lamp, a mobile lamp crafted from recycled glass. Its bell-shaped lampshade and blue loop allow it to be hung on a wall or placed on a floor stand. The Sou sofa, designed by Teruhiro Yanagihara for Swedish manufacturer Offecct, combines a wooden base with various cushioned seat options. Its minimalist design draws inspiration from both Japanese and Scandinavian design traditions. The Spectrum Workstation Round ST160, a collaboration between German studio Geckeler Michels and Japanese furniture manufacturer Karimoku, is a table made from Japanese oak. It features a circular cable tunnel in its center to manage cables efficiently while maintaining an aesthetic appeal. Product designer Yoshiki Matsuyama's Cachalot lamp for Ambientec is a portable light with a shape inspired by a whale's body. It consists of an LED light unit within a sculptural acrylic case, mounted on a die-cast zinc base. The DC10 chair by Inoda + Sveje for Miyazaki Chair Factory showcases a frame made from a carved piece of wood, emphasizing the natural material's color and grain. Its construction blends traditional handcrafting with modern CNC technology. The TO side table, created by Japanese designer Naoto Fukasawa for Italian brand Plank, is a minimalist piece featuring a circular base and tabletop. Made from four-millimeter-thick steel, it comes in various powdered-coated finishes. Finally, the Sparkler Lanterns by Kensaku Oshiro for Poltrona Frau are outdoor lamps available in three sizes. Their perforated shells, made from woven polypropylene rope, create unique patterns of light and shadow. This collection underscores a blend of traditional craftsmanship and contemporary design across various home furnishing categories from Japan. #JapaneseDesign #FurnitureDesign #LightingDesign #DezeenShowroom #DesignartTokyo #ProductDesign #InteriorDesign #Craftsmanship #SustainableDesign

The High Point Market Fall 2024 showcased numerous new collections and collaborations from prominent designers and brands in the home furnishings industry. This event served as a platform for unveiling innovative designs and product lines across various categories, including furniture, textiles, lighting, and rugs. The market attracted a significant number of design professionals, all seeking to discover the latest trends and offerings. Bernhardt's Designer in Residence showcase, led by Nicole Fuller, presented an installation inspired by the Moroccan desert. This collection featured exotic elements such as pierced brass lanterns, an art deco-style faceted credenza, bullion fringe-trimmed settees, and pillows with beaded "evil eye" accents. The showcase aimed to create an immersive and unique design experience for visitors. Four Hands introduced the second installment of its collaboration with designer Amber Lewis. This launch comprised over 160 artisan-made SKUs, reflecting Lewis's signature coastal-cool aesthetic. Notable items included the shearling-covered Bennett chair, the paper cord-accented Salvador coffee table, and the hammered-bronze Corinne stool, catering to a blend of comfort and style. Tara Shaw's collaboration with Century Furniture drew inspiration from French flea market finds. The collection highlighted antique-driven designs such as the midcentury Italian-style Saint Laurent lounge chair and ottoman, the Rococo-esque Sainte Rome accent table, and the Trocadero desk, which featured ebonized detailing and hand-carved animal paw feet. This partnership aimed to merge historical elegance with contemporary craftsmanship. Thibaut's Anna French room displayed the Camelot collection, characterized by vibrant, jewel-toned fabrics. The collection included chairs upholstered in Linden Velvet, a sofa in moire-esque Regia, and drapes made from flame-stitched Kamut Embroidery, providing a luxurious and colorful aesthetic. Hickory Chair presented new collaborations with Kim Scodro and Suzanne Kasler. Scodro's contributions included soft-hued designs like the pale pink Harrison lounge chair, while Kasler's Bruges collection featured pieces such as the bone-inlaid Luc cocktail table and the tufted, art moderne-style Annabelle sofa, combining traditional and modern influences. Abner Henry's launches featured Sasha Bikoff's second collection, inspired by Memphis Milano, and the sinuous Aero console. These pieces emphasized unique shapes and artistic expressions, attracting attention from industry figures like Thom Filicia. Kravet's collaboration with fashion label Altuzarra at 200 Steele showcased a couture-fueled line. The collection included the ombre, sunset sky-inspired Colorscape mural, the Moth Weave, and the finely feathered Caspia, available as both fabric and wallcovering, reflecting a blend of fashion and home decor. Hubbardton Forge introduced the Snaps collection, an interactive lighting system composed of leather straps, LED modules, and alabaster diffusers. This modular design allowed for various configurations, offering customizable lighting solutions. Interlude Home presented petite versions of its Lucie and Theo sheep and a line of designer-selected chairs upholstered in Kravet fabrics, adding playful yet sophisticated options. Eliko Rugs by David Ariel collaborated with Anne-Marie Barton for a 27-piece collection of artisan-crafted rugs. This collection, which included the ultrashaggy Adorne and geometric Terra Luna styles, blended European design influences with contemporary aesthetics. Universal Furniture's Dwell collection featured architectural designs like a latticework-like bed frame, a cast concrete-shelved bar cart, a multifunctional cocktail table with an attached ottoman, and the Basalt credenza with pine lap-siding. Harbour showcased its new Palm Beach collection at the 313 Space, alongside other outdoor retailers and sustainability-minded brands such as Loose Parts, Nanimarquina, and Soil to Studio. Barbara Barry expanded her line with Baker and McGuire, introducing pieces like the rattan-framed Encircle sofa, the oak veneer-topped Cinch dining table, the plaster Dias Cylinder lamp, and the L-shaped Lao cocktail table made of honed Honey Onyx. Jaipur Living collaborated with House Sprucing on a collection of six artisan-crafted rugs, including the distressed Tesorino and hand-tufted Amata styles, made from 100 percent PET yarn. This collection emphasized European design and sustainable materials. Cordless lights were a notable trend, with introductions from Surya, Visual Comfort, Currey & Company, and Pooky, offering portable and flexible lighting solutions. Verellen celebrated its silver anniversary with a line of colorful upholstered furniture, including the polychromatic Otis club chair, the rainbow-speckled Roger swivel stool, and a bold color-blocked iteration of the modular Diego sectional sofa. Loloi featured Chris Loves Julia’s Scottie collection, a line of hand-tufted rugs with scalloped edges and striped double borders, available in various sizes and colorways. Burton James presented plush designs like the slope-armed Ally swivel chair, the sinuous Grayson sectional sofa, and the tightly upholstered Roy ottoman. Brown Jordan’s bestselling Luca collection, designed by Ann Marie Vering, offered a range of outdoor furniture with gently curved teak frames and weather-safe cushions. American Leather updated its Menlo Park series by Rick Lee, introducing a curvaceous bed and serpentine sofa upholstered in Ultrasuede fabric with channeled backs and welt detailing. Regina Andrew Detroit unveiled new lighting designs, including the mobile-inspired Artemis chandelier, the asymmetrical Happy Outdoor sconce, and the leather-wrapped Denver table lamp. BDI’s Elements collection by Matthew Weatherly provided acoustic-savvy storage solutions with laser-carved wood door fronts and metal mesh panels, designed to conceal audio equipment without compromising sound quality. #HighPointMarket #ProductLaunch #InteriorDesign #HomeFurnishings #DesignerCollaborations #FurnitureTrends #LightingDesign #TextileCollections #RugDesign

Simon Hamui, a renowned Mexican design studio, has expanded its presence by opening a new showroom in Aspen. This marks a significant step for the studio, which has been influenced by industrial design and architecture, bringing its unique approach to interior architecture and custom-made furniture to a new market. The studio's design philosophy is deeply rooted in two core principles: understanding context and recognizing human interaction with their environment. Context involves integrating the natural surroundings, including the local palette, textures, and climate, into the design. The second principle focuses on people, considering their lifestyles and how they experience their spaces to create designs that enhance daily living, making it more comfortable and fulfilling. Simon Hamui, who has resided in Vail for 15 years, envisioned a retail space where the public could directly engage with the studio's furniture collection and design ethos. Aspen emerged as the ideal location for this vision due to its sophisticated clientele and appreciation for high-quality design. The new showroom serves as a showcase for exclusive pieces from the Simon Hamui Collection, emphasizing the studio’s expertise in interior design and its commitment to Mexican craftsmanship. Each piece in the collection is meticulously crafted in-house at the Simon Hamui Studio’s workshops, ensuring a high level of quality and attention to detail. A significant aspect of their offering is the personalization options available, allowing clients to tailor pieces to their specific needs and preferences. This customization extends to a variety of materials, enabling clients to create unique combinations and palettes that result in a final product embodying both exceptional craftsmanship and a collaborative design process. Aesthetically, the collection is characterized by its geometric and industrial style, which thoughtfully incorporates assembly as a visible design element. This industrial aesthetic is softened and balanced by the use of premium materials and an unwavering focus on functionality. Renee Espinosa, a spokeswoman for the studio, highlighted the initial positive reception of the Aspen showroom, noting that visitors have frequently commented on the serene atmosphere of the space and the superior craftsmanship of the furniture. Espinosa described the showroom as feeling “highly sophisticated yet relaxed and congruent with the Aspen surroundings.” She also mentioned that the sensory experience within the space, encompassing the textures of the finishes, the curated art, music, and even the scent, contributes to an immersive and memorable visit. Adding to its strategic expansion, Simon Hamui Studio has also forged a partnership with Studio Como, a high-end furniture showroom located less than a block away in Aspen. Studio Como specializes in contemporary European design and offers bespoke solutions for both residential and commercial projects. This collaboration was a natural progression, given the long-standing relationship between the two entities. The goal of this partnership is to establish a comprehensive design hub in Aspen, catering to design enthusiasts and offering a broader range of high-quality interior solutions. The new Simon Hamui showroom, located at 620 E Hyman Ave., aims to be a cornerstone for interior design innovation and bespoke furniture in the Aspen community. #InteriorDesign #SimonHamui #Aspen #DesignStudio #CustomFurniture #MexicanCraftsmanship #ShowroomOpening #ContextualDesign #IndustrialDesign

This article highlights 19 distinct and eye-catching design pieces showcased at the High Point Market, offering a curated selection of furniture, lighting, and decorative accessories that can elevate any interior design project. The featured items encompass a range of styles, from contemporary and playful to classic and artisan-crafted, demonstrating the diverse offerings available to design professionals. Each piece is presented with its manufacturer, name, and a brief description of its unique characteristics and design inspiration. The selection begins with Universal Furniture's 'Strata bench,' characterized by its chunky, upholstered channels that create a cloud-like aesthetic. Vertuu Design's 'Andorra coffee table' follows, noted for its smooth top contrasting with a ribbed base, offering a subtle textural interplay. Wildwood introduces the 'Laguna vase,' an artisan-made Italian piece with a shimmery iridescent finish achieved through a reactive glaze, adding an artistic touch to any space. Arteriors presents the 'Melt sconce,' a collaboration with Workshop/APD, featuring overlapping drops of textured smoke glass that create a fluid and sculptural lighting effect. For seating, Taylor King showcases a sinuous iteration of their 'Hayworth swivel chair,' upholstered in a shapely Collage fabric by Susan Hable for Valdese Weavers, providing both comfort and visual interest with its curved lines. Visual Comfort's 'Bellamy two-light chandelier' by Marie Flanigan is highlighted as a statement lighting fixture designed to command attention. Accent Decor offers the 'Meander bud vase,' a whimsical, squiggly-armed vase perfect for creating an Instagram-worthy display. Co.House Designs presents the 'Lenny swivel chair' by Button Atelier, an homage to old-world European design, featuring faux mohair upholstery and a fanciful fringe trim. Practical yet stylish options include Worlds Away's 'Collins LB game table,' which combines inset grasscloth with sky-blue edging and discreet pullout drawers for storage. Intertwined: Handmade for Good features a 'framed handwoven Mayan textile,' a fragment of a vintage huipil from the Guatemalan highlands, serving as a conversation-starting art piece. Decorative Crafts' 'Argento coffee table' is characterized by its hand-finished antiqued silver leaf and a dazzling diamond-patterned frame. Barrett Bergmann Home's 'Shangri-La vanity' exemplifies understated elegance with its storage-savvy design. Curved forms are further explored with Mitchell Gold + Bob Williams’s 'Regatta sofa,' which transforms curved lines into an art form, and American Leather's 'Pira chair,' a tribute to Brazilian modernism with its gently rounded silhouette. Surya introduces the 'Herat rug,' a hand-knotted pure wool piece with a gradient hue designed to add warmth. Madheke’s 'Fanza' side table is a sculptural brass cast item with wabi-sabi appeal, featuring an asymmetrical base and a brushed finish. Taamaa’s 'Bau table' offers a modern interpretation of 1920s Bauhaus designs with its orb accents. Finally, Piegatto’s 'Palm coffee tables' are presented as highly configurable options, while Adriana Hoyos’s 'Origen daybed,' upholstered in quilted leather, is highlighted as an inviting piece for relaxation. #HighPointMarket #InteriorDesign #HomeFurnishings #StatementPieces #FurnitureDesign #LightingDesign #HomeDecor #ArtisanCrafted #DesignTrends

Acne Studios, the Swedish fashion label, has opened a new flagship store in Tokyo's Aoyama district, a move that encapsulates the brand's playful yet minimalist aesthetic. The store, located on a prominent corner of Omotesando, an area known for its architectural significance, was designed by Acne Studios' founder and creative director, Jonny Johansson, in collaboration with Stockholm-based studio Halleroed. This new location replaces a previous store on a nearby backstreet and represents the culmination of Johansson's long-standing connection and inspiration drawn from Japan. The conceptual foundation for the store was inspired by the idea of a 'garage' – an open, technical space. Johansson envisioned an interior that maintained the skeleton of the original building, incorporating extensive use of glass to create a seamless flow between the inside and outside, allowing visitors to feel connected to Aoyama. This structural openness is complemented by a unique design element: softly-textured pink granite stone. This material is used to connect various spaces, extending across floors and walls, and forms two prominent, airy staircases with clean, minimalist lines and subtly indented handrails. The choice of pink for the granite was deliberate, aimed at avoiding a 'banal' or 'naïve' impression. According to Ruxandra Halleröd, co-founder of Halleroed, the team explored various textures and materials before settling on a granite that intensifies in pink hue when flamed. This approach was intended to create a mature and nuanced pink, moving beyond typical feminine connotations to become a 'pop color' that aligns with Acne Studios' slightly vague yet distinct brand identity. Contrasting the soft pink granite, the store integrates reflective metal accents, angled mirrors, and dynamic stainless steel clothing hangers that are sharply suspended from the ceiling. This blend of materials and forms adds to the store's contemporary and edgy atmosphere. Further enhancing the creative interior are bespoke elements from long-term Acne Studios collaborators. British designer Max Lamb contributed a series of pieces, including shiny soft leather seats that appear to merge with the walls, tufted carpets, and 'Blob' chairs made from hand-dyed yarns. Illumination is provided by dozens of custom strip-lighting fixtures, conceived by designer Benoit Lalloz, which are strategically placed across ceilings and integrated into metal displays. Surrealist mannequins by artist Daniel Silver introduce an additional layer of artistry. Ruxandra Halleröd emphasizes that the design thrives on contrasts, mirroring Tokyo's own blend of high-tech and historical elements. The stark, hard-material-clad building contrasts with the irregular, shiny furniture, creating unexpected visual and tactile experiences. Christian Halleröd, also a co-founder of Halleroed, highlights Japan as a significant source of inspiration, particularly for its commitment to quality and craftsmanship. The store's opening is also marked by a collaboration with artist Takuro Kuwata, who created a series of candy-bright ceramic vessels and reinvented the brand's 'Camero' bag and denim jeans with rainbow designs and trompe l'œil effects. This reflects Johansson's perspective that "fashion is supposed to be fun" and a desire for luxury to be inclusive rather than exclusive, a philosophy that deeply informs the new Tokyo flagship. #AcneStudios #Tokyo #FlagshipStore #FashionDesign #RetailArchitecture #InteriorDesign #JapaneseCraftsmanship #ContemporaryArt

This article showcases the unique interior design styles of three designers, Jenny Powell, Edward Girardi, and Biff Bartron, as demonstrated in their personal homes. Each designer offers insights into their design philosophy, material choices, and practical tips for creating functional and aesthetically pleasing living spaces. Jenny Powell, owner of Somethings Unique, resides in a spacious Landenberg home with her family. Her design approach emphasizes a blend of elegance and family-friendliness, incorporating a relaxed European style with Scandinavian influences. After moving into their home, the Powells lightened dark wood floors and painted walls in pastel yellow and beige to create a brighter atmosphere. Powell's design is characterized by mixing old and new elements, such as Swedish Rococo-style sidechairs paired with contemporary fabrics, and the use of natural light and preserved greenery. Key elements of her home include fauteuil chairs from Spain with a gray-blue glaze, silk curtains in two colors, and durable microsuede upholstery for family-friendly living. The kitchen features granite countertops and unique hammered metal hardware, while the sunroom offers a casual dining space with a pine farmhouse table. Powell's home is adorned with her father's art, and she advocates for mixing styles, choosing tactile materials, incorporating personal art, and using a soft Scandinavian color palette. Edward Girardi, a proponent of high-rise living, has transformed his 16th-floor condominium in Wilmington into a sophisticated urban sanctuary. His design focuses on maximizing space and functionality in a compact environment. Girardi converted an adjoining unit into an intimate media room, painted in a custom purple-tinged gray. He meticulously blends his own paint colors and uses a sophisticated neutral palette as a backdrop for his home. A large, self-painted contemporary artwork dominates the living room, complementing the angular, masculine aesthetic. He repurposed a cocktail table by replacing its gold top with etched glass and staining the wood mahogany. Girardi's philosophy includes investing in neutral basics and updating accessories with lively prints. He emphasizes grouping family photos for impact and keeping them current. The dining area features a glass and chrome table for spaciousness, and custom built-in cabinets hide a bar and storage. His galley kitchen is designed for efficiency, with ceiling-height cabinets, slate tiles, and cork flooring. In the bedroom, a contemporary pedestal bed is paired with Shaker nightstands, and the space is unified by painting moldings and doors the same color as the walls. Girardi's advice for small spaces includes using larger tiles, decluttering with built-in storage, grouping pictures, measuring furniture carefully, and using solid colors to enlarge a space. Biff Bartron, a partner in BW Design Group, showcases an elegant California ranch home in Wilmington that balances luxury with simplicity, reflecting his preference for peaceful, spa-like environments. Despite initially being in disrepair, Bartron envisioned an open, light-filled space. He renovated in stages, prioritizing the kitchen and bathrooms. The enlarged kitchen features two dishwashers, three microwave ovens, stainless steel sinks, granite counters, and porcelain tile floors that mimic limestone. Sleek cherry cabinets with frosted glass panels and a pass-through window enhance light. A clever design integrates a Sub-Zero refrigerator, with the back half extending into the garage. Bartron unified the public spaces by installing dark ebony-stained hardwood floors. The dining table has an acid-treated copper top, and the living room offers comfortable seating for 11 around a baby grand piano. A chocolate brown daybed and silk curtains frame a bay window, allowing the city lights to become part of the decor. His color palette and simple furniture highlight a dramatic art piece from Paris. The powder room features hand-painted bamboo shoots and polished river rocks in the sink, adding a surprise element. The master bath is a spa-like retreat with a large stone shower and bamboo accents. Guest rooms on the lower level open to a private garden, and a secondary kitchen caters to entertaining. Bartron upgraded lighting and installed a whole-house stereo system. His recent addition of an Asian-inspired front porch creates a tranquil entry. Bartron recommends an Asian-inspired palette, using frosted glass for light and privacy, pampering oneself with luxury baths and linens, keeping window treatments simple to preserve views, and choosing durable materials for pet and family-friendly living. #InteriorDesign #HomeDecor #DesignerHomes #ScandinavianDesign #UrbanLiving #ModernRanch #SpacePlanning #Renovation #HomeStyling

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

This article highlights ten new products featured on Dezeen Showroom, ranging from innovative furniture to acoustic panels and lighting systems. Among the key products is the Prado sofa, designed by Christian Werner for Ligne Roset. This sofa distinguishes itself from traditional designs by incorporating mobile, weighted cushions that function as individual backrests. The broad, bed-like bases of the Prado sofa allow these cushions to be repositioned on the seat or floor, offering versatility in seating arrangements and layouts. The design emphasizes adaptability and personal comfort, moving away from fixed backrest structures typically found in sofas. Another featured product is the Alabastri tile collection by Italian brand Casalgrande Padana, which meticulously recreates the distinct milky color and texture of alabaster rock. These tiles are available in various colorways and sizes, making them suitable for both residential and commercial applications. Complementing interior surfaces are the hand-dyed glasses from US design studio Upstate. These hand-blown drinking glasses are characterized by unique swirling color patterns, available in five distinct colorways: Kokomo, Moss, Watermelon, Fumé, and Frankie. Each piece is unique due to its handmade nature. For acoustic solutions, Texfel introduces the Grooves Duo acoustic panels. These PET felt panels feature cut-in grooves that pick out patterns in contrasting colors, enhancing sound control while offering a variety of color combinations and pattern styles to integrate into diverse interior design schemes. Norwegian designer Torbjørn Bekken's 1960 Veng bar stool has been reissued by furniture brand Eikund. This bar stool features a sculptural, padded backrest and seat, supported by a solid oak frame, blending mid-century aesthetics with contemporary availability. Fiandre, another Italian brand, presents the Pulsar stone surfaces. These surfaces are inspired by the appearance of primordial matter and come in five neutral colorways with a speckled surface pattern that extends through the entire tile thickness, designed to minimize visible wear. Rafa Ortega's Pixels room divider for Impact Acoustics offers a flexible acoustic solution. This system comprises linked PET felt shapes mounted on a metal ceiling track, available in four geometric shapes and 36 colors, allowing for customizable room division. Workplace furniture brand Bisley introduces a range of planters designed to enhance office aesthetics and employee wellbeing. These planters come in static versions with slatted wooden panels or mobile versions on castors with a double-decker design. Australian design brand Ilanel drew inspiration from long-tailed comets for its modular Comet pendant light. This lighting system features a horizontally hung bar threaded with hand-blown glass spheres, creating a distinctive shooting star-like statement. Lastly, Spanish furniture brand Kettal's Pi workspace organization system for open-plan offices utilizes configurable H-shaped modules, available in styles tailored for focused work, collaborative meetings, and auxiliary functions like kitchenettes and printing stations. #DezeenShowroom #ProductLaunch #FurnitureDesign #InteriorDesign #SofaDesign #TileCollection #Glassware #AcousticPanels #BarStool #StoneSurfaces #RoomDivider #OfficeFurniture #LightingDesign #WorkspaceSolutions

Japanese design studio Nendo presented their solo exhibition titled “Dancing Squares” at the Art Stage gallery in Singapore, which ran from January 13th to January 16th, 2011. The exhibition showcased a collection of furniture pieces including a bookshelf, a lamp, a stool, and a table, all characterized by a design aesthetic that gives the illusion of distorted or tumbling squares. This collection aims to imbue a sense of motion into static objects. The core concept behind the “Dancing Squares” series involves assembling square elements in a way that suggests dynamic movement. For instance, the bookshelf in the collection features a design where a part of its structure appears to be frozen in a cascade of tumbling planes. This creative approach introduces variation in how books can be stacked and displayed, moving beyond traditional linear arrangements. Another piece, the stool, is designed with a distinctive twist, providing it with a visually playful appearance. This design choice contributes to the overall theme of dynamic forms within the collection. The lamps in the exhibition are engineered to roll and remain stable, thanks to their carefully arranged planes, which also allow them to cast light in multiple directions, enhancing their functional and aesthetic versatility. Perhaps one of the most striking pieces is the table, which gives the impression of leaning or falling away. Despite this precarious visual effect, the table maintains its full functionality. The design also creates an optical illusion where objects placed on its surface appear to sink into its folds and sways, challenging perceptions of stability and form. These various movements and distortions are intended to create a fascinating interplay between balance and unbalance, making the planes of the furniture seem to dance. Nendo’s exhibition at Art Stage, located at Basement 2, Hall D at Marina Bay Sands, Singapore, was open to the public without an admission fee. The photographs of the collection were captured by Masayuki Hayashi. This exhibition provided insight into Nendo’s innovative approach to design, where everyday objects are reimagined with a fluid and dynamic sensibility, transforming conventional furniture into artful expressions of motion and form. #Nendo #FurnitureDesign #Exhibition #ProductDesign #ArtStageSingapore #SquareMotif #InnovativeDesign #InteriorDesign #JapaneseDesign

Kenzo Takada, a prominent fashion designer known for vibrant prints, bold colors, and unique silhouettes, profoundly influenced the fashion industry by integrating Japanese elements into Western aesthetics. His brand, Kenzo, which he founded and later sold to LVMH in 1993, became a global phenomenon. Following his departure from the active fashion scene, Takada redirected his creative talents towards home interior design, launching his furniture label K-3 less than a year before his passing in October 2020 due to Covid-19 complications. His K-3 collection continued his signature blend of Eastern and Western design principles, characterized by a rich use of color and prints. In stark contrast to the colorful exuberance of his fashion and furniture designs, Takada's personal residence in Paris, known as the Kenzo House, exhibits a serene and Zen-like aesthetic. This 13,778 square-foot home, located in an 18th-century residential building in the Bastille district, was initially built by Takada in 1993 and later redesigned by architect Kengo Kuma in 2018. The exterior of the four-story house features natural materials such as cedar shingles, teak, and clay, contributing to its tranquil and textured facade. A central feature of the home is an interior courtyard designed as a traditional Japanese garden. This garden includes a stone pond inhabited by nishiki carp and koi fish, surrounded by a variety of Japanese flora, including cherry and maple trees, bamboo, junipers, lichens, and mosses. Kuma's redesign ensured that each room of the house offered views of this natural sanctuary, creating a seamless connection between the indoor and outdoor spaces. The garden is further enhanced by carefully placed rocks and miniature waterfalls, replicating a classic Japanese landscape. Adjacent to the garden is a Japanese pavilion that houses a traditional tea ceremony room. This room is authentically appointed with tatami mats and shoji sliding doors, which can be opened to provide an unobstructed view of the koi pond. Inside the main house, the aesthetic continues with extensive use of wood. French oak louvres, beams, and floors maintain consistency with the original wooden finishes. An engawa, a traditional Japanese exterior corridor, featuring a wooden lattice, replaced an indoor lap pool, further emphasizing the home's Japanese design influences. The residence is comprehensively equipped with modern amenities and ample living spaces. It features four bedrooms, each with an en suite bathroom and a dedicated dressing room, ensuring privacy and comfort for residents and guests. Additional facilities include a music room, a study, a fitness room, and an elevator. The property also provides practical accommodations with three self-contained studio apartments for staff and two private parking spaces. This thoughtful integration of Japanese aesthetics with contemporary living defines Kenzo Takada's personal Parisian home as a unique and tranquil retreat. #InteriorDesign #HomeTour #FashionDesigner #JapaneseAesthetics #ParisHome #KengoKuma #ZenLiving #ArchitecturalDesign

OEO Studio, based in Copenhagen, has completed a luxury apartment in Tokyo's Opus Arisugawa Terrace & Residence, collaborating with Japanese property developer ReBita. The project seamlessly integrates Scandinavian design principles with traditional Japanese aesthetics and materials, reflecting a cross-cultural design philosophy. The apartment showcases OEO Studio's expertise in creating spaces that are both clean and rich in local character. The interior design features a kitchen crafted in Denmark by Garde Hvalsøe, known for its handcrafted cabinetry, and furniture from prominent brands such as Gubi, Stellar Works, and Brdr Krüger in the living room. Art pieces by Finnish artist Jaakko Mattila and Danish photographer Søren Rønholt further enhance the Scandinavian influence. The apartment’s layout promotes a natural flow between designated areas, fostering a warm and inviting atmosphere. Textural elements are central to the design, with rammed earth walls in the entryway providing a connection to nature, and columns made from Japanese Ōya stone dividing the living and kitchen spaces. Entrance areas are distinguished by deep blue indigo tiles, while Finnish birch paper yarn rugs, featuring patterns inspired by traditional Japanese textiles, introduce tactile comfort. The flooring creates visual interest through a juxtaposition of stone in the living room and wood in adjacent areas. A notable design feature is a movable wall that allows for flexible privacy settings. The bedrooms explore contrasts, with one designed in a darker palette and another in a lighter one, furnished with pieces from Karakter, Brdr Krüger, Stellar Works, and Fritz Hansen. The en-suite bathrooms continue the material narrative with stonework and wooden cabinetry, highlighted by a hinoki wood bathtub. This project exemplifies OEO Studio's ability to blend diverse cultural influences into a cohesive and luxurious living environment. The studio drew upon its established design heritage, integrating it thoughtfully with Japanese traditions to create an apartment that respects both backgrounds while offering a contemporary, elegant aesthetic. The use of natural materials and a focus on craftsmanship underscore the design's commitment to quality and longevity. The combination of Danish and Japanese design elements creates a unique dialogue between minimalist principles and a profound appreciation for texture and natural forms, resulting in a residence that is both sophisticated and deeply rooted in its context. #OEOStudio #TokyoApartment #ScandinavianDesign #JapaneseHeritage #InteriorDesign #LuxuryLiving #CrossCulturalDesign #NaturalMaterials

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions