Muli Muli by DFJ Architects

The Jia Pavilion, recently completed by DDAP Architect and OCK (Ong Cen Kuang) design studio, is situated within the tropical landscape of Plataran Canggu, Bali. The pavilion is characterized by its sculptural rooftop and thoughtfully curated interiors. This undulating timber structure draws inspiration from 'Material Alchemy' and served as the focal point for a multi-day event in December 2022, showcasing art, culture, and performances. The primary objective of the Jia Pavilion was to establish a communal space for creatives, transforming the natural environment of Plataran Canggu into an immersive and inspiring setting. DDAP Architect articulated the foundational concept for the Jia Pavilion, naming it 'damuh,' a Balinese term signifying 'dew.' This nomenclature reflects the pavilion's design, which resembles a leaf with dewdrops underneath, symbolizing refreshment. The architects derived further inspiration from the surrounding jungle's topography, ensuring the structure’s seamless integration with its natural surroundings. The project benefited from the sponsorship of Kayu Lapis Indonesia, a timber supplier whose materials further strengthened the pavilion's connection to the wooded environment. Sustainability and reusability were central to the design philosophy of the Jia Pavilion, which was constructed using a modular prefabricated system. The design team prioritized minimizing energy consumption and waste throughout the construction phase. In collaboration with Kayu Lapis Indonesia, the installation process was meticulously planned, allowing for a rapid assembly completed in just three days. Material selection was critical in achieving these sustainability goals. Kayu Lapis supplied responsibly sourced engineered wood, with Meranti plywood chosen for the ceiling due to its suitability for outdoor conditions, and durable Keruing wood for the deck flooring. Flexible plywood was employed to realize the intricate curved forms. DDAP Architect aimed to create an inviting atmosphere within the Jia Pavilion, evoking the comfort of a home. The design emphasizes openness, facilitating a smooth transition between indoor and outdoor activities and ensuring all areas of the pavilion are easily accessible to visitors. This spatial integration aligns with the broader vision of Jia by OCK, which seeks to explore diverse perspectives in design. By incorporating natural elements, the pavilion endeavors to foster a reconnection with nature for its visitors, encouraging creators and artists to discover fresh interpretations and generate boundless ideas. The undulating ceiling, reminiscent of dewdrops on a leaf, and the warm interior lighting contribute to the welcoming ambiance, complementing the lush jungle backdrop. The pavilion's design allows for access from all sides, effectively blending the built environment with its natural context. #Architecture #Bali #JiaPavilion #DDAPArchitect #OCKDesign #SustainableDesign #TimberArchitecture #PrefabricatedConstruction #BiophilicDesign

The article showcases Muli Muli, a three-bedroom home in South Golden Beach, near Byron Bay, Australia, designed by DFJ Architects. This project exemplifies a minimalist approach to residential architecture, focusing on reducing superfluous elements to achieve a compact and efficient living space. The design process was guided by the question of what could be removed from a house before it ceased to function as a home, resulting in a modest 110-square-meter footprint. The residence is composed of three distinct pavilions, each serving a primary function: living and eating, sleeping and ablutions, and carport and storage. An unconventional aspect of the design is the outdoor covered corridor connecting the bedrooms to the living area, emphasizing the integration of outdoor spaces into daily life. This decision reflects the architects' vision for a holiday home, where the focus is on engaging with the surrounding region rather than being confined indoors. Strategically situated against a coastal dune system, the home features a U-shaped floor plan that encloses a south-facing central courtyard. This orientation was a deliberate choice to ensure privacy and connection with the natural landscape, particularly given the proximity of multi-story neighboring developments. Instead of seeking outward views that might be compromised, the design prioritizes internal vistas into the densely vegetated courtyard, creating a private and engaging environment. Natural light is a key element of the design, with large glazed openings that provide uninterrupted views of the coastal scrub. Clerestory windows on the north face allow ample sunlight to flood the living pavilion, illuminating the raked ceiling and enhancing the sense of vertical space. This architectural feature contributes to an expansive feel despite the home's compact dimensions. Sustainability is integral to Muli Muli's design, incorporating passive principles to minimize environmental impact. Natural ventilation eliminates the need for air conditioning, even in subtropical temperatures, while abundant natural light reduces reliance on artificial lighting. The small scale of the home also meant fewer resources were consumed during construction. The material palette is restrained, featuring blackbutt timber, fiber cement, concrete, blockwork, and glass, chosen for their durability and low-maintenance qualities. Flexibility is another core design principle. For example, the dining table is equipped with wheels, allowing it to be easily moved outdoors for al fresco dining, thereby eliminating the need for duplicate furniture. This thoughtful consideration aligns with the project's overall goal of simplifying living and rejecting the accumulation of unnecessary items, particularly in a holiday context. Muli Muli was recognized with an award for Residential Architecture – Houses (New) in the Institute’s NSW Country Division Awards, highlighting its innovative approach to residential design. The project demonstrates how strategic subtraction and thoughtful integration with the natural environment can create a robust, simple, and deeply connected dwelling, redefining the traditional beachside home. #minimalistDesign #beachHouse #sustainableArchitecture #passiveDesign #compactLiving #DFJArchitects #AustralianArchitecture #holidayHome #indoorOutdoorLiving

Architect Alexis Dornier has completed the Freebird residence in Berawa, Bali, a private home that seamlessly blends Japanese design principles with tropical modernism. The residence is characterized by an innovative H-shaped layout, centrally featuring a living room suspended above the swimming pool. This unique living space incorporates retractable glass walls, allowing it to transition into an open-air environment, while a glass floor provides a direct view into the pool below, creating a distinctive visual experience. The ground floor of the Freebird residence is dedicated to functionality and connection with nature, housing a gym and two guest rooms. These spaces are strategically designed to offer expansive views of and direct access to a lush tropical garden, meticulously crafted by the Bali Landscape Company. This integration of indoor and outdoor elements enhances the living experience, immersing residents in the natural beauty of Bali. The yoga area, drawing inspiration from Kengo Kuma's Glass House, utilizes extensive glass to maintain a strong visual link with the surrounding environment. A notable design feature near the entrance is a large wine fridge, which serves both as an insulating element and a striking sculptural focal point within the home. Collaborating with interior designer Kosame, Dornier curated a furniture selection that marries practical utility with sculptural aesthetics. Kosame's choices reflect a harmonious balance between Japanese minimalism and tropical accents, contributing to the overall design language of the residence. The material palette for the Freebird residence emphasizes local craftsmanship and sustainability. Paras Kerobokan stone walls provide a natural and durable finish, while wooden ceilings with intricate fluted patterns add texture and visual interest. These architectural elements are complemented by a variety of textiles and fabrics, which introduce warmth and depth to the clean, modern lines of the interior. Sustainability is a foundational aspect of the Freebird residence's design. Eco Mantra, the sustainability management partner, played a crucial role in significantly reducing the home's energy consumption and overall carbon footprint. This commitment to environmental responsibility is evident in the careful selection of materials and the home's operational efficiencies. The Freebird residence represents a holistic approach to contemporary tropical living, where innovative design, environmental consciousness, and cultural influences converge to create a unique and harmonious dwelling in Bali. The project was completed in 2023, encompassing a total area of 770 square meters, with photography by KIE. #AlexisDornier #FreebirdHouse #BaliArchitecture #TropicalModernism #JapaneseDesign #SustainableArchitecture #ResidentialDesign #IndoorOutdoorLiving #LuxuryHomes

This article details the design plans for a primary bedroom and bathroom in a Malibu beach house, emphasizing a minimalist, calming, and nature-connected aesthetic inspired by Japandi design principles. The renovation project has been ongoing for five years, with significant focus on creating spaces that offer a serene experience, particularly the primary bedroom. The author envisions quiet mornings, natural light, ocean breezes, and the scent of orange blossoms as key elements of the finished space. The bedroom design features a custom-built, low-platform bed made from natural wood, which integrates seamlessly into the room's architecture. This built-in bed includes extended nightstand ledges, eliminating the need for separate furniture and maintaining a clean, simple visual. Overhead, woven pendant lights are chosen instead of traditional bedside lamps to free up surface space and add sculptural interest, while providing a warm, downward glow for reading. The article highlights the selection of specific woven pendant options that align with the natural theme. A significant design element is the installation of French doors that open directly onto an ocean-facing patio. These natural wood-framed doors are intended to blur the boundaries between indoor and outdoor spaces, allowing sea air and wave sounds to permeate the room. The patio will also connect to an outdoor sauna, transforming the suite into a personal wellness retreat. The design incorporates vaulted ceilings throughout the home, including the primary bedroom, to enhance the sense of airiness and openness. The material palette for the bedroom is deliberately kept light, using warm neutral textiles, light-toned woods, and soft stone finishes to reinforce the natural and calming atmosphere. For the fireplace, a VITA Vapor fireplace from Custom Fireplace & Design is chosen due to local restrictions on open flames in Malibu. This electric fireplace provides the ambiance of a real fire through flickering vapor, serving as a soothing focal point at the foot of the bed. The primary bathroom is conceived as a serene, light-filled sanctuary. A freestanding Duravit Soleil by Starck bathtub, characterized by its simple and sculptural lines, is a central feature. Adjacent to the tub, a floor-to-ceiling window brings in ample natural light, with privacy ensured by an exterior stone wall made from Country Rubble in Bella by Eldorado Stone. The wall finish throughout the house is planned to be Roman Clay from Portola Paints. While a soft terracotta was initially considered for the bathroom, a cleaner white Roman Clay was ultimately selected for its ability to reflect light and expand the space, creating a spa-like feel. The texture of the Roman Clay adds depth and an organic, handmade quality without appearing stark. Unlacquered brass fixtures from Kallista’s One collection are specified for the bathroom, valued for their warm tones and their ability to develop a natural patina over time, embodying a wabi-sabi aesthetic. To optimize space and flow in the bathroom, a small set of doors leading to the primary closet will be removed and replaced with an arched opening. This architectural detail contributes to the suite's expansive feel and complements the natural materials and curved forms elsewhere in the design. Custom floating vanities will flank the arched doorway, featuring Caesarstone tops (specifically Mirabel) and white oak drawers for storage. The closet itself is designed as a streamlined, hardworking space, equipped with pull-out organizers, soft-close drawers, and integrated lighting, and will house a vanity table. The shower area will utilize tadelakt, a traditional waterproof plaster with a smooth, mottled, stone-like appearance, for its walls. The shower floor will feature a slip-resistant Caesarstone surface, ensuring material consistency with other areas of the house. Finally, a wall-mounted ME by Starck toilet from Duravit is chosen for its sleek, minimal, and functional design, adding a touch of everyday luxury. #MalibuRenovation #JapandiDesign #BedroomDesign #BathroomDesign #CoastalLiving #InteriorDesign #NaturalMaterials #HomeRemodel

In northern Italy's Piedmont region, a distinctive modernist pavilion stands as a contemporary interpretation of a castle, enveloped by its own body of water and accessible via a drawbridge. This architectural marvel, designed by Duilio Damilano of Damilano Studio, sought to create a secluded oasis, blending Italian luxury with the serene aesthetics of a Japanese Zen garden. The client and architect shared a mutual admiration for Japanese design principles, which significantly influenced the project's interior and exterior elements. The exterior of the pavilion features a large garden, conceptualized by landscape gardener Paolo Roagna. This garden draws inspiration from symmetrical Japanese botany, incorporating sculptural Bonsai trees and water features harmoniously alongside indigenous trees and shrubs. The building's perimeter is defined by sculptural metal grid structures on opposing sides. These grids are not merely aesthetic; they provide essential shade during the summer months and are adorned with geometrically positioned square blocks of Fir wood, adding visual depth. The external walls are also crafted from Fir wood, treated with the traditional Japanese Shou Sugi Ban technique, which involves burning the wood to enhance its durability. The single-floor dwelling utilizes pigmented micro cement throughout. Externally, this material is acid-etched to mimic the appearance of natural stone, while the interior surfaces are left smooth. The internal layout is designed to foster continuous interaction with the surrounding natural environment, largely achieved through expansive sliding glass walls. The interiors showcase a thoughtful curation of design pieces, where luxury meets functionality and artistic expression. In the sitting room, a playful ‘Cactus’ coatrack by Guido Drocco and Franco Mello immediately captures attention, positioned near a painting titled ‘Sardinia’ by Andrea Lo Papa. The room also features an enveloping ‘Pack’ sofa by Edra, illuminated by Ingo Maurer’s ‘Lacrime del Pescatore’ lighting. A hand-crafted rug by Mohebban Milano and a collection of wooden sculptures by Austrian artist Daniel Eggli further enrich the space. The dining room offers a contrasting palette to the building's earthy brown tones. It features a gold leaf table, designed by Dilmos Milano, complemented by ‘Ella’ chairs by Jacopo Foggini for Edra, which are described as having soft, gleaming molten amber hues. The ‘Scrigno’ sideboard, with its mosaic mirror shards, adds a deeper luster, reflecting the jewel-toned scheme. Damilano describes these colors as representing the 'earth and territory, warm and material colors.' The kitchen and bathrooms maintain a practical yet refined aesthetic. The kitchen, hand-built in oak by a local carpenter, is designed for industrial efficiency, a material choice echoed in the bathroom. The bathroom is equipped with ‘Origini’ taps by Gessi, ‘I Ching’ towel warmers by Elisa Ossino for Tubes, and sanitary ware by Cielo Ceramiche. In the main bedroom, a burnished dragon motif, painted by artist Riccardo Brotini, adorns the entire back wall, drawing inspiration from Japanese mythology where dragons symbolize cosmic guardianship and control over natural elements. A foldaway bed is integrated into the ceiling, allowing for flexible use of the space, which also connects to the terrace, pool, and gardens through sliding glass doors. The design team's overarching goal was to create a dynamic yet meditative natural experience, with the metal mesh and interlocking wooden blocks forming an optical illusion that changes as one moves around the pavilion. This integration of Italian luxury with Japanese Zen principles culminates in a home that emphasizes well-being and a harmonious connection with its environment. #ModernistPavilion #ItalianLuxury #JapaneseZenGarden #ArchitectureDesign #PiedmontHome #DuilioDamilano #InteriorDesign #ShouSugiBan #LandscapeDesign

Lualdi, an Italian brand, offers a highly customizable vertical system called Wall & Door that combines modular panels and doors, allowing for the creation of homogeneous surfaces that seamlessly integrate into existing interior environments. This system aims to redefine the traditional door by offering solutions that adapt to complex architectural requirements, merging advanced industrial production techniques with traditional artisan carpentry. Lualdi emphasizes its ability to craft custom-made pieces that align with architects' design needs. The company highlights how certain door models, developed in collaboration with architects for specific projects, have evolved beyond their initial scope to become iconic elements of Lualdi's production. These models represent a continuous journey of research, experimentation, and technological and formal innovation. The Wall & Door system serves as a testament to this philosophy, providing a versatile framework for interior design. An example of the system's application is seen in a private residence in Milan. For this project, the Wall & Door collection was utilized to design walnut paneling strips that visually connect the living area with the hallway leading to the bedroom. An integrated door, crafted from the same paneling and featuring a slim 55-millimeter thickness, was installed flush with the wall and equipped with a hidden touch handle. This design choice imparts a classic aesthetic to the contemporary apartment, harmonizing with the 19th-century building's historic character. Lualdi characterizes the Wall & Door system as a "white canvas," offering extensive customization possibilities. It can be finished with lacquer, or clad in various materials such as wood, leathers, fabrics, metals, or wooden slats, depending on the architect's and client's preferences. The company also provides comprehensive support, guiding architects through their projects from initial conception to the final implementation of the system. Another notable project involved furnishing a private residence in Qingdao, China, where Lualdi supplied over 1,000 square meters of doors and paneling, along with suspended ceilings and partition systems for all rooms. This demonstrates the system's capacity to handle large-scale and diverse applications. The Wall & Door system enables designers to utilize the entire height of a wall, effectively concealing or revealing different aspects of rooms, and offering intelligent solutions for wardrobes and partitions, thereby enhancing both functionality and aesthetic coherence within interior spaces. #InteriorDesign #ArchitecturalSystems #CustomizableDesign #Lualdi #WallPanels #IntegratedDoors #MilanResidence #QingdaoProject #DesignInnovation

This blog post details the interior design project by MuseLAB for a young couple's 1,250-square-foot apartment in Mumbai’s Worli neighborhood. The design concept was inspired by the couple's desire to incorporate elements of Art Deco, reminiscent of the wife's childhood home, particularly through the use of terrazzo tiles and specific patterns. MuseLAB, led by principal Huzefa Rangwala, focused on integrating the past with contemporary design, creating a seamless flow throughout the three-bedroom apartment. A key element of the design is the extensive use of tiles from Bharat Flooring. Different geometrical patterns were chosen to delineate distinct functional zones: contrasting patterns for the living room, a solid color for the dining space, and a heritage pattern for the master bedroom. For the nursery, a gender-neutral space, a playful dot-like pattern was selected for the tiles. This thoughtful application of varied tile patterns serves to both unify and differentiate areas within the apartment, echoing the Art Deco influence. The furnishings throughout the apartment are almost entirely custom-designed, further enhancing the bespoke nature of the project. These custom pieces incorporate subtle touches reminiscent of the 1920s Art Deco era, without being overtly nostalgic. The apartment’s layout is described as linear, with the three bedrooms arranged along an axis that opens into the living and dining areas. Door frames and transitions in the flooring patterns are strategically used to create a sense of continuity and fluid movement between these spaces. Specific design details highlight MuseLAB's attention to craftsmanship and material selection. In the living area, custom seating features couches with teak frames and rope backs, complemented by bent plywood and white composite tables. Ceiling lights with matte gold fittings on birch plywood plates add to the sophisticated ambiance. The dining area includes custom pendant lighting and a white composite-topped table, maintaining the refined aesthetic. The kitchen combines Pacific blue and oak laminate cabinets with a white tile backsplash and black electroplated profile handles. An Art Deco-inspired custom screen marks the entrance to a temple nook, demonstrating the integration of cultural and aesthetic elements. The hallway, which connects the various zones, is characterized by white walls, sharp leather-finish black granite skirting, and a three-inch band of black paint along the top, further accentuating the varied cement tile patterns on the floor. Bathrooms also showcase creative tile applications; the nursery bathroom features bands of pink, blue, yellow, and white tiles on the flooring, alongside a custom-made elephant mirror. The guest bedroom boasts a full-wall teak veneer wardrobe with powder-coated handles in powder blue and sunshine yellow. Another bathroom incorporates contrasting colors and patterns in its tile work, reinforcing the project's thematic consistency. The overall design successfully marries historical Art Deco sensibilities with contemporary functionality and a personalized touch for the family. #MumbaiApartment #ArtDecoDesign #MuseLAB #InteriorDesign #CustomFurnishings #TilePatterns #ResidentialDesign #MumbaiArchitecture #WorliNeighborhood

Mitsubishi Jisho Design architects Kei Atsumi and Motoya Iizawa unveiled 'The Warp' pavilion at the tenth Dubai Design Week, an immersive installation envisioned as a zen Japanese tea garden. This pavilion aims to bridge ancient Japanese craftsmanship with contemporary 3D printing technology. Situated amidst Dubai's modern skyscrapers, the installation offers a temporal journey from traditional Japan to the emirate's futuristic landscape. The Warp was activated through various events, including matcha tea ceremonies and design workshops, emphasizing its cultural and educational aspects. The core concept of The Warp pavilion revolves around the innovative integration of centuries-old Japanese joinery systems with advanced 3D printing techniques. Kei Atsumi highlighted that the pavilion comprises over 900 unique pieces, each featuring distinct shapes and curves, a complexity achievable only through computational design. These components are assembled using traditional Japanese joinery, a system historically employed in wooden shrines and temples. This method allows for easy assembly, disassembly, and relocation, showcasing an adaptive application for a more intricate, modern structure while ensuring its portability and reusability. The design process leverages computational modeling to precisely generate these small, double-curved panels, which seamlessly interlock to form the overall structure without the need for adhesives, nails, or metal fittings. The pavilion's journey for visitors commences at a pebbled garden, leading to the tea house, an intimate wooden space designed with a gentle twist that visually references Arabian sand dunes. Upon entering through a traditional small, low passage known as a nijiriguchi, visitors can participate in a matcha ceremony led by a Japanese tea master. This experience is intended to transport individuals into a Japanese spiritual realm, while simultaneously offering a view of Dubai's iconic Burj Khalifa, thus creating a dialogue between historical tradition and modern advancement. This spatial arrangement underscores the pavilion's role as a portal connecting disparate cultures and eras. Beyond its aesthetic and cultural significance, The Warp pavilion also promotes Mitsubishi Jisho Design’s Regenerative Wood technique. This circular production system focuses on reintegrating wood waste back into the forestry industry. Atsumi noted that typically, only about 50% of wood material is utilized in architecture and other products, with the remainder becoming waste. The pavilion addresses this issue by constructing the entire structure from a 3D-printed wood composite. This composite material is composed of 30% recycled sawdust and 70% bioplastic, making the pavilion a sustainable and beautiful example of material reuse and ecological responsibility. This project exemplifies a new language of architectural expression, combining traditional wisdom with cutting-edge technology for sustainable design and construction. #KeiAtsumi #DubaiDesignWeek #JapaneseJoinery #3DPrinting #SustainableArchitecture #PavilionDesign #WoodComposite #ComputationalDesign #MitsubishiJishoDesign

In the bustling city of Mumbai, a 4,500-square-foot duplex in a unique residential complex offers a sanctuary of calm. Designers Disha Bhavsar and Shivani Ajmera of Quirk Studio were tasked with transforming this 'villa in the sky' into an expansive, uncluttered, and subtly luxurious home for a family of four. The apartment, situated in a development where every unit is a duplex featuring high ceilings, vast openings, and large private terraces, provided an exceptional foundation for the design. The initial inspiration for the design was the 800-square-foot outdoor terrace. The designers focused on creating a seamless flow between the living and dining areas, extending into the terrace, thus integrating the outdoors with the interiors. This lower-level living-dining zone stands out as a dramatic architectural element, with full-height openings that lead to the terrace, enhancing the sense of scale and openness and redefining urban living. The homeowners expressed a preference for open, functional spaces over fragmented, function-specific rooms. This led to a design approach emphasizing flexibility and modularity without compromising aesthetics. A notable example is the multipurpose den, which can be fully enclosed to function as a guest bedroom, showcasing intelligent spatial planning that adapts to varying needs while maintaining a minimal aesthetic. The upper level of the duplex is dedicated to private spaces, including two large bedroom suites, each with an indulgent ensuite bathroom and walk-in wardrobe, along with a study and a mandir. A significant design challenge involved connecting the two levels with both a visually striking staircase and a capsule elevator. The designers ingeniously integrated a sculptural, ribbon-like spiral stairway that gracefully wraps around a transparent elevator. This solution transformed a structural necessity into a central design feature, anchoring the home with its vertical sculptural presence. The design aesthetic is deeply influenced by the homeowners' personalities and lifestyle, prioritizing openness and emotionally resonant spaces over unnecessary excess. Quirk Studio aimed for a design vocabulary that was restrained yet immersive, achieving a sense of 'quiet luxury' through a deliberately minimal palette. Soft grey lime-plastered walls introduce a muted tactile quality, while continuous white marble with subtle grey veining unifies the lower level. Deep wood accents add warmth and gravitas, allowing texture, scale, and detail to create drama rather than overt ornamentation. Vibrant colored accents are strategically introduced in areas like the bathrooms, featuring marbles in rich reds, blues, and ashy greens, providing pops of color against the monochromatic base. Quirk Studio's core philosophy of 'less is more' is evident throughout the project. While adapting to the specific brief of the homeowners, the studio maintained its characteristic language of restraint and precision. The Mumbai duplex exemplifies this philosophy, presenting a home that is simultaneously expansive and warm, meticulously detailed yet uncluttered, and minimalist yet profoundly personal. #MumbaiHomes #DuplexDesign #UrbanLiving #QuirkStudio #LuxuryInteriors #MinimalistDesign #ArchitecturalInnovation #IndoorOutdoorLiving #FlexibleSpaces

Jonathan Matti, an interior designer with an architectural background, has established himself over four decades as a leading figure in Manila's interior design scene. He is the founder and CEO of an eponymous interior design firm and is known for projects such as the Goldenberg Mansion's Glass House and the creative hub Vetted. Matti describes his design philosophy as an integration of "Old World elegance meets 21st-century living," aiming to create spaces that are rich and nuanced without feeling anachronistic or like a museum. Matti emphasizes the importance of client collaboration, stating that successful projects stem from clients who share his appreciation for graceful, modern interiors with a historical feel. He welcomes opinionated clients, viewing such exchanges as a healthy dialogue that enriches the design process. His approach resonated internationally, leading to a collaboration with British company de Gournay to create "Latina Manila," a wallpaper series inspired by Filipino culture and history. His architectural training enables him to bridge the gap between space design and interior design, effectively resolving incongruities between a structure's architecture and its interior furnishings. A notable highlight of Matti’s career involved designing "The Glass House" at the Goldenberg Mansion. Following an unexpected downpour during an event hosted by First Lady Liza Araneta-Marcos, Matti was tasked with creating a weather-proof indoor space. He conceived an air-conditioned annex of glass, steel, and wood, drawing inspiration from pre-Victorian era glasshouses. This structure was designed to blend with the gardens and allow natural light and views in, while providing a comfortable, semi-outdoor venue for events, complete with appropriate lighting. Matti's transition from aspiring architect to celebrated interior designer was influenced by his early exposure to diverse architectural styles through his mother, a real estate broker specializing in Makati villages. His first interior design project, which involved significant re-arrangement and minor construction, solidified his passion for interior design. This initial success led to numerous projects, eventually prompting him to focus solely on interior design. The creative hub Vetted emerged during the pandemic when Matti repurposed a rented storage space. Envisioned as a venue for pop-up events and creative gatherings, Vetted extends Matti's design philosophy, ensuring that all hosted events align with his aesthetic. Its inaugural event was an art exhibit by Elmer Borlongan. Despite initial challenges, Vetted has successfully hosted various events, including a pop-up store collaboration called “Garden of Earthly Delights.” Matti continues his collaboration with de Gournay, hinting at future home-related projects that will bear his signature elegance and meticulous vetting. #InteriorDesign #OldWorldElegance #JonathanMatti #ArchitecturalDesign #PhilippineDesign #DeGournay #GoldenbergMansion #VettedCreativeHub

Loci Architecture + Design completed the Taupe Residence in 2019, a G+4 multi-residential development located in a developing neighborhood of Meydan, Dubai, United Arab Emirates. The project aimed to achieve high efficiency and maximum quality in both architecture and interior design, accommodating 30 residences. The site offers views of the Meydan golf course to the east and the city and downtown area to the west. The design of the Taupe Residence is characterized by an efficient, pure form derived from its square site. The building presents a pure mass with carefully carved balconies and openings that contribute to its aesthetic and functional aspects. The selection of materials prioritized durability and cost-effectiveness, ensuring the project's robustness while managing expenses. Interior spaces are efficiently arranged around a central core to minimize circulation areas, thereby maximizing the usable private open space, both indoors and outdoors. The architectural approach focused on creating a contemporary residential building that integrates with its surroundings while providing high-quality living spaces. The design team, led by Roger Doyle, Hamad Khoory, and Hani Fallaha, ensured that the building's facade incorporated elements that offer residents privacy and views, reflecting a thoughtful consideration of urban context and resident experience. The project emphasizes the integration of design efficiency with a commitment to quality in the built environment. Key collaborators on the project included Consistent Engineering Consultants for MEP engineering and Penta Construction, along with Evan Lim, as the main contractors. The client for the development was Beyond Luxury Investments. Manufacturers such as AutoDesk, Grohe, Casabella Ceramiche, Flos, Guttman, Technogym, Trimble, and Vereinigte Marmorwerke Kaldorf GmbH contributed to the project with their products. The total area of the Taupe Residence spans 7280 square meters. The building's design and material choices demonstrate a strategy to balance aesthetic appeal with practical considerations such as maintenance and longevity. The project was curated by Hana Abdel and photographed by Natelee Cocks, highlighting its exterior and interior features. The development stands as an example of a well-executed multi-residential project in a rapidly evolving urban landscape, offering modern apartments designed for comfortable living. #ResidentialArchitecture #Apartments #Dubai #UnitedArabEmirates #MultiResidential #ArchitecturalDesign #InteriorDesign #LociArchitecture

Architect Julian King undertook a significant renovation of his 1923 Dutch Colonial home outside New York City, a project that was uniquely challenged by Hurricane Sandy. The storm caused two 85-foot pine trees to fall onto the house mid-renovation, a setback that occurred while framing was underway. Despite this, King, who was personally executing the renovation, maintained his vision for a new, spacious, and light-filled bedroom addition on the second floor. The addition, constructed above the attached garage, was designed as a sculptural mass that integrates with the surrounding natural environment. Its exterior features white stucco, which deliberately contrasts with the reclaimed barn wood cladding of the original house, highlighting the interplay between the historic and modern elements of the structure. King meticulously planned the addition's undulating form by studying the sun's path and considering the surrounding trees and views. This approximately 300-square-foot second-floor space houses a bedroom with a bed strategically positioned under a skylight, a window seat nestled within a three-sided window, a lengthy closet, and a bookshelf with hardware embedded into the original brick chimney. Interior design elements are minimalist, featuring trimless recessed downlights, clear glass shelving, and poured concrete over an electric radiant floor. The exposed red brick of the chimney serves as a subtle color accent, with the primary visual appeal coming from the natural blues of the sky and greens of the trees framed by the skylights and windows. A standout feature is the three-sided skylight above the window seat, designed to create an immersive experience with nature, appearing to dissolve into the air. This particular detail presented significant challenges in both its design and execution due to its unique configuration and the climate, described by King as a 'first of its kind.' The construction of the sculptural skylight involved several complex steps. A more than 900-pound skylight required craning into place, with King personally guiding the crane operator. A strip skylight between the old house and the addition necessitated an intricate arrangement of multiple headers to conceal the skylight frame within the wall and wood siding, enhancing the feeling of being outdoors. The corner window's detailing included a custom steel frame hidden behind the finishes, utilizing glazing tape and a powder-coated thin steel plate frame to achieve a flush appearance with the stucco. The window itself is made of half-inch tempered low iron glass, siliconed together on all three sides, with a thermostat-controlled heat tracing cable used in commercial curtain walls to prevent condensation. Glass shelves in front of the existing chimney are supported by concealed mechanisms behind the sheetrock and inconspicuous steel pins anchored into the brick. King personally undertook nearly all the work on the house, including the extensive gut renovation that involved replacing leaking cast iron plumbing, dangerous electrical wiring, inefficient windows, a leaking roof, cracked plaster, rotted sheathing, and failing floor joists. His hands-on involvement allowed for the execution of innovative details that local contractors might have found challenging. The renovation, described as "Herculean," ultimately achieved remarkable results, integrating advanced design with personal craftsmanship. #ArchitecturalRenovation #SkylightDesign #DutchColonial #ModernAddition #JulianKingArchitect #SustainableDesign #HomeTransformation #StructuralEngineering #ResidentialArchitecture

Italian door brand Lualdi has announced a new focus in its design process for 2023, aiming to create products through experimental combinations of textures and materials. This shift in design philosophy is geared towards developing new door aesthetics by creatively utilizing and integrating traditional materials such as wood, fabric, glass, and aluminum. The brand states that many of its latest products and collections are specifically engineered to interact with light from various angles, thereby expanding a broad spectrum of "creative possibilities." These possibilities range from innovative surface treatments and overlapping patterns to the thoughtful combination of diverse materials. A key example of this new approach is Lualdi's L7 door collection, which was unveiled at the Salone del Mobile furniture fair during Milan Design Week 2023. This collection, developed in collaboration with architect Piero Lissoni, thoroughly explores the interplay between glass and aluminum. The brand highlights that this exploration is evident not only in the patterns created with these materials but also in how they are integrated. For instance, the L7 Edit, a component of the L7 door collection, features glass panels accentuated with aluminum stripes. These stripes are intended to introduce a "rhythmic feel" to the product and give the design a fence-like silhouette, demonstrating a novel application of materials for aesthetic and functional purposes. Beyond glass and aluminum, Lualdi is also actively pursuing the "quest to discover wood's untapped potential." The strategic mixing of materials is designed to "inject furniture systems with energy," effectively transforming individual pieces into adaptable, state-of-the-art architectural elements that possess significant decorative impact. An illustration of this is the Koan sliding system, conceived for Lualdi by Kokaistudios, which incorporates wooden strips to enhance its design and material composition. Similarly, the brand's cladding solutions, such as Tai Boiserie, exemplify this material-focused design. Tai Boiserie features a symmetrical arrangement of wooden geometric patterns that extend across walls and doorways. This design aims to infuse interior spaces with a sense of warmth and coherence. The graphic interplay of shadows and lines produced by these designs is specifically crafted to "breathe fresh life into wood's inherent solidity," challenging conventional perceptions of wood's application in interiors. Furthermore, Lualdi is intensifying its engagement with fabrics and leathers, materials that are increasingly seen as facilitating a "reconciliation, a fusion almost, between the product and the world of furniture." The brand employs these materials to present increasingly adaptable solutions capable of defining the visual character of the spaces they connect. Lualdi, an Italian design company established in 1859, specializes in interior doors and maintains showrooms in prominent cities including Milan, Miami, Los Angeles, and New York. The brand's commitment to exploring material combinations and textures signifies a forward-thinking approach to interior design elements, aiming to offer sophisticated and versatile solutions for modern spaces. #Lualdi #DesignProcess #MaterialInnovation #InteriorDoors #PieroLissoni #MilanDesignWeek #ArchitecturalElements #HomeDecor #ProductDesign

Patisandhika and designer Dan Mitchell have collaborated to create "A Brutalist Tropical Home in Bali," a 512-square-meter residence situated in a valley surrounded by rice fields on Bali's south coast. The house features a central double-height living room with full-height glazing, offering extensive natural light and views of the tropical landscape. To mitigate the heat and direct sunlight in Bali's climate without relying on air conditioning, the design incorporates exaggerated structural slabs that extend horizontally from the exterior, effectively shading the living space and preventing overheating. The multi-level layout within the living room is inspired by Ray Kappe's Kappe Residence, providing dynamic perspectives and a sense of openness. This area is designed to display records, books, and a music system. Below the living room, an open-plan kitchen and dining area are intentionally designed without walls, promoting natural ventilation and an 'outdoor tropical living' experience. The residence further includes a music studio, two bathrooms, an outdoor shower, and three bedrooms interconnected by a bridge that spans over the living room. The interior aesthetic is characterized by exposed concrete complemented by wooden accents, serving as a neutral backdrop for a vibrant collection of textured and colorful objects and furniture. This design approach draws inspiration from artists like Clifford Still and Ellsworth Kelly, as well as the Bauhaus movement. To integrate the indoors with the surrounding environment and soften the raw concrete, numerous plants are incorporated throughout the house, including a tree embedded in the living room floor. The exterior landscape is intentionally kept lush and wild, anticipating that it will eventually grow to envelop the structure. In terms of environmental sustainability, the house is equipped with solar panels on its roof and a rainwater harvesting system, enhancing its ecological performance. The project showcases a thoughtful integration of brutalist architectural principles with tropical living, focusing on natural light, ventilation, and a deep connection to the surrounding environment while addressing climatic challenges through passive design strategies. The design aims to be energy-efficient and to foster a harmonious relationship between the built environment and Bali's natural beauty. #BrutalistArchitecture #TropicalDesign #BaliArchitecture #ConcreteHouse #SustainableDesign #IndoorOutdoorLiving #ArchitecturalDesign #Patisandhika #DanielMitchell

Muji, the Japanese lifestyle brand known for its minimalist 'no-brand' approach to everyday goods, has unveiled a unique, large-scale installation titled 'Muji Materials Garden' in New York. This installation marks the 10th anniversary of Muji's retail launch in New York and represents a rare collaboration with outside designers. Toru Tsunoda, Muji US president, commissioned local American design duo Ladies & Gentlemen Studio, comprised of Dylan Davis and Jean Lee, for this inaugural New York Design Week activation. The primary objective was to create an immersive experience that delves into Muji's distinct design ethos and its commitment to honest materials, offering a fresh interpretation inspired by traditional Japanese rock gardens. The 'Muji Materials Garden' installation moves away from the typical flamboyant displays often seen at design festivals, instead offering a series of meditative vignettes. These vignettes are designed to explore the origins of Muji's core product offerings, focusing on materials such as wood, stainless steel, plastic, cotton, ceramics, paper, and glass. Each section thoughtfully pairs finished Muji designs with their fundamental, elemental sources. For instance, delicate glass bowls are presented on beds of sand, illustrating the raw material from which they are formed. Soft cotton apparel is displayed alongside wispy fronds of cotton plants, highlighting the natural origin of the fabric. Ceramic dishes are arranged on plinths made of clay slabs, directly linking the final product to its earthy beginnings. Further demonstrating this material journey, clear storage units are positioned above a pool of opaque plastic pellets, providing a visual connection to the raw polymer. A stainless steel desk is showcased amidst rocks and minerals, from which the metal is mined and processed, emphasizing the industrial transformation of natural resources. A central gravel path connects these diverse vignettes, serving as both a physical and metaphorical conduit. This pathway offers visitors a tactile and visual lesson in contemporary material science, effectively blurring the lines between natural origins and manufactured goods. The pairings, despite the industrial processes involved, are presented in a surprisingly soothing manner, fostering a deeper appreciation for the materials. Dylan Davis, one half of Ladies & Gentlemen Studio, articulated the designers' intent, stating their desire for visitors to perceive materials through the lens of a designer, capturing the inherent fascination associated with them. The exhibition highlights Muji's philosophy of emphasizing the inherent qualities of materials and the simplicity of form. By showcasing the raw components alongside the finished products, the installation educates and engages the public on the origins and transformations of everyday items. It underscores Muji's dedication to quality, functionality, and a respectful understanding of the resources used in its designs. The installation is a contemplative journey, encouraging visitors to pause and consider the fundamental elements that contribute to the creation of Muji's minimalist products. The 'Muji Materials Garden' is more than just an exhibition of products; it is an educational and experiential display that invites introspection on the journey of materials from nature to designed objects. This approach aligns perfectly with Muji’s brand identity, which champions simplicity, sustainability, and the intrinsic value of materials. The collaboration with Ladies & Gentlemen Studio demonstrates Muji's openness to innovative interpretations of its brand values, particularly in a significant market like New York. The installation was on view until May 29th at the Muji Soho pop-up located at 434 Broadway, New York, NY 10013, providing a unique cultural experience during New York Design Week. #Muji #JapaneseRockGarden #Minimalism #NewYorkDesignWeek #InstallationArt #MaterialScience #LadiesAndGentlemenStudio #DesignExhibition

For the 2014 Melbourne Cup Carnival at Flemington Racecourse, Mim Design collaborated with The Big Group and Design Depot to create the Lexus Design Pavilion, a luxurious space within The Birdcage. The design concept drew inspiration from the event's iconic roses, the fashion, champagne, and particularly the new Lexus NX car, integrating its sleek lines and angular forms into patterns and fabrics throughout the marquee. The pavilion aimed to provide a sought-after setting for guests to enjoy the carnival atmosphere. The entrance to the marquee featured the Lexus NX car prominently, flanked by a media wall and mounted stacks of branches and roses, signaling the involvement of sustainable designer Joost Bakker. The ground floor housed a versatile brass bar, which served as a DJ booth and champagne station, alongside a hatch offering gourmet burgers by chef Neil Perry. Artist Chris Watterson applied an ombre effect to the marquee walls, adding depth and softness, while custom-designed banquette seating provided comfort and vibrant color with its fragmented patterns. The multi-story pavilion encouraged guests to move upwards, with stairs leading to the first floor. Miriam Fanning, principal of Mim Design, highlighted the intended 'wow' factor upon reaching the upper level. This floor served as the glamorous centerpiece, featuring a forty-eight-seat Attica pop-up restaurant. The restaurant was dramatically adorned with an organic canopy installation by Joost Bakker, consisting of a steel grid from which hundreds of freshly coppiced smoke bush branches were suspended with galvanized wire. Hundreds of repurposed light globes, saved from Bakker's previous retrofits, were also suspended and transformed into miniature vases for rose bulbs, filled daily with fresh water and between five thousand to six thousand roses. The pavilion's rooftop deck, designed by celebrity landscape designer Jamie Durie, offered views of the racecourse and a vertical herb garden, providing a sunny spot for attendees. The project faced specific challenges inherent to temporary structures, such as the absence of built structural walls, requiring self-supporting designs. Lead times were also a constraint, with builders only gaining access four to six weeks before race day, which complicated furniture scheduling. Despite these hurdles, the design team embraced the opportunity to contribute to the internationally recognized Melbourne Cup Carnival, emphasizing the celebratory aspect of the event. #LexusDesignPavillion #MimDesign #MelbourneCupCarnival #EventDesign #LuxuryHospitality #JoostBakker #SustainableDesign #JamieDurie #TemporaryArchitecture