In an Eldridge Street mosaic, a reminder of a great Jewish artist

ZNAK introduces a new product called 'Mosaic wall decals,' designed by Martins Ratniks, following the success of their tear-off wallpaper. These new wall decals offer a creative and customizable approach to interior decoration. Unlike traditional wallpaper or simple stickers, ZNAK Mosaic wall decals consist of multiple colorful, self-adhesive pieces. Each set includes a stencil, allowing users to precisely arrange the individual components to form various mosaic patterns and designs on their walls. This system ensures consistent spacing and a polished appearance, even for those without extensive design experience. The innovative aspect of ZNAK Mosaic wall decals lies in their versatility and ease of application. The self-adhesive nature eliminates the need for messy glues or professional installation, making it a user-friendly option for home decorators. The inclusion of a stencil simplifies the design process, enabling individuals to achieve intricate and aesthetically pleasing wall art with relative ease. This product empowers users to personalize their living spaces by arranging the colorful pieces into countless unique configurations, transforming plain walls into vibrant focal points. The product builds on ZNAK's reputation for innovative wall coverings, as highlighted by their previously popular tear-off wallpaper. The Mosaic wall decals provide a fresh alternative for those looking to inject color, pattern, and artistic expression into their homes without permanent commitments. The design by Martins Ratniks emphasizes both functionality and aesthetic appeal, catering to a modern sensibility that values customization and ease of use in home decor. This solution is ideal for individuals seeking to enhance their interior environments with dynamic and personalized visual elements, offering a blend of artistic freedom and structural guidance. #WallDecals #Wallpaper #HomeFurnishings #InteriorDesign #MartinsRatniks #ZNAK #DIYDecor

Interior decorator Starrett Zenko Ringbom and artist Happy Menocal collaborated on a whimsical, hand-painted mural for the entryway of Ringbom’s Upper East Side Manhattan apartment. Their working relationship, which began with Ringbom's branding materials, evolved into a friendship, making them an ideal creative pair due to their shared bright, playful aesthetics and willingness to take design risks. Ringbom expressed implicit trust in Menocal's understanding of her aesthetic point of view. The mural serves as a central focal point in the newly redecorated two-bedroom residence, which exudes significant character. The design inspiration for the home, and consequently the mural, stemmed from bold hues and the surrealist design of a Fornasetti umbrella stand situated in the entry. Ringbom describes her interior decor theme as neo-traditional, envisioning an Italian aristocrat who, after facing financial hardship, moved into a smaller pre-war apartment but still sought to live grandly and eccentrically. This concept underscored her desire for a mural in the entry. Ringbom was committed to realizing her dream of a tailor-made, hand-painted entry, emphasizing that small spaces should not limit style. She cited the entrance to L’Institut Guerlain, designed by Jean-Michel Frank with wall murals by Christian Berard, as a long-standing inspiration for her own mural project. The collaboration with Menocal involved incorporating themes from the rest of the home into the personalized painting. Menocal noted that Ringbom’s apartment and overall aesthetic blend "zippy Italian mid-century" with "classic old-guard formality." To honor this, and Ringbom's admiration for writer and illustrator Ludwig Bemelmans, Menocal integrated elements like topiary and cypress trees to evoke an Italian feel, alongside stylized color fields and a limited palette for a 1960s mod touch. The resulting mural is a spirited, celestial depiction of Ringbom and her family, featuring ethereal foliage and a muted background. Each family member is represented in portrait-painted medallions, reminiscent of characters from Bemelmans’ famous creation, _Madeline_. Achieving her vision of luxury and customization, Ringbom encourages others to consider mural painting in their own homes. She suggests it as an excellent alternative to wallpaper for spaces like entries or powder rooms. Ringbom advises embracing bold design choices, stating that "half-measures and fear will only restrain what could be glorious. Be brave!" The article highlights how a personalized artistic element can transform a space, making it both unique and deeply reflective of the homeowner's personality and inspirations. #InteriorDesign #MuralArt #EntrywayDecor #PersonalizedDesign #HomeDecor #ArtistCollaboration #UpperEastSide #NeoTraditional

Heath Ceramics, renowned pottery makers, has introduced 'Mural,' their latest addition to a series of pre-configured tile pattern combinations. The inaugural design within this series is named 'Twill,' which incorporates the 'Little Diamond' shape from their 'Dwell Patterns' collection. This unique pattern is distinguished by its use of six distinct glazes, creating a multidimensional and visually intricate effect. The combination of these glazes is carefully curated to produce a mind-tripping aesthetic, where the interplay of colors and textures adds depth and complexity to the overall design. The Twill pattern is available in eight different color ways, each meticulously designed to offer a dynamic configuration. These color ways integrate both matte and gloss finishes across the six glazes, allowing for a varied sensory experience. The glazes are strategically applied to enhance the multidimensional aspect of the tile, with each color way presenting a unique visual narrative. The inclusion of both matte and gloss elements ensures that the tiles not only offer a diverse visual appeal but also a tactile richness. Among the eight available color ways, several notable options are presented, each with its own distinct character. 'Arctic' offers a cool and serene palette, evoking images of icy landscapes. 'Rhythm' suggests a more energetic and flowing visual, possibly through a harmonious arrangement of colors and finishes. 'Yarrow' likely features a warm and earthy tone, drawing inspiration from natural hues. 'Alabaster' provides a classic, subtle, and perhaps luminous option, indicative of its namesake material. 'Black Walnut' hints at a deeper, richer color scheme, possibly incorporating dark and sophisticated tones. Further options include 'Tide Pool,' which might display a blend of blues and greens, reminiscent of shallow ocean waters. 'Old Growth' could feature colors and textures that evoke ancient forests, suggesting a natural and weathered aesthetic. Lastly, 'Denim' points to a familiar, comforting blue, possibly with a textured finish that mimics the fabric. These diverse color ways demonstrate the versatility of the Twill pattern, allowing it to adapt to various interior design styles and preferences. The introduction of Mural and its Twill pattern underscores Heath Ceramics' commitment to innovation in tile design, blending traditional craftsmanship with contemporary artistic vision. The multidimensionality achieved through the careful selection and combination of glazes and shapes offers a new avenue for interior designers and homeowners to create visually engaging and sophisticated spaces. The article highlights the intricate details and thoughtful design process behind these new tile patterns, providing insight into the aesthetic considerations and technical execution. #HeathCeramics #MuralTile #TwillPattern #TileDesign #InteriorDesign #HomeDecor #MultidimensionalPattern #CeramicGlazes #DwellPatterns

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

In the quiet Italian town of Spilimbergo, the Scuola dei Mosaicisti del Friuli stands as a unique institution dedicated to the preservation and evolution of mosaic art. Established in 1922, the school was founded to formalize training for local artisans and maintain a mosaic tradition deeply rooted in the region's history, extending back to the Roman Empire. Today, it remains the sole academic institution globally focused exclusively on mosaic arts, attracting students from diverse backgrounds and ages, from recent high school graduates to seasoned professionals, all seeking to master this intricate craft. The three-year program at the school is rigorous, immersing students in historical mosaic techniques such as Greco-Roman patterns and Byzantine compositions, before encouraging experimentation with contemporary, freeform designs. Annually, approximately 40 students are admitted, but only about 15 successfully complete the full curriculum, earning the esteemed title of _maestri mosaicisti_ (mosaic masters). A select few, typically six, further pursue a fourth year, likened to a master's degree, to refine their skills even more. Director Gian Piero Brovedani emphasizes that becoming a maestro mosaicista demands significant effort and discipline, highlighting the craft's humbling and exacting nature, which fosters patience, attention to detail, and an appreciation for repetitive tasks. Mosaic creation is an exceptionally precise art form, requiring artists to meticulously arrange hundreds, or even thousands, of tiny pieces called _tesserae_—some as small as 0.5cm—to construct elaborate patterns and lifelike scenes. These tesserae, made from materials like marble, glass, _smalto_ (opaque glass tiles), and shells, necessitate careful craftsmanship and an intuitive understanding of rhythm and placement. Cristina de Leoni, a third-year teacher, notes the collaborative and selfless aspect of mosaic-making, where individual tiles only gain significance when combined with others, creating a collective artwork without emphasizing individual ego. The rich history of mosaics, tracing back to Mesopotamia in the 3rd millennium BCE and spanning various cultures including Greek, Maya, Byzantine, and Islamic civilizations, underscores its reliance on anonymous virtuosity rather than individual artistic fame. Friuli-Venezia Giulia has remained a stronghold of this tradition, fueled by an abundance of stones from the Tagliamento river and strong cultural links to Venice. In the 19th century, Friulian artist Gian Domenico Facchina revolutionized the craft with the _rovescio su carta_ (reverse on paper) method, enabling off-site assembly of large mosaic panels, a technique first showcased in the foyer of Paris' Opéra Garnier. Today, Friulian mosaicists, many trained in Spilimbergo, have contributed to prominent projects worldwide, from Rome's Foro Italico to the New York City subway at the World Trade Center, and from Jerusalem's Church of the Holy Sepulchre to galleries in Tokyo. The art form continues to evolve, embracing both precision and expression. Purnima Allinger, a student, describes mosaics as a meditative yet expressive craft that keeps artists fully engaged. Amos Carcano, a Swiss maestro mosaicista, highlights the blend of manual work, invention, and exploration of texture, color, and patterns in contemporary mosaics. Carcano is currently part of a team working on a monumental 1,265-sq-m mosaic floor for the school's courtyard, depicting Friuli's native flora and fauna. The school operates as a _bottega_ (workshop), where students learn through hands-on practice, as explained by mosaic history teacher Danila Venuto. Visitors can also engage with the art through _corsi brevi_ (short courses) ranging from four-day to week-long programs, offering an introduction to mosaic creation. Guided and independent tours provide access to an archive of over 800 mosaic works and opportunities to observe students and masters at work. Spilimbergo itself serves as an open-air gallery, with mosaics adorning buildings, shops, and restaurants. The town also hosts mosaic shops and showrooms, displaying works by alumni, and offers visits to Fabbrica di Mosaici Mario Donà, a historic kiln producing enamels for mosaics. The region's natural landscape, particularly the _grave_ (river-washed stones) from the Tagliamento and the Magredi plain, provides the essential materials and inspiration for many Friulian mosaics, underscoring the deep connection between the art and its environment. Mosaic-making is a central part of Friuli's cultural identity, and the school invites curious individuals to partake in this enduring legacy. #MosaicArt #ItalianCraftsmanship #ArtEducation #Spilimbergo #FriuliVeneziaGiulia #AncientTradition #ContemporaryArt #ArtisanalSkills #TravelDestination

Art history frequently features paintings of home interiors, offering valuable insights into artists' lives and working environments. For example, Henri Matisse's 1911 painting, *Red Studio*, not only showcases his identifiable artworks and objects but also reveals the arrangement of his studio, functioning as a historical record of his artistic space. Recognizing the historical and personal significance embedded within these interior paintings, the creative agency NeoMam, in collaboration with the home-improvement service HomeAdvisor, embarked on a project to re-imagine six such historically significant rooms. They transformed these famous art-historical interiors into realistic computer-generated (CG) renderings, presenting a modern interpretation of how these spaces might appear today. One of the re-imagined rooms is Vincent van Gogh's *The Bedroom* (1888), which provides an intimate glimpse into his personal life in Arles, France. Van Gogh intended the painting to evoke peace and relaxation. Historical analysis by the Van Gogh Museum in Amsterdam indicates that the vibrant, strongly contrasting colors seen today are partly due to years of discoloration; the walls and doors were originally purple, not the blue that is now prominent. Another featured interior is from Grant Wood's 1928 painting *The Sun Shine on the Corner*. Wood, a Midwestern realist painter renowned for his rural American depictions, including *American Gothic* (1930), presents a charming and inviting nook in this work. The painting's muted, earthy color palette contributes to its welcoming atmosphere. Wassily Kandinsky's 1909 painting *Interior (My Dining Room)* is also among the chosen works. Kandinsky, a pioneer of abstraction, used this painting not only to explore color and texture but also to depict his home. The eclectic palette employed in the artwork imbues the space with a distinct personality, reflecting his artistic approach even in a domestic setting. Konstantin Korovin's 1913 painting *Interior* portrays a Russian Impressionist setting. Korovin, known for his landscapes, portraits, and still lifes, used rose and beige hues, complemented by the view of winter snow outside the window, to create a quiet and comforting environment in this work, emphasizing warmth and tranquility through its depiction of bare wood. Finally, the project includes Roy Lichtenstein’s 1991 work, *Interior With Restful Paintings*. This piece, representative of Lichtenstein’s mature Pop Art style, is part of his “Interiors” series. In this series, he depicted domestic environments, often drawing inspiration from furniture advertisements. A recurring element in these works is an artwork placed within the artwork itself, here positioned above a couch. The CG rendering of this interior provides a contemporary view of Lichtenstein's distinct flat pop imagery in a three-dimensional context. The collection also highlights Eduard Petrovich Hau’s 1835 watercolor of *Empress Alexandra Feodorovna’s Sitting Room*, detailing the opulent interior of Russia's last empress's living space with rich ornamentation. #ArtHistory #InteriorDesign #FamousPaintings #DigitalArt #CGIRenderings #HomeDecor #ArtInterpretation #VisualCulture

The ancient art of decorative plasterwork, known as stucco, is experiencing a resurgence, moving beyond its historical association with the affluent to become a contemporary design element. Originating with the Egyptians and refined by the Romans, stucco reached its peak during the Italian Renaissance and later found prominence in 18th-century Ireland, where stuccodores like Michael Stapleton adorned Georgian homes with intricate plasterwork. Examples of this historical craftsmanship, resembling delicate wedding cake piping, can still be observed in places like the Powerscourt Shopping Centre in Dublin. Historically, plaster finishes often served to imitate more expensive materials, such as marble. Scagliola, a Florentine plaster technique developed around the Medici era, perfectly mimicked the appearance of marble columns often seen in Irish Georgian houses. However, contemporary stuccodores, such as Paul Marlow from Belfast, emphasize that modern decorative plasterwork aims to celebrate its own inherent qualities rather than feigning other materials. Marlow differentiates his craft from standard plastering, likening the distinction to that between a joiner and a cabinet-maker. He views stuccodores as artisans who work with color and texture, not just smooth surfaces. Marlow creates his products from scratch using traditional ingredients like lime, marble flour, and earth pigments, which he claims yields superior results at a comparable cost to pre-mixed products. Despite its artisan nature, decorative plasterwork remains relatively expensive. For instance, Marmarino, a type of stucco resembling 'little marble', costs approximately €96 per square metre. However, this cost can be offset by eliminating the need for painting, as the color is embedded within the material, offering indefinite durability with proper care. Marlow notes that his own home, featuring various stucco finishes, will likely never require redecoration. His personal residence showcases different applications of stucco. The children's bedroom features a matt green Marmarino with a suede-like texture, priced around €108 per square metre. In the master bedroom, he utilized a Moroccan Tadalakt, a soft-looking finish with minimal color variation, in black oxide with a hint of cobalt blue, costing €156 per square metre. The living room boasts a shiny black ceiling panel made from stucco lucido, a fine grade of marble powder and lime polished with a hot iron. Marlow advises clients against choosing currently fashionable colors for these permanent installations, suggesting that trendy shades can quickly become tiresome. For those seeking a less permanent and more economical wall finish, the article introduces whitewash. Also lime-based, whitewash offers a distinct alternative to chemically-based paints. Edward Byrne of the Traditional Lime Company in Co. Carlow explains that whitewash possesses a "double-refractive index," causing light to bounce off it in two directions, contributing to the luminous and sparkling appearance of traditional Irish cottages. While historically applied annually for hygiene and mite control due to lime's antiseptic properties, modern application does not require such frequent re-coating. Whitewash is significantly more affordable, costing around €1 per square metre, although more sophisticated lime-based paints can reach €5 per metre. A crucial consideration for using pure limewash is the porosity of the wall; it will only adhere properly to a porous surface, a characteristic easily tested by observing water absorption. Traditionally, whitewash was not exclusively white, with colors varying across Ireland based on local mineral pigments, such as yellow in Adare and Limerick, pink in east Cork, and red in Wicklow from Avoca mine pigments. While some contemporary lime-based interior products still derive colors from earth pigments, others may incorporate non-organic ingredients, making expert consultation advisable before purchase. The article concludes by listing websites for Paul Marlow and the Traditional Lime Company for further information. #Stucco #DecorativePlasterwork #InteriorDesign #HomeRenovation #ArtisanCraftsmanship #LimeWash #TraditionalBuildingMaterials #PaulMarlow #EdwardByrne

This article offers an exclusive look into the studios of Evergreene Architectural Arts, a leading firm in the restoration and conservation of murals, ornamental plaster, and decorative finishes. The firm's founder, Jeff Greene, is set to receive the 29th annual Landmarks Lion Award from the Historic Districts Council for his significant contributions to preserving New York City's architectural heritage. Greene shares insights into his career, which began with painting billboards in Times Square and evolved into establishing EverGreene Architectural Arts in 1978. He recounts his initial fascination with murals, sparked by the 'Wall of Respect' in Chicago in 1967, and his formal training in painting and architecture. Greene learned ancient techniques such as lime fresco painting and scagliola (a faux marble technique) through a combination of academic study at the School of Visual Arts, a fresco scholarship to the Skowhegan School of Painting & Sculpture, and practical experience collaborating with European craftsmen on projects like the New Jersey State House restoration in 1987. The firm's portfolio includes the restoration of prominent landmarks such as the New York Public Library’s Rose Reading Room, Brooklyn’s Loew’s Kings Theater, and the Eldridge Street Synagogue. Greene discusses the challenges and rewards of working on historic theaters, highlighting their unique ability to transport audiences through 'fantasy architecture.' He also shares a surprising discovery during the restoration of the Portsmouth Music Hall, where elaborate Victorian-era paintings were uncovered, contradicting previous historical reports. Greene reflects on the evolution of architectural preservation over the past four decades, noting its transition from an 'elitist' concept to a mainstream practice. He observes cyclical stylistic changes in architecture and the increasing need for maintenance on landmarks that have undergone restoration decades ago. The article also details the firm's recent relocation from Midtown West to Industry City, driven by the changing urban landscape and the need for a more suitable environment for their hands-on craft. Evergreene Architectural Arts is recognized for its meticulous approach to historical research and its ability to replicate traditional techniques, contributing significantly to the preservation of cultural and architectural treasures. The article concludes with Greene expressing his desire to work on projects where clients prioritize the highest quality restoration for richly ornamented buildings, further solidifying the firm's dedication to its craft and its impact on the preservation field. #ArchitecturalRestoration #MuralPainting #PlasterConservation #HistoricPreservation #EvergreeneArchitecturalArts #JeffGreene #IndustryCity #NewYorkLandmarks

Pitsou Kedem Architects, an Israeli firm, has integrated a unique, multi-purpose 'origami' wall into a private Tel Aviv penthouse, showcasing their expertise in geometric design. This innovative wall, crafted from folded iron, extends across the entire apartment, serving to define and isolate the sitting area and kitchen. Pitsou Kedem, the director who led the project alongside architect Nurit Ben Yosef, articulated the intention behind the wall as creating a cohesive design element that unifies the apartment's various spaces into a singular aesthetic language. The visually striking angular wall not only dominates the interior space but also functions as a 'smart' wall, as described by Kedem. It presents itself as an extended relief sculpture while ingeniously concealing the apartment's functional services. Electronic compartments within the wall open to reveal a television, and various integrated shapes house storage cupboards, a wine cabinet, and discreet doors leading to the toilets and bedroom. The design's rhythmic quality is further emphasized by the chevron parquet flooring, which Kedem notes provides a softening contrast to the prominent use of iron and natural stone materials throughout the living area and kitchen. Overhead, a network of hanging, exposed bulbs is strategically placed to enhance the matte finish of the wall and to illuminate the kitchen's clean and minimalist Boffi fixtures, with the lighting design credited to Orly Avron Alkabes. Even in the more private sections of the apartment, such as the bathrooms and bedroom, the design philosophy maintains a strong emphasis on form. Material continuity is evident, with the natural stone used for the kitchen counters reappearing on the bathroom walls. Furniture pieces, including the tub and bedside tables, are meticulously designed with sharp, elegant angles that echo the overall geometric theme. The origami ironwork extends to the balcony adjacent to the kitchen, where the seating and bar area incorporate the same distinctive angular folds. This design approach allows residents to conceal the modern conveniences of daily life, transforming the penthouse into an exceptionally distinctive setting. From this refined vantage point, occupants and guests can enjoy extensive views of Tel Aviv's evolving skyline, framed by a space where functionality and artistry are seamlessly interwoven. #PitsouKedemArchitects #TelAvivPenthouse #OrigamiWall #InteriorDesign #ArchitecturalInnovation #SmartHomeFeatures #GeometricDesign #LuxuryApartment #IsraeliArchitecture

Rachel Schlather, the blogger behind CLEfashionista, transformed her new Strongsville home with a Cleveland-themed gallery wall, making it a central decorating priority upon moving in last year. Her approach involved a curated collection of prints, posters, and art sourced from local shops, reflecting a style she describes as “midcentury modern with a touch of Cleveland.” Schlather aimed for a cool, un-kitschy vibe by taking her time with the selection process, acquiring pieces over several months. This allowed for a blend of budget-friendly items and more expensive art, ensuring a balanced aesthetic. Color coordination was a significant factor, leading her to even paint some frames to perfectly match the overall scheme. The meticulous planning involved laying out the gallery wall on the floor numerous times before finalizing its arrangement. The gallery wall is prominently displayed in the joint dining and living room of her 1960s ranch-style home, creating an immediate and lasting impression on visitors and serving as a conversation starter. One of Schlather's most cherished pieces is a print of the Leonard Schlather Brewing Co. This find holds personal significance as her husband is a distant relative to one of the brewery’s namesakes. Operating from 1857 to 1902, the company's storage facilities were historically located in the building that now houses the Great Lakes Brewing Co., a detail often mentioned during brewery tours. Further enhancing the local theme are two framed maps from Lakewood’s Cuyahoga Collective, positioned above the dining table. These maps feature Strongsville, her current hometown, and Marblehead, the location of her family’s lake house, a frequent summer retreat. These pieces serve as year-round reminders of cherished family memories and important geographical connections. A framed copy of The Plain Dealer front page commemorating the 2016 NBA Championship is another key element, included at her husband's insistence. This newspaper article celebrates a significant moment in Cleveland sports history, adding a dynamic and commemorative aspect to the collection. Beneath the gallery wall, a cozy sitting area is bathed in natural light. This space features midcentury-style chairs in a warm hue paired with a gray couch, designed for both admiring the art and relaxation. Schlather emphasizes the functional and inviting nature of this area, noting that the furniture and decor are not overly formal, making it practical for a household with two children. This sitting area is regularly used for enjoying coffee or working, underscoring the blend of aesthetics and utility in her home's design. #ClevelandThemedDecor #GalleryWall #HomeStyle #MidcenturyModern #LocalArt #StrongsvilleHome #HomeDecor #CLEfashionista

Photographer Sebastian Erras, known for his captivating series of mosaic floors, continues to expand his project by documenting diverse and imaginative tiled patterns across Europe and Cuba. Erras initially focused on the intricate floors found throughout Paris, meticulously capturing their unique designs. Over time, his project broadened to include other European cities such as Barcelona and London, where he discovered equally stunning examples of floor artistry. His work is primarily showcased on his Instagram account, @parisianfloors, where he shares his downward-facing photographic finds. The article highlights several of Erras's recent captures, including two distinct perspectives of a sea-themed floor located at the restaurant Le Bon Pecheur in Paris. One image features a friendly-looking crab rendered in mosaic, while another depicts a fantastically detailed conical shell. These examples demonstrate the variety and charm of the mosaic and tile work that Erras seeks out. The photographer's dedication to this niche subject reveals the often-overlooked beauty beneath our feet, transforming everyday surfaces into works of art. His collection serves as a visual archive of these intricate designs, many of which embody historical and cultural narratives through their patterns and motifs. By presenting these floors from a unique, direct-overhead perspective, Erras invites viewers to appreciate the craftsmanship and aesthetic appeal of these architectural elements, encouraging a closer look at the details that contribute to a space's character. His ongoing project underscores the importance of preserving and recognizing these traditional forms of interior design, which are often integral to the identity of the buildings they adorn. Erras's work not only documents these beautiful floors but also brings them to a wider audience, fostering an appreciation for the artistic heritage embedded in urban environments. The expansion of his project beyond Paris to other European and even Cuban locations signifies the universal appeal and presence of such decorative floorings, indicating a rich tapestry of design history waiting to be explored. #FloorArt #MosaicPhotography #TileDesign #SebastianErras #EuropeanFloors #ParisianFloors #ArchitecturalDetails #InteriorDesign #VisualCulture

Mosaic art involves creating images from small tiles or materials like rocks or glass, which can be integrated into home and garden features. The decorative arts market has shown strength, driven by consumer desire for unique home personalization. This guide identifies top suppliers and essential materials for individuals interested in creating or selling mosaic art. Several online and brick-and-mortar retailers offer a wide array of mosaic supplies. Amazon provides a comprehensive inventory including glass tiles, glue, and starter kits with fast delivery options. Etsy, a marketplace for handmade goods, not only sells finished mosaic pieces but also offers various supplies, including glass tiles and discounted leftover materials from other sellers. For specialized mosaic resources, Mosaic Art Supply is an online retailer focusing exclusively on mosaic materials, tools, and educational content. Delphi Glass specializes in stained glass materials and mosaic tiles, offering colorful pieces, tools, and tutorials. WitsEnd Mosaic, an established online supplier, provides a diverse selection of materials categorized by size, style, or color. Major craft store chains like Michael’s offer glass and other supplies both in-store and online, catering to those who prefer mixed media or require bases for mosaics. BLICK, an artist supply retailer, offers kits for beginners and advanced tools and materials. Mosaic Heaven is solely dedicated to mosaic materials, featuring a wide selection of tiles and stones categorized by collection or project parameters. Large retailers such as Walmart offer basic mosaic supplies like tile and grout, alongside furniture and other large items suitable as mosaic bases. Lastly, eBay presents a dynamic selection of art supplies from various third-party sellers, including unique or vintage items and deals on mosaic supplies. Essential mosaic art materials include ceramic tiles, known for durability and versatility in shape, size, and color, suitable for both indoor and outdoor applications. Glass tiles provide a translucent quality and diverse colors, creating radiant effects. Smalti, specialized richly colored glass tiles, offer depth and unique texture, traditionally used in Byzantine mosaics. Natural elements like pebbles and stones introduce a rustic touch, while seashells can add an oceanic feel. Stained glass, though often used in windows, can be repurposed for mosaics, bringing vibrant colors when illuminated. Mirror pieces add a reflective, dynamic quality, and beads allow for intricate detailing. Beyond the primary materials, several adhesive and foundational supplies are crucial. Mosaic adhesive is vital for securing pieces to various surfaces, with choices including PVA-based glues, epoxy resins, or tile adhesives based on the project's specifics. Grout fills gaps between pieces, sealing them and providing a finished look, available in colored or plain options. Thinset acts as both an adhesive and grout for specific projects. Mesh serves as a foundation, allowing artists to create designs before transferring them to their final location. Paper is used for creating patterns or templates, facilitating the “reverse method” of mosaic creation. Drawing or sketching tools help outline designs on the base material. Sealer protects the finished mosaic from moisture, particularly for outdoor pieces, and preserves colors. The base for a mosaic can be any sturdy surface, ranging from wooden boards, concrete slabs, and furniture to walls, glass items, metal surfaces, mirrors, and even old musical instruments. Various tools are also indispensable for mosaic art. Nippers are small clippers for precise shaping of tiles. Tile cutters, larger tools, are used to create tiny pieces from different materials. Sponges are essential for wiping away excess grout during the grouting process. A trowel applies adhesive evenly to the mosaic surface. Buckets are needed for mixing grout or thinset. Tweezers aid in placing tiny mosaic pieces accurately for intricate designs. Safety glasses are crucial for eye protection when cutting materials. Rubber gloves protect hands during grouting. Mallets assist in breaking harder materials like stones. Tile spacers ensure consistent gaps between pieces. Mosaic stepping stone molds create decorative garden pieces. A grout float spreads grout smoothly, and a grout mixer ensures proper consistency for larger projects. Sandpaper or files smooth sharp edges of tesserae. The cost of making a mosaic varies from approximately $25 to over $200 per square foot, depending on project size and material quality. Selling mosaic art can be profitable with a solid pricing strategy that accounts for supplies, time, business expenses, and marketing. #mosaicArt #artSupplies #handmadeBusiness #craftSupplies #homeDecor #glassTiles #ceramicTiles #DIYArt

Architectural details such as low-sloped roofs, arched front doors, or prominent turrets are commonly associated with charming homes like Craftsman, Spanish Colonial, or Queen Anne styles. However, even ordinary residences, such as split-levels or traditional brick row houses, can significantly enhance their curb appeal through the strategic use of exterior tile. The versatility and durability of porcelain and ceramic tiles, traditionally used in bathrooms and kitchens, can be extended to outdoor applications. The recent launch of OuterClé, a platform dedicated to outdoor-friendly tile products, highlights new opportunities for incorporating materials like terracotta and terrazzo into patios and garden pathways. Interior designers have also begun utilizing trendy materials like handmade zellige around firepits and swimming pools, further demonstrating the potential of exterior tiling. Architects are increasingly integrating tiles into building exteriors, whether by cladding entire facades or adding tiled sections to new additions. This approach allows for the creation of unique and personalized looks that can rival the character of historic Victorian or cozy Craftsman homes. The article presents eight examples of tiled exteriors, showcasing various creative applications and design impacts. One approach involves building custom patterns from simple rectangular tiles. For instance, Richard Christiansen, founder of Flamingo Estate, clad his garden office in Los Angeles with turquoise tiles arranged in various directions to create a patchwork effect. This design utilizes vibrant shades of green and blue, reflecting Christiansen's aesthetic preference. Another technique focuses on enhancing rooflines. In Costa Nova, Portugal, residences feature striped tiled facades, which, when combined with high-pitched roofs, create the illusion of increased height. Tile can also be used to create inviting covered spaces. In Lisbon, Portugal, an architectural firm utilized dark green tiles, including on the ceiling of a covered patio, to achieve a cocooning effect. This design transforms a simple overhang into a serene retreat, ideal for relaxation. Public transit systems can even serve as inspiration for exterior tile designs. London's Underground tube stations, with their distinctive curved corner tiles and specific pink glazes, have influenced architects to replicate similar aesthetics on Victorian terrace houses. This demonstrates how urban elements can be adapted for residential use, adding a unique historical and local flavor. For efficiency and cost-effectiveness, KitKat-style mosaic tiles offer a practical solution. These tiles come in large sheets, making installation quicker and more affordable. A Melbourne Victorian home, designed by Dan Gayfer, utilized this type of tile to introduce new natural light and update its interior efficiently. Tiled seating is another functional and aesthetic application. At a home in Buenos Aires, white square tiles were used to clad a rooftop entrance and integrate a built-in bench, effectively utilizing surplus material while maintaining a consistent design theme with large gridded windows. Mixing two tones of cement tile on a facade provides both durability and aesthetic depth. Cement tiles are robust, resistant to chips, scratches, dirt, and moisture, and available in a wide array of colors. An example from a UK home showcases the pairing of two similar blue shades in a random arrangement, creating a weathered, established appearance. Finally, framing windows with tile adds definition to flat architectural structures. A care home in Zoersel, Belgium, used minty green tiles for its facade, inspired by the surrounding forest, and further enhanced the windows with dark green tiles to provide contrast and visual interest to an otherwise boxy design. These diverse examples illustrate the transformative potential of exterior tiling in adding charm, personality, and architectural distinction to various types of homes. #ExteriorTile #ArchitecturalCharm #HomeImprovement #OutdoorDesign #FacadeRenovation #TileDesign #Zellige #CementTile #MosaicTile

The article details the meticulous restoration of Judge Jason Downer's 1874 Victorian Gothic mansion located at 1201 N. Prospect Ave. in Milwaukee, a building now serving as the Milwaukee Art Museum Research Center. Judge Jason Downer, a prominent figure in Milwaukee's early legal and journalistic history, constructed this mansion, which was later recognized by the Historic American Buildings Survey in 1969 as a significant example of Victorian Gothic architecture. Despite its conversion to office use over the years, the house remained in relatively good condition, though it had undergone several alterations, including the loss of its original front porch, decorative elements on the roof, a carved newel post finial, and an unappealing blue paint covering its Cream City brick. The restoration project was spearheaded by the renowned architectural historian H. Russell Zimmermann, known for his dedication to preservation, with support from the building's owner, Dan Wilhelms. Zimmermann's personal connection to the property dates back to 1963 when, as a young architect, he was allowed to remove un-affixed items. He encountered the intricately carved newel post finial during this time but refrained from taking it, despite its loose condition. The house had a unique history, having been owned by the Immanuel Presbyterian Church for over 80 years after Downer's widow's death in 1888, serving as the "Downer House for Retired and Fatigued Ministers." Zimmermann's restoration efforts involved extensive detective work to bring the mansion back to its original grandeur. This included stripping the mahogany entry doors, recasting missing crockets for the roofline, and ordering new Vermont slate. A significant challenge was the reconstruction of the original front porch, whose dimensions were unknown. Zimmermann meticulously calculated the likely dimensions using architectural knowledge and historical clues, leading to the discovery of original pilings beneath the lawn. Further investigation revealed a ghost image of a porch column on the exterior brickwork, providing the necessary prototype for its accurate reconstruction. To ensure the longevity of the restored elements, particularly the porch, Zimmermann specified the use of acetylized Pinus Radiata wood from New Zealand, processed in the Netherlands using the Accoya method. This wood, known for its resistance to rot, insects, and woodpeckers, came with a 50-year guarantee. The project also involved the creation of a custom-carved large drop finial for the porch by specialist James Gray in Napa Valley, California, whose expertise in historic restorations ensured an authentic reproduction of the unique acanthus-type design. The finished restoration highlights Zimmermann's commitment to historical accuracy and durable craftsmanship, establishing the mansion as a lasting legacy of Milwaukee's architectural heritage. The Milwaukee Art Museum Research Center is accessible to researchers by appointment, maintaining the building's historical integrity while serving a new purpose. #HistoricPreservation #VictorianGothic #ArchitecturalRestoration #MilwaukeeHistory #HRussellZimmermann #JudgeJasonDowner #EdwardTownsendMix #ArchitecturalDetectiveWork #CustomWoodCarving

Peter Vogel, a graphic designer based in Houston and founder of Nutmegger Workshop, specializes in creating new-vintage signs primarily for interior design applications. With over 35 years of experience in graphic design and advertising, Vogel transitioned from traditional typesetting and letterpress to digital design with the advent of the Macintosh. His career path led him through various agencies and design shops, culminating in two decades as a creative director focused on print design in Phoenix and Portland, Oregon, before moving to his current role at a small law college in Houston. His passion for design and craftsmanship is now channeled into his Nutmegger Workshop, where he produces signs that evoke a sense of history and nostalgia. Vogel's journey into sign making began after he created an 11-foot sign commemorating a trip to New England. This piece garnered interest from friends, leading him to realize a demand for authentic-looking vintage signs. He clarified that his goal is not to create exact reproductions, but rather interpretations that remind people of places they've visited, dreams they hold, or even random objects that could be flea market finds, such as a 'Loading Dock' sign. He frequently collaborates with clients to commemorate family businesses, designing signs that capture their history even without existing logos or photographs. For instance, he recently designed a sign for a client whose late father started a saddle factory in Texas, crafting an original piece that felt historically authentic. VHe consciously avoids projects that lean towards generic commercialism, such as 'man cave' signs, children's room decor, or designs resembling mass-produced items found in large retail stores. His work focuses on crafting pieces with rich texture and color that encapsulate the essence of places and memories, intending to preserve what is most meaningful to his clients. He believes this endeavor is deeply ingrained in his personal identity and artistic drive. Vogel's creative process is meticulous, emphasizing research and period detail, which is crucial given his clientele often includes interior designers, architects, and creative firms. He ensures historical accuracy in his designs, citing an example of a sign for 'Auberge Jules,' where he consulted the French Alliance in Houston for linguistic precision. While he initially received feedback on an incorrect accent mark in his tagline, highlighting his commitment to authenticity, he swiftly corrected the digital representation and planned to amend the physical sign. His inspirations are often drawn from century-old photographs of city street scenes found on sites like Shorpy.com, which allow him to study historical sign writing, letterforms, and construction details. All designs are developed in Adobe Illustrator, where he avoids common computer fonts, preferring to use letters sourced from scanned pages of old sign writers' books and personal collections of sign photographs. He employs hand-cut stencils for painting, a method that, while efficient, sometimes elicits purist feedback from traditional sign writers. For materials, he uses construction-grade boards and latex paint, which facilitates his unique aging techniques—a process he developed over time and keeps proprietary due to its complexity. His experience in house painting and antique refinishing provides a deep understanding of how surfaces age naturally, allowing him to achieve believable patinas. Despite having his designs used as inspiration for television shows, including one in Australia, Vogel has never actively pursued prop work. While his primary focus is on interior signs, he has created some outdoor pieces, such as for a barn and a driveway lamp post, using weather-resistant materials like exterior house paint and MDO board. These outdoor projects, however, often move away from his core mission of creating aged, character-filled pieces. Each sign requires 6-8 weeks for completion, encompassing milling, distressing, priming, painting, stencil cutting, lettering, antiquing, and finishing. Although he was once known for his expertise in typography, he has not designed typefaces, acknowledging the proliferation of talented independent type designers. His current favorite pieces are often his latest creations, especially personal projects that honor his ancestry or evoke the "golden age" of dining and oceanic travel. Vogel continues to evolve his craft, incorporating dimensional lettering, old gold, smalts, and convexed signboards, while also aspiring to create a large, hand-carved whale for wall display. This ongoing dedication to his workshop serves as his primary creative outlet. #VintageSigns #InteriorDesign #GraphicDesign #NutmeggerWorkshop #PeterVogel #HandcraftedSigns #TraditionalCraftsmanship #AgingTechniques #CustomSignage

Expanded Eye, an artistic duo composed of Lisbon-based artists Jade Tomlinson and Kevin James, is exploring the divine feminine and the 'peaceful power of the Earthmother' through their recent sculptural works. Their art blurs the lines between abstraction and figuration, incorporating characteristic geometric and figurative elements. The duo is well-known for their unique approach to tattoos and assemblages, which often utilize wood and repurposed materials to create bold and textured compositions. They have temporarily paused their tattoo practice to dedicate their focus to developing these sculptural reliefs. Ceramic work has become a central part of their artistic process, drawing inspiration from Portugal's rich tradition of azulejo tiles, which symbolizes cross-cultural exchange. The artists aim to use this ancient, earthy material to depict serene guardians in earth-toned colors, seeking to evoke a sense of stillness and calm in contemporary society. Their compositions represent a convergence of past and present, exploring themes of timelessness and continuity through traditional techniques of working with clay, carving, and building. The graphic elements and fragmented features within their work also draw parallels to early 20th-century art historical Modernism, particularly the Cubist movement. Tomlinson and James highlight that the fusion of traditional materials with a modern artistic approach is a significant source of inspiration for them, serving as a connection between historical practices and the present day. Expanded Eye is currently undertaking their largest tile commission to date, and they intend to further integrate ceramics with other aspects of their diverse artistic practice. Their work continues to evolve, pushing the boundaries of material and form while maintaining a consistent thematic thread of earthy connection and timeless spiritual presence. #ExpandedEye #CeramicArt #WoodSculpture #Assemblage #FigurativeArt #AbstractArt #PortugueseArt #EarthMaterials #ContemporaryArt

The article highlights Steinbild, a German-based company that transforms ancient natural stones into illuminated wall art, bringing a unique blend of history and modern design to luxury home decor. Greg Kathan, president of USA sales for Steinbild, discovered the product through a friend and was so captivated by its uniqueness that he changed his career path from being a United Airlines pilot of 27 years to lead its American operations. Kathan and his family subsequently moved to Utah, drawn by the natural beauty of the Wasatch Mountains, particularly the Midway area which reminded him of his European upbringing. Steinbild's innovative process involves cutting these stones, some dating back up to 2,000 million years, into thin slivers, often just 2/8-inch thick. These delicate stone slices are then meticulously set into high-quality frames crafted by master carpenters. A key feature of Steinbild's creations is that each piece is entirely unique, as the natural formations, crevices, and dents in the stone ensure no two artworks are identical. The company emphasizes its commitment to using 100% natural stones without chemical preservation, differentiating its products in the market. The company offers several product lines to cater to diverse aesthetic and functional needs. The 'Soul Line' features smaller pieces crafted from healing stones, making them suitable for spaces like spas or bathrooms. The 'Focus Line' incorporates a variety of stones in different shapes, offering customization options and the ability to be backlit for illuminated wall art. For larger artistic statements, the 'Essential Line' utilizes limited-edition stones that can be cut into significant formats, such as 20-by-20 inches up to 3-by-3 feet. This line also allows for creative presentations like mirror images of the same stone, framed to resemble butterfly wings. The most ambitious offerings are the 'masterpieces,' which are one-of-a-kind murals custom-commissioned and handcrafted to fit specific wall spaces, with a skilled German craftsman overseeing the cutting process using a spinning diamond rope. These ancient stone artworks, despite their substantial size and weight (ranging from 30 to 100 pounds for larger pieces), are designed to be relatively easy to hang. Steinbild serves a diverse clientele, including interior designers, businesses, art galleries, and homeowners. While primarily selling online, they also maintain a small home gallery for in-person viewings by appointment. The company's presence in areas like Park City and Summit County, known for their appreciation of art and design, provides an ideal market for these distinctive pieces. The Kathans view this as a family business, aiming to introduce these unique works of art to a community that values originality and historical depth in home decor. Each artwork is presented as a narrative, carrying the story of its ancient origins and the Earth's distant past into contemporary living spaces, offering clients a tangible connection to geological history. #LuxuryHomeDecor #AncientStones #IlluminatedArt #Steinbild #NaturalMaterials #ArtisanCraftsmanship #HomeDesign #ParkCity #GeologicalArt