JSN design assembles diamond-shaped tiles into chair

Herman Miller has collaborated with German industrial designer Stefan Diez to introduce their inaugural nesting chair, named the Fuld Nesting Chair. This seating solution is engineered to optimize space utilization, featuring a design that allows for efficient storage when not in use. A key aspect of its functionality includes flip-up seats and specialized wall-saving legs, meticulously designed to prevent the seat-back from making contact with and potentially damaging walls. The Fuld Nesting Chair incorporates innovative design and manufacturing principles aimed at reducing environmental impact. Its construction utilizes a pioneering one-piece frame and tubular arms, a method chosen to minimize material waste during the production process. Further demonstrating its commitment to sustainability, the chair incorporates a unique 3D Knit textile. This fabric is composed of 50 percent post-consumer recycled content and is precisely knitted to the chair's specific dimensions, eliminating excess material and fabric waste. Functionality is also a central theme in the chair's design, particularly concerning user comfort and adaptability. The backrest of the Fuld Nesting Chair is engineered with a degree of flexibility, allowing it to adapt to the user's posture and movements, thereby enhancing comfort. This design feature underscores a focus on ergonomic considerations in addition to space-saving and sustainable manufacturing. Stefan Diez provided insights into the development process by sharing a series of prototyping photographs on his personal website. These images offer a behind-the-scenes look at the various stages of the chair's evolution, from initial concepts to refined models. The prototyping phase likely involved extensive testing and modifications to achieve the desired balance of form, function, and sustainability. The Fuld Nesting Chair represents a notable addition to Herman Miller’s product line, showcasing advancements in furniture design that address both practical user needs and environmental responsibility. #IndustrialDesign #FurnitureDesign #NestingChair #HermanMiller #StefanDiez #SpaceSaving #SustainableDesign #Prototyping #ErgonomicDesign

Spanish designers Maria Roca and Erika Biarnes have developed an innovative modular furniture system called Snap, which allows users to transform almost any flat surface into a piece of furniture without the need for drilling or gluing. The concept emerged from the designers' personal experiences with the rigidity of traditional furniture during their travels, which often failed to adapt to changing lifestyles. Their goal was to create a flexible and adaptable furniture solution that could be easily assembled and disassembled. The Snap system consists of an epoxy paint-covered steel loop, ingeniously designed to function as a clamp. The top part of the loop bends over to form a flat point, with one side acting as a rigid support and the other as a flexible section that can be bent back to create an opening. This opening then springs shut to securely grip a flat object between its two parts, effectively clamping onto a surface. The designers dedicated significant time to perfecting this clamping mechanism, ensuring it is easy to use, aesthetically pleasing, and stable. They emphasize that the system is much simpler to operate than to describe, allowing for quick setup. Crucially, a PVC-coated cable is integrated into the design, attaching to one of the leg's upright supports through a hole. This cable is identified as the "secret ingredient" for Snap's stability and strength. When tightened, the cable reinforces the clamping system, enabling a set of four legs to support up to 98 kilograms, provided the attached board is equally robust. The clamp's design accommodates surfaces ranging from one to four centimeters in thickness and can adapt to various shapes, including triangular, rectangular, or irregular boards. Snap offers unparalleled flexibility in furniture configuration. Users are not restricted to traditional four-legged designs and can attach as many legs as desired, repositioning or removing them as their needs or preferences change. This adaptability allows for the creation of bespoke furniture tailored to specific spaces and evolving requirements. Roca and Biarnes have established their company, Be-elastic, to bring Snap to market and are actively seeking funding through Kickstarter to initiate their first production run. The project represents a significant step towards more dynamic and user-centric furniture design, promoting resourcefulness and minimizing waste by repurposing existing objects. #ProductDesign #ModularFurniture #DIYFurniture #ClampingSystem #FlexibleDesign #SustainableDesign #FoundObjects #HomeFurnishings

Contemporary furniture designer Robby Cuthbert crafts sculptural pieces that merge architectural principles with organic forms, using the concept of tensegrity. His creations, including coffee tables, lamps, shelves, and chairs, are meticulously constructed from wood and steel cables, entirely eschewing traditional fasteners like glue, screws, and nails. This innovative approach results in furniture that appears light, airy, and modern. Tensegrity, a term coined by renowned American architect Buckminster Fuller, describes structures that achieve stability through a balanced distribution of tension. A prime example is the geodesic dome, which, despite its delicate appearance, derives its strength from the tension between its interconnected components. Cuthbert applies this very theory to his furniture, engineering each piece to perfection. The tension within the steel cables or the cantilevered design, anchored to a single point, provides the necessary structural integrity. Cuthbert's work transcends mere functionality, functioning equally as elegant artwork. His background in studio art, coupled with a keen interest in architecture and sculpture, profoundly influences his design philosophy. He explains that he aims to generate architectural and organic forms, often incorporating fantastical or whimsical elements, to explore the role of tension in storing and releasing energy. He uses wood and wire as his primary materials to suggest a state of pent-up energy, held in equilibrium by opposing forces. Each piece maintains potential energy, implying a transformative shift if that energy were to be released. The absence of visible fasteners like nails, screws, and glue is a defining characteristic of his work, highlighting the ingenuity of tensegrity. This method allows for unique aesthetics where components seem to float or defy gravity, creating a sense of wonder and visual intrigue. The design process involves a deep understanding of structural mechanics and material properties, ensuring that the inherent tension within the materials contributes to the overall stability and form of the furniture. His collection, which includes diverse items from lounge chairs to wine racks, showcases the versatility of tensegrity in furniture design. Each item is not just a piece of furniture but a demonstration of complex engineering principles applied artistically. Cuthbert's designs encourage viewers to appreciate the unseen forces at play, celebrating the elegance of structural balance. The visual effect is one of minimalist beauty, where the materials are presented in their most essential and dynamic forms. #contemporaryFurnitureDesign #tensegrity #tensegrityFurnitureDesign #modernFurnitureDesign #RobbyCuthbert #architecturalPrinciples #sculpturalFurniture #designInnovation

The "Bolete" table series, a collaboration between Hong Kong-based architect and sculptor Henry D’Ath and design-art duo Batten and Kamp, introduces a family of limited-edition coffee and side tables. These pieces are distinguished by their mushroom-like forms, crafted from hand-carved solid wood and natural stone. The design integrates the sculptural weight typical of permanent furniture with a flexible, modular approach that features configurable, overlapping surfaces. The genesis of the Bolete series traces back to a custom commission where Batten and Kamp recognized a natural synergy between D’Ath’s carved wood creations and their signature raw stone bases. This initial insight led to the formal collaboration and the development of the Bolete collection, emphasizing a harmonious blend of two distinct material elements. Each table in the Bolete series is meticulously carved by Henry D’Ath, who allows the intrinsic patterns of the wood grain and the natural contours of the stone to guide the creation of subtly organic shapes. The wooden tops are available in two finishes: a natural, sealed varnish that highlights the wood's inherent beauty, or a glossy black finish achieved through layers of calligraphy ink. The choice of wood for the tops is Camphor, a variety prevalent in China and Japan, known for its aromatic properties and natural insect-repellent qualities. For the bases, raw Taishan Granite stones are used. These stones are culturally significant, often featured in Zen gardens, and are admired for their grey-white hues, reminiscent of the dramatic Karst Mountains. Each granite base is individually sourced and intentionally left untreated, ensuring that every table possesses a unique character. The collaboration is deeply rooted in the shared heritage and mutual admiration among Alexandra Batten, Daniel Kamp, and Henry D’Ath, all originally from New Zealand but now working together in a Hong Kong studio. This shared background is reflected in the design philosophy, which embraces natural materials, robust forms, and simplicity—elements integral to New Zealand aesthetics—while also incorporating local materials and subtle Zen influences. Alexandra Batten describes the collaboration as effortless, stemming from a lifelong connection and shared artistic vision. Initially launched as a side table in 2023, the Bolete series has expanded to include coffee tables. The modular nature of the design is key, allowing for diverse configurations and sizes through the arrangement of overlapping surfaces, which enhances the collection's adaptability and aesthetic appeal. The tables are produced in limited editions, with eight pieces plus four artist proofs available per configuration, highlighting their exclusivity. Plans are underway to exhibit the series in major art and design hubs, such as New York or Paris, in 2025, further solidifying its presence in the global design landscape. The project was submitted through a DIY submission feature, reflecting a direct engagement with the creative community. #FurnitureDesign #Woodwork #StoneCraft #TableDesign #ModularDesign #LimitedEdition #DesignCollaboration #NaturalMaterials #HandCarved

Studio GdB, founded by Gilles de Brock and Jaap Giesen in ‘s-Hertogenbosch, The Netherlands, has revolutionized ceramic tile production through the development of a custom-built digital printer. This innovative machine allows for the computer-controlled application of liquid glazes onto ceramic tiles in their biscuit state, resulting in unique and highly customizable designs. The studio's process addresses a previous limitation in finding suitable finishes for their design vision, prompting them to engineer their own solution. This bespoke technology enables them to create a diverse range of patterns and vibrant color schemes, offering endless possibilities for aesthetic expression in tile design. The tiles produced by Studio GdB are characterized by their bold colors and visually complex, almost psychedelic patterns, which evoke a handmade quality despite being digitally fabricated. This blend of precision engineering and artistic flair allows for a broad spectrum of design choices, from subtle and understated to highly intricate and elaborate, catering to various design preferences. The custom printer's capability to accurately apply liquid glazes directly onto the ceramic surface ensures a high level of detail and consistency in each tile, surpassing the limitations of conventional manufacturing methods. The development of this specialized machinery highlights a creative approach to overcoming technical challenges in the design and production of ceramic tiles. By taking control of the manufacturing process, Studio GdB has opened up new avenues for customization and artistic experimentation within the realm of interior design materials. The studio's commitment to innovation has enabled them to achieve desired finishes that were previously unavailable, offering designers and consumers access to truly distinct and personalized tile options for various applications, from staircases to coffee tables and backsplashes. The resulting product line from Studio GdB provides an opportunity for integrating unique and visually striking elements into interior spaces, allowing for highly personalized and dynamic environments. The ability to create seemingly infinite patterns and color combinations means that each project can feature a bespoke tile installation, reflecting individual tastes and design concepts. This innovative method bridges the gap between traditional craftsmanship and modern technology, creating ceramic tiles that are both a functional building material and a work of art. The tiles are suitable for diverse settings, adding a distinctive touch to both residential and commercial projects. #CeramicTiles #DigitalPrinting #CustomDesign #InteriorDesign #StudioGdB #HomeDecor #ArchitecturalSurfaces #GlazeApplication #InnovativeManufacturing

Dezeen Showroom highlights eight new product designs, including furniture, lighting, and textiles, focusing on versatility, sustainability, and contemporary aesthetics. Fredericia's Plan Chair, designed in collaboration with Barber Osgerby, leads the selection with its minimalist form and extensive customization options, making it suitable for a variety of interior settings, from dining areas to offices. Its design allows for personalization of the back, seat, and base, ensuring adaptability to diverse preferences and environments. Karakter reissues Gijs Bakker's 1972 GB Lounge chair, a modular seating system known for its flexibility. Individual segments can function as armchairs or be combined with other modules and poufs using connectors, enabling users to create custom seating arrangements. This revival emphasizes the enduring appeal of adaptable furniture solutions. Dizz Concept introduces the Dizzone workstation, a versatile pod designed for home working, learning, or gaming. This unit integrates a desk with ample space for monitors, shelving, and storage, and when closed, it compacts into a large cabinet, optimizing space in multi-functional rooms. The design addresses the increasing demand for integrated home office solutions. Miniforms, in collaboration with E-ggs, presents the Bice chair, distinguished by its curved backrest. The chair's unique shape allows it to serve as a standalone piece in residential interiors or as part of larger arrangements in commercial settings, where its stackable feature facilitates efficient storage. NOOE's Config01 Desk Set aims to enhance productivity by minimizing workspace clutter. This collection of desk accessories includes a laptop stand, mobile phone stand, desk rug, desk tray, and cable organizer. Crafted from materials like suede, aluminum, and natural American walnut, these accessories combine functionality with a refined aesthetic. Konstantin Grcic's Myto chair for Plank is re-released in a lighter, more flexible, and recyclable plastic. Originally launched in 2007, the updated version maintains its stackable design and is available in multiple colors, including black, white, traffic red, pure orange, yellow green, and light blue, offering both durability and environmental consciousness. Arcana's Doinyo tile collection replicates the appearance of high-quality marble. These tiles feature digitally printed grey, blue, and beige shades, along with inclusions and veining characteristic of natural marble, providing an elegant and durable surface solution without the maintenance associated with natural stone. Finally, Camira's Main Line Twist upholstery fabric blends wool and flax to create a contemporary take on tweed. Available in 15 colorways, this textile offers a durable and aesthetically pleasing option for upholstery, contributing to both the comfort and visual appeal of furniture pieces. #ProductDesign #Furniture #Chairs #HomeOffice #InteriorDesign #ModularDesign #SustainableMaterials #Textiles #Tiles

The article showcases the work of Jared Abner, a 2021 Furniture Design graduate from RIT, focusing on his distinctive approach to creating furniture and sculptures. Abner's artistic philosophy is characterized by a unique combination of subtraction and addition, a process he describes as "creation through destruction." He begins by engaging in subtractive methods, such as turning, carving, and cutting raw materials, and then reassembles these modified pieces to form new creations. This methodology highlights a dynamic interplay between deconstruction and reconstruction in his design process. One prominent piece featured is a walnut and fiber rush bench from 2020. This work exemplifies his ability to blend traditional woodworking materials with contemporary design principles, resulting in a functional yet artistic piece of furniture. Another significant creation is an abstractly shaped chair crafted from stack-laminated cherry wood, also from 2020. This chair demonstrates his innovative use of lamination techniques to achieve complex forms and textures, transforming solid wood into a visually fluid structure. The intricate layering of cherry wood not only adds to the aesthetic appeal but also speaks to the meticulous craftsmanship involved in its construction. The article also presents a series of "Suspension Study" sculptures, which further illustrate Abner’s exploration of form, balance, and material interaction. "Suspension Study One" features a wood sculpture connected to a large blue ball, utilizing walnut, poplar, and milk paint from 2020. This piece suggests an investigation into equilibrium and the tension between different elements. "Suspension Study Two," from the same year, continues this theme with a wood sculpture incorporating a rope to hold a blue ball, again using walnut, poplar, and milk paint, alongside the addition of rope. The inclusion of rope introduces an element of flexibility and dynamic force, contrasting with the rigidity of wood. Finally, "Suspension Study Three," created in 2020, consists of a black sculpture where two large wood pieces sandwich a blue ball, made from ash, poplar, and milk paint. This piece explores containment and compression, with the blue ball acting as a focal point that is simultaneously supported and constrained by the wooden components. Collectively, these works underscore Abner’s versatility in transforming raw materials into pieces that challenge conventional notions of furniture and sculpture, emphasizing both aesthetic innovation and a thoughtful engagement with the physical properties of his chosen media. His portfolio reflects a deep understanding of material manipulation and an artistic vision that merges functionality with sculptural expression. #FurnitureDesign #Sculpture #JaredAbner #RITAlumni #Woodworking #MaterialManipulation #ArtisticProcess

Decorative molding, a feature that enhances the character and charm of a room, has a rich history spanning centuries and is currently experiencing a resurgence in popularity. Once a luxury item crafted by hand, the Industrial Revolution made machine-cut moldings more accessible, leading to their widespread adoption in Victorian and Colonial-style homes. Modern decorative moldings can be found around doors and windows, ceilings, as baseboards, and as paneling like shiplap and wainscoting. These can be made from various materials, including softwoods, hardwoods, composite materials, polyurethane, stone, and polystyrene with fiberglass. Contemporary composites offer benefits like no sanding or priming, ease of cutting, and simpler painting compared to traditional wood. Six primary types of decorative molding are commonly used. Crown molding, also known as cornice molding, is installed where walls and ceilings meet, flaring outwards. It can be elaborate or simple, effectively concealing imperfections and enhancing the visual transition between wall and ceiling. Available in numerous architectural styles such as Corinthian, Doric, contemporary, and art deco, crown molding adds an overhead crowning touch. Chair rail molding is a thin, horizontal detail typically placed between 36 and 45 inches from the floor. Its original purpose was to protect walls from damage caused by chairs, but it also serves as a visual break, allowing for the use of two different paint colors on the wall. Picture frame molding involves square or rectangular shapes applied to walls, resembling empty picture frames. This type of molding adds significant detail, particularly in hallways and staircases, and can create the illusion of paneling on a plain wall. It can also be used on ceilings to mimic tray or coffered designs. Wainscoting, often combined with chair rails, consists of wooden panels on the lower part of walls, adding another visual element. Casing refers to the molding that frames window and door openings, both internally and externally. Typically 2 to 3 inches wide, deeper designs can create a decorative shelf. Casing refines the appearance of openings by providing a smooth, continuous frame that can be customized to complement the room's overall design. Dentil molding, originating from Greek architecture, features a pattern of small, teeth-like blocks. Historically found in crown molding and on historic Victorian homes, both indoors and along rooflines, dentil molding is considered a higher-end application due to its complex and labor-intensive production and installation. Each block requires precise cutting, measuring, and individual placement. Finally, egg and dart molding is identifiable by its pattern of egg-shaped ovals alternating with arrows, anchors, or V-shaped darts, commonly seen along ceilings. This ornamental detail is frequently paired with crown molding, alongside other intricate designs such as acanthus leaves and rope details. These various molding types contribute significantly to the aesthetic appeal and architectural integrity of a space, transforming a basic room into one with distinct character and refined elegance. #DecorativeMolding #HomeImprovement #InteriorDesign #CrownMolding #ChairRail #PictureFrameMolding #Casing #DentilMolding #EggAndDart

The article introduces "Patch," a novel modular sofa system designed by Chris Martin for Massproductions, a furniture company he co-founded with Magnus Elebäck nearly 15 years ago. Massproductions, known for its successful and recognizable furniture brand in Scandinavia, launched its first product, the “Tio Chair,” in 2009. The "Patch" sofa system is characterized by its unique diamond-shaped backrest panels and aims to offer a warm, welcoming, informal, and luxurious seating experience. One of the key innovations in the design of "Patch" is its construction method, which minimizes the use of polyurethane foam. Instead, the sofa incorporates steel springs, typically found in the bedding industry, and features innovative corner designs. This approach not only conserves resources but also reportedly provides a superior comfort experience compared to traditional foam and webbing straps, offering a buoyant feel without dead zones, as explained by the designer, Chris Martin. The aesthetic inspiration for the "Patch" sofa draws from diverse elements such as an upturned duffle bag, moc toe boots, and a string of sausages. These inspirations contribute to the sofa's distinctive design language, particularly evident in its eye-catching diamond-shaped "patches." The rounded shapes of the top panels are deliberately incorporated to soften the substantial volumes of the seating and backrest modules, thereby giving the "Patch" sofa its unique personality. Chris Martin emphasizes that a sofa system should be an inviting refuge, a comfortable space for individuals to enjoy with family, friends, and even strangers. He believes that the "Patch" sofa successfully captures this feeling, offering a range of various and limitless configurations to suit different needs and preferences. The design reflects Massproductions' ongoing commitment to innovation and comfort in furniture design, building on their established reputation since their inception. Overall, the "Patch" sofa represents an evolution in modular seating, combining aesthetic appeal with thoughtful engineering to enhance user comfort and minimize environmental impact. The integration of steel springs and the reduction of foam usage highlight a move towards more sustainable and durable furniture solutions. The design's modularity also allows for adaptability, ensuring it can fit into various living spaces and cater to different functional requirements, maintaining the brand's reputation for quality and inventive design in the furniture industry. #FurnitureDesign #ModularSofa #InteriorDesign #ChrisMartin #Massproductions #SustainableDesign #ProductInnovation

SAMET, a Turkish furniture hardware company founded in 1973, is a global leader in designing and manufacturing innovative furniture accessories. The company, known for pioneering soft-closing cabinet mechanisms that require no tools for assembly, boasts a product line of over 3,000 components, 500 distribution centers in Turkey, and exports to more than 100 countries. SAMET operates modern manufacturing plants covering 80,500m2 and maintains an R&D institute dedicated to innovation and design. The article highlights SAMET's commitment to leveraging advanced technologies and processes, particularly in mechanism design, to create sophisticated hinges, slides, and other hardware. SAMET utilizes SOLIDWORKS Simulation Standard for mechanism design. This software allows engineers to model furniture hardware parts, springs, and dampeners, and to simulate movement and create animations based on applied mates. This capability is crucial for determining if hinge materials are subject to excessive stresses or if fastener forces are too great. The simulation provides a comprehensive understanding of the mechanism's behavior throughout its range of motion, generating graphs that illustrate force and torque variations on different components. SAMET's engineers extend their focus beyond the hardware itself to the materials it's attached to, such as wood, to prevent issues like fasteners pulling out. The dynamic study offered by SOLIDWORKS Simulation reduces the need for physical prototypes, thereby accelerating the product development cycle and saving costs. SAMET's product portfolio includes a new generation of soft-close hinges designed for adjustability, ease of movement, and quiet operation. These metallic hinges seamlessly integrate into furniture and feature tool-free assembly and disassembly through a track lock mechanism. A unique triple-axis adjustment system allows for precise positioning in all directions, facilitating home installation. Specific models like the IMPRO incorporate a five-step braking system, while the INVO model uses a special coating and elastic hinge cover for enhanced design. The company also offers advanced 3D adjustment in its MASTER series. In addition to hinges, SAMET produces innovative drawer systems, exemplified by the Smart Slide model. This system features a synchronization mechanism for smooth movement and soft-close push-open technology for handle-less drawers. It offers single and full extension options to meet diverse design needs and includes Lock-Fix and Pin-Fix mechanisms for flexible and secure installation. SAMET also manufactures drawer box systems, such as the customizable Flowbox series, and internal accessories like SMART BOX, which transforms kitchen drawers into functional storage with creative dividing systems and stylish components like wooden plate holders. Furthermore, SAMET provides lift-up and sliding door systems. The D-Lite Lift model is a hingeless door system that incorporates many of the company's innovative concepts. Other lift-up solutions include the Performa, Gas Spring (with models based on door weight), and Hydraulic Lid Stay (using oil pressure) series. For sliding doors, SAMET offers upper guided and bottom running types, such as the SMT 110 Plus, which supports an 80kg load capacity and various door thicknesses. The company also manufactures fittings for general furniture assembly. Driving its competitive advantage under the slogan “The Soul of Furniture,” SAMET integrates the target audience into its creative design process. Beytullah Kiran, SAMET’s R&D machine design and production manager, attributes the company's quality goals to its use of SOLIDWORKS for product development. SAMET adopted 3D CAD with SOLIDWORKS in 1998, replacing 2D software, and has since expanded its use to include SOLIDWORKS Product Data Management (PDM), SOLIDWORKS Electrical Schematics, SOLIDWORKS Simulation, SOLIDWORKS Composer, and DraftSight 2D design software. These tools have significantly improved productivity, collaboration, electrical system design, virtual testing, and technical documentation processes, reducing time-to-market and lowering costs. SAMET maintains its SOLIDWORKS Subscription Services to ensure access to the latest capabilities, support, and information, enabling the development of numerous new products, mold designs, and custom machines annually. All SAMET products are certified by LGA, a German company specializing in furniture testing. #FurnitureHardware #MechanismDesign #SOLIDWORKS #ProductDevelopment #SoftCloseHinges #DrawerSystems #DesignInnovation #SimulationTechnology #ManufacturingEngineering

Sancal, a Spanish furniture brand, has introduced Core and Remnant, two new seating collections designed by Note Design Studio. These collections are characterized by their exploration of negative and positive space, drawing inspiration from architectural and interior design principles. Both Core and Remnant are part of the larger 'Void Matters' collection and share a foundational form, but they manifest this form in contrasting ways to create a complementary aesthetic. The Core range comprises sofas and armchairs with solid bases, presenting a sense of robust presence. In contrast, the Remnant loungers feature a hollow, more ethereal design, which posed a significant engineering challenge for the design team due to its apparent weightlessness. This design was achieved through a triangulated metal structure, informed by architectural weight-distribution techniques, requiring extensive development and experimentation to perfect. Note Design Studio approached the creation of these furniture pieces with the same philosophical inquiry they apply to spatial projects. They considered how to fill a given space and what remains when material is removed, extending these concepts from architecture to furniture design. The studio aimed to emphasize the 'nothingness' or negative space surrounding objects, elevating it to an equally important design element. They posited that while positive shapes often convey strength and activity, negative space evokes calmness and offers room for interpretation. The juxtaposition of these two relative spaces was intended to introduce a novel and thought-provoking dynamic to any room. The Core range specifically sought to evoke the appearance of being sculpted from a single block of material, employing sculptural design methods. Conversely, the Remnant armchair delineates the outline of a seat, rather than being a solid form. Both collections feature distinctive curved, quilted backrests and are available in a diverse palette of colors and fabrics, including mustard yellow, dark green, and light grey, allowing for versatile interior integration. These innovative designs have received recognition in the industry, with Core and Remnant being shortlisted in the seating design category of this year's Dezeen Awards. They join other notable designs such as Faye Toogood's Puffy Lounge Chair for Hem and Jasper Morrison's recyclable polypropylene cantilever chair. The collections highlight a sophisticated approach to furniture design, where the interplay of presence and absence, solidity and void, is central to the aesthetic and functional outcome. The 'Void Matters' collection ultimately represents a thoughtful exploration of how furniture can engage with and define the spaces it inhabits, challenging conventional perceptions of form and volume. #FurnitureDesign #Seating #NoteDesignStudio #Sancal #InteriorDesign #NegativeSpace #ProductDesign #DezeenAwards #VoidMatters

SolidNature, a Dutch stone supplier known for collaborating with architects and designers on custom projects, frequently accumulates offcuts from its high-profile commissions. Recognizing the potential in these leftover materials, the company engaged Budde, a design studio based in Cologne, Germany, to explore innovative ways to repurpose them. This collaboration resulted in the creation of 'Five x Seven,' a limited-edition furniture collection comprising five distinct tables: a console, and various coffee and side tables. The Budde studio, led by founders Johannes Budde and Meike Papenfuss, developed a concept that showcases the inherent beauty and variety of natural stone. The collection utilizes seven different types of stone, including marble, onyx, granite, and travertine, sourced from SolidNature's inventory of offcuts. Each table is meticulously crafted by combining slabs of these diverse stones, which are then layered together to create a visual effect reminiscent of sedimentary rock formations. A distinctive design element of the collection is a slim, carved arch integrated into all four sides of each piece. The layered construction of the tables results in muted stripes of cream, pink, green, and gray, offering a dynamic aesthetic that changes depending on the viewing angle. This design approach not only highlights the unique characteristics and rich color palette of each stone type but also addresses the issue of material waste by transforming what would otherwise be discarded into valuable and aesthetically pleasing furniture. The 'Five x Seven' collection is presented as a limited edition, emphasizing its exclusivity and artisanal nature. However, SolidNature also offers the possibility of custom pieces, allowing clients to commission tables tailored to their specific preferences and design needs, further expanding the collection's adaptability and appeal. The collection is exclusively available through the Rossana Orlandi Gallery, a renowned platform for contemporary design that champions innovative and sustainable practices. The partnership with Rossana Orlandi underscores the collection's artistic merit and its place within the high-end design market. By transforming remnants into sophisticated furniture, the 'Five x Seven' collection demonstrates a commitment to sustainable design principles while celebrating the enduring appeal and versatility of natural stone. #furnitureDesign #naturalStone #SolidNature #BuddeStudio #tableCollection #sustainableDesign #RossanaOrlandiGallery #interiorDecor #materialInnovation

Space dividers are versatile tools that can enhance functionality and aesthetics in both compact and expansive living areas. They offer an effective method for delineating distinct zones within a room and introducing privacy when needed. Beyond their practical utility, modern space dividers also serve as significant design elements, contributing to a room's overall visual appeal. Mia Cullin, a designer based in Sweden, created the 'Ro room divider', which exemplifies adaptability through its combination of geometric shapes and a painted aluminum structure. Cullin's design philosophy emphasizes storytelling and personality, rooted in traditional craftsmanship. The Ro divider is customizable, offering various wood and leather options, allowing users to adjust its openness or closure according to their preferences. Another innovative solution is molo's 'Softwall', which redefines the concept of a space divider. Constructed from paper, the Softwall is easily reconfigurable, making it suitable for diverse applications, from serving as a presentation backdrop to establishing intimate settings. This product from the Vancouver-based studio, led by Stephanie Forsythe and Todd MacAllen, utilizes kraft paper, presenting a sustainable alternative for spatial organization that is both efficient and visually appealing. The 'Mirage' by Inter faces Studio offers a quick way to transform a space. This product blurs the lines between textile and furniture, comprising two tubes and textile strips. Its simple mechanism allows for effortless opening and closing, providing intimacy in shared environments while also introducing a playful element through its intuitive design. Crafting Plastics and Office MMK collaborated to create 'BreaZea', a scent-infused, 3D-printed room divider. Developed for Salone del Mobile, BreaZea utilizes Nuatan bioplastics derived from cornstarch and sugar. This innovative material emits a sweet, pleasant aroma when heated, demonstrating a novel approach to bioplastic application and adding a unique sensory dimension to space division. Finally, Dutch Invertuals designed a 'Room Divider' that is characterized by its simplicity, functionality, and visual appeal. Ideal for both private and public spaces, this divider features a high-quality finish, ensuring seamless integration into various environments. The Netherlands-based company focused on color and material selection, offering the divider in four distinct shapes: The Circle, The Oval, The Crescent, and The Diamond. These examples highlight how contemporary space dividers transcend mere practicality, becoming integral parts of interior design that define spaces, offer privacy, and serve as aesthetic focal points. #FurnitureDesign #InteriorDesign #SpaceDividers #InnovativeMaterials #SustainableDesign #3DPrinting #FlexibleLiving #ModernDesign #ResidentialDesign

The SEYUN collection, a collaboration between Zaha Hadid Design and Karimoku Furniture, has progressed from a conceptual design, first announced in 2021, to a tangible furniture line. This collection, which includes a chair, an armchair, and a table in various dimensions, was officially introduced at Milan Design Week 2023. Each piece in the SEYUN collection reflects Zaha Hadid’s distinctive design language, characterized by flowing, asymmetrical surfaces, and is meticulously crafted from oak wood. The manufacturing process combines advanced machine techniques with traditional hand-finishing methods, resulting in furniture that balances the inherent robustness of wood with an airy, lightweight aesthetic. The collection's design ethos is deeply rooted in blending contemporary design principles with established Japanese woodworking traditions, giving rise to pieces that exude natural elegance and sophisticated craftsmanship. The SEYUN furniture is available in a diverse palette of finishes, including Pure Oak, Smoked Oak, Grain Matte Black, Metallic Blue, Metallic Black, and Silver, offering versatility to suit various interior design schemes. Woody Yao, Director of Zaha Hadid Design, emphasized the collaborative and iterative nature of the project, highlighting the mutual exchange of skills and expertise between the design and manufacturing teams throughout every stage of development. This collaborative synergy facilitated the exploration of ideas and the formulation of innovative solutions, addressing both aesthetic and technical challenges. The SEYUN Chair exemplifies Hadid’s signature style with its planar, asymmetrical surfaces. Constructed from oak wood, the chair’s smooth curves elegantly showcase the natural grain and structural integrity of the material. The SEYUN Armchair complements the chair with a harmonious blend of aesthetic appeal and ergonomic comfort. Its design features sculptural armrests and carefully contoured seat and backrest elements, all conceived with both user comfort and visual elegance in mind. The SEYUN Table, designed to be highly versatile, offers endless configuration possibilities and is available in multiple sizes. This table serves as a unifying element for the collection, providing both visual impact and practical utility in any living environment, embodying an understated yet refined elegance. Hiroshi Kato, Vice President of Karimoku Furniture Inc., expressed pride in the partnership with Zaha Hadid Design, acknowledging their pioneering approach to architecture and design. He underscored Karimoku Furniture’s success in translating Hadid’s visionary design concepts into complex and tactile wooden furniture pieces, a testament to the company’s extensive knowledge and historical expertise in craftsmanship. The collaboration leverages Karimoku's rich heritage in woodworking to bring Zaha Hadid's contemporary visions to life. The SEYUN collection represents a significant milestone in combining innovative design with masterful production, resulting in a furniture range that is both functional and artful. This collection aims to offer sophisticated design solutions for modern living spaces, maintaining a high standard of quality and aesthetic appeal. The fusion of Zaha Hadid’s architectural influence with Karimoku Furniture’s woodworking mastery creates unique pieces that stand out in the contemporary furniture market. Each item, whether the chair, armchair, or table, is designed to enhance the living environment through its form, finish, and thoughtful construction, ultimately delivering a distinctive experience for discerning customers. The collection reinforces the idea that furniture can be both a functional object and a piece of art, seamlessly integrating into various styles of interiors. #SEYUNCollection #ZahaHadidDesign #KarimokuFurniture #MilanDesignWeek2023 #ContemporaryFurniture #OakWood #JapaneseWoodworking #InteriorDesign #FurnitureDesign

In a year marked by physical distancing, the world of design is responding with a focus on intimacy and connection, introducing new two-seat sofas for 2020, commonly known as loveseats. These compact upholstered pieces are designed to seat two people comfortably, fostering closeness and a sense of warm embrace. Their contained dimensions offer a versatile solution for various spaces, addressing the needs of smaller living areas and promoting multi-functionality in both domestic and commercial environments. Loveseats serve as small refuges, crafted to protect intimacy and provide a degree of privacy, making them suitable for homes, bars, and even office settings. The concept of a two-seater sofa isn't new, with historical precedents like the Marquise armchairs and Indiscret sofas prevalent in French halls during the era of Louis XV. However, 2020's interpretations reimagine these classic pieces with contemporary flair. They often feature high backrests and welcoming seats that prioritize comfort without excessive depth, making them ideal for small living rooms, hotel lounge areas, or dedicated relaxation zones within offices. The new collections showcase a range of styles, from square and linear geometries to soft and sinuous volumes, reflecting a broader trend among furniture companies to resize and diversify sofa offerings. Alongside larger, transformable modular sofas, loveseats present a more reassuring and even romantic dimension of upholstered furniture. Several prominent designers and brands have contributed to this trend. Maxalto, with its 2020 collection, reinforces its domestic identity, expanding its catalog with new materials, linings, and textiles. The Amoenus Soft loveseat, designed by Antonio Citterio, exemplifies this with its round, embracing form that combines comfort with the intimate feel of an armchair. It features a tubular steel frame, flexible cold-shaped polyurethane foam padding, and structured fabric materials with geometric patterns. Gebrüder Thonet Vienna introduces the Jannis loveseat, a creation by Dainelli Studio. This piece is characterized by calibrated dimensions and dry volumes. Its exposed yet sturdy wooden structure, a nod to the company's heritage of steam-bent wood, supports a single seat cushion and backrest, accented by metal feet with a brass finish. This collaboration brings a traditional contract furnishing solution into a new context, with the designers adding bold color claddings to the linear design. Alfredo Häberli's Taba collection for Moroso, named after an Argentinian game, explores the interplay of form and poetry. The collection, which includes a sofa, armchairs, a bench, and ottomans, aims to evoke the irrational and provide versatile options for everyday living. Ditre Italia's Clip sofa collection, designed by Nika Zupanc, features simple geometries applied to round and sculptural volumes. The loveseat in this collection prioritizes a 'cocooning' experience with its soft lines that gently envelop the seats. A distinctive feature is the use of two different textiles and motifs for the internal and external sections of the backrest, creating an engaging optical effect where the inside is soft and welcoming, and the outside is structured and protective. Natuzzi also collaborated with Nika Zupanc for the Deep collection, inspired by the Adriatic Sea. The Wave loveseat from this collection embodies the designer's interpretation of water's forms through curves and continuous circles, aligning with Natuzzi's 2020 theme, 'The Circle of Harmony.' Zupanc describes the collection as being crafted with love to provide comfort and protection, encouraging users to find peace. Wave exudes an elegant and subtly retro aesthetic. Finally, Ligne Roset presents Hémicycle, a double-seated system designed by Philippe Nigro. Winding like an 'S' and recalling an original model from the Atelier de Recherche et de Création (ARC) of Mobilier National, Hémicycle encourages conviviality and relaxation. Its woven forms create two bordering halves, suggesting an infinity symbol, making it suitable for large offices, hotel lobbies, and domestic spaces. Nigro's design challenges perceptions of contemporary living by reinterpreting a classic piece with soft lines for modern sensibility. #Loveseats #TwoSeatSofas #FurnitureDesign #InteriorDesignTrends #CompactLiving #ModernFurniture #HomeDecor #DesignInnovation

The increasing adoption of additive manufacturing has expanded the role of 3D printing beyond industrial applications, establishing it as a versatile medium in art studios and various creative fields. This technology facilitates the creation of innovative artistic, conceptual, and cultural works, and has even contributed to the digital preservation and reconstruction of historical artifacts and global heritage sites. While not always the central focus, 3D printing often serves as a crucial supporting tool, enabling designers, artists, and artisans to realize new designs and concepts. A prime example of this collaborative approach is found in the Forma Fabrica collection by industrial designer Nir Neria. This collection reinterprets the traditional porcelain vase by exploring the interplay between different materials and design processes. Neria's method integrates slip casting, a ceramic technique typically used for complex shapes that traditionally relies on plaster molds. However, Neria has modernized this ancient technique by combining it with 3D printing and textiles, resulting in a novel, sustainable, and reusable molding process. The design process begins with computer-aided design (CAD) software, where the vase is rendered in 3D. This digital stage allows for precise definition of each mold component and how they will interlock. Subsequently, these mold components are 3D printed. These printed parts are then integrated with fabric, which the artist sews together. The assembled fabric and 3D-printed elements form the mold, ready for porcelain slip casting. During casting, liquid porcelain is poured into the mold and then drained after a sufficient layer has adhered to the inner fabric walls. Once the porcelain reaches the desired firmness, the mold can be disassembled, and the piece is prepared for firing in a kiln. The use of fabric as a molding material imbues the finished vases with distinctive visual and tactile qualities. The impressions of the cloth's texture, stitching, and folds are visibly transferred to the surface of the vessels, creating an intriguing contrast between the perceived weight and malleability of the material. Furthermore, the application of pigments to the inner fabrics before casting introduces an additional dimension, infusing color that mimics marbling or even denim patterns. A significant advantage of this method is the reusability of the mold. The modular nature of the 3D-printed support structure also allows for extensive customization, enabling the creation of numerous unique shapes and configurations from a relatively small set of initial components. The Forma Fabrica collection exemplifies Nir Neria's commitment to innovative design, with 3D printing and sustainable biomaterials increasingly central to his work. #3DPrinting #AdditiveManufacturing #VaseDesign #CeramicArt #SlipCasting #IndustrialDesign #SustainableDesign #TextileIntegration #NirNeria