“The Future Is Here”: A Design Conversation With Kanye West

Naoto Fukasawa, a renowned Japanese product designer, maintains that he does not adhere to a consistent overarching design philosophy, a claim that might seem unexpected given the purity, tactile warmth, and quiet sophistication evident across his extensive body of work. This assertion was made during an exclusive interview held on the sidelines of BODW In the City, an extension of the Hong Kong Design Centre’s annual Business of Design Week event, which concluded on January 18. Fukasawa elaborates that his objective is not to articulate a personal design philosophy but rather to craft objects that evoke a feeling of “rightness” in their users. This concept of “rightness” refers to a symbiotic relationship between an object and its user, where the object harmonizes with its environment rather than existing in isolation. Fukasawa challenges the notion that his approach itself constitutes a philosophy, clarifying that his primary aim is to achieve holistic unity within the user's environment. He emphasizes the interconnectedness of all elements, suggesting that no product exists independently. Even for a seemingly simple item like a water bottle, he believes that the entirety of life must be considered in its design. His perspective underlines the importance of integrating objects seamlessly into the user’s daily life and surroundings. During his visit to Hong Kong, Fukasawa delivered a talk at the B&B Italia showroom within the Colourliving emporium in Wan Chai. He expressed a long-standing desire to collaborate with B&B Italia, attributing this interest to the brand's focus on “life quality,” a characteristic he observed during his numerous trips to Italy. This shared emphasis on enhancing the quality of life through design resonated deeply with his own principles. An example of his collaboration with B&B Italia is the Grande Papilio armchair, launched in 2009. Despite its imposing, throne-like stature, which might seem to contradict his belief that products should recede into the background to highlight human life, Fukasawa clarifies that certain pieces can serve multiple functions. He acknowledges that some clients may desire a statement piece, but fundamentally, if an object is to be used, it must be designed for ease of use. For Fukasawa, beauty is an inherent function, suggesting that even a visually striking piece like the Grande Papilio armchair must also offer functionality and comfort when engaged with by the user. This nuanced view indicates that while he avoids an explicit philosophy, his design process is guided by principles of user harmony, environmental integration, and the functional role of aesthetics. #NaotoFukasawa #ProductDesign #DesignPhilosophy #JapaneseDesign #BODWInTheCity #BAndBItalia #FurnitureDesign #UserExperience #HongKongDesign

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

The late Austrian sculptor, designer, and installation artist Franz West is being celebrated in a new exhibition at New York's Gagosian Gallery titled 'Franz West: Möbelskulpturen/Furniture Works'. West, who received the Venice Biennale Golden Lion for Lifetime Achievement in 2011, is internationally recognized for his pioneering work that integrates participation, play, and design. This exhibition showcases new editions of his furniture works, originally produced between 1992 and 2011, which have been re-produced by the Franz West Privatstiftung in West’s Vienna studio by his dedicated staff. Ealan Wingate, the Gagosian's New York director, emphasizes that West's furniture pieces transcend mere functionality, acting as integral components of sculpture rather than solely objects for contemplation. These works are described as both elemental and convivial, inviting interaction and challenging traditional notions of art. The collection on display includes diverse pieces such as sofas upholstered in raw linen, tables featuring steel legs encased in cardboard tubing, and a metal coat rack characterized by sinuous pink squiggles. Additionally, some chairs are enlivened with bold color palettes, demonstrating West's willingness to incorporate vibrant elements alongside more subdued aesthetics. West’s designs are held in the permanent collections of prominent institutions, including the Centre Georges Pompidou and the MAXXI in Rome, highlighting their significant artistic and design value. Wingate notes that West's work has cultivated a devoted following among collectors, a testament to its enduring appeal and unique vision. Notable private collectors include London auctioneer Simon de Pury, Upper East Side/London dealer Dominique Levy, Andrew Hall – founder of the Hall Art Foundation in Reading, Vermont – and artist Mary Heilmann. Heilmann recalls being struck by West's distinctive domestic design sensibility and his ability to bridge design with serious sculpture when they exhibited together in Vienna fifteen years prior. The exhibition underscores that West’s pronounced aesthetic and philosophical approach continue to resonate with a growing global audience. The show at Gagosian Gallery offers a renewed appreciation for West’s innovative approach to furniture as art, emphasizing its interactive and sculptural qualities. The collection, largely photographed by Marina Faust and presented courtesy of Gagosian Gallery and Franz West Privatstiftung, further solidifies West's legacy as a pivotal figure in contemporary art and design. #FranzWest #GagosianGallery #FurnitureDesign #Sculpture #ArtExhibition #AustrianArtist #DesignHistory #ContemporaryArt #InteriorDesign

Henry Holland, a prominent figure initially known for his contributions to the fashion industry, has successfully transitioned into a ceramics artist, establishing Henry Holland Studio. This article delves into his creative journey and the diverse influences that have shaped his distinctive style, characterized by boldness and playfulness, which he views as a direct reflection of his personality. Holland emphasizes the role of clothing and home decor as forms of self-expression. His artistic inclination was evident from a young age, with teachers recognizing his creativity and early entrepreneurial endeavors like starting a Christmas card business. His mother served as a significant source of inspiration, fostering his creativity and exhibiting a strong sense of style. The profound impact of her loss over a year ago compelled him to actively seek joy in his work, as he believes sadness hinders his creative output. Presently, his inspiration primarily stems from his friends, family, and husband, as he is drawn to human stories and enjoys weaving narratives into his characterful ceramic and homeware designs. Moving to London from Northern England marked a pivotal moment in Holland's development, where he recognized the importance of taste and personal style amidst the city's diverse cultural landscape. His career path has been serendipitous; he initially pursued journalism but found himself drawn to fashion through a hobby that quickly evolved into a brand. Similarly, his foray into ceramics during the pandemic began with lessons and organically grew into his current studio. He highlights the unexpected synergies between the fashion and homeware industries, noting that his fashion background provided invaluable business training, and he now appreciates the more relaxed pace of the homeware sector. Travel has also played a crucial role in shaping his creative vision. Childhood experiences in the French countryside, accompanying his parents to antique markets, exposed him to various design periods, from art deco to mid-century modern. This early exposure instilled a deep appreciation for diverse aesthetics. He is an avid collector of Richard Bernstein's *Interview* magazine covers from the 1970s and 80s, valuing them as miniature pieces of pop culture history that illustrate the nascent intersection of fashion, culture, and celebrity. His most cherished item is a Debbie Harry cover signed by Andy Warhol and Truman Capote. While not an extensive reader, Holland finds value in self-help and spiritual guides, citing Eckhart Tolle's *The Power of Now* as particularly impactful. He also utilizes Blinkist to access condensed book summaries, a testament to his admitted impatience. Film, specifically costume and set design, provides another rich source of inspiration. He admires Baz Luhrmann's visually striking films, particularly *Romeo & Juliet*, and often references 1990s teen movies like *Clueless*, *Hackers*, and *Empire Records* in his fashion work. His musical tastes lean towards 90s pop, influenced by his first job at *Smash Hits* magazine, and he enjoys sharing these playlists with his studio team. Despite not being a keen cook, he hopes a forthcoming kitchen renovation will spark culinary creativity, though he prefers dining out. His favorite restaurant is Brat in London, known for its exceptional food and cocktails and its chef, Tomos Parry, whom he considers a friend. Holland expresses admiration for numerous contemporary creatives. He acknowledges the challenges faced by professional creatives and values the heart and soul they invest in their projects. He is particularly impressed by Es Devlin's set design and fellow ceramicists like John Booth, whose vibrant use of color he appreciates, and Alma Berrow for her humor. He also follows Christabel MacGreevy's transition into ceramics and is a significant admirer of Dirk Vander Kooij's work, especially his innovative use of recycled plastic materials, exemplified by a Melting Pot dining table that represents their first significant home investment. #HenryHollandStudio #InteriorDesign #CeramicsArt #CreativeInspiration #FashionToHomeware #PopCultureInfluence #TravelInfluence #DesignPhilosophy

Kelly Hoppen, a renowned UK interior designer, discusses her career trajectory, marked by her distinctive 'East meets West' design philosophy and a natural aesthetic. Her early life was rich with artistic exposure, fostered by creative parents who frequently traveled to cultural sites and embraced music. This upbringing cultivated an innate interest in design, leading her to observe home aesthetics from a young age and experiment with her own living spaces. Hoppen's professional journey began organically with a kitchen design for a family friend, quickly expanding to designing homes for prominent racing drivers, actors, and musicians. Her career evolved without formal mentorship, though her mother's honest feedback proved invaluable. Hoppen's unique design approach emphasizes balance and harmony through a neutral color palette, which she terms 'East meets West.' Despite being dubbed the 'queen of taupe,' her method involved establishing base tones that allowed for versatile layering of colors and furniture, prioritizing how people live within a space. This consistent approach, which transcends fleeting trends, has been a cornerstone of her enduring success. A significant turning point in Hoppen's career was a full-page profile in the FT’s 'How To Spend It' by Lucia van der Post. This period also saw her win the Andrew Martin award and secure her first book deal, solidifying her confidence and professional standing. Another notable achievement was designing the first-class cabins for British Airways, a project she balanced while raising her daughter and stepchildren. She credits her ability to multitask and her deep passion for her work as key factors in her business's growth, particularly when her children attended boarding school, allowing her to dedicate more focus to her career. Hoppen attributes her success to tenacity and self-belief, despite facing challenges such as dyslexia. She finds joy and continuous learning in her profession, navigating high-pressure environments by embracing new opportunities. Her ventures beyond interior design include participating in 'Dragons’ Den,' though she acknowledges the importance of prioritizing her core passion. Today, clients seek her out for her signature style, and her firm undertakes diverse projects, from private residences to commercial spaces like cruise ships, superyachts, and hotels, always imbuing them with the distinct 'Kelly Hoppen DNA.' Discussing design trends, Hoppen likens them to 'bubble gum,' advocating for individualized spaces that reflect personal lifestyles rather than following transient fads. She notes the current prevalence of eclectic design, emphasizing individuality. Sustainability is a trend she actively supports and integrates into her firm's practices, recognizing the design world's need to catch up with other industries like fashion in this regard. She finds immense reward in her work, particularly her CBE recognition for supporting new businesses and young people in the UK, and her involvement with organizations like The Prince’s Trust. Hoppen dismisses the concept of 'later life' work, emphasizing mental state and belief over age. Her advice includes moving on from unsuccessful ventures, utilizing one's network, and engaging in face-to-face conversations. Currently, she is excited about new collaborations, including a Fired Earth ceramic tile range and a furniture collection with Andrew Martin, alongside ongoing international projects. #KellyHoppen #InteriorDesign #EastMeetsWest #DesignPhilosophy #CareerJourney #Entrepreneurship #DesignTrends #Sustainability #CreativeProcess

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

The TEDNYC Design Lab hosted a night of talks at TED HQ in New York City, featuring six speakers who delved into the intricacies of design. The event, curated by Chee Pearlman with content producer Cloe Shasha, explored the hard work and creative process behind exceptional design across various disciplines. Topics ranged from urban architecture and the impact of cityscapes to the power of images, accessible design, and the use of data in a humanistic approach. Pulitzer-winning music and architecture critic Justin Davidson initiated the discussions by addressing the monotony of modern cities. He highlighted the prevalence of steel and glass buildings, which, despite their aesthetic appeal and practicality, have led to a simplification of urban architecture. Davidson argued that the rejection of traditional materials like wood, sandstone, and marble diminishes the sensory experience of a city. He emphasized that buildings define public spaces, citing examples like Plaza Mayor in Salamanca and Place des Vosges in Paris, which draw people in, contrasting them with glass towers that tend to alienate. Davidson advocated for an urban architecture that embraces the full spectrum of human experience, rather than defaulting to glass, which can create a cold and disquieting environment. Françoise Mouly, art editor for The New Yorker, then discussed the power of an image to capture historical moments. She traced the magazine's iconic "Eustace Tilley" cover, originally a playful jab at Jazz Age aristocrats, and how it has evolved to reflect contemporary events. Mouly underscored the importance of a free press and the role of artists in contributing to cultural dialogue through their work, demonstrating how simple ink and watercolor can encapsulate significant social and political narratives. Educator and fashion blogger Sinéad Burke brought attention to the often-overlooked aspects of accessible design. As someone with achondroplasia, Burke shared her firsthand experiences with designs that hinder independence, such as the height of bathroom stall locks or limited shoe sizes. She challenged the conventional understanding of accessible spaces, arguing that many are inadequately designed and can even inflict vulnerability. Burke's talk urged a reevaluation of design principles to be more inclusive and considerate of diverse user needs. The event also featured a musical performance by Sofi Tukker, who captivated the audience with their hits “Hey Lion” and “Awoo.” The duo showcased their unique “Book Tree,” an instrument crafted from actual books that produces percussive beats, highlighting the intersection of design and musical innovation. Giorgia Lupi, co-founder of the data firm Accurat, explored the challenges of data representation. Reflecting on past political events where data failed to predict outcomes accurately, Lupi stressed that limited or skewed information can distort reality. She introduced the concept of "data humanism," advocating for the inclusion of empathy, imperfection, and human qualities in how data is collected, processed, and displayed. Lupi argued that data alone cannot represent reality and that human stories are essential to transform abstract numbers into something relatable and meaningful. Architect Siamak Hariri discussed the design of sacred spaces, focusing on his work on the Bahá’í Temple of South America in Santiago, Chile. Hariri elaborated on his endeavor to create a structure that evokes a sense of the ineffable through its interaction with light throughout the day. He described the meticulous process of sourcing materials, such as stone from Portuguese quarries, to achieve a profound architectural experience, culminating in the temple's splendid opening. Finally, designer Michael Bierut shared a story about the unintended consequences of design. He recounted his work on rebranding libraries in New York City public schools for the Robin Hood Foundation, where his initial task of creating a logo evolved into a broader initiative. By collaborating with architects, photographers, and artists, Bierut helped transform library spaces with murals and art installations. He discovered that his involvement went beyond a mere logo, contributing significantly to bringing energy, art, and a renewed sense of learning to school libraries, inspiring both librarians and students. #TEDNYCDesignLab #ArchitectureCritique #UrbanPlanning #AccessibleDesign #DataHumanism #SacredArchitecture #DesignThinking #NewYorkerCovers #SofiTukker

The article highlights Jules Stafford, an interior design alumna from George Fox University, and her impactful work at DesignCase, a firm recognized for its community-focused projects. Stafford, a bi-cultural woman with Mexican and Filipino heritage, integrates her understanding of diverse cultures into her design philosophy, emphasizing the creation of hospitable spaces that foster community. A notable project discussed is the Immigrant Food restaurant in Ballston, Virginia, which she helped design. This restaurant is celebrated for its vibrant aesthetic, reflecting various immigrant cultures, and its role as a hub for cultural exploration and community engagement. Stafford's work extends beyond commercial projects to pro bono community initiatives. DesignCase recently revamped teacher lounges in a local K-12 public school, designing intentional spaces for educators across different grade levels. This project deeply resonated with Stafford, who witnessed the profound positive impact these revitalized spaces had on the teachers, reinforcing her belief in the power of design to serve and uplift communities. She views these opportunities as a way to steward her talents and contribute meaningfully to society. The article also delves into Stafford's personal journey, detailing her upbringing in Hesperia, California, within a large family that instilled in her a strong sense of community and a knack for organizing events. Her early experiences with hospitality and planning naturally transitioned into an interest in interior design. As a first-generation college student of color, Stafford faced unique challenges in pursuing higher education. Her family, with no prior college attendees, found the prospect of university cumbersome. She navigated a crossroads between pursuing a design-focused school or a faith-based institution, ultimately finding George Fox University and its Mosaic Scholars Program, which offered both academic and leadership development support. Her transition to George Fox was initially difficult due to the distance from home and financial pressures. Overwhelmed, Stafford considered leaving after only two weeks. However, the unwavering support from university staff, particularly Bryce Coefield and Jenny Elsey, played a crucial role in her decision to stay. They provided her with options and encouragement, demonstrating the strong community ethos at George Fox. Further support came in the form of a nanny position with George Fox’s women’s volleyball coach, Emily Davis, which offered her housing and extended her stay at the university, allowing her to thrive academically and personally. Casey Martin, Stafford's interior design professor, also provided significant mentorship and practical assistance, including helping her secure employment when an initial job fell through. Martin's commitment to connecting students with industry professionals and offering comprehensive support, whether professional or personal, was instrumental in Stafford's success. The collaborative spirit among her peers in the interior design program, where students supported each other through competitions and celebrated collective achievements, further underscored the importance of community. Stafford's story culminates in her securing a position at DesignCase, a moment celebrated by her classmates, symbolizing a shared victory and the fulfillment of her aspirations. She continues to advocate for collaborative design, emphasizing the need for diverse perspectives to create impactful and meaningful spaces, believing that even small organizations can achieve significant positive change. #InteriorDesign #CommunityEngagement #AlumniSuccess #GeorgeFoxUniversity #FirstGenerationStudent #CulturalFluency #ProBonoWork #Mentorship #CareerJourney

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

The popular television series _Yellowstone_ is concluding after five seasons, but its influence on interior design, dubbed "Rich Ranch" style, is expected to endure. This aesthetic combines luxurious elements with rustic, Old-West inspired materials, moving beyond traditional cowboy decor to embrace a more refined yet natural sensibility. Kylee Shintaffer, an interior designer proficient in this style, describes it as a delicate balance of mixing authentic rustic materials with contemporary furnishings. She notes that reclaimed wood and antique stone are frequently paired with modern elements like steel and glass to achieve a modernized rustic look, emphasizing that metal accents should be smooth for a contemporary feel, rather than hammered. The enduring appeal of the "Rich Ranch" style is not solely attributed to the show's popularity. Shintaffer suggests that homeowners are increasingly seeking spaces that offer an escape and a connection to nature, combined with an elevated sense of comfort. To incorporate this style into a home, four key elements are highlighted: integrating reclaimed wood and timeworn stone with modern accents, utilizing luxe, natural fabrics, incorporating old-school wall finishes, and blending vintage with contemporary furnishings. Regarding fabrics, the style favors natural materials such as wool, cashmere, and linen, often chosen in neutral tones for a contemporary touch. These are complemented by other luxurious textures like faux furs and jewel-tone velvet to create a cozy and opulent atmosphere. For wall finishes, traditional options like plaster and lime paint are recommended to add subtle texture and a handmade quality reminiscent of classic ranches. When these historical finishes are paired with modern furniture and decor, the space embodies the sophisticated "Rich Ranch" aesthetic. Finally, balancing vintage pieces with clean-lined contemporary furnishings is crucial for achieving a timeless look that avoids feeling dated. This approach ensures that the interior design remains fresh and relevant while retaining the character of older elements. The article aims to provide practical guidance for readers looking to adopt this distinctive interior design trend, drawing inspiration from the show's aesthetic and broader lifestyle preferences. #InteriorDesign #YellowstoneInfluence #RichRanchStyle #HomeDecor #RusticLuxury #KyleeShintaffer #NaturalMaterials #ModernAccents #VintageContemporary

The Black Artists + Designers Guild (BADG), in collaboration with architects Leyden Lewis and Nina Cooke John, and featuring interiors by 25 BADG creatives, has conceptualized the Obsidian Virtual Concept House. This interactive dwelling, set in California's Oakland Hills in 2025, serves as a manifestation of an Afro-centric futurist vision, aiming to embrace possibility and freedom for a Black family through thoughtful design. The project is a central component of the month-long OBSIDIAN EXPERIENCE, an initiative by BADG to elevate the home as a space for Black imaginations and futures to thrive. Malene Barnett, artist, activist, and founder of BADG, emphasizes that 'home' is both a physical space and a feeling of relaxation, non-judgment, and being surrounded by loved ones. This philosophy underpins the entire Obsidian project, which seeks to create layered spaces that perpetually evoke these feelings. The virtual concept house allows visitors to explore various rooms, learn about the designers' inspirations, and even virtually shop for products and fixtures specified within the designs. This interactive element makes the experience engaging and practical for those seeking inspiration. Architects Leyden Lewis and Nina Cooke John led the visualization of the house, grounding their work in the belief that Black futures can be equitable, sustainable, and liberating. They describe the Obsidian Concept House as a supportive environment for the mental, physical, and spiritual well-being of the Black family, fostering expressions of joy and creativity. The architectural design integrates sustainable building practices, including geothermal heating, solar energy, rainwater harvesting, and passive-house systems, highlighting a commitment to environmental responsibility alongside cultural relevance. The interiors of the house are diverse, each informed by the unique family histories and design approaches of the participating BADG members. These spaces are dedicated to spirituality, health, food, art, and nature. Examples include Cheryl Umbles's 'An Abundance of Welcome' entryway, Cheryl R. Riley's softly lit, turquoise meditation room, Everick Brown's transformative recreation room for connection, and Linda Allen's 'I am Good Enough: A Haven for the Black Overachiever,' which functions as an artist studio and garden. Malene Barnett's 'Sankofa-Legacy Wall,' featuring ceramic tiles inscribed with ancestral names, acts as the home's centerpiece, symbolizing Black ingenuity, strength, and perseverance, and serving as a tool for Black liberation and healing. The OBSIDIAN EXPERIENCE is launched during what BADG refers to as 'The American Awakening,' a period identified as an opportunity for a 'reawakening of the Black imagination.' The project aims to demonstrate how domestic spaces can reflect the diverse identities of inhabitants, address environmental injustice, inspire new ways of living, and ultimately pave the way for a more authentic freedom. The initiative is a collaborative effort, supported by media partners such as ELLE Décor, House Beautiful, Town & Country, and VERANDA, with Hearst Magazine's Luxury & Design Collection as the media sponsor. #VirtualHome #BlackDesigners #AfroFuturism #SustainableArchitecture #InteriorDesign #CulturalHeritage #CommunityBuilding #BlackArtistsAndDesignersGuild #DesignInnovation

This article presents a question-and-answer interview with Thomas E. Austin, the newest Architect of the Capitol, offering insights into his motivations, priorities, inspirations, and leadership philosophy. Austin's decision to apply for the role was driven by his lifelong passions for service to his country, engineering and construction, and history, drawing a parallel to his previous role as Director of Engineering for Arlington National Cemetery. He views the Architect of the Capitol position as a unique opportunity that perfectly aligns with his interests and experience, expressing gratitude and humility for the appointment. His immediate priorities include revising the Human Capital Strategic Plan and the Capitol Campus Master Plan, alongside rebuilding trust within the workforce and with congressional stakeholders. Austin emphasizes the inspiring nature of the Capitol's architecture, particularly the Dome with the Statue of Freedom, and the extensive artwork throughout the building. He also highlights the dedication and talent of the staff responsible for maintaining the buildings and grounds, sharing an anecdote about a night shift team that collaboratively resolved a significant water accumulation issue in the House Office Buildings, showcasing problem-solving and teamwork. The interview also delves into Austin's past preservation and restoration experiences. At Arlington National Cemetery, he spearheaded the reconstruction of the Ord and Weitzel Gate, one of the four historical gates, using recovered original stones. This project, completed with a historic masonry company, restored a significant piece of the cemetery's historical and spiritual fabric. During the COVID-19 pandemic, with reduced public access to ANC, his team addressed a superficial crack at the Tomb of the Unknown Soldier, developing a durable and nearly invisible repair. Additionally, they successfully treated black biofilm discoloration on the Tomb and Memorial Amphitheater using a novel zinc oxide application, which is now being adopted for other historic monuments in the D.C. area. Regarding fostering a positive work environment, Austin advocates for honesty, engagement, and modeling desired behaviors. His leadership is guided by four principles: Professionalism, Integrity, Accountability, and Transparency. He stresses treating colleagues with respect, acting with honesty, setting clear expectations, and being transparent, even when information is unfavorable, as foundational to building trust. Recognizing and rewarding team members who exceed expectations and adhering to the principle of praising publicly while criticizing privately are also crucial elements of his approach. He believes that a positive work environment stems from mutual respect and a shared understanding of contributing to a larger mission. When asked about career advice, Austin shares several insights: valuing people as the greatest asset, viewing success as a continuous journey with achievable milestones, prioritizing lifelong learning, and maintaining professionalism in all conduct. He also humorously advises against sending emails when angry. Outside of work, Austin maintains a balanced life with hobbies such as running, hiking, camping, reading, gardening, and spending time with his dogs and family. He enjoys military and political history, science fiction, and biographies. Running serves as both a physical and mental outlet, while his passion for gardening includes growing strawberries, blueberries, apples, roses, and American Chestnut trees, as well as keeping beehives for honey production. The article concludes with photographs of his swearing-in ceremony as the 13th Architect of the Capitol by Supreme Court Chief Justice John G. Roberts, Jr., with his family present. #ThomasEAustin #ArchitectOfTheCapitol #AOCLeadership #CapitolCampus #HistoricPreservation #ArlingtonNationalCemetery #LeadershipPhilosophy #WorkplaceCulture #PublicService

Cortney and Bob Novogratz, a design duo with seven children, have spent 25 years transforming the American interior design landscape. Their approach is characterized by a colorful, contemporary, and uplifting style, applied to over 70 residential and commercial projects. The couple's success stems from their ability to understand what makes a space inviting and livable. Their journey began two decades ago when they invested in and renovated a dilapidated townhouse in Chelsea, New York City. This initial project, which they found both enjoyable and successful, led them to acquire and develop two more properties in SoHo. This positive experience prompted Bob to leave his real estate career to pursue design full-time. A notable project, Centre Market, involved reworking an entire street. They successfully predicted the area's potential for growth, transforming old, rundown gun stores into desirable properties. They emphasize that the worse the initial condition, the better, as it deters most people, and extensive renovations are often necessary regardless of the starting state. The Novogratz's distinctive aesthetic, known as "the Novogratz look," is an eclectic blend of modern, clean lines, vintage elements, vibrant color accents, and prominent art pieces. They advocate for using color freely, particularly in bedrooms, which are separate spaces where bolder choices can be made. Feature walls behind beds, with a strong pop of color, are a common technique. They also sometimes opt for white walls, allowing furniture and art to introduce color. When it comes to brand partnerships, they frequently collaborate with CB2 (Crate&Barrel; 2), for whom they design. Other preferred brands include Kartell, The Rug Company, and ABC Carpet & Home, all chosen for their modern aesthetic and innovative designs. For those embarking on a renovation, their advice is to start with a fresh, neutral canvas, such as white walls. They suggest finding one standout piece, whether vintage or new, to serve as a focal point. They encourage an iterative design process, emphasizing that the space doesn't need to be perfect immediately and will evolve over time. They also recommend prioritizing investments in essential areas like the kitchen and bathroom. Their creativity is fueled by their children, who keep them connected to contemporary culture, and by seeking inspiration from diverse sources in major cities worldwide. Their design process prioritizes uniqueness, aiming to create distinct, interesting, and creative spaces for every hotel or home project. They believe in avoiding a standardized look. The most rewarding aspect of their work is the tangible outcome, starting with a vision and culminating in a completed project. They acknowledge that outcomes vary but strive for genius, achieving good results most of the time. They are known for frequently refreshing their own homes, with Cortney reportedly revamping elements every 90 days, especially during spring, to keep their spaces updated and vibrant. #InteriorDesign #HomeRenovation #ColorTheory #EclecticStyle #DesignProcess #Novogratz #ModernDesign

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Nate Berkus, a prominent figure in interior design for 26 years, shares his insights on the evolving landscape of home aesthetics, especially in the context of recent global events. Berkus, who gained widespread recognition after his 2002 debut on 'Oprah,' emphasizes the shift towards authenticity and personalization in design. He notes that the pandemic played a significant role in this change, moving clients away from Instagram- and Pinterest-driven trends to a desire for spaces that reflect their individual stories and needs. This shift has fostered a period of deep creativity, where clients are increasingly seeking unique, layered interiors. A growing appreciation for handmade and one-of-a-kind items marks another key trend. Berkus recalls attending art fairs as a child, where handmade goods were often overlooked, contrasting it with the current demand for such pieces in auction houses and among clients. This renewed interest extends to antiques, where online marketplaces like eBay, Etsy, and Chairish have democratized access. Clients are now more informed and actively involved in sourcing unique items from around the world, mixing them with handcrafted elements to create distinctive, personalized spaces. The ease of online shopping and shipping has made it simpler to assemble collections of vintage and antique objects, which Berkus believes are essential for a finished room. The concept of home functionality has also been redefined, with increased interest in separate structures for offices, studios, or guesthouses. This desire stems from a need for adaptable living spaces that can accommodate various activities and provide privacy, especially in a world where remote work and learning have become more common. Berkus highlights the appeal of guest rooms that offer comfort and independence, reducing concerns about proximity and hygiene. Furthermore, he discusses the emergence of 'sanitation rooms' or transitional entries equipped with advanced mechanics, like infrared lighting, designed to keep homes cleaner and safer. This trend resonates with Berkus's long-standing germaphobia, indicating a broader societal concern for health and well-being within the home environment. Social media, initially viewed with skepticism by Berkus, has become an integral part of the design world, mirroring the move towards authenticity. He explains that social platforms now serve as valuable tools for understanding clients' aesthetic preferences and for fostering genuine dialogue within his community of followers. Berkus differentiates his approach from simply reposting beautiful imagery, emphasizing his commitment to sharing his extensive experience, including successes, challenges, and mistakes, through initiatives like 'History Lessons.' This segment delves into the historical context and origins of design movements and objects, connecting personal aesthetic choices to broader cultural narratives. Finally, Berkus observes a shift towards a 'more is more' philosophy, redefined not by excessive spending or material accumulation, but by sentiment, practicality, and thoughtfulness. This means maximizing the utility and emotional connection within a space, designing for a new lifestyle that might include hybrid work arrangements or evolving family needs. The emphasis is on creating homes that are responsive and adaptable, greeting their inhabitants with comfort and functionality, regardless of immediate circumstances. This holistic approach underscores a deeper engagement with the home as a dynamic and evolving sanctuary tailored to individual well-being and evolving needs. #InteriorDesign #NateBerkus #HomeDecor #DesignTrends #AuthenticityInDesign #HandmadeGoods #VintageFinds #FunctionalLiving #SocialMediaAndDesign