Raf Simons and Kvadrat’s New Shaker-Inspired Launch Goes Beyond Fabric

Fashion designer Raf Simons has collaborated with Danish textile company Kvadrat to introduce two new upholstery fabrics, Helia and Silas, expanding his ongoing collection for the brand. Simons' objective for this collection was to explore and push the boundaries of conventional upholstery textiles, drawing inspiration from haute couture fabrics and techniques to achieve unusual textures from natural materials such as linen, wool, and viscose. This collaboration highlights a continued partnership where Simons injects his distinctive blend of colors and materials into Kvadrat's textile offerings. The Helia fabric is primarily composed of new wool, with supplementary acrylic, viscose, and nylon. Its design meticulously mimics the texture and structure of astrakhan fur, which is derived from fetal or newborn lambs. The fabric, characterized as a bouclé textile, presents a woven interpretation of this fur, featuring an organic, structured appearance. The use of yarn-dyed fibers contributes to Helia's melange quality, providing a subtle depth and variation in color. Silas, the second fabric in the collection, is crafted from new wool and nylon, and is distinguished by its soft, voluminous feel. The creation of Silas involves a sophisticated finishing process where the velvet-like texture is repeatedly unraveled and beaten. This technique causes the fabric to swell and then return to its original shape, before undergoing a steam treatment. The result is a textile that evokes the appearance of unravelled velvet, offering a unique tactile experience. Simons expressed his particular interest in experimenting with woven versions of traditional haute couture materials and techniques, such as furs and knits, for this collection. He noted that this exploration led to the development of two sensuous textiles, both featuring heavily textured yet extremely soft surfaces, underscoring his commitment to innovative material development within the upholstery sector. In addition to the two new fabrics, the collection is augmented by three cushions made from the Silas fabric. Simons also refreshed the color palette of his existing Sunniva 3 fabric, demonstrating a holistic approach to his textile design for Kvadrat. Raf Simons, who trained in industrial design and established his menswear brand in 1995, has a notable career in fashion, including roles as artistic director at Jil Sander and, since January of this year, co-creative director at Prada alongside Miuccia Prada. Kvadrat, founded in 1968, has a rich history of collaborating with prominent designers to produce innovative textiles and products. Recent collaborations include the Maya and Jaali fabrics designed by London studio Doshi Levien and a energy-reducing roller blind developed with Ronan and Erwan Bouroullec, reflecting the company's ongoing commitment to design innovation and strategic partnerships. #RafSimons #Kvadrat #UpholsteryFabrics #HauteCoutureInspired #TextileDesign #IndustrialDesign #MaterialInnovation #FashionDesignCollaboration

RH, a prominent home furnishings retailer, has launched RH Contemporary, a new business branch that significantly expands its product offerings through collaborations with a diverse array of global designers. This initiative marks RH's most substantial concept launch since RH Modern in 2015, reinforcing the company's ambitious growth trajectory. The new collection encompasses a wide range of items, from large furniture pieces such as sofas, beds, wardrobes, and outdoor furniture, to lighting, textiles, and decorative objects. The launch of RH Contemporary follows other significant developments for the company, including the unveiling of RH San Francisco, the acquisition of private planes and a yacht for charter, and plans for future locations in Manhattan, Oxfordshire, Paris, London, Milan, and an 'RH Ecosystem' in Aspen featuring the company's first spa. The development of RH Contemporary began prior to the pandemic, with RH leadership strategically using that period to focus on long-term growth initiatives rather than short-term revenue pursuit. A key aspect of RH Contemporary is its multi-tiered approach to elevating production standards and materials. This includes a partnership with Holland & Sherry, an established Savile Row tailor, to supply a comprehensive range of fine textiles for upholstery and curtains. Additionally, the collection features high-caliber Indian hand-loomed throws and pillow covers by textile artist Neeru Kumar, whose work has been acquired by the Victoria & Albert Museum. A significant portion of RH Contemporary's upholstered furniture, including modular leather seating and low linear sofas, is crafted in Italy. To achieve this, RH collaborated with expert Italian upholsterers, ALT in Romagna and Crivellari in Padova, whose founders are prominently credited on the RH website alongside the designers. Italian-sourced materials, such as travertine stone from outside Rome and Arabescato marble, are also widely used, although some fabrication occurs elsewhere. The emphasis on top-tier materials and production, including lacquered burl wood, hand-carved Spanish alabaster, and hand-applied plaster on lighting, is reflected in the collection's higher price points, with items like Jonathan Browning’s ‘Vouvray’ chandelier starting at over $35,000 and Joris Poggioli’s ‘Vitolo’ dining table starting at over $12,000. Gary Friedman, RH chairman & chief executive officer, notes that RH Contemporary items are priced approximately 30 to 35 percent higher than the current RH offerings. While large-scale furniture forms the core of the collection, smaller shoppable items are also included, such as vases and decorative dishes by Brooklyn-based ceramicist Dina Nur Satti, which incorporate her Sudanese and Somali heritage. Friedman expresses strong belief in RH Contemporary's potential impact, stating that it will likely have a greater influence on the company than RH Modern, not only from a design perspective but also in terms of quality. He anticipates that this new venture will redefine consumer perceptions of RH and expand its market aperture significantly. #RHContemporary #DesignerCollaborations #LuxuryFurniture #InteriorDesign #HighEndMaterials #ItalianCraftsmanship #GlobalDesigners #HomeFurnishings

This monthly series, "In Our Carts," highlights a curated selection of new product launches and collaborations in the home and lifestyle sphere. The June 2024 edition features a range of items, from bedding and rugs to furniture, lighting, and kitchenware, all chosen for their design and functionality. One of the notable collaborations is between Danish home brand Tekla and Artek, which resulted in a new line of bedding. This collection includes duvets and shams in three colors, adorned with Finnish architect Aino Aalto’s Kirsikankukka pattern, inspired by a Japanese scarf. The collaboration also marks Tekla's first venture into kids' bedding. Cold Picnic, known for its printed rugs, has expanded its offerings with a new collection of richly hued, solid-color rugs. These nature-inspired designs, such as Grass Green, Roasted Tomato, Sky Blue, and Pear, are crafted from 100% New Zealand wool, providing a luxurious feel underfoot. Dusen Dusen has introduced three new vibrant and graphic throw pillow designs: Daisy, Hourglass, and Ricrac. These pillows come in bold colors like sunflower yellow, denim blue, and Kelly green, adding a playful touch to home decor. CB2 has launched new alabaster sconces designed by Australian studio VUUE. These hand-carved alabaster globes are available in two sizes, 6 and 10 inches, and offer a blend of old-world glamour with a modern sensibility, suitable for various interior and exterior settings. Fashion designer Carly Cushnie has collaborated with Lulu and Georgia on her first furniture collection. This 11-piece line showcases a mix of materials, including cane, wood, bouclé, fringe, and velvet. Standout pieces include the warm-toned Yucca sofa and the burl-wood Sabal console table, offering extensive mix-and-match possibilities. Opinel has released a cleverly designed grilling set that emphasizes simplicity and utility. The stainless steel tongs are extra-long with notched tips and a curved edge for effective gripping. A unique feature is the folding knife that ingeniously transforms into a spatula handle, complete with a Virobloc locking ring. The knife handle also integrates a bottle opener, enhancing its functionality for outdoor cooking. R+D Lab has partnered with Mexican chef Elena Reygadas and Fenn Apartamento to create the Rosetta collection of glassware. This collection features three new glass shapes—Acqua, Sour, and Martini—inspired by ancient vessels discovered in Pompeii. While named for specific drinks, these versatile glasses are suggested for various beverages, such as white wine in the water cups and cordials in the stemmed glasses. Finally, Belgian architect Vincent Van Duysen continues to expand his collection with Zara Home. The latest additions emphasize natural materials like wood, concrete, and solid brass, featuring pieces such as a daybed, a library system, and organically shaped concrete side tables. Dark brown is a prominent color throughout this new iteration of the collection, reflecting a sophisticated aesthetic. Baggu has also collaborated with Collina Strada on a line of limited-edition prints for its reusable bags, picnic blankets, and towels. A new highlight from this collaboration is the Horse Bag, a mini zippered pony-shaped bag, and the Boxer Plaid print on the Small Cloud carry-on, combining playful design with practical application. #ProductLaunches #HomeDecor #InteriorDesign #TextileDesign #Furniture #Lighting #Kitchenware #DesignCollaborations #NewArrivals

Raf Simons, the acclaimed fashion designer known for his work with Jil Sander and Dior, and recently appointed co–creative director at Prada, has launched his latest textile collection for the Danish textile company Kvadrat. This collaboration, which began in 2014, introduces two new upholstery fabrics, Helia and Silas, drawing inspiration from Persian lamb fur and matte surfaces. These new offerings result in a bouclé fabric and a matte fabric, both characterized by a notably soft and gentle hand. Anna Vilhelmine Ebbesen, Kvadrat's head of design consumer, highlights the textiles' extra softness, which contributes to a more rounded, organic aesthetic, and their comforting tactility. In addition to the new fabrics, Simons has refreshed the color palette of Sunniva, a previously designed textile. The collection's launch also features a unique application of these new materials: Simons has used them to reupholster Roberto Matta’s Malitte Seating System, a modular furniture piece from 1966 that is part of the Museum of Modern Art (MoMA) collection. This choice serves as a playful contrast to the sophisticated elegance of the new upholstery textiles, reflecting Simons's haute couture background. Ebbesen expresses her admiration for Simons's creative approach, noting his distinctive perspective on textiles and colors, which brings a fresh dimension to furniture and space design. She describes Simons as a brave individual and an attentive listener who values diverse opinions, qualities she deems crucial for successful collaborations. His commitment to questioning established norms and refusing to compromise on detail or quality further underscores his meticulous design philosophy. The development of this collection predated the global impact of COVID-19, and a planned celebratory event for the launch was canceled due to the pandemic. However, the timing of the new collection, with its focus on enveloping and comforting interior fabrics, proved to be particularly relevant as consumers were spending more time at home. Despite the challenges posed by the pandemic, Ebbesen remains optimistic, viewing the crisis as an opportunity for reevaluation and positive change within Kvadrat's operational practices. #RafSimons #Kvadrat #UpholsteryFabrics #TextileDesign #RobertoMatta #MalitteSeatingSystem #FashionDesigner #InteriorDesign #FurnitureDesign

The article introduces Bengt Thornefors, the creative director of Sahco, a nearly 200-year-old textile brand, and his innovative approach to integrating fashion and interior design. Thornefors, known for his work in the fashion industry with brands like Acne Studios and Saint Laurent, was appointed to his current role in 2022. His background includes co-founding the bedware brand Magniberg, which, like Sahco, is now under the ownership of Kvadrat. This experience has equipped him with extensive expertise in fashion, which he now applies to the realm of textiles. Thornefors's appointment by Kvadrat's CEO, Anders Byriel, reflects a desire to inject fresh perspectives into Sahco, moving beyond traditional textile manufacturing to embrace broader cultural and artistic influences. Thornefors views interiors as having a special appeal, and his ability to navigate both fashion and interior design was a key factor in his selection. He aims to explore the interplay between historical textile traditions and contemporary design, creating collections that embody the essence of a true textile maison. For Sahco's inaugural press presentation at Kvadrat's New York City headquarters, Thornefors adopted an unconventional approach. He transformed the space into a white-box gallery, showcasing fabrics tailored into garment bags and hung on rolling racks, reminiscent of a fashion show. These textile displays were artfully combined with fine art photographs and furnishings from the esteemed Swedish institution Svenskt Tenn, demonstrating a fusion of art, fashion, and home decor. This presentation strategy was a deliberate effort to blur the boundaries between different creative disciplines, emphasizing the emotional and artistic value of textiles rather than just their functional aspects. The reception to Thornefors's innovative presentation was highly positive, even from discerning figures like Jonathan Olivares, the architect of the presentation space. His new collections for Sahco are characterized by a blend of heritage sensibilities, retaining Sahco's traditional decorative florals, with a contemporary Scandinavian aesthetic. Thornefors highlights examples such as lime-green embroidery on a jet-black background, which illustrates his modern interpretation of classic motifs. This design philosophy underscores his belief that Sahco sells more than just fabric; it sells emotions, aiming to evoke feelings and experiences through its products. The article concludes by noting that this story originally appeared in the September 2023 issue of ELLE DECOR, emphasizing its relevance and timeliness within the design world. #TextileDesign #InteriorDesign #FashionInfluence #BengtThornefors #Sahco #Kvadrat #HomeDecor #ScandinavianDesign #CreativeDirection

Matches Fashion, a prominent online luxury retailer, has expanded its offerings with the launch of its Homewares Studio. This new venture aims to provide a curated selection of designer homewares, mirroring the high-end fashion experience the platform is known for. The initiative comes in response to a growing consumer demand for elevated home aesthetics, driven in part by social media and the desire to create interiors as fashionable as personal wardrobes. The Homewares Studio features a diverse range of products, including throws, cushions, tabletop items, and decorative pieces. It brings together established luxury brands and emerging designers, creating a comprehensive collection for interior design enthusiasts. Among the notable established brands included are Gucci, known for its distinct homewares that inspire complete remodelling fantasies; Maison Margiela; Loewe; and the homewares stalwart Missoni, recognized for its vibrant patterns and textiles. The platform also champions new and exciting talents in the design world. For instance, British designer Luke Edward Hall's ceramic pieces, which serve as canvases for his hand-painted illustrations of classical sculptures, flora, fauna, and bold slogans like “VICTIM OF LOVE,” are featured. Other emerging brands highlighted include Once Milano, offering sophisticated crushed-linen table linens in muted tones; Cire Trudon, specializing in haute parfumerie through its exquisite candles; and Raawii, a Copenhagen-based brand celebrated for its modernist crockery and rich color palettes. Matches Fashion’s approach to its homewares offering mirrors its successful strategy in ready-to-wear fashion: introducing shoppers to exclusive and innovative talents. An example is Kilometre Paris, which presents a collection of embroidered tea towels, cushions, and aprons designed to evoke postcards from exotic destinations, with each piece intricately crafted by region-specific female artisans. The studio also addresses specific trends, such as the popularity of Pendleton blankets, famously featured in Raf Simons’ Calvin Klein 205W39NYC collection for Spring 2018, which are now available for purchase. In addition to these designers, the article highlights a variety of specific items available, such as the Raawii Strom small ceramic jug, Once Milano rectangular crushed-linen tablecloth, L’Objet large Teo vase, Cire Trudon Marie-Antoinette Bust decorative candle, Calvin Klein 205W39NYC x Pendleton wool-cotton saddle blanket, Luke Edward Hall fish-painted ceramic serving platter, La Double J Editions set of two Housewives glasses, Cinnamon Projects Circa Mineral dalmation stone incense burner, Pendleton Fire Legend wool and cotton-blend blanket, Kilometre Paris palm-tree embroidered cotton apron, Maison Margiela embroidered clock, Saved NY cloud-jacquard cashmere blanket, Gucci Herbarium Verde porcelain salad bowl, Anya Hindmarch Anya Smells Washing Powder small scented candle, Missoni Home Ridley zigzag-knit cotton throw, and Perfumer H Ash scented candle. Each item is presented with its price and a direct link to Matches Fashion for purchase. The launch of the Homewares Studio reflects a broader trend of integrating fashion and lifestyle, allowing consumers to extend their personal style into their living spaces. By offering a meticulously chosen range of high-quality, designer home goods, Matches Fashion positions itself as a destination for creating aspirational interiors, reinforcing the idea that home décor is as crucial to personal expression as clothing. The platform encourages consumers to embrace the concept of "dressing for the home you want," turning their living spaces into curated reflections of their desired lifestyles. #MatchesFashion #HomewaresStudio #DesignerHomewares #InteriorDesign #LuxuryLifestyle #HomeDecoration #FashionRetail #EmergingDesigners #HighEndDecor

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions

The article discusses the launch of Weft, an innovative online platform aiming to revolutionize the woven fabrics industry. Developed by Brooks Hagan, an associate professor of textiles at RISD, and Steve Marschner, a computer science professor at Cornell, Weft provides direct access to manufacturing for custom woven fabric orders, starting from as low as three yards. This platform distinguishes itself from surface-printed fabric providers by focusing on true woven designs, offering a unique service in the market. The project received research support from the National Science Foundation and a Small Business Innovation Research grant, highlighting its technological and entrepreneurial significance. Weft empowers users to personalize their fabric designs by allowing them to select colors, weave structures, and quality parameters, as well as define repeat sizes. This level of customization is particularly beneficial for independent designers working on smaller-scale projects, enabling them to create unique textiles without the high minimum order quantities typically associated with custom manufacturing. Users of the Weft platform have the flexibility to upload their own designs or photographs, integrating personal artistic vision into their fabric creations. Alternatively, they can customize existing designs available on the site. Beyond custom design, Weft also features a curated selection of limited-edition textile designs created by various artists. The article names Stephanie Pender, Kevin Zucker, Julia Dault, John Caserta, and Julian Kreimer as some of the collaborating artists, emphasizing the platform's commitment to artistic diversity. Hagan explains that the selection of artists from diverse fields was a deliberate choice to demonstrate the software's accessibility and utility to a wide range of creative individuals, regardless of their background. This approach aims to democratize access to custom fabric production, making it available to more designers and artists. In addition to custom orders, Weft operates an online shop offering ready-made woven jacquard fabrics. These fabrics are manufactured in the U.S. and include open-source options, further promoting customization. The versatility of these fabrics makes them suitable for various applications, including upholstery, drapery, and apparel, catering to a broad spectrum of interior design and fashion needs. Weft ensures efficiency by fulfilling custom fabric orders through its network of partner mills, boasting a quick turnaround time of as little as three weeks. This rapid production cycle is a significant advantage for designers and businesses seeking timely delivery of specialized materials. #WovenFabrics #CustomDesign #TextileIndustry #RISDInnovation #DigitalLoom #ManufacturingAccess #IndependentDesigners #ArtisticCollaboration

Dims., a direct-to-consumer design brand based in Los Angeles, has collaborated with Brooklyn-based creative studio Wade and Leta to introduce a reimagined Alfa Lounge Chair and Ottoman. This partnership marks the first installment of the "New Eclectic" collection, launching today for a limited time on dims.world at a price point of $3,395. The collaboration leverages the self-described "maximalist" aesthetic of Wade Jeffree and Leta Sobierajski, integrating new 2022 Kvadrat fabric in a selection of bold and electric hues. The design aims to infuse a "purposefully eclectic" character into the inherent relaxed form of the Alfa Lounge Chair and Ottoman, a project that the collaborators refer to as "contained chaos." This approach combines Dims.' commitment to accessible, well-designed furniture with Wade and Leta's vibrant, pattern-rich, and often playful artistic vision. The choice of Kvadrat fabric, known for its quality and innovative textiles, further emphasizes the premium aspect of this limited-edition offering. The partnership highlights a growing trend of design brands collaborating with artists and creative studios to produce unique, limited-run pieces that stand out in the market. The specific visual language of Wade and Leta—characterized by strong colors, graphic patterns, and a maximalist sensibility—is clearly applied to the minimalist form of the Alfa Lounge Chair, creating a juxtaposition that defines the "New Eclectic" concept. This release is targeted at design enthusiasts who appreciate bold statements and unique artistic interpretations within their living spaces. The collaboration not only introduces a new product but also serves as a testament to the dynamic interplay between different design philosophies, creating a piece that is both functional and a work of art. #HomeFurnishings #FurnitureDesign #ProductLaunch #DesignCollaboration #MaximalistDesign #EclecticStyle #KvadratFabric #WadeAndLeta #DimsWorld

Swarovski has revealed the second installment of its Designers of the Future initiative at Design Miami/Basel, showcasing three innovative crystal-related projects. This year's award recipients are Anjali Srinivasan, Studio Brynjar & Veronika, and Yuri Suzuki, who have spent the past six months developing new crystal-based works, following their announcement as winners earlier this year in Paris. Each designer or studio had the opportunity to immerse themselves in Swarovski's crystal world at the company's headquarters in Wattens, Austria, leveraging Swarovski's expertise and materials to bring their visions to life. Glass artist Anjali Srinivasan's project is an installation inspired by human gestures. She seamlessly integrated her glass artistry with Swarovski’s crystal craftsmanship, specifically utilizing the company’s 'Touch Crystal' technology. This innovative feature allows the crystal to respond to human touch with light, blurring the lines between a solid object and interactive visual effects. Srinivasan's installation is a monumental crystal wave, standing six meters tall and supported by a mesh structure. It incorporates 3,000 Swarovski crystals and 5,000 pieces of glass, which she produced at her studio in Dubai. This project aims to explore the intersection of optical and physical phenomena, pushing the boundaries of human-centric design. Studio Brynjar & Veronika, an Icelandic duo, contributed a dynamic interpretation of crystal with their installation titled 'Currents.' This piece explores the interaction between light and crystal, bringing the material into a domestic setting through three distinct elements. They re-envision common household items, such as a standard window blind, by incorporating prisms that project rainbow-colored light when illuminated. Additionally, their crystal tiles are designed to diffuse a liquid reflection of their surroundings when they come into contact with water. The third component of their installation features a collection of crystal sticks, designed to highlight the transparency and light-refracting qualities of the gems, showcasing new uses and applications for crystal in everyday environments. Japanese sound artist Yuri Suzuki approached crystal from an acoustic perspective, blending his sonic practice with Swarovski's signature material. His research delved into how crystal vibrations can be translated into sound. The result is a mechanical, interactive 'crystallophone' comprising 16 brass mechanical ‘notes,’ each fitted with a handmade crystal form that represents tones ranging from C1 to D3. Suzuki collaborated closely with engineers at Swarovski’s Wattens facility to execute this complex project, which stands as a testament to the fusion of art and technology. Nadja Swarovski highlighted the excitement of seeing a diverse group of emerging talents from around the globe explore their visions of future living through these beautiful and thought-provoking crystal works. The collective installations demonstrate Swarovski’s ongoing commitment to innovation and its remarkable capacity for experimentation with its unique material. The company's continued engagement with initiatives like Designers of the Future, alongside its ventures into fashion, home collections, large-scale installations, and micro-crystal creations, underscores its dedication to research and development, constantly challenging perceived limitations of crystal as a medium. #Swarovski #DesignersOfTheFuture #CrystalArt #DesignMiamiBasel #AnjaliSrinivasan #StudioBrynjarVeronika #YuriSuzuki #InteractiveDesign #MaterialInnovation

This article explores a selection of new fabric launches designed to enhance home interior schemes. The right fabric, whether patterned or plain, can significantly influence the aesthetic of a room. The piece highlights eight distinct collections and designers, each bringing a unique approach to textile design. First, Haines, an online platform for salvaged fabrics, has collaborated with Gabby Deeming of Daydress to create a limited-edition collection. This collection features surplus textiles repurposed into fabrics and soft furnishings, characterized by pretty, ditsy floral patterns in fresh colorways, emphasizing sustainability and unique design. Next, London-based textile designer Beki Bright presents a range of hand screen-printed fabrics, cushions, lampshades, and wallpapers. Her designs draw inspiration from the English countryside of Suffolk, utilizing a signature palette of muted blues, pinks, soft peaches, and mustard yellows, reflecting a natural and serene aesthetic. Beata Heuman introduces a 'Jumbo Gingham' print, which pays tribute to traditional 18th-century Swedish checked textiles. This fabric offers a modest yet playful element, aiming to impart a homey feel to any interior without overwhelming the space. Sophia Frances showcases fabrics that blend traditional British textile heritage with contemporary twists. Her collection includes bold zigzags, painterly florals, large-scale stripes, subtle flowers, and delicate geometrical repeats, providing a versatile range for various design preferences. Zoe Glencross expands her style with the 'Aventura Collection,' inspired by her travels to Mallorca, Seville, Lisbon, and Porto. This collection incorporates Moorish mudejar and Portuguese azulejo patterning, with an earthy color palette of warm terracotta, pinky-beige tones, rich ochres, vibrant apple greens, and coastal blues, bringing a worldly and colorful dimension to interiors. Blithfield, known for its color-driven designs, launches the 'Bancroft Collection.' This collection combines historical references with a contemporary feel, featuring striking printed designs in signature colors. It includes new versions of Ikat Check, a printed stripe named Lambert, and two woven designs: the antique-inspired Jasper and the classic Bailey. Henry Prideaux, in collaboration with Christopher Farr, has re-imagined iconic designs from the Christopher Farr archives, including works by Michael Szell, Raoul Dufy, and Kit Kemp. The recolored fabrics are curated within a palette of terracotta and blue, aiming to infuse renewed sophistication and a modern quality into these classic prints. Finally, Susie Watson introduces 'Natasha,' an Uzbek-style fabric hand-printed on rustic linen. Inspired by the founder's travels, this heavyweight material is stonewashed to achieve a subtle, vintage effect. Available in 'Catkin,' 'Dusty Pink,' and 'Smokey Blue,' it is suitable for curtains and blinds, and can be accented with a pom-pom trim. The article also mentions Fermoie’s 'Circus' design, which features a repeating geometric pattern inspired by the movement of acrobats and jugglers. Fermoie emphasizes traditional printing methods on linen and cotton, using only natural pigments and colors. These launches collectively offer a wide array of choices for interior decorators, ranging from sustainable salvaged textiles and countryside-inspired prints to traditional patterns with contemporary twists and culturally rich designs, all aimed at enhancing the aesthetic and feel of a home. #FabricLaunches #InteriorDesign #HomeDecor #TextileDesign #PatternedFabrics #SustainableFabrics #DesignerFabrics #HomeTextiles #DecoratingTrends

The article details an unexpected collaboration between interior designer Kerry Joyce and artist Marian McEvoy, sparked by a social media connection. Joyce, known for his interior design work, discovered McEvoy's intricate collages of natural elements on Instagram, specifically under the handle @gustthepoodle. Intrigued by her unique artistic style, Joyce researched McEvoy and learned about her prominent background as a former editor-in-chief of ELLE DECOR and House Beautiful, as well as an editor for Women’s Wear Daily and W. This discovery led to a personal visit to McEvoy's home and studio in Wappingers Falls, New York. During this visit, Joyce recognized the potential to translate McEvoy's distinct artistic vision into fabric designs. He expressed his admiration for her creative energy and his conviction that her designs would be ideal for textiles. The collaboration materialized into a collection featuring five black-and-white botanical watercolors by McEvoy, which were then printed onto linen in ten different colorways. The collection showcases various nature-inspired motifs, including dotted leaves, whimsical vines, and striped florals, all stemming from McEvoy's imaginative work. McEvoy shared her perspective on this new chapter in her career, attributing her refined sense of color, style, and quality to her extensive experience in the fashion industry, particularly her 17 years spent in Paris working with couturiers like Yves Saint Laurent. She expressed gratification at the current level of interest in her work, especially at 73 years old, and highlighted the positive experience of collaborating with someone who genuinely appreciates and acts upon her artistic contributions. The success of this initial collection has already paved the way for a second collaboration between Joyce and McEvoy, scheduled for 2022, underscoring the fruitful nature of their partnership. The story, originally published in the September 2021 issue of ELLE DECOR, exemplifies how digital connections can evolve into tangible and impactful creative endeavors within the design world. #FabricDesign #DesignCollaboration #InteriorDesign #MarianMcEvoy #KerryJoyce #SocialMediaInfluence #TextileArt #BotanicalPrints #ELLEDECOR

Eindhoven graduate Aaron Preyer, a designer known for his interest in movement and transformation, has developed the "Blooming Furniture" project. This collection features transformative objects and furniture designed to react to touch and interaction. The innovative aspect of these pieces lies in an internal mechanism that responds to pressure and weight changes. This mechanism allows furniture to shift between different forms; for instance, a pouf or side table can transform into a lounge chair. The inspiration for Blooming Furniture stems from an exploration of mechanics and a deep fascination with the natural processes of plants, specifically their ability to grow, bloom, and evolve. Preyer's design philosophy celebrates the technical elements that facilitate these transformations, making the mechanism an integral part of the aesthetic and form, rather than concealing it. One notable piece in the collection is a chair that seamlessly converts from an upholstered table or ottoman into a comfortable armchair. The base of this piece, constructed from aluminum, houses the transforming mechanism. The upper section is upholstered, offering customization options for both fabric and the color of the anodized aluminum base. The transformation is activated by pressure and weight applied to its surface, demonstrating a playful combination of functionality and design. Preyer's research and development for Blooming Furniture involved extensive experimentation with moving mechanisms within various furniture and object designs. The designer's ambition is to expand beyond a single chair and establish a comprehensive, recognizable collection. The series currently includes several test models, such as coffee tables, a candlestick, a wall shelf, and a fruit bowl. Each of these prototypes showcases how movement and functionality can converge to create innovative and playful designs. Early feedback on the project highlights varying perspectives. Some observers see the practical application of such furniture, particularly for individuals who frequently lean or sit on various surfaces. Others raise concerns regarding the practicality and comfort of the transformed states, suggesting potential issues with user experience or even safety. Despite these initial reactions, the project underscores a creative approach to furniture design that challenges conventional static forms and embraces kinetic possibilities. #KineticFurniture #TransformativeDesign #AaronPreyer #FurnitureDesign #ProductInnovation #InteractiveFurniture #DutchDesign #IndustrialDesign

The project "Knowing the Ropes," initiated by designers Brynhildur Pálsdóttir, Þuriður Rós Sigurþórsdóttir, and Theresa Himmer, delves into the ubiquitous nature and varied applications of rope, challenging conventional perceptions of this utilitarian material. This artistic endeavor explores the cultural and structural significance of rope within a Scandinavian context, specifically focusing on its dual existence in interior design and maritime industries. The designers utilize two historical production facilities, Hampiðjan in Reykjavík, Iceland, and Aarhus Possementfabrik in Denmark, both established in the early 20th century and employing similar machinery. These facilities represent the divergent paths of rope production: one for marine use and the other for interior textiles. The core of the project lies in highlighting the unexpected aesthetic and functional intersections that arise when examining a material with such diverse applications. The genesis of "Knowing the Ropes" dates back to 2017. Over time, the project evolved from its initial conceptualization into a comprehensive body of work, culminating in a publication and an exhibition featuring objects and video installations. The initial exhibition was held at the Reykjavík Art Museum in 2021, showcasing the designers' innovative interpretations and creations. The artists further developed their project by presenting an evolved version at the Hallwyl Museum in Stockholm. This particular venue, a meticulously preserved Victorian home from the turn of the 20th century, provided a unique juxtaposition for the contemporary design pieces. The museum's ornate and traditional environment offered a striking contrast to the modern and unconventional objects crafted from rope, creating an unexpectedly modern aesthetic within a historical setting. The exhibition features a range of objects that reimagine the use of rope in everyday items and art installations. These pieces include floor lamps with rope-wrapped bodies and exposed light bulbs, demonstrating how rope can be integrated into lighting design to create a distinctive texture and form. Pedestals made entirely from rope showcase the material's structural capabilities and its potential as a sculptural element. A standing round mirror, framed and supported by intricate rope work, highlights the material's versatility in creating decorative and functional home furnishings. A modern three-legged table also utilizes rope in its construction, presenting it as a primary material rather than a mere accent. Additionally, arch-shaped shelving units, crafted with rope netting, illustrate innovative approaches to storage and display. Through these creations, Pálsdóttir, Sigurþórsdóttir, and Himmer prompt viewers to reconsider the inherent qualities of rope and its potential for artistic and design expression. The project not only celebrates the craftsmanship and heritage associated with rope making but also pushes the boundaries of how textiles can be perceived and utilized in contemporary design. The juxtaposition of modern designs with a historic setting further emphasizes the timeless appeal and adaptability of this fundamental material, inviting a deeper appreciation for the overlooked elements of our material world. #TextileArt #RopeDesign #ScandinavianDesign #MaterialExploration #ContemporaryArt #ExhibitionDesign #InteriorFurnishings #DesignInnovation

French architect Clarisse Merlet, through her studio FabBRICK, is demonstrating the significant potential of recycling textile waste into viable construction materials. Originating from a school project, Merlet's initiative addresses the substantial pollution generated by the construction and fashion industries. The fashion industry alone contributes millions of tons of textile waste annually in Europe, with a considerable portion remaining uncollected. FabBRICK aims to transform this discarded textile into insulating, structural, and aesthetic building bricks, which can then be used to create furniture or partition walls. The development process involved extensive experimentation to refine the technique. Initially, discarded textiles are sorted by color, responding to customer preferences as FabBRICK avoids dyeing its bricks, instead deriving color from the source materials. The textile is then shredded into fibers of varying lengths (7mm, 20mm, or 40mm) depending on the project's requirements. A crucial element of the process is the proprietary, 100% ecological binding agent, developed with an engineer, which transforms the textile fibers into a clay-like consistency. This binding agent was specifically formulated to be rot-proof and mold-resistant, overcoming a significant challenge in using organic waste for construction. The mixture of fibers and glue is carefully weighed to ensure consistent density before being manually loaded into a patented machine. This machine compresses the mixture into brick form over approximately 30 minutes. The bricks then undergo a natural drying process in ambient air for 10 to 15 days. Once cured, these bricks exhibit impressive characteristics, including mechanical resistance comparable to concrete blocks, good acoustic and thermal insulation properties, and satisfactory fire resistance. While they possess good water resistance, indoor use is currently recommended. FabBRICK's business model emphasizes local production, with all ingredients and machinery sourced locally in France. This commitment to proximity is a core value, aiming to foster local manufacturing and reduce environmental impact. Despite its local focus, the studio has a global vision, recognizing the ubiquitous nature of fast fashion waste. The long-term plan involves automating the production process to increase recycling capacity and replicating the FabBRICK Factory model first within France and then internationally. This expansion strategy seeks to establish local production units globally, situated close to sources of textile waste, thereby promoting sustainable construction practices worldwide. #SustainableDesign #InnovativeMaterials #TextileRecycling #EcoFriendlyConstruction #CircularEconomy #ArchitecturalInnovation #LocalProduction #FabBRICK

Stillmade, a Brooklyn-based furniture manufacturer and designer known for its support of emerging designers, has launched its inaugural Collaborative Series. This new initiative combines Stillmade's manufacturing capabilities with the creative visions of four distinct artists and designers: Danny Kaplan, Pat Kim, Michele Quan, and Stillmade's founder and creative director, Paul Mignogna, through his Mignogna Studio. The series features a collection of furniture pieces, including a sofa, credenza, hutch, side table, and two coffee tables, each reflecting a blend of artisan craftsmanship and a modern aesthetic. The collaboration with Pat Kim, a celebrated industrial designer and artist, introduces a playful and sculptural element to the series. His contributions include the Kim Coffee Table and Kim Side Table. These pieces are distinguished by their organically shaped bases, finished in hand-troweled, lime-based plaster. Sculpted wooden arms support circular tabletops, adding warmth and a natural touch to the contemporary designs. The interplay of materials and forms highlights Kim's unique aesthetic. Ceramicist Michele Quan's involvement marks her first foray into furniture design. For the Collaborative Series, her iconic celestial ceramic half-moon sculptures have been reimagined as functional cabinet pulls for two large-scale cabinet pieces: the Painted Credenza and the Painted Hutch. These pieces showcase a seamless integration of fine art into functional furniture, offering a distinctive and artistic approach to home storage. Danny Kaplan's Jane Coffee Table draws inspiration from Roger Capron's ceramic inlay tables. Kaplan designed a set of unique tiles that are set into the top of Stillmade’s minimalist solid wood table base. This design creates a compelling visual contrast between the base's clean lines and the organic geometry and textured surfaces of the rounded and oval-shaped tiles. The table exemplifies a harmonious blend of classic inspiration and modern execution. Paul Mignogna's own design practice, Mignogna Studio, contributes the Clifton Sofa to the series. This sofa prioritizes comfort and lounging while maintaining a sleek and minimal aesthetic. The design purposefully highlights Stillmade's manufacturing expertise through an exposed wooden frame and intricate joinery, demonstrating the brand's commitment to quality craftsmanship and thoughtful design. The Clifton Sofa embodies a contemporary approach to comfort and structural integrity. The Collaborative Series underscores Stillmade's decade-long commitment to making high-quality production accessible to smaller, innovative designers. By partnering with these artists, Stillmade not only showcases diverse creative talents but also reaffirms its dedication to producing furniture that embodies both artistic expression and functional elegance. The collection is a testament to the power of collaboration in the design world, resulting in unique and well-crafted pieces that bridge art and utility. #Stillmade #CollaborativeSeries #FurnitureDesign #ArtisanCraftsmanship #ModernAesthetic #HomeFurnishings #PatKim #MicheleQuan #DannyKaplan #MignognaStudio

KnollTextiles has collaborated with American artist and educator Nick Cave to create The Nick Cave Collection, a series of textiles inspired by Cave's iconic Soundsuits. This collection, featuring four upholsteries, three draperies, and three wallcoverings, aims to offer a fresh perspective on textile design, acting as a starting point for consumers to infuse their spaces with creativity. Nick Cave, renowned for his work across visual and performing arts, is best known for his Soundsuits, which are dimensional textiles constructed by layering, rearranging, and transforming everyday objects like beads, doilies, sequins, and synthetic hair. These Soundsuits serve as the primary inspiration for the new collection, translating the intricate, layered, and often playful aesthetics into functional textile designs. The collaboration was enthusiastically embraced by Cave, who noted KnollTextiles' pioneering role in his own artistic development. He emphasized the central role of textiles in his work and their influence on spaces and the people who interact with them, viewing this collection as another avenue for people to engage with his art and energy. Each product in the collection directly references a specific artwork or characteristic of Cave’s oeuvre. For instance, the 'Guise' upholstery employs multiple layering techniques and materials, mimicking the surface complexity of a Soundsuit with space-dyed twisted novelty and chenille yarns, and a unique finishing process that creates a puckering effect. 'Vert' upholstery draws inspiration from Cave’s installation, 'Architectural Forest.' It features a multicolor, variegated full-width repeat with 27 yarn colors per colorway, celebrating both perfection and imperfection. 'Puff' upholstery, a cozy faux shearling available in 13 colors, is inspired by Cave’s rainbow-colored synthetic hair Soundsuit, offering a tactile and trendy option. The 'Doily' upholstery translates one of Cave’s maximalist pieces into a highly visual, multidimensional, and tactile surface through two types of embroidery techniques layered over a woven ground. For draperies, 'Button' is inspired by Cave's frequent use of vintage buttons in his Soundsuits, creating a natural gradient pattern on Trevira CS Polyester. 'Until' drapery, derived from Cave’s large beaded web-like installations, is an organic, open-weave textile created by skilled embroiderers using a water-soluble ground, leaving a two-toned open drapery with structural components. The wallcovering designs include 'Heard,' which features details that mimic the hand-sewn beads, buttons, and appliques found on Soundsuits, brought to life through a meticulous process of cutting, applying, and sewing five ribbon colors. 'Big Floral,' KnollTextiles’ first floral wallcovering, is inspired by a beaded Soundsuit and showcases an exaggerated scale of flowers with significant movement, dimension, and depth, digitally printed on a bleach-cleanable, PVC-free ground. Lastly, 'Wire' wallcovering, inspired by Cave’s metal and bead tondo sculptures, renders textured fur in matte ink on a metallic mylar ground, capturing the strong contrast and luster of the original artwork. The collection as a whole demonstrates a commitment to artistic expression, innovative textile manufacturing, and the integration of fine art into interior design. #NickCave #KnollTextiles #TextileDesign #InteriorDesign #Soundsuits #ArtCollaboration #HomeFurnishings #ContemporaryArt #MaterialInnovation