Industrial Design Student Work: Minimal-Waste Entryway Bench

Built-in bench seats are gaining significant traction in modern architecture and interior design due to their sleek, seamless integration and versatile functionality, particularly in smaller living spaces. Architects and designers frequently incorporate these benches as window seats, dining banquettes, or even as impromptu seating near entryways, recognizing their ability to maximize space and add charm where traditional furniture might not fit. The primary advantage of built-in furniture, as noted by experts like Sarah Zames and Colin Stief of General Assembly, is its capacity to optimize space, especially in compact homes where every inch counts. This design approach also caters to the growing demand for bespoke solutions, allowing customization to address unique spatial challenges, such as horseshoe-shaped rooms, as highlighted by Alexandra Donohoe Church of Decus. She emphasizes how custom upholstered benches can introduce a sense of fluidity and comfort into awkwardly shaped areas. The article outlines several ways to effectively implement built-in benches. One key method involves zoning a space, where the bench, along with distinct flooring and a monochromatic palette, defines a specific area within an open-plan layout, such as an entryway. Konstantinos Pantazis and Marianna Rentzou of Point Supreme Architects illustrate this concept with an Athens apartment, where a deep-red floor and matching bench create a stark contrast with adjacent spaces, establishing a functional and hygienic entrance for shoe removal. Another crucial element is adding cushioning, transforming bare benches into soft, inviting seating areas. Alexandra Donohoe Church explains how upholstered elements can soften a room's aesthetic and enhance durability, particularly in high-traffic areas like a teenager's 'rumpus room' near a pool, where outdoor fabric ensures longevity. The concept of floating benches offers a visually light and modern appeal. For instance, Kingston Lafferty Design in Dublin created a cantilevered, semi-circular bench in an entryway, using hidden metal brackets to achieve a weightless effect. Becky Russell, the studio's CEO, suggests fitting a full-length mirror below the floating bench to extend the floor line and trick the eye, amplifying the sense of space and height. Combining benches with storage is another highly functional approach. General Assembly founders describe a Bergen Street Townhouse project where a built-in bench serves as both a reading nook and storage for serving ware, strategically placed near a dining room to leverage natural light. This integration also provides an opportunity to introduce visual interest through patterned upholstery, like the Dedar Margaritas fabric used in their project. Achieving the correct size is paramount for comfort and utility. Sina Gwosdzik of Jäll & Tofta recommends a seat height of approximately 16.5 inches, which also accommodates storage drawers for shoes and boots, with a depth ranging from 16 to 27 inches. This meticulous sizing is particularly important for entryway benches, as hallways often serve as the first impression of a home. Finally, built-in benches can be instrumental in creating privacy. Tommy Zung of Studio Zung describes a project where a slatted wooden bench acts as an anchor for a partition wall, offering a gradual transition and filtered sightlines from the outside into the home's open entrance. This not only enhances privacy for the great room but also adds architectural detail and optimizes space in modern interiors, proving that built-in solutions can be both practical and aesthetically elevating. #BuiltInBenches #HomeDesign #SmallSpaceSolutions #CustomFurniture #InteriorArchitecture #EntrywayDesign #UpholsteredSeating #SpaceMaximization #ModernInteriors

The year 2022 showcased a remarkable array of creative and thoughtful projects from the next generation of industrial designers across various institutions worldwide. This compilation highlights some of the most innovative student works, spanning furniture design, product design, transportation design, and user-centric solutions. Each project demonstrates a unique approach to problem-solving, material exploration, and aesthetic appeal. Radhika Dhumal from the National Institute of Design, India, presented the 'Winged Table,' a piece of furniture design that is both functional and inspired by insect forms. Following this, Tianrui Xie from the Georgia Institute of Technology introduced the 'Morph Wireless Mouse,' an industrial design focused on custom fit and reduced plastic usage, showcasing an eco-conscious approach. Derel Shell's contribution from Purdue University was a modernist pen, recognized for its clean, simple, and desirable aesthetic. Carlos Platz from Kunsthochschule Kassel, Germany, innovated in furniture joinery with 'Svolta,' a method allowing rotation for secure placement. Andu Masebo from the Royal College of Art, UK, designed 'In Material Union' chairs, specifically optimized for manufacturing efficiency, reflecting a practical understanding of production processes. Mingwei Liu, also from the Royal College of Art, UK, offered a fresh perspective on transportation design with a reimagining of the Mitsubishi Lancer. Celine Wong of San Jose State University addressed accessibility with a fan-based, Muji-esque clock designed for the nearsighted. Celine Deprez from ENSCI, France, presented 'Fourche à Pain,' a non-electric toaster, emphasizing sustainability and simplicity in kitchen appliances. A collaborative effort from Fergus Davidson, Maireid Carrigg, and Maneet Singh at RMIT, Australia, resulted in a patient-moving aid, demonstrating a focus on healthcare innovation and ergonomic solutions for workers. Max Hausmann and Tim Schuetze from Berlin's University of the Arts, Germany, designed 'Vespertine,' a portable pendant lamp, combining portability with ambient lighting. From Kookmin University, South Korea, Kim Seungwoo, Kim Siwon, Kim Chanwoo, and Yoon Jonghoon developed a portable, inflatable chair, highlighting modularity and ease of transport. Amelie Van Houdenhove from Howest University, Belgium, tackled an industrial challenge with 'Twist & Turn,' a tool designed to separate stubbornly nested industrial crates, showcasing a pragmatic solution to a common problem. Alissa Wolter from Kunsthochschule Berlin, Germany, explored interactive design with the 'Moodable Lamp,' which is capable of folding and interacting with its user. Dennis Tsai from Art Center presented 'Project Isle,' a modern update to bus seating, aiming to improve public transit comfort and efficiency. Souhaïb Ghanmi from ECAL, Switzerland, explored sustainable material use with 'Elos sockets,' which find an outlet for bone waste in their design. Sandy Zhang, Jodie Xie, Alaa Alshareff, and Megan Wiles from Wentworth Institute of Technology collaborated on 'Project Timo Urban Scooter,' addressing urban mobility needs. Shay Nifusi from Shenkar College, Israel, showcased 'Monobloc Brushes,' which were manufactured experimentally, focusing on innovative production techniques. Benjamin Unterluggauer and John Hayden from Muthesius University of Fine Arts and Design, Germany, presented the '3D-Printed Mokit Connector,' highlighting advancements in additive manufacturing. Chi-Hao Chiang from Pratt Institute designed the 'Attaché Folding Stool,' emphasizing compact and portable furniture solutions. Jisan Chung from ECAL, Switzerland, addressed waste reduction with 'Roller Jet,' a paper-saving printer that utilizes rolls instead of sheets. Bronwen Rees and Bryony Wood from Nottingham Trent University, UK, designed 'Stair Cubby,' a storage solution specifically for staircases, optimizing often-underutilized space in homes. Finally, Park Hyeongwoo and Jung Jaepil from Kookmin University, South Korea, introduced 'Flip Desk,' a fast-tidying solution for workspaces, demonstrating an understanding of practical domestic and office needs. #IndustrialDesign #StudentWork #ProductDesign #FurnitureDesign #TransportationDesign #Innovation #SustainableDesign #UserExperience #MaterialExploration

The entryway is the first impression a home makes, serving as a functional and aesthetic space. Modern entryway benches are crucial for creating a welcoming atmosphere and maintaining a tidy hallway. These benches offer guests a place to sit while removing shoes, contributing to a relaxing environment. Selecting a contemporary style for an entryway bench helps establish a modern aesthetic that extends throughout the home. Functionality is a key consideration, especially in smaller homes or city apartments where space is limited. Benches that incorporate storage solutions are highly recommended to keep hallways clutter-free. This can include built-in drawers, cubbies for baskets, or ottoman-style designs where the top lifts to reveal storage space. These dual-purpose furniture pieces maximize utility in compact areas. The design of an entryway bench should seamlessly integrate with the overall decor of the space. Hallways, often being smaller, require a cohesive design approach where the bench complements the surrounding furniture, wall decor, and other entryway elements. Designers suggest coordinating the bench with items like console tables, decorative mirrors, and lighting fixtures to create a well-thought-out and welcoming entrance. Entryways also present an opportunity for bold color choices, as they are transitional spaces where people don't typically linger. A bench in a vibrant block color can introduce a striking chromatic element, which can be further enhanced by coordinating with other decor, such as wallpaper or cushions. This allows for creative expression without overwhelming more frequently used living areas. Strategic placement is vital for maximizing the bench's utility and aesthetic appeal. Built-in benches within alcoves offer a minimalist look and save space, particularly in narrow hallways. Utilizing the often-overlooked area under the stairs for a shoe bench with integrated storage is another efficient solution, making the most of a home's proportions. Durability is paramount for entryway furniture due to consistent daily use. Materials like hardwearing or stain-resistant fabrics, such as plush velvets or leather, are recommended to ensure longevity and maintain a fresh appearance. Leather benches, for example, develop character over time, adding to the room's charm. For a minimalist and contemporary look, floating benches are an excellent choice. These designs, supported from the back or sides but appearing to defy gravity, enhance the sense of openness. This can be further emphasized through unique upholstery choices that add visual interest. In grander foyers, a circular bench placed centrally can make a significant statement, creating an opulent and inviting environment, especially when paired with overhead lighting like a chandelier. This arrangement can define the space and set an elegant tone for the rest of the home. Color coordination with existing artwork can also enhance the entryway's visual coherence. Drawing color cues from a statement piece of art and incorporating them into the bench's design can create a curated and harmonious space. This allows the artwork and the bench to complement each other beautifully. Embracing natural elements and popular color trends, such as green, can bring a refreshing touch to the entryway. Incorporating green through upholstered cushions or other accessories, combined with natural textures, helps to connect the indoor space with the outdoors. For a modern yet bohemian style, benches made from rattan or other woven materials add texture and a relaxed vibe. Paired with neutral tones and clean lines, these benches can update traditional spaces while adding warmth. Alternatively, using individual chairs instead of a single bench can also provide stylish seating. Two matching chairs, for instance, offer practical seating for guests and contribute to a sophisticated aesthetic without the bulk of a traditional bench. Even in small hallways, careful selection of slimline designs and strategic placement can accommodate seating options without crowding the space. Entryway benches can indeed serve as effective shoe storage, with designs ranging from drawers to ottoman styles, or open benches allowing for discreet basket storage, ensuring both style and practicality. #ModernEntryway #HallwaySeating #HomeDesign #InteriorDecoration #StorageSolutions #ContemporaryStyle #ColorCoordination #SpaceSaving #FurniturePlacement

Industrial designer Manu Bañó has expanded his OBJ collection with a modular shelving system crafted from a single sheet of hot-rolled steel. This new addition exemplifies Bañó's design philosophy, which centers on applying simple gestures to raw materials to create functional and aesthetically compelling objects. The shelving system's manufacturing process is intentionally straightforward, involving only several laser cuts to shape the steel sheet into its final form. This minimalist approach allows the inherent qualities of the material to remain prominent. A key characteristic of the OBJ shelving is its raw finish. Bañó deliberately chooses not to remove the natural scratches or defects that result from the manufacturing process, allowing the object to retain its original character and a connection to its industrial origins. This decision aligns with the designer's focus on material authenticity and a celebration of imperfection. The modular nature of the shelves offers significant versatility, enabling users to extend the system both vertically and horizontally, thereby adapting to various spatial requirements and display needs. Bañó emphasizes the dual function of the shelving system, noting that it can serve as a practical display unit for objects or stand alone as a sculptural piece. This interplay between utility and aesthetic ambition is a recurring theme within the OBJ collection. The designer's creative methodology is rooted in intuition rather than extensive preliminary research or reliance on references. He describes his process as an evolution from simple sketches in notebooks to tangible, three-dimensional objects, where initial strokes gradually materialize into functional designs. The OBJ collection, beyond the shelving system, includes a variety of utilitarian objects such as lamps and a lounge chair, all produced using similar simple manufacturing techniques like cutting and folding metal sheets and brass tubes. This consistency in approach across the collection highlights Bañó's commitment to a design language that values directness and material honesty. He acknowledges that while his designs prioritize aesthetic beauty, their functional purpose remains an inherent consideration, reflecting the designer's comfort in creating objects that can integrate into a living space and serve a practical role. Ultimately, the OBJ collection, and particularly the new shelving system, represents a contemporary exploration of material transformation through minimal intervention. By embracing the raw state of industrial materials and employing straightforward fabrication methods, Manu Bañó creates pieces that are both visually impactful and inherently functional. The collection challenges conventional notions of refined finishes, instead highlighting the beauty that can be found in simplicity and the untouched qualities of raw materials. #FurnitureDesign #SculpturalDesign #IndustrialDesign #MetalFurniture #ModularDesign #RawMaterials #DesignProcess #MinimalistDesign

The author shares personal insights and practical advice on selecting hallway benches for British homes, emphasizing their role in enhancing both aesthetics and functionality. The article highlights that even a simple bench can transform an awkward, underused hallway into an organized and purposeful space, defining the layout while offering seating, a place for bags and shoes, and often extra storage. The focus is on versatile and hard-working options, particularly suitable for British homes where space is often at a premium. The article categorizes hallway benches into three main types: classic wooden, those with built-in storage, and benches that add character. For classic wooden benches, examples like the Neptune Edinburgh Hallway Bench and the Anthropologie Acacia Wood Bench are presented, noted for their timeless appeal and durability. The Zara Home Wood and Rattan Bench is also mentioned as a contemporary option within this category, offering a stylish look at a more accessible price point. Each recommendation is accompanied by details about its material, design, and potential use, such as fitting under a coat hook or serving as a handcrafted, long-lasting piece. When discussing benches with built-in storage, the author stresses their game-changing potential for homes with cluttered hallways. The Rowen & Wren Hanson Storage Bench is recommended for its compact design and impressive storage capacity, making it suitable for smaller, narrower spaces. The Habitat Bournemouth Storage Bench is highlighted as a more budget-friendly option that provides ample storage and can be made more comfortable with a window seat cushion. For those with a maximalist aesthetic, the Oliver Bonas Green Velvet & Rattan Bench is suggested for its striking appearance and practical storage capabilities, also noting its versatility for use in other rooms like bedrooms or sitting rooms. Lastly, benches that add character to a hallway are explored, featuring pieces that make a design statement. The Oka Nott Velvet Bench is offered in various upholsteries, with a practical note on choosing leather for homes with pets. The Graham & Green Linen and Ash Bench is presented for its comfortable, neutral style, appealing to those who prefer a pared-back, Cotswolds-luxe aesthetic. The Soho Home Eli Storage Bench is described as a luxurious, statement-making piece, ideal for spacious hallways due to its size, deep velvet, and substantial storage. The article concludes by suggesting additional hallway storage ideas, such as using sturdy planters for casual items like scarves, hats, and umbrellas, to further maintain a clutter-free environment. These recommendations aim to provide readers with a comprehensive guide to choosing a hallway bench that meets their specific needs for style, storage, and space optimization. #HallwayBenches #HomeDecor #StorageSolutions #InteriorDesign #BritishHomes #FurnitureShopping #EntrywayIdeas #SpaceSaving

The Brise fan, a design by Hongik University graduate Wonho Lee, integrates an electric fan into a minimalist side table. This innovative design addresses the issue of space constraints in modern homes, particularly single-person residences, where traditional fans are often deemed impractical due to their seasonal use and tendency to collect dust when not in operation. Lee's concept aims to provide a functional appliance that maintains utility and aesthetic appeal throughout the year. The Brise unit features a round table with a Douglas fir wood top, beneath which the electric fan mechanism is concealed. Air is drawn into the unit from its bottom and then propelled upwards and outwards. A key element of the design is the curved wooden component at the top, which effectively disperses the air in all directions. This engineered airflow is intended to mimic a "natural breeze," offering both light cooling and enhanced ventilation within a room. The inspiration for Brise emerged from observations of contemporary living habits, where many individuals opt for air conditioning over electric fans. This preference is often driven by concerns about space efficiency and the visual clutter caused by appliances that are only used for a portion of the year. Lee recognized the environmental implications of frequently discarding or underutilizing such items, leading him to conceptualize a product that offers continuous value and reduces waste. The prototype of Brise is constructed from a combination of CNC-machined Douglas fir wood, laser-cut aluminium, stainless steel, and spray-painted acrylic. The circular white body of the table houses the internal fan system. The design not only serves a practical function as a side table but also enhances the overall usability of the fan by integrating it seamlessly into a piece of furniture. A dial on the unit allows users to select from three different power levels, adjusting the intensity of the airflow. Lee's academic background includes studies in electronic engineering prior to his design degree at Hongik University, which likely contributed to the technical sophistication of the Brise design. The project was first exhibited in January 2020 and subsequently received recognition, being shortlisted in the furniture category of the 2021 Dezeen Awards. This acknowledgment highlights its innovative approach to product design, emphasizing sustainability through multifunctional integration. The Brise fan-table offers a solution for compact living spaces, providing a year-round functional piece of furniture that subtly improves indoor air circulation and temperature without compromising on aesthetics or spatial efficiency. #ProductDesign #HomeGadgets #SustainableDesign #SpaceSaving #FurnitureDesign #Ventilation #InteriorInnovation #StudentProject #DouglasFir

The restaurant industry, particularly in New York City, is characterized by its ephemeral nature, with establishments frequently closing or changing ownership. This rapid turnover poses a significant challenge regarding the longevity of interior design and the fate of materials used in these spaces. Dr. Carol Bentel, a partner at Bentel & Bentel Architects and Chair of the BFA Interior Design Department at the School of Visual Arts, addressed this issue at Design Talks 2019, a series of lectures hosted by Design Pavilion NYC as part of NYCxDESIGN events. Bentel highlighted that restaurant designs, on average, have a lifespan of only seven years. She illustrated this point with a personal anecdote involving Eleven Madison Park, a restaurant her firm originally designed in 1998 for restaurateur Danny Meyer. When the restaurant underwent a gut renovation by its new owners in 2017, they hosted a 'graffiti party' where walls were covered in paint before demolition, signaling the end of the original design. This event prompted Bentel to investigate the fate of designs created by her firm. Her research revealed that out of 58 restaurant projects her firm had designed, only 41 still existed, meaning nearly one-third had been dismantled or significantly altered. This led her to question what happens to the materials meticulously selected for these projects. Bentel cited further examples, such as the walnut flooring in the Rouge Tomate restaurant and the marble slabs and bronze columns in the Grand Hyatt New York lobby, both of which faced or are facing demolition, underscoring the impermanence of modern design. In response to this widespread issue of disposable design, Bentel proposed several solutions for creative reuse and more sustainable design practices. These suggestions included employing dismantling techniques that preserve materials, utilizing reusable surfaces for walls, floors, and ceilings, adopting panelized systems, specifying enduring materials that resist obsolescence, rethinking prefab construction, and designing with future obsolescence in mind to facilitate reuse rather than destruction. Bentel also issued a broader call to action for the design industry. She advocated for a greater appreciation for the durability of good design, the establishment of awards for initiatives focused on preserving existing structures and materials, and the development of programs akin to City Harvest. City Harvest, founded in 1982, collects unused food from restaurants and distributes it to those in need, diverting waste and addressing social issues simultaneously. Bentel suggested a similar model could be applied to design materials. While acknowledging that the trend of disposable design is unlikely to cease entirely, Bentel expressed optimism that its destructive and wasteful impacts could be mitigated. She concluded by emphasizing three core principles for designers and clients: resisting ephemeral fads, embracing authenticity in design, and striving for timelessness in their creations. By adhering to these principles, the design community can contribute to a more sustainable and less wasteful future. #DisposableDesign #SustainableDesign #RestaurantDesign #DesignLongevity #MaterialReuse #NYCxDESIGN #DesignTalks #InteriorDesignTrends #DesignWaste

This article explores various small entryway table ideas, emphasizing their ability to add both style and functionality to any entrance, regardless of its size or layout. The core concept revolves around utilizing a dedicated table to define the entryway space, provide a convenient spot for essential items like keys or perfume, and enhance the home's aesthetic appeal. The article begins by acknowledging the common challenge of small or non-existent entryways that open directly into living spaces. It then presents six distinct design ideas for small entryway tables, each catering to different styles and storage needs. The first suggestion is the tiled bench, highlighting its trendiness and practicality due to ample under-bench storage for shoes and bags. This design, which gained popularity during the lockdown era for its DIY potential, continues to be a favored option. The second idea focuses on maximizing storage in extremely compact entryways by pairing a chosen table with a floating shelf. Candy Murray, Interior Style Manager at Soho Home, advocates for floating shelves as space-saving solutions, suggesting that a set of shelves can even replace a table if floor space is severely limited. Thirdly, the article proposes opting for a pastel locker as an entryway table. These lockers are described as cute, trendy, and versatile, capable of adapting to different apartment layouts. Their closed doors offer a practical solution for concealing clutter, and they can be stylishly accessorized with floor lamps to create a welcoming ambiance upon entering the home. The fourth idea encourages embracing mid-century modern design. This enduring aesthetic, characterized by warm-toned wood, sleek lines, and practicality, originated in Scandinavia and quickly became popular in the US. The article suggests thrifting such pieces and styling them with prints and dried stems to capture the authentic look. Next, the importance of accessorizing with a mirror is highlighted. A wall mirror is presented as a functional and aesthetically pleasing addition, allowing for last-minute appearance checks before leaving. Jessica Sims-Wilson, founder of House of Dawn Interiors, explains that mirrors also reflect light and create an illusion of spaciousness, contributing positively to the entryway’s overall flow. Finally, the article suggests making a statement with a unique table, especially in homes where the main living area is visible immediately upon entry. This approach involves selecting a stand-out piece, possibly a thrifted item, to introduce the room with a bold and clashing aesthetic. Following these design ideas, a section on “Small entryway buys” features specific product recommendations, including a rattan arched shelf for overhead positioning, a Felix Storage Cabinet from Urban Outfitters for hidden storage and shoe space, a slim Threshold Adelpha Console Table for compact areas, an H&M Home Wavy Mirror for a playful touch, an Urban Outfitters Aria Console Table for a statement piece, and a Postery Un Café Poster for wall art. The article concludes by emphasizing the crucial role of storage in entryways and advises incorporating storage baskets, shoe racks, and trinket dishes to keep the space organized. #SmallEntryway #EntrywayDecor #HomeOrganization #InteriorDesign #MidCenturyModern #TiledBench #FloatingShelves #LockerStorage #HomeAccessories

Khushboo Rasaily, founder of Platform Design, a Delhi-based architecture and interior design studio, transformed a 1,200-square-foot empty basement into a serene, minimalist office space. The initial space, lacking natural light, was redesigned to foster interaction among team members while also accommodating her two-year-old daughter. The studio now incorporates public and semi-private workspaces, a conference room, a reading room, a pantry, a library, and a breakout area. The renovation focused on maximizing natural light by opening up the site and utilizing existing double-height spaces. The design aesthetic is characterized by a zen-like minimalism, with white walls and ceilings forming a clean backdrop. The material palette is intentionally simple, primarily featuring birch and plywood, which impart a gentle warmth to the environment. Rasaily emphasizes the inherent beauty and talent of these materials when used effectively. The layout was carefully planned to balance fluidity and privacy. Furniture choices are light and minimalist, designed for flexibility, with pieces easily movable to suit different requirements. Low platforms throughout the studio are designed with integrated storage, optimizing space and functionality. An open-plan workstation, configured in a ‘U’ shape with birch-topped desks, occupies the center of the studio. A low, open bookshelf acts as a subtle divider, creating a semi-private nook for quick meetings or focused work, while maintaining visual connectivity with the main workspace. For the conference room, pine partitions with frosted glass panels were installed to define the space without sacrificing the studio’s overall light and airy feel. Similar glass panels on the opposite side ensure visual access to the adjacent work zone. Beyond traditional workspaces, the studio includes dedicated areas for relaxation and informal gatherings. A compact, zen-like reading zone features a simple bench, a small center table, and a slender floor lamp on a cozy taupe rug. A larger section is designated for events, where the furniture serves multiple purposes; plywood planks on the walls function as both seating and display surfaces, and low platform seating in the center includes built-in storage. The decor is deliberately sparse, with only a few select items such as playful dinosaur figurines made from leftover wood, bookends, planters, and woven baskets. This minimalist approach was chosen to prevent decor from clashing with creative thoughts and ideas. Rasaily highlights that the project, undertaken during pandemic lockdowns, taught her the importance of patience, spatial planning, and the effectiveness of using simple materials to create a successful and aesthetically pleasing space. #WorkspaceDesign #MinimalistDesign #DelhiArchitecture #StudioDesign #BirchPlywood #OpenPlanOffice #PlatformDesign #ZenLikeInteriors #CreativeStudio

Benches are highly versatile furniture items that can significantly enhance interior design by filling spaces efficiently and offering diverse functionalities. These pieces are not merely for entryways, where they serve as convenient spots for putting on shoes, but also prove useful at the foot of beds, as alternatives to dining chairs at dinner tables, and even as substitutes for coffee and side tables. Their adaptability has made them a staple in modern homes globally, from coastal retreats in Massachusetts to urban apartments in Paris and row houses in Sweden. Designers have utilized benches to create low shelf-style seating along walls and to form eclectic conversation pits, showcasing their potential to optimize and stylize various living areas. Among the top selections is the Herman Miller Nelson Platform Bench, a classic piece originally designed for office settings. This bench features a slatted top and sturdy legs, with an optional cushion for enhanced comfort. It is praised for its streamlined platform design, which can be given more visual interest with a colored cushion, making it suitable for both professional and residential use. Its generous size allows for comfortable seating for two people and doubles as a coffee or side table. The Nelson bench is also available with metal wire legs, offering a sleeker aesthetic. Another notable option is the Serena & Lily Shore Bench, which embodies a cool, coastal aesthetic. This bench's airy wicker design makes it suitable for both indoor and outdoor placement. Its mid-level back support accommodates throw pillows, providing comfort during extended use. The design combines a rough-textured seat with softly lacquered arms and legs, creating a natural yet refined look. It is versatile enough to be used as a plant stand, further illustrating its multifaceted utility in home decoration. The McGee & Co. Scaletta Bench offers a striped, slipcover design that brings a cozy yet chic element to a room. Its ample length allows for comfortable lounging, and its durable perennial performance fabric is resistant to stains and fading, albeit with a noticeable texture initially. This bench is envisioned as a flexible piece that can transition from a bedroom perch to a dining bench, demonstrating its long-term adaptability within a home. The Four Hands Celeste Bench presents a sultry, sculptural silhouette with a slightly squiggly shape. Its design is characterized by a striking contrast between a stark wood base and velvet upholstery, creating a funky yet minimalist piece that adds personality without overwhelming the space. The ash veneer and mushroom-colored cover brighten predominantly dark entryways while maintaining a moody ambiance. Described as solidly built, this three-to-four-seater bench is comfortable and versatile for any room, with a modern, playful edge. For practical storage solutions, the Burrow Totem Bench is a standout choice. Initially used under an art wall, this bench proved most effective as a storage coffee table. Its interior compartment can conceal items such as candles, throw blankets, or even seasonal clothing. Available in dark and light wood tones, its minimalist, boxy design is modern yet classic, fitting seamlessly into various decor schemes when accessorized appropriately. The Rodin Bench by Athena Calderone highlights designer collaborations, featuring sculptural iron legs inspired by the French artist Rodin. Luxurious velvet upholstery combined with a rustic metal frame creates a textural dichotomy, transforming bare hallways or the foot of a bed into engaging focal points. Other AD-approved benches include the June Bench by Eny Lee Parker, known for its curvaceous charm and cloud-like upholstery, ideal for contrasting angular furniture or serving as an unconventional coffee table. The Artice Nederin Bench from Article offers a broad storage compartment with a sliding wood panel, suitable for displaying or concealing items, and can function as a media console. The Kazbah Bench by AllModern, with its intricately woven cowhide strips, provides an airy and artisanal touch, perfect for narrow spaces. The West Elm Pierce & Ward Iron Bench, designed by AD100 honorees, features an art deco-inspired metal base and is part of a cohesive capsule collection. The Häti Home Bench #2 blends midcentury and Scandi influences with a cottagecore appeal, complementing white oak furniture. Finally, the Interior Define Ines Bench offers extensive customization with 128 upholstery options, allowing homeowners to tailor the piece to their specific tastes. #HomeDecor #Furniture #BenchDesign #InteriorDesign #VersatileSeating #ModernHomes #StorageSolutions #CustomizableFurniture #DesignerCollaborations

The author recently upgraded to a two-bedroom apartment, which, while not grand, offers a proper entryway. This narrow space, complicated by a laundry closet, necessitates clever furniture choices. The author turned to British interior designers for inspiration, noting their expertise in navigating tight quarters, particularly in Victorian townhouses. Laura Stephens, a U.K.-based designer, emphasizes that narrow hallways can still make a significant impact and serve as canvases for bold design decisions, such as statement wallpaper, striking tiled floors, or show-stopping runners. The article presents a collection of ideas inspired by these designers, adapted for the author's entryway, which does not include a staircase. One key idea is the use of patterned runners. Inspired by bold stair runners in British designs, the author plans to use a graphic floor runner to enhance existing floor tiles. Laura Stephens, for instance, combined a patterned runner with painted stairs in Farrow & Ball’s Pigeon and a bright console table from Rose & Grey, demonstrating how to layer patterns effectively while maintaining an earthy feel. Another suggestion is to create a gallery wall. Rebecca Hughes Interiors effectively used larger artworks in a hallway, complementing a traditional umbrella stand and rug with a playful Murano glass chandelier, transforming a potentially cavernous space into an engaging visual experience. For space-saving furniture, the article highlights two-legged console tables, which appear to float against the wall, as seen in a Kate Guinness-designed space. These tables, which give the illusion of having half their legs removed, can be found at retailers like The Expert and Etsy. A similar concept is combining a floating table with a mirror. Tiffany Duggan, an interior designer and owner of Trove, created a popular mirror-table with integrated drawers for small items like sunglasses and keys. For those unable to find a pre-made solution, the author suggests pairing readily available floating tables and shelves with a large mirror, as demonstrated by Lizzie Green in her tight corridors. Lighting solutions also focus on maximizing space. Instead of lamps that occupy surface area, the author plans to install cordless sconces on either side of her mirror. Anna Haines's project, featuring painterly shades, serves as inspiration for future hardwired fixtures, offering an elegant alternative to traditional lamps. The article also addresses shoe storage, traditionally a source of clutter. Kinder Design’s chic bench, with its tucked-away appearance, changed the author's perspective on shoe racks. A similar product, Article’s Kouva bench, offers a seat cushion and a comparable aesthetic. Finally, for a sophisticated entrance, Rachael Gowdridge's modern space features a wall-mounted cube topped with flowers, creating a museum-like display that serves as a stylish drop-spot for keys and other small items in a narrow entryway. #NarrowEntryway #BritishDesigners #SmallSpaces #InteriorDesign #HomeDecor #SpaceSavingSolutions #EntrywayDesign #FurnitureSelection #DesignInspiration

Herman Miller has collaborated with German industrial designer Stefan Diez to introduce their inaugural nesting chair, named the Fuld Nesting Chair. This seating solution is engineered to optimize space utilization, featuring a design that allows for efficient storage when not in use. A key aspect of its functionality includes flip-up seats and specialized wall-saving legs, meticulously designed to prevent the seat-back from making contact with and potentially damaging walls. The Fuld Nesting Chair incorporates innovative design and manufacturing principles aimed at reducing environmental impact. Its construction utilizes a pioneering one-piece frame and tubular arms, a method chosen to minimize material waste during the production process. Further demonstrating its commitment to sustainability, the chair incorporates a unique 3D Knit textile. This fabric is composed of 50 percent post-consumer recycled content and is precisely knitted to the chair's specific dimensions, eliminating excess material and fabric waste. Functionality is also a central theme in the chair's design, particularly concerning user comfort and adaptability. The backrest of the Fuld Nesting Chair is engineered with a degree of flexibility, allowing it to adapt to the user's posture and movements, thereby enhancing comfort. This design feature underscores a focus on ergonomic considerations in addition to space-saving and sustainable manufacturing. Stefan Diez provided insights into the development process by sharing a series of prototyping photographs on his personal website. These images offer a behind-the-scenes look at the various stages of the chair's evolution, from initial concepts to refined models. The prototyping phase likely involved extensive testing and modifications to achieve the desired balance of form, function, and sustainability. The Fuld Nesting Chair represents a notable addition to Herman Miller’s product line, showcasing advancements in furniture design that address both practical user needs and environmental responsibility. #IndustrialDesign #FurnitureDesign #NestingChair #HermanMiller #StefanDiez #SpaceSaving #SustainableDesign #Prototyping #ErgonomicDesign

The Barrow Collection by Toronto-based designer Mary Ratcliffe represents an expansion of her design philosophy, initially introduced with the Barrow Dining Table in 2021. The collection, which now includes a bench, side tables, and a mirror, is unified by its sculptural aesthetic and a distinctive approach to woodworking, drawing inspiration from the centuries-old coopering technique of barrel-making. This method involves shaping repeated trapezoidal staves into curved, yet angular, volumes, thereby creating a visual language that blends traditional craftsmanship with modern design principles. Ratcliffe's work is characterized by a dialogue with wood as a dynamic material. The design process emphasizes the manipulation of wood's inherent properties to achieve precise, repeatable forms. This involves taking traditional rules governing wood movement and applying a contemporary interpretation, simplifying these principles to create shapes that evoke a sense of thoughtful repetition and sculptural meditation. The resulting pieces maintain a balance between a monumental presence and an approachable feel, defining a softness that also highlights a nuanced aspect of brutalism in design. The Barrow Table exemplifies this design approach through its clustered or split bases. The angled cuts within these bases interact with light and shadow, creating an illusion of lightness despite the table's substantial form. The Barrow Bench reinterprets the table's forms, applying them to its edges, which in turn reveals the precision of the design from different perspectives. A subtle six-degree contour in the bench's seat is incorporated to enhance comfort, demonstrating an attention to user experience alongside aesthetic considerations. The Barrow Side Tables, scaled-down iterations of the collection's larger pieces, feature cantilevered marble tops. These elements introduce negative space, creating visual breaks that contribute to a lighter overall composition. The side tables can be arranged individually or as a nested pair, offering flexibility in their display and function. The Barrow Mirror extends the collection's geometric language, featuring a hand-polished aluminum frame complemented by faceted wooden 'claws.' This design choice refines the collection's aesthetic into a more intricate, jewel-like, and wall-mounted form. The development of the Barrow Collection involved significant technical challenges, particularly in achieving the signature angled cuts. Ensuring these cuts were crisp, repeatable, and stable, despite wood's natural tendencies, required years of experimentation, the development of custom jigs, and a crucial innovation in construction. This breakthrough involved replacing solid sections with a veneered, hollow-core build, allowing for the precise execution of the designs. The evolution of these pieces, from initial concept to final form, reflects a hard-won technical journey that culminates in a seemingly inevitable design. The collection is presented in blackened oak, a deliberate choice intended to minimize the visual distraction of wood grain and allow the ethereal qualities of the forms to take precedence. When viewed as a cohesive unit, the pieces appear less as individual objects and more as a unified set of artifacts. They evoke the impression of originating from a shared architectural concept, embodying a tradition that values material honesty, conscientious construction, substantial presence, and the subtle drama inherent in well-defined forms. Ratcliffe's work redefines brutalism, presenting it not as cold but as a language of precision, patience, and craft delivered with warmth, emphasizing the human element in production through a small, dedicated team overseeing the process from raw material to finished product. #HomeFurnishings #InteriorDesign #FurnitureDesign #ModernDesign #Woodworking #ProductDesign #SculpturalFurniture #MinimalistDesign #DesignProcess

West Dean College, specifically its KLC School of Design, showcases ten interior design student projects covering various real-world issues and creative concepts. The institution emphasizes developing industry-focused knowledge and skills, working closely with employers and design professionals, and integrating design development, technical knowledge, and visual communication. The KLC School of Design operates from a London campus in Bloomsbury, part of the Knowledge Quarter, and a rural Grade II listed campus in the South Downs, offering a diverse educational experience. One featured project is "Offbeat" by Iszi Kelly, a bar designed for youth culture. This multi-functional space reimagines traditional bar features, providing an environment for young adults to exchange ideas. Its design allows for dynamic transformation, with tables and seating that can be rearranged for dancing, and a spherical DJ booth contrasting with the rectilinear layout. A relaxed basement area with conversation pits is included for intimate gatherings. Alexandra Hunt-Dallison's "Radiate Liminally From Department Store to Women's Shelter" addresses social challenges through adaptive reuse. This project transforms a historic department store into a shelter for women and children escaping domestic violence. It incorporates trauma-informed design principles to create a transitional space that supports residents' therapeutic needs, aiming to empower them and break the cycle of violence by offering a safe urban environment without outdoor space to prioritize safety. Mary-Jane Vaughan's "The Courtauld Social Club" is a cultural hub inspired by similar arts projects that revitalized post-industrial areas. Located in Coventry, the design reflects the city's heritage and resilience, drawing on its urban setting through material choices, textures, and a color palette that represents its evolving fortunes. The space includes public gathering areas, exhibition rooms, an open archive, a private members' bar, a library, and workshops, along with essential facilities to meet world-class standards. Natalya Traill's "Vivienne Westwood Bar" pays homage to the designer's legacy, creating a space for connection, creativity, and community. The adaptive reuse strategy ensures the design honors the historic site while incorporating contrasting colors, vivid patterns, and dynamic elements like a moving stained-glass installation and an extruding mezzanine cut-out to create an invigorating environment that encapsulates Vivienne Westwood's essence. "Flux" by Alexandra Buckley explores residential design for "ageing in place" through a modular approach. The design uses 900x900mm modules linked to swiveling base units anchored to the floor structure, offering flexibility and easy reconfiguration of open-plan spaces. This allows for various configurations depending on occasion or season, maintaining structure while enabling continuous evolution and adding interest to daily life. Andrée Cooke's "Chemistry" is a cocktail bar for over 21s, inspired by chemical processes. The theatrical and immersive space features unique areas like the "LAB," an amphitheater-style communal space, and a floating glass bar where staff prepare cocktails. The styling combines solid and fluid-looking sustainable materials, with a focus on locally sourced and recycled elements such as oak, steel, glass, perspex, and sustainable flooring. Camilla Phillips's "The Metropole" is a two-story bar and speakeasy in an English seaside town, designed to evoke the theatrical escapism of the golden age of cinema. The bar positions the bartender as a performer, with the bar as their stage. An illuminated sign and tiled façade greet guests, capturing attention and paying homage to historic theater signs. Kim Kirchner's "M+I+X" cocktail bar blends innovative design with practicality for a Gen Z target market. The striking centerpiece features overlapping M, I, and X forms made of ribbed dichroic acrylic sheets that glow and guide guests through the space, which incorporates mixed secondary colors and textures for a visually impactful experience. Emily Garth's "Kudu Community Restaurant" transforms the historic Asylum Chapel into a restaurant and community kitchen. This adaptive reuse project aims to mitigate food insecurity in Southwark by providing nutritious meals, fostering social inclusion, and combating loneliness. The design balances inclusivity and exclusivity, demonstrating that community kitchens and traditional restaurants can coexist and thrive, shifting away from traditional charitable food access models. Aleksandra Cummings's "Kip Hideaways Asylum Chapel" preserves the Grade II listed Asylum Chapel in Peckham, creating a boutique hotel with a café and bar. The project blends the existing distressed aesthetic with the client's signature style. It engages local artists and makers to create a collaborative interior, promoting local talent and community support, and balancing historical preservation with modern use to create new memories within the space. #InteriorDesign #StudentProjects #WestDeanCollege #AdaptiveReuse #SustainableDesign #HospitalityDesign #ResidentialDesign #CommunitySpace #TraumaInformedDesign

The "Ideas for Business" initiative, launched by DesignWanted in May, aimed to reimagine the side table, a typically overlooked domestic object. The call challenged designers to explore new functionalities, materials, and meanings for this common furniture piece, in response to evolving domestic life and contemporary living. This platform connects designers with industry stakeholders to foster the development of innovative, relevant, and thoughtful projects through open calls and competitions. Over 150 proposals were submitted, each demonstrating creativity and effort. A jury comprising Juan Torres, DesignWanted’s Creative Director; Mario Alessiani, product designer; and Denis Aktay, designer and founder of DEZIN, selected three winning projects. The criteria for selection emphasized not only design quality but also the projects' ability to reflect and adapt to a changing understanding of domestic spaces. The modern home's side table is no longer merely a surface for books and lamps; it must accommodate diverse activities, serving as an office, lounge, or personal retreat. The winning designs stood out for their unique interpretations of care, intimacy, and daily life, illustrating how a simple object can become emotionally resonant, sculptural, or intelligently designed. The call revealed that the side table can act as a micro-stage, capable of shifting the narrative of domestic life and reflecting broader themes such as sustainability, technological integration, emotional well-being, and the increasing fluidity of home spaces. The selected projects underscore that effective contemporary design can be subtle, attentive, and purposeful without being overtly radical. Each of the three winning entries embodies distinct aspects of DesignWanted's research focus. "Bable" by industrial designer Abin Rajendran, a side table that subtly integrates ambient lighting, gentle notifications, and a ring light, reimagines the home robot without resorting to typical tech aesthetics. Its strength lies in its poetic restraint and emotional tuning, aiming to blend seamlessly into the domestic environment and provide quiet care. "Ardea" by product designer Giuseppe Campanale, is a sculptural and architectural piece that serves as both a shelf and a light. Its elongated vertical form impressed the jury with its formal coherence and its delicate balance between functionality and artistic expression, offering a calm presence in an interior space. "Bale" from Copenhagen-based Bundle Studio, is a highly functional side table crafted from a bio-composite of flax fiber and PLA. Designed for the living room, it functions as both storage and seating, featuring four thermo-pressed panels joined by visible snap rivets. This design was recognized for its material honesty, emotional clarity, and inherent adaptability, making it approachable, repairable, and ready for practical application. The diversity of the winning projects, which included speculative technologies, handcrafted aesthetics, modular systems, and social rituals, highlights the richness of the submissions received. All entries utilized the side table as a means to observe and re-envision contemporary living. This first edition of the call demonstrated that such initiatives can foster a dynamic dialogue between designers and their innovative approaches, reaffirming that even minor domestic details warrant reconsideration in a design landscape that often prioritizes revolutionary concepts. The three winning designers will receive dedicated editorial features, social media promotion, and newsletter inclusion to amplify their work within the DesignWanted community. DesignWanted encourages designers to participate in future "Ideas for Business" calls to share their visions. #Design #FurnitureDesign #SideTable #ProductDesign #InnovativeMaterials #SustainableDesign #HomeDecor #DesignCompetition #DomesticLife

Art instructor Bruce Edelstein has compiled a collection of chairs designed, built, and decorated by children aged seven to ten as part of his "Grade Three Chairs" project. This initiative, which has been running for over 18 years at Trinity School in New York, aims to introduce third-grade students to the concept that they can actively participate in shaping their environment through design and creation. Edelstein emphasizes that this process helps children appreciate objects and understand their origins. The project requires students to design and construct a unique chair for themselves using simple pinewood planks. The curriculum spans several weekly, hour-long sessions, beginning with sketching their ideas and then creating paper scale models to visualize the construction process. Throughout the project, Edelstein encourages students to deconstruct the traditional understanding of a chair's function and elements. He prompts them to question conventional designs, such as whether a chair necessarily needs four legs, leading them to explore innovative solutions. This approach helps children understand that there are multiple ways to achieve a functional design. The resulting chairs demonstrate a wide range of creativity, including a rocking boat chair with portholes, a triple-height backrest with zigzag shapes, and a chair featuring a giant alligator mouth with teeth armrests. One student even designed a tree-shaped chair with movable leaves attached by hinges, while another insisted on an asymmetrical design with twisted and turned elements, demonstrating a sophisticated understanding of form and structure. In addition to fostering creativity, Edelstein teaches the children fundamental woodworking skills, such as clamping, cutting, and nailing wood. While he supervises for safety, the students perform most of the physical construction themselves, using basic toolbox saws. The project culminates in the decoration phase, where Edelstein provides a brief lecture on using colors and patterns to break up surfaces and the effects of different opacities through staining and painting. This guidance leads to highly individualized and imaginative final products, such as a chair with each surface finished in a different shade and texture, and a three-legged bench adorned with bold streaks of pink, yellow, and black, resembling an abstract expressionist painting. Edelstein highlights the children's spontaneous and intuitive approach to design, noting their ability to generate ideas quickly and fearlessly. He suggests that adults could learn from this uninhibited creativity and trust their intuition more. The article also draws parallels between the Grade Three Chairs project and other design and architecture-related activities launched during the coronavirus pandemic to engage children confined to their homes. Examples include IKEA's guide to building forts from furniture and Foster + Partners' paper-based challenges for constructing skyscrapers and cities. These initiatives collectively underscore the importance of hands-on, creative learning experiences for children to develop an understanding of design and their ability to influence the built world around them. #ChildrensDesign #FurnitureDesign #Woodworking #CreativeEducation #StudentProjects #PrimarySchool #ChairDesign #DesignThinking #HandsOnLearning

Tarkett, a prominent global provider of recyclable flooring solutions, has officially opened its new UK and Ireland showroom, Tarkett Atelier, situated in the vibrant creative district of Clerkenwell, London. This innovative space, located at 47-53 St John Street, was designed in collaboration with Stockholm-based Note Design Studio and contractor Area Square, opening its doors on July 6th. The showroom aims to offer architects, designers, and end-users a comprehensive experience, showcasing the latest sustainable and design-led interior finishes and demonstrating how various materials can be creatively re-envisioned. The design ethos of Tarkett Atelier draws inspiration from Britain's industrial city heritage, adopting a 'soft industrial' aesthetic. A core principle of the design is sustainability and adaptability, evident in every curated aspect of the interior. The entire space utilizes materials from circular collections and is composed of 100% recyclable components. The showroom redefines the conventional showroom experience by seamlessly integrating technology with digital features, including interactive displays and virtual reality elements. This approach allows for a deeper engagement with the products and design possibilities. A distinctive feature of the showroom's interior is the thoughtful selection of contrasting materials and textures by Note Design Studio. These materials were chosen for their tactile qualities, durability, and striking industrial aesthetics. The design team employed an unconventional approach to traditional materials, particularly hard and soft flooring. These materials are imaginatively transformed into various functional elements, such as linoleum counter bases, work surfaces, vinyl tabletops, structural pillar cladding, and even lighting fixtures, highlighting their versatility beyond typical applications. The showroom prominently features several of Tarkett's key collections, including Desso Fields, Retrace, Linowall, iQ Granit, Natural, and Parade Excellent. A dedicated gallery area serves as a platform to exhibit Tarkett's flagship products and materials, providing visitors with an understanding of each product's benefits within a well-structured and purposefully designed environment that extends beyond simple samples. Furthermore, the space is designed to host bespoke art installations crafted from Tarkett flooring, showcasing artistic applications of their products. An open product lab is integral to the Atelier, fostering co-creation and experimentation. This lab enables visitors to develop their project ideas by selecting from Tarkett's extensive range of carefully curated materials and products. The multi-functional nature of Tarkett Atelier is further enhanced by incorporating areas for various activities, including socializing, hosting events, dedicated meeting rooms, quiet phone booths, and collaborative workspaces. The showroom provides a dynamic and inspiring environment that facilitates creativity, collaboration, and a deeper appreciation for sustainable and innovative interior design solutions. #TarkettAtelier #NoteDesignStudio #FlooringDesign #SustainableInteriors #ShowroomDesign #LondonArchitecture #MaterialInnovation #RecyclableMaterials #InteriorDesign