'It marches to the beat of its own drum' – interior design star Banjo Beale speaks to us about Scottish style and his life in the Hebrides

The article presents an interview with Banjo Beale, the winner of BBC's 'Interior Design Masters,' creative director, television star, and author. He discusses his life on the Scottish Isle of Mull, his passion for interior design, and his approach to creating sustainable and meaningful living spaces. Beale shares insights into his personal life, including his relocation from Australia in 2014 and his current home with his husband Rohan and their dog Grampa on their dairy farm, Isle of Mull Cheese. The interview delves into Beale's career milestones, such as his win on 'Interior Design Masters' in 2022 and his subsequent appearances on 'Scotland's Home Of The Year' and 'Designing The Hebrides.' He has also authored two books, 'Wild Isle Style' and 'A Place In Scotland,' reflecting his design philosophy. A significant upcoming project involves transforming a crumbling mansion on the Isle of Ulva into 'Banjo & Ro's Grand Island Hotel,' which is slated to air on the BBC in 2026. Beale describes his home as a place of comfort and belonging, noting that he truly found his home in Scotland after moving from Australia. He expresses happiness when relaxing on his sofa with his dog, Grampa, and a blanket, even in their current temporary static caravan during a renovation. He recalls his childhood home in New South Wales, Australia, highlighting his early interest in drawing and designing imaginary homes and farms. His parents were not artistically inclined, and his childhood home featured brass furniture and Buddha statues collected by his mother. Regarding his entertaining style, Beale prefers large feasts, often featuring produce from their cheese farm, and enjoys eating with his hands, drawing from his experience living in India. He details his routine upon returning home to the Scottish farm, which involves shedding outdoor layers, cleaning himself and his dog, and changing into warm, comfortable clothing. His favorite room is his bedroom, where he maintains a calm, neutral, and clutter-free environment to relax his active mind. Beale reveals his preference for flowers over potted plants in his bedroom due to concerns about dirt, and he cultivates a botanical maze of flowers, including dahlias, for year-round blooms. His preferred homeware shopping destination is a charity shop on Mull, where he has discovered unique items. His decorating style emphasizes natural elements and a rustic, unfussy aesthetic, even for his current mansion renovation project, where he plans to embrace a 'faded grandeur' while ensuring comfort. He expresses a strong aversion to glass bricks, stating he does not follow trends. Beale recounts finding a dark green sofa for £100 at Dunelm, a store he discovered during 'Interior Design Masters,' and considers Belgian linen bedding his biggest extravagance. He is an avid plant collector, owning around 50, and offers to resuscitate dying plants brought to him by others. For a housewarming gift, he would give a plant with care instructions. He jokingly expresses a desire to snoop around Lisa Vanderpump's house from 'The Real Housewives of Beverly Hills' and collects scents from his travels, such as incense from Vietnam.

Daniel Boddam, an Australian architect and designer, leads his eponymous studio in Sydney, focusing on creating spaces and furniture that inspire human engagement and connection with nature, while celebrating artisanal craftsmanship. His design philosophy is rooted in simplicity and the belief that design can foster a sense of calm and well-being. Boddam integrates a modern perspective with materials, colors, and textures inspired by the Australian landscape, aiming to articulate a unique Australian voice with global appeal. His latest furniture collection draws inspiration from the raw Australian environment. The 'Wave' sofa and chair, for instance, feature undulating forms reminiscent of ocean waves, emphasizing organic shapes and lyrical simplicity. The 'Portsea' side tables highlight elemental forms and quality craftsmanship, using materials like Calacatta marble and Travertine to add tactile dimension to circular and triangulated designs. These pieces, along with his 'Coast,' 'Geo,' and 'Monument' collections, are designed for enduring elegance, combining luxurious materials, revered artisanship, and timeless design. The material palette includes organic elements such as timber, travertine, stone, and marble, paired with neutral tones like sand, grey, and white, all reflecting natural inspirations. Boddam's design process begins with hand sketches, which are then translated into 3D models and integrated into architectural projects to visualize their spatial relationships. Boddam discussed two recent interior projects. For Carthona House, he aimed to create a breathable, light-filled, and well-crafted addition to an existing Federation-style home. His approach involved 'complement by contrast,' balancing the traditional qualities of the original facade with a striking blackened silhouette for the extension, and integrating indoor/outdoor living while maintaining privacy. Lindfield House, in contrast, offers a calm and refined atmosphere tailored to the clients' personalities, driven by considered simplicity and mid-century influences, achieved through layered materials and textures to create a luxurious and minimal interior. His early life was immersed in design, with both parents being architects. One of his first design memories involves playing inside Charles Rennie Mackintosh's Willow Chair, which left a lasting impression of craftsmanship. His curiosity about design persisted from childhood, eventually leading him to study architecture at the University of Sydney. Boddam finds inspiration in the simplicity and elegance of designers like Christian Liaigre, Vincent Van Duysen, and Joseph Dirand, admiring their craftsmanship and timelessness. Boddam splits his time between his primary residence in Byron Bay and an apartment in Bondi, Sydney. His Byron Bay home, built in the late 1990s, backs onto a natural reserve and was designed as a barefoot sanctuary to reconnect with nature, reflecting the spirit of the local landscape and an elevated expression of coastal living. For inspiration, he often turns to nature, taking walks along the coastline to clear his mind. He maintains a daily ritual of sketching concepts in the mornings, treating each design as a research project to build a narrative around a concept. Upcoming projects for 2021 include a recently completed Sydney harborside project—a contemporary interpretation of a Californian bungalow featuring an art collection—and the continued development of new furniture pieces using quality Australian materials. His dream projects involve collaborating with like-minded clients in inspiring locations, with a focus on quality craftsmanship and artisanal celebration, such as designing a stand-alone home in North America or a one-off eco-friendly villa. #DanielBoddam #AustralianDesign #InteriorDesign #FurnitureDesign #CoastalLiving #ArchitecturalProjects #MaterialPalette #ArtisanalCraftsmanship

This article highlights the transformation of a derelict 1930s farmer’s cottage in Perthshire, Scotland, into a contemporary four-bedroom family home named 'Black and Stone.' The London-based architecture studio Mallett spearheaded the renovation, focusing on preserving the original structure's heritage while integrating modern living standards and sustainable design principles. The project, situated in a region known as 'Big Tree Country' for its extensive woodlands, presented a unique challenge due to the cottage's abandoned and fragile state. Mallett's design director, Simon Dickson, expressed a strong desire to save as much of the existing ruined cottage as possible, recognizing its careful stone details and beautiful aspects. He noted that the original house was exceptionally well-designed for a farm cottage, and the goal was to respect its inherent beauty while adapting it for contemporary needs, including greater space and sustainable features. This approach was chosen despite the fact that a complete demolition and rebuild might have been considered a more straightforward option. To achieve this delicate balance between conservation and innovation, the architecture firm collaborated extensively with the client, who was a structural engineer, local authorities, and a team of skilled craftspeople. This collaborative effort was crucial in navigating the complexities of renovating a fragile historic building. The project prioritized the use of locally sourced materials and traditional building techniques, further rooting the new design in its Scottish environment. The design drew inspiration from Norwegian 'hytte' architecture, characterized by simple, traditional Nordic cabins. Mallett developed a modern interpretation of rural living by constructing a timber-framed structure within the existing stone shell of the cottage. This innovative method allowed for the preservation of the exterior while creating a robust and modern interior. One of the significant challenges involved maintaining the historical character of the site, particularly given the extensive changes required for internal walls, door and window openings, and roof connections. Dickson described this as a 'real challenge' that ultimately shaped the final building, underscoring the firm's commitment to the conservation aspect of the project. The exterior features a dark larch-wood façade, which provides a striking visual contrast to the original light stonework of the cottage. In the interior, great care was taken to reuse existing materials. Stones salvaged from the original structure were meticulously cleaned and sorted by hand to create an internal feature wall in the kitchen, blending the old with the new. The ground floor windows are strategically positioned within the original openings, slightly higher than usual, to frame the dramatic Scottish landscape like a 'massive picture frame.' This detail, particularly appreciated by Dickson, enhances the connection between the indoor spaces and the surrounding natural environment, especially as soft lights illuminate the stone from outside at dusk, bringing the old building to life. The interior aesthetic is defined by a textural palette of timber, stone, and white walls, complemented by black accents and micro-cement flooring. This combination creates a soothing and grounding atmosphere designed to feel spacious. The original three-room cottage was expanded into a generous four-bedroom house, a transformation that Dickson considers a success. He hopes that visitors will be struck by the sense of generosity and the blend of new and old elements, along with the stunning views, upon entering the home. #Architecture #ResidentialDesign #HistoricPreservation #SustainableDesign #ScottishArchitecture #CottageRenovation #MallettStudio #ModernCraftsmanship #RuralLiving

The "coastal grandpa" aesthetic is predicted to be the dominant design trend for 2024, moving beyond the previously popular "coastal grandma" style. While "coastal grandma" was characterized by serene blues and whites, natural materials, breezy linen, and beachy touches, the "coastal grandpa" trend offers a more refined, layered, and moody approach. It emphasizes saturated colors, brown furniture, rich leather, and classic patterns such as tartan, houndstooth, plaid, and ticking stripes. This aesthetic draws inspiration from the rugged and wild coasts of the Scottish Highlands, suggesting a deeper connection to history and a lived-in feel rather than a superficial trend. Etsy's 2023 holiday trends report indicated a rising interest in "grandpa chic" items, noting increased searches for leather home accessories and wood and marble coasters. This suggests a broader shift towards incorporating elements that evoke a sense of history and comfort. The coastal grandpa trend is distinct from fast fashion or fleeting decor; its charm lies in the inherent patina that develops from a lifetime of collecting antiques and treasures. This includes items like bowls filled with restaurant matchbooks, mounted stag antlers, or extensive home libraries. The essence of a coastal grandpa home is its ability to provide a cozy sanctuary, particularly during colder seasons, inviting inhabitants to curl up with a book by a crackling fire. Dornoch Station, a Marine & Lawn property in Dornoch, Scotland, serves as a prime example of this aesthetic. The hotel, adjacent to the Royal Dornoch Golf Club, was designed to integrate local traditions and create a strong sense of place. Krissy Melendez, head of design at AJ Capital Partners, explains that the design incorporates deep jewel tones inspired by the local landscape, flora, fauna, and cultural dress. The interior features warm, sumptuous, and moody lighting that complements rich materials, fostering an inviting and restorative atmosphere. A key theme within the coastal grandpa trend, prominently featured at Dornoch Station, is the Scottish tradition of "coorie." This concept, meaning "nestle" or "snuggle," encourages enjoying life's simple pleasures, especially in a digitally saturated world. This includes activities like lighting a roaring fire, making mulled wine, or preparing a favorite cozy meal. A coastal grandpa home is designed to facilitate a coorie-approved lifestyle, promoting comfort and nostalgia. This design trend is anticipated to have lasting appeal due to its polished yet unpretentious nature. It retains the relaxed vibe of the coastal grandma trend but adds a significant layer of coziness and a timeless classic appeal. The aesthetic is meant to evolve with its occupants; leather becomes softer, brass develops a beautiful patina, fabric becomes gently worn, and personal collections become more layered over time. The trend's enduring quality suggests it only improves with age, much like a cherished grandfather. #CoastalGrandpa #DesignTrends #HomeDecor #InteriorDesign #ScottishHighlands #Coorie #Antiques #TimelessDesign #HomeAesthetics

This article showcases an extraordinary Scottish home that exemplifies the preservation of historical architecture while integrating contemporary design. The project involved the transformation of a 300-year-old ruined farmhouse into a sleek, modern residence. The design approach, a collaboration between Nathanael Dorent, Lily Jencks Studio, and Nous Engineering, focuses on a unique three-layered building concept. The outermost layer consists of the stabilized and preserved ruins of the 18th-century farmhouse, maintaining its historical integrity. Within this ancient shell, a black rubber 'envelope' forms the second layer, echoing the original lines of the now-absent pitched roof. The innermost layer, referred to as the 'tube,' features organic-looking interior walls constructed from white polystyrene blocks. These curved, minimalist interiors provide a striking contrast with the rugged stone exterior and the matte black roof. A key design element is the deliberate integration of the original stone walls into the home's interior in certain areas. This feature serves to highlight the building's extensive history and create a dialogue between the old and the new. The interior design emphasizes simplicity and minimalism, utilizing white and pale wood tones to create a clean and contemporary aesthetic. Large window and door openings are strategically placed to offer expansive views stretching over 80 kilometers across two valleys. Beyond its unique aesthetic, the home is designed with practicality and sustainability in mind. It is solar-powered and heavily insulated to provide protection against the harsh Scottish winters. The inclusion of wood-burning stoves further enhances comfort and warmth during colder months. The combination of historical preservation, modern architectural intervention, and functional design results in a residence that is both visually compelling and highly livable, offering a blend of ancient charm and futuristic comfort. #ArchitecturalDesign #HistoricPreservation #ModernArchitecture #SustainableLiving #InteriorDesign #ScottishHomes #FarmhouseRenovation #ContemporaryDesign

Gemma Samuels, an interior decor designer and content creator, founded Happi Habitat with the mission of creating happy homes for her clients. Her passion for interiors began at a young age, influenced by her house-proud Caribbean mother and her own enjoyment of redecorating her bedroom. Despite initially pursuing psychology with aspirations of becoming a clinical psychologist, she discovered a preference for working independently through a fashion and jewelry business she started during university. The pivotal moment arrived after she moved into a new home with her partner and two children, solidifying her interest in interiors. Samuels' entry into the interior design industry was organic and unplanned. She initially intended to document her flat's decoration on a blog, but a photographer, impressed by her home, requested her help with decorating and offered payment. This led to an exchange of services where Samuels decorated the photographer's bedroom in return for professional photos of her work. Upon sharing these on Instagram, she began receiving inquiries from potential clients. Initially, she undersold her services due to her newness in the field, often working for free or only covering expenses. This period, however, allowed her to accurately gauge project durations and determine fair pricing, leading to a standardized pricing structure over two years. The name 'Happi Habitat' reflects her personal experience of a happy home with her children and her broader goal of enhancing clients' lives and family dynamics through design. The pandemic significantly impacted her business model; while her on-site bespoke design services were temporarily halted, her e-design services, conducted virtually, saw a notable increase as people spent more time at home and focused on their living spaces. A key lesson Samuels learned as a businesswoman is to trust her instincts, both in business decisions and design recommendations. She emphasizes that as the expert, she must stand her ground, even if it means short-term disagreement, as her advice ultimately benefits the client. Addressing the lack of diversity in interior design, Samuels highlights the significant underrepresentation of Black women in the industry. Her own career path was unconventional, as she did not see Black women in interior design roles growing up, which led her to believe it wasn't a viable option. She believes increased visibility of Black interior designers is crucial to inspire more individuals from underrepresented communities to pursue careers in the field. She notes that while she initially struggled to find Black women interior designers, her networking within the industry has since revealed many talented professionals. Samuels resides in a two-bedroom flat in East London, which she is currently renovating into a three-bedroom space to accommodate her growing business and the demands of e-design work. Her interior style is a blend of Scandinavian minimalism with industrial accents. Her favorite room is her children's room due to its colorful and fun ambiance, while her least favorite was her bathroom prior to renovation. She admitted to succumbing to pressure to choose marble tiles for her renovated bathroom, a choice she now regrets but cannot change due to the investment. Samuels avoids being overly influenced by trends, preferring timeless, classic styles, though she occasionally adopts trends she genuinely likes, such as pampas grass. She expresses a strong dislike for grey crushed velvet decor, a trend she finds unappealing. Her top three home furnishing stores are MADE, for its affordable and stylish lighting; Ikea, for its affordability and wide range of home items; and Homesense, for unique pieces at great prices, despite requiring diligent searching. #InteriorDesign #GemmaSamuels #HappiHabitat #HomeDecor #BusinessJourney #DiversityInDesign #PandemicImpact #ScandinavianIndustrialStyle #HomeRenovation

The evolution of architectural and interior design philosophies for residential spaces demonstrates a significant shift from strict historical preservation to a more integrated approach that respects the past while embracing modern living requirements. Early movements like the heritage movement, championed by figures such as Sir John Betjeman and Gavin Stamp, instigated a radical change in how historic buildings were treated. This era saw passionate conservationists investing heavily in restoring historic houses to their original states, as exemplified by the work in Spitalfields where structures were meticulously restored and furnished to reflect their 18th-century inhabitants. However, contemporary restoration efforts have moved beyond mere historicism. The current trend is to create comfortable homes that, while sympathetic to their historical context, acknowledge the modernist ideal of a house as a 'machine for living in.' This involves a nuanced blending of styles, the incorporation of open-plan layouts, and the strategic use of modern materials such as steel and glass. These advancements facilitate improved natural light, enhanced thermal efficiency, and designs that cater to contemporary lifestyles, often with reduced domestic help requirements. This approach ensures that a house evolves with its occupants and reflects the era in which modifications are made, much like how Regency, Victorian, and Edwardian additions historically enhanced older properties. A growing number of British architects, interior designers, and builders are at the forefront of this movement. Their collective expertise, deep understanding of historic buildings, and commitment to sustainable practices are ushering in what is described as a 'golden age of restoration.' These professionals are adept at balancing the preservation of historical integrity with the integration of modern functionality. Their work includes using natural, breathable, and durable materials, alongside the installation of renewable energy technologies such as solar panels and biomass systems. This not only ensures the longevity and sustainability of the renovated properties but also addresses contemporary environmental concerns. The article highlights the importance of these innovative practitioners and their clients, whose dedication is crucial to the continued success and evolution of this thoughtful approach to home design and restoration. The philosophy extends to viewing the home not just as a static historical artifact but as a dynamic space that adapts to current needs while carrying forward its legacy. This contemporary perspective allows for a conversation between different eras, where each addition or renovation contributes to the building's ongoing story rather than freezing it in a single moment. The skilled professionals in this field are celebrated for their ability to navigate this complex interplay, creating residences that are both historically rich and perfectly suited for modern life. Their efforts underscore a critical understanding that true restoration involves intelligent adaptation, ensuring that homes remain relevant, comfortable, and sustainable for generations to come, moving beyond a purely academic exercise to a practical application of evolving design principles. #HomeRestoration #InteriorDesign #Architecture #HistoricBuildings #SustainableDesign #ModernLiving #BritishDesigners #CountryLife

In Southampton, New York, a pair of homeowners sought to create a custom-built, contemporary Scandinavian-inspired residence that harmonized with the natural surroundings and reflected their clean, eco-conscious lifestyle. They enlisted Sag Harbor-based interior designer Allison Babcock to bring their vision to life. The exterior of the home showcases quintessential Scandinavian architecture, characterized by its integration of wood and natural materials and an emphasis on maximizing natural light. Babcock's approach to the interior design focused on creating a light, textural, and cozy space that could be enjoyed throughout the year. She achieved this by incorporating a variety of fabrics designed to evoke warmth in summer and coziness in winter. Throughout the residence, a neutral color palette is maintained, complemented by sleek finishes, contemporary fixtures, and layered textures. Large windows ensure that each room is filled with ample sunlight, contributing to an overall radiant atmosphere. The living room, for example, exemplifies this blend of textures with an RH sectional, vintage midcentury chairs flanking a gas fireplace, and a Phillips Collection teak coffee table. Babcock ingeniously designed a slated wall in the living room, which serves to visually separate the space from a floating staircase, concealing the stairs while maintaining an open-plan feel. Babcock explains her design philosophy for the home, noting the deliberate combination of new pieces with vintage Danish furniture to introduce warmth and a sense of history. This eclectic mix is particularly evident in the primary bedroom, where a custom white bed platform designed by Allison Babcock and custom night tables by Chadhaus are paired with minimalistic vintage Limburg pendant lights. This fusion creates a space that exudes both comfort and a quaint charm, a theme consistently woven throughout the entire home. The outdoor area also received careful attention, with landscape architect Geoffrey Nimmer designing a whimsical, verdant backyard featuring cascading trees. This private space offers a tranquil retreat, further enhanced by a custom-designed sectional and coffee table by Allison Babcock. Ultimately, Babcock successfully captured the homeowners' personalities and their philosophy of clean, beautiful living. The use of custom pieces created by local artisans and craftspeople was a key element in anchoring the home to its natural environment, fulfilling a shared objective of the design team and the homeowners. #ScandinavianDesign #SouthamptonHomes #InteriorDesign #AllisonBabcock #BeachHome #EcoConsciousDesign #MidcenturyModern #CustomFurniture #NaturalMaterials

Albion Nord, a London-based residential interior design and project management studio, specializes in a blend of European classicism and British style. The studio, founded by Anthony Kooperman, Ben Johnson, Camilla Clarke, and Ottalie Stride, creates interiors that aim to be timeless, imbued with soul and character. Their design philosophy centers on responding to client desires, the surrounding environment, and the site's inherent features, with a strong emphasis on storytelling through carefully sourced antiques, furniture, art, and accessories. Camilla Clarke and Ottalie Stride personally travel across the UK and Europe to discover unique pieces that personalize each home. Albion Nord's design inspiration is rooted in creating depth and connection by reflecting the homeowner's narrative, the architecture, or the local area. This approach avoids a generic feel, ensuring each project possesses a distinct identity. Their preferred color palette includes earthy tones such as greens, dusky blues, ochres, chocolates, and creams, actively avoiding greys in favor of architectural creams or natural greens. Recently, they have incorporated yellows and pinks for their cheerful qualities. Pattern use is typically on a smaller scale, often featuring fabrics from designers like Tissus D’Helene, Zak & Fox, Soane, The Fabric Collective, and Blithfield. Antique fabrics are also frequently used for cushions or framed as artwork to add focal points. Three projects highlight Albion Nord’s design principles. The first, a Notting Hill Family Home, draws inspiration from its Georgian architectural setting in Holland Park. This extensive 11,000 sq ft property underwent significant refurbishment, including new upper and basement floors with a gym and a 15m pool. The interior design blends crafted, textured modernity in joinery and furnishings, such as a bespoke scallop headboard by David Seyfried and a Cox London Golden Oak Chandelier. The firm combines vintage and antique finds with oversized, comfortable bespoke sofas. Natural and soft materials like honed limestone, washed oak, wool, sisal, abaca rugs, and tadelakt walls were used. Lighting incorporates natural light from large windows, supplemented by pendants, lamps, and decorative fixtures for warmth. The color palette is light and fresh, featuring Paint & Paper Library’s Slate III and Farrow & Ball’s Hardwick White, providing a neutral backdrop for contemporary abstract art. The second project, Holland Park Apartments, emphasizes sustainability and individuality. Each apartment is designed with unique character, moving away from mass consumption by carefully selecting items and blending old with new. The team collaborates with independent craftsmen for bespoke pieces and sources antiques to create personal spaces. The layout maximizes views, with long, skylit corridors highlighted by statement artwork or sculptural tables leading to open-plan living areas. The color palette combines light, fresh tones with richer earthy greens, burnt oranges, and blues. A focus on textures and materiality ensures grounding, with timbers showcasing natural grains and marbles honed for softness. Finally, a Marylebone Terrace House, a Grade II-listed Georgian property overlooking Regent's Park, focuses on reinstating period features. The 12,000 sq ft space is subtly decorated with a mix of antique and mid-century furniture, contemporary art, and a light, fresh color palette. The design creates a timeless aesthetic, layering eclectic pieces and British art to highlight the property's architectural grandeur. The media room features Farrow & Ball’s Down Pipe, a dusty green-blue that changes with light, while Paint & Paper Library’s Slate III is used in the entrance hall to emphasize architectural details. The material selection prioritizes natural elements like oaks, linens, wools, silks, and sisals to add warmth, interest, and prevent the space from feeling static. #InteriorDesign #AlbionNord #ResidentialDesign #EuropeanClassicism #BritishStyle #AntiqueFurniture #ContemporaryArt #ColorPalette #SustainableDesign

Henry Holland, a prominent figure initially known for his contributions to the fashion industry, has successfully transitioned into a ceramics artist, establishing Henry Holland Studio. This article delves into his creative journey and the diverse influences that have shaped his distinctive style, characterized by boldness and playfulness, which he views as a direct reflection of his personality. Holland emphasizes the role of clothing and home decor as forms of self-expression. His artistic inclination was evident from a young age, with teachers recognizing his creativity and early entrepreneurial endeavors like starting a Christmas card business. His mother served as a significant source of inspiration, fostering his creativity and exhibiting a strong sense of style. The profound impact of her loss over a year ago compelled him to actively seek joy in his work, as he believes sadness hinders his creative output. Presently, his inspiration primarily stems from his friends, family, and husband, as he is drawn to human stories and enjoys weaving narratives into his characterful ceramic and homeware designs. Moving to London from Northern England marked a pivotal moment in Holland's development, where he recognized the importance of taste and personal style amidst the city's diverse cultural landscape. His career path has been serendipitous; he initially pursued journalism but found himself drawn to fashion through a hobby that quickly evolved into a brand. Similarly, his foray into ceramics during the pandemic began with lessons and organically grew into his current studio. He highlights the unexpected synergies between the fashion and homeware industries, noting that his fashion background provided invaluable business training, and he now appreciates the more relaxed pace of the homeware sector. Travel has also played a crucial role in shaping his creative vision. Childhood experiences in the French countryside, accompanying his parents to antique markets, exposed him to various design periods, from art deco to mid-century modern. This early exposure instilled a deep appreciation for diverse aesthetics. He is an avid collector of Richard Bernstein's *Interview* magazine covers from the 1970s and 80s, valuing them as miniature pieces of pop culture history that illustrate the nascent intersection of fashion, culture, and celebrity. His most cherished item is a Debbie Harry cover signed by Andy Warhol and Truman Capote. While not an extensive reader, Holland finds value in self-help and spiritual guides, citing Eckhart Tolle's *The Power of Now* as particularly impactful. He also utilizes Blinkist to access condensed book summaries, a testament to his admitted impatience. Film, specifically costume and set design, provides another rich source of inspiration. He admires Baz Luhrmann's visually striking films, particularly *Romeo & Juliet*, and often references 1990s teen movies like *Clueless*, *Hackers*, and *Empire Records* in his fashion work. His musical tastes lean towards 90s pop, influenced by his first job at *Smash Hits* magazine, and he enjoys sharing these playlists with his studio team. Despite not being a keen cook, he hopes a forthcoming kitchen renovation will spark culinary creativity, though he prefers dining out. His favorite restaurant is Brat in London, known for its exceptional food and cocktails and its chef, Tomos Parry, whom he considers a friend. Holland expresses admiration for numerous contemporary creatives. He acknowledges the challenges faced by professional creatives and values the heart and soul they invest in their projects. He is particularly impressed by Es Devlin's set design and fellow ceramicists like John Booth, whose vibrant use of color he appreciates, and Alma Berrow for her humor. He also follows Christabel MacGreevy's transition into ceramics and is a significant admirer of Dirk Vander Kooij's work, especially his innovative use of recycled plastic materials, exemplified by a Melting Pot dining table that represents their first significant home investment. #HenryHollandStudio #InteriorDesign #CeramicsArt #CreativeInspiration #FashionToHomeware #PopCultureInfluence #TravelInfluence #DesignPhilosophy

This article highlights some of the leading interior designers in Britain who excel in blending the classic English Country House style with modern living requirements. The designers featured are known for their distinct approaches, ranging from opulent traditional designs to fresh, contemporary interpretations. Alidad Mahloudji, known professionally as Alidad, specializes in grand country-house aesthetics, as showcased in his Legend Room at WOW!house, which featured richly layered and inviting styles. Eadie & Crole, founded by Sophie Eadie and Fi Crole, create elegant interiors using subtle hues, natural textures, antiques, and contemporary art, also offering a collection of furniture, fabrics, and wallpapers. Edward Bulmer, an interior designer and architectural historian, focuses on heritage building restoration and environmental sustainability, using his own natural paint line. His projects include his Queen Anne home and work at Pitshill and Althorp. Nels Crosthwaite Eyre of Eyre Interiors is praised for her light and bright interpretation of English country-house style, suitable for new generations. She integrates practicality for family life with vintage textiles, art, and antique furniture. Guy Goodfellow, with over two decades of experience, designs classic interiors by combining heritage architecture knowledge with an eye for color and comfort, now collaborating with creative director Steven Rodel. His collection of fabrics and wallpapers is inspired by historic textiles. Isabella Worsley, based in London, runs a studio known for its confident use of color and pattern, celebrating British artists and craftspeople in both residential and commercial projects. Janine Stone & Co. offers a comprehensive service encompassing architecture, interior design, construction, and project management for private residences, focusing on timeless designs tailored to client lifestyles. Kit Kemp, co-founder of Firmdale Hotels, is admired for her colorful and inviting interiors. Her design studio, which includes her daughters, undertakes residential projects globally and collaborates with various design brands. Lonika Chande specializes in multi-faceted interiors for young families, blending color, texture, and pattern with practicality, often incorporating antiques and modern elements. Lucy Cunningham brings new life to classic English country-house style through pattern, color, interesting textiles, and antiques. Lucy Elworthy, a former decoration editor, designs timeless rooms that appear to have evolved over time, often collaborating with architect John Comparelli. Max Rollitt, an interior designer, furniture-maker, and antiques dealer, is recognized for his distinctive style that combines antique originals with his bespoke furniture. Nina Campbell, an OBE recipient, is involved in diverse projects including care homes and pubs, and has ongoing collaborations for rugs, tiles, fabrics, and homewares. Her eponymous shop offers chic tableware and accessories. Oliver Laws, led by Guy Oliver, focuses on elegant and timeless interiors that highlight bespoke craftsmanship, with projects including the Connaught hotel renovation. Bee Osborn of Osborn Interiors creates restful interiors that emphasize natural materials and an 'organic luxury' aesthetic. Pippa Paton Design is known for transforming historic properties in the Cotswolds into inviting modern spaces by combining spatial planning with natural beauty. Rita Konig blends traditional decoration with a fresh, modern verve, working in the UK and US, and has launched a fabric and wallpaper collection. The practice of Robert Kime, now headed by Orlando Atty, continues to create traditional yet unstuffy interiors filled with antiques and colorful textiles. Sean Symington, a rising designer, blends a building's character with elegant style, often mixing antiques with modern pieces. Sibyl Colefax & John Fowler, a venerable firm founded in the 1930s, is known for quintessentially English style and undertakes diverse projects worldwide. Sims Hilditch offers a fresh take on English country-house style, working on projects including show apartments and country estates. Lady Henrietta Spencer-Churchill of Spencer-Churchill Designs specializes in grand English country-house style, drawing inspiration from Blenheim Palace. Susie Atkinson of Studio Atkinson creates contemporary interiors with understated luxury for private houses and boutique hotels. Thorp, celebrating its 40th anniversary, provides full architecture, interior design, and project management services for an international clientele. James Thurstan Waterworth of Thurstan brings history to life through antique finds and aged materials, creating atmospheric interiors. Todhunter Earle Interiors, led by Emily Todhunter and Kate Earle, is highly regarded for imaginative designs that balance contemporary living with historic houses. Turner Pocock, led by Bunny Turner and Emma Pocock, is admired for its creativity and confident use of color and pattern in various residential projects. Veere Grenney Associates' interiors are rooted in classical tradition, with projects spanning the UK, Switzerland, Italy, and the Middle East. Henriette von Stockhausen of VSP Interiors is known for designing large country properties with a classic, colorfully eclectic style. #InteriorDesign #BritishDesigners #CountryHouseStyle #LuxuryInteriors #ArchitecturalDesign #HomeDecoration #TimelessDesign #Renovation #SustainableDesign

Lisa Tharp's design firm often undertakes renovation projects, but for a specific residence on Beacon Hill, the team encountered a property that had already undergone a thoughtful gut renovation in 1900. This pre-existing modernization aligned well with the new homeowner's design preferences. The client desired a calm, relaxing interior with a minimalist sophistication, integrating existing cherished pieces while creating a fresh aesthetic. Crucially, the interior design needed to complement her extensive collection of modernist and contemporary art. The residence's curved bow windows offer panoramic views from the state capitol to Back Bay, a feature the client particularly admired. Tharp and her team drew inspiration from the rich wood tones in the library and subtle violet hues present in artworks by Alex Katz and Sol LeWitt to establish a soft and nuanced color palette throughout the home. Tharp also provided expert consultation on potential new art acquisitions, ensuring that any additions would seamlessly integrate with the existing collection and enhance the overall artistic coherence of the space. This collaborative approach underlined the significant role art played in unifying the design elements. The selection of furniture was heavily influenced by the client's collector's sensibility, with each piece chosen for its sculptural quality to harmoniously interact with the artwork displayed. This approach created an environment reminiscent of an art gallery, where furniture and art engage in a continuous dialogue. The design deliberately incorporated a blend of historical eras and influences, such as 1930s French art deco dining chairs and a contemporary settee paired with a vintage floor lamp beneath a Picasso in the library. This eclectic mix was intended to imbue the home with a sense of history, character, and timelessness, making it feel lived-in and deeply personal. To ensure the home immediately felt familiar, some of the client's personal belongings were incorporated into the new design. Rugs were resized to fit their new spaces, and a beloved patterned velvet from a chaise lounge was repurposed to adorn the library's window seat. A significant challenge arose with an oversized sectional from the client's previous residence, which was too large for the living room and obstructed adjoining areas. Tharp's team ingeniously relocated the sectional to the family room, reconfigured and reupholstered it, transforming it into a modular seating arrangement. This creative solution allowed the client to retain her comfortable, cherished piece while achieving a more open and elegant layout in the formal living room. Tharp's ability to address such design challenges, including the bold decision to modify a client's treasured possession, stemmed from the strong trust she had built with the homeowner. The client, described as an accomplished woman with a warm and flexible yet refined personality, shared Tharp's appreciation for good design and magnificent art. The interior design successfully mirrored the client's identity, reflecting her support for the arts and her discerning taste. Even the client's French poodle, often found lounging on the curved living room sofas by French designer Jean-Louis Deniot, seemed to appreciate the exquisite design. The project’s success is attributed to the synergistic relationship between the designer and the homeowner, resulting in a residence that is both aesthetically pleasing and deeply personal. #BeaconHill #InteriorDesign #HomeDecor #ArtCollection #Renovation #LuxuryHomes #LisaTharp #ModernistArt #EclecticDesign

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

Bee Studios, a luxury, full-service interior design firm led by principal designer Brooke Eversoll, CMKBD, offers comprehensive design services from initial concept to final execution. The firm also acts as a cabinet dealer representative for prominent brands and specializes in home remodeling projects. With over two decades of experience in the design industry, Eversoll has curated a selection of her favorite design elements, ranging from significant statement pieces to vibrant accessories, all characterized by their bold and natural undertones. Among her favored items is the Elitis La Californie – Un écrin de verdure wallpaper. This vinyl wallpaper features a hand-screen printed grasscloth appearance with elements of vegetal fiber, and its imperfect texture adds to its appeal. Another selection is the Donghia velvet in "Smooth Operator," noted for its exceptional softness. Available in eight color options, this fabric is ideal for upholstering chairs or loveseats, offering a pre-worn aesthetic that contributes to its artistic and sophisticated feel. The George Bed by Verellen is highlighted for its ability to balance soft, natural lines with an upscale presentation. Its wood frame accommodates various mattress sizes, providing a strong foundation, while a soft fabric headboard introduces an element of comfort. Eversoll also features the Otto Sphere Pendant by Hubbardton Forge, a large, blown-glass pendant with an adjustable rod. This piece combines industrial and modern aesthetics, with its lighting element enclosed in a frosted tube, offering an optional stainless steel finish for a more industrial look. Eversoll notes its unique design often captivates clients. For floor coverings, the Seora SEO01 rug by Jaipur Living is recommended for its natural and cozy qualities, providing a soft backdrop suitable for diverse design styles, including eclectic, modern, and classic. Eversoll emphasizes the importance of using the largest possible rug size to maximize impact. The Maggie Waterfall Console by Made Goods is presented as a versatile, neutral piece, perfect for entry foyers, behind sofas, or beneath artwork or mirrors. Its natural seagrass construction introduces an organic element and a warm, earthy feel. Eversoll frequently incorporates bold tiles into her designs, particularly favoring the Glazed Basalto line by New Ravenna. This collection utilizes volcanic rock with a striking glaze, creating mosaics that are considered true artistry, capable of distinguishing a home with endless combinations of patterns, colors, and materials. Complementing these bold tiles are soft natural materials, such as the Canterra tile in Square Alma by Zia. This tile, also made from volcanic stone, features small flecks that give it a modern appearance, resembling concrete or terrazzo. #InteriorDesign #HomeDecor #LuxuryDesign #NaturalMaterials #BoldDesign #BeeStudios #BrookeEversoll #Wallpaper #Furniture #Lighting #Rugs #Tiles

This blog post offers an intimate look into the personal and professional philosophy of award-winning Irish Interior Designer Sara Cosgrove, presented through a series of questions and answers. The article delves into her core values, inspirations, and approaches to life and design, providing insights into the mind of a creative professional. Cosgrove identifies curiosity as her favorite virtue, emphasizing its role in her continuous learning and evolution. She values kindness, intelligence, and good counsel in men, while admiring women who balance grace with grit. Her chief characteristic is determination, highlighting her commitment to seeing ideas through to realization. When it comes to friendships, she appreciates drive and humor, seeking those who encourage, inspire, and challenge her. Her main fault lies in her fast-paced mind, which sometimes leads her to assume communicated thoughts that have only been internal. Outside of work, Cosgrove enjoys mentally stimulating pastimes like board games, crosswords, Wordle, spelling bees, Sudoku, and reading. For physical activity and fresh air, she turns to running and gardening. Her ideal state of happiness involves unhurried time with her children in a beautiful location, specifically mentioning the northwest of Mallorca, allowing space to breathe. Conversely, misery for her is defined by stagnation and being trapped in the ordinary without vision, as she finds it difficult to remain still and avoids downtime. If given the choice to be someone else, Cosgrove envisions herself as a writer living in a period house in a quiet coastal town, surrounded by books, a beautiful garden, and sea air. Her current state of mind is focused, ambitious, and reflective, driven by the motto "less but better" as she plans for the future. Her favorite color is Indanthrene Blue, a signature tone in her work. The monkey puzzle tree, with its architectural, long-lived, and wise appearance, is her favorite tree, while blue and purple hydrangeas are her preferred flowers. She considers self-discipline an overrated virtue, finding it can be exhausting. The talent she most wishes to possess is a beautiful singing voice. In the realm of design, her favorite designers and makers include David Collins, Frank Lloyd Wright, Niamh Barry, and Sophie Dickens. Her literary preferences lean towards poet Eavan Boland, with "Night Feed" as a favorite, and author Agatha Christie. Fictional heroes and heroines that resonate with her are Evelyn "Eve" Ross from Amor Towles' 'Table for Two', Philip Marlowe from Raymond Chandler's novels, and Hercule Poirot by Agatha Christie. Her favorite artist is Diana Copperwhite, and she also expresses admiration for Brian Bourke’s landscapes. Musically, her tastes are diverse, ranging from Ralph Vaughan Williams, particularly "The Lark Ascending," to contemporary artists like Tame Impala, PJ Harvey, Henryk Gorecki, Little Dragon, and Chappell Roan. The principal aspect of her personality is a relentless drive coupled with a love for beautiful things. Cosgrove's idea of good taste is characterized by understated confidence, the ability to edit, and the resistance of unnecessary elements, appreciating individuals with a true sense of their own style. In her surroundings, she values texture and sensory immersion, enjoying layers of interest. She contributes to environmental preservation by investing in durable pieces, supporting sustainable makers, and designing with longevity in mind. Personally, she cherishes antiques, pre-loved clothes, and plant cuttings. While proud to call Ireland home, a second base on the northwest coast of Mallorca appeals to her for its light, food, and beauty. She looks to the future with purpose, focus, and optimism, eager to continue creating, building, and discovering. #InteriorDesign #SaraCosgrove #IrishDesigner #DesignPhilosophy #PersonalValues #Creativity #HomeDecor #Aesthetic #SustainableDesign