RAW Architecture creates a bricolage of vernacular architecture in Piyandeling

The Flinders House project, designed by Wood/Marsh Architecture, is situated in the diverse landscape of the Mornington Peninsula, specifically near the coastal town of Flinders. This region is characterized by rolling hills, vineyards, and mature cypress tree windbreaks, with glimpses of Westernport Bay. The firm also designed the Port Phillip Estate winery in Red Hill, which shares conceptual similarities with Flinders House, particularly in its exploration of architectural form, materiality, and site integration within an undulating landscape. The Flinders House is strategically placed at the crest of a hill, embodying a monumental quality and a strong connection to its earthy surroundings. The architects aimed for the house to appear as a permanent fixture that emerged naturally from the landscape over time, rather than a recent addition. This design philosophy imbues the building with a sense of permanence and resilience. The house features a plan composed of two wings, with geometries that dynamically negotiate each other and the site's contours. Its striking off-white, rendered form guides the eye along sweeping, three-dimensional curves. An eastern void between the wings reveals a glass pavilion, which bridges the solid structures and frames a view towards the western timber pool deck. This deck is strategically positioned to offer shelter from prevailing winds. Access to the dwelling is achieved through an oblique approach, marked by a plain entry via a solitary black door set within the sand-rendered wall. This initial denial of direct visual access creates a dramatic reveal upon entry, where the axial panorama of the interior view is unveiled. This theatrical device, also utilized in the Port Phillip Estate, draws visitors into the expansive main living zone, a huge volume designed to offer ocean views from various vantage points. The main living space is notable for its striking height and sweeping ceiling, which simultaneously compress and release the occupant through visual and volumetric experiences. To the left, a grand sweeping staircase leads to the main bedroom, positioned above an enclosed bar and an intimate, sunken den where views are framed at ground level. To the right, the ceiling lowers over the dining area and kitchen, creating a more intimate "cave-like" space within the timber-battened enclosure. The design's formal language is inspired by the fluid movement of the ocean and waves. The architects emphasize that the interiors and exteriors are fully integrated, ensuring a strong connection to the surrounding landscape. The cursive, non-geometric form extends into the roof, leading to the sole room on the first level and creating a visually smooth flow. The chiaroscuro effect amplifies the form, contributing to a celebratory section that guides occupants towards an intimate upper space. The house was conceived not as a holiday home but as a versatile dwelling capable of hosting large extended family gatherings while also providing an intimate setting for two occupants. Wood/Marsh Architecture showcases a sophisticated use of spatial geometry, recalling their earlier work like the Gottlieb House. The design moves beyond simple sculptural geometry, integrating program, diurnal light qualities, and activated raw materials to create impact. Programmatically, the southern wings house the family, with children's bedrooms and a playroom located at the western end, and the master suite and adult areas situated in the soaring eastern section. The other wing contains guest rooms with private vistas and amenities to the east, and services to the west. The material palette, though simple, achieves a high level of refinement. The single-storey house is constructed with rendered double-brick walls, a concrete floor, and timber windows. The sand and cement render was intended to evoke a natural, almost organic texture. This contrasts with the undulating timberwork, demonstrating a craft and elegance that is "not manufactured but made." The architects' confidence in using simple forms and materials to define architecture is evident, with refinement achieved through programmatic resolution. Wood/Marsh's engagement with the arts community, both locally and internationally, informs their approach. Roger Wood draws references from various disciplines such as dance, theatre, and film, particularly valuing the ephemeral experience of dance. He describes the house as possessing a visceral and ephemeral quality, similar to dance or sculpture, which may not be immediately grasped but resonates deeply after experiencing it. The project team included Roger Wood, Randal Marsh, Gemma Cooke, Matt Borg, David Goss, Sally Holbrook, Charlie Inglis, Dominic Pandolfini, and Ben Sheridan. ESD and services were provided by Aurecon, landscaping by Tract Consultants, and structural engineering by John Gardner and Associates. #ResidentialArchitecture #WoodMarshArchitecture #MorningtonPeninsula #SustainableDesign #SpatialGeometry #FormMaking #Materiality #LandscapeIntegration

The article introduces the Miel Pavilion, a new project by Chilean architecture studio Pezo von Ellrichshausen, located in the richly forested Yungay region of Chile. The pavilion is a compact, brutalist concrete structure that stands out against the snowy landscape and white-dusted trees of Santa Lucia Alto. This project is a self-initiated endeavor by the studio's founders, Sofía von Ellrichshausen and Mauricio Pezo, situated on their 150-hectare property adjacent to the Cholguan river, near the Andes mountains, at an elevation of approximately 1,000 meters above sea level. The Miel Pavilion is part of the Artificial Foundation, a non-profit initiative established by the architects. The foundation's primary goal is to protect the native forest in the region while simultaneously promoting the creation and appreciation of art within this natural setting. The entire philanthropic project, encompassing both the land and its structures, is intended for eventual public use, reflecting the architects' commitment to environmental conservation and cultural enrichment. The architects view themselves as custodians of the land, actively working to promote the arts in Chile. The pavilion serves as a physical representation of an organization dedicated to these dual preoccupations and symbolizes their overarching intentions. Its design aesthetic aligns with that of Luna House, the architects' expansive home and workspace also located on the property. Both structures emphasize craftsmanship and exposed concrete, showcasing a blend of texture and geometric compositions, and drawing inspiration from brutalist and minimalist architectural styles. Mauricio Pezo explains that the pavilion has a dual function. Primarily, it is designed for the processing of honey. However, when not actively in use for honey production, it transforms into an open infrastructural space. The building features a distinct asymmetry in its design, with an altarpiece-like façade oriented towards the sunset and an amphitheater-like section facing the sunrise, overlooking ancient trees. This thoughtful design allows the pavilion to serve both a practical purpose and an aesthetic one, integrating it harmoniously with its natural surroundings while reflecting the architects' artistic vision and their dedication to public engagement and environmental stewardship. #ChileanArchitecture #MielPavilion #PezoVonEllrichshausen #BrutalistArchitecture #MinimalistArchitecture #YungayRegion #SustainableArchitecture #ArtAndNature #ArchitecturalDesign

Didi Contractor, a self-taught architect and sustainability advocate, championed vernacular architecture and contextual design through her 30-year career in North India, particularly Himachal Pradesh. Born Delia Kinzinger in Minneapolis in 1929, she initially pursued art at the University of Colorado, Boulder, before moving to India in the 1950s. Her transition to architecture in Sidhbari, Himachal Pradesh, was facilitated by her artistic background, enabling her to understand and manipulate material properties effectively. Contractor's significant contributions to sustainable architecture earned her multiple accolades, including the Nari Shakti Puraskar in 2019 and the WADe Asia Lifetime Achievement Award in 2017. Her work was also featured in two documentary films: "Earth Crusader" (2016) and "Didi Contractor: Marrying the Earth to the Building" (2017). Contractor's design philosophy centered on the belief that buildings should emerge from the earth and coexist harmoniously with nature. She viewed architecture as a dialogue with the natural world, emphasizing landscape integration to bridge built and unbuilt environments. Her inspiration stemmed from traditional and vernacular buildings, which inherently balanced these elements. She considered landscaping crucial for seamlessly blending structures with their surroundings. Empathy, playfulness, and imagination were also hallmarks of her approach. She celebrated materials like earth, clay, slate, bamboo, stone, and adobe, utilizing their inherent qualities to create structures that responded to natural elements such as light, wind, and the surrounding landscape. She aimed to align building construction with natural cycles, reinforcing a symbiotic relationship with the environment. Contractor's designs highlighted the importance of modern architecture and technology remaining sensitive to human emotions and ecological balance, solidifying her role as a key figure in sustainable architecture. Among Contractor’s notable projects is the Dharmalaya Institute, located in the Himalayan foothills. This institute serves as a model for sustainable living, with its seismically reinforced, earth-built structures designed to optimize solar heating and passive cooling. The use of locally sourced materials minimizes energy consumption and environmental impact from transportation. The campus actively practices sustainable concepts like net-zero energy, recycling, and responsible waste management. In her extensive residential work in Kangra, Contractor developed sustainable home construction techniques using mud and stone, drawing inspiration from local vernacular architecture adapted to the climate and accessible resources. These homes integrated local traditions, art, techniques, and labor, ensuring their relevance and authenticity to their sites. She also contributed to the Sambhaavana Institute of Public Policy in Kandwari, designing rooms with ochre mud walls and high ceilings to provide warmth in the cold climate of Himachal Pradesh, showcasing her ability to combine comfort and tradition with functionality. Didi Contractor's work is a testament to the enduring value of contextual design. Her keen observational skills and deep appreciation for Indian culture allowed her to create designs that were both aesthetically pleasing and environmentally responsible. In an era increasingly dominated by technology, her approach offers a timeless lesson in simplistic, responsible planning and building that remains rooted in its environment. Her legacy continues to inspire aspiring architects to embrace their heritage while adapting to modern needs, demonstrating that sustainable architecture can be both innovative and deeply connected to its origins. #SustainableArchitecture #VernacularArchitecture #DidiContractor #IndianArchitecture #MudAndStoneConstruction #HimachalPradeshDesign #EnvironmentalDesign #ArchitecturalPhilosophy #ContextualDesign

The River Hearth House, designed by Arcke, is a residential project located on the Brisbane River in Chelmer, Qld, Australia. The clients were initially drawn to the site due to a 1954 home designed by Kenneth Drewe, which was the first house built on this specific reach of the river. This original house was part of a cluster of mid-century homes established after new riverfront subdivisions emerged in the 1950s. After acquiring the property in 2018, the clients commissioned Arcke to assess the feasibility of renovation versus rebuilding. Extensive flood and termite damage necessitated the difficult decision to demolish the existing structure and construct a new home. Arcke's principal, Matt Kennedy, aimed to honor the qualities of the original residence, specifically its modest footprint and transparent connection to the natural surroundings. The new design sought to evoke and evolve these characteristics, further enhancing the lush landscape that initially captivated the homeowners. A key aspect of the project involved salvaging and reusing materials from the original house, including quality hardwood bearers, joists, rafters, and bricks. This material reuse integrates a tangible memory of the initial dwelling into the new construction. While the new house maintains a strong connection to the river, the design deliberately avoids being solely defined by this singular view. Instead, Arcke crafted a design that frames a diverse array of views, ranging from intimate vignettes to expansive vistas. The project also prioritized the preservation of mature trees on the site, integrating them into the architectural plan. Organizing the house around these trees creates a microclimate beneath the canopy, fostering a sense of living within the natural environment. Matt Kennedy describes the concept as a 'cluster of small buildings, part of something much bigger – like tents around a campfire,' emphasizing the permeability between the building, its site, and the surrounding neighborhood, a contrast to the often defensive nature of contemporary homebuilding. The brief included two distinct workspaces: an office and a studio. These areas are strategically positioned away from the street but set back from the boundary, with battened walls subtly guiding visitors towards the entry. The studio, a freestanding pavilion dedicated to fine woodworking, opens onto an informal garden courtyard designed by Prandium Studio, situated beneath a mature leopard tree. This garden courtyard connects to a patio terrace, which serves as a significant outdoor living space. This terrace, constructed from a combination of salvaged and new bricks, features the restored 1954 fireplace, repurposed as an outdoor hearth. This space offers a tactile contrast to the riparian setting and provides an alternative aspect for the dining and kitchen areas, allowing for a strong connection to the outdoors. The house features deep eaves that create a unifying datum, and above and below this line, various spatial enclosure devices are employed to manage the microclimate and diverse aspects. This approach ensures that each interior space interacts uniquely with its context. The north-facing living room, for instance, projects over the gently sloping landscape and is designed as a small pavilion with an elevated roof, providing views of the tree canopy. The interior aesthetic is characterized by the interplay of timber framing and joinery, enhancing the experience of the gardens and the river. The northern corners of this living space are designed with 'eroded' elements, one being transparent fixed glass and the other slide-away panels, allowing the room to transform into a balcony-like area and offering lateral views up and down the river. Collaboration with the clients was central to the design process, particularly in identifying and integrating special site moments into the home's life. The clients' creative input, including their strong aesthetic sense and understanding of spatial qualities, facilitated intuitive discussions about color, light, and materiality. The client's woodworking skills are evident throughout the finished home, adding personal charm, such as the hand-carved entry door handle that reflects the bend of the river, contributing to the narrative of the place. #ResidentialArchitecture #RiverfrontDesign #SustainableDesign #MaterialReuse #LandscapeIntegration #OutdoorLiving #CustomJoinery #ArchitecturalRenovation

The Ladakh region, situated high in the Himalayan Mountains, is characterized by its remote location, extreme climate, and a short construction season of only four to six months. Temperatures fluctuate dramatically, reaching +30 degrees Celsius in summer and dropping to -30 degrees Celsius in winter. These harsh conditions necessitate robust construction methods, but importing materials is often impractical and expensive due to the region's inaccessibility. Czech architecture firm Archide addressed this challenge by revitalizing the use of rammed earth, a locally abundant material, for construction in Ladakh. Rammed earth construction leverages local soil, making it a sustainable and cost-effective solution for remote areas. The process involves compacting layers of damp soil into formwork, which then cures to create durable, monolithic walls. This method is particularly well-suited for the Himalayan climate because earth walls possess excellent thermal mass properties, meaning they can absorb and store heat during the day and release it slowly at night. This natural insulation helps maintain stable indoor temperatures, reducing the need for artificial heating and cooling in a region with severe temperature swings. Beyond its thermal advantages, rammed earth is environmentally friendly. It minimizes transportation costs and associated carbon emissions, as the primary material is sourced directly from the construction site or nearby. This reduces the ecological footprint of building projects. Additionally, rammed earth is non-toxic and breathable, contributing to healthier indoor air quality compared to many modern building materials. Its inherent durability also means structures built with rammed earth can last for centuries, reducing the need for frequent repairs or replacements. Archide's project in Ladakh demonstrates a successful blend of traditional building techniques with modern architectural principles. By adapting and refining rammed earth construction, they have provided the local communities with resilient and comfortable living spaces that are harmoniously integrated with the natural environment. This approach not only addresses immediate housing needs but also preserves cultural heritage by continuing the use of vernacular materials and construction knowledge. The revival of rammed earth in the Himalayas serves as a model for sustainable development in other remote and climatically challenging regions, showcasing how readily available resources can be harnessed for practical, durable, and eco-conscious construction. #RammedEarth #HimalayanArchitecture #SustainableBuilding #VernacularArchitecture #PassiveDesign #Archide #LadakhConstruction #EcoFriendlyMaterials

The American farmhouse aesthetic, deeply rooted in history and practicality, offers a timeless and authentic approach to home design. This style, often seen in regions like Chester County, Pennsylvania, emphasizes a connection to the land and a phased building approach that reflects organic growth over time. Architects, such as those at Period Architecture, integrate traditional architectural elements with modern functionality, ensuring that new constructions resonate with the character of historic farmhouses while meeting contemporary living demands. Authenticity is paramount in achieving a farmhouse aesthetic, requiring careful consideration of a home's history, environment, community, climate, and architectural language. This means drawing inspiration from historical precedents to replicate functionality and charm. A farmhouse should appear to have grown from its surroundings, complementing the landscape rather than dominating it. Practices like preserving mature trees and harmonizing the home's placement with natural features contribute to this sense of belonging. Additionally, incorporating historical elements like farmhouse sinks, deep window sills, interior walls that mimic thick stone, period-inspired paint colors, raised-panel doors, and locally sourced natural materials helps tell a story of gradual development. Organic and salvaged materials are crucial for both historical accuracy and environmental responsibility. Farmers traditionally used readily available resources, a practice echoed in modern farmhouse design. Stone and brick, often harvested locally or salvaged, are used for facades, fireplaces, and floors, providing durability and an authentic look. Wood, especially reclaimed beams from old barns, is utilized for structural elements, furniture, millwork, and siding, adding warmth and character. Iron, hand-forged using traditional methods for hardware and lighting, further enhances the historical feel of the home. Millwork and architectural details, once indicators of wealth and craftsmanship, continue to define the farmhouse style. Intricate details in kitchens, bathrooms, staircases, and various interior and exterior trim work evoke a sense of a bygone era. Functional elements like dormers and porches, originally serving practical purposes such as increasing usable space or providing a transitional area from outdoor work, are now celebrated for their aesthetic appeal and ability to connect inhabitants with nature. Dutch doors, for instance, blend aesthetic value with functionality, bridging indoor and outdoor spaces. Integrating old with new is a hallmark of contemporary farmhouse design, allowing for the preservation of historical charm while embracing modern conveniences. Decorative shutters might replace their functional predecessors, and composite materials can offer the look of natural wood with enhanced durability and reduced maintenance. While traditional fireplaces were primary heat sources, modern farmhouses benefit from advanced heating, cooling, insulation, and smart home technologies, ensuring comfort and energy efficiency without sacrificing historical integrity. Ultimately, the appeal of the farmhouse aesthetic lies in its emphasis on family-focused comfort and livability. Modern farmhouse layouts adapt traditional designs to suit contemporary family needs, transforming former servant quarters into functional mudrooms, opening up classic center halls and kitchens into expansive living areas, and incorporating luxurious master suites with ample closets, bathrooms, and scenic views. Essential modern additions like laundry rooms, increased storage, butler’s pantries, and well-designed mudrooms enhance daily living. The farmhouse remains a symbol of authenticity, deep-rooted family values, and regional pride, offering a profound sense of home within the American countryside. #FarmhouseAesthetic #PeriodArchitecture #HomeDesign #ArchitecturalTraditions #OrganicMaterials #SalvagedMaterials #Millwork #IndoorOutdoorLiving #HistoricPreservation #FamilyFocusedDesign

The Courtyard House project, located in Bhilai, India, and completed in 2022 by Atelier Varun Goyal, draws its main inspiration from the desire to foster family togetherness within a contemporary architectural framework. The central concept involved creating two distinct yet interconnected homes for two brothers belonging to a joint family. This design approach aimed to maintain their strong familial bond while simultaneously ensuring individual privacy. The architectural theme guiding the project was 'Contemporary and Contextual,' which sought to integrate modern aesthetics with the specific characteristics of the local environment. A core philosophy of minimalism and a deep connection with nature further shaped the design. Spanning an area of 8000 square feet, the project's construction involved a collaborative effort from various specialists. The team included principal architect Varun Goyal, architect Kamal Agrawal, and interior designer Deepshika Khatri. Structural engineering was handled by BSBK and R K Chaurasia, while Dragonfly Farms and Anuja Cambatta were responsible for the landscape architecture. HVAC consultancy was provided by GREE, acoustics by 8mm, and civil finishing works by Makrana Marble. Project management was overseen by Vinay Goyal and Mukul Goyal, with carpentry by Niwas & Amit Suthar. The photography for the project was done by Pankaj Anand. The design incorporates materials and products from a range of manufacturers, including AutoDesk, Gessi, Saint-Gobain, ARCHIDPLY, Ambuja Cement, Arjun Rathi, BOSE, CP Veneers, D'Decore, Goyal TMT, Hafele, Hettich, Hybec, Ikea, Kaff, Kalinga, Kohler, Lafit, Norisys, Orient, Pure Concept, Trimble Navigation, and Wipro. This selection reflects a commitment to quality and contemporary design, fitting the project's 'Contemporary and Contextual' theme. The project emphasizes the integration of nature through its central courtyard, a feature that not only symbolizes unity but also serves as a shared outdoor space for both households. This element is crucial to the project's objective of balancing communal living with individual needs, demonstrating a thoughtful response to the family's lifestyle and cultural context. The focus on minimalism is evident in the clean lines and uncluttered spaces, aiming to create a serene and functional living environment. The Courtyard House represents a modern interpretation of traditional Indian joint family living, offering a solution that accommodates evolving social dynamics while preserving core values of family connection. #ResidentialArchitecture #CourtyardHouse #AtelierVarunGoyal #IndianArchitecture #Bhilai #FamilyHome #MinimalistDesign #ContextualArchitecture #SustainableDesign

This article explores ten unique homes that showcase the architectural technique of cantilevering, a design element popularized by Frank Lloyd Wright. Cantilevered structures create living spaces that appear to defy gravity, extending outwards and often dramatically over challenging terrains. The Bolton Residence, designed by \_naturehumaine, is a vacation home in an Eastern Quebec forest. Its geometric silhouette reinterprets classic gable roof barns with a contemporary twist. The architects utilized a narrower first-floor envelope and a wider, cantilevered upper level to manage a tight budget and steep terrain, minimizing excavation while creating a sculptural appearance. A centralized, multi-purpose fireplace acts as storage, a TV stand, and a staircase guardrail. The Balancing Barn, by MVRDV and Mole Architects, is a stainless steel-clad structure in Suffolk that projects 18 meters out and five meters off the ground, showcasing an extreme example of cantilevering. Midden Studio, a zinc-clad artist's studio by Studio Weave on the Scottish coast, floats over a stream. The design incorporates a "light soffit" to maximize views, and its cantilever increases internal volume without expanding the ground footprint. The studio, built with prefabricated materials to overcome remote site challenges, features a custom embossed standing seam zinc system. Altaïr House, by Bourgeois/Lechasseur Architects, features an upper level that juts out over the lower level, allowing the living room to integrate with surrounding trees and offer water views. This design enhances the connection between the interior living space and the natural environment. The Norwegian Sea Cabins, designed by Snorre Stinessen, are rentable glass cabins on Manshausen Island, Norway, that offer an immersive experience with nature. One cabin cantilevers from a natural ledge, providing a comfortable shelter that exposes visitors to the elements. These cabins feature two layers of larch wood construction with custom glazing, and strategically placed large glass expanses frame planned views. Aleph House, by Siegman Associates in Asheville, North Carolina, incorporates a modest cantilever from its second floor, inspired by the Hebrew alphabet's first letter. The lower level, with studios and guest rooms, blends into the natural contours, and a retractable door connects a woodworking studio to an outdoor workspace. The cantilevered second floor houses the communal living space. Crane Blvd, by Anonymous Architects, features two side-by-side residences on tiny, precipitous lots in Los Angeles. The architects stacked two stories on concrete pile foundations and used bay windows to extend the living space. The homes, while having identical floor plans, are offset and vary subtly in size and height to ensure privacy. Cantilever House, a prefab home by Anderson Anderson Architecture in the Washington wilderness, uses a steel frame on a concrete foundation bolted to a rock. This allowed the entire structure to cantilever, orienting the house towards waterfalls. The house provides a robust retreat from harsh weather, offering ample opportunities for outdoor activities. The Berkshire House, designed by Framework Architecture, is a cantilevered cabin on a rock outcropping with a 20-foot drop, creating a treehouse effect. Its south face is almost entirely glass, with a roof canopy to manage solar gain. The exterior uses knotted pine planks to manage costs. Finally, Sandpath, an Oxford home by Adrian James Architects, uses a modest cantilever over a concrete wall to create a striking entrance. The house, built with structural insulated panels and an integrated steel frame, features a bedroom and family bathroom on the upper level that extend into the cantilevered façade. This design element adds lightness and drama to the home’s approach. #CantileveredHomes #ArchitecturalDesign #ModernArchitecture #HomeTours #StructuralInnovation #ResidentialDesign #UniqueHomes #BuildingTechniques

James Baker's curiosity was piqued by a boxy building near the Baton Rouge Country Club, hidden behind a tall, vine-covered barrier, recognizing its departure from the traditional south Louisiana architectural style. One Sunday, he discovered the secluded home was for sale and scheduled an open house. This timing was serendipitous, as he and his wife, Marsha, had been contemplating building a new home. Upon visiting, they were immediately captivated by the property's design, which featured massive windows looking out onto a lush private garden and a dramatically designed pool. Within days, they made an offer on the house. The home’s appealing features—streamlined structural details, an open floor plan, ample space for art, and a seamless connection between indoor and outdoor living—are characteristic of the tropical modern architectural movement prevalent in Miami. The house, built a dozen years prior, reflected the original owner’s preference for this South Florida aesthetic. Consistent with tropical modern design, tall and wide windows and doors throughout the home offer expansive views of the landscape and water features. Polished marble flooring extends from the interior to the exterior, creating a cohesive and luxurious feel. The overall ambiance is Zen-like, filled with natural light, and conducive to relaxed living, offering a warmer interpretation of typical modernism. Despite their previous homes being more traditional, the Bakers found the contemporary vibe of this house perfectly suited for their extensive and growing art collection, which primarily consists of bold and abstract pieces. The home's empty white walls provided ideal gallery spaces for displaying art acquired during their travels, as well as works by Louisiana artists sourced through Ann Connelly Fine Art in Baton Rouge and Soren Christensen Gallery in New Orleans. For the renovation, the Bakers enlisted Todd Normand of Bernhard Normand Construction. The project involved relocating a bar nook in the main open room to a separate living area, adding a fireplace and bookshelves to the opposite side of the room, and redesigning the master bathroom to include a sleek vanity alcove. Designers Helaine Moyse and Patrick Tandy, long-term collaborators with the Bakers, helped integrate the couple’s existing classic furniture with new contemporary pieces. This blend is exemplified in the dining area, where an 8x8-foot abstract painting by Meredith Pardue is framed by Venetian glass sconces and paired with a weathered antique Spanish dining table. Marsha noted that the mix of antique and modern elements, encouraged by the designers, prevented the space from feeling overly contemporary, maintaining a sense of warmth. The existing kitchen, featuring contemporary glass, metal, and exotic wood cabinet panels, initially challenged Marsha’s preference for all-white kitchens. However, replacing the dark granite backsplash with a multi-hued linear version brightened the space, and she eventually grew to appreciate its unique style, especially noting James's enjoyment of cooking there. Marsha, alongside friends Stacey Davis and Stacy Johnson, recently launched Envy, a decorating firm that began with holiday décor and expanded into full-service design. Through Envy, Marsha sourced window treatments and other furnishings for their new home, adding personal touches to the already impressive structure. The couple also took on most of the landscaping themselves, incorporating ferns, elephant ears, and other tropical-inspired plants around existing palm trees, with some natural materials from Red Onion and additional trees from Steve Rowley of Hydro-Scapes. They enjoy working in the flowerbeds and spending evenings on their marble-floored porch, which remains shaded and comfortable, watching the sunset with their three dogs. The once-mysterious home has become a cherished, comfortable space for the Bakers. #ModernArchitecture #TropicalModernStyle #HomeRenovation #InteriorDesign #ArtCollection #OpenFloorPlan #OutdoorLiving #LouisianaHomes #BatonRouge

In northern Italy's Piedmont region, a distinctive modernist pavilion stands as a contemporary interpretation of a castle, enveloped by its own body of water and accessible via a drawbridge. This architectural marvel, designed by Duilio Damilano of Damilano Studio, sought to create a secluded oasis, blending Italian luxury with the serene aesthetics of a Japanese Zen garden. The client and architect shared a mutual admiration for Japanese design principles, which significantly influenced the project's interior and exterior elements. The exterior of the pavilion features a large garden, conceptualized by landscape gardener Paolo Roagna. This garden draws inspiration from symmetrical Japanese botany, incorporating sculptural Bonsai trees and water features harmoniously alongside indigenous trees and shrubs. The building's perimeter is defined by sculptural metal grid structures on opposing sides. These grids are not merely aesthetic; they provide essential shade during the summer months and are adorned with geometrically positioned square blocks of Fir wood, adding visual depth. The external walls are also crafted from Fir wood, treated with the traditional Japanese Shou Sugi Ban technique, which involves burning the wood to enhance its durability. The single-floor dwelling utilizes pigmented micro cement throughout. Externally, this material is acid-etched to mimic the appearance of natural stone, while the interior surfaces are left smooth. The internal layout is designed to foster continuous interaction with the surrounding natural environment, largely achieved through expansive sliding glass walls. The interiors showcase a thoughtful curation of design pieces, where luxury meets functionality and artistic expression. In the sitting room, a playful ‘Cactus’ coatrack by Guido Drocco and Franco Mello immediately captures attention, positioned near a painting titled ‘Sardinia’ by Andrea Lo Papa. The room also features an enveloping ‘Pack’ sofa by Edra, illuminated by Ingo Maurer’s ‘Lacrime del Pescatore’ lighting. A hand-crafted rug by Mohebban Milano and a collection of wooden sculptures by Austrian artist Daniel Eggli further enrich the space. The dining room offers a contrasting palette to the building's earthy brown tones. It features a gold leaf table, designed by Dilmos Milano, complemented by ‘Ella’ chairs by Jacopo Foggini for Edra, which are described as having soft, gleaming molten amber hues. The ‘Scrigno’ sideboard, with its mosaic mirror shards, adds a deeper luster, reflecting the jewel-toned scheme. Damilano describes these colors as representing the 'earth and territory, warm and material colors.' The kitchen and bathrooms maintain a practical yet refined aesthetic. The kitchen, hand-built in oak by a local carpenter, is designed for industrial efficiency, a material choice echoed in the bathroom. The bathroom is equipped with ‘Origini’ taps by Gessi, ‘I Ching’ towel warmers by Elisa Ossino for Tubes, and sanitary ware by Cielo Ceramiche. In the main bedroom, a burnished dragon motif, painted by artist Riccardo Brotini, adorns the entire back wall, drawing inspiration from Japanese mythology where dragons symbolize cosmic guardianship and control over natural elements. A foldaway bed is integrated into the ceiling, allowing for flexible use of the space, which also connects to the terrace, pool, and gardens through sliding glass doors. The design team's overarching goal was to create a dynamic yet meditative natural experience, with the metal mesh and interlocking wooden blocks forming an optical illusion that changes as one moves around the pavilion. This integration of Italian luxury with Japanese Zen principles culminates in a home that emphasizes well-being and a harmonious connection with its environment. #ModernistPavilion #ItalianLuxury #JapaneseZenGarden #ArchitectureDesign #PiedmontHome #DuilioDamilano #InteriorDesign #ShouSugiBan #LandscapeDesign

This article details the architectural design and construction of a modern, modest home on Elliott Island, Maryland, which received the 2020 Editor's Choice Award. The project, conceived as a weekend retreat for a family to spend time with the client's father, aimed to blend a rustic feel with contemporary design, harmonizing with the remote, fishing-shack-dominated community. David D. Quillin Architecture spearheaded the design, emphasizing measured proportions, a gentle aesthetic, and clean detailing. The home features an open floor plan designed to foster relaxed socializing, with common spaces oriented towards water views. A kitchen island and a stair cabinet effectively divide the main volume into distinct zones for different activities, accommodating both adults and children. The selection of Andy Bukovsky, a local master cabinetmaker but first-time general contractor, and Jerry Keith, the client's father who uses a wheelchair, as construction manager, influenced the design to incorporate accessibility from the outset. This collaborative effort underscored a shared commitment to unity and functionality within the home. Structural considerations were critical due to the home's waterfront location. Given that windows are concentrated on the rear side facing strong northwest winds, engineers recommended steel framing. The builder ingeniously addressed the challenge of integrating Structural Insulated Panels (SIPs) with steel by welding bolts to beams and then bolting 2x lumber to them. A steel beam in the roof plate was designed to bear on a metal post, stopping short of the exterior wall, to avoid penetrating the SIPs. The at-grade positioning of the floor, combined with extensive glazing, creates a sensation of being directly on the beach, even when indoors. The master suite is spatially separated from the main house by a glass bridge, offering privacy and a treehouse-like retreat. This separation also subtly alludes to the historical evolution of island properties, which often develop as a collection of distinct structures. Pilings were used for the master suite's foundation where the topography sloped away and to protect the roots of nearby pine trees, also allowing natural runoff to flow beneath, creating a visible stream from the bedroom. In contrast, the main house is firmly rooted with a slab-on-grade foundation. The central living space, with its concentrated glazing on the north side, maximizes water views and features a creative play area for children, promoting a "loose and organic" atmosphere for family interaction rather than formality. Materials such as concrete, brick, wood, and metal contribute to the desired rustic camp aesthetic. A notable design element is the shared chimney for two fireplaces, one in the great room and another on the rear deck. The initial football-like shape of the chimney was modified to a 7-ft.-diameter drum reducing to a smaller tower, with 90-degree corners where brick meets siding, simplifying flashing and brick-cutting. An aesthetic highlight is the cedar siding, which weathers to a gray finish where exposed to the sun, but retains an orange-gold color at the recessed entry, creating a beacon effect and adding contrast to the color palette. This natural weathering process helps the house blend seamlessly into its surroundings, reflecting thoughtful decisions in its construction and design. #ModernHomeDesign #RuralArchitecture #WaterfrontProperty #AccessibleDesign #SustainableMaterials #CustomCabinetry #ArchitecturalAwards #ResidentialConstruction #FamilyLiving

In the mountainous region of Bavaria, Germany, a distinctive holiday home known as Haus P offers a contemporary reinterpretation of the traditional chalet. Designed by Stuttgart-based Yonder — Architektur und Design, this 2,680-square-foot residence serves as a rural retreat for a family of seven from Hamburg. The architects, Benedikt Bosch and Katja Knaus, drew inspiration from classic Allgäu chalet-style homes, adapting the form into a modern, sculptural structure. The house is strategically positioned on a gentle slope in the German alpine region of Allgäu. Its exterior features charred wooden siding, which not only provides a natural, weathered appearance but also offers eco-friendly weather protection, contributing to a cool, dark-grey aesthetic. This charred wood contrasts effectively with core-insulated exposed concrete used for the foundations of the basement level, establishing a solid plinth for the timber structure above. The combination of these materials creates a two-toned facade that is both visually striking and functionally robust. The unique geometry of Haus P is a result of maximizing the property’s allowable building envelope. Bosch explains that the design conceptually originates from a classic chalet form with a shallow gabled roof and a full lower level, from which an oblique section was strategically removed along its central axis. This incision effectively divides a single building into two primary components: the main house and a separate storage shed, creating a protected courtyard in the intervening space for outdoor activities. Access to the main entrance is provided by cantilevering stairs along the slanted rear façade, leading to this courtyard. The interior spaces are characterized by their cool, lofty ambiance and an emphasis on pure and simple aesthetics. Wood, a prevalent building material in the region, is extensively used for the home's structural framework and interior finishes. The double-height ground level accommodates the open-plan communal areas, including the kitchen, living, and dining spaces. A large picture window in this area frames stunning views of the surrounding mountains, integrating the natural landscape into the living experience. A modern, minimalistic concrete fireplace is a focal point in the living area. The lower level, or garden basement, is functional and well-appointed, housing two guest rooms, a sauna, and a bathroom, offering practical amenities for a large family or guests. Stairs within the house beautifully blend with the wooden walls, floors, and ceilings, creating a cohesive design. A built-in bench along the stairs provides a quiet spot for reflection, while an upper-level loft serves as an idyllic space for reading or stargazing through its picture windows. The canted shape of the building contributes to these commodious interior spaces with high ceilings, enhancing the overall sense of openness and light within the home. #ChaletInspiredHome #ModernArchitecture #GermanAlps #CharredWoodSiding #ConcreteDesign #HolidayHome #SustainableDesign #ArchitecturalInnovation

Casa Cóndor is a family residence situated on a 2,000 sqm plot of land in one of the valleys of Loja, Ecuador. The architectural firm Freddy Bonilla Estudio designed and constructed the house with significant involvement from a local workforce, emphasizing the revival of Ecuadorian vernacular architecture. The design integrates traditional materials and construction techniques, with a strong focus on sustainability and self-sufficiency. The residence primarily utilizes mud, wood, adobe masonry, bamboo, reed, brick, and tile. Notably, many of these materials were repurposed from a disused house on the same site, which the team meticulously dismantled. This approach not only promotes recycling but also preserves the local architectural heritage and reduces environmental impact. A defining characteristic of Casa Cóndor is its abundance of portals and terraces, designed to encourage outdoor living and capitalize on the scenic views of the surroundings. The interior layout is thoughtfully planned to delineate social and private spaces. On the ground floor, C-shaped walls separate a double-height living room and kitchen area from two bedrooms that can be merged into a single larger space using sliding doors. The first floor accommodates a suite, a laundry room, and a terrace that provides expansive views of both the exterior landscape and the living room below. From a structural standpoint, the construction employs a combination of bamboo, soil, and reed, all sourced and harvested locally by a skilled master builder. The ground floor's recycled tile roof is supported by a robust wooden foundation, featuring two large trusses. These trusses rest on the walls and posts, serving to shelter the portals and create the impressive double-height ceilings in the living room and master bedroom. The upper floor features two inverted, funnel-shaped water tanks that shield the suite and collect rainwater. This collected water feeds a pond, providing a water source for domestic animals. The suite's distinctive architectural character includes a wing-like roof, which cleverly incorporates a skylight. This design element ensures ample natural light penetration and enhances the spatial breathability within the suite. The house emphasizes self-sufficiency through its integrated systems. The bathroom facilities are connected to a biodigester, an anaerobic digester that processes wastewater. The treated wastewater is then utilized to irrigate crops, establishing a closed-loop system that minimizes waste and maximizes resource efficiency. Freddy Bonilla Estudio views Casa Cóndor as a testament to the enduring effectiveness and power of vernacular knowledge, highlighting the importance of its transmission, improvement, and application for future generations. #VernacularArchitecture #SustainableDesign #EcuadorianArchitecture #RecycledMaterials #SelfSufficientHome #TerraceLiving #WoodAndTimberArchitecture #MudConstruction #AdobeMasonry

This lookbook compiles ten interior design projects from Dezeen's archive that incorporate exposed brickwork, offering visual inspiration for designers and enthusiasts. The selected projects showcase how exposed brick can add a rustic and comforting feel to interiors, moving away from traditional painted or wallpapered walls to highlight the original construction material. This design choice often imparts an industrial quality to the spaces. The lookbook includes examples from various international locations, including the UK, Brazil, Belgium, and Spain, demonstrating the versatility and global appeal of this design trend. One featured project is a Victorian terraced house in York, UK, by Studio Ben Allen, where handmade bricks form barrel vaults, echoing the city's historical brick architecture. Another example from the UK is an extension to a house in Weybridge by Soup Architects, which uses light grey exposed brick walls both externally and internally, creating texture that complements sleek modern furniture and artworks. Duggan Morris Architects' Old Bearhurst project, a converted 19th-century farm, showcases the restoration of a brickwork oast house with rugged red-brick walls contrasting with smooth concrete floors, a blend of traditional and modern elements that was shortlisted for a RIBA House of the Year award. From Brazil, Arquipélago Arquitetos designed a rammed-earth house in Cunha with straw-coloured bricks from a local pottery studio lining the interior walls, including a walk-in shower room, enhancing the house's overall simplicity. Melina Romano's Hygge Studio in São Paulo features peachy-brown brick tiles, blending a modern aesthetic with bucolic touches to create a cozy and content atmosphere. BLAF Architecten's GjG House in Ghent, Belgium, is constructed entirely from reclaimed bricks, featuring an irregular shape reflected in its curvaceous interior spaces where warm red bricks contrast with wooden beams and eclectic furniture, emphasizing waste reduction. In Argentina, Lalo Carillo, Colombo and Serboli Architecture, and SY Arquitectos designed the El Quicho guesthouse with chunky exposed brick walls that mirror a traditional brick asador oven, incorporating other rustic elements like dark wooden furniture and worn rugs against a modernist backdrop. Space Popular's Brick Vault House in Valencia, Spain, utilizes Guastavino vaults, a type of Catalan vault made from light bricks, to introduce curved elements into an otherwise geometric house. Finally, Emil Eve Architects converted a London warehouse into an apartment, preserving its original brick walls and concrete columns to maintain an industrial aesthetic, highlighting the beautiful tones and textures of the raw materials. Studio Wet's Casa Borrero in Alosno, Spain, features curved terracotta bricks lining vaulted ceilings, continuing the brick theme from its ceramic-clad exterior and responding to a narrow plot. This collection is part of a broader series of Dezeen Lookbooks, which aim to provide visual inspiration, with previous editions covering themes such as cozy cabin bedrooms, Shaker-style interiors, and interiors inspired by Wes Anderson films. #InteriorDesign #ExposedBrickwork #RusticInteriors #IndustrialStyle #ArchitecturalRenovation #ResidentialArchitecture #SustainableDesign #DesignInspiration #HomeDecor

Contemporary design is explored through the perspectives of four prominent figures in the home industry, as presented by Andersen Windows & Doors. These individuals, characterized as "possibility makers," are recognized for setting trends rather than following them. Brandon Berg, Senior Vice President of Research, Development, and Innovation at Andersen Windows & Doors, highlights that contemporary design balances various styles while pushing creative boundaries, and Andersen aims to collaborate with those bold in design and performance. Justina Blakeney, a designer known for her lifestyle brand Jungalow, champions confidence, creativity, and joy. Her work is inspired by her childhood in Berkeley, California, where she spent time in nature and nurtured her artistic talents. Her parents, both developmental psychologists, encouraged her to follow her heart and explore her passions. After graduating from UCLA, Blakeney lived in Italy for seven years, where she admired the Italian approach to mixing old and new, and bright colors with neutrals. Returning to the West Coast in 2009, she infused her 1920s Los Angeles bungalow with greenery, bold colors, prismatic patterns, and earthy textures, sharing her journey on her blog, Jungalow. She defines contemporary design as an "osmosis of things coming together when we’re feeling our most creative and inspired." Blakeney emphasizes that even small changes can impact how we live, encouraging individuals to consider the activities their home should support and then experiment with colors, patterns, and textures. Her brand is committed to environmental sustainability, planting at least two trees with every order, and offers diverse product lines for home decor. Cavin Costello, an architect and co-founder of The Ranch Mine, moved to Phoenix after earning his master's degree, driven by a pioneering spirit. Alongside Claire Aton, he established a firm dedicated to honoring the past and inspiring the future through architectural design, drawing inspiration from the region's ranching and mining history. Their firm gained recognition for transforming homes with a focus on individual passions. Costello's background includes hands-on experience building his family home with his civil engineer father. He emphasizes that contemporary design should be "free of style" and responsive to people, place, culture, and climate. An example of his work includes a solar-powered home designed for a couple's passions for music, yoga, and sustainability, featuring compact windows that reveal desert vistas during yoga practice. The Ranch Mine also received an HGTV Designer of the Year Award for their Red Rocks project, which reconfigured a 1970s Spanish Colonial Revival to connect with the outdoors and Arizona's natural beauty. Jessica Davis, an interior designer and founder of Nest Studio and Atelier Davis, has been passionate about design since childhood, even sending landscape plans to *Southern Living* magazine at age 12. Her global upbringing in Sydney, Hong Kong, and Dallas, along with degrees from Princeton and the New England School of Art & Design, shaped her perspective. After working in hospitality design, she settled in Atlanta and became known for her creative contemporary vision, blending luxurious and accessible elements. Davis developed this dynamic approach while working on the TV show *Bob Vila’s Home Again*, sourcing furniture and decor. She launched Nest Studio, an award-winning hardware company, which quickly gained traction through her early adoption of blogging and Pinterest. Her collections feature mixed materials and layered dimensions. At Atelier Davis, her team injects personality into spaces that tell the stories of their inhabitants. Davis, a mother, operates both studios as women-owned businesses, supporting work-life balance for talented working mothers. She defines contemporary design as what is "happening now" and responsive to evolving needs, citing her own plans for a home addition with a stronger connection to the outdoors and an open floor plan, incorporating steel frame windows reminiscent of her childhood in Hong Kong. Jeff Sweenor, a builder, founded Sweenor Builders after a background in competitive rowing, which instilled in him a team-oriented mentality. His work ethic was also shaped by growing up in his family's fifth-generation candy business, where he learned carpentry, plumbing, electrical, and refrigeration skills by building and renovating their shop. This entrepreneurial spirit led him to build his first home, learning alongside local professionals. Over 30 years, Sweenor Builders has grown from building spec houses to creating legacy homes along the New England coastline. The company integrates various capabilities, including an in-house millwork and cabinetry shop, providing a seamless client experience. One notable project involved renovating a 1971 residence, transforming its congested floor plan and scattered windows to optimize riverfront views. The renovation maintained coastal character while incorporating sleek, modern materials like black vertical longboard and cypress cladding. The firm optimized overhead space with a low-pitch roof and clerestory windows, enhancing natural light. Sweenor’s dedication extends to community engagement, offering on-the-job opportunities to local students, a practice he sees as building the next generation of skilled professionals. #ContemporaryDesign #HomeIndustry #DesignTrends #Architecture #InteriorDesign #Building #Jungalow #TheRanchMine #AtelierDavis #SweenorBuilders

Bernardes Arquitetura, in collaboration with construction company Ita Construtora, has introduced the Pipa House, a prefabricated home concept designed for adaptability and sustainability. This modular system utilizes glulam-beam structures, allowing for infinite expansion and customization to meet diverse client needs. The Pipa House emphasizes modularity, quality, sustainability, adaptability, and materiality as its core design principles. The prototype of the Pipa House features three primary volumes connected by a central hallway. The largest volume encompasses the kitchen and an open-plan living/dining area, distinguished by full-height sliding glass doors that integrate the interior with the surrounding environment, ensuring ample natural light and ventilation. Two smaller, equally sized modules house individual bedrooms, each with sliders opening onto a deck. The modular design facilitates the addition of more bedrooms or other functional spaces by simply incorporating additional units. Architect Rafael Oliveira of Bernardes Arquitetura highlights the importance of creating a home-like atmosphere through the thoughtful composition of prefab components and the enhanced use of natural materials, evoking a sense of simpler living. The interior design adopts a neutral palette, further emphasizing natural elements. The structural system is built upon eucalyptus glulam beams, enabling the home to be adapted to various site conditions. The elevated design of the house minimizes exposure to groundwater and provides easy access to utilities located beneath the floor slab. Each module is equipped with an independent HVAC system, contributing to the home's energy efficiency. The external walls are constructed from prefabricated concrete panels and full-height glass sliders, incorporating a ventilated facade system that ensures low maintenance and high thermal insulation. This design allows for the customization of the prototype to suit homeowners' evolving requirements, offering the flexibility to expand by adding more modules as needed. Additional features include a covered porch extending along the main volume, offering protection from the elements, and steps leading from the main living space to a wooden deck and swimming pool. The article also provides a floor plan and front and side elevations of the Pipa House, offering a comprehensive view of its design. Project credits list Bernardes Arquitetura for architecture and interior design, Pippa Empreendimentos + Laer Engenhairia as developer, Ita Construtora for construction, Laer Engenharia for engineering, Zamaro for electrical and hydraulic installations, Ita Construtora and Engineer Hélio Olga for the wooden structure, Marcelo Faisal for landscaping, and Lightworks for lighting, with photos by Ruy Teixeira, furniture by Ornare, and woodwork by Arali. #PipaHouse #PrefabricatedHomes #ModularDesign #BernardesArquitetura #SustainableArchitecture #GlulamBeams #EnergyEfficient #BrazilianArchitecture #ExpandableHomes

Pezo Von Ellrichshausen has completed the 'Loba House,' a concrete structure nestled into the terrain of coastal Chile, overlooking a sea lion reserve on the Pacific Ocean. Described by the architects as "more than a hut but less than a house," the design strategically manipulates perceptions of proportion to achieve a monolithic appearance with an ambiguous scale. The opaque dwelling is situated in the Coliumo peninsula, Tome, VIII region, Chile, covering a built surface of 70 square meters (753 square feet) within a 1,000 square meter (10,764 square feet) plot. The design and construction phases took place in 2016 and 2017, respectively. The architectural concept interprets the building as an "inhabited wall" that runs perpendicular to the natural topography. Its narrow and tall proportion contributes to this perception. The height of this wall is defined by two primary elements: a continuous horizon line provided by the expansive ocean view and a series of six descending platforms that step down towards the sea. This terraced internal structure allows for varying ceiling heights and programmatic divisions within a single, open space. The roof of the 'Loba House' functions as an accessible terrace, serving as an extension of the natural landscape. From this vantage point, a stepped geometric structure offers a dedicated area for observing sunsets, providing an elevated perspective of the surrounding environment. Internally, the dwelling features a single, expansive room, which is strategically punctuated by three substantial concrete columns and two connecting bridges. This layout defines zones without rigid partitioning. Bedrooms are positioned on the higher of the six internal platforms, characterized by lower ceilings, creating a more intimate and enclosed sleeping environment. Conversely, areas designated for communal activities, such as living spaces or dining areas with sofas and tables, are located on the lower levels, benefiting from the greater height and openness. The interior illumination is carefully managed through precisely placed openings on both sides of the elongated volume, complemented by overhead skylights that ensure specific areas within the house receive natural light. A notable design detail is a corner aperture, framed by a round pillar, which features unframed glass flush with the exterior concrete surface, providing an unobstructed view. The construction was undertaken by Carvajal & Cabrer, with structural engineering by Peter Dechent and consultancy by Marcelo Valenzuela and Daniel Garrido. The project exemplifies a harmonious integration with its dramatic coastal setting, blurring the lines between architecture and landscape through its material palette and formal strategy. #ChileanArchitecture #CoastalDesign #ConcreteArchitecture #EmbeddedArchitecture #MonolithicDesign #PezoVonEllrichshausen #InhabitedWall #TerracedHouse #SkylightDesign