John Lautner’s modernist landmark Garcia House restored to former ‘rainbow’ glory

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

Designer Rebecca Philipson undertook a significant remodel of a 1990s-built, 5,300-square-foot home in Aurora, Ohio, focusing on transforming the kitchen, great room, and lounge into more open and inviting spaces. The homeowners sought to infuse warmth and an open concept into their residence, a vision Philipson brought to life through a blend of traditional and rustic elements, with distinct French Country influences. Central to the design is the incorporation of Amish hand-hewn ceiling beams and elaborate stonework, which serve as prominent features, particularly in the lounge. This area, designed for relaxation and entertaining, includes a wet bar, a built-in refrigerator, and custom alder cabinetry. The adjacent sunroom houses a pool table, creating a seamless flow for social gatherings and post-dinner interactions. The overall layout was reimagined to foster a sense of togetherness, allowing family and guests to interact comfortably across the connected rooms. Philipson achieved this open concept by strategically removing the wall between the great room and kitchen, then linking the kitchen to the lounge. Archways were introduced to formalize these open transitions. The kitchen underwent the most substantial transformation. Previously walled off, it featured an angled peninsula, an irregularly shaped island, and low-hanging soffits. Philipson replaced these with faux beams to maintain the rustic aesthetic and installed a central island with seating for three. The homeowners' desire for warmth and intricate details was met through design elements such as decorative island legs. Attention to detail extends throughout the kitchen, with intricate touches found in the baseboards, legs, valances, and along the bottom of the island cabinetry. The refrigerator was artfully concealed with cabinet panels and mirrored glass, designed to resemble an armoire rather than an appliance, fulfilling the client's wish for cabinetry that emulated furniture. A built-in coffee maker contributed to a decluttered countertop space. The great room further showcases the sophisticated stonework, with cream-colored stone extending from floor to ceiling around the fireplace. This central feature is flanked by built-in cabinets that mirror the design of the kitchen's concealed refrigerator. Oversized iron hardware on the cabinetry adds a dramatic flair, complementing the multi-tiered iron chandelier, which serves as a focal point. Recessed lighting supplements the chandelier, with all lighting choices made to enhance the room's warm ambiance. The remodel successfully integrated rustic charm with French Country elegance, creating a cohesive and welcoming environment across the main living areas. #HomeRemodel #AuroraHome #FrenchCountryStyle #RusticDesign #KitchenRenovation #GreatRoomDesign #LoungeArea #InteriorDesign #OpenConcept

This article details the thoughtful refurbishment of an early 'Old Hollywood' Spanish mission-style home in Sydney, drawing inspiration from iconic European and American establishments like Chateau Marmont and La Posta Vecchia. The homeowners, having purchased the property sight unseen during the 2021 Covid lockdown, entrusted Sydney-based interior designer Tamsin Johnson with its transformation. The residence, originally built in 1932 by architect F. Glynn Gilling, is one of Sydney’s inaugural Spanish mission-style houses and is situated on a lush, elevated street among similar properties. The owners were drawn to the house's inherent charm, its age, and distinctive features such as arches and multi-paned, wrought-iron windows, viewing it as a manageable renovation project. The renovation aimed to rejuvenate the home while remaining faithful to its architectural heritage, which had been obscured by previous, unsympathetic alterations. Tamsin Johnson’s approach was to infuse the space with a formal yet fresh aesthetic, aligning with the owners' desire for a home that evoked a 'European holiday' feel, characterized by a soft color palette, abundant natural light, and a timeless, classic design. A key initial step involved removing lowered bulkheads to reveal the original ceilings and cornices. New wrought iron-framed windows were installed to echo the original design, and a previously concealed arch in the bar area was reopened, improving the connection to the living space. The decorative rope motif found in the cornices was extended into the new joinery, and strategically placed studded mirrors were used to illuminate darker areas. Externally, landscape designer Paul Bangay was enlisted to reconfigure the courtyard, leveling it for enhanced usability and creating seamless access from the living room through arched doorways. Tamsin Johnson incorporated an outdoor fireplace into the courtyard, facilitating year-round entertaining and complementing the home’s 'cottage-y mood.' The interior designer consciously employed a liberal amount of white, a departure from her usual style, to expand the spaces and enhance light penetration without sacrificing sophistication. The all-white kitchen cabinetry, subtly enhanced by Elba marble accents, integrates fluidly with the adjacent living area, further enlivened by antique oil paintings and brass picture lights. The owners observed that the white palette effectively showcases their furnishings and accessories, making the home feel more spacious, cohesive, and brighter. Tamsin Johnson’s talent for integrating antiques into modern spaces is evident throughout, with pieces like an 18th-century Spanish oak table and 19th-century Italian hand-carved walnut chairs adding elegance to the dining room. Stainless-steel accents, such as a coffee table and a sculptural chair, introduce a contemporary edge, while vintage Murano vases brimming with foliage or roses inject vibrant touches. Noteworthy idiosyncratic details, including an involuto mirror, a bath-side stool with barley twist legs, and Plexiglas side tables in the bar, add character. For Tamsin, the Elba marble-trimmed arches, mirrored walls, and custom joinery are particularly satisfying elements, balancing lightness and substance. The home, despite its European influences, is considered uniquely Sydney, reflecting a harmonious blend of styles. Initially conceived for a couple, the renovation adapted to accommodate a new baby, transforming an upstairs office into a nursery, underscoring the home's adaptability and future-oriented design. #SpanishMissionStyle #OldHollywoodGlamour #HomeRenovation #InteriorDesign #SydneyArchitecture #TamsinJohnson #PaulBangay #AntiquesInDesign

This article details a personal account of a home renovation project, challenging the common perception that renovations are inherently stressful or nightmarish experiences. The author, Alice Stolz, National Managing Editor of Domain and a property expert, recounts her first renovation experience, emphasizing that despite a relatively tight budget and challenging circumstances, she found the process enjoyable and transformative. The initial objective for the renovation was to create a liveable and functional home within the established budget. The planning phase involved extensive discussion and iteration between the author and her husband, a process that, while initially frustrating, ultimately led to compromise and adherence to financial constraints. This period of intense planning and decision-making is presented as a crucial part of the overall positive experience, fostering personal growth and discipline. The renovation proceeded under difficult conditions, including lockdown restrictions and the inherent challenges of updating an old, compromised house. Despite these obstacles, the author expresses a deep appreciation for the demolition and construction phases, finding satisfaction in the physical transformation of the space and the strategic decisions involved in allocating resources—prioritizing essential elements like the kitchen benchtop and quality joinery, and economizing elsewhere. The project became a mental escape during a restrictive period, providing a sense of progress and purpose. A significant aspect of the positive experience was the collaboration with skilled professionals, including an incredible builder and interior design studio. The author highlights her admiration for their ability to envision and create spaces, likening them to magicians. The dedication and craftsmanship of individual tradespeople, such as meticulous tilers, patient painters, and precise joiners, are specifically praised, contributing to the overall satisfaction with the project. Ultimately, the renovation resulted in a home that, while not perfectly flawless with its existing structural quirks, is cherished for its character and history. The article concludes by advocating for embracing these imperfections, contrasting them with a prevalent desire for absolute perfection. The renovation transformed not just the physical space but also the author's perspective, fostering an appreciation for the journey and the unique qualities that make a house a home. #HomeRenovation #InteriorDesign #BudgetRenovation #PropertyDevelopment #HomeImprovement #PersonalExperience #BuildingProcess #DesignChallenges #SkilledTrades

This article details the seven-year restoration project undertaken by Gustavo Antonioni, a former Hollywood executive, to transform an 18th-century nobleman's villa, Masseria Partemio, in Puglia, Italy, into a stylish and soulful home. Antonioni, a cosmopolitan individual born in Argentina to Italian and Greek parents and raised in Mexico, moved to the U.S. in the early 1980s. After falling in love with Puglia's raw beauty during a visit in 2010, he decided to pursue a career change and search for a property in the region. The villa, located in Latiano, was a derelict masseria (agricultural estate) spanning over 40 acres, which had been vacant for nearly five decades and was inhabited by approximately 200 goats when Antonioni first encountered it. The property lacked basic amenities like electricity, heat, and running water, and its structure was in a state of decay, with no foundation, floor tiles, or windows. Despite its dilapidated condition, Antonioni was captivated by the estate's energy and historical significance, noting its unique blend of Spanish, Greek, and Italian architecture. The property, Parts of the Palladian structure date to 1753, when it was built as a hunting lodge, while sections of it, including a Moorish-style tower, were added in the mid-1800s. It was later owned by Benedictine nuns and then a wealthy family. The acquisition process itself was challenging, as the property was not initially for sale and was entangled in family disputes common to historic properties in Puglia. Antonioni finally closed on the property in June 2017. Antonioni, who holds a degree in architecture from Carnegie Mellon and has experience with renovations in London, Miami, and Los Angeles, was drawn to the historical preservation aspect of the project. He collaborated with local architect Maria Formosi, known for her work on churches in southern Puglia, to navigate the region's strict rules for renovating historic buildings. The restoration aimed to integrate ancient elements with contemporary desires, respecting traditional materials and building techniques. For instance, the distinctive Pompeian-red and ochre-yellow facade colors were recreated using traditional methods, including boiling animal bones and mixing the paste with ferrous oxide. Inside, the renovation revealed striking blue frescoes beneath layers of calcium paint, commonly used as a disinfectant. The 13 vaults of the house, each forming an eight-pointed star, had to be reinforced. Antonioni opted for contemporary flooring, using terrazzo made from marble chips and cement, and traditional cementina tiles in the entry. The decor features a seamless blend of local crafts, linen upholstery, and Antonioni’s personal art collection. Significant structural changes included combining four small rooms into a large living area and converting the eastern stable into suites using recycled materials, and the western stable into a modern kitchen and dining room with stainless-steel counters and custom oak tables. The project, initially estimated to take three years, extended to over seven due to challenges such as conflicts with contractors, pushback from city officials, and the global pandemic. Antonioni temporarily left for two years to work remotely in the Netherlands before returning with a more relaxed approach to complete the renovation. The property now features a unique swimming pool inspired by 1970s Capri, and the Moorish-style tower serves as a social hub for gatherings. Antonioni moved into Masseria Partemio in June 2024 and plans to convert a smaller structure into a guest house and operate the estate as a luxury bed-and-breakfast, embodying the Italian saying, “Slowly, slowly, you will go far.” #Puglia #Italy #HistoricRenovation #VillaRestoration #MasseriaPartemio #HomeDesign #ItalianArchitecture #GustavoAntonioni #LuxuryRealEstate

In 2001, Marion and Jeffery Barker purchased a 1960s brick ranch home on 18 acres in Virginia's Northern Neck, overlooking Nomini Creek, a tributary of the Potomac. Despite the house being outdated and the timing of the purchase—just a week after 9/11—being uncertain, the couple was drawn to the property's prime waterfront location and its manageable two-hour drive from their Bethesda residence, making it ideal for weekend escapes. At the time, Marion owned the consulting firm Palladian Partners, and Jeffery was a scientist at the National Institutes of Health. They envisioned transforming the modest ranch into a modern dream home but knew it would require significant time and resources. After saving for 15 years, the Barkers initiated a gradual redesign in 2016, enlisting Jeffery’s daughter, Brooklyn architect Alexandra Barker, for the project. A key challenge was environmental regulations, which mandated that the new structure adhere to the existing foundation and original footprint due to its proximity to the water. Despite these constraints, the renovated home represents a dramatic transformation from its original, cramped layout. The new design emphasizes an open floor plan, extensive walls of windows, and expansive water views, creating a stark contrast to the previous structure. Alexandra Barker's design strategy focused on maximizing the property's natural surroundings. She incorporated oversized storefront glass instead of standard residential windows to offer uninterrupted vistas, a feature she considers the home's most special detail. The architect also prioritized the use of locally sourced materials where possible, including granite for the kitchen backsplash from Richmond, reclaimed-oak floors, and bluestone around the pool area. This approach not only supported local businesses but also integrated the home more deeply with its regional environment. The homeowners, Marion and Jeffery, were described by Alexandra as highly collaborative and flexible clients, contributing to a smooth design process. An added benefit for Alexandra was the prospect of personally enjoying the finished product with her family. The redesigned home includes three guest rooms, each with an en suite bathroom, providing comfortable accommodation for visiting family members, including Alexandra and her siblings. The primary suite, located on the second floor, is a highlight, featuring 365-degree views and access to a private roof deck. This rooftop space, initially intended for an office, was repurposed due to budget considerations and ultimately became one of the owners' favorite features. The renovation was completed in 2021, and the retired couple, Marion and Jeffery, expressed that the two-decade wait was worthwhile. They now share their property with local wildlife, including bald eagles, deer, ospreys, and otters. The constant natural beauty, particularly the sunrises and sunsets over Nomini Creek, provides immense satisfaction, with Jeffery reportedly having captured hundreds of photographs of these daily spectacles. The project successfully converted a dated ranch into a modern, waterfront marvel that harmonizes with its natural setting. #HomeRenovation #ModernDesign #WaterfrontProperty #ArchitecturalTransformation #VirginiaRealEstate #SustainableMaterials #BeforeAndAfter #FamilyProject #NorthernNeck

Hyphen House, a historic Hudson Valley farmhouse dating back to the 1700s, has undergone a significant transformation from a flower farm into a live-work artist's retreat. Originally built for the Dutch Van Messler family, the property once functioned as three separate apartments, now reconfigured into a single, cohesive residence. The name "Hyphen House" signifies this reunification of fragmented spaces, emphasizing the delicate balance required to merge its historical integrity with modern functionality. The renovation was spearheaded by artist Michele Lobo, the owner of Hyphen House, who commissioned her daughter’s design practice, NoNo Studio, co-founded by Susannah Stopford and Alejandra Murillo. The core challenge for NoNo Studio was to modernize the centuries-old structure without sacrificing its inherent historical soul. The designers described the process as a "high-stakes game of chess," navigating thick stone walls and inherent structural quirks to create a flowing layout while preserving the imprint of its past. Upon Lobo's initial acquisition, the house was a 'time capsule' filled with floral motifs, from wallpaper to light switches and lampshades, a legacy of its flower farm origins. While some original elements, such as specific wallpaper in the southern living room and powder room, were retained, others were reimagined. Notably, a quirky wax melter for candle making, hidden behind a fireplace, was preserved, as was the original wood of a mantle stripped back after extensive paint removal. Other enduring features include silk-screen wallpaper, a stone wall in the kitchen, a powder room under the stairs, and a built-in bookcase filled with art books. The aesthetic choices, including color palettes and material selections, were heavily influenced by the home's history and Lobo's extensive collection of art and objects. The designers aimed to create a dialogue between heritage and contemporary freshness, integrating 18th-century antiques with Lobo's globally sourced pieces. The guiding principle was to identify and amplify the distinctive character of the house. A primary goal of the renovation was to establish a home that could support Lobo’s artistic endeavors. After decades abroad, she sought a space near family that could accommodate her work across various mediums and scales. The property now thrives as a creative compound, featuring a sculpture studio in the former flower shop and a barn converted into an art gallery and entertaining area. NoNo Studio embraced the building's peculiarities, such as parallel staircases and duplicate living areas, transforming them into unique design opportunities. The project stands as a testament to the idea that preserving the spirit of an old building is as valuable as constructing something new, resulting in a warm, 'unbuttoned,' and inspiring "incubator of creativity." #HistoricRenovation #ArtistRetreat #HudsonValleyHome #NoNoStudio #InteriorDesign #AdaptiveReuse #ArchitecturalPreservation #LiveWorkSpace #FarmhouseRenovation

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

Zen Architects, a Melbourne-based firm with 30 years of experience combining science and art in sustainably minded projects, undertook a comprehensive renovation of an early 1900s Victorian home in Brunswick. The property, untouched for five decades and slated for demolition due to asbestos, was purchased by clients who sought an architect willing to execute a challenging renovation emphasizing local materials, recycled timber, and space for an art studio. The clients desired a design that respected the original cottage's form and detailing, diverging from the prevalent trend of demolishing Victorians for new, often insensitive, developments in an area without historic controls. The project spanned nearly three years, including 18 months of design and documentation and 14 months of construction. The initial phase focused on preserving the original structure. This involved restoring the weatherboard exterior, original Baltic pine timber flooring, and Victorian details. The interior plaster was removed, walls were reinsulated, and windows reglazed. The eastern portion of the roofline was raised to accommodate higher ceilings. To maintain the property's heritage value, all new construction was set back behind the original chimney line. The design team reconfigured the front four rooms: two became bedrooms, one a bathroom, and the fourth a front living room featuring a wood-burning fireplace that utilized the existing chimney. From the light-filled foyer, residents can now access the kitchen, a double-height dining room, and a sunken conversation pit, all offering views of the garden. Throughout the renovation, Zen Architects prioritized local sourcing. Custom lighting was crafted from solid brass, and internal recycled timber details, such as shelving, were produced by local furniture makers. The bathrooms feature custom handmade tiles from a South Melbourne ceramicist, and all fixtures and fittings were also locally sourced. The kitchen incorporates a solid concrete island counter designed for passive heating and cooling; it warms naturally in the summer, and a concealed black heat panel beneath the slab absorbs and releases heat in the winter. An adjacent art studio benefits from ambient diffused south-facing light, providing an ideal space for various artistic pursuits. This project demonstrates a successful approach to sensitively transforming Victorian homes to meet contemporary living standards while adhering to principles of sustainability and local craftsmanship. #VictorianRenovation #SustainableDesign #ZenArchitects #MelbourneArchitecture #HistoricPreservation #RecycledMaterials #LocalCraftsmanship #HomeRetrofit #ArtStudio

This blog post details a significant renovation of a 1970s South County residence, focusing on how lighting fixtures from Metro Lighting, in collaboration with KH Interiors, transformed the home. The project was led by interior designer Krista Howard of KH Interiors and Heidi Sanders of Metro Lighting, aiming to create a practical yet elevated space for a busy family of five. The renovation extended beyond a simple kitchen update, evolving into a two-story expansion that now includes a spacious cooking and dining area, along with a covered outdoor porch. Each design element was meticulously chosen to accommodate the family's active lifestyle, encompassing sports schedules, entertaining needs, and daily functionality. The team involved architect William Cover, Lurk’s Custom Cabinets, and photographer Anne Mathias, with Metro Lighting playing a crucial role in curating the home's lighting. In the reimagined kitchen, two large orb pendants are prominently featured above dual islands, one dedicated to storage and the other to function. These orbs are complemented by onyx stone cylinder fixtures that not only echo the kitchen's stone details but also cast a soft, sculptural glow. Above the breakfast table, a sleek gold fixture introduces a contrasting element, its simplicity providing a calm balance to the kitchen's more dynamic design features, creating a cohesive and visually appealing central gathering space. The lighting design extends thoughtfully into other areas of the home, transforming even transitional spaces. A hallway adjacent to the kitchen, referred to as the “kitchen hall,” connects bedrooms to public areas. Here, lighting is strategically used to gently illuminate stone accents, turning a functional corridor into a refined and welcoming passage. This attention to detail ensures that lighting serves both an aesthetic and practical purpose throughout the residence. The powder room and the adjacent lower-level pool changing area draw inspiration from the past, featuring brass vertical sconces reminiscent of 1940s design. These fixtures are paired with playful wallpaper to create an inviting retro-modern ambiance. The lighting in these areas is described as “quiet and classic,” designed to support the functionality of the space without becoming the dominant focal point, allowing other design elements to shine while providing adequate illumination. Beyond its aesthetic contributions, the home incorporates smart lighting and automated window treatments, enhancing both convenience and energy efficiency. These modern features allow the family to easily adjust their living environment, whether for hosting guests, relaxing in the evening, or quickly departing the house, all without compromising the home's timeless design integrity. Lurk’s Custom Cabinets further anchored the space with exceptional craftsmanship, coordinating finishes and cabinetry details with the overall lighting plan to ensure a harmonious visual flow between the kitchen and adjoining rooms. Ultimately, this South County residence represents more than just a renovation; it is a testament to thoughtful design, sustained collaboration, and the transformative power of architectural lighting. The project effectively elevates not only the home’s structure and aesthetics but also significantly enhances the family’s daily living experience. Through the combined expertise of Metro Lighting and KH Interiors, a once-dated kitchen has been revitalized into a radiant and central hub for connection and comfort within the home. #HomeRenovation #InteriorDesign #LightingDesign #KitchenRemodel #SmartHome #ArchitecturalLighting #KHInteriors #MetroLighting

The owner of a two-bedroom London maisonette, Gemma Edwards, who frequently travels for work with a government conservation agency, opted to hire interior designer Sean Symington to transform her home. Edwards sought a unique and non-standard interior, explaining her desire to avoid a “cookie-cutter” look and her focus on enjoyable aesthetic changes rather than extensive structural renovations. Symington, known for his adept use of color and pattern, was selected to invigorate the apartment. The living room, despite its inherent character, was previously described as dull and lacked a central feature. Symington addressed this by introducing a fireplace surround and incorporating alcove shelving, which served both as a focal point and provided display and storage options. A marble mantelpiece, sourced from a reclamation yard, enhances the room's coziness, particularly when candles are lit, despite not being a functional fireplace. The room features watermelon velvet sofas from Sofa.com and an armchair upholstered in an animal spot velvet. Edwards's existing Dashiki curtain fabric was adapted for the south-facing living room, with Sean lengthening them using an additional panel, offering a cost-effective alternative to purchasing new curtains. The room also benefits from a small balcony, providing a pleasant outdoor space for morning coffee and a developing potted garden, accommodating Edwards's busy schedule that limits traditional gardening. In the kitchen and bathroom, the strategy focused on redecorating rather than replacing existing fixtures and appliances, which were of good quality, to avoid waste. Edwards prioritized investing in fabrics and furniture, elements she could potentially take with her if she were to move. The kitchen now boasts soft, earthy red walls contrasting with dark blue cupboards and a chequerboard floor. Radiators were painted to match the walls, a budget-friendly solution. A matching Roman blind and sink skirt introduce softness, and vintage dining chairs were reupholstered. The narrow hallway was not overlooked in the decorative scheme. One wall features a gallery of framed prints, each without a backing to expose the wall behind. The radiator is cleverly concealed by a fabric skirt and a shelf, providing both style and utility. The main bedroom showcases a vibrant palette of emerald and mustard, combined with natural materials. A half-tester over the bed creates a bold statement, complemented by a classic William Morris print wallpaper. Table lamps from Pooky and smaller reading lights with scalloped seagrass shades adorn wicker-topped bedside tables. Fitted wardrobes, painted in Bancha by Farrow & Ball to match the woodwork, include both panelled doors and open shelves, aiding in creating a sense of spaciousness, with Ikea baskets used for storage. The home office underwent a significant transformation from an unliked baby blue to a warmer Farrow & Ball India Yellow. This color provides a suitable backdrop for a painting and a kilim rug, a souvenir from Edwards's time working in Africa. An antique desk from Vinterior and practical shelves with decorative scalloped edging complete the space. Edwards expresses her satisfaction with the final result, highlighting how each room now possesses a distinct character and individual color scheme, attributing the elevated aesthetic to the paint colors and fabrics chosen with Symington's expertise. #LondonMaisonette #InteriorDesign #ColorfulHome #PatternedDecor #BudgetDecorating #LivingRoomDesign #BedroomDesign #HomeOfficeIdeas #Renovation #SeanSymington

This article details the renovation and interior design of an 1800s New Orleans home located in the Audubon Park neighborhood, transformed by Atlanta-based interior designer Paige Goodloe. The project aimed to update a historic residence to suit the lifestyle of a modern family with three children, incorporating vibrant colors, diverse patterns, and practical solutions while preserving the home's original charm. The entry of the home establishes a sense of lightness, contrasting historic details with contemporary design elements. A fireplace in the foyer serves as a gathering spot, enhanced by seating featuring wooden chairs from the owner’s time in Malaysia and an antique entry table sourced from Atlanta. A modern light fixture complements an ornate ceiling medallion, and dark-toned Hunt Slonem art provides a striking counterpoint to the bright space. The kitchen design prioritized warmth and functionality for family gatherings, centered around a La Cornue range. It features a classic off-white palette, softened with custom Roman shades and pleated fabric shades on brass light fixtures. Brass accents are consistently used throughout the kitchen, from the custom hood to hardware. Appliances are discreetly hidden behind pocket doors in a pantry, maintaining a clean aesthetic. The kitchen island incorporates Hickory Chair counter stools covered in camel vinyl for durability, essential for a family with young children. Addressing the challenges of an older home, particularly narrow spaces, the powder room was completely redesigned. A custom marble sink from Waterworks was created to fit the restricted area, allowing sufficient clearance for the door. The space is further enhanced by Phillip Jeffries grasscloth wall covering and framed intaglios on marble paper from Tyler + Tate, which are also referenced in the room’s soap. An addition to the back of the house created a casual breakfast area, fulfilling the homeowner's desire for a banquette. A round table and antique-inspired chairs maximize this cozy nook. Color is introduced through a commissioned artwork by William McClure, unconventionally hung with a Collier Webb picture rail over a window, making it appear to float and drawing attention to the gardens outside. Adjacent to the breakfast room, a long hallway offers a quiet retreat. A significant addition is a blue lacquered bar, constructed in the former space of a back staircase. This custom bar features brilliant blue cabinetry that matches a de Gournay wallpaper adorned with pelicans, honoring the husband’s favorite NBA team. The wallpaper, which took six months to arrive and required specialized installation, informed the entire color scheme of the bar area. Another repurposed area is a large room that now functions as a combined laundry room and children’s homework hub. This multi-purpose space is divided into distinct zones, equipped with two washers, two dryers, and two desks. It serves as a central point for family activities, offering storage solutions for various household items. The room is decorated with a cheerful yellow floral Schumacher wallpaper, complemented by vibrant yellow paint on the trim and doors. In the Jack-and-Jill bathroom connecting the two older children’s rooms, custom cabinetry was installed to conceal pull-out hampers and provide ample storage, effectively managing clutter. The bathroom was fully renovated with Waterworks tile, featuring a soft green hue that harmonizes with both bedrooms. A vintage rug adds color and pattern to the floor. The daughter’s bedroom is designed with a distinctly feminine aesthetic, featuring Peter Fasano peachy-pink wallpaper, Visual Comfort & Co. bow sconces, and Chelsea Textiles gingham fabric on the window seat. Needlepoint pillows, handmade by the homeowner, add a personal touch. The older son’s bedroom is designed for longevity, with a neutral taupe Pierre Frey stripe wallpaper and streetcar art by a New Orleans artist, intended to age gracefully with him. Classic spindle beds and rattan side tables from 1stDibs, along with a rattan light fixture from Serena & Lily, contribute to a warm and timeless atmosphere. When the family expanded, the attic was converted into a nursery and playroom. The nursery space, designed to accommodate the attic’s angles, features green Schumacher ticking wallpaper on the walls, ceiling, and doors, with a Malta fabric on the window seat and ottoman, creating a light and fresh environment despite the challenges of older walls. The playroom is designed to be bright, cheerful, and durable, with performance or vinyl materials throughout. The color palette, derived from Brenda Bogart’s art, includes pink, blue, and mustard, unified by an Oushak rug. #NewOrleansHome #HistoricRenovation #InteriorDesign #PaigeGoodloeInteriors #FamilyHome #ColorfulDecor #PatternedWallpaper #CustomCabinetry #ModernLiving

This article details the renovation and interior design of a 1920s Spanish Colonial style home in Los Feliz, Los Angeles, owned by Australian designer and photographer James Houston and his Scottish husband, Brian McGrory. The couple, having relocated from New York, sought a property that offered more space, especially for their daughter, Dylan. Their chosen residence, nestled in the Hollywood Hills, underwent extensive restoration and thoughtful enhancements to blend its original Spanish charm with Moroccan-inspired elements. The renovation began with exterior improvements, including stripping the original stucco for a smoother finish and adding a round tile roof to the entry tower, which was previously missing. James Houston also designed a drought-tolerant garden, replacing a mature palm tree with cypress trees to frame the newly renovated tower. The turquoise front door, featuring gleaming brass hardware, opens into an entryway with a restored original terrazzo floor. Inside, the 5.5-meter-high living room was furnished with a palette inspired by an original fireplace tile. The fireplace, initially constructed from wood, was rebuilt to adhere to the period's authenticity. The room features a walnut coffee table designed by James and mid-century Italian wingback chairs, reupholstered in blue velvet, sourced from 1stdibs. A gallery wall showcases a mix of artworks, including three of James's photographs, an Annie Leibovitz nude, and vintage paintings from a Paris flea market. The kitchen, created from a series of smaller rooms, now boasts a pitched roof with white oak beams, giving it an airy feel. The cabinets are painted in Farrow & Ball 'Hague Blue', complemented by Calacatta marble benchtops and a glossy black La Cornue 'CornuFé 90' stove. The kitchen also incorporates a custom daybed and Moroccan-inspired geometric tile flooring with underfloor heating. The adjacent dining room extends the kitchen's aesthetic with Italian marble tiles, vintage French bistro chairs, and handmade lighting from Apparatus Studio. The home’s design emphasizes an indoor/outdoor lifestyle, with new sliding doors leading to a courtyard and a wooden deck featuring a vintage Belgian table under an olive tree. Steps descend to a large swimming pool, cleaned with an ionic system, and a 3.5-meter daybed flanked by Moroccan lanterns from Pottery Barn. The master bedroom features a raised ceiling and a new window offering views of the Griffith Park Observatory, leading to a 1930s-style master bathroom and dressing room. A mezzanine balcony overlooks the living room, adorned with a large photograph by James. #SpanishColonial #HomeRenovation #LosAngelesArchitecture #InteriorDesign #MoroccanInfluence #DroughtTolerantGarden #LuxuryInteriors #VintageFurniture #ArtCollection

Jennifer Liffman's journey into interior design began in 2012 during a vacation in Florida, where an encounter with Coastal Living’s Ultimate Beach House ignited a long-dormant passion. Despite this initial spark, her formal pursuit of design education did not commence until early 2020, coinciding with the onset of the COVID-19 pandemic. During this period, while at home with her family, Jennifer enrolled in a distance-learning program at the New York Institute of Art and Design, delving into various aspects of interior design from hand drafting to space planning. This educational experience culminated in the launch of her own design firm in 2022, and she subsequently joined the interiors team at Craft Realty/Interiors/Homes. Simultaneously with her professional development, Jennifer applied her burgeoning design expertise to her family's late-1960s ranch-style home in Jefferson Terrace. The Liffmans had moved into the home in August 2016 and initiated a series of renovations to align the space with their family's lifestyle. Exterior modifications included painting the brick for a more contemporary aesthetic, while interior changes involved replacing carpeting and tile with wood flooring and expanding the opening between the foyer and living room. These foundational updates paved the way for personalization, with each space being brightened and infused with unique touches. The renovation project was a collaborative family endeavor. Jennifer’s father, John Hawkins, contributed significantly by constructing custom shelves and cabinets for the living room, laundry room, and primary suite bathroom. Her husband, Eric, applied Venetian plaster finishes to select walls, adding textural depth. The home also became a showcase for art, prominently featuring works by Eric’s mother, artist Christy Diniz-Liffman, as well as pieces from other professional artists within their extended family, reflecting the couple's shared appreciation for art. A central theme in Jennifer's decorating philosophy is the integration of meaningful artworks, antique furnishings, and heirloom pieces that carry sentimental value. Examples include an antique iron bed and desk in her daughter Emma’s room, which previously belonged to Eric’s sister, and recovered wingback chairs from her grandmother that now grace the living room. Her coffee table exemplifies this blend of old and new, featuring an antique wood base paired with a new limestone top. Jennifer emphasizes the importance of creating thoughtful, collected spaces that blend time-honored items with contemporary elements, as seen with a hutch in her dining room, a piece inherited from her grandmother that she uses daily. The transformation of her home remains an ongoing process, with Jennifer continuously applying her evolving design skills to spaces like the master bedroom. Beyond her personal residence, she and the Craft Interiors team are actively involved in designing custom finishes for luxury home builds and are preparing for a significant 5,000-square-foot remodel. Jennifer acknowledges that her personal style is still developing and embraces the eclectic nature of her home, which accommodates her growing children, pets, and the continuous evolution of her design aesthetic. #InteriorDesign #HomeRenovation #RanchHome #FamilyProject #EclecticStyle #AntiqueFurniture #HeirloomPieces #HomeDecor #DesignCareer

In recent years, the architectural landscape has been dominated by large, white, and often simplistic designs. However, a noticeable shift is occurring, with a resurgence of interest in the Old World European aesthetic, characterized by its distinctive character and intricate details. This move away from contemporary uniformity signals a desire for unique and expressive homes, offering a refreshing alternative to the prevailing minimalist trends. J. Lambert Custom Homes, under the leadership of Jimmy Lambert, stands out in this evolving market by specializing in distinctive and highly customized residences. Lambert, a long-time resident of Southlake with 38 years of experience, transitioned from a fencing business to home building 23 years ago, driven by a vision to elevate design, construction, and customer service. His portfolio includes a wide range of styles, from modern designs to faithful reproductions of American Colonial and Mediterranean villas. A prime example of his unique approach is a Southlake property, designed as an Old World European-style castle, which embodies a blend of grandeur and personalized craftsmanship. The genesis of this particular castle began with Lambert's bold design for a home that evoked the charm of the English countryside. Confident in his vision, he believed that a well-executed, distinctive build would transcend typical pricing considerations. The project found its perfect match in a buyer with five young boys who had long dreamed of living in a castle. This alignment allowed for significant customization, tailoring the finish-out and features to the family's specific needs and aspirations. The construction process was meticulously managed, with Lambert overseeing every detail from the slab pour to various inspections, demonstrating an exceptional commitment to quality and client satisfaction. This thoroughness ensured that the home not only met the immediate needs of the family but also anticipated future desires. The resulting Old World European-style castle boasts multiple towers, impressive cathedral windows, and luxurious materials such as hardwood, marble, and brick floors. The interior is further enhanced by detailed hand-crafted wood and ironwork, contributing to its authentic and regal ambiance. Beyond the initial construction, Lambert's company distinguishes itself through a commitment to long-term client support. He and his loyal crew, many of whom worked on the original build, possess an unparalleled understanding of each home's intricacies. This enables them to provide ongoing service, guiding new owners through the home's unique features and potential customizations. For instance, one of the home's turrets is designed as an observatory, equipped to rotate with celestial movements, showcasing the thoughtful integration of innovative features. This dedication extends to significant additions and minor modifications alike. When the Southlake castle changed hands, Lambert returned to oversee the installation of an expansive, faux-painted garage capable of housing up to 15 cars. No request is deemed too small or too large, reflecting Lambert's philosophy of treating every homeowner as if the house was built specifically for them. The castle, now spanning 19,673 square feet, features eight ensuite bedrooms, four powder baths, a sophisticated wine cellar, and an accessible home theater with stadium seating, a full-service kitchen, and a commercial elevator equipped with advanced safety features. Additionally, a 1,300-square-foot craft room above the garage, complete with a ventilation system for a kiln, offers versatile space for hobbies, remote work, or homeschooling. The exterior of the Old World European-style castle is equally impressive. The 1.5-acre property includes multiple living areas, covered patios, and a picturesque grotto-style pool. Its advantageous location backs onto a wooded United States Army Corps of Engineers site, ensuring privacy and preventing future construction. Across the street, Bob Jones Park provides convenient access to a pond, playground, and dog park. The property, listed by Engel & Völkers Dallas Southlake Realtor Roxann Taylor, is currently available for $5 million. Taylor, who has a history with the property and a long-standing relationship with Lambert, highlights the home's spaciousness and potential as a multi-generational residence. To illustrate the potential for modern castle living, George Bass Stage & Design was brought in to furnish the home, presenting a contemporary interpretation of an Old World aesthetic, which even includes a secret room, adding to the home's mystique. #OldWorldArchitecture #CustomHomes #JLambertCustomHomes #SouthlakeRealEstate #EuropeanStyleCastle #LuxuryHomes #HomeDesign #ArchitecturalInnovation #DallasRealEstate