I'm an interior designer – and this is how I design my clients' rooms with art in mind

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

The article outlines ten essential traits that contribute to a successful career in interior design, emphasizing that it takes more than just good taste or an innate flair for aesthetics. According to Neal Beckstedt, founder of Neal Beckstedt Studio, successful designers often possess a blend of seemingly opposing characteristics, such as being creative yet practical, free-thinking yet organized, and a good listener yet opinionated. One crucial trait is an appreciation for everyday beauty. Cheryl Luckett, founder of Dwell by Cheryl, highlights that recognizing potential in every space and noticing small details can elevate a room from good to truly special. This deep sense of beauty guides designers in creating functional, inspiring, and joyful spaces. Natural curiosity is another key characteristic. Linda Hayslett of LH.Designs notes that successful designers are often inquisitive about their surroundings, possessing a heightened awareness of how spaces feel and function, and noticing details others might overlook. Developing a discerning eye is also vital. Michelle Gage of Michelle Gage Interiors advises actively seeking opportunities that expand one's visual experience, such as visiting museums, home shops, and traveling, rather than solely relying on social media for inspiration. A defined sense of personal style provides clarity and confidence, enabling designers to create cohesive spaces that clients can trust. However, this style should not be rigid, allowing flexibility to blend expertise with client needs. Strong gut instinct is another trait mentioned, with Amy Studebaker of Amy Studebaker Design explaining that trusting one's intuition in decisions like fabric selection, client interaction, and team building often leads to the right direction. Problem-solving skills and adaptability are critical, as no design project is entirely smooth. Hayslett points out that skilled designers embrace obstacles as creative challenges. Sarah Lederman of Sarah Lederman Interiors adds that a client-centric approach requires openness and willingness to try different methods to achieve diverse client outcomes. A love of learning ensures designers stay current and informed. Lederman shares her continuous effort to educate herself about vintage items, antiques, and new showrooms. Empathy is highlighted by Phil Norman of Norman Design Group as a trait that helps designers understand clients' unspoken needs, distinguishing good designers from others. Furthermore, understanding how elements come together is paramount. Luckett explains that it involves comprehending how colors, textures, and layouts create harmony and emotion, along with a strong grasp of scale, proportion, and flow. Taniya Nayak of Taniya Nayak Design emphasizes the ability to accurately judge scale and size visually. Finally, the ability to communicate a vision is essential. Designers must be able to visualize a room's potential and effectively convey that vision to clients. Sarah Fleischer of SRF Interiors states that confidence in communicating one's design sense and opinions is crucial for project success. Cheri Etchelecu Martin of Cheri Etchelecu Interior Design underscores that strong communication skills are necessary to sometimes push clients beyond their comfort zones and ensure project success. Attention to detail, including small elements like screw finishes or light bulb placement, is also a common trait among skilled designers, often associated with Type A personalities who value precision and control. #InteriorDesign #DesignSkills #CreativeProfessions #HomeDecor #ProblemSolving #ClientRelations #AestheticAppreciation #LifelongLearning #AttentionToDetail

This article presents a curated selection of ten residential interiors, meticulously designed to highlight and integrate significant art collections. It serves as part of the Dezeen Lookbooks series, offering visual inspiration for individuals interested in design. The featured homes range from minimalist, gallery-like spaces that provide a neutral backdrop for art, to more eclectic and busy environments where the art is woven into the overall aesthetic. Each example demonstrates unique approaches to displaying various forms of art, including paintings, sculptures, ceramics, and even bespoke furniture. The Former Artists Studio in the UK, transformed by Rodić Davidson Architects, showcases an eclectic mix of furniture and art within whitewashed brick walls and an open-plan layout, illuminated by a glass sloped roof. Alison Brooks Architects extended a Georgian farmhouse in the UK to create Windward House, featuring a double-height gallery space with niches specifically designed for particular art pieces, and a staircase integrating a mini-gallery of 100 small works. In Canada, Ali Budd Interiors designed Muskoka Cottage with pure white walls, stained wood floors, and wood-lined ceilings to serve as a backdrop for a client's art collection. Noteworthy pieces like Faye Toogood's Roly Poly chair and Paul Rousso's graphic art are strategically placed. John Wardle Architects renovated Kew Residence in Australia, his own home, incorporating Victorian ash on walls, ceilings, and floors to create a neutral setting for his collection of Japanese sculptures, ceramics, and vibrant artworks. Built-in shelving and cabinetry discreetly store collections without detracting from views. i29's Home for the Arts in the Netherlands displays an extensive art collection across two levels of a loft-style apartment. Double-height larch wood and grey HPL shelving conceal a staircase while housing books and sculptures, with grey resin floors providing a blank canvas. The Artery Residence in the US, designed by Hufft, was conceived around its owner's vast art collection, featuring expansive wall spaces for paintings, photography, and sculpture, complemented by specialized lighting and climate control systems akin to those found in art galleries. Stern McCafferty Architects renovated a 20th-century country home in Massachusetts, the Cambridge Residence, to better exhibit art. White matte walls with large baseboards and pale wood floors evoke a gallery aesthetic while maintaining country heritage. Casa Salvatori in Milan, Italy, by Elissa Ossino Studio, is situated in a 200-year-old palazzo and features marble and stone furnishings, sculptures, and artworks set against original rippled terrazzo floors. A green-stained wood-lined ceiling complements the stone palette and green-hued artworks, with woven wicker and brown butterfly chairs offering textural contrast. Magdalena Keck's Four Seasons Residence in Tribeca, Manhattan, is a two-bedroom home characterized by a minimal, monochromatic design. Its pared-back material palette, high ceilings, and large windows create a sophisticated, gallery-like environment for displaying art, softened by herringbone floors and a mix of vintage, contemporary, and custom furnishings. Finally, the Residence for Two Collectors in Chicago, US, by Wheeler Kearns Architects, is a penthouse apartment designed for an art collector couple. The open-plan space with walnut flooring functions both as a welcoming home and an event venue, showcasing a range of artworks, including a George Nakashima bench, Harry Bertoia sculptures, and Paul Evans furniture. #ArtFilledInteriors #HomeDesign #InteriorDecoration #ResidentialArchitecture #ArtCollectionDisplay #GalleryLikeHomes #ModernInteriors #ArchitecturalDesign #DesignInspiration

Successfully curating and hanging art in a home can be a challenging task, often leading to common art hanging mistakes. The process involves more than simply placing pieces on a wall; it requires careful consideration of scale, sightlines, and focal points to achieve a gallery-like result. Interior designers employ several strategies to ensure art enhances a space rather than detracting from it. One key approach is to utilize overlooked areas, such as home offices, entryways, staircases, or living room corners, as prime locations for art display. These spaces, often considered transitional or secondary, can be transformed into focal points that introduce purpose and personality into the home. For instance, an entryway adorned with a striking art piece or a thoughtfully arranged gallery wall can create a memorable first impression for guests. Before hanging any art, it is crucial to plan the number of pieces intended for display. While gallery walls can be visually appealing, they are not always the ideal solution for every space. Designers emphasize the importance of carefully considering the appropriate number of artworks for each vignette. In areas where a calmer or cleaner aesthetic is desired, or when aiming to create a dramatic focal point with a large statement piece, limiting the art to one or two pieces is often most effective. This restraint is particularly important in spaces already occupied by numerous other decorative elements, highlighting the beauty of negative space in interior design. The size and scale of an artwork significantly influence its placement and impact. Larger pieces frequently serve as excellent focal points, but smaller artworks can be equally striking when strategically placed alongside complementary decor, effective lighting, or a suitable layout. It is essential to ensure that the art's size is proportionate to the wall and the surrounding elements; pieces that are too small can make a wall appear incomplete, while excessively large artworks can create visual tension. A practical tip involves laying out the arrangement on the floor before hanging to visualize the aesthetic and make adjustments, especially for gallery walls. Sightlines are another critical aspect of professional art curation. This concept refers to how art is viewed from various angles within a room and from one room to another. Considering how an artwork appears when viewed from an adjacent dining room or reflected in a mirror ensures a cohesive visual flow throughout the home. Creating a focal point with art is also a fundamental design principle. Every room benefits from a strong primary and secondary focal point. If architectural features or large furniture pieces do not naturally provide these, art can effectively establish them, guiding the eye and enhancing the room's overall design. Investing in picture lights can elevate the presentation of art, adding drama and highlighting favored pieces, especially in dimly lit areas. The decision to use dedicated lighting depends on the artwork's prominence as a focal point and the existing natural and artificial light sources in the room. While not always necessary, professional lighting can be a worthwhile consideration for those who frequently entertain. Finally, there is an art to mixing and matching different styles and mediums of artwork. Combining diverse pieces, such as oil paintings with photography or bold abstracts with delicate line drawings, can create a contemporary yet timelessly chic display. However, this approach requires careful consideration to ensure the mixed styles harmonize with the rest of the space, preventing a look that is merely mismatched rather than expertly curated. #ArtHanging #InteriorDesign #HomeDecor #ArtCuration #FocalPoint #GalleryWall #DesignTips

Art serves as a transformative element in home décor, offering a means to refresh living spaces and reflect personal tastes without extensive redecoration, particularly beneficial for renters. Experts suggest that a strategic selection and display of artworks can revitalize a home's ambiance, evoking emotions or establishing specific moods. For instance, abstract art with loose, expressionistic marks can create a romantic atmosphere, while a more graphic style can impart a modern, urban feel. The flexibility of art allows for periodic reconfigurations, mirroring how public galleries re-hang their collections, providing a renewed perspective within a home. Practical considerations for hanging art include using small nails for easy patching in rental properties or opting for leaning art against ledges, book stacks, mantelpieces, or consoles for a casual display. When integrating new art, it should complement existing furniture and homeware rather than compete with them. This can be achieved by placing art alongside items with similar aesthetic qualities, such as echoing patterns in a rug or the curves of ceramics, or by creating juxtapositions with personal ephemera like postcards or family photos. Wall-hung art can also provide a visual counterpoint to bulky furniture, acting as a focal point that balances the weight of larger pieces like sofas. Furthermore, carefully chosen art can unify a room by linking disparate design elements, such as contrasting materials or colors, ensuring a cohesive look. Artworks can reflect or complement tones present in fabrics or wood, thereby integrating the room's overall design. Beyond traditional wall art, incorporating usable art, such as art-themed coasters and placemats, can make art acquisition and display more approachable and enjoyable. Artists like Selina Snow demonstrate how personal art collections, including works by family members, travel souvenirs, and her own creations, can be curated against a neutral backdrop to create a unique and personal environment. Snow emphasizes the importance of linking colors and motifs in a way that enhances individual pieces without causing them to blend indistinguishably. She advocates for professional framing for original artworks to ensure their preservation and suggests installing UV protective window film in bright areas. Sculpture also has a place in home interiors, extending beyond gallery settings. Instead of relying solely on tables or plinths, sculptures can be displayed on affordable free-floating shelves at varying heights to create engaging domestic arrangements. For those looking to start an art collection, visiting art exhibitions, auctions, and open-studio events is recommended to discover art that resonates personally. Many galleries offer a 'try before you buy' service, allowing potential buyers to see how art integrates into their home environment at different times of day and in various locations. Before making permanent hanging decisions, it is advisable to experiment with configurations by laying pieces out on the floor. Ultimately, the selection of art should be deeply personal, reflecting what truly speaks to the individual, whether adhering to a specific theme or simply choosing pieces based on intuition, as there is no right or wrong approach to art selection. #HomeDecor #ArtDisplay #InteriorDesign #ArtCollection #LivingSpace #HomeStyling #ArtConsultancy #RoomTransformation #PersonalExpression

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

Yoselin Alonso, the associate interior designer at METHOD & CONCEPT, approaches interior design as more than just surface aesthetics, seeing it as a holistic discipline that encompasses functionality and architecture. Her upbringing provided a foundational understanding of construction, with her father, a builder, teaching her practical skills like door installation and stair construction from a young age. Her mother, a seamstress, further cultivated Alonso's inclination towards working with her hands and fostering creativity. At METHOD & CONCEPT, Alonso collaborates with Chad Jensen, extending beyond traditional design tasks to integrate art and architecture. The firm, which is a sister company to the Thomas Riley Artisans’ Guild, functions as both a design studio and an art gallery, emphasizing the fusion of design and art. This approach ensures that artisanship is central to all projects, with spaces meticulously planned to highlight artworks. The team often commissions custom furnishings or millwork from Thomas Riley to realize specific visions or functional requirements, or they design entire rooms around a client's beloved art pieces. Alonso stresses that artists are considered integral to the design process itself. Alonso's role is comprehensive, involving her in every stage of a project. Her responsibilities range from conceptualizing designs and attending client meetings to conducting site visits, ordering materials, and developing project plans. She excels in creating 3D renderings, a skill Jensen notes was a valuable addition to the team. Additionally, Alonso is actively involved in developing METHOD & CONCEPT’s proprietary line of soft goods, which is scheduled for release in an upcoming season. Chad Jensen sought specific qualities when hiring for the associate interior designer position, describing his ideal candidate as a 'unicorn.' He was particularly drawn to Alonso's dualities: her polished and articulate presentation contrasted with her willingness to engage in hands-on tasks, such as driving a pickup truck and getting her hands dirty. Jensen observed that he and Alonso share a common design philosophy, prioritizing intentionality in their projects. This involves carefully considering how individuals will experience each space, its practical usage, and how the ambiance of a room transforms throughout the day. Jensen also values Alonso's genuine passion for her craft and her eagerness to learn, noting that she often dedicates weekends to the studio to learn from him, as he is also a practicing artist and maker of furniture and functional art objects. Alonso's personal creative inspirations often stem from her parents' native Mexico, drawing from places like Las Pozas, a surrealist garden in Xilitla. This sense of discovery fuels her desire to create unique and meaningful designs. At 27, she is rapidly refining her unique style, influenced by her work with Jensen and the METHOD & CONCEPT team, as well as her desire to remain close to her family in Bonita Springs. She expresses contentment with her current professional and personal environment, affirming that she has found her ideal place. Her initial attraction to the company was solidified by observing Chad Jensen's office, which showcased materials, sketches, and renderings that illustrated a detailed and considered design process, aligning with her preference for thoroughness in design. #InteriorDesign #HomeDesign #ArtIntegration #ArchitecturalDesign #CustomFurnishings #DesignProcess #CreativeInspiration #LuxuryInteriors

The article explores the emerging trend of displaying artwork by leaning it against walls or surfaces rather than hanging it. This approach is described as effortless, casual, and relaxed, contrasting with traditional art hanging methods that often involve concerns about size, proportion, and positioning. The author, Emma Breislin, suggests that overly structured gallery walls can sometimes appear contrived, leading to a shift towards more individualized and flexible ways of showcasing art. Architect Georgina Wilson and principal of Smac Studio, Shona McElroy, support this trend, noting a move away from perfect symmetry towards more personality in art display. Leaning artwork, whether small pieces on shelves and countertops or larger ones on the floor, avoids the need for nails and offers a dynamic alternative to traditional hanging. This method can off-center a piece, making it a more interesting focal point and contributing to the room's narrative. The key to successful leaning art is to ensure it looks intentional rather than accidental or unfinished. Experts advise against placing a single leaning piece in an obvious space where it might appear to be waiting for installation. Instead, the art should be surrounded by other elements that balance the eye and integrate it into the overall design. Georgina Wilson emphasizes that even a relaxed placement must feel purposeful, considering balance, scale, and the art's relationship to surrounding furniture and architecture. Going big with artwork is recommended for this trend, as larger, oversized pieces tend to make a stronger impact when leaned. This approach allows for greater flexibility, enabling homeowners to easily move pieces around to suit changing moods or seasons, thereby altering a room's tone without significant effort. This adaptability contributes to a continuously evolving space and style. The concept aligns with the 'One Amazing Thing' theory in design, which posits that an unexpected or out-of-place element can enhance a space's impact. By subverting conventional art display, leaning art encourages a different interaction with the pieces, elevating the entire room's aesthetic. It creates a more personal and lived-in feel, breaking the traditional eye-level rule and adding a 'cool factor' that makes the experience more intimate. The casualness of leaning art contributes to a relaxed, considered, and quietly confident ambiance, suggesting that the room is not trying too hard to impress. The article also provides product suggestions, such as picture frames, rubber grip tape, and double-sided adhesive dots, to aid in securely and aesthetically leaning artwork while preventing slips or damage. #ArtDisplay #InteriorDesign #HomeDecor #LeaningArt #StylingTips #EffortlessDesign #ModernInteriors #HomeStyling #ArtPlacement

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

This page functions as a comprehensive job board specifically tailored for the interior design and home industry. It lists a variety of available positions across different locations, employment types, and compensation ranges, catering to a wide spectrum of professionals from architects and interior designers to sales associates and logistics managers. The platform provides detailed job descriptions for each listing, outlining responsibilities, required experience, and company information. For instance, TAMARA FELDMAN, a Miami-based studio, is seeking an Architect with a minimum of seven years of experience, emphasizing design sensitivity and technical expertise. Thibaut Design, a historic wallpaper company, is looking for a Sales Associate for their NYC showroom with a salary range of $50k-$70k annually, focusing on delivering exceptional customer experiences. Charlap Hyman & Herrero (CHH) in Los Angeles is seeking an Interior Designer to support high-level interior design projects, requiring strong design sensibility and organizational skills. Armadio is hiring a Trade Sales Account Manager in Los Angeles to service existing high-end interior designer and architect clients and prospect new business. Caroline Gidiere Design LLC is looking for a Junior Designer & Procurement & Logistics Coordinator in Birmingham, AL, whose responsibilities include coordinating project logistics from procurement to installation and managing vendor relationships. Amy Aidinis Hirsch Interior Design in Greenwich, CT, requires a Logistics Manager to ensure smooth project execution by managing expediting, scheduling, and coordination between various stakeholders. SARAH & FRIENDS INTERIORS in Menlo Park, CA, is looking for a Senior Interior Designer specializing in high-end residential design. LLM Purchasing offers a remote full-time position for a Junior Procurement Associate, responsible for managing the full FF&E; procurement life cycle for interior design clients. Hawthorne House in Athens, GA, a furnishings and lighting showroom, is seeking a Furniture Showroom Sales Specialist to serve both local and national clients. Amy Kartheiser Design in Chicago is looking for a Senior Designer with a strong background in high-end procurement and elevated design details for luxury residential projects. Wecselman Design in Miami is seeking an Interior Designer with excellent design sensibility for sophisticated residential interiors. Jeremiah Brent Design in New York, NY, has openings for a Senior Design Documentation Specialist (contract) and a Senior Designer (FF&E;) for a historic estate renovation project, emphasizing creative sensitivity and technical precision. Mia Todd Studio in New York, NY, is seeking a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is looking for a Senior Interior Designer with a strong background in architectural design and project management. The platform also offers resources for employers to post jobs and provides a resume board for job seekers. Additional sections on the website include news, articles, products, events, experts, and a magazine, all related to the home and interior design industry. #JobBoard #InteriorDesign #HomeIndustry #DesignCareers #ArchitectureJobs #SalesAssociate #LogisticsManager #Procurement #ResidentialDesign

Gilles Clement, an acclaimed designer and art dealer based in Greenwich, transformed a Colonial-style home in Purchase, New York, for a family of five. Clement's design philosophy challenges the conventional idea of aligning interior aesthetics with exterior architecture, emphasizing that personal identity and taste should dictate home design rather than architectural style or geographical location. His approach incorporates a bold, internationally inspired aesthetic, drawing from European flair and global influences, which is also reflected in his eponymous art gallery. The project began unexpectedly when Clement's future client purchased a distinctive and expensive Visionnaire console from his gallery. This uncommon purchase, made without Clement's direct sales involvement, piqued his interest, leading to a meeting that revealed the client's desire for a full home renovation. The client, who had lived in Manhattan, traveled extensively, and developed a strong appreciation for design and aesthetics, proved to be an ideal muse for Clement's distinctive style. She resonated deeply with his gallery's curated collection, which blends old and new elements and features art from international artists like David Datuna, Debra Franses Bean, Clement Kamena, Devorah Sperber, and Curtis Cutshaw. Clement characterizes his design style as "transitional and contemporary," opulent and luxurious, a sensibility that extends to the art, furniture, and decor showcased in his gallery and, ultimately, in his clients' homes. The Purchase home's transformation is anchored by its art collection, beginning with the Visionnaire console in the hallway, an Italian piece with a bold design featuring black beveled glass and cascading chains. Above it hangs a three-dimensional rendition of Vermeer's 'Girl with a Pearl Earring' by Clement Kamena, a creative duo composed of Clement's parents. This piece is part of their 'Jar Memory' series, which reinterprets art history masterpieces within jars, aligning with Clement's vision of making art accessible and collectible. The hallway is further enhanced by two Italian Terzani pendants, each crafted with seven handblown crystal balls. In the living room, an Il Pezzo Mancante lighting fixture, another Italian creation, acts as a central sculptural element, featuring handblown crystal balls and polished nickel and black powder-coated lacquer rods. The room also showcases another Clement Kamena 'Jar Memory' piece, a representation of Jeff Koons' 'Diamond,' chosen for its scale, color, and vibrant presence. Additional artwork includes a mixed-media piece by Natalia Kldiashvili, celebrating Coco Chanel's life through historical clippings and fashion collages. The space is completed with a luxurious silk rug from Nepal, distinctive Klismos chairs in black piano lacquer, and Clement's signature feather-adorned pillows. The powder room, curated around the homeowner's photograph of a woman with ostrich feathers, demonstrates Clement's commitment to integrating existing art into new designs. Despite its small size, the room achieves a "jewel box" aesthetic with dark paint, a mosaic brass-tile floor, a Maison Valentina vanity from Portugal, and a black toilet, an unconventional choice that Clement defends for its ability to blend seamlessly with the gold-leaf Japanese wallpaper and diamond-shaped lighting fixture from Holland. Clement emphasizes the critical role of lighting, often choosing sculptural, artistic fixtures from Europe that also serve as art statements. The kitchen, previously outdated, was expanded and reconfigured to accommodate the family of five and visiting grandparents. Clement personally designed the custom chandeliers, inspired by Brand van Egmond, to mirror the client's love for jewelry and glamour. The cabinetry, custom-built in Clement’s workshop, features piano lacquer with brass inserts. A backsplash combining solid brass and Nero Marquina marble, along with two angled Calacatta Gold Ultra Quartz islands, provides both luxury and functionality. The breakfast nook, an extension of the kitchen, features a Paolo Castelli chandelier, a custom silver-leaf ceiling, and Portuguese brass furniture. The dining room continues the opulent theme with Terzani lighting, Elitis wallpaper, custom furniture with Romo Zinc fabric, a custom rug, and a unique video artwork by MARCK from Switzerland. Throughout the home, Clement's design ethos is to create environments that are not only aesthetically pleasing but also mood-enhancing, viewing art as the "soul of the home" and a vital element in improving daily life. #HomeDesign #InteriorDesign #ArtCollection #LuxuryLiving #GillesClementDesigns #ContemporaryDesign #InternationalInfluence #CustomFurniture #WestchesterHome

Art Deco interior design, drawing inspiration from the bold geometry and opulent style of the 1920s and 1930s, continues to captivate with its glamorous and sophisticated appeal. This design aesthetic is characterized by sleek lines, intricate patterns, and rich materials, offering a modern twist on a classic style. Several projects exemplify this blend, showcasing how historic buildings and contemporary spaces can be reimagined with Art Deco influences. One such example is the headquarters of venture capital firm Greylock Partners in San Francisco, located in a 26-story Art Deco tower originally built in 1925. Rapt Studio transformed the top floor into a modern office, incorporating a custom green banquette and matte-black laminate closets with fluted detailing that reference the building's original Art Deco architecture. This design honors the historical context while providing a functional contemporary workspace. Another notable project is the renovation of The Boca Raton hotel by Rockwell Group. This historic hotel, originally the 1926 Ritz-Carlton Cloister Inn, underwent extensive renovation to cohere its design, emphasizing luxury and site consideration while retaining its early 20th-century grandeur. Brooklyn’s King Tai bar, designed and refreshed by Palmer Thompson-Moss and Isobel Herbold of Salle, also features significant Art Deco accents. The updated interiors include a restored Art Deco bar, serving as a central focal point. The design of the South Beach lifeguard towers in Miami, created by William Lane Architect, also reflects Art Deco influences with their colorful and geometric forms, a modern reinterpretation of the style following Hurricane Andrew. Photographer Tommy Kwak documented these 38 towers, highlighting their unique aesthetic. Residential projects also embrace Art Deco. An Aspen, Colorado home belonging to an art collector and tech executive features vintage Art Deco furnishings, including tubular steel rocking chairs, incorporated into interiors masterminded by designer Ghislaine Viñas. The Neues Schloss Privat Hotel Zurich, built in 1935, combines Art Deco and Modernism. Its recent redesign by Carbone Interior Design incorporates a jewel-tone palette and velvety textures, maintaining the building’s original motto of bringing disparate elements together. Similarly, a Grand Rapids downtown office, redesigned by Eastlake Studio in collaboration with AMDG Architects, features custom walnut wood veneer walls with brass strips and fir wood feature walls, subtly referencing the area’s Art Deco history. In Melbourne, Australia, Hindley & Co. renovated an elegant 1930s Art Deco house, preserving its graceful arches and original terrazzo while updating the interiors to suit a modern family. The design includes Gubi pendants and contemporary furniture that nod to the Art Deco aesthetic. Lastly, the Georgian Hotel in Santa Monica, originally opened in 1933, underwent a revival by BLVD Hospitality and designer Tom Parker of Fettle. The hotel, known for its ocean-front turquoise facade and original Art Deco design, had its original luster restored, showcasing luxe curtains and blue sofas in spaces like the Sunset Bar. These projects collectively demonstrate the enduring appeal and adaptability of Art Deco interior design across various types of spaces, from offices and hotels to bars and private residences. #ArtDeco #InteriorDesign #ArchitecturalRenovation #HistoricPreservation #ModernAesthetics #HospitalityDesign #OfficeDesign #ResidentialDesign #DesignTrends

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

Acquiring the appropriate artwork for a home can present a significant challenge for individuals aiming to achieve aesthetic harmony within their living spaces. The process involves numerous considerations, such as selecting a piece that complements the room without overwhelming it or becoming lost in the background, and ensuring it physically fits the designated area. Interior designers regularly address these complexities, recognizing art's integral role beyond mere ornamentation. They emphasize that correctly chosen and placed art can profoundly influence a living space's mood, identity, and overall harmony, while also enabling clients to express their personal tastes. Brigette Romanek of Romanek Design Studio, a prominent Los Angeles-based designer, advises a deliberate and intuitive approach to art acquisition. She suggests that a single, deeply loved piece of art can contribute more soul to a room than multiple pieces selected simply to fill space. Romanek also highlights the critical importance of framing, describing it as an "unsung hero" that can dramatically alter a piece's aesthetic impact. Furthermore, she encourages utilizing often-overlooked small spaces like kitchens or powder rooms to introduce personality and unexpected elements, sometimes employing bold contrasts such as sculptural pieces in minimalist settings. Michael Bargo, an independent designer from New York City, advocates for extensive exposure to art as a foundational step. He recommends viewing a wide variety of artworks to develop a personal aesthetic, asserting that "empty walls are better than bad art" and that building a significant art collection requires patience. Bargo cautions against buying art solely based on trends or recognizability, stressing that purchases should be driven by genuine affection for the piece. He suggests beginning the collection process with the rooms that are most frequently used and cherished. Justina Blakeney, founder of Jungalow, known for her bohemian and maximalist style, emphasizes practical considerations for art care. She advises careful placement, especially for valuable pieces, to protect them from environmental factors like direct sunlight that could cause wear and tear. Blakeney also highlights the importance of scale, noting that an artwork's size relative to its space is crucial. She recommends balancing smaller pieces on large walls with other decorative elements, such as wall lighting, to achieve visual cohesion. Proper placement, she adds, helps align the artwork with the desired ambiance of the home. Adam Charlap Hyman, co-founder of Charlap Hyman & Herrero, encourages broadening one's artistic horizons beyond familiar galleries. He suggests exploring auctions and noting artists encountered in museums to discover diverse works. For high-traffic areas like TV rooms or playrooms, Charlap Hyman recommends durable options such as large-scale photographs behind glass, which also reflect light, acknowledging that these pieces may endure minor impacts. Nicole Hollis, founder of NICOLEHOLLIS Inc., advises allocating a larger portion of the art budget to "high-impact" rooms such as living rooms, dining areas, and entryways, as these spaces are frequently observed and can house pieces that may appreciate in value. She often uses artwork as a starting point for developing color schemes and selecting furniture. Hollis also stresses the importance of considering long-term value, recommending consultation with art advisors or gallerists and diversifying collections with more accessible pieces from emerging artists or prints to support a broader range of artists and balance financial investment. Lucy Williams, a British independent designer and consultant, advises visualizing how an artwork will appear within a specific room, rather than relying solely on its presentation in a gallery setting. She frequently uses design applications like Canva or InDesign to mock up artworks in situ. Williams also promotes experimentation, suggesting that mixing art styles—such as pairing contemporary photography with antique decor or incorporating soft, whimsical pieces into modernist spaces—can create a more dynamic home environment. She notes that even a small, well-placed piece can have a significant impact. Shawn Henderson, founder of Shawn Henderson Interior Design, acknowledges the intimidating nature of the art world and encourages thorough research and preparation for significant art purchases, including understanding the artist’s practice and potential investment value. To foster confidence, he advises clients to explore local galleries and online platforms like Artsy to gain exposure to various artworks and develop their preferences. #InteriorDesign #ArtBuying #HomeDecor #ArtCollection #DesignTips #HomeArt #InteriorStyling #ArtPlacement #HomeAesthetics

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

Jessica Schuster, founder and president of the New York-based design firm Jessica Schuster Design, discusses her journey into interior design, her approach to projects, and her creative philosophy. Schuster's firm handles a diverse portfolio, including residential, commercial, and hospitality spaces across the country, with notable projects such as residences in New York and the Esmé Hotel in Miami Beach. She emphasizes crafting unique spaces that balance the unusual with the familiar, maintaining a global awareness while committing to enduring interiors, defining "timeless joy" as the beauty of well-designed pieces that withstand time. Schuster initially pursued communications at New York University before earning an associate degree in interior and architectural studies from Parsons School of Design. She considers her entry into interior design as more of a natural evolution, influenced by her childhood exposure to design through her parents' home building project in Palm Beach and early internships in the field. When she established Jessica Schuster Design in 2013, she integrated lessons from previous firms, particularly the importance of operational organization, transparency with clients, and fostering a collaborative and innovative studio environment. Her creative energy is sustained through constant engagement with the world, including travel, art galleries, and design fairs, which she believes infuse fresh perspectives into each project. Schuster tailors her approach to diverse clients, ranging from families to bachelors and hospitality clients, educating them on how design can enhance their lives and create personalized luxurious experiences. She notes that each project dictates its unique palette, though she has recently gravitated towards deeper, saturated colors and the juxtaposition of contemporary pieces with antiques, such as Italian and French mid-century or Brazilian designs, to create dynamic and layered spaces. For hospitality projects, Schuster aims to create engaging spaces that spark conversation and evoke emotion. She is currently involved in a project at Windham Mountain Club in New York, where she is designing various spaces, focusing on creating a cohesive narrative while ensuring each area feels distinct. She acknowledges that both the architecture and location of a space inform her designs, but she also strives to create a sense of refuge, especially in bustling urban environments like New York, by balancing architectural elements with interiors that offer an escape. Designing her own apartment has presented a unique challenge, marked by a slower, yet rewarding, process. Her personal space has evolved into a more classical design, inspired by French classic designers and their use of timeless materials, serving as a sanctuary that reflects her current life stage. Currently, her firm is engaged in multiple projects across South Florida, NYC, the Hamptons, Malibu, and the Caribbean. Looking forward, Schuster aims to expand her portfolio further into hospitality and high-end residential design, consistently upholding the firm’s commitment to creativity, collaboration, and elevating spaces. #JessicaSchuster #InteriorDesign #DesignPhilosophy #HospitalityDesign #ResidentialDesign #TimelessDesign #CreativeProcess #ClientCollaboration #NewYorkDesign