Climax Music Studio / ENDLESS SPACE ARCHITECTS

The book "Mirror Sound: A Look into the People and Processes behind Self-Recorded Music" explores the relationship between musicians and their home studios, illustrating how these private spaces foster creativity and personal exploration. Inspired by Sir Terence Conran's philosophy that homes should reflect who we are and offer a sense of connection and direction, the book provides an intimate glimpse into the environments where artists create their self-recorded music. It highlights how these settings become sites where challenges are met, and musical innovation thrives. "Mirror Sound" is a collaborative effort by musician Spencer Tweedy, designer Lawrence Azerrad of LAD Design, and photographer Daniel Topete. This hardcover volume features stunning photography and compelling narratives, presenting a rare look into the working lives of musicians. The book is designed as a refined, tactile object, making it a suitable addition to any coffee table, while also serving as a source of inspiration for those interested in creativity and design. Lawrence Azerrad emphasizes that the book is about discovering inspiration and cultivating self-belief. The images and stories within its pages offer an authentic portrayal of how creative individuals interact with and adapt their environments, and how, in turn, these spaces influence their artistic output. Azerrad points to what he calls “creative initiative” as a key characteristic demonstrated by all the subjects featured in the book. This attribute is intended to energize professionals in the architecture and design (A&D) community, regardless of the stage of their projects, by showcasing the deep connection between personal space and creative drive. Azerrad further describes the book as a practical guide for designers, helping them to reconnect with their own creative essence. By layering together the experiences of individuals who enrich their lives and surroundings through artistic endeavors, "Mirror Sound" conveys a powerful message about maintaining inspiration even in isolation. It demonstrates that solitude can be a fertile ground for discovery and idea incubation, leading to the successful fruition of creative projects. The book encourages readers to consider how their own homes can serve as sanctuaries for profound exploration and innovation. #HomeStudios #CreativeProcess #MusicProduction #InteriorDesign #LADDesign #Photography #SelfRecordedMusic #ArtistSpaces

This article explores ten creative solutions for designing a music room within a home, aiming to foster musical creativity and inspiration. The guidance provided covers various approaches, from dedicated music spaces to integrating musical elements into existing rooms, addressing both functionality and aesthetic appeal. One approach suggests combining a music room with a library. This dual-purpose space leverages bespoke timber shelves for both storage of books and favorite objects, which also serve a practical acoustic function by absorbing sound. Double doors connecting to adjacent living areas, such as the kitchen and dining room, offer flexibility, allowing music to be shared or contained for focused practice or reading. The design emphasizes creating an environment that supports both intellectual and musical pursuits. Another idea proposes placing a piano in the dining room, particularly for individuals who enjoy entertaining. This integration allows for musical performances to become a delightful addition to social gatherings, transforming the dining area into a space for both meals and impromptu recitals. This method highlights making music an integral part of the home's social fabric rather than confining it to a separate, isolated room. The article also addresses the utilization of awkward or underused spaces, such as walk-through areas, transforming them into functional music rooms. These often challenging transitional spaces can be reimagined to house musical instruments and equipment, demonstrating how creative spatial planning can optimize the home's layout. For those with limited space, a guest room can initially serve as a music area, especially for beginners. Guitars can be displayed as decorative elements, adding character to the room while being easily accessible. Enhancing the walls of a music room is another key suggestion. This can involve using client album covers and music posters as gallery art, treating the collection as a large art installation. This method allows for personalization and visual stimulation, with the room's decor complementing the musical theme. Custom cabinetry is presented as an ideal solution for accommodating larger instruments like pianos. Integrated shelving units not only provide storage for music sheets and books but also help the instrument feel like a natural part of the room. The addition of a mirror above the piano can further enhance the space by bouncing light and providing a connection to the rest of the room. For homes without dedicated music rooms, integrating musical elements into a living room or creating a music listening space is recommended. This involves incorporating instruments like pianos and record players into existing living areas, recognizing the value of multi-faceted spaces. A designated music listening area, perhaps with a bespoke drinks cabinet and comfortable seating, can be designed to fill residents with joy and offer a retreat for hobbies. The incorporation of home technology, such as ceiling speakers and audio-visual equipment, can enhance the listening experience while being discreetly integrated into the design. Utilizing every available space, even creating a music corner, is highlighted as a practical solution when a full music room is not feasible. A dedicated corner, equipped with comfortable seating like corner sectionals, maximizes space and provides an inviting area for musical enjoyment. The article emphasizes the importance of texture and warm colors in these cozy corners to create an inviting and comfortable ambiance, demonstrating how interior design elements can influence the mood and functionality of a musical space. #MusicRoom #InteriorDesign #HomeDecor #CreativeSpace #AcousticDesign #SpaceUtilization #CustomCabinetry #WallDecor #CozyCorner

This article features Eddie Symons, also known as Bovaflux or Nullptr, and his home studio setup. Symons uses his studio as a private sanctuary for creating electronic music, emphasizing that a space doesn't feel like home until his music setup is established. He even travels with a reduced setup to maintain his creative routine. His studio, which doubles as a guest bedroom, is the largest room in his house, reflecting a compromise with his wife. This arrangement occasionally limits his music production when guests are present but also provides an opportunity for music-inclined guests to experiment. Symons has been a bedroom producer since his teenage years, a period during which he also delved into programming and video game development. He feels fortunate to have grown up in an era where affordable technology allowed him to pursue various creative interests. While he initially worked entirely "in-the-box" (using software exclusively), he gradually acquired hardware synths and drum machines over the past six or seven years. Currently, about 20% of his track creation involves computer-based tasks like sequencing, mixing, and sample chopping. As a homeowner, he views his studio as a long-term investment, allowing for gradual expansion while maintaining a compact and accessible layout where all equipment is within arm's reach. He finds large, sprawling studios impractical for his workflow, preferring a setup that minimizes friction during the creative process, despite the constant temptation of new gear. His chosen Digital Audio Workstation (DAW) is Renoise, a tracker-style program. This preference stems from his early experiences with OctaMED on the Amiga, which accustomed him to making music using vertically scrolling pages of hexadecimal numbers. While his initial setup on the Amiga was limited to 512kb of samples across four channels, forcing him to become adept at chopping and slicing samples for genres like jungle and drum 'n' bass, Renoise allows for more indulgence with sample memory. It supports VSTs and MIDI sequencing, enabling him to evolve beyond purely sample-driven music while retaining his preferred workflow. He still programs drums similarly but records longer synth parts, using a 4-track recorder approach to capture variations and make the synths sound more dynamic. Symons started incorporating modular gear around 2014, initially to expand the limited palette of his Arturia Microbrute. He began with a small Doepfer mini case and an Intellijel Dixie II oscillator. Over time, his modular system grew into two cases: a 9U Doepfer case and a portable Intellijel 7U case. The Intellijel case is designed as a custom portable groovebox, allowing him to create full tracks with percussion, multiple synth sounds, mixers, effects, and sequencing via NerdSeq, which he likens to having Renoise in a module. For his new release, "Future World," the Dave Smith Instruments Rev 2 played a significant role, though his modular system was also utilized. He describes a love-hate relationship with the Rev 2's Curtis-style filter and its tendency to lose bass when resonance is increased. He overcame this by using the Rev 2's second layer as a sine wave to add weight to squelchy bass sounds. He aspires for his studio to be a cozy, inspiring space, decorated with his vinyl releases, comics, video games, and action figures, evoking a sense of an "audio playground" with interactive controls. His favorite gear is his modular rig due to its flexibility. For future purchases, he considers a compact option like the Korg NTS-1. His dream gear involves augmented reality integrated with synths, which he believes could make complex instruments more intuitive by visualizing internal workings, while still favoring physical controls over motion controls or touchscreens. His advice for production emphasizes that artistic merit often outweighs pristine production quality. For those starting a studio, he advises a gradual approach, akin to accumulating tools over time rather than attempting to acquire everything at once. He stresses the importance of starting with available resources and building up equipment gradually, rather than delaying creativity by waiting for an ideal setup. #HomeStudio #MusicProduction #ElectronicMusic #ModularSynth #BedroomProducer #MusicGear #RenoiseDAW #StudioDesign #SynthEnthusiast

This article details the process of moving a recording studio from a home environment into a rented space, focusing on planning the room layout and implementing DIY acoustic and aesthetic design elements. The author recounts the challenges faced during the moving day, which was complicated by heavy rain and the fragile nature of studio equipment. The initial setup involved hanging a ceiling cloud, an acoustic treatment designed to absorb and diffuse sound reflections from monitors. The author opted for a robust chain-hanging system, ten times stronger than required, to account for an old, imperfect ceiling and to allow for precise adjustments to ensure the cloud was perfectly straight. This decision provided flexibility in dealing with ceiling variations and different beam positions. The subsequent phase involved meticulous planning of the studio's layout. The author utilized a pre-organized Canva document to map out the placement of equipment. Prior to the move, the author had prepared custom-length looms for the home studio, which were then carefully unplugged and moved with the patchbay as the central point. This strategic approach ensured that cables were appropriately routed and of sufficient length, preventing the need for furniture rearrangement later. Heavy furniture, such as the desk for the console and a newly built equipment rack, was moved into place after the cable layout was established. A couch was strategically placed at the back of the room to serve both as seating for clients and as an acoustic absorption element, specifically to mitigate low-end reflections that can interfere with accurate monitoring in the sweet spot. The article also covers the integration of additional acoustic panels, constructed from Earthwool wrapped in canvas within wooden frames. These panels were intended to be re-wrapped with an extra layer of canvas for an improved aesthetic. A practical tip shared is the use of drop sheets as a cost-effective alternative to conventional fabric for acoustic panel wraps and curtains. The existing rented room had black fabric covering the walls, which was described as unfinished and oppressively dark. This prompted an aesthetic upgrade using canvas drop sheets to create curtains. The process of creating and hanging the curtains involved purchasing large drop sheets, cutting, sewing, and hanging them from a curtain rail. The author provides crucial advice based on personal experience: wash drop sheets before cutting and sewing, as canvas can shrink significantly. The shrinkage led to an unforeseen gap between the bottom of the curtains and the floor, which was partially addressed by using fabric offcuts stapled to the carpet. Further offcuts were used to bridge gaps around wall sconces, with fabric secured beneath lights to prevent heat-related issues. Following the installation of curtains, rugs and a Facebook Marketplace couch were added. With all the gear racked and patched, the author noted an immediate issue with a painful lack of low end when testing a reference track, indicating the need for further room measurement and correction, which will be covered in the next installment. #RecordingStudio #StudioDesign #DIYStudio #AcousticTreatment #RoomPlanning #HomeStudio #AudioEngineering #InteriorDesign #AcousticPanels

Architect Wakako Tokunaga adapted her professional workspace in 2020 by designing and building a 350-square-foot studio addition at the back of her Tacoma Park, Maryland property, near Washington, D.C. This decision allowed her to avoid a costly commercial lease and provided a flexible environment for her firm, WAK TOK architects, founded in 2007. The studio’s design was meticulously planned to prevent obstruction of sunlight for neighbors and to maintain the view, while also considering its proportion to her native plant garden. The primary objective was to balance collaborative work areas with ample green space and seclusion. The studio’s design centers on functionality, simplicity, and a strong connection to nature. Two of its four walls feature sliding doors that open completely to the garden, effectively transforming the space into an “extended outdoor room.” This indoor/outdoor living concept was particularly beneficial during the pandemic, allowing Wakako to remain close to her children while working. The other two walls are fixed: one is the original exterior brick wall of her home, painted dark gray with milk paint to visually extend the outdoors inward, and the other is a solid plywood-clad wall adjacent to the neighbor's property. The interior materials are kept simple and functional, including polished concrete floors, plywood-clad walls and ceilings, and non-toxic milk paint on the existing home wall. A key element is the custom, floor-to-ceiling modular shelving system integrated into the plywood wall. This system was designed around a four-foot module, which also governed the studio's overall construction to optimize stock plywood panels and multi-slide door dimensions, thereby maximizing efficiency and minimizing material waste. The shelving features a track system with moveable brackets, allowing Wakako to easily adjust and rearrange shelves to accommodate books, material samples, and art. A deeper, hip-height shelf functions as a versatile workspace, suitable for her team or her children. Sustainability was a guiding principle, with the use of natural and non-toxic materials. Sustainably sourced pine siding, plywood, concrete, and finishes like natural pine tar, hemp oil, and milk paint were employed. The exterior features locally sourced, fast-growing black locust decking, known for its natural resistance to rot and insects. The outer shell of the studio is insulated beyond code requirements to enhance thermal comfort and reduce energy consumption. The design also emphasizes minimalism, with elements like light switches, outlets, and mechanical grills concealed to maintain a clean aesthetic, requiring precise planning and construction. Today, the studio serves multiple purposes, functioning as an architectural office for meetings and team collaboration, and occasionally hosting community and social gatherings, with potential future use as an art space. Wakako particularly values the studio's ability to create a sense of being outdoors, in close proximity to the garden, especially when the multi-slide doors are fully open. This addition exemplifies thoughtful architectural adaptation to changing needs, demonstrating a successful blend of professional utility, family integration, and environmental consciousness. #StudioExtension #ModularShelving #PlywoodDesign #IndoorOutdoorLiving #SustainableDesign #ArchitecturalInnovation #FlexibleWorkspace #NativeGarden #SmallSpaceDesign

The article details the transformation of a conservatory in a historic home by Design Alchemy, a design team comprising Deborah Costa and Kristine Renee. The conservatory, originally an addition from a previous renovation, suffered from an unattractive HVAC bump-out and a dated circular column that could not be removed. The designers aimed to create a sophisticated yet approachable space, focusing on integrating these less desirable features into the overall design while emphasizing a musical theme, complete with a piano. Key design interventions included concealing ductwork within a wall of cabinetry, which also provided additional storage and camouflaged an interior window. The problematic circular column was cleverly converted into a high-top bar, suitable for impromptu cocktail parties. This approach allowed the designers to make previous architectural limitations appear intentional and functional, contributing to the room's elegant and rhythmic flow. The overall aesthetic embraced impactful color choices to elevate the space. The conservatory features distinct areas, including a sitting area designed to maximize the panoramic garden views. This area is furnished with identical sofas from Lee Industries, creating a balanced and inviting atmosphere. The tented ceiling of the room was highlighted for its acoustic benefits, enhancing the musical theme. Remote-operated bulbs were utilized for lighting, addressing the lack of electrical hardwiring in the space. Another functional zone is the pantry, where floating shelves were installed to disguise existing interior windows, transforming them into purposeful design elements. The cabinetry, supplied by Trim Tech Designs with inserts from Architectural Grille, not only conceals ductwork but also offers storage for items like records and sheet music, and houses a Zephyr Beverage Cooler. A bar shelf further integrates the load-bearing column into the room's design. The dining booth, positioned in a corner of the conservatory, features a banquette by Lee Industries and a table by Serena & Lily, designed for more intimate conversations. This solution addressed the challenge of working with an irregular layout that lacked many straight walls. The article concludes by listing the specific brands and products used throughout the conservatory, including furniture from Lee Industries and Serena & Lily, rugs from Fibreworks, paints from Farrow & Ball, and lighting from Visual Comfort, providing a comprehensive overview of the design elements. #InteriorDesign #HomeRenovation #ConservatoryDesign #SpaceTransformation #DesignAlchemy #HomeDecor #LuxuryInteriors

Valentino's creative director, Alessandro Michele, in collaboration with architect Francesco Lupia and the Italian cultural collective Terraforma, is launching an immersive sound experience called L'Atelier Sonore at the Madison Avenue Valentino flagship. This initiative is part of a growing trend of ultra-luxury, bespoke listening rooms designed to offer an optimized sonic experience. The installation, which features a custom sound system, a handcrafted multifunctional listening console, and modular velvet seating, will open to the public after a private 10-hour listening party and will run through August. Listening rooms are specialized spaces engineered to enhance the quality of music from high-end sound systems. The primary goal is to amplify sound quality beyond mere volume, focusing on natural acoustics and minimizing external noise pollution while containing internal sound. These rooms evolve from concepts like traditional music store listening booths, moving beyond the audiophile niche to cater to anyone who appreciates an optimized music listening experience. The atmosphere in these rooms is typically relaxed, with comfortable seating and low lighting, designed to foster a deeper connection with the music. The historical roots of the listening room trace back to post-World War II Japan, where economic conditions led to the repurposing of professional audio equipment into jazz cafés and dedicated listening spaces. This concept has seen a resurgence, with listening bars appearing in major global cities like Los Angeles, London, New York, and Berlin. Even hotels, such as The St. Augustine in Houston, are incorporating listening rooms into their designs to provide guests with unique relaxation experiences. A crucial aspect of modern listening rooms is the integration of bespoke sound systems, which are custom-designed to fit the specific dimensions and acoustics of a room. This customization accounts for how room size and shape influence sound waves and listener perception. The article emphasizes that there is no single 'right' way to construct a listening room, as the ideal setup is highly individual and depends on personal preferences and the specific characteristics of the space. For individuals considering building a listening room at home, the process begins by identifying one's listening goals, ranging from a perfectly calibrated audiophile sanctuary to a comfortable space with a good sound system. Sasha Frere-Jones's mnemonic device – 'corner, club, cathedral, and cocoon' – categorizes different listening environments based on their formality and ambient characteristics. After defining these goals, consulting sound experts is recommended to navigate the complexities of gear specifications and room acoustics. Resources for further study, such as guides on building listening rooms and avoiding noise pollution, are provided. The final step involves consulting a contractor or specialty architect, particularly for those with limited space or specific acoustic requirements. Key construction elements to consider for minimizing reverberation and optimizing sound include flooring (solid floors are often preferred, with varied opinions on carpeting versus concrete), windows (which should be minimized or well-sealed and insulated), ceilings (where sound panels can be beneficial), and the strategic placement of doors. Lighting is often kept low to enhance the contemplative mood, and seating is chosen for comfort and ample provision, often with reclining options. #ListeningRoom #HomeAudio #InteriorDesign #LuxuryHomes #AcousticDesign #SoundSystem #ArchitecturalDesign #HomeEntertainment #DesignTrends

Podcasting, once primarily an auditory medium, has evolved into a visual experience, leading to a growing trend where top podcasters are enlisting residential interior designers to transform their recording studios into aesthetically pleasing and comfortable spaces. This shift is driven by the increasing popularity of video podcasts, often broadcast on platforms like YouTube, where visual appeal plays a significant role in engaging the audience. Interior designers are moving away from the traditional, sterile studio setups characterized by egg-crate walls and basic equipment. Instead, the focus is on creating snug, intimate environments that resemble cozy living rooms, often within the podcasters' own homes. For example, Ashley Robbins, an interior designer, created a studio in West Hollywood with pink-painted wood paneling, CB2 furniture, and a Lulu and Georgia rug for Dear Media, a prominent podcasting studio. Similarly, multimillion-dollar podcaster Alex Cooper had her home designer, Lindsay Balton, style her 'Call Her Daddy' set with petal-colored decor, coffee table books, and decorative knickknacks, aiming for a more personal feel. Rebecca Sananès, a podcast executive, notes that modern podcast sets are increasingly designed to feel like a “super cozy living room,” a sentiment echoed by designers like Robbins, who states that professional design “elevates your podcast” and helps convey the host's brand. This emphasis on comfort and personalization extends to hosts who prefer to record from home. Sofia Franklyn, former co-host of 'Call Her Daddy' and now host of 'Sofia With an F,' dedicated Manhattan square footage in her apartment to her recording studio. Her designer, Madison Napier, created a “moody, comfortable setting” with a creamy white CB2 sofa and limewashed ashy blue walls, intending to foster a vulnerable and open atmosphere for the podcast’s content. Napier emphasized that physical comfort is crucial for hosts to open up. The design choices go beyond mere aesthetics, also considering the practical aspects of recording. For instance, the use of comfortable furniture, such as a cream bouclé swivel chair from CB2’s goop line, is believed to encourage guests to relax and share more candidly. Lexi Hidalgo, a TikTok creator with a popular podcast, plans to build a studio in her new home that utilizes natural light and a single camera, aiming for a casual, FaceTime-like visual experience for her viewers. This casual approach contrasts with elaborate professional lighting and multi-camera rigs, further reinforcing the intimate, home-like ambiance. Creating these specialized podcast studios can be a significant investment, with costs often reaching around $30,000, according to Robbins. A unique challenge for residential interior decorators in this context is the need to incorporate sound-reducing elements without compromising the residential feel. Designers frequently utilize heavy fabrics like velvet drapery, which double as noise reducers, to soften spaces and maintain a homey aesthetic. Liz Livington, an Atlanta-based decorator, designed a studio for TenderfootTV using dusty-hued velvet drapes to achieve a residential feel while addressing acoustic requirements. Ultimately, the goal is to create a visual environment that avoids the look of a traditional television set, making viewers feel like they are inside someone's personal space, thereby maintaining the intimacy inherent to the podcast medium. #PodcastStudios #InteriorDesign #HomeDecor #RecordingSpaces #VisualPodcasts #CelebrityDesign #AcousticTreatment

Loftwall, a Texas-based manufacturer specializing in customizable space-defining products, has introduced its latest innovation, Tempo. Developed in collaboration with KEM STUDIO, an industrial design firm, Tempo is a versatile family of wall and ceiling-mounted acoustic solutions. The primary goal of this system is to address the prevalent issue of noise in modern workspaces and educational environments, offering an accessible and effective solution for designers, dealers, and end-users. Tempo distinguishes itself through its modularity and flexibility, allowing for limitless combinations of shapes, sizes, and colors. This adaptability enables the system to redefine a space both aesthetically and functionally without necessitating significant financial investment. The ease of design and installation of Tempo is a key aspect, as Loftwall CEO Bryce Stuckenschneider emphasizes that the company aimed to simplify the process, moving away from the complexities often associated with traditional baffle systems. This user-friendly approach is central to Tempo's appeal, making advanced knowledge of design software unnecessary for integrating sound absorption into various spaces. Loftwall's broader mission revolves around enhancing spatial functionality, providing solutions that foster either collaborative environments or private settings, depending on organizational needs. Their product philosophy centers on the belief that individuals deserve privacy, and their offerings are designed to deliver just that. KEM STUDIO, through its collaboration with Loftwall, reinforces its philosophy of “Better Design Better Living,” by making design more approachable and integral to daily life. Beyond its acoustic benefits, Tempo is also positioned as an artistic element, as noted by Jonathon Kemnitzer, principal of Kem Studio. With twelve different modules available in six colors, the system provides designers with extensive creative freedom to craft unique installations. The product’s pricing structure is simplified, based on the square footage of the wall or ceiling area where it is applied, further streamlining the selection and procurement process. This commitment to flexibility extends to the materials used, with a focus on highly recyclable components and intuitive assembly, signaling a forward-thinking approach to sound absorption in the industry. #AcousticSolutions #ModularDesign #WorkspaceDesign #InteriorDesign #SoundAbsorption #KEMStudio #Loftwall #SustainableMaterials

Adi Goodrich, a multidisciplinary designer, shares insights into her diverse career, which spans film sets, art installations, interiors, and furniture design. Goodrich's journey began in Momence, Illinois, leading her through studies at the School of the Art Institute of Chicago and the Sorbonne in Paris. Her initial professional experience included window dressing for prominent retailers like Barneys New York and Anthropologie, which eventually led her to Los Angeles. In L.A., she transitioned into set design, a field that allowed her to combine her passion for storytelling with design. In 2015, Goodrich co-founded Sing-Sing Studio with her husband, Sean Pecknold. This studio specializes in large-scale film and advertising sets, site-specific art installations, and sculptures. More recently, Sing-Sing Studio has expanded its scope to include interior design and the production of small-batch furniture, launched in 2022 under the brand name Sing-Thing. Goodrich's background deeply influenced her approach to design; her family lived above her artisan father’s woodworking and antiques restoration business, fostering an early appreciation for materiality, construction, and craftsmanship. She describes herself as a “spatial designer,” a role that encompasses creating immersive worlds for various media, from photo shoots and commercials to films, and also extends to installations and public sculptures. Her foray into set design began with a film collective, leading to commissions for commercials, such as a Lavazza campaign that featured costume design, a custom espresso-cup chair, and a vibrant use of colors and shapes. Recognizing her growing interest in interior spaces, she pursued further education in interior design and architecture at UCLA Extension. Her first interior design commission was for Wine & Eggs, a bodega in L.A.'s Atwater Village, which she designed with inspiration from small French grocery shops. This project subsequently led to the design of Dreams, a nearby lifestyle store, which Goodrich imbued with a surrealistic quality, reflecting her belief in the power of dreams and her desire to avoid being conventional. She also designed the first brick-and-mortar store for the online fashion retailer Lisa Says Gah! Goodrich's design aesthetic, characterized by ice-cream and terra-cotta colors, distinctive materials, and patterns, draws inspiration from mid-century Italian style, particularly Gio Ponti, as well as artists and designers like Josef Albers, Jean Arp, Merce Cunningham, Charles and Ray Eames, Alexander Girard, and India Mahdavi. Goodrich’s design philosophy emphasizes creating playful, collaborative environments, exemplified by her office project for iam8bit, a media production company. Her debut furniture collection, Sing-Thing, is handmade in L.A., primarily from cherrywood and colorful high-pressure laminate. She describes the collection as a blend of artistic influences, picturing “a wet Sophie Taeuber-Arp painting that’s fallen on top of a Charlotte Perriand table.” The collection aims to create accessible and livable pieces for her friends, reflecting her commitment to practical yet artful design. Her work across various disciplines consistently demonstrates a vibrant, imaginative, and highly personal approach to design. #AdiGoodrich #SingSingStudio #SpatialDesign #InteriorDesign #FurnitureDesign #SetDesign #ArtInstallation #LosAngelesDesign #MultidisciplinaryDesign

Alain Gilles has redesigned the 'BuzziBlinds' for BuzziSpace, transforming the popular sound-absorbing room partitions introduced in 2011. The updated BuzziBlinds offer an expanded range of possibilities for defining and redefining spaces, drawing inspiration from modernist architecture to incorporate rhythm and tonality through the orientation of V-cut blinds. This redesign addresses the challenge of creating visually lightweight partitions despite their repetitive elements, a key consideration for open-plan environments. The new BuzziBlinds are free-standing room dividers composed of five rotating acoustic blinds. These blinds can be adjusted with a simple twist, allowing users to vary the degree of openness or closure, thereby controlling privacy and sound absorption. This flexibility empowers individuals to customize their immediate environment, fostering concentration for specific tasks. The design evolution focused on making these spaces more personalized and adaptable. A significant aspect of the redesign involved completely re-envisioning the visual impact of the blinds. To prevent a visually heavy appearance, the dimensions of the blades were made wider, and their top shapes were reworked. BuzziSpace's innovative V-cut technique was employed to create intricate patterns on the outer material of the blinds. These patterns are subtly revealed by the interplay of light and shadow on the V-cuts, which are made in thick, sound-absorbing felt, adding a dynamic visual element that shifts with ambient light. The refreshed collection introduces four distinct shapes for the BuzziBlinds, each featuring various V-cut patterns directly carved into the BuzziFelt material. A notable feature is the ability to apply different colors to each side of the blinds, creating intriguing visual effects when partially opened. Furthermore, by rotating just two blades, new differentiated shapes and patterns can be formed within a single blind, and individual blinds can be fitted with unique colors. This extensive customization allows for an almost infinite array of configurations, providing architects and end-users with a powerful tool for creative expression. Constructed with a powder-coated metal baseplate and blinds featuring an aluminum core covered in recycled BuzziFelt, the partitions come in two heights: 150 cm (59.1 inches) and 185 cm (72.8 inches), with a common base of 149 x 49 cm (58.7 x 19.3 inches). The design also includes curved base plates, enabling the creation of full-circle partitions for unique spatial arrangements. The versatility of the BuzziBlinds makes them suitable for various settings, including open-plan offices, where they can make a significant statement through the strategic use of contrasted sides. This project highlights Alain Gilles's commitment to combining aesthetic design with practical functionality, offering innovative solutions for contemporary interior spaces. #AlainGilles #BuzziSpace #RoomPartitions #SoundAbsorbing #MovablePartitions #InteriorDesign #AcousticDesign #ProductDesign #ModernistArchitecture

Speaker design studio Silence Please has established its first showroom and listening space in a New York City loft, located in Manhattan's Bowery neighborhood. The extensive loft space is designed to function as a multi-purpose environment, featuring a showroom and seating area at the front, with a record shop named Duty Free Records and a tea room situated towards the back. Silence Please specializes in designing and producing high-fidelity, analogue speakers, which are characterized by their array of materials and distinct horns. The studio took the lead in the interior design of this new space, aiming to create an inviting, home-like atmosphere while simultaneously offering an elevated experience for visitors. The design philosophy was to foster a deeper connection to sound and create a unified space for listening and discovery, balancing an approachable, domestic feel with a dreamy, liminal quality. Upon entering the second-floor walk-up, visitors find a large open space with white-painted walls and an exposed ceiling. The front of the space features tripod speakers, along with tables and chairs designed in collaboration with Brooklyn studio Graine Studio, overlooking Bowery Street. Two dark-washed dining tables by Graine Studio are centrally placed on a black rug that extends towards the dedicated listening area. This intimate section is furnished with black leather Togo sofas, a small wooden dining table, a potted tree, and brushed aluminium speakers fitted with bright white horns. Silence Please aimed to present its speakers in a way that evokes the comfort of a large living room. The studio expressed a desire to merge a gallery aesthetic, recognizing the speakers as art, with the soft and intimate ambiance suitable for personal listening. This juxtaposition of gallery and intimate living space is considered a unique aspect of the design. A white dividing wall partitions the listening area, enclosing one side of the Duty Free Records vinyl shop, which is centrally positioned within the floor plan. Two passageways lead into the record shop, which is outfitted with thin display shelves, crates of records, and seating options. Beyond the record shop, the rear of the Silence Please space houses a tea room, furnished with smaller, boxy, geometric furniture pieces also from Graine Studio. A countertop is located to one side, while operational areas are discreetly concealed behind a white curtain, and a workbench is tucked into the furthest corner. The space is further enriched by artwork from various artists, including French abstractionist Frédéric Heurlier Cimolai. The main listening room serves as a platform for artists and the broader New York community, with the overarching goal of balancing sophistication with warmth to encourage engagement and connection among visitors. This initiative follows Silence Please's recent participation in the first New York iteration of the Collectible design fair, and the establishment of the space reflects a growing trend in dedicated listening environments. #InteriorDesign #Showroom #ListeningSpace #NewYorkCity #SpeakerDesign #RetailDesign #TeaRoom #RecordStore #LoftConversion

This article highlights six innovative acoustic products featured on Dezeen Showroom, designed to effectively control noise levels in various interior spaces. The featured products range from disguised acoustic panels that double as wall decor to dedicated solo work booths and specialized ceiling tiles, all contributing to quieter and calmer environments. The increasing demand for noise-dampening solutions stems from the prevalence of open-plan offices and mixed-use spaces, but acoustic products are also gaining traction in educational, healthcare, and hospitality settings. These products typically incorporate compressed fibers such as felt, wool, or foam, which are known for their sound-absorbing properties. A notable trend in their manufacturing is the growing use of sustainable materials, with recycled PET plastic becoming a common component in felt, and natural wool maintaining its popularity due to its renewable origins. One of the highlighted products is the Buddyhub desk by Busetti Garuti Redaelli for Pedrali. This enclosed desk features an integrated, three-sided screen that provides both privacy and sound dampening. Available in various colors and with optional accessories, the Buddyhub desk can be adjusted for both seated and standing use, making it versatile for different work styles. Another innovative solution is the OmniRoom room-in-room system by Mute. This modular system, designed by architects, allows for the creation of functional, noise-regulated zones within open-plan workspaces. The system includes modules for meeting rooms, private offices, and breakout lounges, all equipped with acoustic systems to manage sound effectively. Narbutas introduces the Parthos acoustic column, a tubular piece of furniture that serves multiple purposes: dampening noise, providing decorative elements, and offering storage. This column comes in 12 colors and three heights, allowing for customization to suit different interior aesthetics and functional needs. For individual focus, Room's Phone Booth acoustic pod offers a quiet zone for solo work and phone calls. This single-person booth is constructed with three sound-absorbing layers—MDF, PET felt, and natural wool—which collectively reduce noise levels by 30 decibels, according to the manufacturer. This makes it an ideal solution for minimizing distractions in bustling environments. Woven Image presents the Fuji acoustic ceiling tiles, inspired by Art Deco and Japonisme design periods. These dish-shaped tiles are designed to be mounted on the ceiling, controlling noise and allowing for diverse pattern configurations to complement interior design schemes. Their aesthetic appeal combined with acoustic functionality makes them a versatile option. Finally, the Abstracta x Wall of Art collaboration features acoustic art prints that combine visual appeal with sound absorption. These wall art pieces have a sound-dampening fabric backing, effectively controlling noise while also serving as decorative elements. This integration of art and acoustics provides an elegant solution for improving sound quality in interiors. Each of these products demonstrates a commitment to enhancing the acoustic comfort of modern interior spaces while often incorporating sustainable materials and thoughtful design. #AcousticProducts #InteriorDesign #NoiseControl #OfficeFurniture #SustainableMaterials #ModularSystems #WorkplaceSolutions #CommercialInteriors #DesignInnovation

Skyfold is a prominent manufacturer specializing in innovative, custom, and electrically operated vertically folding retractable walls. The company positions itself as a leader in acoustic solutions, offering flexible space management systems that allow for the rapid division or expansion of rooms. Their products are designed to serve architects, contractors, and end-users, providing a versatile approach to interior design and functionality. A key feature of Skyfold walls is their easy-to-use, self-retracting system and vertical motion, which enables quick reconfiguration of spaces. Skyfold walls are not merely functional partitions but also integrate aesthetic design elements. They offer a wide array of finish options, allowing for customization to complement or enhance a space's existing design. These options include practical surfaces such as whiteboard writing finishes, providing added utility. With over 7,000 installations globally, Skyfold has established itself as a preferred choice for professionals in architecture, construction, and interior design seeking premium, adaptable solutions. Commitment to sustainability and indoor environmental quality is a core aspect of Skyfold's operations. Since 2015, the company has been a certified member of the U.S. Green Building Council (USGBC). Their products and solutions are designed to contribute to LEED (Leadership in Energy and Environmental Design) program credits across six categories, reflecting their dedication to environmentally responsible building practices. This focus on sustainability aligns with growing industry trends towards green building and healthier indoor environments. In terms of performance, Skyfold offers the broadest range of Sound Transmission Class (STC) ratings in the industry, with values reaching up to STC 60 (Rw 59). This high level of soundproofing ensures privacy and comfort for occupants, making their walls suitable for diverse applications where acoustic control is crucial. The company provides a variety of product series, including Zenith®, Classic™, Zenith® Premium, and Mirage®, each tailored to specific requirements and design preferences. Additionally, specialized products like Retractable Walls for Stepped & Sloped Spaces and Markerboard Finish for Folding Walls demonstrate their capacity for addressing unique architectural challenges. Skyfold's offerings are supported by comprehensive technical guides, illustrating how their movable walls integrate with broader design principles and standards, such as the WELL Building Standard. The company also provides BIM (Building Information Modeling) objects for many of its products, facilitating seamless integration into architectural workflows and digital design processes. This commitment to advanced design tools and technical support underscores Skyfold's role as a comprehensive solution provider in flexible space design. #FlexibleSpaces #OperableWalls #AcousticDesign #InteriorArchitecture #SustainableBuilding #LEEDCertified #BIMIntegration #SpacePlanning #ArchitecturalSolutions

The increasing prevalence of open-plan office layouts and the conversion of non-traditional buildings into workspaces have highlighted a growing need for effective acoustic solutions. Traditional office environments often struggle with excessive noise, impacting productivity and comfort. Addressing this challenge, Turf Design and MNML have collaborated to create Crease, a new line of modular acoustic ceiling tiles. These tiles are specifically engineered to mitigate noise issues and manage sound levels and frequencies across different areas within an office setting. A key innovation of the Crease range lies in its unique installation mechanism. The tiles are designed with magnetic attachments that allow them to easily snap onto a grid system. This grid can be directly affixed beneath existing ceiling tiles, providing a flexible and adaptable solution for various architectural configurations. This design choice simplifies the installation process and offers versatility in integrating the acoustic solution into diverse interior designs without extensive renovation. Beyond their functional attributes, the Crease tiles contribute to the aesthetic appeal of a space. They introduce dimension and texture to ceilings, transforming what is often a flat and overlooked surface into an element of design. The three-dimensional quality of the tiles adds visual interest, moving beyond purely utilitarian acoustic panels to become an integral part of the interior's visual language. This ensures that the acoustic solution not only performs its primary function but also enhances the overall design scheme. Sustainability is a core component of the Crease product. The tiles are manufactured from recycled polyester plastic, with a significant portion of the material derived from repurposed water bottles. This commitment to using recycled content underscores an environmentally conscious approach to design and manufacturing. By utilizing post-consumer materials, the product helps reduce waste and minimize its environmental footprint, aligning with contemporary demands for sustainable building materials and practices. The Crease range offers a dual benefit: superior acoustic performance and enhanced visual aesthetics, all while adhering to environmentally responsible manufacturing principles. The modular nature of the tiles allows for customizable configurations, enabling designers to create patterns and layouts that complement specific interior themes and acoustic requirements. This adaptability makes Crease suitable for a wide array of commercial and office spaces, from bustling open offices to more private meeting rooms, ensuring a more comfortable and productive auditory environment for occupants. The integration of recycled materials further positions Crease as a forward-thinking solution in modern interior design. #AcousticCeilingTiles #ModularDesign #OfficeDesign #SoundControl #RecycledMaterials #SustainableDesign #InteriorDesign #TurfDesign #MNML

Open-plan living arrangements have gained significant popularity in Australia due to their relaxed and informal nature, ability to maximize natural light, and emphasis on indoor-outdoor connections. While these benefits are appealing, open-plan spaces can also present challenges, such as excessive noise and limited wall space. This guide offers expert advice on how to navigate these hurdles and optimize an open-plan home. One effective strategy for creating visual continuity in large open-plan spaces is the use of integrated joinery that seamlessly connects different zones. Christine Gough, an interior design leader, suggests this approach for both modern and traditional homes. Perth interior designer Judith Barrett-Lennard further recommends a specific paint and finish formula: matte walls, slightly lighter gloss architraves and trims, and satin-finish joinery one shade darker than the wall color. This method consistently achieves a cohesive look. When it comes to kitchen design in an open-plan setting, island benches are a practical choice. However, it is crucial to ensure these fixtures blend aesthetically with the overall space. Sydney interior designer Andrew Waller advises treating the kitchen island as a piece of furniture, linking its style to adjacent living areas to create a sense of connection through thoughtful detailing. Optimizing circulation space is vital in open-plan layouts. While the absence of corridors offers the advantage of making spaces feel larger, maintaining comfortable walkways between different zones is essential. Architect Brooke Aitken recommends at least 1.5 meters of clearance between kitchen, dining, and living areas, though acknowledging that some apartments may require adaptations. Working with the view is another key consideration. Interior designer Mikayla Rose emphasizes the importance of positioning elements to maximize visibility of the outdoors from as many angles as possible. Simultaneously, it is important to plan for television placement at the initial design stage, recognizing its common presence in most households. Artwork plays a significant role in defining and characterizing living zones within an open-plan environment. With fewer walls, artworks have a greater impact, helping to scale down large spaces and make them feel more intimate and comfortable. Consideration should also be given to sightlines, as furniture may be visible from various angles. Melbourne interior designer Camilla Molders suggests using different fabrics on the back of sofas for this reason, while Waller notes that consistent, relatively low-height furniture can work well, although taller pieces can also effectively serve as room dividers if chosen carefully. Effective clutter management is critical in open-plan homes. Rose highlights the necessity of incorporating both concealed and freestanding storage from the outset to improve living quality. Gough recommends keeping kitchen appliances and workings behind joinery and, if space allows, integrating a pantry or butler’s pantry. For smaller spaces, an appliance cupboard or kitchen trolley can free up benchtop space. Material selection is crucial for defining zones in the absence of physical walls. Interior designer Megan Brown stresses the importance of using delineating devices like rugs, lighting, and artworks. She advises varying materials, such as using hard surfaces for the kitchen and softer ones for relaxing areas, to create distinct moods and a layered, welcoming atmosphere. Lighting also serves as a powerful delineation tool. Molders suggests using a variety of lighting, from dramatic pendant lights over dining tables to intimate table lamps, to create different ambiances while maintaining a commonality in shape, style, or material to visually connect spaces. Noise control is a significant challenge in open-plan homes. It is essential to invest in quiet appliances for the kitchen, such as dishwashers, rangehoods, and washing machines. Rodney Manauzzi of Winning Appliances points to advances in appliance technology, including brushless motors and external rangehood motors, which contribute to quieter operation. Acoustic considerations extend beyond appliance noise. While soft furnishings, rugs, books, and window treatments help absorb sound, more robust solutions like in-wall insulation, bulkheads, panels, or specialized building products like Gyprock Soundchek may be necessary to achieve adequate acoustic separation. Finally, while open-plan living fosters connection, it is important to design spaces that allow for moments of quiet and privacy. Gough suggests creating "sense of remove" areas using modular furniture, arched lamps, small table groupings, bookshelves, or bay windows. Barrett-Lennard adds that fabrics, soft furnishings, and inviting textures can create intimate spaces within the larger room, offering a balance between togetherness and individual retreat. #OpenPlanLiving #InteriorDesign #HomeDecor #KitchenDesign #LivingSpaces #AcousticSolutions #StorageSolutions #FurnitureArrangement #LightingDesign

Audio Breakthroughs undertook a project to create a high-quality home theater in a basement while ensuring sound containment to prevent disturbance to the rest of the household. The client desired a reference-quality Dolby Atmos system that would allow for watching sports, family movie nights, and immersive audio experiences without noise complaints. The primary challenge was to engineer superior soundproofing and optimize acoustics in a basement setting. Spencer Clark, vice president at Audio Breakthroughs, highlighted the importance of combining innovative equipment with expert design to achieve both an exceptional theater experience and effective sound containment. The project involved a basement renovation, providing an opportunity for comprehensive acoustic design. The client was inspired by a 4K projection system featuring a Sony projector and a Stewart Filmscreen ALR Phantom screen during a showroom visit, leading to the decision for a dedicated home theater. However, concerns about sound quality and potential disturbance were central to the client's brief. Audio Breakthroughs collaborated with AcousticSmart to implement an engineered design focused on robust construction techniques and custom acoustic panels. This approach was crucial for establishing an ideal acoustic environment and isolating sound within the theater room. Key soundproofing measures included the use of mass-loaded vinyl barriers, QuietRock drywall, and resilient channels to decouple the theater's structure from the rest of the house. Speaker isolation boxes were also integrated to minimize vibrations and sound transmission. Additionally, optical glass was employed to discreetly conceal the projector, contributing to both the aesthetic and acoustic integrity of the space. Custom acoustic paneling was extensively used throughout the room, not only to absorb and diffuse sound but also to enhance the overall aesthetic. The careful selection of audio equipment was paramount to achieving the desired dynamic sound and vocal clarity. The system comprised an 11-channel Dolby Atmos setup, featuring components from Martin Logan, Anthem, and SVS. Martin Logan was chosen for its high-performance loudspeakers, known for their detailed and accurate sound reproduction. Anthem provided the processing and amplification, ensuring precise control and powerful delivery of the audio signals. SVS subwoofers were integrated to deliver deep and impactful bass, crucial for a truly immersive cinematic experience. This combination of high-quality components and meticulous acoustic treatment resulted in a home theater system that met the client's expectations for both performance and discretion. The successful integration of soundproofing and acoustic optimization allowed for a superb audio experience without compromising the tranquility of the rest of the home, making it one of Audio Breakthroughs' most acclaimed projects. #BasementTheater #AcousticDesign #Soundproofing #HomeTheater #DolbyAtmos #AcousticSmart #MartinLogan #AnthemAV #SVS #StewartFilmscreen

The open office floor plan, often compared to socialism in its utopian theory versus problematic practice, has been a dominant workplace design since the early 20th century. Visionaries like Frank Lloyd Wright, who implemented open designs in the Larkin Administration Building in 1906, and later Eberhard and Wolfgang Schnelle with their "office landscape" in 1950s Germany, aimed to foster communication and a sense of openness. However, these ideals were often distorted by companies seeking to maximize worker density, leading to crowded spaces with significant noise pollution and a lack of privacy. Robert Propst, in response to these issues, created the cubicle to introduce a degree of privacy, yet it failed to address the persistent problem of noise, which he ironically deemed "monolithic insanity" as it became widespread. Despite advancements in workplace design, such as incorporating natural daylight, improved air quality, and varied functional spaces (e.g., NVIDIA's platforms, Microsoft's treehouses, Google's slides), the open office remains prevalent, with an estimated 70% of the American workforce occupying such spaces. Decades of research consistently indicate that open offices negatively impact productivity, employee well-being, and trust, and can even increase costs. Some advocates, like Jan Hein Tiedema from EDGE Technologies, argue that open floor plans can succeed if noise is managed effectively through careful spatial planning and biophilic soundscaping. EDGE Olympic, their flagship building, features adaptable, multi-functional spaces and communal areas, along with dedicated quiet zones. Plantronics, a company with a history in critical audio technologies, independently discovered the open office's noise problem after investing in a new open-plan headquarters. They found that despite the visual appeal, extreme noise pollution rendered the space unusable for work, causing employees to abandon it. This experience led Plantronics to focus on noise, specifically the intelligibility of speech, which research shows significantly reduces productivity. They identified that unintelligible speech is less distracting, similar to the background chatter in coffee shops. Their journey to mitigate noise involved exploring various solutions, including sound absorption materials and traditional sound masking, both of which proved ineffective or even detrimental to employee well-being. Plantronics then turned to the concept of biophilia, a scientific hypothesis suggesting humans' innate connection to nature. Inspired by research from the Finish Center of Occupational Health, which found natural sounds, particularly water, to be highly effective in masking intelligible language without causing fatigue, Plantronics developed an innovative audio system. This system integrates natural sounds into the workplace through an intelligent grid of speakers and distraction sensors that adjust sound levels based on ambient noise. Additionally, physical natural elements like waterfalls and digital skylights are incorporated to enhance the biophilic environment. This approach has shown promising results; Plantronics' Soundscape product has reduced the radius of distracting speech by 60%, decreasing the distance at which intelligible speech could be discerned from nine meters to four meters. Internally, their Dutch headquarters achieved a top-five global ranking for employee satisfaction and workplace effectiveness, with a 15% increase in productivity and creativity. While it's too early to declare the open office dream fully saved, these soundscapes offer a viable solution to mitigate its primary drawback: noise pollution. #OpenOffice #WorkplaceDesign #NoisePollution #Soundscapes #Biophilia #Productivity #OfficeInnovation #Plantronics #EDGE Technologies