Design Vanguard 2017: David Kohn Architects

The article presents Stable Acre House, a residential project by architect David Kohn, located in Norfolk. David Kohn, a graduate of Cambridge and Columbia University, established his London studio in 2007. His practice quickly gained recognition, winning the Young Architects of the Year award just two years after its inception, following his notable work at Caruso St John, where he contributed as a project architect for award-winning projects like the Museum of Childhood and Gagosian Gallery. Stable Acre House is described as Kohn's most recent work, characterized by its minimal and respectful approach to a stable conversion. The design was created for London-based gallerist Stuart Shave. The house is situated within the remains of a 19th-century stable complex. It features a long, orthogonal brick structure composed of an agglomeration of different volumes. The design incorporates an open living space positioned between two smaller pavilions. These pavilions include entrance areas and the private quarters of the house. The materials chosen for the construction are intentionally simple, consisting of oak cladding, a metal roof, a concrete floor, and white-painted brick. The architect notes that the contemporary construction and material choices serve to complete what was originally a functional ruin, integrating new elements with the historical structure. This project represents the practice's first significant residential commission. Alongside Kohn's temporary rooftop venue, Skyroom, which was installed on the Architecture Foundation HQ in Southwark, Stable Acre House has cemented his reputation in the architectural field. The article features multiple illustrations that provide a visual tour of the property, showcasing various rooms and design elements. These illustrations depict the living room, a dining area integrated with the living space, a single bedroom, a work area complete with a desk and bookshelf, another bedroom, and a bathroom. An interactive floor plan is also mentioned, allowing for a detailed exploration of the layout. The visual content supports the description of the house's minimalist aesthetic and the careful integration of contemporary design within the existing historical framework. The article also includes additional images of other design-related content, such as 'The Savoy, London' which underwent an extensive renovation, highlighting its restored elegance, the Beaufort Bar, and its new logo. Other visual elements include various works by Brent Dzekciorius, Raw Edges, and Seongyong Lee, covering diverse design objects from furniture and installations to tableware and lighting fixtures. These additional sections, while not directly related to Stable Acre House, offer a broader context of contemporary design and architecture, showcasing a range of talents and projects previously featured by the publication. #Architecture #ResidentialDesign #StableConversion #DavidKohn #Norfolk #MinimalistAesthetic #ArchitecturalRenovation #ContemporaryConstruction #InteriorDesign

Architects Noam Dvir and Daniel Rauchwerger, founders of the New York-based firm BoND (Bureau of Noam and Daniel), share insights into their design philosophy, creative process, and the unique challenges and inspirations behind their projects. Having met in 2010 at the Venice architecture biennial and later forming BoND in 2015, the duo has become known for their nuanced approach to physicality and use in design, particularly in New York City and Fire Island. The discussion highlights the specific considerations for working on Fire Island, a narrow stretch of land susceptible to environmental factors like climate change and sea-level rise. Dvir and Rauchwerger explain how these environmental realities, combined with the island's rich Modernist architectural legacy, necessitate innovative design solutions. They detail how new ground-up constructions must be elevated significantly, prompting questions about the aesthetics of the house's base when typically seen nestled within dunes. The architects also touch upon the increasing sophistication of buildings and the challenge of incorporating technology without making it part of the problem. Material choices are also evolving; for instance, the rising cost of traditional cedar has led them to explore alternative wood materials, such as a silvery-toned wood from Texas that offers easier assembly and application. BoND's approach to renovating existing Modernist homes on Fire Island involves viewing the house as a cohesive whole rather than focusing on isolated areas. They aim to unify design elements, such as extending cedar siding where it wasn't originally present, and infuse utilitarian spaces like bathrooms with humor and sexiness. Custom furniture design plays a crucial role in re-imagining social conditions within these homes, creating spaces for various interactions, from pre-dinner gatherings to intimate conversations on a rainy night. The architects emphasize the intentional orchestration of social situations in their designs, creating platforms for living and socializing that encourage interaction and engagement. They strive for openness and connectivity between spaces, maximizing the dramatic interplay with the surrounding landscape. Their client relationships are deeply integrated, often stemming from personal connections and shared communities. Many clients are younger, having acquired homes post-Covid, and have specific priorities, such as cooking, which BoND meticulously addresses in their designs for these often smaller spaces. The firm's background in architecture journalism significantly influences their project approach, with a strong emphasis on narrative and storytelling. Each project is seen as an opportunity to create a unique story or fantasy that captures the imagination of their community. BoND does not differentiate significantly between commercial and residential projects, applying a consistent "style of thinking" that seeks unique elements within each program. They find excitement in New York City lofts, particularly in understanding and integrating the existing character of a space into new designs, distilling its core attractive qualities. Art serves as a major driver in BoND's work, viewed as a reflection of cultural attitudes and a source of aesthetic inspiration for color palettes and contextual contrasts. They often select art for their projects, maintaining relationships with artists to stay attuned to cultural trends. While they consider architecture a beautiful craft rather than an art form, they acknowledge art's role as an emotional and personal component of a home. Dvir and Rauchwerger also share insights into their partnership, highlighting their complementary strengths and the collaborative nature of their work, with Noam as the managing partner and Daniel as the creative director, though both are deeply involved in all project phases. Finally, they discuss the concept of "sexiness" in architecture, defining it as a cultural construct and an integral part of their clients' desire topology. This manifests in design decisions, such as the placement of an outdoor shower or views within a house, aiming to create a sense of "flirty intrigue" that makes people look and feel great in their spaces. #BoNDArchitects #NoamDvir #DanielRauchwerger #FireIslandDesign #ModernistArchitecture #SustainableDesign #InteriorDesign #CustomFurniture #ArchitecturalJournalism

Kengo Kuma, born in 1954 in Yokohama, Japan, initially favored modern concrete homes over his traditional wooden childhood dwelling, which featured rice paper screens and tatami mats. His perspective on traditional architecture shifted after being deeply impressed by Kenzo Tange's Yoyogi National Gymnasium, designed for the 1964 Tokyo Olympics, which ignited his passion for architecture. Over time, Kuma developed a profound appreciation for his childhood home's craftsmanship, natural materials, and the unique sensory experience it offered, influencing his architectural philosophy. Kuma's current architectural approach emphasizes harmony with the environment, history, and local traditions, focusing on the use of natural and handmade materials. This philosophy is evident in his diverse projects globally, including the wooden Japan National Stadium in Tokyo and the stone-clad V&A Dundee in Scotland. He begins each project with an immersive site visit to understand its 'spirit,' feeling the breeze and smelling the soil, often spending an entire day there to grasp its essence before selecting the most suitable materials. He believes that finding the 'protagonist material' for a place is crucial for architecture. His recent works demonstrate this material-focused approach. The UCCA Clay Museum in Yixing, China, incorporates handmade ceramic tiles to celebrate the region's pottery heritage, while the CMP Inspiration museum in Taichung, Taiwan, features a green-planted roof seamlessly integrated with partially buried exhibition galleries. For the Banyan Tree Higashiyama Kyoto, Kuma drew inspiration from traditional Japanese Noh theatre, creating an outdoor stage using yellow cedar and Kyoto cypress, highlighting the ethereal beauty of local traditions. In the South of France, Kengo Kuma & Associates designed the World Heritage and Pyrénées National Park House in Gavarnie, emphasizing harmony with the stunning natural landscape through traditional materials. The building's fluid form and glazed walls offer mountain views, while its thatched roof celebrates local haymaking traditions. Kuma actively advocates for the sustainable properties of thatch, using it in innovative ways such as exterior walls in the Yusuhara Marche and an upside-down thatched roof at Greenable Hiruzen, despite the challenges of reintroducing traditional materials into contemporary construction. Kuma has designed over 70 museums worldwide, including the V&A Dundee and the Hans Christian Andersen Museum. He redefines museums not just as spaces for art, but as places for conversation with art, space, and gardens, prioritizing intimacy and a sense of belonging within urban environments. His favorite museum project is the Nezu Museum in Tokyo, which he redesigned to integrate with its gardens, preserving the spirit and lifestyle of its founder, Nezu Kaichiro. He sees the museum as a tender, intimate space with a soft atmosphere, particularly appreciating the small café where Nezu's living room once stood. Addressing challenges in contemporary architecture, Kuma notes the rising costs of projects due to global events. He believes the solution lies in a long-term vision, emphasizing that architecture should create 'treasures' for future generations. He advocates for a return to nature, natural materials, and craftsmanship, which he sees as the foundation of community and economy. Kuma aspires to be remembered as the architect who transformed concrete-centric architecture back to using natural materials, drawing inspiration from the simplicity and sensory richness of his childhood home. He also admires Geoffrey Bawa's work, finds inspiration in Japan's onsens and ryokans for design ideas, and considers the Bamboo House in China one of his favorite projects due to its contrast with the Great Wall. #KengoKuma #Architecture #NaturalMaterials #SustainableDesign #JapaneseModernism #MuseumDesign #CulturalHeritage #ThatchArchitecture #EnvironmentalHarmony

The article highlights six innovators in Denver who are using design ideas to address problems and foster significant developments within the city. These individuals and firms represent diverse fields, including real estate development, museum direction, furniture design, and home technology, all contributing to Denver's evolving aesthetic and functionality. Mike Blea and Breton Lujan, co-founders of Raw Creative, are presented as pioneers in a comprehensive design-build-fabricate model. Their firm handles architectural design, construction, and custom furnishing fabrication, creating unique commercial spaces like Señor Bear and Morin restaurants. Their integrated approach allows them to maintain control over design concepts, pushing boundaries that might challenge others unfamiliar with fabrication. They emphasize their hands-on involvement, from architectural planning to the actual building process, which they find rewarding. The co-founders recall solving budget constraints at Table 79 by manipulating inexpensive materials to achieve a high-end Scandinavian look and meticulously designing hair-cutting stations for Elle.B Salon Central based on observed stylist movements. Looking ahead, Raw Creative is exploring micro-housing concepts to address Denver's affordability issues and expanding into residential projects, focusing on modest, comfortable, and sustainable designs, particularly in areas like Aspen. Alex Capecelatro, co-founder and CEO of Josh.ai, introduces Josh, an AI-powered home assistant designed to understand natural human speech and control home automation systems. Unlike other voice assistants, Josh integrates advanced intelligence to monitor various home aspects, including energy usage, weather patterns, and even specific room locations to tailor responses. Josh Micro, the hardware component, is designed with aesthetic appeal, featuring a concave shape inspired by Richard Serra sculptures and an invisible LED ring that indicates listening and touch controls. The device primarily processes data locally, ensuring customer privacy. Capecelatro envisions future home technology focusing on health and wellness, with products monitoring indoor air quality, water quality, and sleep patterns to improve residents' lives. Jonathan Alpert, a partner at Westfield Company, discusses his firm's contributions to Denver's development, including the Mission Ballroom, Stanley Marketplace, and S*Park, a sustainable condo community with an urban farm. He explains how Westfield Company collaborated with AEG to develop the Mission Ballroom as part of the larger North Wynkoop project, which includes offices, retail, and future residential and hotel components. Alpert defines sustainable development as encompassing environmental, social, and economic viability, exemplified by S*Park's urban farm. He acknowledges the challenges of Denver's growth, particularly regarding housing affordability, and advocates for public-private partnerships, expedited permitting for affordable housing projects, and increased efforts to build more financially viable affordable homes to ensure Denver remains an inclusive and thriving city. Nora Burnett Abrams, the new director of the Museum of Contemporary Art Denver (MCA), shares her vision for the institution. Having previously worked at prestigious New York museums, Abrams highlights Denver's unique culture of risk-taking and entrepreneurial spirit, which allows for greater artistic experimentation. She aims to build upon MCA's strong foundation, prioritizing support for local artists and expanding outreach to teen and young adult audiences, offering free admission for teens. Abrams also plans to embed the museum more deeply within the city through partnerships with other organizations, exploring topics beyond aesthetics, such as environmentalism, social justice, and mental health. She envisions MCA as a versatile space for both social gatherings and intellectual discovery, fostering curiosity and appreciation for contemporary culture. Richard Shirtcliffe, co-CEO of Noho, a Boulder and New Zealand-based furniture company, details his innovative approach to furniture design rooted in sustainability and human physiology. Motivated by the pervasive plastic pollution in oceans, Shirtcliffe co-founded Noho to create good-looking furniture from sustainable polymers and upcycled ocean plastic. His collaboration with Formway, a company known for dynamic comfort in commercial furniture, led to the development of chairs that support blood flow and improve cognitive function. Their first product, the Move Chair, is designed to flex and move with the body, made from repolymerized plastic, and features interchangeable wool toppers. Shirtcliffe emphasizes Noho’s mission to build a thriving business that positively impacts the world and individual well-being, starting with significant steps towards addressing environmental challenges through commerce. #DenverDesign #ArchitecturalInnovation #SustainableDevelopment #HomeAutomation #UrbanPlanning #ContemporaryArt #FurnitureDesign #AffordableHousing #CircularEconomy

Cuff Studio, based in Los Angeles, has unveiled its Common Ground collection of furniture and lighting as part of the Virtual Design Festival (VDF) x Sight Unseen collaboration. This collection is featured in Offsite Online, a virtual exhibition curated by Sight Unseen, a digital magazine focused on contemporary design. The Common Ground series includes two tables, a bench, an armchair, and a light, all designed to showcase the studio's distinctive design philosophy that merges angular, architectural forms with playful, feminine elements. The studio's co-founder, Kristi Bender, explains that Cuff Studio consistently integrates curves and edges, formality with casualness, and femininity with a sense of 'testosterone' into their designs. This approach is evident in the Arc bench, chair, and console table, which incorporate the classic architectural arch. For the seating designs, this typically masculine architectural element is softened by luxurious leather or pink velvet upholstery. The Arc console table, while possessing a solid volume, features brass-filled channels that allow light to pass through and hand-chiselled grooves on its exterior, providing an organic counterpoint to its geometric shape. Another piece, the Paddle table, modernizes a traditional material, solid oak. The oak is bleached to achieve a clean white tone, and its thick edges are rounded, giving it a playful, substantial silhouette. The Five Track Surface Light, conversely, utilizes a flexible material—rope—which is meticulously wrapped around a rigid, tubular frame. This light fixture can be installed on walls or ceilings and is available in natural white cotton, as well as a variety of other colors. Wendy Schwartz, the other half of Cuff Studio, emphasizes that the collection aims to demonstrate how contrasting design elements can coexist harmoniously, reflecting a broader message of unity. The studio believes that the creative process can bring people together, particularly in a world marked by political polarization. The Common Ground collection was initially launched in early 2020 at the duo's new studio in Hollywood. This launch was intended not just for press or buyers but as a celebration with fellow makers and artisans, fostering in-person connections within the design community in Los Angeles. This initial gathering highlighted the value of direct interaction and shared passion among creatives. #FurnitureDesign #LightingDesign #CuffStudio #VirtualDesignFestival #SightUnseen #InteriorDesign #ContemporaryDesign #ProductLaunch #DesignPhilosophy

This page serves as a comprehensive guide for architects, designers, and firms interested in submitting their work for consideration in Architectural Record's various annual awards and special features. It outlines the opportunities available throughout the year for showcasing contemporary architecture, residential projects, interior designs, and innovative products. The primary goal is to encourage submissions to several prestigious competitions and features that celebrate excellence and innovation in the field. The Architectural Record Awards are a key highlight, scheduled for inauguration in the fall. These awards aim to recognize the year’s best built and unbuilt projects, as well as leading design voices, with winners being celebrated at the annual Innovation Conference. This new award program will complement the magazine's long-standing tradition of highlighting architectural excellence in its print editions. Specific details for submission to these awards are provided through a dedicated link. Another significant feature is "Record Interiors," an annual issue that has for decades showcased outstanding contributions to building interiors. This competition invites architects and interior designers to submit projects that demonstrate clever solutions and innovative material choices, with a primary focus on interior scope. The page offers links to submission details and archives of past winners, providing aspiring entrants with examples of previously recognized work. "Design Vanguard" is presented as a program recognizing emerging firms and individual practitioners who represent the next generation of architects. Since 2000, this award has honored ten international winners each year, specifically targeting practices that have been established for ten years or less. This initiative aims to highlight fresh talent and innovative approaches within the architectural community, with application details and a list of past winners accessible on the page. "Record Houses," established in 1956, is an annual issue dedicated to residential design. It seeks projects that challenge expectations, push disciplinary boundaries, and creatively redefine established architectural vocabularies. The platform provides detailed submission guidelines and links to previous winners, offering insights into the types of residential projects that have historically been celebrated. The "Kitchen & Bath" competition focuses on novel approaches to these utilitarian spaces, encompassing both commercial and residential contexts, and even public infrastructure. This category encourages submissions that showcase innovation in design and functionality within kitchens and bathrooms. Information on entering this competition and viewing past winners is also made available. "Record Products of the Year" is a long-running competition that identifies the most innovative building materials, components, and furnishings introduced to the North American market within the past year. A panel of experts, including architects and designers, selects winning entries based on criteria such as inventiveness, functionality, sustainability, and aesthetics. The awardees are featured in the December issue of RECORD, and the page provides entry details for the upcoming cycle and a list of previous product winners. The "Cocktail Napkin Sketch" contest, open to U.S.-based architects, students, and related professionals, celebrates the art of sketching. Entrants are required to submit a sketch on a white cocktail napkin using a pen. Two grand prize winners, one licensed architect and one related professional, receive a gift card and a set of custom cocktail napkins. Winning sketches are announced at the Innovation Conference and published in the November issue and on the website. This contest is sponsored by Construction Specialties. Finally, the "Guess the Architect" contest is a monthly challenge from the editors, inviting readers to identify the architect of a historically important building. The contest runs throughout the month, with a chance to win a $500 Visa gift card. This contest is sponsored by Pac-Clad Peterson. The page concludes by inviting general project submissions, providing links to submission guidelines and the editorial calendar for those who wish to have their work considered for publication outside of the specific contests. #ArchitecturalAwards #DesignCompetitions #EmergingArchitects #ResidentialDesign #InteriorDesign #BuildingProducts #ArchitecturalSketching #InnovationConference #CallForEntries

The Interior Design Show (IDS) Toronto returns to the Metro Toronto Convention Centre (North Building), offering a comprehensive experience for enthusiasts of interiors, home decor, architecture, technology, and art. The event, held in January 2026, features immersive environments, insights from celebrity designers, presentations by local and international brands, and innovative installations. It commences with an Opening Night party, transforming the show floor into a stylish lounge with live performances and DJ sets, marking the official start of Toronto Design Week. One of the main attractions is the "How We Work" feature, which explores the future of productivity through narrative-driven, cinematic environments. Collaborative design teams, including Ste. Marie x Moooi and 3H + Syllable Design, present installations that investigate the impact of workspaces on creativity, focus, and wellbeing. A notable exhibit within this section is the "Pomodoro" installation by BDP Quadrangle, which provides a physical interpretation of productivity cycles using light and texture. The Central Bar at IDS, named "Field of Interaction," serves as an interactive art installation created by Yury Goncharov and Alina Tacmelova. This space combines cocktail service with artistic engagement, featuring floating threads symbolizing human connection and a large "social rock" bar that allows guests to experience art from within. The show also highlights "Colour Drenching," a major trend emphasizing bold, saturated hues. Benjamin Moore showcases its 2026 Colour of the Year, Silhouette AF-655, a charcoal-plum shade, demonstrating how confident, monochromatic aesthetics can be integrated into home environments through brands like Hollis + Morris. The event features a distinguished lineup of speakers, including Canadian design figures such as Tommy Smythe, Brian Gluckstein, and Colette van den Thillart. International design icons, including Yves Béhar of Uber's founding team, Eames Demetrios, and architect Tatiana Bilbao, also contribute to the program. A keynote address titled “Rethinking AI’s Impact on the Business of Design” explores how artificial intelligence is transforming the design industry. IKEA Canada returns to IDS with a 600 sq ft immersive kitchen experience. This exhibit demonstrates practical and affordable world-class design solutions, showcasing a main kitchen, a hidden prep kitchen, a dining area, and a walk-in pantry. Another highlight is ILLUMINATE, a new feature curated by ThinkL Lighting Studio. This immersive "tunnel of light" combines art, technology, and design, presenting innovative lighting solutions from brands such as Anony and Delta Light. IDS also introduces the Furniture Forecast, a debut gallery-style showcase curated by Azure Magazine. This feature highlights the year's most exciting design innovations, including the Canadian premiere of works from international brands like Moooi, HAY, and SEM Milano. It provides an exclusive look at groundbreaking products such as Yves Béhar’s modular Peaks Sofa and Nicholas Baker’s Haybale Lounge Chair, emphasizing sustainable materials and contemporary silhouettes. Additionally, Atriani presents its evolving artistic direction, featuring rich, moody hues like terracotta and burgundy with deeply textured fabrics. Their booth showcases the debut of the Ottagono Coffee Table set and the Tuscano Chair, alongside updated versions of their core collection, like the Cielo Arm Chair, coinciding with the opening of their second Toronto showroom. #IDSToronto #InteriorDesignShow #DesignTrends #HomeDecor #Architecture #InteractiveArt #DesignInnovation #TorontoEvents #DesignWeek

Clerkenwell Design Week 2025, held from May 20-22 in London, showcased a vibrant array of design innovations, installations, and product launches. The event, known for transforming commercial design into an engaging exhibition, utilized iconic venues such as the 14th-century Charterhouse, a new space in Smithfield Market, and the medieval St Bartholomew’s Church, dubbed ‘Church of Design’ for the occasion. The atmosphere was notably lively, attracting significant crowds across various showrooms and venues. Among the standout installations was 'A Week at the Knees' by artist Alex Chinneck, a surrealist sculpture crafted from 7,000 bricks. This piece mimicked the Georgian façades of Charterhouse Square but dramatically bent across a path, inviting visitors to experience its distorted form. Although Clerkenwell Design Week concluded on May 22, Chinneck’s installation remained accessible until early July. Another notable public artwork was 'Harmonic Tides' by Arthur Mamou-Mani, which featured two sweeping 3D-printed walls with integrated bench seating. Designed to evoke the natural movement of water, the undulating walls were constructed from a sugar-based bioplastic (PLA) and incorporated LED lighting and a calming soundtrack, creating an immersive and tranquil environment. Additionally, 'Brick from a Stone: Arch Revival,' a collaboration between Hawkins\Brown and Webb Yates for Albion Stone and Hutton Stone, was unveiled on Clerkenwell Green. This double-arched pavilion, made from British stone bricks, demonstrated the inherent strength of stone through incredibly thin, load-bearing arches, merging ancient techniques with modern engineering. The event also featured unique interactive experiences, such as 'Beasley’s Biscuit Bar' by Sons of Beasley, located at Hawkins\Brown’s Clerkenwell Road studio. This installation revived a local historical anecdote about London’s first 'biscuit bar,' offering visitors Yorkshire Tea and homemade biscuits within a retrofitted servery. The space also showcased colorful furniture made from Plykea offcuts and provided a live-making demonstration, blending historical homage with contemporary design. In terms of product design, Hand & Eye presented a tactile range of slip-cast terracotta, stoneware, and porcelain wall lights, all handmade in their Devon workshop, as part of the British Collection. David Irwin introduced the 'Caston' chair for Origin Furniture, notable for its elegant form and circular design principles, featuring a tubular steel frame and zero-waste 3D-knitted upholstery that is fully recyclable. SCP debuted the 'Archer' chair by Magnus Long, a cantilever design with a tubular metal frame and plywood seat, displayed in the Church of Design. Mirage, in collaboration with AMDL Circle, launched ‘Terrae,’ a ceramic surface collection exploring the emotional connection between ceramics, light, and space, presented at Charterhouse. Curiousa introduced 'Carnival,' a sculptural lighting collection displayed in the underground space of the House of Detention. This collection combined hand-blown glass, porcelain, and wood in playful, Harlequin-inspired forms. NaughtOne launched 'Fin,' a new lounge chair by Daniel Schofield, inspired by 1960s space-age design and constructed with a simple plywood frame, minimizing its embodied carbon. Italian brand Bolzan showcased the 'Milo' bed, a cocooning design with a soft, foldable headboard, at Old Sessions House. Bolzan also exhibited headboards from their 'Woven Dreams' collection, including 'Fiocco' by Martino Gamper and 'Rosary' by India Mahdavi, both previously admired in Milan. The event successfully combined large-scale installations, product launches, and interactive elements, solidifying its reputation as a significant event in the design calendar. #ClerkenwellDesignWeek #LondonDesign #ArtInstallation #FurnitureDesign #LightingDesign #SustainableDesign #ArchitecturalInnovation #ProductLaunch #InteriorDesign

i29, an Amsterdam-based design office, focuses on interior and architecture projects, aiming to create spaces with strong, clear identities. Founded by Jaspar Jansen and Jeroen Dellensen, i29 works with a dedicated team of interior designers and architects on a diverse range of international projects. Their portfolio includes award-winning residential, hospitality, office, retail, and exhibition designs, with notable clients such as Booking.com, Bijenkorf Amsterdam, Amerborgh, Samsonite Europe, FRAME Magazine, and the National Ceramics Museum. The firm believes that the environment significantly influences human interaction, socialization, and daily life. Their approach involves distilling each assignment to its essence, striving to produce work that contributes to a better future. They see opportunities in both the renovation of monumental heritage, by integrating historical qualities into contemporary design, and in new construction, by focusing on future-proof solutions. This dual perspective informs their objective to create understandable, comfortable, and functional buildings that enrich daily life. i29 maintains a consistent interior design style by prioritizing clear communication with clients. They emphasize careful listening to initial requests and ideas to gather comprehensive information, which often leads to innovative and unexpected solutions. The firm asserts that every project requires unique solutions, rejecting standardized approaches in favor of personalized and specific designs. They aim to deliver progressive work characterized by its simplicity, creating clear, effective, and surprising physical experiences in an increasingly digital world. The diversity of their portfolio enables them to think creatively and inclusively for various clients and users. While their solutions are not standard, their working methods are standardized to ensure quality, efficiency, and creativity. The studio emphasizes continuous adaptation and close collaboration with clients and partners. Regarding influences, i29 acknowledges many admirable designers but strives to remain authentic to their own vision, avoiding excessive imitation. They are inspired by their everyday environment, including nature, literature, exhibitions, and films, drawing from the rich cultural resources of Amsterdam. Social media serves as a practical tool for marketing and sharing their projects, offering insights into their design philosophy, building processes, and inspirational concepts, while they consciously avoid being overly influenced by online trends. On sustainable design, i29 adopts a pragmatic approach, encouraging clients to opt for sustainable solutions whenever possible. Their goal is to maximize the impact of sustainable design, motivating broader adoption of eco-friendly materials, energy systems, and new developments for a better future. They have developed a system to categorize products and materials, raising client awareness about the sustainability, durability, and cost implications of their choices. This focus on awareness is a powerful driver for promoting sustainable design. i29 expresses aspirations to expand into architectural practice, combining their existing interior design expertise with a broader architectural vision to create places with strong identities. They anticipate upcoming large-scale projects, including hotels, spas, and sustainable homes, indicating their readiness for new challenges and collaborations with international partners. #InteriorDesign #ArchitectureProjects #AwardWinningDesigns #SustainableDesign #ClientCollaboration #DesignProcess #FutureProofDesign #DutchDesign

The article highlights five Copenhagen-based creatives who are redefining Danish design by blending traditional aesthetics with contemporary approaches. These designers are characterized by their respect for heritage, openness to new ideas, and a focus on pushing creative boundaries, moving beyond the well-established minimalist, muted, and naturalistic style often associated with Scandinavian design. They are introducing fresh perspectives while maintaining a strong connection to craftsmanship and human-centered design principles. Helle Mardahl, a former fashion designer, transitioned into creating colorful blown-glass objects, including lamps, tableware, and decorative pieces. Her work is notable for its vibrant colors and whimsical forms, reminiscent of candy and childhood treats, which challenges the traditional muted palette of Danish design. Mardahl’s experience studying abroad in London influenced her appreciation for Copenhagen and inspired her to incorporate bolder aesthetics, proving that exposure to diverse cultures can enrich local design. Architect Søren Pihlmann operates his studio with an unconventional approach, emphasizing the use of existing building elements in renovations. His methodology avoids fighting against a structure's inherent potential, instead allowing the building to guide the design process. Pihlmann's work, which spans from industrial breweries to private homes, focuses on understanding materials and their stories, advocating for a shift away from purely conceptual architecture towards a more tangible, material-driven practice. He also questions profit-driven trends, prioritizing sustainable and respectful renovation. Thomas Woltmann, a furniture designer, focuses on bringing conceptual artistic thinking into relatable, functional design. His award-winning Re-C chair, made from recycled wood from an old church, exemplifies his commitment to using regional and recycled materials, re-establishing a connection between humans and the physical objects in their lives. Woltmann believes in drawing inspiration from Denmark's rich craft history to address contemporary challenges, such as the climate crisis, by focusing on natural materials, longevity, and craftsmanship, echoing the spirit of past Danish design masters while adapting to modern needs. Interior designer Jessica Vedel, with a background in fashion and photography and international experience in Berlin, London, and New York, blends Nordic minimalism with cosmopolitan elegance. Her designs are characterized by bespoke furnishings, intricate architectural details, and a keen sense of form and scale. Vedel's work is influenced by her Danish roots and the tradition of quality materials and architecture but incorporates more volume and layering, reflecting her global exposure. She also designs furniture, collaborating with brands and developing custom pieces, always driven by an intuitive creative impulse. Danielle Siggerud, an architect from Oslo, initially considered a career in medicine due to an interest in helping people, but her awareness of how spaces affect human feelings led her to architecture. Her firm specializes in both new builds and historic renovations, applying a "refined minimalism" that emphasizes materiality and tactility. Siggerud's approach, refined under John Pawson, considers the routines and situations of inhabitants, focusing on creating sensory experiences through thoughtful integration of elements like lighting, doors, and surfaces. Her work, which extends to furniture design, aims to elevate the everyday and interact with the past through a deep appreciation for human interaction with built environments. These five creatives collectively represent a dynamic evolution in Danish design, honoring its foundational principles while boldly exploring new directions. #CopenhagenDesign #DanishDesign #CreativeInnovation #HomeDesign #ArchitecturalRenovation #SustainableDesign #FurnitureDesign #InteriorDesign #MaterialExperimentation

The General Contractors Design Group, Inc.™, led by Founder and CEO Dylan Blake Kapneck, offers a unified design-build solution for high-end residential projects, aiming to streamline the process by integrating design and construction services. This model addresses common challenges in luxury home building, such as project fragmentation, delays, miscommunication, and compromises that can arise from working with separate architectural, design, and construction firms. Kapneck, who is both a licensed general contractor and an internationally recognized interior designer, oversees all project stages, ensuring a cohesive vision from initial concept to completion. The firm's approach encompasses architecture, interior design, engineering, permitting, and construction management under a single entity. This integration provides clients with clarity and efficiency throughout the project lifecycle. A key differentiator for The General Contractors Design Group, Inc.™ is its commitment to precision and innovation, particularly through the use of advanced visualization technologies. Clients can preview their future spaces using real-time, patented 3D model renderings and virtual reality simulations. These tools allow for detailed refinement of designs before construction begins, enabling clients to visualize and approve every aspect of their project in advance. The firm emphasizes meticulous attention to detail and the seamless integration of modern systems, including smart home technology and sustainable materials. This focus ensures that all elements of a luxury residence are thoughtfully incorporated and function harmoniously. The General Contractors Design Group, Inc.™ maintains offices across South Florida, with a reach that extends to international projects, catering to a clientele that seeks a higher degree of control, creativity, and value in their custom home builds. Dylan Blake Kapneck's leadership is central to the firm's prominence in the luxury design-build sector. His background combines real estate development expertise with creative direction, positioning him at the forefront of industry trends. This dual perspective allows the firm to not only construct exceptional homes but also to influence the future trajectory of high-end design and construction practices. The company's comprehensive service model and innovative use of technology are designed to meet the demands of discerning clients who desire a fully integrated and high-quality residential construction experience. #GeneralContracting #InteriorDesign #LuxuryHomes #DesignBuild #DylanBlakeKapneck #SouthFloridaRealEstate #ResidentialConstruction #ArchitecturalDesign #SmartHomeTechnology

The article discusses the evolution of biophilic architecture from a niche concept to a mainstream design approach, emphasizing its benefits and challenges. Biophilia, defined by Edward O. Wilson in 1984, posits that humans have an innate need to connect with nature. Incorporating natural elements into built environments has been shown to improve human well-being, including lower blood pressure, reduced stress, enhanced attentiveness, and increased happiness and creativity. Beyond human benefits, biophilic design also contributes to environmental health by fostering biodiversity, decreasing energy consumption, reducing carbon emissions, and purifying polluted air. Richard Hassell, co-founder of WOHA, a Singaporean architectural firm, notes the shift in perception where developers, initially skeptical, now actively embrace biophilic principles. However, he cautions against the reduction of biophilia to a mere marketing buzzword, stressing the importance of thoughtful and effective implementation rather than just adding plants. The success of biophilic design hinges on how deeply it integrates natural elements and functions, moving beyond superficial aesthetics. MK Leung, director of sustainable design at Ronald Lu & Partners (RLP) in Hong Kong, highlights the need to quantify the quality of biophilic interventions. RLP utilizes a custom script within Rhinoceros with Grasshopper to evaluate projects based on biophilic elements a user would experience, such as views of greenery, natural sounds, scents, and sensations. This ensures that biophilic principles are consistently applied and sustained throughout a project. Examples like RLP's Garden Crescent, a residential tower with vertically linked gardens, and Echo House, a modular residential development integrating biophilic elements to soften its manufactured feel, demonstrate this commitment. Despite Hong Kong's challenging hyper-dense urban landscape and rigid building codes, biophilic design has found fertile ground. The E-Co Village, a recreational space on a former landfill site designed by AOS Architecture, exemplifies this by offering a natural environment for learning about sustainability, powered by solar energy. Corrin Chan of AOS Architecture drew inspiration from Thich Nhat Hanh's "Zen and the Art of Saving the Planet," emphasizing that humans are integral to the environment. Swire Properties' redevelopment of Taikoo Place further illustrates this trend, incorporating 6,500 square meters of public open space, inspired by traditional feng shui woods, to connect urban areas with natural ecosystems and enhance biodiversity. Richard Hassell underscores the importance of designing not only for human-centric biophilia but also for biodiversity, suggesting that a garden rich in butterflies and birds offers a more profound biophilic experience. WOHA's upcoming Faber House in Singapore, for instance, features interconnected vertical gardens and a 15-story waterfall, designed to create interconnected ecosystems. The article also addresses the critical question of environmental sustainability in biophilic design. Leung emphasizes that biophilic designs must not consume more energy than conventional designs to be truly beneficial. Hassell acknowledges the complexity of this calculation, noting that while a poorly designed green wall might be unsustainable, the wellness and mental health benefits, along with improved air quality, often justify the investment when executed thoughtfully. Ultimately, biophilic design aims to harmonize environmental support with human wellness, representing a convergence of these critical objectives. The article also mentions several other biophilic projects in Asia, including Central Park in Vietnam, which integrates engineered 'trees' for rainwater collection and solar power generation; Heatherwick Studio's 1000 Trees in China, resembling a cliffside forest; Kai Yufuin Ryokan in Japan, a hot springs resort designed with terraces inspired by rice fields; and WOHA's Pan Pacific Orchard in Singapore, known for its lush greenery and open-air spaces in a vertical setting. These projects collectively showcase the diverse applications and growing acceptance of biophilic principles in contemporary architecture across the region. #BiophilicArchitecture #SustainableDesign #UrbanPlanning #EnvironmentalSustainability #HumanWellbeing #ArchitecturalInnovation #HongKongArchitecture #SingaporeArchitecture #GreenBuildings

Daniel Boddam, an Australian architect and designer, leads his eponymous studio in Sydney, focusing on creating spaces and furniture that inspire human engagement and connection with nature, while celebrating artisanal craftsmanship. His design philosophy is rooted in simplicity and the belief that design can foster a sense of calm and well-being. Boddam integrates a modern perspective with materials, colors, and textures inspired by the Australian landscape, aiming to articulate a unique Australian voice with global appeal. His latest furniture collection draws inspiration from the raw Australian environment. The 'Wave' sofa and chair, for instance, feature undulating forms reminiscent of ocean waves, emphasizing organic shapes and lyrical simplicity. The 'Portsea' side tables highlight elemental forms and quality craftsmanship, using materials like Calacatta marble and Travertine to add tactile dimension to circular and triangulated designs. These pieces, along with his 'Coast,' 'Geo,' and 'Monument' collections, are designed for enduring elegance, combining luxurious materials, revered artisanship, and timeless design. The material palette includes organic elements such as timber, travertine, stone, and marble, paired with neutral tones like sand, grey, and white, all reflecting natural inspirations. Boddam's design process begins with hand sketches, which are then translated into 3D models and integrated into architectural projects to visualize their spatial relationships. Boddam discussed two recent interior projects. For Carthona House, he aimed to create a breathable, light-filled, and well-crafted addition to an existing Federation-style home. His approach involved 'complement by contrast,' balancing the traditional qualities of the original facade with a striking blackened silhouette for the extension, and integrating indoor/outdoor living while maintaining privacy. Lindfield House, in contrast, offers a calm and refined atmosphere tailored to the clients' personalities, driven by considered simplicity and mid-century influences, achieved through layered materials and textures to create a luxurious and minimal interior. His early life was immersed in design, with both parents being architects. One of his first design memories involves playing inside Charles Rennie Mackintosh's Willow Chair, which left a lasting impression of craftsmanship. His curiosity about design persisted from childhood, eventually leading him to study architecture at the University of Sydney. Boddam finds inspiration in the simplicity and elegance of designers like Christian Liaigre, Vincent Van Duysen, and Joseph Dirand, admiring their craftsmanship and timelessness. Boddam splits his time between his primary residence in Byron Bay and an apartment in Bondi, Sydney. His Byron Bay home, built in the late 1990s, backs onto a natural reserve and was designed as a barefoot sanctuary to reconnect with nature, reflecting the spirit of the local landscape and an elevated expression of coastal living. For inspiration, he often turns to nature, taking walks along the coastline to clear his mind. He maintains a daily ritual of sketching concepts in the mornings, treating each design as a research project to build a narrative around a concept. Upcoming projects for 2021 include a recently completed Sydney harborside project—a contemporary interpretation of a Californian bungalow featuring an art collection—and the continued development of new furniture pieces using quality Australian materials. His dream projects involve collaborating with like-minded clients in inspiring locations, with a focus on quality craftsmanship and artisanal celebration, such as designing a stand-alone home in North America or a one-off eco-friendly villa. #DanielBoddam #AustralianDesign #InteriorDesign #FurnitureDesign #CoastalLiving #ArchitecturalProjects #MaterialPalette #ArtisanalCraftsmanship

David Collins Studio has been a pivotal force in interior design for four decades, creating glamorous and inviting spaces that have become iconic London establishments. The studio's influence spans from renowned restaurants and hotels to luxury fashion boutiques and residential projects. Its enduring success is attributed to its distinctive approach to design, which balances elegance with approachability, making spaces desirable to a diverse clientele. The studio's journey began with a significant partnership with chef Marco Pierre White in 1988, starting with Harvey's on Wandsworth Common. This collaboration expanded to include other notable restaurants like Mirabelle, Quo Vadis, and the Canteen, establishing David Collins Studio as a key player in London's vibrant dining scene. Iain Watson, the CEO of David Collins Studio, who joined in 1988, highlights the impact of these early projects, noting that White was a pioneer in fine dining at a grand scale. A landmark project for the studio in 1998 was the transformation of Claridge’s Bar. It evolved from a modest eatery into a premier destination with distinctive features such as red crocodile-print leather and Art Deco elements, alongside its own dedicated entrance. This redesign attracted a fashionable crowd, including celebrities like Kate Moss. Simon Rawlings, the chief creative officer, who joined in the same year, emphasizes how the bar successfully drew in non-hotel guests, a novel concept at the time. The studio subsequently modernized Claridge's sister hotels, the Berkeley and the Connaught, adopting a formula of chic bars and acclaimed restaurants with celebrity chefs like Gordon Ramsay, Angela Hartnett, and Marcus Wareing, revitalizing these historic establishments. Another significant collaboration was with restaurateurs Chris Corbin and Jeremy King, known for their work with The Ivy and Le Caprice. Their first joint venture was the redesign of J Sheekey, an old London fish restaurant, which proved highly successful with its intimate booths and interconnected rooms. This led to further projects, including Colbert, the Delaunay, Brasserie Zédel, and especially The Wolseley. The Wolseley, originally a car showroom and later a bank, was reimagined as a grand Viennese-style café, revolutionizing London's breakfast culture by making dining out for breakfast a lifestyle choice rather than just a meal. Rawlings recalls traveling to Vienna to study café culture, observing details such as the presentation of espresso with a glass of water, which influenced The Wolseley's unique appeal. Beyond hospitality, David Collins Studio also made its mark in luxury retail. It designed five Anglomania stores in Japan and a flagship store in New York for Vivienne Westwood. The studio faced creative challenges, such as creating flooring that mimicked hair, reflecting the designer's unique aesthetic. In 2012, the studio collaborated with Alexander McQueen, developing a global retail concept that incorporated traditional-looking panels revealing iconic McQueen motifs like flowers and butterflies, reproduced by local artisans worldwide. The studio’s extensive portfolio also includes residential projects for high-profile clients such as Madonna and Tom Ford, and nightclubs like Kabaret’s Prophecy. Even the widespread Café Rouge chain, which brought the relaxed bistro concept to the UK, benefited from the studio's design expertise, with each of its over 100 branches featuring authentic French artifacts. Although David Collins passed away in 2013, his vision is sustained by the 60-strong team, led by Watson and Rawlings, who continue to pursue diverse and challenging projects, ensuring the studio's legacy of designing memorable and lasting experiences. #DavidCollinsStudio #InteriorDesign #LondonHospitality #LuxuryRetailDesign #RestaurantDesign #HotelInteriors #ArchitecturalLegacy #BritishDesign #GlamorousInteriors

Contemporary design is explored through the perspectives of four prominent figures in the home industry, as presented by Andersen Windows & Doors. These individuals, characterized as "possibility makers," are recognized for setting trends rather than following them. Brandon Berg, Senior Vice President of Research, Development, and Innovation at Andersen Windows & Doors, highlights that contemporary design balances various styles while pushing creative boundaries, and Andersen aims to collaborate with those bold in design and performance. Justina Blakeney, a designer known for her lifestyle brand Jungalow, champions confidence, creativity, and joy. Her work is inspired by her childhood in Berkeley, California, where she spent time in nature and nurtured her artistic talents. Her parents, both developmental psychologists, encouraged her to follow her heart and explore her passions. After graduating from UCLA, Blakeney lived in Italy for seven years, where she admired the Italian approach to mixing old and new, and bright colors with neutrals. Returning to the West Coast in 2009, she infused her 1920s Los Angeles bungalow with greenery, bold colors, prismatic patterns, and earthy textures, sharing her journey on her blog, Jungalow. She defines contemporary design as an "osmosis of things coming together when we’re feeling our most creative and inspired." Blakeney emphasizes that even small changes can impact how we live, encouraging individuals to consider the activities their home should support and then experiment with colors, patterns, and textures. Her brand is committed to environmental sustainability, planting at least two trees with every order, and offers diverse product lines for home decor. Cavin Costello, an architect and co-founder of The Ranch Mine, moved to Phoenix after earning his master's degree, driven by a pioneering spirit. Alongside Claire Aton, he established a firm dedicated to honoring the past and inspiring the future through architectural design, drawing inspiration from the region's ranching and mining history. Their firm gained recognition for transforming homes with a focus on individual passions. Costello's background includes hands-on experience building his family home with his civil engineer father. He emphasizes that contemporary design should be "free of style" and responsive to people, place, culture, and climate. An example of his work includes a solar-powered home designed for a couple's passions for music, yoga, and sustainability, featuring compact windows that reveal desert vistas during yoga practice. The Ranch Mine also received an HGTV Designer of the Year Award for their Red Rocks project, which reconfigured a 1970s Spanish Colonial Revival to connect with the outdoors and Arizona's natural beauty. Jessica Davis, an interior designer and founder of Nest Studio and Atelier Davis, has been passionate about design since childhood, even sending landscape plans to *Southern Living* magazine at age 12. Her global upbringing in Sydney, Hong Kong, and Dallas, along with degrees from Princeton and the New England School of Art & Design, shaped her perspective. After working in hospitality design, she settled in Atlanta and became known for her creative contemporary vision, blending luxurious and accessible elements. Davis developed this dynamic approach while working on the TV show *Bob Vila’s Home Again*, sourcing furniture and decor. She launched Nest Studio, an award-winning hardware company, which quickly gained traction through her early adoption of blogging and Pinterest. Her collections feature mixed materials and layered dimensions. At Atelier Davis, her team injects personality into spaces that tell the stories of their inhabitants. Davis, a mother, operates both studios as women-owned businesses, supporting work-life balance for talented working mothers. She defines contemporary design as what is "happening now" and responsive to evolving needs, citing her own plans for a home addition with a stronger connection to the outdoors and an open floor plan, incorporating steel frame windows reminiscent of her childhood in Hong Kong. Jeff Sweenor, a builder, founded Sweenor Builders after a background in competitive rowing, which instilled in him a team-oriented mentality. His work ethic was also shaped by growing up in his family's fifth-generation candy business, where he learned carpentry, plumbing, electrical, and refrigeration skills by building and renovating their shop. This entrepreneurial spirit led him to build his first home, learning alongside local professionals. Over 30 years, Sweenor Builders has grown from building spec houses to creating legacy homes along the New England coastline. The company integrates various capabilities, including an in-house millwork and cabinetry shop, providing a seamless client experience. One notable project involved renovating a 1971 residence, transforming its congested floor plan and scattered windows to optimize riverfront views. The renovation maintained coastal character while incorporating sleek, modern materials like black vertical longboard and cypress cladding. The firm optimized overhead space with a low-pitch roof and clerestory windows, enhancing natural light. Sweenor’s dedication extends to community engagement, offering on-the-job opportunities to local students, a practice he sees as building the next generation of skilled professionals. #ContemporaryDesign #HomeIndustry #DesignTrends #Architecture #InteriorDesign #Building #Jungalow #TheRanchMine #AtelierDavis #SweenorBuilders

SKD Architects undertook a project to merge two adjacent downtown Minneapolis condos into a single, cohesive living space for a couple whose lives had intertwined. The initial assessment by Steve Kleineman of SKD Architects identified the potential for panoramic views from the 23rd floor, guiding the subsequent design process. The project involved removing the shared wall between the two units to create expansive, contemporary living areas with a central focus on the downtown skyline. This transformation aimed to optimize space and enhance comfort within the condo environment. The redesign integrated a wet bar between the dining area and patio, allowing residents to enjoy refreshments while overlooking the Mississippi River. A private terrace was also incorporated for relaxation. For practical needs, a dedicated workspace was established off the kitchen, and a game table was included for social activities. The upper level was transformed into a private owner’s suite, featuring a light-filled bedroom with a sitting area and fireplace. This suite also includes an exercise room, a spacious walk-in closet, and a second laundry facility. Additionally, two guest bedrooms, each with its own bathroom and a second laundry area, were positioned in a separate wing to ensure privacy and comfort for visitors. Addressing the challenge of lighting in areas away from windows, Kleineman focused on strategic illumination to introduce drama and interest. The design prioritized maintaining high ceiling heights, often employing indirect lighting to visually emphasize vertical space. Soffits were utilized to delineate different areas, necessitating careful planning for ductwork and sprinkler piping. Accent walls, rich wood finishes, and detailed coffer ceilings were incorporated to further distinguish the living spaces, while the added ceiling depth accommodated recessed lighting. The main living area was reconfigured into an open layout, connecting a circular dining area, the kitchen, and the great room. This design emphasizes a harmonious blend of lighting, repeating patterns, fine craftsmanship, and a contemporary color palette. Kleineman elaborated on treating walls, cabinetry, and lighting as artistic compositions, with each wall being intentionally designed. Floating shelves and designated wall spaces were created for art display. Meticulous consideration was given to the placement of functional and aesthetic elements, such as a seven-foot linear fireplace, a TV wall, and furnishings, all strategically arranged to maximize views from every vantage point within the newly opened space. This comprehensive architectural endeavor aimed to establish a premier example of downtown living. #SKDArchitects #MinneapolisCondo #CondoDesign #HomeRenovation #UrbanLiving #ArchitecturalDesign #InteriorArchitecture #LuxuryCondos #SteveKleineman

The Danish design brand Vipp collaborated with Marrakesh and Paris-based Studio KO to create a temporary guesthouse for 3daysofdesign. This collaboration aimed to blend North African aesthetics with Nordic design principles, resulting in a unique synthesis of weathered textures and Danish design heritage. Studio KO, founded by Karl Fournier and Olivier Marty, approached this project with a deep admiration for modern architecture, particularly referencing Jean Nouvel's work and the Louisiana Manifesto, which emphasizes the relationship between a structure and its environment. Their design for the guesthouse incorporates materials and techniques that evoke both protection and vulnerability, permanence and ephemerality. One significant design choice was the use of timber treated with the Japanese shou sugi ban technique for the guesthouse's exterior. This charring process enhances the wood's protective qualities while giving it a distinctive, aged appearance. Inside, the guesthouse features Vipp's modular Loft sofa, reinterpreted with Pierre Frey textiles. These fabrics, known for their hand-woven textures, introduce an element of traditional craftsmanship that contrasts with the sofa's modern, geometric form. Similarly, the Vipp Swivel chair, typically upholstered in leather, was given a new identity with Pierre Frey's textured materials, highlighting the subtle variations as a design strength. Kasper Egelund, the third-generation owner of Vipp, emphasized the project's goal to challenge conventional expectations of a Danish design company. The collaboration sought to create a dialogue between Vipp's established aesthetic and Studio KO's distinct approach, fostering a new kind of harmony through the juxtaposition of contrasting materials and ideas. The space is designed to engage all senses, incorporating tactility, sound, scent, and bold visual aesthetics, aiming to provide a surprising and playful experience for visitors. This cross-cultural design initiative underscores a commitment to innovation and a broader understanding of design possibilities, moving beyond singular cultural influences to create a globally inspired yet locally rooted experience. #InteriorDesign #Vipp #StudioKO #CopenhagenGuesthouse #3daysofdesign #NordicDesign #NorthAfricanSensibility #PierreFrey #ShouSugiBan