Interiors | A tale of two countries

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

Joy Williams, an interior designer, recently undertook a hallway makeover for the Adler on the Park showhouse in Chicago, demonstrating that even small spaces can be transformed into engaging and vibrant areas. The original hallway was a mere pass-through with gray walls and light wood flooring, lacking character. Williams aimed to create a space that would encourage residents to pause and interact, rather than simply moving through. The Adler on the Park showhouse is housed within a landmark building, a set of four row homes constructed between 1915 and 1917, designed by David Adler and Henry Dangler. The building underwent a comprehensive renovation and partial restoration, allowing designers creative freedom while respecting its historical integrity. Williams embraced a global theme, intricately weaving together elements from West African and Asian design traditions. Her inspiration for the space was deeply personal, drawing from Chicago's diverse immigrant neighborhoods, the captivating cherry blossom season she experienced in Kyoto, Japan, and her appreciation for West African architectural design and structure. This diverse palette of influences culminated in a unique and inviting entrance hall. Williams' transformation of the hallway was extensive, moving beyond the existing flooring and a black unit door. She introduced bold color to the walls using bright pink and red paints from Sherwin-Williams, complemented by a pink patterned wallpaper by Thibaut. A focal point was established at the end of the hall, where she designed a white and gold credenza. This credenza, adorned with brass urns, palms, a statue, and custom art by a local artist, was inspired by her travels through Morocco. The renovated foyer now functions as an inspiring passage, guiding residents to their respective units. Its welcoming and homey ambiance is intended to enhance the residents' experience, encouraging them to linger and enjoy the entrance hall rather than treating it solely as a transitional space. Williams also shared insights into the project's challenges and budget allocation. She mentioned that varying ceiling heights necessitated a change in lighting fixtures, leading to the substitution of a chandelier with a wall sconce from Hubbardton Forge, a change that ultimately integrated seamlessly into the design. The majority of the budget was allocated to artwork and furniture, including the custom rift-sawn oak credenza painted in Benjamin Moore bright white and gold. Cost-saving measures included purchasing plants from Home Depot, which offered a good selection. Williams' favorite aspects of the completed space are the vibrant color combination and the original artwork. #InteriorDesign #HomeDecor #HallwayMakeover #GlobalDesign #WestAfricanDesign #AsianDesign #ColorPalette #Showhouse #ChicagoDesign

This article explores the most popular countries influencing interior design trends in 2022, based on research conducted by Secret Linen Store. The study cross-referenced social media data, including TikTok views, Instagram hashtags, Google searches, and Pinterest boards, related to the interior design of over 150 countries to identify global trends. The research aims to provide insight for individuals seeking inspiration for their home decor. The top ten countries identified as significant trendsetters are: Japan, France, Denmark, Brazil, Mexico, California (as a distinct region), Australia, Malaysia, Morocco, and Sweden. Japanese interior design emerged as the leading influence, driven by its principles of minimalism, simplicity, and organic silhouettes. Japanese homes emphasize balance between indoor and outdoor spaces, incorporating neutral colors and natural materials to foster serenity. The design philosophy avoids 'noisy' elements in favor of pared-back spaces, understated color palettes, wooden furniture, and abundant natural light. Order and organization are also key, with a preference for clutter-free environments over overly decorative elements. French interiors, ranking second, are characterized by an eclectic style that blends bold decor with rustic farmhouse aesthetics. This approach encourages a playful use of color and a highly personalized decorating philosophy. The essence of French interiors lies in mixing and matching diverse pieces, such as antique furniture with modern art or flea market finds, creating a unique and lived-in feel. This style celebrates individuality and the integration of items with personal history. Danish interiors secured the third spot, primarily due to their emphasis on functionality, simplicity, and efficient use of space. Rooted in the Scandinavian concept of hygge, Danish design promotes a welcoming and cozy atmosphere, ideal for relaxed entertaining and home life. Key features include streamlined shapes, simple designs that ensure timeless quality, and a significant use of wooden furniture. Rustic textures and neutral tones form the foundation, allowing for personalization with bolder decorative accents and colors. The research highlights a contrast in inspirational styles, with the vibrant patterns of Morocco and Mexico also making a notable appearance in the top ten, alongside the more subdued aesthetics of the top three. #InteriorDesignTrends #GlobalInfluence #JapaneseDesign #FrenchInteriors #DanishDesign #HomeDecor #Minimalism #EclecticStyle #Hygge

The article explores the transitional design style, which combines traditional and contemporary elements, in the context of the Pakistani Ambassador's residence. This eclectic approach to design is gaining popularity in residential and commercial spaces. The residence, built in 2007 as part of the Pakistani embassy complex, was designed by Indonesian architect Adhitya Sasongko in consultation with Pakistani architects. The house is an L-shaped, two-story structure connected to the embassy. The architectural inspiration for the residence draws from Islamic architecture, featuring mosaic-tiled round domes and geometrical patterns reminiscent of the Mughal era. A prominent round dome silhouette adorns the entrance facade. The interior's modern aesthetic is achieved through a beige and white color palette, which contributes to a bright ambiance. The layout centers around a large sitting area, which leads to a high-ceiling dining room and a guest room. The sitting area is conceptually divided into three islands and benefits from abundant natural light provided by a skylight. This space exemplifies the transitional eclectic interior style, showcasing a mix of Pakistani fine artworks alongside Indonesian and oriental-themed decorative items. Ambassador Mohammad Aqil Nadeem and Madame Tahsina Aqil, who host many social functions in the residence, have a significant influence on the interior. Madame Tahsina Aqil, with a background in art and an interest in interior design, personally undertook the interior decoration of the house, incorporating suggestions from her husband. She describes her decorating style as transitional eclectic but appreciates other styles like minimalist and modern designs. Her approach prioritizes comfort and visual appeal for occupants, ensuring ample space for movement within the house. The couple are art collectors, and many of the artworks displayed in the residence reflect the social, cultural, and political history of Pakistan. Notable pieces include a canvas print by the renowned artist Sadequain, known for his murals and calligraphy, and two pen-and-ink sketches by Pakistani painter Abrar. These art pieces contribute to a harmonious contrast within the home. For the Ambassador and Madame Aqil, successful home design balances comfort, elegance, and style. They carry meaningful decorative items, such as handmade Pakistani rugs, paintings by famous Pakistani artists, and pieces representing their heritage, as they move between diplomatic postings. The transitional eclectic design of the residence provides a distinctive and original character, proving practical for their diplomatic lifestyle, which requires frequent relocations. Madame Tahsina highlights how this style allows her to integrate furniture acquired from previous occupants, efficiently addressing the challenges of furnishing a new residence every three years. The design philosophy embraces versatility and adaptation, making it suitable for a transient yet distinguished diplomatic life. #TransitionalStyle #PakistaniResidence #InteriorDesign #IslamicArchitecture #EclecticDesign #ArtCollection #DiplomaticResidence #HomeDecor #ArchitecturalDesign

The world is home to an incredible array of diverse buildings, with some standing out for their vibrant hues. This article explores 38 of the most colourful homes across the globe, showcasing how cultural, architectural, and social circumstances contribute to their striking appearances. From candy-striped huts in Portugal to hillside neighbourhoods in Mexico transformed with murals, these properties demonstrate that personality can be expressed boldly on the exterior of a home, not just within its interiors. Key examples include Zhengbin Fishing Port in Keelung, Taiwan, where 16 vibrantly-hued houses line the river bank, and Rainbow Row in Oklahoma City, USA, featuring six three-storey, candy-coloured homes designed by architect Sam Day. Indonesia's Kalisari Rainbow Village, or Kampung Pelangi, received a government-funded glow-up in 2017 to attract tourists, transforming buildings and bridges into multi-coloured murals. In New York, USA, artist Katwise and her partner transformed a rundown farm into a psychedelic wonderland with every colour imaginable, funding their renovations by making patchwork coats from old sweaters. The Bo-Kaap neighbourhood in Cape Town, South Africa, is known for its brightly painted houses, a tradition that began when freed enslaved people painted their homes in celebration after being allowed to purchase them. Jodhpur, India, is nicknamed the 'Blue City' due to its many blue homes, a colour believed to help keep interiors cool and deter termites. Italy’s Cinque Terre region features vividly decorated houses cascading down steep hillsides, where fishermen reportedly painted their homes in bright tones to spot them from sea. Las Palmitas in Pachuca, Mexico, saw a community project by the 'German Crew' transform a downtrodden area into a living art mural with rainbow-hued homes. Yves Saint Laurent’s Villa Oasis in Marrakesh, Morocco, is a vivid celebration of colour, Art Deco, and Moorish design. Poznań, Poland’s Old Market Square boasts Renaissance-style merchant houses, each unique with mismatched colours and patterns, rebuilt after World War II. Venezuela features old, traditional houses resembling abstract paintings, with strong colour pairings and bold lines. In Pattaya, Thailand, the Xanadu Beach Resort showcases elaborately painted accommodations. Burano, Italy, one of Venice's islands, is known for its rainbow-painted homes, a tradition thought to help fishermen locate their houses in the fog. Valparaíso, Chile, has houses painted with leftover ship paints, creating a vibrant, colourful town. Vienna, Austria, features the Hundertwasserhaus, an unusual apartment building designed by artist Friedensreich Hundertwasser, with an art-like quality and colourful exterior. Portland, Oregon’s Nob Hill neighbourhood is filled with historic Victorian and Craftsman homes painted in pretty hues. Singapore's Little India district is home to many bold structures, including a multicoloured, century-old Chinese villa. Ilulissat, Greenland, features brightly painted buildings where colours historically indicated function, and now serve as decoration. Guatapé, Colombia, is dubbed the world's most colourful town, with everything from doorways to balconies painted in eye-catching colours. London’s Primrose Hill and Notting Hill boast pastel-hued and brightly coloured terraced houses, respectively, with trends starting in the 1960s. Muizenberg, South Africa, has colourful bathing boxes along its beach. Caminito in Buenos Aires, Argentina, is a street museum revitalized by artist Benito Quinquela Martín, featuring brightly hued houses. Varanasi, India, has chaotically structured, radiant houses on the Ganges, with colours reflecting Hindu symbolism. Tenerife, Spain, shows coastal houses painted in bold colours, likely to help fishermen see them from afar. Bristol, UK, is known for its vibrant buildings, with theories ranging from sailors' navigation aids to a mayor's influence. Innsbruck, Austria, features buildings painted in every imaginable shade against its mountain scenery. Stockholm, Sweden’s Stortorget public square showcases Renaissance-style buildings with uniquely painted façades. Getsemani in Cartagena, Colombia, highlights colourful colonial homes, reflecting its diverse cultural history. Diessenhofen, Switzerland, has adorable painted houses in its main street, thought to welcome visitors. Stykkisholmur, Iceland, and St. John's, Canada, feature unique, bright structures, with traditions rooted in individual expression and making homes visible in fog, respectively. Lüderitz, Namibia, displays colourful Art Nouveau buildings in a Bavarian style, a relic of its German colonial past. Finally, Istanbul, Turkey’s Balat district is recognized for its vibrant, historic wooden homes, and Costa Nova, Portugal, is famous for its candy-striped huts, originally built to shelter fishermen and later painted to attract tourists. #ColorfulHomes #Architecture #GlobalDesign #HomeExterior #TravelInspiration #CulturalHeritage #UrbanArt #VibrantCities #CoastalHomes

This article explores a collection of the world's most impressive and visually stunning ceilings, highlighting the architectural and artistic mastery involved in their creation across various cultures and historical periods. It begins with the Abdulaziz Khan Madrassah in Uzbekistan, setting the stage for a journey through diverse examples of ceiling art. The Topkapi Palace Museum in Istanbul, Turkey, showcases elaborate decorative ceilings, particularly within its exquisitely tiled harem, reflecting Ottoman grandeur from the 15th century. In Florence, Italy, the Duomo features Giorgio Vasari's frescoes of the Last Judgement, completed by Federico Zuccari, filling the interior of Brunelleschi's mighty cupola and offering divine views from above. Moving to modern artistry, The Bellagio in Las Vegas, USA, features Dale Chihuly's "Fiori di Como," an installation of over 2,000 hand-blown glass flowers inspired by Italian meadows, blooming above the hotel's lobby. The Galeries Lafayette Paris Haussmann in France boasts a striking Art Nouveau dome built in 1912 by Jacques Gruber, featuring Neo-Byzantine stained glass windows. In New York, USA, the Westfield World Trade Center's Oculus, designed by Santiago Calatrava, creates a light-filled central space, with a skylight designed to align with the sun every September 11th. York Minster in the UK presents an incredible feat of medieval engineering with the elaborate ribbed wooden roof of its Chapter House, alongside its renowned stained glass. El Capitan Theatre in Los Angeles, USA, a restored movie palace from 1926, features a grand gold-metal leaf proscenium ceiling in its East Indian auditorium, now operated by the Walt Disney Company. The early 17th-century Blue Mosque in Istanbul, Turkey, impresses with its fine blue İznik tiles and dazzling stained glass in its semi-domes and central domes. Rome, Italy, is home to The Pantheon, a colossal and ancient dome constructed in AD 125 by Emperor Hadrian, notable as the largest unreinforced concrete dome globally, featuring a central oculus. Melbourne, Australia's 333 Collins building reveals a stunning entrance hall within an old banking chamber, featuring an octagonal dome and barrel-vaulted ceiling. The Vatican Museum's Gallery of Maps in Vatican City displays exquisite painted topographical maps with frescoes illustrating stories from the depicted lands. In Chicago, USA, the Chicago Cultural Centre houses the world's largest Tiffany glass dome, a 38-foot diameter masterpiece made of 30,000 pieces of glass. Ottawa, Canada's Notre-Dame Cathedral Basilica, built in the 1840s, features heavenly indigo-coloured vaulted ceilings adorned with golden stars. St. Stephen's Basilica in Budapest, Hungary, showcases a gleaming dome with frescoes and gold gilding illuminated by natural light. Stockholm, Sweden's Stadion station in its subway system is famed for a glorious rainbow painted across its blue, cave-like walls. The Alhambra in Granada, Spain, particularly the Hall of the Two Sisters, exhibits intricate mocarabe or stalactite work on its ethereal ceiling. Beijing, China's Temple of Heaven, specifically the Hall of Prayer for Good Harvests, features an astonishing central dome with nine golden dragons carved into its roof. Siena Cathedral in Italy boasts the extravagant Piccolomini Library, adorned with gold, red, and blue rectangular ceilings and frescoes by Pinturicchio. London, UK, has the Andaz London Liverpool Street, housing a Grade II-listed Freemasons temple with an incredible blue-domed ceiling and gold zodiac detail. Antoni Gaudi’s Sagrada Familia in Barcelona, Spain, an unfinished masterpiece, presents a dizzying, forest-like design of vast ceiling vaults that appear as branching trees. Rotterdam, Netherlands, hosts Markthal, featuring "Cornucopia," a gigantic and vibrant ceiling mural by Arno Coenen and Iris Roskam. San Diego International Airport, California, USA, showcases Jim Campbell's "The Journey," an undulating 700-foot-long ribbon of light made from 38,000 LED pendant lights. Bucharest, Romania's historic Romanian Athenaeum features a detailed fresco circling its huge dome, depicting scenes from Romanian history. The Abdulaziz Khan Madrassah in Bukhara, Uzbekistan, is celebrated for its highly decorative facade and porch with beautiful blue, yellow, turquoise, pink, and green tiles. Vienna, Austria's Austrian National Library, the State Hall of the biggest baroque library, is crowned by a splendid baroque dome adorned with frescoes by Daniel Gran. The British Museum in London, UK, features the vast glass and steel roof of the Queen Elizabeth II Great Court, designed by Foster and Partners, along with the illustrious 19th-century Reading Room's elegant dome. Grand Central Station in New York, USA, is known for its glorious teal-colored astronomical ceiling, complete with golden constellation signs and a historical patch showing grime accumulation. Prague, Czechia's National Museum of Prague, a colossal Neo-Renaissance structure, is adorned with elaborate ceiling frescoes in its entrance hall. Isfahan, Iran's Chehel Sotoun Palace, a 17th-century pleasure pavilion, features walls and arched ceilings awash with gold, mirrors, and frescoes. Valletta, Malta's St. John's Co-Cathedral, a 16th-century church, showcases opulent walls and ceilings with intricate carvings, gold gilding, and grandiose paintings, including a rare Caravaggio. Finally, the Sistine Chapel in Vatican City, home to Michelangelo's masterpiece, is probably the most famous painted ceiling in the world, stunning in its beauty and symbolism. The Hall of Mirrors in the Palace of Versailles, France, is lined with 357 mirrors and emblazoned with epic paintings by Charles le Brun across its vaulted roof, showcasing the might of France. The article collectively demonstrates the global diversity and historical significance of ceiling art and architecture, urging viewers to look up and appreciate these often-overlooked wonders. It provides a global tour of architectural and artistic marvels, emphasizing the intricate details and stories embedded in these elevated canvases. #ArchitecturalWonders #CeilingArt #GlobalTravel #HistoricalLandmarks #InteriorDesign #ArtHistory #CulturalHeritage #EuropeanArchitecture #AsianArchitecture

This article details how California-based designer Grace Lee-Lim transformed a large, open living room into three distinct functional areas without structural changes, addressing the client's need for a home office and two separate seating zones. The clients, a couple with a 3-year-old daughter, had recently moved into a new build with a 560-square-foot living room and initially expressed skepticism about fitting so much furniture. Lee-Lim overcame this by presenting multiple floor plans, ultimately gaining the clients' trust and full creative control over the project. The design strategy revolved around the strategic placement of furniture and specific design elements. Lee-Lim created a formal seating arrangement near the windows for quiet mornings, featuring swivel chairs to enjoy the outdoor view, a large coffee table for grounding the space, and wood stools for additional seating. A second lounge area was established near the fireplace, sectioned off by a cane room divider and furnished with a curved sectional and a circular table, fostering a cozy atmosphere for family gatherings. The third space was a home office, incorporating bookcases and desks. Lee-Lim's design aesthetic, which she describes as a blend of modern and Asian American styles, was a key factor in the client's choice. She intentionally moved away from stereotypical "oriental" designs, instead embracing a "Korean cool" look that integrates organic materials and earthy, neutral tones into simplified designs. Traditional Asian touches were woven throughout the space, such as bamboo seokjak (basket-like Korean bento boxes) and minhwa (folk paintings), which are displayed on shelves and in the office. This approach resonated deeply with the Korean American clients, who desired a space that reflected their heritage in an updated manner, reminiscent of their grandparents' California home filled with Korean artifacts and traditions. The color palette played a significant role in achieving the desired ambiance and heritage connection. The design started with Milton and King’s Cranes wallpaper, initially considered for an accent wall but ultimately used above the mantel to avoid overwhelming the space. The Midori colorway's green hue evoked a nostalgic feeling for the client, leading Lee-Lim to paint the room in a similar shade, Palmer Green by Benjamin Moore. This green is prevalent in Korean art and carries a warm, non-blue tone. Furthermore, an orange square in one of the rugs was described by the client as persimmon, a Korean national fruit, reinforcing the natural palette that seamlessly tied the room together. Additional elements were carefully selected to honor the clients' heritage. An onggi, a clay storage vessel for kimchi, serves as a decorative piece on the coffee table. Woven wood is featured in the cane divider and a sokuri basket from Damyang. Mandarin ducks, symbols of fidelity and beloved by the daughter, are depicted on a vintage silk screen and a porcelain sculpture on the bookcase. Through these thoughtful choices in paint, decor, and art, Lee-Lim successfully blended traditional Asian influences with modern design, creating a space that tells a beautiful story of cultural heritage and contemporary living. #InteriorDesign #HomeDecor #LivingRoomDesign #SpacePlanning #AsianAmericanDesign #ModernDesign #CulturalHeritage #FurnitureArrangement

This article explores six distinct homes that successfully merge traditional interior design elements with modern aesthetics, demonstrating that these seemingly contrasting styles can coexist harmoniously. It challenges the notion that traditional decor must be antiquated or stuffy, instead showcasing how it can be integrated with contemporary sensibilities to create unique and comforting spaces. The first example is a historic Tudor-inspired house in Austin, Texas, owned by Carrie and Robert Hicks. Interior designer Carrie Hicks, along with architect Paul Lamb, preserved the home's 1926 charm while incorporating a modern, Mies van der Rohe-inspired steel and glass addition. The dining room, in particular, features an eclectic mix of furniture and art from various eras, including a Collection Particulière asymmetrical dining table, Rose Uniacke Hoof tables, Faye Toogood sconces, and an Ultrafragola mirror by Ettore Sottsass, alongside works by Berndnaut Smilde and Victor Vasarely. This project exemplifies the challenge of blending opposites to create a cohesive design. Next, the article highlights Ashley Stark Kenner's transformed 19th-century Upper East Side town house in New York. Initially intended as a minor fix-up, the project evolved into a gut renovation led by Lichten Architects. Only the façade remained, with significant structural changes including basement excavation, a new top floor, and terraces. Kenner, drawing on her extensive design background, guided the aesthetic towards a 'laid-back, organic, beachy, a little bit French' style. The living room features 1957 Pierre Jeanneret chairs, a custom sofa, a Kelvin LaVerne cocktail table, and artworks by Julian Schnabel, Brent Wadden, and Damien Hirst, illustrating a fresh take on a historic abode. A Park Avenue apartment owned by West Coast transplants showcases how California breeziness can be integrated into traditional New York decor. Designer Young Huh achieved this by using a light, bright, and airy palette of peaches, creams, and rose shades. She incorporated traditional elements like wainscoting and crown molding into the new-build high-rise, creating architectural interest. The formal living room, designed for entertaining, features a custom pomegranate-patterned rug, Art Deco Dedar-upholstered Bergère chairs, a vintage Murano chandelier, and an ancient Greek terra-cotta Aphrodite statue, blending different eras and styles effectively. Matthew Bees' Charleston apartment exemplifies a 'nouveau traditionalist' approach, characterized by a love for formal interiors infused with bold colors, varied textures, and unexpected decor choices. Notable features include a zebra rug, a flamboyant Louis Philippe bed crown, and a statue of Narcissus. Bees' aesthetic is described as 'meaningful and layered,' combining a serious collection of English antiques with playful elements like dark foyers opening to airy living spaces and the prominent use of green and yellow hues, reflecting his connection to nature and his personality. Finally, a New Jersey colonial home designed by Fawn Galli is presented as a 'funky traditional' space. Galli collaborated closely with the homeowners to understand their collective tastes, encouraging them to create a Pinterest board and observing their clothing styles. Her intuitive approach led to a home office with musical instruments, a swing chair-appointed bedroom, and an eclectic blend of vintage and modern elements with vibrant prints and textures throughout. The exterior's charming all-white facade belies the layered and dynamic interior compositions, where things have a 'weird sparkle' and traditional elements are 'jazzed up.' These examples collectively demonstrate the versatility and appeal of mixing traditional and modern design principles to create personalized and inviting living spaces. #TraditionalDesign #ModernInteriors #HomeDesign #EclecticDecor #InteriorStyling #ArchitecturalRenovation #HomeDecor #DesignFusion #ResidentialArchitecture

Chinoiserie, a decorative design style characterized by motifs borrowed from Asian visual culture, has been a significant element in Western interior design since the 17th century. Historically, it emerged from burgeoning trade routes between China and Western Europe, leading to a European fascination with authentic Chinese goods. This fascination gradually spurred the creation of 'inspired-by' styles, culminating in chinoiserie, which adorned everything from palaces like Louis XIV’s Trianon de Porcelaine to furniture by Thomas Chippendale. The term 'chinoiserie' itself, coined in 19th-century French culture, directly translates to 'Chinese-esque' or 'Chinese-ish,' inherently implying an approximation rather than an authentic representation. Today, chinoiserie is experiencing a resurgence, particularly within 'grand-millennial' aesthetics on platforms like Instagram, with mass-produced items available from various retailers and high-end reproductions from firms such as Gracie and De Gournay. These contemporary manifestations often feature East Asian-inflected floral patterns and scenic landscapes, sometimes marketed under 'exotic' collections. However, the article raises critical questions about the seemingly benign nature of chinoiserie, particularly from the perspective of Asian Americans in the design industry. Critics argue that chinoiserie is often a mere 'facsimile' of Asian culture, serving as a Western construct based on superficial perceptions rather than genuine cultural appreciation. The deployment of chinoiserie in interiors prompts questions about whose traditions are being honored, with the decorative objects becoming tacit endorsements of labor and culture, and reflecting the taste of their owners. Scholars like Iris Moon note that while there was a genuine fascination with other cultures in the West, the imagery of chinoiserie can be destructive and troubling. She points to examples like the 1755 porcelain piece 'Chinese Musicians,' which, despite its craftsmanship, depicts slant-eyed Chinese figures in a subservient decorative arrangement, drawing parallels to blackamoor motifs. Dung Ngo, founder of August Editions, asserts that chinoiserie has little to do with actual Asian culture, comparing it to 'chop suey'—a Western invention based on limited perceptions of Asian culture. Interior designers like Jean Liu and Young Huh acknowledge the loaded nature of chinoiserie. Liu views it as a historical artifact that requires understanding its context and a responsibility to promote culture with sensitivity. Huh emphasizes the power dynamics inherent in cultural appropriation, distinguishing between admiration and purchase between equals versus replication from a position of power. She questions the nostalgia associated with chinoiserie, asking 'who and what is it nostalgic for?' Cultural insensitivities associated with chinoiserie range from derogatory terms like 'coolie' used for lampshade designs to appropriated caricatures in _mah-jongg_ sets. The underlying issue is often a lack of genuine interest in the history behind the aesthetic, leading to ignorance and unintended harm. Industrial designer Amanda Huynh highlights how chinoiserie reduces complex cultures to mere motifs, contrasting it with the comprehensive historical narratives associated with European design. She questions why something becomes valued only when filtered through a white European lens, arguing that chinoiserie romanticizes a time without acknowledging the struggles and joys of the cultures it borrows from. Design curator Aric Chen suggests that while historical appropriation might have been attributed to naive ignorance, such sugarcoating of history should be reconsidered. He notes that not all designers acted with racist intent but often with an element of exoticization. The article concludes by calling for a new discourse in the design industry, advocating for a self-conscious examination of meaning and origin. Designers like Robert Sukrachand argue that chinoiserie can marginalize contemporary Chinese and Asian design. The author urges marketers, retailers, and magazine editors to steer conversations around cultural appropriation responsibly, ensuring diversity and inclusion in decision-making. The piece underscores the need for designers to inform clients about the ramifications of using problematic pieces and for a broader societal shift towards welcoming all perspectives, especially in light of increased anti-Asian prejudice. Ultimately, design should be a vehicle for connection, done with care and respect. #Chinoiserie #DesignHistory #CulturalAppropriation #InteriorDesign #AsianAmericanPerspective #DecorativeArts #Colonialism #EurocentricDesign #DesignEthics

Dana Arbib, the designer behind the brand A Peace Treaty, has established a New York headquarters that serves as a physical embodiment of her globally-inspired aesthetic. After completing a two-year residency in the CFDA Incubator, which provided office space in Midtown Manhattan, Arbib sought a more distinctive environment for her brand. Her search led her to a pre-war building on cobblestoned Lispenard Street in Tribeca. The studio space was chosen for its blend of modern and rustic elements, a departure from the corporate office settings Arbib wished to avoid, thus preserving her creative freedom. A significant draw of the Tribeca studio was its existing floor-to-ceiling shelving and a functional rolling library ladder. These features proved ideal for displaying the myriad of objects Arbib collects during her extensive travels. Her journeys take her to diverse locations, from Pakistan to Peru and Turkey, where she sources textiles, learns traditional production techniques, and acquires unique baubles. The displayed artifacts include handwoven bags and accessories procured from an artisan market in Cuba, a custom-designed leather trunk from India, and a train case from London, now repurposed for transporting jewelry. The studio's decor also incorporates family heirlooms, such as a collection of masks from South Africa and Namibia dating back to the late 1970s, a piece of art by Israeli artist Michael Argov, and an Egyptian tomb statue. The design of the studio was not merely an accumulation of these global finds but was directly influenced by A Peace Treaty’s Resort 2017 collection. This collection drew inspiration from the rich legacy of woven African art, featuring crocheted caftans, scarves, and intricately embroidered textiles. This thematic connection is evident throughout the workspace, with numerous pieces from Africa, including baskets and handmade crafts, integrated into the decor. Most of the baskets in the studio are from Rwanda, with the exception of a leather-handled bolga basket crafted in Ghana. Arbib emphasizes that these elements celebrate traditional handmade techniques, a core value reflected in both the brand's collections and its workspace. The studio, therefore, functions not only as a functional workspace but also as a curated showcase of global artistry and Arbib's personal narrative of travel and cultural appreciation, offering an alternative to mass-produced decor. #HomeDesign #InteriorDesign #GlobalInspiration #TribecaStudio #DanaArbib #APeaceTreaty #TextileArt #CulturalDecor

This blog post details the interior design journey of a Kazakhstan apartment, designed by Aisha Adilshiyeva of IDA Design Mates. The project began with the client contacting Adilshiyeva via Instagram a year before acquiring the apartment, demonstrating a strong preference for her design aesthetic. The client eventually secured a property with extensive panoramic windows overlooking the Ishim River in Astana, which became a central inspiration for the interior's serene, shimmering palette. The design seamlessly blends contemporary elements with cultural and custom references. Initially, the apartment's architecture was almost perfect, save for a large load-bearing column near the entrance. To integrate this structural element fluidly, Adilshiyeva's team, including designers Moldir Samat and Zhanbota Aitaliyeva, conceived two arches leading into the living room. These indoor arches facilitate elegant transitions while preserving the open and airy ambiance. The living space incorporates warm woods and soft pastel colors to create a cozy and tranquil atmosphere. A significant focal point in the living room is a fireplace framed within arched molding. Adilshiyeva collaborated with mosaic artist Art Oskolok to create a custom surround featuring blue buntings and blooming poppies, designs inspired by local culture. This intricate mosaic, requiring over 100 hours of handcrafting, transformed the fireplace into a unique and meaningful artistic piece within the home. The overall material palette harmoniously combines hard and soft elements, such as wood, marble, plaster, and metals. The cool metallic accents are intentionally used to echo the shimmering reflections of the Ishim River visible from the apartment's panoramic windows. This design choice visually links the interior space with the natural environment outside, creating a sense of continuity. The entryway is treated as an extension of the light-filled living area, featuring statement pieces like the Vitra Wiggle Chair and the Ferm Living Oyster wall lamp. These are strategically placed near a wall clad in aged mirrors, which subtly reflect the living room and its panoramic view, enhancing the sense of openness. The entry hallway also serves as a connector to the bedrooms, where light fixtures of varying diameters connected by a thin plaster thread create a dynamic and sophisticated lighting scheme. The bedrooms offer a serene environment, and the main bathroom was expanded to create a suite-like experience. Walls are softened with decorative plaster, mimicking a suede-like effect, to promote tranquility. The dressing room elevates the elegance with harmonized elements such as cabinet fronts, a plaster-like wall sconce from Visual Comfort, bold marble, and a mirror. In the shower room, bespoke marble cladding, meticulously cut in four neutral tones, creates a luxurious yet calm space. The client reportedly finds the bathroom and shower to be her favorite places for relaxation. Personalization is evident throughout the home, extending beyond the riverside inspiration. Adilshiyeva incorporated custom, intentionally asymmetrical architectural molding with geometric and floral patterns on walls and ceilings, showcasing originality and avoiding repetition. The family's Kazakh heritage is subtly integrated, particularly in the living room, where a cabinet designed to hide the television features accordion doors hand-carved with a Shanyrak, a national symbol of family. These cultural references ground the contemporary design with deeper roots, fostering an eclectic and personal spirit. #InteriorDesign #KazakhstanApartment #EclecticStyle #RiversideHome #CustomDesign #CulturalMotifs #ModernInteriors #ArchDesign #MosaicArt #LightingDesign #BathroomDesign

This article presents a curated lookbook showcasing eight distinct home interiors that intentionally feature exposed services such as wires, cables, ducts, and plumbing as a prominent design element. The trend of stripping back interior finishes to reveal the functional infrastructure of a building contributes to an industrial and often unfinished aesthetic, which is highlighted through various projects spanning different geographical locations and design approaches. The featured homes demonstrate diverse interpretations of this design philosophy. For example, the Gale Apartment in Brazil, renovated by Memola Estudio, reveals the concrete structure, piping, wiring, and ductwork, counterbalancing this raw aesthetic with warm, earthy-toned furniture and contemporary art. In Paris, Ariel Claudet's Shakers Studio ingeniously integrates copper pipes not only to conceal electrical cables but also to serve as a hanging rail, drawing inspiration from traditional Shaker peg rails within a 17th-century building. Another Brazilian project, the RF Apartment by SuperLimão, situated in a 1958 modernist building in São Paulo, features exposed pipes painted in a pale blue-green hue to align with the building's original period. The design further incorporates a burnt pink ceiling and peeled-back entryways exposing plaster and brick, enhancing the building's historical character while embracing its utilitarian elements. Auba Studio's NZ10 Apartment in Spain, a conversion of a former bakery in Palma, capitalizes on the building's original structure by exposing high ceilings, bare walls, and ductwork. A stainless steel kitchen island complements the industrial feel established by the visible services. In Barcelona, Takk's 10K House, a 50-square-meter apartment, leaves water pipes and electrical fittings exposed to facilitate free passage between nested rooms and to minimize material costs, emphasizing functionality and efficiency. Wenink Holtkamp Architecten's De Lakfabriek apartments in the Netherlands, a conversion of a 20th-century factory, preserve the industrial essence of the original building. These open-plan apartments feature visible raw concrete, metal ductwork, and wiring, creating a cohesive industrial aesthetic. Similarly, Ab Rogers Design's Fishmarket in Japan, an artist's studio and residence, strips the interior back to its industrial shell. Fluorescent rotating partition walls are introduced, offering vibrant color contrasts against the grey concrete and exposed metal pipework. Lastly, Studio McW's Earthrise Studio in London, transformed from a warehouse, celebrates the building's original features by exposing existing services, which contribute to an industrial look. Redundant overhead services were removed to increase ceiling height, and custom oak joinery was added to introduce warmth, demonstrating a balance between raw industrialism and refined elements. These examples collectively illustrate how exposed services can be purposefully integrated into home interiors, creating unique, characterful spaces that blend industrial aesthetics with contemporary living. #HomeInteriors #ExposedServices #IndustrialDesign #ArchitecturalRenovation #InteriorDesignTrends #BrazilianArchitecture #SpanishArchitecture #DutchArchitecture #JapaneseArchitecture

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors

Moving in with a significant other can be challenging, particularly when differing personal styles need to be reconciled in a shared living space. Designer Megan Hopp's experience in a 750-square-foot New York City apartment with her boyfriend serves as a practical example of successfully blending diverse aesthetic preferences. Hopp's personal style leans towards a blend of Scandinavian and Palm Springs mid-century, while her boyfriend prefers a more traditional mid-century aesthetic reminiscent of the 'Mad Men' era. Their apartment reflects a harmonious compromise, characterized by mid-century influences with bohemian and eclectic accents. The initial challenge for Hopp was adapting her design approach to the apartment's modern and minimalist architecture, which limited the extent of vintage or kitschy elements she could incorporate. Compromise became a key strategy, evident in design choices such as an abstract-printed bed with a sleek silhouette that appealed to both their tastes. The overarching blue color palette also represented a middle ground between her preference for neutral, feminine tones and his fondness for brighter hues. They agreed to each bring a few "no-veto" personal items, like a dresser for Hopp and a sofa for her boyfriend, while collaborating on the selection of all other new furnishings. The apartment's decor combines pieces from major retailers like Article, Blu Dot, and Target with unique finds from flea markets and thrift stores, reflecting Hopp's enthusiasm for discovering antique items. This blend of old and new elements further contributes to the balanced aesthetic. Thoughtful details, such as a bone-inlaid table and large-scale artwork from India, enhance the space's character without clashing with its contemporary foundation. Hopp consciously avoided an overly glass, chrome, and acrylic aesthetic, opting instead for richer, more substantial pieces that aligned with her style while preserving the clear views from their floor-to-ceiling windows. One notable design feature is the matte black walls in the bedroom, a long-desired element for Hopp that became feasible due to the ample natural light in the modern apartment. This choice demonstrates how modern architectural features can enable bold design decisions. Hopp offers several tips for couples decorating together, including creating a three-tiered list of design preferences (non-negotiables, acceptable items, and beloved items) and using visual aids like mood boards to facilitate agreement on challenging elements, such as area rugs. For renters, Hopp recommends temporary wallpaper as a versatile solution for adding personality without permanent alteration. She suggests using simple lacquered photo ledges and wallpaper to create a faux chair-rail trim, providing a more custom look. Emphasizing the importance of walls and ceilings in rental decor, she advises utilizing wall-mounted fixtures like bedside sconces and floating vanity consoles to maximize space and achieve a custom feel. Custom window treatments, such as bamboo Roman shades, also contribute to a more personalized environment. Addressing small spaces, Hopp highlights the importance of distinguishing between needed and perceived furniture. She recounts how she and her boyfriend opted against a dining table despite having space for a small one, recognizing they wouldn't use it frequently. Practical storage solutions are also crucial, with Hopp recommending multi-functional pieces like a side table that doubles as a cabinet. She also advocates for flexible storage approaches, suggesting that conventional storage locations can be rethought to accommodate various items, including vintage tchotchkes and books in unexpected places like kitchen cabinets. These strategies collectively contribute to creating a functional, stylish, and livable home in a compact urban setting. #HomeDecor #CoupleDecorating #InteriorDesign #SmallSpaceLiving #RentalDecor #DesignCompromise #MidCenturyModern #EclecticStyle #NYCInterior #MeganHopp

Becky and David Anderson, after living in Los Angeles and Boulder, Colorado, decided to create a vibrant and welcoming home in Minneapolis, near Bde Maka Ska, when they relocated in 2020. The couple, known for their hospitality, aimed for a space where guests would feel comfortable and at ease. Their previous homes were centers for family gatherings, birthday parties, and holiday celebrations, a spirit they wished to replicate in their new residence. Starting with minimal possessions, including a significant abstract painting by a friend, the Andersons enlisted designer Victoria Sass to transform their house into a home that reflected their personality and style. A key element of the design was the incorporation of color, drawing inspiration from Becky's profession as an owner of Bluebird Floral Design and the vivid hues of the abstract artwork. Sass also found inspiration in the earthy tones of Heath Ceramics but prioritized the Andersons' kind, generous, and mindful nature as her primary muse, aiming to infuse joy into the design. The house, built in the early 2000s, already possessed a relevant aesthetic with Scandinavian and Japanese influences, evident in the blond woodwork, frosted glass resembling rice paper, and a soaking tub. Sass made a conscious decision to respect and build upon these existing architectural elements rather than mask them. Her approach involved appreciating the home's history, the owners' story, and adding her unique perspective to create an eclectic and interesting design. Specific design choices included addressing a large paneled wall with a Noguchi Akari light sculpture, which provides a soft glow when illuminated at night and allows the space to breathe without excessive adornment. The dining area features curved Crate and Barrel chairs around a bluestone-and-oak table, suitable for games. The original gray stone fireplace was updated by painting it white, enhancing its texture and integrating it into the clean aesthetic, while drawing attention to the warm tones of the seating. In the vaulted living space, the challenge was to create coziness without losing its airiness or the lake views. Sass achieved this with a pair of sofas: one upholstered in a Japanese shibori-inspired fabric and another in tufted green linen. Moroso quilted armchairs completed the grouping, providing visual and tactile diversity that engages occupants with their surroundings and makes the vastness of the space feel secondary. A zero-waste rug from Winsome Goods, made from textile scraps, was hung as a tapestry above the original maple console, adding movement to the tableau. The kitchen was warmed with subtle colors through a deep green ceramic backsplash, soft sage counter stools, and earthy terra-cotta island pendants. The dining room features pink velvet chairs from Blu Dot and a meandering steel chandelier that fosters conversation without obstructing the view of Bde Maka Ska, while FLOR carpet squares define the area. #HomeTours #HomeDecor #InteriorDesign #HomeStyle #ScandinavianDesign #JapaneseDesign #ColorfulInteriors #VictoriaSass #MinneapolisHome

The article showcases the Ramsey Hill Victorian home of Sarah and Zach Olson, built in 1885, located in St. Paul. The Olsons, with their two children Runa (7) and Hans (5), sought to imbue their historically rich residence with a distinct and playful personality, moving away from a conventionally tasteful aesthetic. Sarah Olson emphasized filling their home with objects they genuinely love, fostering an environment that encourages strong reactions from visitors, whether positive or negative. Upon moving in, the Victorian house presented a blank canvas, characterized by white walls, natural oak woodwork, and leaded-glass windows. Recognizing her inclination towards maximalist design, Sarah enlisted the expertise of interior designer Julia Miller of Yond Interiors. Miller's task was to temper Sarah's enthusiastic vision, integrate Zach's specific request for a large, felt-topped game table, and create a cohesive and interesting flow throughout the spaces. The design philosophy adopted by Miller was to harmoniously blend the home's turn-of-the-century heritage with mid-century elements, aiming for a vibe that pays homage to both eras. The vibrant pink wallpaper in the staircase served as a pivotal design element, inspiring a color palette of smoky pastels, browns, blues, and greens. Miller curated an eclectic mix of furnishings and lighting fixtures, which collectively brightened the formal architectural lines of the house. The living room was ingeniously divided into two distinct zones: one dedicated to Zach's strategy gaming and the other designed for Sarah's book club gatherings. The book club area features curvilinear, comfortable sofas and chairs alongside various tables, offering a flexible setting for social interactions. In contrast, the gaming area is anchored by clean cabinetry and elegantly shaped Gubi chairs, which provide a counterpoint to the substantial presence of Zach's game table. Miller highlights the importance of designing spaces that are actively utilized by the residents, underscoring her commitment to incorporating personal passions into the design. She notes that while Zach's game table presented unique design challenges, fulfilling his "heart's desire" was a central and rewarding aspect of the project. This collaboration resulted in a home that not only respects its historical context but also reflects the vibrant personalities and contemporary needs of its inhabitants, demonstrating how heritage and modern living can coalesce into a truly unique and conversation-starting environment. The article also details specific design choices, such as the dusty lavender chosen by Julia Miller for the vestibule, which exhibits shifting hues throughout the day, creating an engaging visual experience. A 1970s travertine table and a Blu Dot leather ottoman provide grounding elements in this narrow entry space. The front door is painted in Benjamin Moore’s Brown Teepee, adding a subtle pink flush that complements the Victorian architecture without overshadowing its intricate details. In the foyer, an exuberant patterned wallpaper, “Proteas’ Dream” by 17 Patterns, was strategically limited to the stairway to prevent an overwhelming effect, while hemp grass cloth from Gregorius Pineo, in a green tone extracted from the wallpaper, adds sophisticated drama. A 1950s-reproduction cone chandelier from 1stDibs maintains a light mood. The custom cabinetry for game storage and an integrated grate concealing the air-conditioning split demonstrate thoughtful functionality. The living room further exemplifies the blend of styles with a curvy sofa from Crate and Barrel, re-covered in a Christopher Farr Cactus Flower fabric, and a marble table with interlocking legs, creating a convivial setting for gatherings. #InteriorDesign #HomeTours #VictorianHome #EclecticStyle #RamseyHill #StPaulHomes #YondInteriors #HistoricRenovation