How 23 Designers Reinterpreted Palm Beach Prep

The article introduces four prominent design entities recognized as Modern Luxury Palm Beach's Faces of Design for 2024: Chelsea Lane & Co., Jennifer Lynn Interior Design, Le Serene Home & Design/Amour by Le Serene, and Annie Santulli Designs. Each profile highlights the designers' unique philosophies, specializations, inspirations, and approaches to creating distinct living spaces in and beyond Palm Beach. Chelsea Lane, owner of Chelsea Lane & Co., specializes in wallcoverings, fabrics, decor, lighting, and furniture. Her passion for interior design stems from a childhood spent observing her mother install wallpaper in Palm Beach homes. Lane emphasizes that a home should reflect its owner's personality, leading to unique projects tailored to each client. She has built one of South Florida's largest textile libraries, which is also accessible through a virtual showroom, underscoring the transformative power of wallpaper. Lane also incorporates lighting from brands like Sean Lavin and Kelly Wearstler to set the mood. Her designs, while often featuring bright colors and palm leaf patterns characteristic of Palm Beach, also extend to more minimalist and moody compositions, reflecting her diverse clientele and the increasing demand for commercial office space due to year-round Palm Beach residency. Her design philosophy prioritizes functional and comfortable spaces that people genuinely live in. Jennifer Lynn Arteaga, owner and principal designer of Jennifer Lynn Interior Design, believes each home should be as unique as its inhabitant, ensuring no two projects are alike. Operating from her 2,000 square-foot Jupiter studio and showroom, Arteaga leads a team that executes clients' creative visions with expertise. Her background in kitchen and bath fixtures from Kohler informs her specialization in kitchen and bath remodeling and plumbing, offering a full-service experience in home redesign. Her studio features high-end appliances, furniture, fabrics, finishes, and a tile library, inviting clients to interact with materials for inspiration. Arteaga, originally from Chicago, works on projects ranging from South Florida to the Hamptons. She recently completed a project in Old Palm with a strong New York influence and a modern, non-coastal aesthetic. Her goal is to create elegantly edited spaces that feel breathable, balancing unique pieces and bold moments with an overall sense of harmony. Josef and Andrea Huainigg are the duo behind Le Serene Home & Design and Amour by Le Serene. Andrea, an interior designer, founded Le Serene Home & Design, which offers home decor and interior design services. Her son, Josef, founded Amour Design Showroom, specializing in outdoor and indoor furniture and staging services. Together, their brands offer a contemporary and softened design approach, bridging traditional and modern styles to create serene spaces. Andrea's passion for interior design was ignited during her studies in Italy and work at Milan's Salone del Mobile. Josef, following in his mother's footsteps, pursued a degree in luxury brand management in Switzerland. Their European heritage and transatlantic experiences significantly inspire their design aesthetic. Amour showcases unique furniture, art, and curiosities sourced from their travels and relationships with European artisans, aiming to design joyful and relaxing spaces for clients to share with family and friends. Annie Santulli, of Annie Santulli Designs, adopts a personalized and collaborative approach, focusing on understanding her clients' personalities to create living spaces that tell their stories. A former model, Santulli integrates travel and fashion influences into her designs, using elements like spectacular light fixtures, luxurious fabrics, bold art, or interesting patterned wallpaper as focal points. Her recent projects include a multi-million dollar redesign of a Palm Beach oceanfront townhouse featuring a glass staircase reflecting the ocean, custom lighting, a private entryway with a koi pond and agate waterfall, and a 20-foot butterfly sculpture. Santulli's boutique firm emphasizes a hands-on approach, particularly for clients with vacation homes in South Florida. Her ultimate goal is to make clients feel more at home than they ever imagined, demonstrating her commitment to their satisfaction. Annie Santulli Designs has over 20 years of experience creating custom interiors for luxury homes and yachts across various locations. #InteriorDesign #PalmBeachDesign #HomeDecor #LuxuryInteriors #Designers #ChelseaLaneAndCo #JenniferLynnInteriorDesign #LeSereneHomeAndDesign #AnnieSantulliDesigns

This article showcases nine design projects from students at The New School's Parsons School of Design, covering a range of disciplines including architectural design, interior design, industrial design, and lighting design. The projects demonstrate innovative approaches to addressing contemporary societal and environmental challenges, as well as creative explorations of design principles. Mohamad Ali Ezzeddine's "The Gallery Hotel" is an interior design project for a hotel located in Chelsea, New York, adjacent to the High Line. The design integrates an art gallery on the main floor to display local artists' work, alongside a reception area, bar, and lounge. The second floor features a restaurant with outdoor dining access to the High Line, and the hotel includes 24 guest rooms across three floors, complemented by a rooftop lounge offering panoramic views of Chelsea. This project emphasizes creating a dynamic cultural experience while providing comfortable and functional spaces for guests. Carmen Cordova's "Resistance" addresses issues of self-sacrifice and exploitative care relationships, particularly for women in El Salvador. This interior design capstone project aims to build solidarity among Salvadoran women and highlight the challenges they face. By providing tools and spaces that promote resistance against traditional roles, the project seeks to foster community unity and greater equality, advocating for a restructuring of societal expectations regarding women's roles and labor. Jenna Koss's "Why They Stay" is a real-life proposal for the Helpmate Domestic Violence Shelter in Asheville, North Carolina. This ongoing project investigates how a purpose-built shelter on a sloped site can be designed to enhance safety from illness and abuse while promoting healing for survivors. The design explores layering interior spaces to empower survivors, facilitate connections, help them reclaim agency, and build resilience over time, focusing on the psychological and physical well-being of the inhabitants. Jiuying Li's "A Tale: Heading to the Tent of Tomorrow" is an architectural thesis project that transforms an abandoned artifact into an imaginary utopia. The project is occupied and renovated by individuals who have experienced gender inequality and discrimination. It manifests the urgency of eliminating gender bias embedded in American history and depicts an alternative future for architectural relics through storytelling, offering a vision of an equitable and inclusive society. "Flood Points: Redesigning Ekistics with time" by Nalin Chahal, Eric Hu, and Anthony Vesprini re-evaluates the science of human settlements in the context of climate change. The project proposes drastic alterations to a site, focusing on adapting to rising sea levels rather than merely constructing sea walls. The first phase reintroduces natural habitats and reimagines the site as an engaging park, educational space, market, and community center, with a shift towards circular, sustainable energy generation. Subsequent phases account for the flooding of the site, dedicating more land to changing flora and fauna, maintaining programmatic elements, and eventually returning the land to natural processes, with only a research center remaining operational. Zihao Fang's "Aquastor" introduces desertification remediation vessels produced from mixed desert resources. These vessels are designed to promote soil growth in desert areas and slow the advance of desertification. Placed in a triangular arrangement on the edge of the desert, they create a barrier. The temperature difference between the inside and outside of the vessels allows external water vapor to enter the desert and reduces evaporation. Eventually, the Aquastor vessels degrade, transforming into nutrients for the land, thus providing a sustainable solution to desertification. Daniela Solovey's "The CroChair" investigates crochet as a novel form of production using upcycled materials. This project involves designing made-to-order furniture that blends traditional furniture design with an analogue craft. The CroChair aims to legitimize often-overlooked art forms by creating highly functional products with a unique aesthetic, benefiting the design community through its innovative use of materials and techniques. Jo Li's "Bio Loose Sense" explores biomimetic design with light to separate functional zones within homes, especially relevant during periods like pandemics where living, working, and relaxing occur in the same space. The design learns from natural phenomena like bioluminescent tides and organisms, applying the potential of bioluminescence to change human relationships with lighting and interiors. This project encourages a connection between humans and nature while keeping senses activated through temporal changes in lighting. Carmen Iris Ruiz Cruz's "Healing Structures" examines how architecture and lighting are integral to healing trauma, particularly in post-disaster contexts like the 6.4 magnitude earthquake in Puerto Rico. The project highlights that post-disaster response often overlooks mental well-being and invisible injuries. It proposes that built spaces should not only serve as meeting points but also as environments where people can share stories and heal through communal interaction, emphasizing the need for thoughtful assessment and consideration of space quality in healing processes. #ParsonsSchoolOfDesign #ArchitecturalDesign #InteriorDesign #IndustrialDesign #LightingDesign #StudentProjects #SustainableDesign #SocialImpactDesign #BiomimeticDesign

The article highlights the career and creative inspirations of Matt McKay, an alumnus of Parsons AAS Interior Design (2012). McKay, now an accomplished interior designer, has recently launched his own collection of furniture, expanding his firm's focus beyond residential projects. His work has been recognized in prominent publications such as Architectural Digest, Surface, and Remodelista. McKay draws inspiration from a diverse range of sources, including renowned artists and thinkers like Maria Pergay, Alan Watts, and William Eggleston. Beyond these cultural figures, nature, landscapes, and travel significantly influence his design philosophy. He emphasizes the importance of immersive experiences, such as hiking or walking along a beach, for fostering creativity. International travel is also a key component of his creative process, allowing him to absorb different cultures, art forms, design aesthetics, and culinary experiences, which he describes as a "feast for the senses" that ignites adventure and new ideas. His current projects are varied, with residential designs underway in several key locations including New York, the Hamptons, Connecticut, Miami, and Austin, Texas. The article features a selection of interiors designed by McKay, showcasing his unique approach to space creation. These illustrations provide visual examples of his design aesthetic and how he translates his inspirations into tangible environments. McKay's decision to establish his own practice was a deliberate step towards greater personal and professional growth. He acknowledges having felt comfortable in his previous roles at other firms but recognized the need to challenge himself further. His time at Parsons played a foundational role in his success, providing him with essential technical knowledge pertinent to practical work settings. The curriculum also exposed him to influential interior designers and innovative creatives, which profoundly shaped his educational journey and subsequent career path. For aspiring designers, McKay offers a piece of advice rooted in passion and meticulous study: "Collect, find something to obsess over, study it constantly, and acquire based on this passion." This guidance underscores the importance of deep engagement and continuous learning within the design field. The article also presents a selection of furniture pieces designed by McKay, demonstrating his venture into product design and his ability to create bold, eclectic items, including chairs, tables, and various seating options. This expansion into furniture design complements his interior design work, showcasing his comprehensive creative vision. Overall, the article portrays Matt McKay as a designer deeply connected to his inspirations, both natural and artistic, who leveraged his education at Parsons to build a successful and evolving practice. His story serves as an example of an alumnus making a significant impact in the design world through innovative work and a commitment to continuous creative exploration. #MattMcKay #ParsonsAlumni #InteriorDesign #FurnitureDesign #CreativeProcess #DesignInspiration #ResidentialProjects #TheNewSchool #DesignEntrepreneurship

Coastal interior design embodies the tranquility and natural influences of seaside environments, bringing these qualities into private homes. While often associated with a relaxed aesthetic, many design professionals have elevated the classic coastal look, incorporating sophistication and luxury into both waterfront and landlocked residences. Contemporary coastal interior designers integrate traditional elements such as nautical motifs, blue and white color schemes, wood paneling, rattan furniture, linen textiles, and tropical patterns with modern accents, vibrant colors, and high-end art. A consistent theme in the work of these designers is the celebration of natural beauty. The article highlights several distinguished designers from the AD PRO Directory who excel in coastal design. Natalia Miyar Atelier, with offices in New York, London, and Miami, focuses on comfort and glamour, tailoring projects from garden-inspired Miami homes to art-filled villas in Ibiza to reflect clients' personal stories and passions. Bunsa Studio, founded by Jennifer Bunsa in Miami, infuses projects with color, pattern, texture, and soul, drawing inspiration from Miami’s architecture and culture while incorporating organic shapes and natural materials like rattan, sandy stone, and warm woods. Cortney Bishop Design, based in Charleston, South Carolina, blends comfort, functionality, creative accents, and color palettes inspired by the Carolina coast, informed by Bishop's passions for travel, art, fashion, and music. Mead Quin, a San Francisco-based designer, crafts stylish sanctuaries for Bay Area innovators, focusing on intentional living and spaces that support well-being. Her artistic background allows her to create homes that align with clients' lifestyles and the natural settings of their residences. Trade Mark Interiors from Sarasota, Florida, manages the entire design process, utilizing interior design psychology to create mood-boosting, functional spaces with a classic and sophisticated aesthetic. Marina Hanisch Interiors, based in Greenwich, Connecticut, is known for its warm, modernist style, integrating natural materials, curated color palettes, and sculptural elements to tell clients' stories and provide refined, comfortable spaces. Patrick Ediger Interior Design in Los Angeles prioritizes creating spaces that enhance clients' lives, considering the home’s site, architecture, and sustainability through locally and sustainably sourced materials. Downey, a multi-disciplinary firm led by Alison Downey, respects a home's original architecture, creating effortless yet timeless interiors using natural elements, quality materials, and elegant textures. Studio IDC, a second-generation family-owned firm, focuses on high-end residential and hospitality projects in South Florida and the Caribbean, drawing inspiration from coastal backdrops and cultural influences to create spaces connected to their natural environments, characterized by laid-back luxury and warm modernity. Alexandra Naranjo Designs, with studios in Toronto and Palm Beach, is celebrated for its bold use of color and ability to combine modern and traditional elements, resulting in energetic, fresh, and timeless interiors. Marni Sugerman, based in Westchester, New York, leverages her textile design background to bring an eye for color and pattern to her clients' homes, creating unique and personalized spaces through strong client connections and innovative solutions. Lark+Palm, founded by Ansley Majit and Stephanie Waskins in Sausalito, California, creates beautifully curated and highly livable spaces through their diverse backgrounds in art consultation, textile design, and project management. Jute, founded by Alison Davin, is passionate about sustainability, using natural and non-toxic materials to create cozy, light-filled interiors that connect indoor and outdoor spaces. Saffron Case Homes, a Malibu-based firm, blends modern and traditional elements with clean lines and tranquil palettes to create comfortable, stylish homes, handling projects from refreshes to full remodels. Terri Ricci Interiors, based in Norwalk, Connecticut, draws inspiration from European design, creating sophisticated, customized whole-house designs by considering architecture and interior design holistically. Burnham Design, led by Betsy Burnham, combines classic East Coast style with a California cool sensibility, creating elegant yet inviting interiors known for their emphasis on color, pattern mixing, and expertly layered elements. Design West in Naples, Florida, emphasizes collaboration and personal attention, employing a 196-step process to ensure successful outcomes for residential interiors, creating spaces inspired by their inhabitants. JMA Interior Design, founded by Jackie Armour in Jupiter, Florida, specializes in luxury homes, country clubs, and private jets, known for its adventurous use of color, pattern, creativity, and attention to architectural details. Lastly, James Duncan, a Miami-based firm, offers comprehensive services including interior architecture, custom furniture, unique wallpapers, and fine millwork, providing bespoke interiors to an international clientele with a refined and timeless style. #CoastalInteriorDesign #LuxuryHomes #InteriorDesigners #HomeDecor #ArchitecturalDigest #DesignDirectory #ResidentialDesign #CustomInteriors #SustainableDesign

The end of each year provides an opportunity to reflect on the diverse projects and creative endeavors shared within the design community. The year 2023 showcased remarkable talent within Toronto's design landscape, highlighting extraordinary interior designs that pushed creative boundaries. Among the standout projects, Canalside Studio demonstrated a playful approach to design by reimagining a builder-finished family home in Richmond Hill. The studio incorporated plywood as a primary material, imbuing the space with an animated and whimsical character. ACDO, a Toronto-based design studio, drew inspiration from the scenic shoreline of Niagara-on-the-Lake to create a resort-style interior palette, enhancing the home's connection to its natural surroundings. Conik Studios undertook a significant renovation of a 1976 two-storey Mississauga home, transforming it into a California-cool residence. The redesign capitalized on the home's prestigious location, elevating its aesthetic to a year-round summer feel. Luciani Projects brought artful elegance to a Baldwin Village condo, which was previously characterized by builder-basic features like fluorescent lights, beige walls, and pink wall-to-wall carpeting. Their transformation resulted in a sophisticated and refined living space. In the hospitality sector, Twenty-Two Twelve designed Hotel Julie in Stratford, Ontario, drawing inspiration from Shakespeare's works. The hotel features rooms with dramatic flourishes, offering a showstopper stay experience. Architect Wanda Ely demonstrated creativity in curves, translating a client's brief—featuring images of rocky outcrops, deep blue waters, and sinuous glaciers—into a high-concept home renovation that brought their dream to reality. AMA, a local architecture firm, executed a sustainable renovation of a Victorian semi-detached home in Little Italy. This project focused on preserving the historic character while integrating timeless design elements and sustainable solutions. Architect Yvonne Popovska revitalized a three-storey Edwardian home near High Park, originally divided into apartments, creating a classic and refined living space for a client. Batay-Csorba crafted a unique treehouse-inspired renovation in Humber River, earning recognition for its element of surprise achieved through familiar materials. Studio AC, recognized as Designer of the Year, created a discreet dwelling north of Toronto that artfully blended the indoors with the outdoors. These projects collectively represent the innovative spirit and diverse talent within the Toronto design community in 2023, setting a high standard for future design endeavors. #InteriorDesign #HomeRenovation #ResidentialDesign #PlywoodDesign #ResortStyleLiving #VictorianReno #KitchenUpgrade #SustainableDesign

Design Miami/ Basel returned for its 13th edition, showcasing a diverse collection of new creative projects, iconic designs, and conceptual interpretations within the design genre. The event, held in the Herzog & de Meuron-designed fairgrounds, featured 43 international galleries representing modern and contemporary design, alongside ten special Curio presentations and large-scale installations, marking a significant celebration of both culture and commerce. This overview highlights several key installations and collections that captured attention. One notable presentation was the ‘(Con)temporary Home’ by Brazilian brand ETEL, designed by Italian architecture firm Superluna. This Collectors Lounge was conceptualized as a domestic environment, enclosed within a steel frame that subtly separated it from the fair's activity. The interior featured a curated mix of contemporary and historical Brazilian design pieces, complemented by photographs from Ruy Teixeira. A significant portion of the furniture offered to guests for relaxation, accompanied by champagne, included pieces by Jorge Zalszupin, honoring the Brazilian master on his 96th birthday. New York gallery Friedman Benda presented Nendo’s 'Watercolour Collection,' a series of 18 pieces designed to evoke the illusion of watercolor paintings on paper. Crafted from folded metal sheets, these objects utilized a special finishing technique to mimic paper, then hand-painted to create a light blue watercolor effect. The collection reimagined traditional furniture forms into abstract compositions, with the paint interacting with the shapes to produce a poetic, illusory quality. Belgian gallery Maniera collaborated with Dutch architect Anne Holtrop to present new works, including furniture, lighting, and accessories. These pieces formed micro-architectures that reflected Holtrop's distinct aesthetic, characterized by his unique sense of shape and material. Maniera's ongoing commitment involves commissioning architects to translate their signature styles into smaller-scale design objects. Design at Large, the annual initiative by Design Miami/ Basel, was curated by photographer François Halard in 2018. Halard explored the enduring impact of design through a series of nine diverse projects from the 20th and 21st centuries. The exhibition featured architectural elements by Jean Prouvé, interiors by Gaetano Pesce for the Dujardin children’s store, and a micro-architecture by RDAI. Halard's curatorial vision aimed to connect past influences with present and future design trends, emphasizing the continuity of ideas in art and design. ‘A New Layer Taiwan,’ presented by Spazio Nobile Gallery, showcased an initiative by the National Taiwanese Craft Research and Development Institute. This project fostered collaborations between Taiwanese craftsmen and international designers. Curator Lise Coirier brought together seven designers who worked with local artisans to produce a range of pieces, including ceramic works by Anton Alvarez and BCXSY, bamboo furniture by Sebastian Herkner and Jin Kuramoto, and lacquer objects by Julie Richoz and Wonmin Park. Olivier van Herpt, an Eindhoven graduate, presented 'Blue and White' for VIVID. This collection highlighted his unique ceramic 3D printing technique, which creates a distinct aesthetic. The series drew inspiration from the Delft tradition of blue porcelain, with cobalt pigment applied by hand before extrusion, resulting in a radial gradient pattern that symbolizes the collaboration between human interaction and machine precision. This project was initially commissioned by the Gemeentemuseum Den Haag. Calvin Klein made its debut at Design Miami/ Basel with an installation featuring Gaetano Pesce’s 'Feltri' chair, designed in 1987 for Cassina. The installation, inspired by a barn, was reinterpreted by creative director Raf Simons using vintage American heirloom quilts from the 19th and 20th centuries. It showcased 100 limited edition numbered chairs, marking a unique cross-disciplinary presentation. Lastly, 'Origins: Design from the Ancient World' was presented by Galerie Chenel and Oscar Humphries. Following his successful Curio installation from the previous year, Humphries, in collaboration with Paris’ Galerie Chenel, displayed Roman design for the first time at a design fair. The collection featured Greco-Roman artifacts, design, and architectural elements from 200 BC to approximately 200 AD, including columns, capitals, urns, and fragmentary sections from interiors and furniture. This exhibition aimed to introduce this material to a new audience and provide a fresh context, demonstrating the fundamental synergy and enduring influence of ancient design on contemporary genres. #DesignMiamiBasel #CollectibleDesign #ContemporaryDesign #DesignExhibition #ArchitecturalDesign #FurnitureDesign #ArtAndDesign #InteriorDesign #Craftsmanship

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

The field of interior design is undergoing a significant transformation, moving beyond traditional aesthetics to embrace technology-driven experiences. This shift is highlighted by David Taglione of ICRAVE, a multidimensional design studio, who emphasizes the integration of physical, digital, and virtual elements to create immersive environments. The article outlines how digital technology is drastically changing how physical environments are created, requiring designers to think multidimensionally and incorporate digital strategy and customer journey mapping into their briefs. The evolution of interior design now prioritizes "experience design," where spaces are crafted to engage patrons through immersive brand experiences, integrating digital and immersive design with strong visual narratives. Key examples illustrate this evolution, starting with Sphere in Las Vegas, a project that demonstrates the critical role of emerging technology in the entertainment industry. For Sphere, a high-tech architectural lighting system was implemented to manipulate the venue's mood and energy, ensuring an immersive connection for guests and building anticipation for events. Another project, TSX Broadway in Times Square, aims to revolutionize artist-fan connections by blending physical and virtual worlds. This multi-use building incorporates augmented retail, futuristic showrooms with LED screens, a retractable stage, and a 'Retail Alley' with a programmable tunnel, offering both real-life and metaverse experiences. The project leverages Web3 capabilities to unite entertainment-seekers and level the playing field for artists and brands. The impact of virtual and digital technologies extends to healthcare and travel, as seen in the Memorial Sloan Kettering Cancer Center project. Here, technology was used to enhance the patient and family experience, making cancer care less anxiety-inducing. A personalized Real-Time Locating System (RTLS) device was introduced to allow patients, caregivers, and staff to move more freely within the facility, providing patients with greater agency and control over their time during treatment. This approach aims to create a more hospitable and less restrictive environment, enabling patients to use their time more thoughtfully and productively. Digital technology is also instrumental in revitalizing historical destinations and exhibitions. For London's iconic Battersea Station, digital elements such as animated technical drawings and interactive tables with AR web apps were integrated to engage a new generation of audiences. These digital tools worked together to tell a cohesive story, allowing visitors to participate actively in the Power Station's rich history, transforming it into a dynamic entertainment destination. Since its reopening, Battersea Station has attracted over 11 million visitors, demonstrating the success of combining historical reverence with modern technological engagement. As a result of these advancements, the role of interior designers has expanded significantly. Designers are now tasked with finding technological solutions that harmonize with physical spaces and connect emotionally with consumers. The shift from focusing purely on aesthetics to creating multidimensional experiences signifies a new era in design, where technology is not just a tool but a fundamental component in crafting engaging and impactful environments. #InteriorDesign #DigitalTransformation #ExperienceDesign #ImmersiveExperiences #TechnologicalInnovation #SphereLasVegas #TSXBroadway #HealthcareDesign #ArchitecturalLighting

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

The General Contractors Design Group is highlighted as South Florida's leading general contractor and interior design firm, known for its customized approach to home design and construction. Founded by Dylan Kapneck, the company emerged from a second-generation remodeling business, building on a foundation of industry experience. Kapneck, an entrepreneur, interior designer, and general contractor, has expanded the company's presence to three design studios across Boca Raton, Palm Beach, and downtown Miami, catering to the increasing demand for integrated construction and interior design services. A key differentiator for The General Contractors Design Group is its dual certification: the team comprises certified general contractors and licensed interior designers. This unique combination allows the company to offer comprehensive services, streamlining the design and construction process for clients. In addition to its expertise, the company serves as an authorized dealer for over 100 product lines, including quartz countertops, imported porcelain tiles, and custom cabinetry. This extensive sourcing capability positions the firm as a versatile provider within the industry. The company prides itself on delivering exceptional craftsmanship and prioritizing customer service, operating on principles of integrity. Its primary focus lies in the complete remodeling and transformation of luxury multimillion-dollar properties. Each project undertaken by The General Contractors Design Group is meticulously tailored to meet individual client needs, emphasizing a client-first philosophy aimed at ensuring complete satisfaction. The company's commitment to excellence and client-centric approach are central to its operational model. Further solidifying its industry standing, The General Contractors Design Group is affiliated with prestigious organizations such as the Interior Design Society of America and the Designer Society of America. It is also an active member of the Greater Boca Raton Chamber of Commerce, reflecting its engagement with both the professional design community and local business networks. These affiliations underscore the company's commitment to industry standards and community involvement, reinforcing its reputation as a trusted and reliable partner in high-end home design and construction. Located at 1200 N. Federal Highway, Ste. 200, Boca Raton, The General Contractors Design Group continues to serve South Florida with integrated design and construction solutions. The company's unique business model, combining contracting and design expertise with extensive product sourcing, positions it as a prominent player in the luxury home renovation market. Dylan Kapneck’s vision for a comprehensive, client-focused service model has driven the company's growth and success in meeting the diverse needs of its upscale clientele. #GeneralContracting #InteriorDesign #HomeRenovation #LuxuryProperties #BocaRaton #PalmBeach #MiamiDesign

This article highlights seven innovative design studios from across the globe, showcasing their unique approaches to architecture and design. These emerging practitioners are recognized for transcending traditional disciplinary boundaries, from product design blending technology with furniture to architectural firms challenging physical space limitations through virtual installations. Norman Kelley, based in Chicago and New York, is featured for its sly and conceptual approach, often playing with visual expectations. Their "Wrong Chairs" exhibit, for instance, exaggerated elements of the iconic Windsor chair, making them appear "wrong" yet fully functional. Principals Carrie Norman and Thomas Kelley emphasize a rigorous playfulness in their work, valuing impact and gratification over overwhelming designs. Despite being geographically separated, they maintain constant collaboration, blurring the lines between academic and professional practice. Their work extends to residential rehabs and commercial projects, such as their first retail space for Aesop in Chicago, where they utilized reclaimed common brick, and a subsequent project in New York's Tribeca district, using ombré paint to reflect the neighborhood's character. Homeowner Sam Vinz, who commissioned Norman Kelley for a residential project, praises their ability to refresh existing concepts in an accessible manner. San Francisco-based Branch Creative, led by Nick Cronan and Josh Morenstein, specializes in making technology discreet or "invisible." Their product, Plume, replaces traditional Wi-Fi routers with hexagonal pods that blend into home decor, providing efficient wireless connectivity. Both Cronan and Morenstein bring extensive industrial design experience, having worked for notable companies like fuseproject and Ammunition. They ventured into developing futuristic devices, including the modular Google Ara phone and Athos exercise clothing that provides real-time muscle activity feedback, which they refined to be seamless and intuitive. Despite their focus on technology, they are passionate about furniture design, creating pieces for Council's Drift collection that combine classic forms with subtle illusions, emphasizing longevity and sophistication. SIBLING, a young Melbourne-based firm, is recognized for its experimental and participatory approach to design. The five directors—Amelia Borg, Nicholas Braun, Jane Caught, Qianyi Lim, and Timothy Moore—engage in a wide array of projects, including exhibitions, commercial fit-outs, and residential designs. They actively initiate their own research projects, such as the ON/OFF exhibition, which explored the digital and physical worlds by creating a space that blocked smartphone reception. These conceptual investigations inform their commercial work, exemplified by the DUST retail space that integrated a digital commercial platform into a physical setting. SIBLING's freedom from established practice allows them to design a business model that is unique to their founders' processes, clients, and community. Refik Anadol, a media artist based in Los Angeles, explores the intersection of architecture and digital art. Inspired by the Walt Disney Concert Hall, Anadol created large-scale video artworks that transform architectural facades into dynamic canvases. His collaboration with Gehry Technologies and the Los Angeles Philharmonic resulted in immersive experiences like "Visions of America: Amériques," where real-time custom software projected images responsive to music and conductor movements. Anadol's work also extends to public art commissions, such as "Virtual Depictions: San Francisco" for 350 Mission, which uses Twitter data to generate animations on a large LED display, exploring how public art interacts with public data. He envisions a "post-digital architectural future" where media architecture transcends traditional screens and VR. Tropical Space, from Ho Chi Minh City, focuses on eco-friendly and avant-garde architecture that utilizes simple building materials. Founders Nguyen Hai Long and Tran Thi Ngu Ngon specialize in designing porous homes that "breathe" in tropical climates, moving away from conventional closed-off modern Vietnamese housing. Their projects, such as the Terra Cotta Studio and the two-story Termitary House, showcase innovative facades made from traditional red baked bricks, providing both graphic appeal and natural ventilation. They also design custom furniture from recycled materials, emphasizing simplicity and cost-effectiveness while fostering social interaction within living spaces. APRDELESP, a Mexico City-based architecture office, distinguishes itself through a multidisciplinary approach that integrates commercial ventures with design practice. Founders Rodrigo Escandón and Guillermo González operate a variety of "subspaces" including a restaurant, a café that doubles as a furniture showroom, an art gallery, and a print shop. This model allows them to experiment with how space is used and to circumvent traditional design practices. They view these ventures not merely as revenue streams but as experimental projects to foster new thinking and better conditions for their design work. Their unconventional approach to client engagement and public relations emphasizes dynamic interaction over formal style, resulting in a design methodology that documents the full lifespan of a project through casual snapshots and detailed drawings of everyday objects. LCLA, led by Colombian architect Luis Callejas with bases in Oslo and Medellín, integrates landscape, cartography, and botany into architecture. Callejas, who gained prominence through public competitions and his work on the Aquatic Center in Medellín, challenges conventional architectural typologies by blending natural elements with built structures. His conceptual motif of the "island" highlights the potential for unique developments within contained environments. Callejas advocates for cultivating atmospheres rather than prescriptive sequences, using evocative collages as a key representational tool. His work, like "The River That Is Not" study for the Medellín River, proposes integrated strategies for hydrologic remediation and public engagement, demonstrating a political resonance in his designs. His current projects explore topographical sites in the Andes and Norwegian mountains, applying large-scale thinking to residential jobs. #ArchitecturalInnovation #DesignStudios #ProductDesign #SustainableArchitecture #MediaArt #UrbanPlanning #InteriorDesign #ExperimentalDesign #EmergingTalent

Meredith Stern, an interior designer and home stylist, defines her legacy through the relationships she cultivates with clients and the personal, transformative spaces she designs for them. Her design philosophy extends beyond aesthetics, focusing on understanding each client's lifestyle, preferences, and aspirations to create spaces that are not only visually appealing but also uniquely tailored to their individual needs. Stern limits the number of large-scale projects she undertakes to ensure each receives her full attention and commitment. Her undergraduate background in psychology significantly influences her design approach, enabling her to create homes that positively impact her clients' mood, productivity, and overall well-being. She emphasizes that the functionality and appearance of a home profoundly affect happiness and quality of life, aiming for her projects to leave a lasting impression of joy, comfort, and inspiration. Meredith Stern Interiors is characterized by its meticulous approach to client understanding, eschewing 'cookie-cutter' designs for personalized spaces that enhance daily life. Stern's psychological background provides a unique insight into how environments shape emotions and well-being, which she integrates into every project. She takes pride in the trust clients place in her to actualize their visions, finding immense reward in transforming homes and the lives within them. The human connections forged during projects are as meaningful to her as the design itself. Starting her own business, Meredith Stern Interiors, was a significant life transition initiated during the COVID-19 pandemic after renovating her own home in Florida. This experience rekindled her passion for design, though the entrepreneurial journey presented challenges such as client acquisition, balancing creativity with business operations, and establishing her brand in a competitive industry. Perseverance, hard work, and the support of her husband, family, and the design community were crucial to her success. She learned the importance of patience, resilience, and maintaining her vision, along with prioritizing quality over quantity by selectively choosing projects to ensure dedicated attention to each client. Stern articulates that Meredith Stern Interiors is more than just about creating beautiful spaces; it is about designing homes that genuinely reflect their inhabitants. Her overarching goal is to craft spaces that are aesthetically pleasing, highly functional, and transformative, ultimately bringing joy, comfort, and daily inspiration to her clients. She views design as a service that profoundly impacts lives by shaping the environments people inhabit. The interview also delves into a personal anecdote, outlining a hypothetical week-long itinerary for a best friend visiting Florida, filled with activities centered around thrifting, vintage hunting, and design inspiration. This includes visits to World Thrift in Lake Worth Beach, various thrift stores in Delray Beach, followed by dinner at The Grove. The itinerary extends to Miami to explore vintage and antique shops on Biscayne Boulevard, particularly mentioning Avra Art, Robert Massello, Cur8ed Studio, Iconic Design Gallery, CastellArts, and Michel Contessa. Meals at Mandolin in the Design District are suggested, alongside exploration of Wynwood's street art and the Design District's architecture. A visit to the Morikami Museum and Japanese Gardens in Boca Raton is also included, highlighting its serene beauty and intentional design. Stern attributes much of her success and confidence to her husband, who has been her biggest supporter and cheerleader since the inception of Meredith Stern Interiors, providing unwavering belief and encouragement throughout the challenges and triumphs of entrepreneurship. #InteriorDesign #HomeStyling #MeredithStern #ClientRelationships #PsychologyInDesign #Entrepreneurship #FloridaDesign #PersonalizedSpaces

Universal Design Studio (UDS), an architectural practice founded in 2001 by Edward Barber and Jay Osgerby, is celebrating two decades of groundbreaking work. Documented in their new book, 'Inside Out' (Phaidon), the studio’s success is attributed to its collaborative spirit, involving over 240 individuals throughout its history. Unlike traditional design firms that emphasize a singular artistic vision, UDS operates as an “experimental playground” where multiple thinkers contribute to a diverse portfolio of projects. These projects span retail spaces for luxury brands like Stella McCartney and Mulberry, hospitality ventures such as the Ace Hotel in Shoreditch and a cocktail bar for Fortnum & Mason, exhibition designs for the V&A Museum and Frieze Art Fair, and workspaces for IMB and Jimmy Choo. Barber and Osgerby initially established UDS to differentiate their architectural and interiors work from their product and furniture design studio. They recognized that while a multidisciplinary approach was common in Italy, it was less understood in the UK. This led them to create a new division focused on architecture and interiors, with a strong emphasis on collaboration. The studio maintains an egalitarian approach, where no single author dictates a project's direction. Instead, teams work collectively, valuing diverse perspectives to break new ground and challenge conventional thinking in each sector. UDS is also known for its commitment to reusing and repurposing existing buildings, prioritizing how spaces are utilized and how they serve their communities over demolition and new construction. Despite being an architectural practice, Osgerby notes that they primarily focus on interior and adaptive reuse projects rather than constructing new buildings from the ground up. Jason Holley, director of UDS, explains that the studio's principle is to work 'from the inside out,' focusing on human experience and the specific context of a building. This ensures that every design solution is tailored to its site and users, rather than adhering to a signature stylistic approach. Key projects illustrate UDS's impact. The Stella McCartney stores in New York and London, completed in 2003, were early successes, demonstrating the seamless integration of bespoke product, industrial design, and interior architecture. The custom-made tile used in these stores exemplifies the studio's philosophy of bringing the detail of furniture design to architectural spaces. In 2012, the interactive Google Web Lab at the Science Museum showcased UDS's ability to blend physical and digital worlds, creating an engaging space for technological exploration and storytelling. The Ace Hotel in Shoreditch, completed in 2013, marked a pivotal moment for both the studio and the surrounding neighborhood. UDS, despite having no prior hotel experience, embraced the challenge and collaborated closely with the Ace team. This project, which blended hotel functionality with local culture and casual workspace, became a significant contributor to the area's identity. This success led to a long-term partnership with The Office Group, for whom UDS designed Tintagel House and other workspaces. Looking ahead, co-director Paul Gulati identifies future areas of focus, including improving experiences in healthcare for the aging community and revitalizing high streets, leveraging their expertise in creating community-focused spaces. Mobility and electric vehicles are also areas of interest. Holley emphasizes the studio's goal of creating spaces that people deserve, seeking clients and collaborators who share their passion for openness and innovation. Osgerby reflects on the studio's core aim as recreating a 'campus atmosphere,' reminiscent of his time at the Royal College of Art, where interdisciplinary collaboration fostered productive and exciting exchanges of ideas. #UniversalDesignStudio #ArchitecturePractice #InteriorDesign #CollaborativeDesign #SustainableDesign #EdwardBarber #JayOsgerby #HospitalityDesign #RetailDesign

The 34th annual Hall of Fame awards, hosted by Interior Design magazine, convened on November 29 at the I.M. Pei-designed River Pavilion at the Jacob K. Javits Convention Center in New York. Editor in chief Cindy Allen initiated the event with a superhero-themed address, emphasizing the importance of relevancy for designers and honoring the 2018 inductees as 'Super Originals' whose work significantly contributes to making the world a better place. Publisher Carol Cisco then acknowledged the event's sponsors and expressed gratitude for the design community's contributions and the industry's unique opportunities. This year's Hall of Fame recognized five individuals for their profound impact across various design sectors, including workplace, hospitality, retail, and residential design. Their leadership and innovative approaches are expected to leave a lasting legacy on the industry. The 2018 inductees included Lisa Iwamoto and Craig Scott of IwamotoScott, Kengo Kuma, Patrick Tighe, and Marcel Wanders. Each inductee shared personal insights and perspectives on their design philosophies and careers. Patrick Tighe, an architect, spoke about design's power to uplift and illuminate in challenging times, asserting that designers can be a beacon of good. Lisa Iwamoto and Craig Scott, a design duo who have collaborated for 16 years, shared a heartfelt message of mutual appreciation. Iwamoto described herself as the 'heart' of their firm, while Scott was the 'soul,' highlighting their complementary creative partnership. Marcel Wanders expressed gratitude and humility, recalling his childhood inclination to transform everyday objects into new creations. He views his current large-scale design work as a continuation of this intrinsic pursuit, describing it as a significant opportunity and responsibility. Kengo Kuma, in his address, thanked his muse—materials. He elaborated on his continuous effort to introduce a new softness into his projects through material exploration, appreciating the extensive freedom available today to delve into material possibilities. Approximately 1,200 designers, architects, and industry professionals attended the black-tie event held within Pei's iconic glass superstructure. Notably, seven students and a faculty member from Auburn University’s College of Human Sciences Interior Design Program were present, their attendance sponsored by design luminaries Richard and Catherine Frinier. These students were selected through a rigorous academic process, recognizing their deep knowledge of the event's 35-year history and their genuine passion for the design profession. The entrance to the event was a collaborative design by architecture firm Tsao & McKown, in partnership with Sunbrella and Sunbrella Contract. Maintaining the structural concept from the previous year, which featured strategically draped Sunbrella performance fabric strips and cords suspended from the ceiling to manipulate viewer perception and direct focus towards the banquet area, the 2018 design introduced a new color scheme. This year's palette transitioned from muted tones to a gradient of warm browns, fiery reds, and creamy whites. Following the event, all the fabric used for the installation was slated for donation to Materials for the Arts, a non-profit organization. The evening concluded with Cindy Allen reiterating her admiration for all attendees, acknowledging them as heroes within the dynamic and inspiring design industry, marking another successful Hall of Fame celebration. #InteriorDesign #HallOfFame #DesignAwards #Architecture #DesignCommunity #KengoKuma #MarcelWanders #PatrickTighe #IwamotoScott

The "rule of threes," a long-standing principle in interior design involving grouping decorative items in sets of three, is being challenged by many professional designers. This traditional method, while easy to implement, is increasingly seen as creating a staged or lifeless environment that lacks personal touch and flexibility. Designers are moving towards more fluid and intuitive approaches to styling spaces. One prominent alternative is the "rule of what feels right," as advocated by interior designer Brad Ramsey. This approach emphasizes balance in shape, height, and texture over strict adherence to numerical groupings. Jen Baxter of Baxter Hill Interiors further elaborates on numerical choices, suggesting the use of odd numbers to introduce energy into a room and even numbers for a sense of serenity. For instance, in bedrooms, even-numbered pairings like twin embroidered pillows and matching nightstands can create a grounded and soft aesthetic, allowing layered textures and subtle patterns to breathe. Another emerging trend involves the power of a single, impactful showstopper piece. Designers like Kerith Flynn of Margali & Flynn Designs prioritize objects with significant presence that can stand alone without requiring additional supporting elements. Kristina Lawrence notes that a single, large-scale decorative bowl can make a stronger statement than numerous smaller items arranged to meet a numerical rule. Olma Fuentes of Deni + Dove Interiors echoes this sentiment, recommending a single sculptural vessel or a sweeping curved sofa to anchor a room, rather than a cluster of smaller seating arrangements. The "edit by half" rule, inspired by Coco Chanel's fashion advice, is also gaining traction. Interior designer Lauren Saab suggests that once a surface is styled, half of the items should be removed to create breathing room and allow materials and textures to take center stage. For example, a nightstand might feature just one lamp and one personal item, while a kitchen might display a single large decorative bowl instead of three smaller ones. Christine Jahan offers a practical tip: photograph a styled space in black and white to assess its balance independently of color. Embracing negative space is another key principle. Designers recognize that homes are meant to be lived in, not just admired as showrooms. Leaving empty space accommodates daily life and prevents clutter, especially in high-traffic areas like kitchens or beside nightstands. Jan Odesanya illustrates this by suggesting one cutting board, one shallow bowl for everyday items, and then ample empty space, asserting that clear space itself is a design element that performs a function. #InteriorDesign #DecoratingTips #HomeStyling #DesignTrends #Minimalism #NegativeSpace #HomeDecor #DesignFlexibility

The Pratt Institute's Student Union building in Clinton Hill is undergoing an interior renovation, with construction commencing in March. The project, designed by Pratt alum Juan C. Matiz, aims to revitalize the 11,000-square-foot space. The renovated Student Union will encompass three distinct levels, featuring a substantial amphitheater, dedicated student meeting rooms, and comfortable lounges, as outlined by Pratt. This comprehensive overhaul is slated for completion in August, strategically timed for the commencement of the new academic year. The planning phase for this renovation began in 2013, with Pratt's student government initiating extensive discussions. Over two dozen students, representing a broad spectrum of artistic disciplines—including advertising, architecture, graphic design, and illustration—were actively engaged to provide input on the functional and aesthetic requirements for the space. Matiz incorporated these diverse student perspectives and needs directly into the final design, ensuring the renovated building would effectively serve its primary users. The Student Union, located on Grand Avenue within the main campus, holds historical significance as one of the three original campus buildings at Pratt. Originally designed in 1887 by William Tubby, who was notably Charles M. Pratt's favored architect, the building is characterized by its peaked brick construction and distinctive fanlight window. For many years after its construction, the building functioned as a gymnasium. In 1982, it was repurposed and designated as the Student Union, taking on its current role as a central hub for student activities and services. The upcoming renovation marks a significant modernization while respecting the building's historical context and architectural heritage. The transformation seeks to create a more contemporary, functional, and engaging environment for the institute's student body, reflecting the evolving needs of a modern educational institution. The design plans, showcased through various renderings, illustrate a blend of modern interior aesthetics with features designed to foster collaboration, learning, and social interaction among students. #PrattStudentUnion #ClintonHill #InteriorRenovation #JuanMatiz #StudentDesign #ArchitecturalRedesign #CampusDevelopment #BrooklynArchitecture