Robert DeNiro Gives AD a First Look at the Latest Nobu Hotels Properties

Nido Architecture co-founders Chiara Patrassi and Alexandra Bernaudin collaborated with hotel owner and director Carine Tissot and six contemporary artists to design the interiors of the Drawing Hotel in Paris. Tissot, also co-founder of the annual Drawing Now Art Fair, provided the artists with creative freedom to decorate the hotel's hallways. Despite initial unfamiliarity with contemporary drawing, Patrassi noted the artists' enthusiasm and willingness to work with new mediums. The hotel features five distinct floors, each showcasing a unique visual theme. Swedish painter Thomas Broomé utilized perspective grayscale lettering for wallpaper depicting an ideal library on the top floor. Watercolorist Françoise Pétrovitch designed the fourth floor with forest green walls, sophisticated paintings in simple frames, and variegated tufted wool carpeting. Draftsman Clément Bagot's abstract colorful splashes are embedded behind glass panes in all-black walls on the third floor. Muralist Abdelkader Benchamma hand-drew trees and plants on white walls for the second floor, and graffiti duo Lek & Sowat created a psychedelic environment spanning walls, ceiling, and floor on the first level. These vibrant corridors contrast with the calm, relaxed atmosphere of the 48 guest rooms, where artist-designed printed-fabric headboards serve as a transitional element. The hotel was an unexpected venture for Tissot, who discovered the building while seeking a location for a permanent gallery. Patrassi and Bernaudin joined the project in 2016, during the initial construction phase of the ground floor. Faced with the typical Parisian challenge of limited space, the architects made crucial alterations, such as replacing frosted-glass shower modules with transparent ones and substituting minuscule closets with glass-and-steel wardrobes to create separate toilet areas. The overarching design principle was _chaleureux_, meaning welcoming, prominently featured through tinted oak paneling and custom wood furnishings throughout the hotel. This included the lounge's leather sofas, reception desk, bar, and various tables. The ground level, spanning 1,900 square feet, posed a significant challenge, needing to accommodate the entrance, reception, retail space, and lounge. The reception area features an angular design with low shelves displaying books and objects for sale. A partition of oak rods, serving as a library, defines the adjoining lobby, which includes a bold black-and-white rug, a Neri & Hu loveseat, and a sculptural Philippe Nigro chair. Beyond this, the cocktail lounge overlooks a courtyard with red walls, a tribute to Luis Barragán. Stairs lead to the basement Drawing Lab, a contemporary gallery that was the genesis of the hotel concept. The exterior of the hotel more closely resembles a bookstore or art shop than a traditional hotel, reflecting the goal of achieving a gallery atmosphere rather than a 'deco' look. The roof terrace offers guests views of the surrounding Parisian mansard rooftops, furnished seasonally with tables, chairs, and umbrellas. The stairs leading to the terrace are currently painted white, with the possibility of future artistic installations. The project team included Magali Amblard for Nido Architecture, Maurice Azoulay as Architect of Record, Symbiosis for landscaping, Douet Design for lighting, Cap Structures for structural engineering, Innovation Fluides for MEP, and Ramos Catarino for woodwork. #NidoArchitecture #DrawingHotel #ParisHotels #HotelDesign #ContemporaryArt #InteriorDesign #ArtisticCollaboration #HospitalityDesign #CustomFurnishings

The Metropolitan Opera's Patron Lounge, now known as the Keebler J. Straz Lounge, underwent a significant redesign by ELLE DECOR A-Listers Christine and John Gachot of Gachot Studios. This renovation marks a new chapter for the storied space, originally decorated by Billy Baldwin when the opera house opened in 1966. The Gachots, longtime fans of the Met Opera, were tasked with refreshing the lounge to reflect contemporary luxury while honoring its rich history and the grand aesthetics of the opera house. The original lounge, characterized by its wall-to-wall windows and domed ceiling, was designed by Baldwin to offer practical, flexible seating areas for guests. However, after decades, the space required a modern update. The Gachots were selected for their expertise in warm, sophisticated interiors, demonstrated in previous luxury hospitality projects like the Pendry Manhattan West and Detroit’s Shinola Hotel. Their approach to the Met Opera lounge involved a deep dive into the Met’s extensive archives, studying original sketches and photographs to reinterpret Baldwin's vision while introducing a fresh perspective. Inspired by Baldwin's initial layout, the Gachots divided the lounge into distinct zones for various activities, including a bar area, comfortable sofas, and tables for gathering. This zoning strategy ensures that the space remains versatile and inviting. The design seamlessly integrates with the opera's iconic common areas, such as the lobby with its red carpeting and travertine accents. The chosen color palette of blush, red, and camel complements these existing elements, creating a cohesive aesthetic throughout the venue. One of the standout features of the redesigned lounge is a glittering gold custom carpet by Creative Matters, which evokes the effervescence of freshly popped Champagne, serving as a luxurious counterpoint to the lobby's famous red carpet. Other custom elements include a brass Amuneal bar, screens upholstered in Clarence House fabric, and all furniture supplied by Roche Bobois. The bathrooms feature fixtures by Waterworks from the Bond collection, designed in collaboration with Gachot, alongside Waterworks sinks, mirrors, and stone. The lounge's new name, the Keebler J. Straz Lounge, honors a managing director on the Met Opera’s board who generously funded the renovation. Access to this exclusive space is reserved for Metropolitan Opera sponsor members. The redesign is intended to symbolize a renewed commitment to attracting and nurturing a new generation of opera enthusiasts and patrons, a sentiment echoed by both Straz and the Gachots. The project underscores the importance of cultural institutions and the role of design in preserving and evolving these significant spaces. #MetropolitanOpera #LoungeRedesign #GachotStudios #LuxuryInteriorDesign #CulturalRenovation #HospitalityDesign #NewYorkDesign #OperaHouse #InteriorDecor

This article details the seven-month-long gut renovation of Homepolish co-founder Will Nathan's 2,800-square-foot SoHo loft in New York City. New York-based designer Becky Shea led the transformation, aiming to create an industrial retreat that suited Nathan's bicoastal lifestyle and respected the building's early 20th-century landmark status. Shea, who shares an appreciation for history and architecture with Nathan, focused on organic modernism with industrial elements. The original loft was compartmentalized into seven small rooms. Shea's primary objective was to open up the space while maintaining the authentic SoHo design ethos. This led to the implementation of an open-floor plan, which significantly impacted the flow and functionality of the home. The kitchen, highlighted as one of Nathan's favorite areas, exemplifies this open concept with a large marble island, minimalist pendant lighting, and open shelving, contributing to an expansive feel. The master bedroom was designed to evoke a hotel-like serenity, with minimal furnishings including a low-profile bed, simple nightstands, and a basic rug that allows the wood flooring to stand out. A distinctive accent chair featuring a 1920s motif pays homage to Frank Lloyd Wright. A key feature of the master suite is a 15-by-8-foot dimmable glass wall separating the bedroom from the bathroom, which not only provides privacy but also showcases Shea's meticulous attention to detail. This glass, along with other elements throughout the home, was sourced to be American-made, specifically from an old factory in Detroit. The guest bedroom also benefits from the designer's efforts to maximize natural light, with changed windows to match the landmarked property's aesthetic and upgraded doors. Shea's design philosophy emphasized simplicity; for instance, the guest bedroom features a clothing rack instead of a full closet, a practical choice given Nathan's bicoastal living arrangement between Arizona and New York. Creative storage solutions are a hallmark of the loft's design. Shea ingeniously utilized space underneath the master bathroom floor for storing entertaining essentials and seasonal items. Another innovative storage feature is a 35-foot bench with a faux brick facade that runs across the living and dining areas, serving as both seating and concealed storage. An inviting sitting area was carved out of a small elevator vestibule, featuring a bench with an upholstered cushion from Stitchroom, a built-in bookcase, LVWood Hickory flooring, a NAFCO Studios table, and a black and white photograph from one of Shea's trips to Amsterdam. Both Nathan and Shea expressed satisfaction with the outcome, appreciating the open-concept design that encourages versatile furniture placement and unconventional spatial thinking. #SoHoLoft #IndustrialDesign #OpenConceptLiving #BeckyShea #Homepolish #OrganicModernism #InteriorRenovation #NewYorkCity #CustomStorage #AmericanMade

Ben Napier, known for his woodworking on HGTV's "Home Town," showcased a unique butcher block surface in Season 7, Episode 16. The episode featured Ben and Erin Napier renovating a Mid-century home, aiming to enhance its existing character. Instead of traditional butcher block countertops, Ben conceived an innovative kitchen island workspace constructed from end grain wood. This particular type of hardwood countertop utilizes only the end grain of the wood, which contributes to a more resilient surface. During the reveal, contractors observed that the end grain blocks effectively mirrored the aesthetic of the surrounding brick floors, highlighting the strategic use of geometry for creating a unified design. For individuals not ready to commit to an entire island or countertop made of butcher block, end grain style cutting boards are available for purchase on Ben and Erin's website, Scotsman USA, though these items frequently sell out. Scotsman USA also offers conventional butcher block material for larger surface areas. While Ben and Erin are proponents of butcher block, it has certain characteristics that may not suit all users. A common drawback is that butcher block countertops lack heat resistance, a property that is not improved by using the end grain variation. Nevertheless, when considering longevity, Ben clarified in the episode that end grain maple butcher block is more durable, absorbs moisture effectively, and is gentle on knives. End grain countertops can also mitigate the risk of mold or mildew, which can be an issue with traditional butcher block. The act of cutting on the surface compresses moisture and small food particles, thereby reducing the potential for harmful bacteria accumulation. Despite this benefit, it remains crucial to dry the surface promptly and thoroughly clean any areas that have been exposed to raw meat. To completely prevent any potential problems, it is advisable to use an additional cutting board for food preparation, even if the countertops are suitable for direct use. #BenNapier #HomeTown #ButcherBlock #KitchenDesign #EndGrain #MidCenturyModern #Woodworking #HomeImprovement #HGTV

Designer David Netto recounts his experience transforming a 1930s Colonial-style house in Connecticut for a young family who moved from New York City. The house, initially described as sweet but unfortunately 'juiced' with additions like wings and dormers, retained its intimate scale and a charming pastoral view of a field with sheep. Netto observed that the house, in its initial state, reflected the clients' potential, still awaiting full realization. The clients, described as gracious and enthusiastic, presented a dynamic duo: the wife, a natural and gentle hostess, and the husband, a successful commercial real estate advisor with a strong sense of humor, stemming from his early career experiences with Leona Helmsley. Initially, Netto focused on respecting the established budget, which led to presenting standard showroom furniture options. However, an inflection point arose when the wife expressed a subtle disappointment, prompting Netto to set aside budget constraints and present his most ambitious and desired design ideas. This shift in approach marked a turning point in the project, allowing for the incorporation of exceptional and unique pieces. The house now features exquisite furniture such as a 1930s parchment cabinet in the living room and a Francois-Xavier Lalanne bird-shaped table. High-end finishes were introduced, including a reclaimed stone floor in the sunroom and French limestone mantels sourced from Europe. A Picasso plate is mounted in the stair hall, juxtaposed with a canoe paddle, highlighting a blend of high art and rustic elements. The project saw a second significant development with the involvement of architect Sam Mitchell. Recognizing that a simple paint job wouldn't suffice for the desired transformation, Netto brought Mitchell in for spatial reinvention. Mitchell reorganized the kitchen wing and designed an oak-paneled master bath with a limestone cabochon floor, described as one of the most beautiful Netto had ever seen. Mitchell also integrated vintage farmhouse beams into the family room, making it appear as if they had always been there. For the poolhouse, Netto envisioned a California-inspired, movie-star decadent aesthetic, which Mitchell perfectly interpreted, complementing the Colonial main house. The surrounding garden was designed by Tim Paterson and Ahmad Sardar-Afkhami. Netto employed a 'high-low' design philosophy, combining the exquisite finds from the 'Yes Day' with more accessible items discovered at Friday night auctions at Stair Galleries and during a bonding trip to Hudson to fill remaining gaps. This approach allowed for a balance of luxurious and more budget-friendly elements, fostering a collaborative spirit with the clients. A memorable moment from a road trip involved rescuing a turtle from the road, symbolizing the unexpected and intimate experiences that arise during such projects. Ultimately, the client's perspective underscores the success of the design: the house is described as comfortable, cool, and elegant. This is humorously exemplified by the Lalanne bird table, frequently covered in Legos with a note from their daughter, emphasizing the lived-in and family-friendly nature of the sophisticated space. The article was originally featured in the July/August 2020 issue of VERANDA, with interior design by David Netto, architecture by Sam Mitchell, and landscape design by Tim Paterson and Ahmad Sardar-Afkhami. #ColonialHouse #InteriorDesign #ConnecticutHome #LuxuryDecor #HomeTransformation #ArchitecturalRenovation #HighLowDesign #FamilyHome #DavidNetto

In May 1960, Denver witnessed the grand opening of the Diplomat Motor Hotel at 1840 Sherman Street, a property marketed as "dramatically distinctive." This three-story, $1.5 million establishment was strategically built in Capitol Hill, on a site previously occupied by old tenements. The hotel aimed to offer tranquility and urban convenience, situated in a quiet neighborhood but within walking distance of major convention hotels and downtown department stores. Designed by the renowned Denver architect Richard L. Crowther, the Diplomat epitomized "luxurious informality." Its architectural layout featured a U-shape design, enclosing a central patio court that boasted a unique concrete and white marble "hanging" swimming pool. A key innovation for the time was its exceptional accommodation for automobile travelers, with an "auto lobby" where valets would park guests' cars in a 200-car underground garage, addressing the growing prominence of car travel in the 1960s. The interior design, orchestrated by the Los Angeles firm Albert Parvin Co., known for its work on famous Las Vegas hotels like the Flamingo and Sands, blended sophistication with comfort. Design elements included rosewood paneling, putty-colored textured vinyl walls, and white quartz terrazzo flooring. Custom carpeting in shades of brown, gold, and apricot, along with coats of arms and metal wall insignias, contributed to an ambiance that mirrored "early European diplomatic corps headquarters." The lobby, dining, and cocktail areas were integrated into an open-concept floor plan, fostering a sense of spaciousness and modern luxury. The dining experience at the Diplomat was a significant draw, overseen by Chef Everett Sisson, who had previously cooked for President Eisenhower, and Greek maitre d' Chris Leventis. Menus were presented as parchment scrolls, offering unique dishes such as the "flaming ring" steak, a tenderloin prepared with a special wine sauce, charcoal-broiled, and served on a wooden plank with a "flaming ring" mechanism. This attention to detail in both cuisine and presentation further enhanced the hotel's distinctive character. Although the Diplomat Motor Hotel no longer stands, its legacy as a pioneering concept in hotel design and hospitality is preserved through historical photographs and archival records available at the Denver Public Library's Western History and Genealogy Department. The hotel's transformation into the Quality Inn Motel in 1969 and its eventual demolition, likely between 1979 and 1980, marked the end of an era for this unique Denver landmark. However, its innovative design and luxurious offerings remain a notable chapter in the city's mid-century history, reflecting the architectural and cultural trends of the 1960s. #DenverHistory #MotorHotel #MidCenturyArchitecture #RichardLCrowther #HotelDesign #DenverLandmark #HospitalityInnovation #CapitolHillDenver

Island House Newport, a new hotel developed by Marshall Properties and operated by Main Street Hospitality, is set to open on March 13. Located near Newport’s renowned Cliff Walk, the hotel aims to offer a distinctive accommodation experience, built and operated by locals to ensure an authentic and deeply rooted perspective on hospitality. This new establishment combines modern elegance with the rich maritime heritage characteristic of Newport, Rhode Island. John Marshall, owner of Marshall Properties, highlighted that the hotel was designed with an intimate understanding of the city's unique charm, aiming to elevate the standard of lodging in the area. The hotel offers a total of 24 rooms, which include 14 luxurious suites and a two-bedroom penthouse suite. Additionally, there are four rooms furnished with king beds and six rooms featuring double queen beds, catering to a variety of guest needs. The interior design of the rooms emphasizes bright, airy spaces with a coastal-inspired aesthetic, complemented by thoughtful amenities. Guests will find Matouk linens, Bellino fine bed linens and towels, Smeg coffee pots, and locally sourced toiletries, enhancing the comfort and local feel of their stay. Twelve of the suites are equipped with fully functional kitchens, providing convenience and flexibility for longer stays or for guests who prefer to prepare their own meals. The customizable room configurations are designed to accommodate families, groups, and business travelers, ensuring a versatile and comfortable environment. Beyond the private accommodations, Island House Newport features communal spaces designed for social gatherings. These include a covered patio and an outdoor fire pit, offering opportunities for relaxation and interaction among guests. Sarah Eustis, CEO of Main Street Hospitality, expressed enthusiasm for the partnership with Marshall Properties, noting that both companies are multi-generational businesses deeply committed to the communities they serve. She stated that Island House Newport perfectly embodies their ethos of providing thoughtful service within a setting that celebrates both design and local character. The starting rate for a stay at Island House Newport for March and April is $295. Guests also benefit from reserved private parking, adding to the convenience of their visit. The hotel’s proximity to Newport's Cliff Walk, a 3.5-mile scenic coastal path offering panoramic ocean views, is a significant draw. Newport itself is a city rich in attractions, including historic Gilded Age mansions, diverse restaurants, shopping opportunities, and various museums. The city was recently recognized by Booking.com as one of the most welcoming places in the U.S. for 2025, further enhancing its appeal as a travel destination. Kristi Palma, a travel writer for Boston.com, covers details about airlines, hotels, and attractions across New England, including this new hotel opening. #IslandHouseNewport #NewportHotels #LuxuryTravel #CoastalDesign #BoutiqueHotel #RhodeIslandTravel #HospitalityIndustry #MainStreetHospitality #CliffWalk

The Lido Key home of Dan Denton, founder of Sarasota Magazine, is currently on the market for $4.95 million. This four-bedroom, four-bathroom residence at 117 S. Polk Drive exemplifies the Sarasota modern style, a significant architectural movement that gained international recognition from the mid-1940s through the 1960s. Denton, 71, recognized the enduring appeal of this style long before it was formally categorized as the “Sarasota School of Architecture.” He attended the 1982 American Institute of Architects convention where Gene Leedy, one of the movement's pioneers, officially coined the term. Denton, who admires architects like Paul Rudolph and Victor Lundy, acquired the home in 1989. At that time, the Sarasota School was a niche interest, with Mediterranean Revival being the predominant style. Denton was drawn to the home's flat roof, wide overhangs, terrazzo floors, and other midcentury characteristics, viewing it as a hidden gem reflecting the Sarasota School aesthetic, similar to a ranch version of the Umbrella House. Over 35 years, Denton undertook three significant renovations to transform the property into a pure embodiment of the Sarasota modern style. While the specific costs of these renovations are not disclosed, each decision was meticulously considered, with numerous architectural drawings and plans, including an idea for a second floor, ultimately not implemented. The initial layout, with rooms concentrated at one end, was reconfigured to a split floor plan. The guest wing is now arranged in a U-shape, creating a private courtyard at the back, mirroring another courtyard at the front, thereby maximizing outdoor living spaces. The backyard features a pool, spa, and fire pit, and a guest house is accessible via the kitchen in the main house's other wing. Architectural features include floating overhangs for shade and extensive use of windows and glass sliders, designed to enhance cross-ventilation and views. The first renovation in 1990, led by designer Robert Beardsworth, introduced a new pool and kitchen. Ten years later, Beardsworth’s partner, Robert Neal, and architect Michael Epstein of Seibert Architects (a firm founded by Tim Seibert, another Sarasota School leader and former draftsman for Paul Rudolph) collaborated on the second phase. The most recent renovation, completed in 2021, added an open pavilion to the garden, further integrating indoor and outdoor living. The front wall of the living and dining area was replaced with floor-to-ceiling windows, and screen-holding beams on the screened porch were removed to create unobstructed views of the pool. This renovation earned the home a Florida AIA Design Award in 2022. The home is adorned with Denton’s art collection and midcentury furniture, though these will accompany him to his new residence. Notable exceptions include a copper sculpture by Jack Cartlidge in the front yard and a colorful PVC pipe cylinder sculpture by James Renfro in the backyard, both of which will remain. The property does not have historical designation, offering flexibility for future modifications, but Denton hopes the next owner will share his appreciation for the home's unique style, expressing a desire to avoid a buyer who might consider demolition. He notes the challenge and interest in balancing replacements while maintaining the vintage aesthetic, exemplified by his decision to preserve the original pink tile in one of the bathrooms. Denton is downsizing but remaining in the local area. Kim Ogilvie of Michael Saunders & Company is handling the listing, emphasizing the home's prime location, offering access to the beach, boating, and dining without requiring a car, and highlighting the rarity of such expertly remodeled midcentury-modern homes on the market. #SarasotaModern #LidoKeyRealEstate #MidcenturyArchitecture #SarasotaSchoolOfArchitecture #HomeRenovation #LuxuryHomes #DanDenton #ArchitecturalDesign #FloridaAIAAward

Rome is preparing for a significant year, marked by a Catholic jubilee, which occurs every 25 years. This event, commencing on December 24 with the opening of the holy door in St Peter’s Basilica, is expected to draw millions of pilgrims seeking plenary indulgence. Coinciding with this momentous period, a new luxury establishment, the Romeo Roma, has opened its doors on Via di Ripetta, near Piazza del Popolo, after over a decade of development. This is the second hotel from the family-owned Romeo Collection, situated within an elegant 17th-century palazzo. The Romeo Roma is among several ultra-luxury hotels that have recently launched or are under development in Rome, including the Bulgari, the W, the Edition, the Rosewood, a forthcoming Four Seasons, and a Nobu. The Six Senses, an IHG-owned wellness brand, also opened its first European hotel in Rome in early 2023. The Romeo Roma distinguishes itself with a starting rate of approximately £2,000 per night, positioning it as one of the world's most expensive hotels. This price point surpasses that of competitors like the Bulgari, a detail the hotel seems to emphasize. Key to the Romeo Roma's extraordinary appeal are its high-profile collaborators: Zaha Hadid, who designed the interiors, and Alain Ducasse, responsible for the culinary offerings. The hotel's design is characterized by avant-garde elements, featuring lacquered Macassar ebony and Carrara marble. The restoration of Palazzo Capponi, originally a government office, began in 2012 and uncovered an ancient workshop in the basement. The construction involved the careful integration of tons of wood, marble, and steel, all while preserving the historical integrity of the building, which includes a rotating head of Livia Drusilla in a glass case in the lobby. The lobby itself, formerly the palazzo's inner courtyard, now boasts a retractable glass roof, a vaulted steel lattice ceiling, a red Schulze Pollman grand piano, Rubinacci floor cushions, and an uplit waterfall that spells out “ROMEO” in rainbow-colored water. The rooms continue the space-age aesthetic, with Hadid’s signature curves evident in the ebony beds, mirrored TV stands, and sinuous white spa baths. Some rooms even feature original 17th-century frescoes discovered during renovation. The owner, Alfredo Romeo, expressed the challenge of merging historical heritage with innovative contemporary architecture and sustainability. Culinary experiences at the Romeo Roma are a major draw. Il Ristorante Alain Ducasse offers a ten-course tasting menu for £232, featuring dishes such as charred puntarelle and pink venison. Breakfast by Alain Ducasse, included in the room rate, provides an extensive spread and the Monégasque chef’s signature hot chocolate. The slightly less extravagant Il Cortile offers a Roman menu with pasta, pizza, and fish amidst Carrara marble columns and a shimmering ebony ceiling. The hotel also includes a Sisley spa with treatment rooms, a hammam, an infrared sauna, and a Sicilian salt relaxation room. The hotel caters to a distinguished clientele, as evidenced by the attendance of ambassadors from various countries at its opening. Despite its opulent nature, the hotel considers micro-level details, such as staff remembering coffee orders and personalized amenities like silk eye masks and branded toiletries. The owner, Alfredo Romeo, personally approved many details, including eclectic artworks and custom furniture. While some minor issues, like a lack of bathroom hooks or temperamental lighting, were noted, they are attributed to opening jitters. The article concludes by highlighting Rome's attractions during the jubilee year, including pedestrianized areas, renovated historical sites, and new cultural experiences, affirming the city's appeal beyond the hotel's luxury. #LuxuryHotel #RomeTourism #ZahaHadid #AlainDucasse #HotelDesign #JubileeYear #ItalianHospitality #ArchitecturalInnovation #HistoricalPreservation

Peter Dunham, an ELLE DECOR A-List interior designer renowned for his 'Englishman-meets-L.A. style,' is expanding his presence with a new 3,500-square-foot showroom in New York City. The showroom, located at the New York Design Center's 200 Lexington Avenue, is set to open on August 19. Dunham, who has been operating from Los Angeles since 2003, expressed his long-held desire to establish a New York presence, stating, 'For me, it’s always New York...and honestly, I wish I’d done it sooner.' The new space will showcase a diverse range of products from both Dunham’s Hollywood at Home and Peter Dunham Textiles brands. Visitors to the showroom will experience an environment designed to emulate Dunham's distinct interior projects, characterized by opulence, playfulness, vintage influences, and a strong affinity for bold colors and patterns. The showroom aims to offer a tangible experience, allowing clients to 'touch and feel and try and test the quality and comfort' of his offerings, emphasizing the designer's belief in the importance of physical interaction with products despite the shift in retail landscapes. The showroom's layout is meticulously curated to reflect Dunham's design philosophy, presenting a comprehensive display of his work. A central feature will be an array of his signature prints and woven fabrics, including the widely recognized 'Fig Leaf' print, which adorns the walls. This is complemented by outdoor furniture selections, such as a textured beige Hollywood at Home Rush Club armchair, upholstered in Nawab fabric. The space also includes a dark green cabinet filled with indoor-outdoor poufs, a varied collection of patterned cushions, and a wall dedicated to fabric swatches, inviting tactile exploration. His latest 'Shani' textile launch, drawing inspiration from Indian block prints, will also be featured. Beyond textiles and seating, the showroom will display lamps, a four-poster bed draped in a 100 percent alpaca bedcover crafted by Peruvian handweavers, and cowhide chairs. Notable pieces include the 'Carmania' woven fabric, previously used in Dunham’s Paris apartment. The showroom is designed to be a condensed yet comprehensive representation of Dunham’s extensive career and dedication to fabric artistry. Dunham describes the showroom as a layered environment, mirroring his approach to designing a room—a fusion of art, accessories, vintage items, his original designs, and collaborations with artisans. For those unable to visit in person, the article provides a glimpse into some of the featured items, offering a preview of the diverse collection available at the new New York location. #PeterDunham #NYCShowroom #InteriorDesign #HomeDecor #Textiles #HollywoodAtHome #NewYorkDesignCenter #DesignTrends #FabricDesign

The article offers an exclusive look into the Forest Hills estate of Dan Noble, President and CEO of HKS Architects, ahead of the AIA Dallas Tour of Homes. Noble, along with his wife Ann, designed their home, seeking collaboration from architect James Kuhlmann for residential detailing and constructability. The couple, long-time residents of East Dallas, selected the Forest Hills neighborhood for its historical and eclectic charm, proximity to White Rock Lake and The Arboretum, and its pastoral setting that offers a sense of tranquility while being close to downtown. This location provided the desired connection to a tight-knit, walkable, and heavily forested community. The design of the home is characterized as "comfortable modern." The Nobles specifically sought a corner lot that allowed for eastern exposure to maximize morning light. They strategically designed a narrow house to encourage cross-ventilation and deep light penetration, further enhanced by overhangs that permit winter sun while blocking summer rays. The residence is also equipped with 26 solar panels, generating over 200% of its energy needs on sunny summer days, and a two-story "light catcher" that distributes natural light throughout both floors, minimizing the need for artificial lighting during the day. Additionally, the home incorporates 14 geothermal wells to provide cool water for its HVAC system, and sustainable materials were used throughout to achieve LEED Gold certification. A significant architectural feature is the floating minimalist staircase, designed to avoid obstructing views of the courtyard and to allow northeast light to penetrate deeply into the space. The staircase features tight cables that contribute to a light and crisp aesthetic, creating a lyrical quality within the room. The Nobles' extensive art collection, amassed over three decades, played a crucial role in the home's layout and build. The design process, which began in 2013 after purchasing the lot, allowed them several years to understand the site's light dynamics and contextual influences, enabling them to integrate existing art pieces and acquire new ones that complemented the new space. The kitchen is a central and expansive area, reflecting the Nobles' active entertainment schedule. As the CEO of a large architecture firm and with his wife's involvement in multiple boards, entertaining is frequent. The kitchen acts as the home's nucleus, connecting the outdoor informal dining area to the south with a more formal garden to the north. A pantry extending to the garage allows the garage to function as a staging kitchen for events, highlighting the home's design for social gatherings. The overall design and implementation process spanned several years, with the Nobles taking a deliberate approach. They rented out the existing home on the purchased lot for a few years to refine their design. Collaborators, including James, Scott, Ellen, and Richard, were brought in for design, constructability, and cost considerations. The HKS LINE Group conducted light penetration, massing, and solar studies to optimize site orientation, overhangs, and window placements. A LEED consultant was also engaged to ensure the home achieved Gold certification. The process was described as enjoyable, providing a faster feedback loop compared to larger commercial projects, allowing them to see their vision materialize efficiently. #ForestHillsEstate #AIAHomeTour #HKSArchitects #DanNoble #ModernArchitecture #SustainableDesign #LEEDGold #ArchitecturalDesign #DallasHomes

Bella Mancini of Bella Mancini Design undertook the task of furnishing a nearly 3,500-square-foot loft in Dumbo, Brooklyn, for a family of four. The objective was to create a space that offered serenity at the day's end while also accommodating frequent entertaining. The loft, situated in a former industrial building, already possessed significant character with its natural wood columns, exposed brick walls, and floor-to-ceiling windows. High-end white oak floors and a new developer's kitchen were also existing features, meaning Mancini's focus was primarily on furniture, custom millwork, lighting, paint, wallpaper, and soft furnishings. The design process was heavily influenced by the clients' lifestyle. With two preteen daughters, a husband who works from home, and a wife with demanding hours, the need for both relaxation and functionality was paramount. The couple's enjoyment of entertaining also played a crucial role in the layout and furnishing choices. This led to the establishment of two distinct dining areas: a casual space near the large windows featuring an Eero Saarinen tulip table, wicker chairs, and a custom banquette that doubles as a desk, and a more formal dining setup elsewhere in the loft. The open kitchen and living area, centrally located, were designed for fluid movement and informal gatherings, encouraging guests to choose any available seat rather than adhering to a formal dining structure. Mancini aimed to infuse a relaxed, breezy Californian aesthetic into the New York setting. However, acknowledging the clients' British background and their Hamptons home's English country style, some glamorous and sparkly touches were incorporated to satisfy their preference for a slightly dressier city environment. The kitchen, visible upon entry, features a dropped ceiling painted in Farrow & Ball's Downpipe to conceal wiring, with Louis Poulsen glass globe pendants illuminating the island. The foyer is anchored by a vintage Scandinavian piece, setting an immediate tone for the home's curated style. Custom elements are prevalent throughout the loft, such as the banquette in the casual dining area, which is also painted in Farrow & Ball's Downpipe, a dark gray used in multiple spaces. The living area showcases a sophisticated and unconventional color palette, including a pink Chesterfield sofa complemented by vintage ochre and gray armchairs, with two coffee tables sourced from Jayson Home. The formal dining area is defined by pink grasscloth wall covering, featuring chrome Breuer chairs from Knoll upholstered in durable mohair, surrounding a wood table from the Danish Design Store. A custom-designed credenza by Mancini further enhances this space. The powder room received a facelift with Ellie Cashman floral wallpaper, an Apparatus light fixture, and a vanity painted in Farrow & Ball's Dead Salmon. The daughters' rooms also feature personalized designs, such as tie-dyed wallpaper from Donghia and canopy beds, alongside custom-built desks and bookshelves designed by Mancini. The master bedroom includes nightstands from Lawson Fenning, a whimsical side table from Artemest, and a chaise lounge from Gubi, with Italian garment-dyed linens from Society Limonata at ABC Carpet & Home. These design choices collectively create a functional, stylish, and comfortable environment tailored to the family's needs and aesthetic preferences. #BellaMancini #BellaManciniDesign #InteriorDesign #LoftDesign #OpenPlanLiving #DumboBrooklyn #CustomMillwork #ResidentialInteriors

This article highlights the "Forever Estate," a remarkable home designed by Nor-Son for Katherine and Randy Schneewind, located on Smithtown Bay on Lake Minnetonka. The couple, married for just over a year, envisioned a timeless design that merges drama, grandeur, and comfort for their blended family. The design and construction process involved a dedicated team from Nor-Son, including senior project manager Adam Burrington, site supervisor Neil Ebbenga, and architect Peter Eskuche, alongside designers Kirsten Hollister and Sharon Seitz from Historic Studio. This team collaborated closely with the homeowners for a year to bring their vision to life. Eskuche's architectural approach centered on maximizing the spectacular views, positioning the house and designing the great room to showcase the patio, pool, and Smithtown Bay through a 24-foot retractable wall of glass doors, complete with retractable screens. The great room, measuring 32 by 20 feet, is framed by unmatched cast-stone fireplaces installed by Randy's company, The Berg Group, imbuing the space with a European flair conducive to relaxation and dining. The kitchen features two crystal chandeliers illuminating a massive island, complemented by a mother-of-pearl tile wall and a blend of metal finishes, all contributing to a sense of functional luxury. A subtle motif of the infinity symbol, cherished by the couple, is integrated throughout the home in rugs, cabinetry, and even the pool's design. The home includes a glass-encased, multi-functional music and office space, housing Katherine’s grand piano and a round table suitable for meetings or children's homework. The homeowners' extensive art collection, reflecting their global travels and romantic experiences, adorns both public and private areas. Unique historical elements from the original 1900 Van Dusen estate, which was on the property and destroyed by a 2010 fire, are thoughtfully incorporated into the lower level. These include a brick wall, a Tiffany garden gate, and a 600-year-old Venetian marble fountain, transforming a wide hall into a Parisian-inspired walkway. The lower level is also designed for family enjoyment and relaxation, featuring a couples’ massage room, a garage with space for six cars, and a sport court and arcade. Upstairs, the master suite is accessed through double doors and boasts a dramatic tufted gray velvet wall serving as a headboard. Katherine’s passion for fashion is evident in her spacious dressing room. The luxurious master bath includes double sinks, a built-in vanity, a glass-enclosed shower, and a coffee bar, with a walkout balcony offering additional outdoor access. The upper level also accommodates children's bedrooms and a playroom, with an elevator providing convenient access to all floors. A significant personal touch is a picture wall outside the master suite, curated by the designers, showcasing wedding photos, Katherine’s Ironman competition, and other family and travel memories, which Katherine identifies as their most cherished artwork and the true essence of their home. #LuxuryHomeTour #NorSon #Minnetrista #EskucheDesign #HistoricStudio #LakeMinnetonka #CustomHomeDesign #ArchitecturalDesign #InteriorDesign

Architects Andrea Fisk and Jess Hinshaw of Boerum Hill-based Shapeless Studio were tasked with transforming a newly acquired, two-bedroom condo in a partially completed building into a functional, inviting, and comfortable home for a young family. The condo, located on the periphery of the brownstone belt, presented a raw, unfinished space, but also boasted several appealing features, including a spacious outdoor terrace with city views, an attractive pre-installed developer's kitchen, and wide plank floors. The architects commenced their work by introducing a subtle texture to the walls using a limewash finish. A significant aspect of the renovation involved the design and installation of custom cabinetry for every room, crafted by ABC Millwork in Gowanus. The design philosophy for the cabinetry drew inspiration from the warm wood tones present in the existing kitchen. White oak was chosen for the units in the entry and living room, while walnut was selected for the primary bedroom. The built-ins in the primary bedroom, in particular, evoke a Japanese aesthetic, reflecting the architects' preference for simple, elegant, and well-organized design principles that resonate with Japanese design. The newly acquired furniture adheres to a chic modern style, featuring plush and comfortable fabrics. Notable pieces include a Kelston sectional sofa from Design Within Reach and vibrant orange Bollo chairs by Fogia. The living room seamlessly connects to the outdoor terrace, which was lushly landscaped by Elevations Landscape Design + Build using only container plantings. The millwork throughout the condo was designed with a strong emphasis on functionality and "program." The white oak unit in the entry hall serves multiple purposes, incorporating open and closed storage, a shoe bench, coat hooks, and display space. In the living room, a formerly blank wall was transformed into a multi-functional area, featuring seating, additional storage, a media center, a bar, and an ethanol Eco-Smart fireplace that does not require traditional piping or flues. The architects also custom-designed a dining table, made by Brooklyn-based Ivory Build, to perfectly accommodate four to six individuals. This is complemented by Tokyo dining chairs from Bensen, a pendant lamp by Astep x Gino Sarfatti, and a textured rug. The primary bedroom features gleaming cabinetry crafted from highly figured walnut, chosen to create a more subdued and moody atmosphere. This millwork encompasses a built-in headboard, integrated side tables, bookshelves, dresser drawers, and an elaborate closet. The closet's design is particularly noteworthy, featuring a slatted sliding door inspired by Japanese aesthetics. For the nursery, furniture was sourced from Crate & Kids. The outdoor terrace is outfitted with specific outdoor furniture and container plantings, selected by Gowanus-based Elevations Design + Build, to ensure continuous blooms throughout the season. The project successfully transformed a raw condo into a character-rich, comfortable, and highly functional home. #BoerumHill #CondoDesign #CustomMillwork #ShapelessStudio #InteriorDesign #ModernFurnishings #BrooklynRealEstate #FunctionalDesign #JapaneseAesthetic

The Captain Whidbey, a 100-plus-year-old inn located 30 miles north of Seattle in Washington’s Puget Sound, has been reimagined and reopened by brothers Mike and Matt French, along with designer Eric Cheong. Known for their work with the Pioneertown Motel and Ace Hotels, the team has a history of revitalizing historic properties. Their approach to the Captain Whidbey involved immersing themselves in the inn's existing environment for nine months before making significant changes, allowing them to connect with the landscape, history, and community that held many cherished memories of the beloved place. The renovation incorporated a collaborative spirit, inviting various designers to contribute their unique visions. The four stand-alone cabins, for instance, were given to different designers like We the Nomads, Glasswing, Whidbey Edit, and heritage company Filson, with no specific directives. This resulted in a diverse range of styles, from an airy space with nature-inspired palettes and hand-drawn heron wallpaper to a cabin designed by Filson to emulate a yacht's interior, utilizing reclaimed teak and bass from boats. This collaborative ethos extended throughout the property, engaging local artists, craftspeople, and experts. Handwoven woolen blankets were created by local weaver Hannah Ruth Levy, carrying on a family legacy of weaving on the island. Gardens by Salty Acres hosted chef talks, and Portland fashion designer Kate Towers designed fleece housecoats for guests. The bar featured hand-painted ceramic tiles by Portland’s Mixed Needs, depicting water species and a poem by South Whidbey poet David Whyte. An eccentric library was curated from Captain Rhys Balmer's childhood collection, filled with maritime children’s books, classic sea tales, obscure hippie counterculture stories, and sea survivalist handbooks. For the historic lodge itself, the design aimed for a natural, timeless, and quirk-embracing aesthetic with subtle, organic modern updates. The inn's location within Ebey’s Landing National Historic Reserve meant adhering to historic building restrictions, which Cheong, an avid sailor, viewed as boundaries that deepened the design narrative, much like restoring an old ship. The original building’s idiosyncratic style, influenced by Judge Still who hand-built the inn in 1907, was respected. The more than 100-year-old, hand-hewn Pacific madrone logs, known for their cinnamon bark that darkens to red with age, and a unique, hand-built stone fireplace, where guests traditionally left poems and love letters, became central design elements. These historical features were complemented by custom Scandinavian-inspired furniture and jewel-toned mohair fabric, creating a dialogue with the past while incorporating modern comfort and style. The project showcases a deep reverence for historical context, blending it with contemporary design without compromising the inn's unique character. #HotelRenovation #HistoricPreservation #PacificNorthwestDesign #CollaborativeDesign #InteriorDesign #BoutiqueHotel #WhidbeyIsland #SustainableDesign #CommunityEngagement

NEOM, the ambitious mega-project funded by Saudi Arabian authorities, is steadily advancing with the unveiling of its latest luxury resort, Treyam. This development is part of NEOM's grand vision, which encompasses 10 distinct regions, with the initial phase of the futuristic city projected to be completed by 2030. Treyam follows other announced projects such as Gidori, a luxury golf course, and the floating port city of Oxagon and Sindalah islands. Treyam is conceptualized as a luxury lagoon resort, uniquely designed to integrate the desert landscape with the ocean. It features a luxury harbor, a serene lagoon, and a coral-rich shoreline, creating a distinctive environment. A central component of Treyam will be a 250-room luxury resort, offering a range of high-end amenities. These include sophisticated spas, comprehensive wellness centers, and a selection of Michelin-starred restaurants, aiming to provide an exclusive experience for its guests. The most striking feature of Treyam is its 450-meter-long infinity pool. This pool is significantly longer than many notable structures, for instance, it is almost five times the length of the Old Bridge in Florence, Italy. The design integrates the pool into a bridge structure that will connect two distinct sides of the resort, making it both a recreational facility and a major architectural element. The overall NEOM project is estimated to cost an astonishing $1 trillion. This vast sum is allocated across its various components, with 'The Line', a horizontal skyscraper city and flagship region of NEOM, accounting for over $500 billion of the total budget. This implies that the remaining nine projects share the balance, with approximately $55 billion allocated to each, underscoring the immense scale and financial commitment behind this futuristic urban development. NEOM's continuous announcements of new regions and resorts like Treyam illustrate its commitment to developing a hyper-modern and luxurious destination. These projects aim to establish new benchmarks in urban planning, luxury tourism, and sustainable living, blending advanced technology with unique environmental designs. The integration of cutting-edge architecture with natural elements, such as the desert and ocean, highlights NEOM's innovative approach to creating a future city. #NEOM #LuxuryResort #Treyam #SaudiArabia #InfinityPool #MegaProject #FutureCity #LuxuryTravel #DesertOasis