Studio Tali Roth: Crafting an interior identity

Tali Roth, a Melbourne-born interior designer, has carved out a unique niche in New York's design scene, bringing a fresh, personal touch to interiors, particularly within the city's prevalent rental market. After moving to New York in 2013 with her husband and limited funds, Roth initially faced challenges in securing a traditional design role. Leveraging her background in psychology and fashion, she found an opportunity with a start-up agency that facilitated freelance designers, allowing her to utilize social media to build her own brand. This ultimately led to the establishment of her independent design business and the launch of 'The Playhouse,' her innovative 'shoppable office.' Roth's design philosophy is significantly shaped by New York's renting culture, which contrasts with Australia's emphasis on home ownership. She believes that living in a rental for decades necessitates making it comfortable and personalized, demonstrating that extensive decoration and even reversible renovations are achievable. For instance, she transformed her own Chelsea loft by applying a faux concrete finish to the walls and adding wainscoting in a previous apartment, all with the understanding that these changes could be reversed without issue. Her approach challenges the conventional limitations of decorating rental properties, emphasizing comfort and personalization over strict adherence to original conditions. Over six years in Manhattan, Roth has refined her signature aesthetic, describing it as 'pretty but not overly feminine, clean-lined but with a warm, mid-century edge.' Her design rule dictates that every interior should incorporate a mix of vintage, custom, and affordable or retro-fitted pieces, creating a harmonious and layered look. For artwork, she often draws inspiration from Australia, featuring pieces from artists like Minnie Pwerle, Adam Pyett, Stephen Baker, and Leila Jeffreys, and introducing clients to Australian brands such as Dinosaur Designs and Contemporary Editions, as well as glass artist Amanda Dziedzic. Currently, Roth is engaged in diverse projects, including the design of a flagship coffee venue for Bluestone Lane in SoHo, the offices for AWAY luggage, a multi-residential development in Brooklyn, and numerous private apartments, including one for a high-profile couple in the entertainment industry. Her material preferences lean towards glass, wood, and marble, favoring natural states and avoiding overly stained timber. While clients seek her distinct style, Roth prioritizes integrating their personalities into the space. She avoids being prescriptive, preferring to incorporate client-provided items, such as a grandmother's vase, even if they don't align with her personal taste, believing that these sentimental pieces bring joy and contribute to the overall balance and unique character of a home. #InteriorDesign #NewYork #RentalDecorating #HomeDecor #DesignPhilosophy #TaliRoth #MidCenturyModern #AustralianDesignInfluences #PersonalizedInteriors

Mardi Doherty, founder of Melbourne-based Studio Doherty, established her firm in 2014, quickly gaining recognition for her distinctive interior designs. Her work is characterized by a unique and original application of colour, texture, and materials, creating spaces that are both full of character and highly liveable. Clients have often described Doherty as possessing an "X-ray vision," capable of envisioning the full potential of a space by creatively reimagining its structure and introducing striking new volumes. This innate talent for design has been cultivated since her early years. Doherty’s upbringing, where her parents frequently bought and sold motels, exposed her to constant renovations, significantly influencing her passion for design. She pursued her education in interiors at RMIT University in Melbourne and briefly embarked on an architecture degree. Although she later became a successful painter, her dedication to engaging in compelling design collaborations remained steadfast. Her early career included designing the Great Eastern Dining Room in Shoreditch, a project that led her to spend two years in the UK. During this time, she worked with esteemed firms such as Conran Design Group and David Collins Studio, contributing to significant projects, including the interiors of Madonna's Belgravia home. Studio Doherty’s contemporary aesthetic draws inspiration from 1970s and 80s styles, as well as from artists like the Australian stained-glass master Leonard French and the Dutch creative Sabine Marcelis, known for her colourful, sculptural works. Doherty also cites modernist architects, such as John Lautner, whose bold geometric forms inform many of her spatial design decisions. Recent projects by Studio Doherty exemplify this vision. The Gloss House, a new-build in Melbourne, was designed in collaboration with Enth Degree Architects for a client who desired a generous and quirky home reminiscent of mid-century Palm Springs style. Instead of direct imitation, the studio aimed to capture the era's essence through warm timbers, human-scaled spaces, and playful elements, utilizing materials in unconventional ways. This project features an electric-blue spiral staircase, an orange conversation pit, and an open-plan kitchen, dining, and living area unified by a sweeping timber-clad ceiling and a curved tile system that reflects light. Another notable project is Gable House, a restored heritage home in Melbourne designed with Folk Architects. The interior is characterized by its joyful and confident approach, incorporating bold yet refined colour choices, such as a lipstick-pink pantry and a fire-engine-red fireplace. These vibrant elements are harmoniously juxtaposed with layered stone, Murano-glass chandeliers, and vintage pieces, showcasing a successful blend of heritage and contemporary invention. Currently, Doherty is engaged in two distinct projects: the renovation of a Georgian Revival mansion in Toorak, Melbourne, largely untouched since its 1936 construction, and a creative home for a toymaker in the city's bayside area. The latter project is a more restrained endeavour, with the design direction heavily influenced by the owner's extensive collection of new and vintage toys and clocks. The studio’s Elonera House project highlights their innovative use of tiling, with muddy-yellow zellige contrasting with skinny, blush-pink tiles on the kitchen island. Studio Doherty’s design philosophy prioritizes creating spaces that are both expressive and deeply personal, tailored to the unique narratives of each client. When it comes to expert advice, Studio Doherty emphasizes thinking beyond traditional applications for tiles, suggesting their use in living spaces, entrances, or even as furniture surfaces. They also highlight the transformative potential of curved tile systems and rounded edges in altering a space’s mood, softening geometry, and adding a playful touch. The importance of grout is also stressed, as its colour and thickness can significantly impact a tile's appearance, either enhancing contrast, echoing other tones, or creating a seamless finish. The studio advocates for confident, anchored use of bold colours, noting that an electric-blue staircase might be surrounded by neutrals, while an orange conversation pit is designed to dominate and breathe within its space. Finally, wood remains a fundamental material for its versatility, used for cladding ceilings to add warmth and architectural identity, or for tongue-and-groove panelling to introduce rhythm and softness to walls. #InteriorDesign #ColourInnovation #Materiality #MelbourneDesign #StudioDoherty #ResidentialArchitecture #HeritageRenovation #TileDesign #ContemporaryInteriors

The article offers an intimate glimpse into the home office of Tali Roth, an interior designer based in Melbourne, Australia, as part of the “Where I Work” series. It delves into her daily routine, the aesthetics of her workspace, and the elements that inspire her creative process. Roth begins her workday at 9 a.m., often engaging with U.S. contacts as early as 7 a.m., and concludes her initial office hours at 5 p.m., only to resume work on her sofa around 7:30 p.m. She describes her office space using three words: chic, pretty, and well-stocked. A central component of Roth's office is her collection of stone samples, which she considers the most important items for informing her designs, emphasizing the natural origin of beautiful materials. Her walls are adorned with significant art pieces, including a photograph by Oded Bality depicting an ultra-Orthodox wedding in Israel and an abstract painting from a friend. A pinboard serves as a rotating display for inspiring saves and Polaroids. Roth identifies movies as her current source of creative fuel, particularly noting how films like 'In the Heights' can stimulate new perspectives and emotions, which she believes are crucial for her design work. When faced with creative blocks, Roth turns to vintage shopping, which she finds offers a sense of transportation and fresh ideas, especially in times when travel is restricted. Her organizational system relies heavily on both written and digital lists, complemented by calendar reminders, a method she developed to overcome a natural tendency towards forgetfulness. She admits to not having a favorite pen, using whatever is available, but highlights her personalized Papier notebook, which she uses daily and goes through several of each year. A noteworthy and somewhat ironic detail about her workspace is her desk chair, the Meandre Side Chair from Design Freres, which she describes as “truly uncomfortable but so so attractive,” indicating a prioritization of aesthetic appeal in her personal workspace. To combat the afternoon slump, Roth typically takes a break to visit a local milk bar (an Australian term for a convenience store or bodega) to pick up a gluten-free snack, such as garlic dip, hummus, and jalapeño chips, as her office lacks a kitchenette. Her preferred soundtrack for work includes artists like Maggie Rogers, Lana Del Rey, and 90s Silverchair, creating an eclectic backdrop for her design tasks. The article provides a comprehensive overview of an interior designer’s professional environment, highlighting the blend of personal taste, practical tools, and external inspirations that contribute to her creative output. #InteriorDesign #HomeOffice #WorkspaceInspiration #DesignerProfile #CreativeProcess #WorkLifeBalance #OfficeDecor #TaliRoth

The article explores how to prevent interior design from becoming "boring" by incorporating character and personality into spaces, moving beyond transient trends. Monica Santayana, co-founder of MONIOMI Design, emphasizes that predictability is detrimental to interesting design, advocating for spaces that evoke feelings of joy, nostalgia, or curiosity. Designers are encouraged to stay true to their personal preferences rather than strictly following current trends. One key strategy discussed is to "disrupt harmony just enough." This involves introducing unexpected elements, such as mixing patterns, placing bold items in subtle rooms, or exaggerating proportions to maintain visual engagement. Santayana explains that each room should be treated as a unique chapter in a larger story, ensuring movement, surprise, and discovery throughout a home. Ronald Alvarez, also from MONIOMI Design, stresses that a space should never feel generic but instead possess personality and purpose, asserting that designs feel dull when everything matches perfectly. Another crucial tip is to contrast textures and tones. Camilla Masi, an interior designer at Otto Tiles & Design, suggests using a calm, neutral palette as a base and then adding unexpected pops of color, unique patterns, or richly glazed tiles. This approach prevents a space from appearing flat or predictable. Alvarez reinforces this idea, highlighting the creation of tension through contrasts such as hard and soft, organic and graphic, or vintage and new elements. He notes that even in monochromatic schemes, depth can be achieved through intentional variations in light, material, and form. Incorporating bold art pieces is identified as a direct method to inject soul and individuality into a room. Art can set the overall tone and is often considered by designers as the most essential item to retain in a space. Manuela Hamilford, founder of Hamilford Design, explains that art elicits emotion and conversation, reflecting the inhabitants' identity. A home that authentically mirrors its occupants’ lives will inherently avoid being boring. The article also advocates for playfulness in design. Overlooked transition areas, such as doorways, can be transformed into design statements. Raili Clasen of Raili CA Design suggests painting archways in vibrant colors, tiling them, or using contrasting wallpapers to create impact and a sense of fun. These playful interventions frame the room and establish memorable "moments." Finally, the most significant advice is to embrace experimentation and avoid "playing it safe." Genevieve Bennett, Head of Design at Liberty Interiors, encourages designers to be bold and brave, freeing themselves from concerns about external opinions. She recommends experimenting with unexpected color and pattern pairings, like juxtaposing graphic stripes with traditional florals or adding vibrant colors to minimalist spaces. Bold prints, she suggests, can introduce a sense of fun, starting with a lead textile and building the design from there. This approach of "pattern sprinkling" fosters both interest and balance, ensuring that a space designed with passion and creativity will resonate with others.

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

This blog post explores a Toronto home, designed by Ashley Montgomery Design for podcast host and food blogger Rivki Rabinowitz, that masterfully blends traditional aesthetics with a bold, colorful palette. Rabinowitz, who describes her style as “grandma who likes to party,” sought to create a home that felt like the “structural personification of a hug,” a desire influenced by the cold Canadian winters. Drawing inspiration from designers like Beata Heuman and Pierce & Ward, the 5,000-square-foot property is a testament to layered patterns, flavors, and textures built upon an ironically traditional foundation. The design departs significantly from Rabinowitz's previous home, which she found sterile due to its neutral color scheme. In contrast, this residence incorporates 35 different paint colors, including cinnamon, ochre, raspberry, chocolate brown, smoky blue, and burnished brass tones, all contributing to a cohesive and warm atmosphere. Designer Ashley Montgomery highlights the challenge of achieving this vibrant look without it feeling chaotic, emphasizing the restraint required to balance such a broad spectrum of colors. The collaboration between Rabinowitz and Montgomery was seamless, with Montgomery finding Rabinowitz's unique style inspiring and pushing her out of her comfort zone. Key areas of the home showcase this distinctive approach. The foyer, for instance, features a yellow and maroon-colored checkered floor, an element that initially concerned Montgomery but ultimately proved successful. The kitchen, designed with the family’s Kosher observance in mind, includes three distinct sinks for dairy, meat, and general use, along with plaster molding, an arched hood, a second fridge, freezer, and dishwasher. The pantry, described as a workhorse area, boasts jade green marble countertops, initially seen as unconventional but now cherished by Montgomery. The primary bathroom exudes richness and elegance with yellow wallpaper, burgundy cabinetry, and sky-blue tiles, while the powder bath combines Farrow & Ball India Yellow paint with a Red Earth ceiling and blue quartzite stone. The living spaces are equally thoughtful; the family room ingeniously conceals a television behind custom art, and the dining room features mural-like wallpaper and a unique light fixture. The office spaces are tailored to individual tastes: Rabinowitz's office is a feminine sanctuary with a ladylike palette, vintage prints, and Benjamin Moore Old Stone walls, while her husband’s office, inspired by Moroccan design, incorporates 18th-century Egyptian doors and House of Hackney wallpaper. Bedrooms for the three daughters continue the theme of personalized and vibrant design. The oldest daughter's room showcases House of Hackney wallpaper and Penny Morrison drapery. A shared bathroom for two daughters balances personality with adjoining bedroom palettes, featuring Pierre Frey wallpaper and durable penny tile. Throughout the home, custom details, vintage finds, and a meticulous selection of materials contribute to a space that is not only visually stimulating but also deeply personal and functional, designed to be lived in and enjoyed for everything from playdates to Shabbat gatherings. #HomeDesign #InteriorDesign #TorontoHome #ColorfulInteriors #TraditionalModern #AshleyMontgomeryDesign #RivkiRabinowitz #EclecticDecor #CustomDesign

Tali Roth, a Melbourne-based designer known for cultivating spaces that tell a story, shares her current design inspirations, particularly influenced by her longing for New York summer while experiencing winter in Australia. Her design philosophy emphasizes playfully patterned pieces crafted from timeless materials, aiming to create intimate rooms that reflect the inhabitants' personalities. Roth's mood board, featured in Business of Home's 'What I Love' series, showcases a balanced blend of warm and cool hues, energized by graphic motifs, and an experimental approach to juxtaposing blues and grays with camel and caramel tones. Roth details 15 elements that comprise her current design scheme. The 'Flash Wallcovering in Pistachio' by Kirkby Design, a raffia-textured wallpaper with a subtle yet statement-making flame pattern, is highlighted for its timelessness and ability to complement curved designs. She incorporates the 'Babette Trim in Gustavian Blue' by Inge Holst, a bullion trim that adds an old-world touch to contemporary soft furnishings. The 'Forget-Me-Not fabric in Acqua' by Rubelli is chosen for its rich history, reinterpreted with modern colors and trim. For hard surfaces, Roth selects 'Roman Travertine,' 'Blue Marine,' and 'Verde Antigua' marbles from BAS Stone, noting the travertine's earthy and timeless quality and the complementary nature of the blue and green accents. Carpeting includes the 'Galet Rug in Indigo' by Bremworth Wool Rugs, favored for bedrooms due to its grounding and durable looped wool texture, and the luxurious 'Loose Cashmere Carpet in Grey' by Marc Phillips for its amazing handle and versatile color. Personal touches are also integrated, such as a Selenite crystal, gifted at a kundalini-themed baby shower, representing the need for calm and serenity in a designer's life. Custom Venetian plaster by San Marco Group is praised for its wall textures, which look stunning in any tone but particularly in cool tones, creating an interesting tension with the applied texture's warmth. Midcentury design, a continuous source of inspiration, is represented by the book 'Decorative Art 50s' by Taschen. Fabrics like the 'Teddy Mohair Fabric in Bambi' by Pierre Frey are selected for their perfect caramel color, which warms up any space. The 'Dappled Brick Fabric in Sky Blue' by Luke Edward Hall for Rubelli is admired for its patterns and geometry, which integrate seamlessly into the calm palette without overwhelming it. Trims such as the 'Aria Silk Brush Fringe in Vapor' by Samuel & Sons are suggested for enhancing sofas, bed heads, and throw cushions. Further fabric selections include 'Helia Fabric in 0733' by Raf Simons for Kvadrat, a durable and flexible tight boucle in sky blue, suitable for various applications. The 'Afua Fabric in Walnut' by Sister by Studio Ashby for Yarn Collective is chosen for its simple geometry and stars, balancing California cool with English Country aesthetics. Finally, a candle from Cour des Vosges at Evok serves as an endlessly inspiring element, transporting Roth to one of her favorite Parisian hotels through its scent. #TaliRothDesigns #InteriorDesign #MoodBoard #TextileSelection #MaterialMixing #ColorPalette #VenetianPlaster #LuxuryInteriors #DesignInspiration

Dana Esser, an interior designer and creative, discusses her business, Dana Michele Design, and its profound impact on the daily lives of occupants in the spaces she designs. Esser highlights the significance of her work in creating therapeutic environments, such as offices for therapists and psychiatrists. These projects involved extensive research into layout, audio and visual privacy, color, texture, and furniture selections to ensure patients feel welcome, calm, comfortable, and safe. The insights gained from designing these therapeutic spaces are now applied to all her projects, ensuring they enhance the well-being of occupants and meet functional needs. Dana Michele Design distinguishes itself through an unwavering commitment to clients, with Esser acting as a 'client advocate.' With eight years of corporate interior design experience, she is now directly involved in every project, ensuring personalized attention and expertise for each client. The design process at Dana Michele Design integrates spatial intelligence with creative intuition, focusing on solving complex puzzles and understanding human needs to create spaces that resonate deeply. This process begins with in-depth client engagement to understand their aspirations and challenges, leading to designs that are not only aesthetically pleasing but also supportive of their present and future needs. Esser emphasizes the importance of professional integrity and personal well-being, stating a rule to only accept projects where her team is respected and valued, especially as a female entrepreneur in a male-dominated industry. Looking ahead, Esser plans to launch a non-profit arm of Dana Michele Design. This initiative will focus on community engagement by partnering with organizations that provide housing and support to vulnerable communities, aiming to create nurturing environments that empower individuals to thrive. The success of Dana Michele Design is attributed to human connection and the transformative power of thoughtful design, driven by a commitment to clients and the wider community. Outside of her professional life, Esser shares recommendations for enjoying Los Angeles with a visiting friend. Her ideal week would include coffee from Primo on Montana Street, brunch at Courtyard Kitchen in Santa Monica, leisurely strolls along the boardwalk, and beach volleyball. Nature excursions would involve hiking the Los Leones trail in Pacific Palisades for panoramic ocean views. Cultural experiences would include visiting the Broad or Hammer museum exhibits. Evenings would feature live entertainment at venues like the Hollywood Bowl or Aviator Nation’s Dreamland in Malibu, or attending a comedy show. Dining options range from Fia in Santa Monica to Osteria Mozza, followed by a night out in West Hollywood or Hollywood. Esser acknowledges several individuals who have significantly influenced her journey. She credits her family for providing essential physical and financial security and unwavering love. Her high school art teacher is recognized for channeling her creativity and introducing her to interior design at 16, a pivotal moment in discovering her passion. Lastly, she highlights the continuous inspiration, encouragement, and love from her closest friends, whom she considers her chosen family, calling them her backbone and biggest cheerleaders, especially when she experiences imposter syndrome. #InteriorDesign #CreativeEntrepreneur #TherapeuticSpaces #ClientAdvocacy #CommunityImpact #FemaleEntrepreneur #NonProfitInitiative #LosAngelesLifestyle #PersonalDevelopment

Rita Konig, a prominent figure in interior design, shares insights into her extensive career, emphasizing her approach to decoration and personal style. Growing up in the industry with her mother, Nina Campbell, Konig initially explored other career paths before finding her calling in interior design. Her early experiences included decorating a flat in Holland Park and later moving to the US, where she contributed to Domino magazine by curating shopping stories in various cities across America. Upon her return to London in 2012, Konig focused on building her decorating business, which now includes a team of four designers and a Chief Operating Officer. She also contributed a monthly column to House & Garden for several years. Konig identifies herself as a decorator rather than a designer, a distinction she attributes to her mother's influence and her belief that much of interior decoration involves embellishment. She argues that personal objects, memorabilia, and artwork are crucial in making a house feel like a home, advocating for their inclusion even over immediate paint choices. She highlights the importance of incorporating personal items to infuse a space with individuality and warmth, preventing it from resembling an impersonal display. Konig has also engaged in numerous collaborations throughout her career, including projects with The Lacquer Company, for which her Belle Rive tray is credited with inspiring a 'tray renaissance,' and upcoming collections with Schumacher and Officina. She recently launched her second online course with Create Academy, which focuses on the renovation of her own home, covering practical aspects like budgeting and the iterative nature of the design process, especially concerning joinery. She stresses the importance of allowing time for reflection and adjustments during renovations, noting that initial drawings often require modifications. Konig shares specific elements that are consistently present in her own home, such as artwork, objects, books, and a drinks tray, which she considers essential for making a place feel lived in. She recalls cherished items she brought with her to New York that continue to hold pride of place. Her approach to color has evolved over time, from vibrant sorbet hues in her first flat to more grounding ochres, tobacco browns, and burnt oranges in her current home. She views color as a unifying element in a room, citing the use of red to link different components in her living room. Konig also advocates for a 'hero fabric' in each room, around which other elements are coordinated, and suggests incorporating unexpected patterns, like a zebra print sofa, to add character. Regarding lighting, Konig advises simplifying circuits and utilizing a lighting designer to create different scenes for various times of day. She mentions Sally Storey's method of designing 'morning,' 'afternoon,' and 'evening' settings, and her use of integrated spot lighting with decorative pendants. For window treatments, she prefers sheer fabrics, sometimes paired with blackout blinds, for both aesthetic and practical reasons, noting their cost-effectiveness compared to traditional curtains. She also uses woven blinds from India for their ability to filter natural light. The article concludes with a curated list of Konig's preferred brands and suppliers across various categories, including antiques, rugs, wallpaper, glassware, books, bedlinen, towels, eiderdowns, blankets, lamps, and general home goods, offering readers a glimpse into her trusted resources for creating stylish and personalized interiors. #InteriorDesign #HomeDecor #RitaKonig #CareerHighlights #DesignPhilosophy #DecoratingTips #OnlineCourse #HomeRenovation

StudioTamat, a Rome-based architectural firm, has undertaken the renovation of an 80-square-metre "villino" in the heart of Rome, situated within the courtyard of a late-19th-century building on Viale di Trastevere. The project, known as RA House, was designed to create a sense of spaciousness and vibrancy for a couple who split their time between multiple residences. The intervention strategically employs elements of color, transparency, and reflection to achieve this objective within the compact three-level property. The design ethos centers on amplifying spatial dynamism while maintaining a coherent aesthetic that nods to the existing charm of the villino and the lively Trastevere neighborhood. Architects Matteo Soddu, Tommaso Amato, and Valentina Paiola spearheaded the transformation, which involved a significant rethinking of the vertical arrangement of the house. A key modification was the replacement of part of the original first-floor mezzanine with a structural glass floor. This innovative feature establishes a direct visual connection between the ground-floor living areas and the bedroom located above, promoting a more open and integrated living experience. Further enhancing the feeling of openness, a void was introduced into this new glass floor, creating a double-height lightwell. This lightwell is complemented by a new window, allowing natural light to permeate deeper into the interior. Mirrored ceilings are strategically incorporated throughout the house, contributing to an illusion of expanded space and vertical infinity. These reflective surfaces work in conjunction with the transparent elements to dematerialize boundaries and make the relatively small footprint feel significantly larger. A central blue volume acts as a functional core, extending between two levels. On the lower floor, it neatly houses the kitchen and utility spaces, while on the upper level, it accommodates an en-suite bathroom. This clever integration of services within a unified volume optimizes space and maintains visual continuity. The circulation within the house is also thoughtfully designed; a bookshelf ingeniously doubles as a space-saving staircase connecting the two main floors, while a spiral staircase provides access to the second floor, which serves as a flexible study or guest room. In addition to these structural and spatial interventions, the project meticulously restored the art-nouveau-style stained glass, which now forms an orangery at the entrance, infusing the space with shades of green, orange, and yellow. New materials are introduced with a discerning eye, including Verde Alpi marble, which is prominently featured as a podium at the base of the chestnut wood staircase and on kitchen surfaces. Fluted glass is used for partitions in the upstairs en-suite, offering a degree of privacy while maintaining light and an open feel. The kitchen also showcases metal cabinets with an ombre effect, fading from rose-gold to black. The interior is furnished with a mix of contemporary and vintage pieces, including a concrete table, vintage Thonet chairs, and a custom-made bed, providing the final touches to a sophisticated and spatially efficient urban residence. The project successfully blends historical preservation with modern design principles, creating a functional, elegant, and seemingly expansive home within its compact Roman setting. #StudioTamat #RAHouse #RomeArchitecture #VillinoRenovation #GlassFloors #MirrorCeilings #SpatialDynamism #InteriorDesign #ResidentialArchitecture

Yoselin Alonso, the associate interior designer at METHOD & CONCEPT, approaches interior design as more than just surface aesthetics, seeing it as a holistic discipline that encompasses functionality and architecture. Her upbringing provided a foundational understanding of construction, with her father, a builder, teaching her practical skills like door installation and stair construction from a young age. Her mother, a seamstress, further cultivated Alonso's inclination towards working with her hands and fostering creativity. At METHOD & CONCEPT, Alonso collaborates with Chad Jensen, extending beyond traditional design tasks to integrate art and architecture. The firm, which is a sister company to the Thomas Riley Artisans’ Guild, functions as both a design studio and an art gallery, emphasizing the fusion of design and art. This approach ensures that artisanship is central to all projects, with spaces meticulously planned to highlight artworks. The team often commissions custom furnishings or millwork from Thomas Riley to realize specific visions or functional requirements, or they design entire rooms around a client's beloved art pieces. Alonso stresses that artists are considered integral to the design process itself. Alonso's role is comprehensive, involving her in every stage of a project. Her responsibilities range from conceptualizing designs and attending client meetings to conducting site visits, ordering materials, and developing project plans. She excels in creating 3D renderings, a skill Jensen notes was a valuable addition to the team. Additionally, Alonso is actively involved in developing METHOD & CONCEPT’s proprietary line of soft goods, which is scheduled for release in an upcoming season. Chad Jensen sought specific qualities when hiring for the associate interior designer position, describing his ideal candidate as a 'unicorn.' He was particularly drawn to Alonso's dualities: her polished and articulate presentation contrasted with her willingness to engage in hands-on tasks, such as driving a pickup truck and getting her hands dirty. Jensen observed that he and Alonso share a common design philosophy, prioritizing intentionality in their projects. This involves carefully considering how individuals will experience each space, its practical usage, and how the ambiance of a room transforms throughout the day. Jensen also values Alonso's genuine passion for her craft and her eagerness to learn, noting that she often dedicates weekends to the studio to learn from him, as he is also a practicing artist and maker of furniture and functional art objects. Alonso's personal creative inspirations often stem from her parents' native Mexico, drawing from places like Las Pozas, a surrealist garden in Xilitla. This sense of discovery fuels her desire to create unique and meaningful designs. At 27, she is rapidly refining her unique style, influenced by her work with Jensen and the METHOD & CONCEPT team, as well as her desire to remain close to her family in Bonita Springs. She expresses contentment with her current professional and personal environment, affirming that she has found her ideal place. Her initial attraction to the company was solidified by observing Chad Jensen's office, which showcased materials, sketches, and renderings that illustrated a detailed and considered design process, aligning with her preference for thoroughness in design. #InteriorDesign #HomeDesign #ArtIntegration #ArchitecturalDesign #CustomFurnishings #DesignProcess #CreativeInspiration #LuxuryInteriors

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

Homepolish designer Tali Roth offers practical advice for renters looking to personalize their temporary living spaces, emphasizing that a rental unit's potential should not be wasted due to its temporary nature. She asserts that individuals often reside in rentals longer than anticipated, making it essential to create a comfortable and personalized environment rather than living in a state of limbo. Roth's own Chelsea loft serves as a prime example of how to infuse personal style into a rental without undertaking extensive, permanent renovations that could jeopardize a security deposit. Roth suggests focusing on easily modifiable elements within a rental. Lighting and window treatments are identified as key areas for impactful changes. For instance, an existing, generic light fixture can be replaced with a more aesthetically pleasing one. In her dining room, Roth replaced an IKEA light with a Synapse chandelier by Apparatus Studio, which helped to make the space feel cozier by lowering the ceiling's visual height. For those hesitant to alter existing wiring, sculptural wall lamps that plug into outlets and can be mounted high are presented as a viable alternative. Installing blinds and full-length curtains is also recommended to add warmth, texture, and privacy, with Roth opting for gray Belgian flax linen curtains to complement her home's modern color scheme. The article highlights Roth's innovative approach to customizing furniture, particularly her collaboration with Semihandmade to transform standard IKEA cabinet systems. Through this, she added custom taupe doors, a counter, and brass hardware to her units, demonstrating how affordable, modular furniture can be elevated to appear bespoke. One of the most significant transformations in Roth's loft was the application of faux concrete to a large wall by i faux. This technique was used to address the challenge of vast, white rental walls, adding significant texture and depth to prevent the space from feeling like a stark, empty box. Roth's design philosophy embraces geometric patterns and chunky forms, which she refers to as a "Flintstones aesthetic," influenced by her appreciation for modernism. This theme is consistently applied throughout her home, evident in sculptural vases, Hubble Wall Sconces by Pietro Russo for Baxter in the living room, and terrazzo wallpaper in the bathroom. While Roth chose traditional wallpaper, the article also suggests removable wallpaper options for renters seeking less commitment. The process of designing each rental space is also presented as a learning opportunity, allowing individuals to refine their tastes and understand what works best for their lifestyle, including considerations for living with young children. Roth shares a personal insight regarding her velvet couch, noting that its susceptibility to watermarks might lead her to choose a different material in future rentals, at least until her son is older. Ultimately, Roth emphasizes that customizing a rental is a common practice, particularly in cities like New York, where landlords generally expect tenants to personalize their living spaces. She reassures renters that most lease agreements simply require the unit to be returned to its original state, detailing her plans to reverse her changes, such as reinstalling the original light fixture, deconstructing the faux concrete, removing wallpaper, and repainting walls white, before moving out. #RentalDesign #LoftLiving #InteriorDecor #HomepolishDesigner #TaliRoth #DIYDecor #ApartmentRenovation #ModernAesthetic #IKEAHacks

Designer Laura Hodges transformed a 2,000-square-foot industrial loft in Baltimore's Fells Point neighborhood into a serene, light-filled home. The original space featured raw concrete floors and exposed HVAC piping under 18-foot ceilings, elements Hodges systematically replaced or reconfigured. Hodges, a New York School of Interior Design alumna who previously worked for Jamie Drake and Thomas Jayne, established her firm in Maryland in 2016 and later opened her home boutique, Domain by Laura Hodges Studio. The renovation began with a complete overhaul of the existing floor plan and infrastructure. The concrete floors were covered with wide-plank oak, and a clunky builder-grade stair was replaced with a minimalist white-painted metal version with oak treads and handrails. A glass-framed mezzanine was added above the stairwell, contributing to the refined aesthetic. Hodges emphasized the role of artwork in the design, with the walls serving as a neutral canvas. The open-plan living areas were painted in various finishes of Benjamin Moore’s Super White, and all custom design details were constructed on site. The living room, designed for media and entertaining, includes twin sofas, a Bernhardt armchair, and vintage chairs upholstered in chocolate brown Edelman Leather. A custom niche with grass cloth backing and integrated lighting houses a large bookcase, accessed by a custom white oak rolling ladder on a steel track. The kitchen underwent a complete renovation, replacing a turquoise-painted space. Hodges concealed an existing column within a paneled box and installed new floor-to-ceiling cabinetry, including specialized storage for a coffee bar and a movable spice rack. The kitchen now features Imperial Danby marble counters and backsplash, Fisher & Paykel appliances, and Visual Comfort pendants. BB LaMartina's artwork adorns the space. Hodges ingeniously created a secondary space by inserting a wall into the living room, forming a den that functions as a guest room for the homeowners' daughters. This space incorporates a sliding door and blackout curtains for privacy, alongside bronze transom windows that subtly reference the loft's industrial heritage. A wall-mounted desk, sleeper sofa, closet, and an additional bathroom were integrated into this versatile area. The dining area is distinguished by double-height windows equipped with motorized sheer curtains and blackout shades. Hodges custom-designed the dining table, featuring a starburst-patterned cerused white oak top and ebony legs, in collaboration with Goodwood Studios. Oly dining chairs complete the setting. Throughout the renovation, Hodges prioritized maximizing natural light and views of downtown Baltimore. The transformation successfully converted a formerly stark industrial environment into a peaceful and elegant residence, reflecting a blend of modern aesthetics with functional design and a nod to the building's history. The homeowners expressed satisfaction with the outcome, highlighting the ample light and scenic views achieved through the design. This project exemplifies Hodges's ability to create sophisticated, livable spaces from challenging industrial settings. #InteriorDesign #LoftConversion #IndustrialToResidential #BaltimoreRealEstate #LauraHodgesStudio #ModernDesign #HomeRenovation #OpenPlanLiving

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

The article highlights a home renovation project in Toronto's Rosedale neighborhood, undertaken by interior designer Montana Labelle for a client seeking a departure from conventional 'white wall' aesthetics. The homeowner, a legal professional with a passion for design, desired a moodier, edgier space with a sense of age and patina. Montana Labelle, a Parsons School of Design graduate with a distinctive style, was chosen for the project. She is known for her handcrafted interiors and use of vintage elements, including a lifestyle brand focused on marble objects. Labelle's approach prioritizes authenticity and storytelling in design. For the 4,000-square-foot Dutch Colonial–style home, she incorporated unique features such as a bathroom vanity crafted from a midcentury brutalist dresser, a living room mantel adorned with Formafantasma volcanic tiles, and a deep clay soaking tub in the primary bathroom. Decorative painter Jeanne Shemilt was enlisted to apply Venetian plaster finishes to the walls, aiming for a warm and curated ambiance throughout the residence. The collaboration between Labelle and the homeowner was highly efficient, resulting in a unique space within a year. The homeowner actively participated, demonstrating expertise in French designers from the 1960s and midcentury Italian lighting. The renovation included knocking down walls, acquiring curios, and transforming each room into a modern yet comfortable retreat. Notable additions were vintage wall tapestries and a midcentury Italian modular sofa reupholstered in Dedar stripes. In the family room, Labelle designed custom white shutters with polka dot cutouts. The design philosophy centered on achieving a 'cool factor' without sacrificing warmth. Labelle sourced many vintage pieces from online platforms like Etsy and various antiques fairs, often livestreaming potential finds to the client for immediate approval. The homeowner also requested practical elements tailored to her goldendoodle, such as an ample bathtub and laundry room sink, and a long harlequin-tiled corridor for the dog to play in during winter. The enduring relationship between the designer and client is evident, as they continue to communicate daily, discussing pets and design inspiration. The renovation successfully created a distinct and personalized home, frequently noted by visitors for its uniqueness. The homeowner expressed satisfaction with the outcome, confident that Labelle would deliver equally impressive results for any future projects. The project emphasizes the importance of personalized design and the harmonious collaboration between a designer and a client with a clear vision. #InteriorDesign #HomeRenovation #TorontoDesign #MontanaLabelle #VintageFurniture #HandcraftedInteriors #DesignProcess #CustomDesign #LuxuryHomes

Rita Konig's career trajectory from journalism to interior design highlights the transferable skills gained in media, such as research and meeting deadlines, which proved invaluable in her design work. Influenced by her mother, designer Nina Campbell, Konig developed an early appreciation for creating beautiful homes. Her decade in Manhattan, writing for publications like the Wall Street Journal and Vogue, further shaped her design philosophy and provided opportunities, including decorating Graydon Carter's restaurant, The Waverley Inn, annually. Upon returning to London, Konig established a design studio, expanding her portfolio with high-profile British projects such as Argyll House in Chelsea and several rooms at Bolton Abbey. Notably, over half of her current work is based in the USA, with significant projects in California, including a collaboration with architect Gil Schafer and the San Vicente Bungalows, considerably elevating her international profile. These projects exemplify her eclectic style, which blends diverse pieces and embraces a layering approach to interior spaces. Konig is known for her generosity in sharing knowledge, notably through online video courses with Create Academy, which gained popularity during the lockdown period. Her participation in WOW!house, an annual showcase of interior design talent, and collaborations with brands like Schumacher, The Lacquer Company, and Oficina Inglesa demonstrate her influence and reach within the design industry. She effectively demystifies interior design, breaking down the process into three core stages: spatial planning, layering pattern and color, and finally, decorating with a multitude of objects and pictures. Konig asserts that the final stage, incorporating objects, is the most crucial for bringing a space to life, emphasizing that without it, a room can feel like a mere showroom. Her philosophy stresses the importance of distinctive pieces, particularly in an era where design trends are quickly disseminated online. This leads her to prioritize antique dealers for sourcing unique items. Konig believes that the most meaningful interiors are those filled with personal belongings—heirlooms, travel souvenirs, and market finds—that tell a story and create a unique atmosphere. She also highlights the increasing significance of bespoke elements in her projects, ensuring originality that cannot be replicated through mass-produced items. Konig's own west London home serves as a testament to her design principles, showcasing a masterful blend of old and new, formal and relaxed, and serious with witty elements. By combining three apartments, she has created a cohesive yet richly layered environment featuring custom furniture, vibrant fabrics, contemporary art, and an abundance of curated objects. This approach, while potentially chaotic in less skilled hands, results in a space that exudes comfort and joyful coherence, embodying her belief in celebrating "stuff" to create truly personal and distinctive interiors. #InteriorDesign #RitaKonig #HomeDecor #DesignPhilosophy #EclecticStyle #JournalismToDesign #OnlineCourses #DesignProjects #SourcingAntiques