Brighton House / FIGR Architecture & Design

The 'B House,' designed by Kit Design Architect, is a three-story residential building located on the outskirts of Bangkok, Thailand. The house occupies a 320 square meter land plot and is intended for a married couple and their children. The architectural design integrates principles of Feng Shui while maintaining a modernist aesthetic. The house’s exterior is characterized by simple box-like geometries, which are softened by the incorporation of sliding timber screens on the second-floor balcony. These timber screens serve a dual purpose: they provide effective sun shading and enhance privacy for the residents, adapting to the tropical climate of Bangkok. The interior layout and overall design concept are rooted in Feng Shui principles, guiding the arrangement of spaces to promote harmony and positive energy flow. Despite this traditional influence, the house presents a contemporary architectural statement, blending modern forms with functional elements. The total area of the house is 650 square meters, completed in 2019. Kit Design Architect was responsible for the architecture, landscape design, and consulting services for the project. The selection of materials and manufacturers for the B House reflects a commitment to quality and contemporary design. Key manufacturers involved include AGC for glass products, AutoCAD and Trimble Navigation for design and modeling, Dulux for paints, Medici Wood for timber elements, Thaisoung, and Tile-it for various building components. Beersingnoi captured the architectural photographs, documenting both the exterior and interior spaces, including staircases, handrails, facades, windows, dining areas, kitchens, and other detailed views. The design team at Kit Design Architect, led by clients Ekkapol Chatmongkolchai and Mr. Ekkapol Chatmongkolchai, collaborated with Penang Isara for engineering aspects. The project's location in Bangkok, known for its warm climate and vibrant urban context, influenced design decisions related to passive cooling and privacy. The sliding timber screens are a prime example of how the design responds to environmental conditions, allowing for control over natural light and ventilation while offering aesthetic appeal. Various illustrations, including exterior and interior photographs, floor plans (ground, second, and third floors), sections (A, B, C, D), and elevations (1, 2, 3, 4), provide a comprehensive overview of the B House. These visuals highlight the interplay of geometric forms, material textures, and the thoughtful integration of natural light throughout the residence. The house exemplifies a modern approach to residential architecture in Thailand, where cultural traditions and contemporary design converge to create functional and aesthetically pleasing living spaces. The emphasis on both privacy and environmental responsiveness through design elements like the timber screens underscores a holistic architectural approach. #ResidentialArchitecture #Modernism #BangkokArchitecture #Thailand #FengShuiDesign #TimberScreens #SustainableDesign #ContemporaryHousing #KitDesignArchitect

The Netflix series Bridgerton, based on Julia Quinn's novels, has captivated audiences worldwide with its engaging dialogue, captivating storylines, and lavish production design. The show's creator, Shonda Rhimes, and her team meticulously crafted decorative sets featuring opulent fabrics, exquisite brown furniture, and striking chandeliers, all designed to transport viewers to the dramatic Regency era. For those inspired by Bridgerton’s aesthetic and seeking similar real-world design inspiration, the ELLE DECOR archive offers a collection of homes that echo the series' grandeur and charm. The article highlights ten such rooms, each embodying the spirit and humor of a Bridgerton estate. These include a drawing room in a New Delhi home, designed by Jean-Louis Deniot, which, despite being built from scratch, exudes 18th-century elegance with custom sofas, a Collection Deniot table, and period-style wall paneling. Another featured space is the London home of interior designer Alidad, where a hallway is adorned with suede walls and braided detailing, complemented by an antique ceiling lantern and a Roger Oates carpet. Alidad emphasizes timeless design, aiming for his work to remain appealing for decades. Baronscourt, a historic estate in Northern Ireland, decorated by David Hicks in the 1970s, also makes multiple appearances. The primary bedroom at Baronscourt features Edwardian furnishings from the Duchess of Abercorn’s family home in Bedfordshire, England. The mint green orangery, designed by Philip Vergeylen, with its mirror-backed trellis work and a chandelier sparkling with crystals and amethysts, is envisioned as a perfect setting for the kind of social gossip prevalent in Bridgerton. The grounds of Baronscourt also provide a picturesque backdrop, evoking scenes where characters like Kate Sharma and Anthony Bridgerton might enjoy a horseback ride. A London townhome designed by Studio Peregalli boasts a drawing room suitable for any Bridgerton residence, complete with an 18th-century mahogany desk, French chandeliers, and artwork. This home even includes a ballroom, adding to its Regency authenticity. Jean-Louis Deniot’s New Delhi estate further features an enchanting winter garden with custom mirrored trellis walls, continuing the Bridgerton-esque theme. The staircase at Baronscourt, adorned with portraits of the Duke of Abercorn’s ancestors, showcases genuine Regency décor. Another space in Deniot’s New Delhi project is a royal lounge, a sitting room adjacent to the client’s primary bedroom suite, furnished with an English daybed and custom-designed secretary and cocktail tables. Finally, a sitting room at Baronscourt, styled by David Hicks over four decades ago, maintains a fresh appeal with its vibrant orange sofa, while a portrait by Sir Thomas Lawrence adds to its historical richness. These examples from the ELLE DECOR archive offer a glimpse into interiors that capture the lavish and spirited essence of the Regency period, reminiscent of the fictional world of Bridgerton. #Regencycore #BridgertonStyle #InteriorDesign #HomeDecor #LuxuryInteriors #HistoricHomes #DesignInspiration #GeorgianMansion #DavidHicks

The "Hug House" by FIGR Architecture & Design, completed in 2025 in Australia, is an architectural project focusing on spatial layering, material richness, and seamless indoor-outdoor integration. The design concept revolves around a central courtyard, which functions as a "green heart" to ensure privacy while allowing natural light and ventilation to permeate the residence. This approach creates a sanctuary-like environment, promoting a deep connection with the natural surroundings. Key design elements and features of the Hug House include a thoughtful arrangement of spaces that interact with the central courtyard. The project emphasizes visual and physical porosity, allowing residents to experience the changing light and air throughout the day. Material selections contribute to the richness of the design, likely incorporating natural textures and a palette that complements the Australian landscape. The integration of indoor and outdoor areas is achieved through large openings and strategic placement of living spaces that extend into the courtyard, blurring the boundaries between built form and nature. The project details indicate a 230 m² area, suggesting a moderately sized single-family dwelling. Collaboration was a significant aspect of its creation, involving industrial designer Corey Baker, JP Building Group PTY LTD for the collaborative build, Fusion Engineering Group for structural engineering, James Wallace as the landscape consultant, and Oliver Smith as the lead carpenter/craftsman. ARCH STYLING, led by Cat Brown, was responsible for the interior styling. These collaborations highlight a multidisciplinary approach to achieving the architectural vision. Photographs by Tom Blachford capture the essence of the Hug House, showcasing its design principles. The imagery typically focuses on how light interacts with the spaces, the quality of materials, and the connection to the outdoors. The project is categorized under 'Houses' and is located in Australia, reflecting a contemporary Australian architectural style that prioritizes environmental responsiveness and comfortable living. In summary, the Hug House exemplifies a modern residential design that prioritizes a harmonious relationship between the built environment and nature. Its central courtyard, material choices, and indoor-outdoor flow are integral to its identity as a light-filled, airy, and deeply connected living space. The project represents a collaborative effort to deliver a dwelling that serves as a private retreat while maintaining an open and engaging atmosphere. #ResidentialArchitecture #Houses #Australia #FIGRArchitectureAndDesign #CourtyardHouse #IndoorOutdoorLiving #SustainableDesign #ModernArchitecture

Harriet's House, an addition to a Georgian cottage in Launceston, Tasmania, is the result of a six-year collaboration between design historian Harriet Edquist and SO: Architecture, led by Liz Walsh and Alex Nielsen. The project involved distilling a complex brief into a single vaulted room with integrated services, creating a surprising and joyful space within a modest heritage-listed cottage. The original cottage, built in the 1830s, features a basalt plinth and a single-story brick structure with a hipped roof. Historically, there's evidence of a kiln on site, suggesting the building materials were locally sourced. Its design, while simple, subtly references Regency architecture through expressed piers and recessed panels. The new addition respects the cottage's original form, reinstating the integrity of its four rooms by decommissioning a later doorway. A rear service wing, previously altered in the 1980s, was removed, preserving only its Victorian-era brick fireplace, which is now integrated into the new design. A new plinth, extending from the cottage's rear, uses local red bricks to form a base for the new light-colored brick shell, mirroring the original light-over-dark masonry pattern. The new form exhibits an austerity consistent with the existing structure, softened by intricate brickwork details such as header courses, corbelled openings, and subtle variations in brick color and tone due to the limited space for brick storage during construction. These variations, a result of having only one pallet of bricks on site at a time, narrate the construction process and the material's origin. The exterior of the addition is characterized by its simple geometry, concealed roof lights, and a single strategically placed window, maintaining privacy. Internally, a deep, timber-lined vault is revealed. The design draws inspiration from Sir John Soane, a Regency-era architect known for his vaults and mastery of natural light. Unlike Soane's shallow saucer domes, Harriet's House features a fully-fledged hemispherical vault, which appears suspended due to natural light washing down from above. This vaulted space provides a sense of openness, contrasting with the more compressed rooms of the original cottage. The multi-layered space beneath the vault serves for both living and working. It incorporates a kitchen along one edge and shelving for personal objects along another. The design allows for flexible furniture arrangement, accommodating favorite pieces around the reclaimed fireplace or in the morning sun. This interior space extends to a small courtyard, enclosed by a steep embankment of endemic Tasmanian plants, designed by landscape architect Miriam Shevland of Playstreet. The project masterfully balances old and new, and inside and outside, reflecting the collaborative discussions between the client and architects. Adolf Loos's modernist principles, known to Harriet through her work on Viennese modernism, also seem to influence the building's making and its interior. The exterior’s spareness complements intimate interiors that modulate volume, light, materials, and crafted fixtures. The project, Harriet’s House, stands as an exceptional accomplishment, showcasing the architects' skill in navigating historical contexts and contemporary design. Key products and materials used include Lysaght Custom Orb roofing, Austral Access and Yarra bricks, Johnson Tiles Spectrum tiles, Artedomus Yohen Border tiles, Knauf plasterboard, Gubi Semi 400-mm pendant lighting, Fisher and Paykel appliances, Streamline tapware, and Devi electric underfloor heating. The project team included Liz Walsh and Alex Nielsen of SO: Architecture, with Anstie Constructions as the builder, Aldanmark Consulting Engineers, Jonathan Hearn Landscape Design and Construction, Playstreet, and Green Building Surveying. The house is built on the land of the Stoney Creek nation. #ResidentialArchitecture #GeorgianCottage #ArchitecturalRenovation #VaultedCeiling #HeritageBuilding #TasmanianDesign #BrickworkDetail #SustainableDesign #InteriorDesign

Architects Annelies Rygole and Peter Tompkins designed Woodridge, a five-bedroom residence in Newbury, England, as their family home. The house replaced a 1960s bungalow on a private road, situated within the grounds of an original Arts and Crafts property. The design aims to integrate with the area's heritage while establishing a distinctly modern presence. The most striking feature of Woodridge is its facade and walled garden, which are entirely clad in handmade Michelmarsh bricks laid in a traditional Flemish bond pattern. This pattern incorporates grey-brown headers alongside the reddish-hued stretchers, creating a distinctive texture and appearance. This choice of material and laying technique references the neighboring Arts and Crafts buildings, ensuring the new house harmonizes with its surroundings. The architects noted that brick was chosen for its versatility and its ability to offer a range and depth of tone without overwhelming the building. Recent projects by other architects, such as Duggan Morris's housing blocks in London and Joris Verhoeven's house in Holland, have also utilized handmade bricks to infuse character into their designs. This approach highlights a trend towards materials that offer both traditional aesthetics and contemporary relevance. For Woodridge, the coarse texture of the brickwork and its overall materiality strongly connect to the area's architectural legacy. Simultaneously, the precise application of the brick and the house's simplified volumetric form clearly mark it as a modern intervention. The design process for Woodridge was influenced by both the site's physical constraints and the family's practical needs, particularly the requirement for five bedrooms. The resulting structure features a mix of bright, open interior spaces and more private zones, optimizing it for family living. The interior layout includes five bedrooms, three bathrooms, a sitting room with a wood-burning stove, an open-plan kitchen and dining area, a utility space, a larder, and a home office. Variously sized windows punctuate the brick elevations, visually articulating the different types of rooms within the house. This interplay between solid brick and transparent glass creates an irregular yet rhythmic facade. These windows are strategically placed to maximize natural light, especially given the presence of mature trees around the property. At the rear, large sliding doors on the ground floor open directly onto a garden and an outdoor dining area, blurring the lines between indoor and outdoor living. A walled garden at the front of the house provides a sheltered outdoor space that benefits from the evening sun. This area functions as an additional living space for the family, complete with herbs for the kitchen and a fire pit for cooler evenings. The architects viewed designing their own home as a valuable learning experience, providing insight into the client's perspective and the adaptability required throughout the project. They emphasized the importance of a good client in achieving a successful building, and their aim was to create a home that was inspiring and special, yet unpretentious, allowing them to live authentically within it. #ArtsAndCraftsArchitecture #HandmadeBricks #NewburyEngland #ResidentialArchitecture #FamilyHome #ContemporaryDesign #FlemishBond #ArchitectOwnedHome #ArchitecturalHeritage

The article highlights the enduring appeal and versatility of brick as a building material, challenging its perception as merely utilitarian. Despite being one of the world's oldest building materials, dating back to 7000 BC, brick is showcased through 15 diverse Australian homes as a timeless design element capable of inspiring and exciting. The discussion emphasizes brick's strength, versatility, and durability, which have contributed to its historical and contemporary popularity. Key advantages of using brick in Australian homes are outlined, including its low maintenance requirements, as it does not fade, rot, or rust, eliminating the need for frequent upkeep. Brick houses are noted for their energy efficiency, providing natural insulation that keeps interiors cool in summer and warm in winter. Furthermore, brick, being made from eco-friendly clay and shale, is presented as a sustainable choice. Its exceptional durability is underscored by the fact that many old brick homes continue to stand strong over a century after their construction. The article also touches upon some disadvantages, such as the potentially high cost due to demand and a limited color palette. The mortar used with bricks may also require repointing over time. However, these drawbacks are considered to be outweighed by the numerous benefits and aesthetic possibilities brick offers, particularly when incorporated into thoughtful designs. The main body of the article presents a curated selection of 15 beautiful Australian brick homes, each demonstrating a unique architectural style and approach to using brick. These examples range from a 1970s time capsule designed by Melbourne architect Nicholas Day, featuring original slate floors and exposed brick walls, to a Perth home by Gavin Hestelow and Tony Ricciardello that uses a mix of smooth and textured bricks in a geometric pattern. Another highlight is an 1890s manse on NSW's South Coast, celebrated for its classic heritage brick facade. An Edwardian-era stunner in Melbourne, conceived by BayleyWard, retains original exposed brick walls in its contemporary extension, maintaining a sense of history. Mid-century modern homes are also featured, with one situated in a high bushfire zone, where slender, off-white bricks were chosen for their non-combustible and low-maintenance properties. Modern farmhouses, such as one designed by Jillian Dinkel, show how traditional red bricks can be elegantly paired with parquetry flooring. A renovated period home in Melbourne, designed by Albert Mo of Architects EAT, incorporates dusty-purple brick flooring in its new wing, drawing inspiration from the original red-brick structure. The article showcases a renovated workers' cottage in Adelaide, where Benjamin Edwards of Ply Architecture utilized low-maintenance dry-pressed bricks to create a striking solid-to-void relationship with color and texture. An Italianate villa designed by Telly Theodore celebrates brick as a defining element of its extension, featuring handcrafted Danish Petersen Tegl bricks. Chyka Keebaugh's manor-style home exemplifies old-world charm with its ivy-clad brick facade. A reimagined Queenslander features a cantilevered living area with new brickwork referencing an original chimney. A post-war home in Maitland by Kennedy Nolan uses a simple palette of white painted brick and saw-cut travertine for consistency between old and new sections. A brutalist terrace extension by Inglis Architects utilizes handmade Danish bricks for a starkly modern exterior. A 'hit-and-miss' home by Clare Cousins Architects contrasts recycled red bricks with 'Chillingham White' bricks, while an industrial-inspired home in Mount Lawley blends seamlessly into its heritage suburb with reclaimed red bricks from demolished local buildings. These examples collectively illustrate brick's adaptability to various architectural styles, from Hamptons to industrial and contemporary, establishing its status as a versatile and iconic building material. #BrickHouses #BuildingMaterials #AustralianHomes #HomeDesign #ArchitecturalStyles #Renovation #HeritageHomes #ModernArchitecture #SustainableBuilding #InteriorDesign

The "Tree Courtyard House" is a newly constructed single-story residential property situated on a backland site within a conservation area in Walthamstow, East London. The project, undertaken by architects ao-ft for a local developer, was specifically designed to accommodate the presence of a mature London Plane tree and its extensive root system located in one corner of the site. The design brief emphasized the preservation of the existing natural elements while simultaneously maximizing the functionality and accessibility of the living space. The house features an L-shaped plan, strategically organized around the central tree and its surrounding garden. This layout was chosen to integrate the natural feature into the home's aesthetic and provide direct views and access to the outdoor space. The residence includes two bedrooms and is designed with level access throughout, catering to ease of movement and universal accessibility. This consideration highlights a commitment to creating a comfortable and inclusive living environment. The total area of the house is 103 square meters, a compact but efficiently utilized space. The construction was completed in 2023. Key professionals involved in the project include Foster Structures for structural engineering, Saul Jones as the landscape consultant, and ARG Building Services LTD as the main contractor. The approved building inspector for the project was Harwood. The project's location in a conservation area meant that the design had to adhere to specific regulations and guidelines aimed at preserving the historical and environmental character of the neighborhood. The integration of the mature tree, not just as an aesthetic element but as a guiding principle for the architectural layout, demonstrates a thoughtful approach to site-specific design within a sensitive context. The selection of materials and overall construction methods would have likely been influenced by these conservation area requirements, aiming for a harmonious blend with the surroundings while providing a modern, functional home. The architectural firm ao-ft developed the design team for the project, and the client was Castleguard Homes. The design and construction processes would have involved close coordination between these parties to ensure that the developer's objectives, the conservation area's constraints, and the unique site conditions, particularly the tree, were all successfully addressed. The result is a bespoke residential dwelling that responds directly to its environment, emphasizing natural light, views, and a seamless connection between indoor and outdoor living spaces, all while respecting the ecological and historical significance of its setting. #ResidentialArchitecture #Houses #London #UnitedKingdom #Brick #CourtyardHouse #SingleStoryHome #ConservationArea #SustainableDesign

Tiffany Blackmon's 7,700-square-foot villa near Colonial Country Club in Fort Worth has undergone a comprehensive transformation, evolving from its original state to a residence that seamlessly merges classic elegance with modern flair. When Blackmon and her husband, Greg, acquired the property in 2017, it presented an opportunity for a significant redesign. The exterior, initially not white and lacking the current front-facing terrace and Roman piazza-inspired fountain, was completely revitalized to reflect an Italian Renaissance Revival aesthetic, a style chosen for its timeless appeal. This external change provides a striking contrast to the interior, which features a modern, glossy, and vibrant design, incorporating distinctive elements like blue tile and ornate columns in the living room. The home's design strategically maximizes its location, offering unimpeded views of the Colonial Country Club's golf course. The main living areas, including the kitchen, dining room, living room, and master bedroom, are situated on the upper floor, granting these frequently used spaces expansive vistas. Additional bedrooms and a gym are located downstairs. Blackmon collaborated with interior designer Pamela Kay Flowers of P.K. Flowers Interiors to realize her vision for a livable and aesthetically pleasing space that authentically represents her personality. Flowers emphasized the importance of a home reflecting its owner, and the design process aimed to create a bright and inviting environment. Notable features within the home include a front-facing terrace, originally an indoor room, repurposed for entertaining. The master bedroom's placement on the second floor aligns with the home's design philosophy of optimizing views. The study showcases an exotic wood called African Limba on one wall, complemented by Lamborghini books on a built-in shelf as a subtle nod to Italy. The house also contains unique art pieces, such as an original painting by Atlanta-based artist Lisa Moore and a custom corner couch by Baker Furniture. The home's small backyard led to a creative solution for water features, with a fountain in the front yard rather than a pool, necessitated by zoning regulations. Mirrored walls, a feature inherited from previous owners, were retained and utilized to enhance light and spaciousness, a technique Flowers highlighted as crucial in modern design. Each of the four downstairs bedrooms boasts a distinct design, contributing to the overall individualized character of the home. The home gym, adorned in purple with a horned frog mural, proudly displays Blackmon's TCU allegiance. The African Limba wood reappears in the spacious his-and-her closets, which are equipped with private sinks and bathrooms. A painting by Blackmon's mother further personalizes the space. Flowers noted that the home evokes the feeling of a resort, attributing this to the beautiful views accessible from various points within the property. The residence functions as an ideal backdrop for Blackmon's work as a content creator, influencer, podcast host, and chef, aligning with her lifestyle and public persona. #HomeTour #LuxuryHomes #HomeDesign #InteriorDesign #ModernFlair #ClassicElegance #FortWorth #TiffanyBlackmon #ArchitecturalRenovation

Liddicoat & Goldhill, a London-based architectural firm, designed the Tailored House, a brick and concrete townhouse located in Kensington. The house was built on a site damaged by bombing during the Second World War, completing an existing terrace of Victorian townhouses. The project faced numerous design challenges and restrictions, including a tight budget, the risk of flooding, party wall negotiations, an irregularly shaped plot, and the crucial need to preserve the rights to light for adjacent properties. These constraints significantly shaped the final design of the dwelling. The Tailored House integrates seamlessly with its Victorian neighbors, maintaining the building line, while also incorporating contemporary elements. A key feature of the design is a fully glazed rear section, which plays a pivotal role in allowing ample daylight to penetrate both the new house and the adjacent properties. This innovative glazing solution is paired with a steeply angled roof, specifically designed to maximize natural light access for the homes behind the new structure. The rear section is also strategically cranked outwards, a response to the irregular shape of the plot, ensuring optimal space utilization. The building's exterior features a blend of traditional and modern materials. The street-facing elevation echoes the style of the adjoining terrace through its layered arrangement. Pale brick, chosen for its historical connection to London's brick construction, is used prominently. Contemporary details such as smooth concrete surfaces define the entrance bay and first-floor windows, with the same material extending to window reveals and an angular relief pattern on a cornice, adding modern touches to the facade. The rear elevation, characterized by a sheer brickwork wall, transitions into a screen of metal fins. These fins cleverly conceal glazing, providing both privacy and filtered light to the occupants and their neighbors. Internally, the design emphasizes continuity and natural light. Bronze-framed windows are set into the angled upper part of the end elevation, while glazed doors from the living room open onto a small courtyard. This courtyard incorporates a glass floor, allowing light to filter down to the kitchen and dining area located on the level below. A skylight in the steeply sloped roof illuminates a stairwell situated along the party wall. Additional glazed roof panels further enhance natural light, reaching a small bathroom at the front of the house and a staircase descending to the basement. Material continuity is maintained inside the house with brick walls, mirroring the exterior. These textured surfaces are complemented by wooden flooring and joinery featuring a strong grain, which introduces warmth to the light-filled spaces. The name "The Tailored House" reflects the complexity and bespoke nature of the design, which, despite its intricate fabrication, presents a recognizable, elegant, and simple overall appearance. However, upon closer inspection, the individuality and material richness of the house become apparent, akin to a finely tailored suit. Liddicoat & Goldhill, based in Dalston, east London, have a portfolio that includes other notable projects such as an oak-screened staircase extension to a south London home and a garden cabin with an angular roof. #LondonArchitecture #TownhouseDesign #BrickConstruction #ContemporaryArchitecture #GlazedFacades #ResidentialDesign #UrbanHousing #Kensington #ArchitecturalInnovation

The Pitcombe’s Old School House Renovation, a project by Bindloss Dawes, involves the transformation of a Grade-II listed property located in a picturesque Somerset valley, United Kingdom. The renovation focuses on blending the building's historical character with contemporary architectural elements. The project is a collaboration with Joa Studholme, a color curator for Farrow & Ball, and her husband, Andrew Studholme, reflecting Bindloss Dawes' expertise in rigorous detailing and material compositions that balance urban and rural aesthetics. Built in 2023, the renovated house has an area of 120 square meters. Key contributors to the project include Francesca Iovene for photography, Momentum for structural engineering, and Gregory Renovations for contracting. Manufacturers involved in the project include Andrew Cooke, English Woodland Timber, Farrow and Ball, and Oakwrights Joinery. The design team from Bindloss Dawes included George Dawes and Fawn Ma. The architectural approach highlights the preservation of the existing structure while introducing modern extensions. A notable feature of the renovation is the new timber extension, which complements the original building without overshadowing its historical significance. This extension is a testament to the architects' ability to integrate new design seamlessly into an older context, creating a harmonious living space that respects its heritage. The interior design, also managed by Bindloss Dawes, reflects a careful consideration of color and texture, influenced by Joa Studholme's expertise. The project aims to create a comfortable and functional home that meets the modern needs of its occupants while maintaining a strong connection to its past. The use of high-quality materials and craftsmanship is evident throughout the property, ensuring durability and aesthetic appeal. The project showcases a balance between old and new, demonstrating how historic buildings can be adapted for contemporary living through thoughtful renovation. The successful integration of the timber extension and the meticulous attention to detail in both the interior and exterior elements contribute to the overall success of the Pitcombe’s Old School House Renovation, positioning it as a significant example of architectural preservation and modern design. #ResidentialArchitecture #HouseRenovation #HistoricPreservation #ContemporaryDesign #TimberExtension #GradeIIListedBuilding #UnitedKingdomArchitecture #BindlossDawes

Netflix's "Bridgerton," set in London during the Regency era of 1813, showcases a visually stunning design aesthetic that has inspired many. The series, which follows the noble Bridgerton family and their society debut, features opulent parties, vintage ballgowns, and distinct interior design styles across its various estates, such as the Bridgerton mansion, the Featherington estate, and the queen's palace. These spaces offer a unique take on decadent Regency style, leading to a renewed interest in this historical design period. To achieve a "Bridgerton"-inspired home, incorporating dreamy pastels is a key element. The Bridgerton family home, for instance, is predominantly decorated in soft shades of Wedgwood blue, a color synonymous with the iconic British ceramics brand. This choice creates a calm and elegant atmosphere, contrasting with the bolder colors seen in the Featherington residence. Wedgwood blue, a light pastel hue, originally became popular for its accessibility, allowing even those outside the upper classes to own high-quality china, while still being favored by royalty. Small, decorative accessories play a significant role in adding visual interest and luxury to a Regency-style home. Items like dainty side tables, tasseled throw pillows, elegant tea trays, jewelry boxes, and mantel clocks contribute to the opulent feel. Regency-style furnishings are characterized by their extravagance, featuring ornate details such as carvings, patterns, rich wood materials, and scrolled edges. These pieces, whether antique or budget-friendly reproductions, can transform a living space into one fit for the social season. Sumptuous fabrics like velvet and silk are integral to the rich texture of "Bridgerton" interiors and costumes. Daphne's bedroom, for example, features a velvet bench and a variety of textile textures for bedding and curtains, creating a sophisticated ambiance. To emulate this look, one can use velvet, silk, or linen for furnishings, curtains, pillows, and bedding. The Regency period emphasized layering different textiles, allowing for a mix-and-match approach to create depth and luxury. Reupholstering existing furniture is an option for those not wishing to purchase new pieces. Patterned wallpaper, particularly damask or floral designs, is another hallmark of "Bridgerton" aesthetics. The Bridgerton living room features damask wallpaper panels, and the Duke's birth scene highlights hand-painted chinoiserie wallpaper with bird and floral motifs. Vintage design wallpaper can be used on a statement wall or as framed panels to provide a contemporary update. This approach can also be a budget-friendly way to incorporate Regency patterns. For a different atmosphere, inspired by the gentlemen's clubs in the series, leather seating, dark colors, and dim lighting can be used. These establishments featured leather seating and dark wood furnishings, creating a private and distinguished ambiance. A classic leather lounge chair, animal print rugs, and antique books can help achieve this look, complemented by items like wooden cigar boxes and glass goblets to evoke a Gothic-style setting. Dramatic drapes are a consistent feature in both the Bridgerton and Featherington homes, reflecting their importance in Regency interior design. Curtains were typically hung in layers from decorative poles and pulled back with pins or ropes. To add a luxurious feel, long, flowing drapes made of heavy fabric, extending from ceiling to floor, can be used. Tassels or floral garlands can be added for a romantic touch. Symmetrical furniture arrangement is a key principle of "Bridgerton" interior design, making rooms appear larger, grander, and more harmonious. Seating areas were designed for entertaining, with sofas and chairs facing each other to encourage conversation. To create a balanced room, similar-sized furniture and accessories can be placed on either side of a focal point, such as a coffee table or fireplace. While aiming for symmetry, it is advised to avoid identical arrangements to maintain visual interest, incorporating different types of pillows, floral arrangements, or small side tables. Thrift stores and antique shops are excellent resources for finding vintage pieces to replicate the Regency era. The series features numerous antique items, and incorporating decorative pieces like antique dishes, tapestries, and ornate mirrors can add a regal touch. Garage and estate sales also offer budget-friendly options that can be refurbished, such as spray-painting an ornate picture frame gold. Fresh floral arrangements are prominent throughout "Bridgerton," with brightly colored blooms appearing in almost every room and scene, and even on costumes. Creating one's own floral arrangements with greenery, foundation blooms, and larger statement blooms in a decorative vase can liven up interiors with vibrant colors and scents, boosting spirits and creativity. Statement beds, such as four-poster and sleigh beds, are another element of "Bridgerton" design. The series led to increased sales of four-poster beds, known for their regal shape. Both sleigh beds, with their curved head and footboards, and four-poster beds can add refinement and sophistication to a bedroom. Finally, clawfoot bathtubs, popular among the British nobility in the 19th century, symbolize luxury and are an ideal way to bring Regency-era charm to a bathroom. While early versions were cast iron and porcelain, modern tubs are made of fiberglass or acrylic. Installing a freestanding clawfoot tub, despite requiring more space and cleaning, can create a timelessly elegant look. Metallic accents, including brass and ormolu, are abundant in "Bridgerton" sets, appearing in railings, light fixtures, door handles, and candlesticks. These metals were often used to decorate wooden furniture during the Regency period. Incorporating metallic details through updated door knobs, lamps, picture frames, mirrors, and elegant chandeliers can add a luxurious feel to any home. #BridgertonStyle #RegencyEraDecor #HomeDesignTrends #InteriorDecorating #LuxuryFabrics #VintageFinds #FloralArrangements #SymmetricalDesign

In 2014, Phil and Adriana purchased a 1970s brick-veneer house in Carlingford, Sydney, primarily as an investment property with the intention of eventually knocking it down and rebuilding a new house and a second, smaller dwelling on the corner block. Their initial criteria were purely rational, focusing on the potential for future development and rising Sydney property prices. However, their plans changed after buying a three-bedroom apartment closer to the city and welcoming their first son in 2017. The apartment became too small when they discovered they were expecting their second child, and Phil needed a dedicated study to work from home. This prompted them to reconsider the Carlingford property, which offered more space and proximity to good schools. After exploring a knockdown and rebuild, they opted for a renovation due to the challenging sloping block and cost-effectiveness. The original house was dark, dated, and compartmentalized, featuring a pine kitchen, dingy bathrooms, a built-in bar, and a spiral staircase leading to a 'soulless' multipurpose room. Their goal was to transform this into a functional, comfortable family home for at least ten years, accommodating their two young sons. They re-engaged interior designers Janice Yim and Theresa Chan from Studio Quarters, who had previously provided initial ideas. The renovation focused on extensive structural changes to address the house's inherent issues. A significant modification involved removing a poky entry area that blocked northern light from reaching the kitchen and dining spaces. This alteration opened up the living areas, allowing natural light to flood the interior and dramatically changing the home's ambiance. Other key structural changes included reconfiguring the kitchen to create an open-plan kitchen/living/dining space, removing the old spiral staircase, relocating the laundry downstairs, and enlarging the boys' bedrooms. A new staircase was installed next to the dining area, and a study was created in a former living space. Studio Quarters also designed a clever partition and storage unit between the semi-open study and the kitchen, providing both privacy and connectivity while offering ample storage. The aesthetic vision for the renovated home was a contemporary Scandinavian look with clean lines and a sense of warmth. The designers incorporated blue accents, such as the Murobond Island Blue on the kitchen island and Sailcloth grey on the entertainment unit, along with Piketto Grey mosaic tiles for the splashback, to add interest to what was once a nondescript property. The family also emphasized the need for robust materials that could withstand the rigors of an active household. Phil, who had prior experience project-managing construction, decided to manage the renovation himself as an owner-builder. However, the project encountered a significant setback early on when extensive termite damage was discovered, affecting multiple beams and rafters. This unexpected issue added an estimated $80,000 to $90,000 to the budget, forcing Phil and Adriana to deliberate whether to continue or abandon the renovation for a complete rebuild. After consulting with structural engineers who confirmed the house could be salvaged with rectification work, they decided to proceed, given the money already invested and the time constraints of starting anew. The demanding rectification work, which involved stripping down walls and installing new structures, was completed just before the Covid-19 pandemic in March 2020. Despite the challenges, the now structurally sound home feels spacious and airy, successfully transformed into a stylish and functional family residence that harmonizes with the neighborhood's character. Phil reflected on the importance of setting a realistic budget and accounting for unexpected issues, calling the experience a valuable learning lesson. #HomeRenovation #BrickVeneerHouse #CarlingfordSydney #StudioQuarters #ScandinavianDesign #HomeOffice #InteriorDesign #StructuralRenovation #FamilyHome

The Coach House, a compact three-bedroom residence with an ash-lined guest annexe, has been completed by London-based Open Practice Architecture and interior design studio Kinder Design. Situated on a previously neglected infill site in East Dulwich, which once housed a Ministry of Transport (MOT) garage and its outbuildings, the project represents a growing trend of architectural firms venturing into property development. Open Practice Architecture and Kinder Design jointly acquired the site in 2017, acting as both developers and designers. The main house, organized around a central courtyard, was finished in 2022, followed by the adjacent annexe in 2023. Rupert Scott, director at Open Practice Architecture, highlighted that this approach allows architects to navigate challenging market conditions by directly engaging in development. Despite aiming for an "architecturally unique" outcome, the design intent was to create a structure that integrated subtly into its surroundings rather than drawing overt attention. The primary objective was to deliver a serene, well-lit, and functional family home that also met high standards of insulation and energy efficiency. The L-shaped layout of the Coach House mirrors the footprint of the original structures on the site. The ground floor accommodates the living, dining, and kitchen areas, which feature full-height sliding glass doors that open directly onto the central courtyard, fostering an indoor-outdoor connection. A white-steel staircase provides access to the first floor, where three bedrooms are situated. These bedrooms offer views of both the central courtyard and a strategically placed lightwell, designed to draw natural light into the deeper, naturally darker sections of the plot. Scott elaborated on the challenge of maximizing natural light, given the building's north-facing orientation. The inclusion of a "light pocket" at the rear was crucial in allowing two of the bedrooms to benefit from south-facing light, preventing all rooms from being clustered around the courtyard and ensuring a more equitable distribution of sunlight throughout the upper level. The material palette reflects a blend of historical context and modern functionality. Reclaimed London brick was chosen for the exterior, enabling the Coach House to harmoniously blend with the surrounding mews buildings and acknowledging the site's utilitarian past. The interiors are characterized by painted and plywood walls, complemented by a concrete floor with exposed aggregate, maintaining an industrial yet refined aesthetic. A large sliding wooden door, suspended from an exposed steel beam, marks the entrance, further referencing the site's previous function. The guest annexe presents a material contrast, featuring natural ash cladding on both its interior and exterior surfaces, including a hinged shutter on the first floor. This singular material application for the annexe, while simple, provides a deliberate visual counterbalance and acts as a distinct "bookend" to the main residence, according to Scott. This project contributes to a series of infill developments in London, such as a textured brick house by Platform 5 Architects and a cluster of homes with sawtooth roofs by Dallas Pierce Quintero, all of which creatively repurpose former industrial or neglected spaces. #CoachHouse #OpenPracticeArchitecture #KinderDesign #LondonArchitecture #EastDulwich #InfillDevelopment #ResidentialArchitecture #SustainableDesign #ReclaimedBrick #CourtyardDesign

The evolution of architectural and interior design philosophies for residential spaces demonstrates a significant shift from strict historical preservation to a more integrated approach that respects the past while embracing modern living requirements. Early movements like the heritage movement, championed by figures such as Sir John Betjeman and Gavin Stamp, instigated a radical change in how historic buildings were treated. This era saw passionate conservationists investing heavily in restoring historic houses to their original states, as exemplified by the work in Spitalfields where structures were meticulously restored and furnished to reflect their 18th-century inhabitants. However, contemporary restoration efforts have moved beyond mere historicism. The current trend is to create comfortable homes that, while sympathetic to their historical context, acknowledge the modernist ideal of a house as a 'machine for living in.' This involves a nuanced blending of styles, the incorporation of open-plan layouts, and the strategic use of modern materials such as steel and glass. These advancements facilitate improved natural light, enhanced thermal efficiency, and designs that cater to contemporary lifestyles, often with reduced domestic help requirements. This approach ensures that a house evolves with its occupants and reflects the era in which modifications are made, much like how Regency, Victorian, and Edwardian additions historically enhanced older properties. A growing number of British architects, interior designers, and builders are at the forefront of this movement. Their collective expertise, deep understanding of historic buildings, and commitment to sustainable practices are ushering in what is described as a 'golden age of restoration.' These professionals are adept at balancing the preservation of historical integrity with the integration of modern functionality. Their work includes using natural, breathable, and durable materials, alongside the installation of renewable energy technologies such as solar panels and biomass systems. This not only ensures the longevity and sustainability of the renovated properties but also addresses contemporary environmental concerns. The article highlights the importance of these innovative practitioners and their clients, whose dedication is crucial to the continued success and evolution of this thoughtful approach to home design and restoration. The philosophy extends to viewing the home not just as a static historical artifact but as a dynamic space that adapts to current needs while carrying forward its legacy. This contemporary perspective allows for a conversation between different eras, where each addition or renovation contributes to the building's ongoing story rather than freezing it in a single moment. The skilled professionals in this field are celebrated for their ability to navigate this complex interplay, creating residences that are both historically rich and perfectly suited for modern life. Their efforts underscore a critical understanding that true restoration involves intelligent adaptation, ensuring that homes remain relevant, comfortable, and sustainable for generations to come, moving beyond a purely academic exercise to a practical application of evolving design principles. #HomeRestoration #InteriorDesign #Architecture #HistoricBuildings #SustainableDesign #ModernLiving #BritishDesigners #CountryLife

The Clifton Hill Courtyard House is a renovation and extension project located in Clifton Hill, Australia, designed by Studio mkn and Eliza Blair Architecture. Completed in 2022, this project focuses on adding a brick and glass extension to the rear of an existing double-fronted weatherboard worker’s cottage. The design strategically maximizes natural light and integrates views of a pre-existing bottle brush tree to the south, creating a serene and well-lit interior environment. The total area of the house after the renovation is 224 square meters. The architectural approach addresses both the specific site conditions and the family's long-term need for adaptable living spaces. A significant feature of the extension is its thoughtful orientation, designed to capture ample natural light from the north. This not only enhances the interior brightness but also contributes to the thermal performance of the house, potentially reducing the reliance on artificial lighting and heating during certain times of the year. The integration of the bottle brush tree into the design ensures that natural elements are a constant presence within the living spaces, providing a green and calming backdrop. In addition to the main house extension, the project includes a double-storey garden studio positioned at the back of the site. This studio is designed to complement the main residence and offers future flexibility, catering to various potential uses such as a home office, guest accommodation, or a creative space. Its placement at the rear of the property, accessible via a laneway, allows it to serve as a discreet and verdant visual anchor from the internal perspectives of the main house. The studio’s design and location contribute to the overall aesthetic and functional coherence of the property. The project involved several key collaborators, including Studio mkn and Eliza Blair Architecture as the architects. Studio mkn also served as the interior designers, ensuring a consistent design language throughout the project. Peachy Green was responsible for the landscape architecture, contributing to the harmonious integration of the outdoor and indoor spaces. Kleev Homes acted as the builders, and Rubble Landscape handled the landscape construction. Shannon McGrath is credited with the photography, capturing the essence of the completed residence. Materials used in the construction include wood, glass, and brick, which are fundamental to the aesthetic and structural integrity of the extension. Manufacturers such as Creative Windows, Everest Timbers, Fibonacci Stone, Goodwood, Krause Bricks, New Age Veneers, Signorino, and Woodcut supplied various components and finishes, contributing to the quality and detailing of the project. The careful selection of materials and the collaborative effort of various professionals were crucial in realizing the architectural vision for the Clifton Hill Courtyard House. #ResidentialArchitecture #HouseRenovation #ExtensionDesign #CourtyardHouse #AustralianArchitecture #CliftonHill #StudioMKN #ElizaBlairArchitecture #GardenStudio

The Fakir Bari House, located in Kachina village within Bangladesh's Bhaluka district of Mymensingh, is a residential project completed in 2023 by Design Works Studio. The architectural design prioritizes a harmonious integration of family heritage, local culture, and natural surroundings, reflecting the client's desire for simplicity, minimal landscaping, and a pleasant living environment. A core principle guiding the project was the avoidance of tree removal; instead, additional trees were planted to enhance the site's ecological and aesthetic value. This approach contributes to a sustainable design philosophy by promoting biodiversity and green spaces within the residential setting. The house covers an area of 156 square meters, making it a moderately sized family dwelling. Key materials used in its construction include concrete and brick, chosen for their durability, local availability, and aesthetic qualities. The project involved a collaborative design team, including Shawon Biswas, Farhatul Jannat, and Tusher Ahmed Noor, with Rokonuzzaman as the lead architect. Technical support was provided by Soyeb Mohammad Shourav and Abid Hasan. This collaborative effort ensured a comprehensive approach to the design and construction, aligning with the client's vision and the project's environmental goals. Manufacturers such as Akij Ceramics, Berger Paints, KSRM, Shah Cement, Swish, and Tradexcel Ceramics supplied the materials, indicating a reliance on both local and regional suppliers to achieve the desired finishes and structural integrity. The design of Fakir Bari House reflects a commitment to creating a comfortable and aesthetically pleasing home that respects its context. The integration of natural elements, such as the deliberate planting of trees, aims to mitigate environmental impact and foster a connection between the inhabitants and their immediate landscape. The emphasis on 'minimal greenery' in the client's brief suggests a preference for a controlled yet natural outdoor space, possibly reflecting an urban or semi-urban context where dense vegetation might be impractical or undesirable. The use of concrete and brick, common in Bangladeshi construction, provides a robust and cost-effective structural framework while also allowing for various architectural expressions. The choice of these materials could also contribute to thermal comfort, a significant consideration in Bangladesh's climate. The project stands as an example of contemporary residential architecture in Bangladesh, balancing traditional values with modern design principles. The architects aimed to create a space that not only accommodates the functional needs of the family but also serves as a sanctuary that is deeply rooted in its location's identity. The inclusion of a project gallery with various photographs, including exterior views, interior shots of bedrooms and windows, and detailed facade images, demonstrates the comprehensive documentation of the completed structure. These visuals highlight the interplay of light and shadow, the texture of the materials, and the overall ambiance of the house. Plans, roof plans, and sections are also provided, offering insights into the spatial organization and structural details of the Fakir Bari House. The project's publication on ArchDaily, a prominent architecture platform, suggests its recognition within the architectural community for its design merits and contextual relevance. The overall design ethos of Fakir Bari House can be characterized by its thoughtful consideration of tradition, nature, and the specific needs of its inhabitants, resulting in a residence that is both functional and culturally sensitive. #ResidentialArchitecture #Houses #Bangladesh #DesignWorksStudio #ConcreteConstruction #BrickArchitecture #SustainableDesign #CulturalHeritage #ArchitecturalPhotography

This article details a renovation project by GRT Architects on a four-story, 12.5-foot-wide row house in Fort Greene, Brooklyn. The homeowners, initially concerned about the lack of natural light due to the narrow structure and limited window placement, commissioned Tal Schori and Rustam Mehta of GRT Architects for a comprehensive renovation. The primary goal was to enhance the home's airiness and brightness through innovative design solutions. A significant intervention involved replacing a structurally compromised central staircase. The architects capitalized on this necessity by designing a new staircase with a central void that extends from a skylight on the roof down to the garden level. This design creates an unobstructed pathway for natural light to penetrate the core of the house, dramatically improving the illumination of the interior spaces. Surrounding this new staircase are translucent fluted glass panels set in steel frames, which serve to diffuse light while maintaining a degree of privacy for adjacent rooms. While the garden-level kitchen, previously renovated and functional, was not part of GRT Architects' scope, the team undertook a full overhaul of the top three floors, including all bathrooms. The existing mechanical systems were found to be in good condition, allowing the architects to focus on aesthetic and spatial enhancements. The project represents GRT Architects' inaugural residential venture, building on the partners' extensive experience from their previous roles with renowned architects like Deborah Berke Partners and Cesar Pelli. Throughout the renovation, bespoke details and custom elements were incorporated to elevate the home's design. The entrance vestibule, originally rectangular, was transformed into an arched volume, echoing the house's original architectural features and infilled with the same fluted glass used for the staircase. Custom ombré wallpaper from Calico Wallpaper adds a unique aesthetic touch to this space. In the parlor floor's rear, designated as a playroom, custom cherry cabinets with terrazzo slab tops were installed, providing both storage and a sophisticated finish. The master bedroom features new wainscoting and a consistent muted purple color scheme from Farrow & Ball, a leitmotif employed throughout the house to create a cohesive ambiance. A dedicated dressing area with a walk-in closet connects the master bedroom to the fully renovated en-suite bathroom. The bathrooms showcase a blend of modern and eclectic choices, including penny round tiles from Waterworks arranged in inventive zig-zag patterns, sleek black faucets from Brizo, and distinctive sconces from Areti. On the top floor, a nursery is enlivened with custom wallpaper from the Danish company Ferm Living, complemented by a crib from Oeuf. The top-floor bathroom features a round mirror, evoking a ship's porthole, and a nautical color scheme. A study/guest room also occupies this level. The dining room, centrally located on the garden level without direct window access, benefits from leafy wallpaper from Paper Mills, applied to both walls and doors, to compensate for the lack of natural light. Pendant lights from Roll & Hill, and furniture from Design Within Reach, complete the dining area. The project successfully transformed a narrow, dark row house into a bright, spacious, and thoughtfully designed home. #InteriorDesign #HomeRenovation #BrooklynArchitecture #GRTArchitects #FortGreene #NarrowHouseDesign #NaturalLight #CustomMillwork #GlassPartitions