Installation and crystal glasses by Maxim Velčovský for Lobmeyr

Lasvit, a Prague-based manufacturer, continues a rich tradition of Czech glassmaking, creating bespoke lighting and sculptural installations that are both luxurious and awe-inspiring. Founded in 2007 by Leon Jakimič, the company distinguishes itself by collaborating with a diverse array of in-house and external designers, including renowned artists like Nendo, Ross Lovegrove, and Daniel Libeskind, whose works are celebrated in museums worldwide. This approach has earned Lasvit accolades, such as the Harper’s Bazaar 2015 Best Lighting Brand award. Among their standout creations is Petra Krausova’s "Supernova," which received first prize for its innovative design. This undulating light sculpture consists of hundreds of individual glass pieces connected by wires to a complex system of motors. These motors allow the sculpture to transition into infinite forms, with each glass 'tile' capable of being raised, lowered, and tilted through gesture control. While envisioned for large public spaces, the artistic merit and technological sophistication of the Supernova highlight Lasvit's commitment to pushing the boundaries of lighting design. For those seeking more modest, yet equally distinctive, lighting options, Lasvit offers pieces like "Bonbon." This pendant light, shaped like a wrapped candy, features a crimped paper-like top and an internal lamp that resembles a hard candy, priced at approximately $1,990. Another notable collection is "Crystal Rock," a family of pendants that blend modern aesthetics with a raw, geological feel. These glowing, hand-cut faceted shapes come in various colors—amber, blue, clear, opal, and red—with a laminated interior surface designed to maximize sparkle. Crystal Rock is available in single, triple, and quintuple configurations, with pricing available upon request. The "Neverending Glory" series, designed by Jan Plecháč & Henry Wielgus, reimagines chandeliers from iconic global venues such as Milan’s La Scala, Paris’ Palais Garnier, and New York’s Metropolitan Opera. The designers aimed to capture the blurred, dynamic forms these chandeliers would take if spinning rapidly, creating a unique fusion of classic elegance and contemporary motion. The collection includes various models, such as the La Scala version, and is available in opal and clear glass, each priced around $2,380. Concluding with a high-end example, "Twill," by Taťána Dvořáková, showcases a fabric of woven crystals that can be customized into nearly any shape or design. Featured at Harrods, this installation integrates pinhole LED lights above the crystal fabric, producing a dazzling, organic ceiling that creates a sophisticated ambiance. Given its bespoke nature, the pricing for Twill is reflective of its custom craftsmanship and luxurious appeal. Lasvit's products are not widely available in all locations, with showrooms primarily found in eastern and western coastal states of the USA, including New York, Los Angeles, Miami, and Washington D.C. The closest showroom to Dallas, for example, is Luminaire in Chicago. Beyond individual pieces, Lasvit also specializes in large-scale bespoke installations for hotels, offices, and public spaces, transforming environments with their innovative glass and lighting artistry. The company's work, often encountered unknowingly, consistently leaves a lasting impression due to its beauty and ingenuity. #LasvitLighting #CzechGlassmaking #LuxuryLighting #BespokeDesign #SculpturalInstallations #HomeDecoration #InteriorDesign #LightingInnovation #ArtisticGlass

MOONARIJ, a Berlin-based design studio, in collaboration with Swiss artist Kaspar Müller, has unveiled a limited-edition 'Space Jars' collection. These hand-blown glass vases are inspired by planetary forms and cosmic landscapes, aiming to bridge the gap between sculptural art objects and functional decor. Johanna Wichelhaus, MOONARIJ's founder, emphasizes that each piece is sculptural yet grounded in purpose, designed to hold life. The collection features unique, acid-washed, mirror-finished, and vibrantly colored pieces, ensuring no two are identical. Kaspar Müller's conceptual approach to glass, shaped by spatial experience and installation, combines with Wichelhaus's precision in balancing functionality, form, and color to create these distinctive vessels. The production process involves traditional German hand-blown glass techniques, with finishing touches such as powder coats, mirror skins, and acid etches applied by Esteban Salazar at Brooklyn Glass. The philosophy behind the Space Jars is described as a fusion of two distinct approaches, converging into a singular language that is both meditative and purposeful. Each vase is intended to evoke distant celestial bodies while remaining inherently practical, reflecting a dual identity that is both planetary and domestic. This balance, reminiscent of Earth itself—a celestial body vibrant with life, adrift in space—transforms the Space Jar into a metaphor for the interplay between expressive form and purposeful function. To enhance the artistic vision, Wichelhaus and Müller collaborated with photographer Lucas Confurius to create a visual campaign that positions the vases in cosmic settings, further emphasizing their otherworldly inspiration. MOONARIJ, founded in 2022 by Wichelhaus, is deeply rooted in Germany's glassmaking heritage and a passion for handcrafted design, working closely with small workshops in Berlin and Dresden. The article also provides comprehensive guidance on how to style these Space Jars within various home interior aesthetics. For modern minimalist spaces, the recommendation is to allow the jar to float in negative space, placed solo on a console, low bench, or open shelf, letting its acid-etched textures and mirror surfaces interact with natural light. Suggestions include placing it on a stone or wood plinth, a floating shelf, or a marble coffee table. In midcentury or eclectic interiors, the vases can be juxtaposed with vintage wood, brass, or patterned wallpaper, layered with books, small ceramics, or records. Examples include pairing them with a bright midcentury lamp, clustering them with other vintage objects, or placing them on a sideboard with art books. For traditional or historic settings, the article suggests creating tension between old and new by placing a Space Jar under a classical oil painting or on a mantelpiece, emphasizing its ability to complement dark-wood library tables, antique candlesticks, or heavy gold-framed mirrors. In maximalist homes, the jar can integrate as another story in a vibrant mix of art and color, such as within a bookshelf display, in a cluster of three with varying finishes, or with fresh-cut flowers. For small spaces, a single Space Jar can serve as a focal point, working well on a windowsill, at the center of a small table, or even as a decorative element in a crowded kitchen, potentially glowing as a low-key nightlight or art installation among spices. General styling tips include giving the Space Jar ample room to breathe to prevent its effect from being lost in clutter, paying attention to how light interacts with its surface throughout the day, and experimenting with its placement and rotation, both empty and filled with flowers. Beyond the high-concept art pieces, the article also briefly touches upon more functional and craft-oriented types of jars. It discusses the utility of spice jars for kitchen organization, advocating for uniform, clear glass containers with tight seals to maintain freshness and streamline cooking. It also introduces galaxy jars as an easy and creative craft project for all ages, detailing the simple process of layering cotton balls, colored water, and glitter in a clear jar to create a miniature nebula. These examples serve to highlight the diverse potential of containers, from artistic statements to practical organizational tools and engaging crafts, reinforcing the idea that everyday objects can be sources of beauty and order. #HandBlownGlass #ArtVases #HomeDecor #InteriorDesign #MOONARIJ #KasparMüller #SculpturalArt #GermanDesign #Craftsmanship

The Prisma Lighting Series, created by Lucie Koldova, artistic director of Brokis, draws inspiration from Brutalist architecture, a design movement often associated with large-scale, raw concrete buildings. Koldova's approach reinterprets this style for smaller, interior objects, specifically lighting fixtures. The collection is characterized by its inherent strength and structural qualities, reflecting the foundational principles of Brutalism. The name "Prisma" directly refers to the decagonal metal prism structure that forms the core of each lighting piece. This geometric form is crucial to the design, as it interacts with light in a dynamic way, creating varied reflections depending on the observer's viewing angle. The angular, robust nature of the metal prism contrasts with the softer elements of the design, creating a balanced aesthetic. Complementing the metal prism, each end of the fixture features a handblown glass sphere. These glass spheres are responsible for emitting light and are designed to illuminate unexpected shapes and patterns from within, adding an artistic and intricate dimension to the otherwise straightforward Brutalist inspiration. The combination of industrial-grade metal and delicate handblown glass highlights a thoughtful interplay of materials and textures. The Prisma series offers versatility in its application, being available as both a pendant light and a table lamp. This dual offering allows the lights to be integrated into various interior settings, serving different functional and aesthetic needs. The collection also comes in three distinct finishes: brushed steel, galvanized yellow zinc gloss, and galvanized yellow zinc matte. These finish options provide designers and homeowners with choices to match different interior palettes and desired visual effects, from a sleek, modern look to a more industrial or rustic feel. When incorporated into an interior space, the Prisma lighting series aims to introduce an industrial and architectural element. The strong lines and geometric forms of the lights contribute to a sense of structure and modernity within a room. Despite this emphasis on form and material strength, the design simultaneously prioritizes the creation of a soft and inviting ambiance. The interaction of light with the prism and glass spheres is engineered to produce a gentle, diffused glow, ensuring that the lights enhance the atmosphere rather than overpowering it. This balance between raw industrialism and gentle illumination is a hallmark of the Prisma series, making it a distinctive addition to contemporary home furnishings. #PrismaLighting #BrutalistArchitecture #LucieKoldova #Brokis #GeometricDesign #HandblownGlass #InteriorLighting #IndustrialDesign #HomeFurnishings

This article explores four iconic glassware traditions from different parts of the world, highlighting their historical significance, unique characteristics, and contemporary interpretations suitable for modern homes. It encourages readers to consider glassware as a meaningful souvenir or a way to bring global design into their living spaces, even without international travel. The first tradition examined is Moroccan Beldi Glass, deeply rooted in Moroccan hospitality. Traditionally made from recycled materials like beer or wine bottles, Beldi glass is recognized by its small, conical shape and often a distinct grass-green hue. The article mentions both gilded examples and the classic green, which has been produced with similar techniques since the 1940s. For those unable to visit Marrakech, modern interpretations include Kickie Chudikova’s Danube Carafe with a matching cup that echoes Beldi shapes, and Verve Culture’s set, which utilizes recycled Heineken bottles to achieve the traditional green. Next, the article delves into Murano Glass, a Venetian tradition dating back to the tenth century. Early Murano artisans were relocated to islands to prevent fire hazards from glass-making ovens, and for centuries, their techniques were closely guarded secrets. Initially prized for its clarity, known as _cristallo_, Murano glass evolved to incorporate vibrant, saturated colors. Key characteristics of Murano glass include millefiori, where colored glass rods form flower-like patterns, and latticinio, which involves adding opaque, often white, glass to create intricate designs. Contemporary pieces inspired by Murano include Kiki Goti’s humorous Irini vase, which resembles a person with hands on hips, and Carl Hansen & Søn’s Bora glass, a wobbly drinking vessel with cheerful stripes. The third tradition discussed is Liuli Glass from China. _Liuli_ refers to decorative glass art, with Chinese glassmaking history tracing back to the fifth century BCE, possibly introduced from Mesopotamia. Historically, glass in China was a luxury reserved for the elite, who collected various ornate items. After a period of decline following the Han Dynasty’s foreign imports, glasswork saw a resurgence. Modern Liuli is often crafted using _pâte de verre_, or lost-wax casting, a meticulous process where molten glass is poured into a wax mold, allowing for exceptionally detailed forms. Contemporary designs reflecting this style include Sophie Lou Jacobsen’s Giardino Segreto candlesticks, known for their whimsical quality. For a more traditional approach, the article points to Liuli, a company founded in Taiwan in 1987, highlighting their amber-hued candleholder as an example of discerning taste. Finally, the article explores Czech Crystal, originating from Bohemia in the sixth century CE. Slavic artisans introduced a new glass-making process, discovering that adding potash and chalk to the mixture resulted in a clear, stronger glass. This allowed for intricate cuts and decorations, becoming the hallmark of Bohemian crystal. Due to its exclusivity and beauty, Czech crystal became highly sought after by European aristocrats, adorning their palaces with stemware, vessels, and chandeliers. Modern interpretations continue this legacy of luster, with examples like Lalique’s Caldera vase, featuring finely wrought etching, and Moser’s blue-tinted Irises vase with its delicate floral design, both of which would complement both historical and contemporary settings. #GlasswareTraditions #MoroccanBeldiGlass #MuranoGlass #LiuliGlass #CzechCrystal #HomeDecor #GlobalDesign #ModernInterpretations #ArtisanCrafts

The Flora lighting series, a collaboration between French-American designer Sophie Lou Jacobsen and Brooklyn-based studio In Common With, showcases a blend of distinct aesthetic viewpoints. This 20-piece collection, comprising glass light fixtures, chandeliers, table lamps, and sconces, integrates Jacobsen's characteristic glass objects with the minimalist approach of In Common With co-founders Felicia Hung and Nick Ozemba. The design process for Flora was deeply influenced by traditional Venetian glassmaking techniques, employing methods such as handblown, mold-blown, and slumped-glass. These historical techniques provide a foundation for the contemporary designs, ensuring a rich texture and form throughout the series. A notable aspect of the Flora collection is the incorporation of playful elements, such as applied geometric dots and fins, which add a modern and whimsical touch to the classic glass forms. The color palette further enhances the collection's appeal, featuring sophisticated pastels alongside vibrant, rich hues like Tobacco and Poppy Red. This diverse range of colors allows the fixtures to complement various interior design schemes, from subtle and elegant to bold and expressive. Each piece in the Flora series reflects a careful balance between artistic expression and functional design, demonstrating how traditional craftsmanship can be reinterpreted for contemporary spaces. One of the standout pieces in the collection is Fazzo, which draws its name and technique from the 2nd-century process of fazzoletto, an Italian word meaning handkerchief. This method involves allowing gravity to pull spinning molten glass downward, creating a uniquely flirty and organic shade. This technique not only highlights the material's fluidity but also showcases the designers' commitment to exploring historical glassmaking processes to achieve distinctive and innovative forms. The Fazzo fixture exemplifies the series' overarching theme of integrating historical depth with modern design sensibilities. The collaboration between Jacobsen and In Common With represents a successful merging of different creative voices, resulting in a cohesive yet varied collection. The designers' ability to synthesize their individual styles and technical expertise has led to the creation of lighting fixtures that are both aesthetically pleasing and technically sophisticated. The Flora series, therefore, serves as a testament to the power of collaborative design, where shared vision and respect for traditional methods lead to innovative and beautiful products for the modern home. Overall, the Flora collection by Sophie Lou Jacobsen and In Common With is a significant contribution to contemporary lighting design, offering pieces that are rooted in tradition yet forward-looking. The use of Venetian glassmaking techniques, combined with a modern aesthetic and a thoughtful application of color and form, makes these fixtures versatile and distinctive. They are designed not only to illuminate spaces but also to serve as artistic focal points, enriching the interior environment with their unique character and craftsmanship. The series embodies a new language in lighting, where history and innovation converge. #GlassLightFixtures #VenetianGlassmaking #SophieLouJacobsen #InCommonWith #LightingDesign #InteriorLighting #GlassArt #ContemporaryDesign #HomeDecoration

This blog post compiles recent articles and projects from Designboom focusing on the application of glass in art, architecture, and design. The collection highlights the versatility and aesthetic potential of glass, ranging from large-scale public installations to architectural facades and interior elements. The articles showcase how artists and designers are pushing the boundaries of traditional glass use, incorporating it into innovative structures and artistic expressions. Key examples include a luminous forest in Hanoi composed of mirroring steel branches, demonstrating glass's role in creating immersive public art. Another project features an 'invisible Tokyo bar' that utilizes heated, transparent acrylic glass panels to distort reality, illustrating glass's capacity for experiential design. Architecture projects frequently employ glass for facades, as seen in Selgascano's transparent seaside café in China with three parallel glass volumes, and Cossement Cardoso's Helsinki museum concept, which features a textured glass skin forming a curved roof. The DA VÀNG studio in Vietnam also uses 3,000 glass bricks to create a curved, translucent house facade, emphasizing both structural and aesthetic applications. The articles also delve into the use of glass in smaller-scale design and art pieces. For instance, Bottega Veneta's summer show features 'lucid murano blown-glass stools' that mimic sea waves, showcasing glass as a medium for elegant furniture and decor. Artists like Vincent Leroy use floating lenses in an optical mobile, and Ben Tuna transforms a Porsche 911 into an art car with cathedral-inspired stained glass, highlighting the material's artistic adaptability. Sarah Brahim and Ugo Schiavi explore ancient rituals through glass temples and vessels, linking glass to cultural and historical narratives. Further architectural applications include a gradient brick facade by Delmulle Delmulle in a Belgium house, transitioning from terracotta to glass, and Vinklu's triangular prism coffee shop in Romania, using glass to fill narrow urban gaps. SICIS uses decorative glass to create glowing swimming pool surfaces in Cambodian villas, while BBWORKSPACE's Thai café employs iridescent panels to evoke gemstones and refract light. EcoLogicStudio's microbial installation at Triennale Milano reimagines domesticity with glass components, and Apropos Architects use a translucent glass facade for the Czech pavilion at Expo 2025 Osaka, demonstrating its use in significant public structures. Industrial design also features glass, such as Bugatti's Brouillard Coupe, which includes a miniature glass sculpture in its gearshift. Fredrik Nielsen's Stockholm studio explores glass's resistance to fragility and embraces chance in its creation. Atelier Échelle’s lakeside gallery residence subtly integrates glass within dark clay brick structures, harmonizing modern elements with traditional aesthetics. The variety of projects presented collectively underscores glass's multifaceted role in contemporary design, from enhancing visual experiences and light manipulation to contributing to structural integrity and artistic expression across diverse scales and contexts. #GlassArt #GlassDesign #ArchitecturalGlass #PublicInstallations #InteriorDesign #ContemporaryArt #BuildingMaterials #DesignInnovation #SustainableDesign

The "2x Glass Vases" collection, created by Assembly Design, features unique glass vases that give the impression of ice crystals forming both on their interior and exterior surfaces. This distinct aesthetic is achieved through the application of master glass-blowing techniques, ensuring that each vase in the collection is entirely one-of-a-kind. The creation process for these vases involves the careful integration of broken glass shards into a freeform glass bubble. This bubble is initially shaped through mouth-blowing, a traditional glass-making method. Following the initial blowing, the piece undergoes a meticulous process of repeated heating and hand-molding. This iterative shaping and heating allow the glass shards to become seamlessly embedded within the vase's structure, transforming them into integral sculptural elements. The purposeful incorporation of these glass fragments is what contributes to the vases' unique, crystal-like appearance, giving them a texture and visual depth that distinguishes them from conventional glasswork. The manual and repetitive nature of the shaping process ensures that while they share a common design principle, no two vases are exactly alike, each possessing its own subtle variations in form and shard integration. Once the sculptural body of the vase is complete, the final steps involve cutting and polishing the top edges. This finishing touch refines the vase's aesthetic, providing a smooth, clear opening that contrasts with the textured body, and making it suitable for practical use while maintaining its artistic integrity. The entire production sequence underscores a commitment to craftsmanship and artistic expression, resulting in decorative objects that are both functional and visually striking. #GlassVases #AssemblyDesign #GlassBlowing #SculpturalArt #HomeDecor #UniqueDesign #ArtisticGlassware #Craftsmanship #InteriorDesign

The art of glassblowing, once considered a craft material, has experienced a resurgence in the design world, captivating a broader audience and establishing itself as a significant frontier in contemporary design. This renewed interest is evident in various high-profile showcases, including Bradley Bowers’s large-scale Fiosa vase at Dolce & Gabbana’s Salone de Mobile exhibit, a new record-setting hand-blown glass bottle at the Museum of American Glass, and the popularity of the Netflix series "Blown Away." This growing fascination highlights a consumer demand for innovative and unique designs. Designers and artisans are pushing the boundaries of traditional glassblowing techniques, creating pieces that are both functional and artistic. This article features six such artists whose work exemplifies this innovative spirit. Ursula Futura, based in Vienna, crafts sculptural Eclipse Vases with elegant carved windows. These mouth-blown vases showcase an interplay of light and varied hues, drawing inspiration from nature, science, and moments of wonder. The studio aims to evoke joy and curiosity through its designs. Another featured collaboration brings together film producer Rebecca Marks and Venetian glass designer Paola Petrobelli, resulting in the Verdi II and Ambra Murano Portable lamps. These miniature, cordless, rechargeable, and water-resistant lamps come in seven colors and feature Murano glass with distinct gems at their core, providing a striking contrast against their colorful outer shades. These portable lights offer both practicality and aesthetic appeal. Seattle-based glass artist John Hogan presents his latest collection, "Menagerie," for the Future Perfect gallery. This collection comprises 105 palm-sized glass objects, emphasizing that impactful design doesn't always require large scale. Hogan's technique involves working with glass in its cold state, resulting in a vibrant and refreshing interpretation of the ancient art form. The Kaanch Glass Series Vessel I is a product of a collaboration between Guatemalan-based Diego Olivero Studio and artisans in New Delhi. The series, whose name "Kaanch" means "glass" in Hindi, includes 11 abstract, colorful vessels and lights. These pieces feature playful shapes welded onto clear borosilicate glass surfaces, known for its resistance to temperature changes, making them both durable and visually appealing. Sticky Glass, a Brooklyn-based design company, showcases its lighting collection, including Bubble Pendants and Mingling Lamps. Each piece is hand-blown, highlighting the fluid nature of glass through its bubble formations, and finished with a custom brass base for a modern touch. The company affectionately calls these "lights that hug," reflecting a current trend toward "blobby" and organic forms in design. Finally, designer Laura Kramer’s Marie vessel, displayed at the Heller Gallery, draws inspiration from natural scenes like barnacles on a boat hull. Her work aims to explore the "hybridity of made and natural materials," questioning traditional classifications and delving into liminal spaces between categories. These pieces exemplify how art can not only mimic nature but also enhance and reinterpret its perceived imperfections. Collectively, these artists demonstrate a commitment to innovation, artistry, and the continuous evolution of glass as a medium in the design world. Their works range from functional lamps to sculptural vases, all united by their exceptional craftsmanship and ability to transform molten glass into captivating objects that resonate with contemporary aesthetic sensibilities. #Glassblowing #HomeAccessories #ContemporaryDesign #ArtisanCraftsmanship #InteriorDecor #MuranoGlass #LightingDesign #SculpturalVases

Studio E.O founder Erik Olovsson's 'Indefinite Vases' series, launched in 2016, showcases a narrative-driven approach to design, focusing on the interplay between contrasting materials. The project unites fluid, hand-blown glass with robust marble slabs, granite, and onyx, resulting in visually compelling and unique pieces. Olovsson, known for imbuing his projects with a story without adhering to a linear narrative, describes his work as having an unpredictable outcome, which he finds particularly appealing in this series. The creation of the 'Indefinite Vases' involved a collaborative process with local glass artisans in Stockholm, where Olovsson is based. These artisans crafted the spherical glass forms that are designed to interact with and perch upon the carefully selected stone bases. Olovsson deliberately chose five distinct types of marble, granite, and onyx, conspicuously avoiding the common white Carrera marble to introduce more variety and character into the collection. A central theme of the 'Indefinite Vases' is the contrast between the ancient origins of the stone and the freshly blown, malleable glass. This juxtaposition creates a calming visual effect that has resonated with viewers. Olovsson expresses a particular fascination with the geological history embedded within the stone materials, seeing them as timeless elements that beautifully complement the ephemeral quality of glass. The unpredictable nature of how the molten glass settles onto the stone is a key aspect of the design, ensuring that each vase is a one-of-a-kind creation. The enduring appeal and potential for variation suggest that 'Indefinite Vases' is an ongoing project for Studio E.O, with Olovsson envisioning a continuous exploration of these material interactions. The works are made available for purchase through Galerie Kreo, a testament to their artistic and design value. The series challenges traditional notions of a vase, proposing an "indefinite" form that is continually shaped by the unique process of its creation and the inherent characteristics of its components. The designer emphasizes that the journey of creation and the element of surprise in the final form are integral to the identity of the vases, making them more than mere functional objects but rather sculptural expressions of material dialogue. #StudioEO #IndefiniteVases #BlownGlass #MarbleDesign #StoneCraftsmanship #ErikOlovsson #MaterialContrast #InteriorAccessories #SwedishDesign #ArtisanCollaboration

The "Indefinite Vases" project by Stockholm-based multidisciplinary design practice Studio E.O explores the dynamic relationship between organic and geometric forms, and between transparent and opaque materials. This series utilizes handblown glass and meticulously cut stone to create a collection of unique vessels. The design process involves melting and cooling traditional vase forms directly onto sharp, angular stone bases, resulting in a distinct interaction where gravity plays a crucial role in defining the final shape. The project intentionally blurs the lines between sculpture and container, as well as between functional and decorative objects. The core concept revolves around the contrast between the fluid, malleable nature of the handblown glass and the rigid, defined structure of the stone platforms. This juxtaposition highlights the interplay between a delicate, fragile material and its solid, unyielding counterpart. The glass appears to "melt" onto the stone, adopting its contours and creating a seamless, yet visually contrasting, union. Each vase becomes a site-specific creation, molded by the precise interaction with its individual stone base. Studio E.O's approach emphasizes the inherent characteristics of each material. The handblown glass, with its inherent imperfections and fluidity, is allowed to naturally conform to the sharp edges of the cut stone. This process ensures that no two vases are exactly alike, each possessing a unique form dictated by the forces at play during its creation. The transparency of the glass further enhances this effect, allowing light to interact with the forms and reveal the subtle variations in thickness and texture. The angular stone bases provide a stable and strong foundation, contrasting with the soft, flowing lines of the glass. The selection of stone, likely chosen for its aesthetic and structural qualities, complements the ethereal quality of the glass. The project statement elaborates on this exploration, highlighting how "indefinite melting material interacts with definite angular forms and gravity determines the relationship in between." At the time of its release, a limited number of these "Indefinite Vases" were made available through Galerie kreo, a renowned gallery specializing in contemporary design. The project demonstrates Studio E.O's innovative use of traditional materials and techniques to produce pieces that challenge conventional notions of form and function. The collection serves as an example of how careful consideration of material properties and natural forces can lead to compelling and visually striking design outcomes. #glass #sculpture #vessels #StudioEO #handblownGlass #stoneArt #design #artisticVases #materialContrast

The Metropolitan Museum of Art in New York is currently hosting a significant exhibition dedicated to the glass works designed by Italian architect Carlo Scarpa for the art-glass manufacturer Venini. This exhibition, adapted from a 2012 show at Le Stanze del Vetro in Venice, showcases approximately 300 pieces and highlights Scarpa's innovative approach to glass design between 1932 and 1947. Scarpa, known for his preference for designing museums over skyscrapers, saw opportunities for creativity in the former, which allowed for adaptation and subordination to existing elements. This philosophy is evident in his glass innovations, where he boldly injected new ideas, forms, and processes into established traditions of glassmaking. His works are presented alongside the Met's collection of Qing porcelain, ancient Greek and Roman cast glass, and 19th-century Murano vessels, underscoring their timeless and daring quality. During his 15-year tenure as artistic consultant to Venini, Scarpa collaborated closely with the company's founder, Paolo Venini, and master glassblowers. This partnership resulted in the creation of over two dozen distinct styles and the pioneering of numerous techniques, silhouettes, and color palettes that effectively modernized the ancient art of glassblowing. His contributions ranged from the "bollicine" pieces, characterized by their bubble-studded appearance, to the rare, ceramic-like "murrine opache" works. The exhibition provides a comprehensive look at Scarpa's diverse output for Venini, including pieces from series such as the "Battuti," which features thick glass bowls with irregular finishes, and the "Macchie," incorporating central abstract decorations in blue and black glass. Other notable series include "Incisi," with its velato finish and etched decorations, and "Rigati e tessuti," showcasing intricate striped and woven patterns. The exhibition also features "A Cerchi, A Fasce, A Spirale" pieces with aquamarine decorations, multi-colored "murrine romane" vases, and perfume bottles from the "Iridati" series with hot-applied bugne and iridized surfaces. The "Sommersi" series, featuring ovoid glass vases with gold-leaf inclusions, further illustrates Scarpa's experimental spirit. The exhibition underscores Scarpa's profound impact on the design world, demonstrating his ability to reinterpret and revolutionize traditional craftsmanship while producing works that continue to resonate with contemporary aesthetics. His designs for Venini represent a pivotal moment in the history of glass art, bridging historical techniques with modernist sensibilities. #CarloScarpa #VenetianGlass #Venini #MetropolitanMuseumOfArt #GlasswareExhibition #ItalianDesign #ArtGlass #ModernistDesign #GlassblowingTechniques

This blog post showcases the intriguing work of Felice Varini, a Swiss-born artist renowned for his unique optical art installations. Varini's artistic approach involves creating geometric patterns that appear to float in space when viewed from a very specific vantage point. These ephemeral designs are often applied directly to architectural surfaces, both indoors and outdoors, transforming the perception of the environment. The article highlights that Varini uses a light projector to precisely plot these figures onto walls and other structures before meticulously painting or adhering them. The magic of his work lies in its dependence on the viewer's position; from most angles, the patterns appear as fragmented, illogical scribbles or disjointed shapes across various surfaces. However, upon finding the designated viewpoint, these disparate elements coalesce into perfect geometric forms, such as circles, squares, or lines, creating a powerful illusion of three-dimensionality. Several examples of Varini's work are presented, illustrating the diversity of his installations and the impact they have on their surroundings. One instance described involves an art piece in Cardiff Bay, where seemingly random markings on a structure resolve into a coherent design from a particular perspective. Another example shows abstract lines and shapes within a museum setting, which, from afar, form a unified artistic statement. The article also mentions a prominent red line running around a museum, suggesting how Varini integrates his art with existing architecture to alter spatial perception. Further examples include patterns applied to a piano, creating a fringed effect, and other seemingly chaotic lines that resolve into defined geometric shapes. The art is not confined to indoor spaces; the blog notes its appearance in townscapes, where large-scale installations interact with urban environments. The beauty of the reflections of these patterns on floors is also highlighted, adding another layer to the visual experience. The diverse illustrations demonstrate how these artworks, initially resembling mere sticky tape or random markings from a casual glance, reveal their intricate design and purpose when viewed from the correct angle. The blog concludes by encouraging readers to explore more of Felice Varini's extensive portfolio on his official website, providing links for further immersion into his captivating world of optical illusions and architectural interventions. #FeliceVarini #OpticalArt #GeometricPatterns #InstallationArt #ArchitecturalArt #Illusion #PublicArt #VisualPerception #ContemporaryArt

This blog post explores the versatile applications of glass and mirrors in home design, highlighting their ability to enhance aesthetics, create illusions of space, and offer practical solutions. The article showcases various ways these materials can be integrated into different areas of the home, from functional items to decorative accents and architectural features. For instance, glass shelves with brass frames are presented as an alternative to traditional shelving, offering a lighter visual presence and giving the appearance that decorative objects are floating. This design choice contributes to an airy and open feel in a room. Mirrors are shown to be highly adaptable, capable of being incorporated into gallery walls alongside framed artwork, thus adding depth and reflective qualities that can brighten a space. Mirrored bar shelves, particularly those with antiqued finishes, are suggested as stylish and space-saving solutions for smaller areas, bringing a touch of glamour above consoles or buffets. The use of shelf cubes with mirrored backs is also highlighted for displaying collectibles, with the option to group multiple cubes for increased storage and visual impact. Glass extends its utility to dinnerware, with recycled clear glass sets elevating tablescapes with a coastal aesthetic. Decorative mirrors, such as sunburst designs, are featured as effective focal points in any room, reflecting light and adding a finishing touch that draws attention. In bathrooms, individual mirrors are gaining popularity, providing both functionality and ornamental value through their unique shapes. Sunburst mirrors with wood frames, resembling sunflower petals, are also identified as statement pieces suitable for entryways or other prominent areas of a home. The article also delves into custom glass and mirror applications through examples from Birmingham Glass & Mirror and Imagio Glass Design. Antiqued mirror samples demonstrate the potential for bespoke pieces to transform spaces, while custom textured glass backsplashes are shown to create beautiful backdrops for home bars, visually expanding the area. Textured glass doors offer a balance of light filtration and privacy, making them suitable for various interior spaces. Collaborations with cabinetmakers result in unique furniture pieces like colorful mirrored dressers, designed to be conversation starters. Custom antiqued wall mirrors are shown in diverse shapes and sizes, and their strategic placement flanking fireplaces can add glamour while visually enlarging the room. In kitchens, glass backsplashes are presented as a modern and practical choice. Examples include backsplashes that mimic weathered brick or dazzling designs simulating rain with custom color fades, providing a focal point. Solid glass backsplashes can replicate the look of subway tile without grout lines, and others feature designs like white reclaimed barnwood, accented with glass outlet plates. Innovative uses extend to backlit glass shower panels that display custom art scans of oil paintings, creating vibrant visual displays. Kitchen backsplashes with original art, such as one overlooking Traverse Bay, further illustrate the potential for personalization. Glass backsplashes incorporating stacked stone designs and even prayers demonstrate customization capabilities. Even subtle patterns on solid glass backsplashes can contribute to making smaller kitchens appear more spacious due to their seamless appearance. Finally, a corner wall in a kitchen wrapped with solid glass imaged with a high-definition Detroit skyline showcases how glass can create a dramatic, expansive backdrop, emphasizing the transformative power of these materials in interior design. #HomeDesign #InteriorDecoration #GlassElements #MirroredDecor #SpaceEnhancement #CustomGlasswork #KitchenDesign #BathroomDesign

Glassware, historically considered less significant than ceramics, is experiencing a resurgence in popularity, driven by a renewed appreciation for its aesthetic and historical value. Collector Mark Hill notes the puzzling disparity in value and scholarly attention between glass and ceramics, despite glass's enduring appeal. Mid-century glassware, particularly pieces from Murano, Sweden, Finland, Denmark, the UK, the US, and Czechoslovakia, remains highly sought after. This era showcased a wide range of styles, from Murano's elaborate, kaleidoscopic designs using ancient techniques like murrine to the modernist simplicity and nature-inspired colors favored by Finnish designers such as Alvar and Aino Aalto with their iconic Savoy vase, and Timo Sarpaneva's textured Finlandia glassware. These designers often influenced each other, with British designers like Geoffrey Baxter drawing inspiration from Scandinavian aesthetics, incorporating natural textures into his designs. The international studio-glass movement, initiated in the 1960s by American artists like Harvey Littleton, democratized glassmaking by enabling individual artists to produce pieces in smaller furnaces, leading to more expressive works. Contemporary homeware brands are now channeling this mid-century aesthetic, exemplified by Danish brand Hay's Splash vase, which utilizes techniques like rolling molten glass over colored fragments. While the visual appeal of glass is a significant draw, current trends also reflect an interest in authentic craftsmanship, a sentiment highlighted by the Netflix series "Blown Away," which showcased the skill and drama of glassblowing. This show also brought attention to the increasing number of women entering the previously male-dominated field of glassmaking. Modern glass artists, such as Deborah Czeresko, the winner of "Blown Away," are also using their craft to explore conceptual and political themes, addressing issues like feminism and environmentalism through installations. Designers like Erwan and Ronan Bouroullec experiment with glass for architectural and conceptual pieces, while artists like Jochen Holz utilize techniques like lamp-working to create unique, asymmetrical glassware in vibrant hues. The industry is also evolving to incorporate more environmentally friendly practices. Manufacturers such as Japanese brand Sugahara and H&M Home are developing ranges from recycled glass and employing energy-saving production methods. British artist Allister Malcolm uses waste lead crystal, reuses offcuts, and powers his studio with solar panels. The "market for craft" report indicates a significant increase in the value of sales for individual glass pieces in England. Emerging trends include the growing popularity of colored glass, as observed by Turkish brand Nude, and a movement towards mismatched sets in tableware, offering greater freedom in design and color, as noted by SCP owner Sheridan Coakley. Technological advancements like 3D printing are enabling more intricate designs, while traditional handcrafted methods, such as lost-wax casting, remain vital for artists like Angela Jarman, ensuring the continued evolution and appreciation of glamorous glassware. #GlasswareDesign #MidCenturyModern #ArtGlass #HomewareTrends #SustainableDesign #Glassblowing #Craftsmanship #InteriorDecoration #NordicDesign

Czech glassmaker Lasvit showcased a series of new lighting designs at Euroluce 2025, taking inspiration from various natural elements and textures to create pieces that explore the relationship between light, material, and well-being. The exhibition, titled 'Soaked in Light,' featured several highly textured designs that blended innovative glassmaking techniques with natural aesthetics. One of the standout creations was 'Vera,' a sculptural glass pendant designed by renowned French designer Patrick Jouin. The concept for 'Vera' originated from Jouin's observation of a twig, leading to experiments with torn paper and eventually a glass piece that mimics the appearance of bark. This design incorporates two types of handmade glass: delicate borosilicate for the light source and fused glass, where molten glass is poured over raw wood to capture its intricate grain and texture. This process allows the glass to take shape influenced by gravity and nature, resulting in a unique interplay of surface, shadow, and light that evokes a primal connection to forests and trees. Another highlight was 'Splash,' an extravagant glass installation by Lasvit designer Martin Gallo. This piece was designed to emulate the calming effect of water, featuring fused glass forms suspended in a dramatic arrangement. Visitors could walk among these forms, which resembled water in motion, reflecting light like ripples and creating an immersive experience that promotes tranquility and well-being. At the entrance of the exhibition, Lasvit artistic director Maxim Velčovský introduced 'Loomo,' a new lighting system inspired by woven textiles. Despite its smooth-to-the-touch surface, the glass in 'Loomo' is imprinted with a structured weave, effectively capturing the softness of fabric within a rigid form. Designed for compact spaces like corridors or bedside areas, 'Loomo' is available in two wall sconce sizes, both finished in a warm, golden hue that enhances their sculptural glow. Velčovský emphasized the playful approach to light in its development, aiming to optimize every centimeter to transform the atmosphere of a space. Rounding out the showcase was 'Niveo,' a collection by Czech designer Jan Plecháč. Named after the Italian word for 'snow-white,' 'Niveo' captures the fleeting beauty of hailstones in hand-blown glass. The collection includes linear pendants, clusters, and an inverted spherical table lamp, all featuring an irregular texture that produces an alluring, soft glow. Additionally, the exhibition featured the 'Herbarium Radiant,' an immersive, color-shifting lighting installation that incorporates a new type of glass made from repurposed waste. This piece, first launched at Design Miami 2024, allows users to adjust the light color for a dynamic and mesmerizing visual experience. Lasvit's installation at Euroluce 2025 served as a contemplative contrast to the bustling Milan Design Week. It offered a moment for visitors to pause and appreciate the subtleties of design, emphasizing nature-inspired aesthetics and innovative glass craftsmanship in lighting. #Lasvit #Euroluce2025 #LightingDesign #GlassArt #MilanDesignWeek #NatureInspiredDesign #InteriorLighting #CzechDesign #DesignInnovation