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Going for gold: Trump, Louis XIV and interior design
The article explores the comparison between Donald Trump's opulent interior design style and that of Louis XIV, particularly in light of the changes observed in the Oval Office following Trump's inauguration. New yellow-gold swagged curtains and a sunburst rug replaced the striped crimson curtains and a quote-adorned rug from the Obama administration, prompting observations about Trump's consistent preference for a gilded aesthetic. This style is evident in his Manhattan penthouse, which has been likened by some, including satirical blogger Kate Wagner, to Louis XIV's Palace of Versailles.
While a superficial comparison between Trump's penthouse, with its marble, gilt capitals, fountains, and painted ceilings, and Versailles holds some weight, a deeper analysis by decorative arts historians reveals distinctions. The article notes that Trump's apartment's design, though inspired by French grand manner, features proportions that are inconsistent with the elegance of Bourbon royal palaces. For instance, the columns are described as wide and squat, the entablature too narrow, and the cornice disproportionately wide. The gilt Louis XV-inspired armchairs in the penthouse are also noted for lacking the sinuous appeal of their 18th-century predecessors. These proportional inaccuracies would have been considered poor taste during the reigns of Louis XIV and Louis XV.
The influence of French grand manner, however, is not unique to Trump. The article cites historical examples such as Bavarian King Ludwig II, who, obsessed with old-regime France, built a replica of Versailles' Hall of Mirrors at Schloss Herrenchiemsee. Similarly, late 19th-century American robber barons, including Alva Vanderbilt, adopted French decorative arts, importing 18th-century boiseries to adorn their mansions. These historical instances, much like Trump's aesthetic, served to showcase new wealth through a stately French style, albeit with varying degrees of authentic historical adherence.
The article also delves into the political implications of Trump's interior design choices. Critics often interpret his ostentatious taste as indicative of despotic tendencies, drawing parallels between the grandeur of French royal palaces and the causes of the 1789 French Revolution. However, scholars of Louis XIV's era offer an alternative perspective, highlighting Jean-Baptiste Colbert's efforts to stimulate the French economy by promoting luxury industries. Versailles, in this context, served as a lavish showcase for French-made luxury goods, a strategy that contributed to Paris's enduring reputation as a fashion capital and the continued global imitation of French decorative arts.
Ultimately, the article suggests that Trump's call for a protectionist economy, as articulated in his election campaign and inauguration speech, offers a more profound comparison to Louis XIV's policies than his interior design choices alone. If Trump indeed draws inspiration from the Sun King, the article advises him to look towards contemporary artists and designers to establish a leading position in matters of style.
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