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Even the Kitchen Shelving in This Textile Designer’s Home Is Patterned
Molly Mahon, a pattern designer, has transformed her English country cottage into a vibrant and highly personalized home, showcasing her unique block-printed designs throughout. The cottage, which dates back to the 1600s in its oldest parts, underwent significant renovations a decade ago, including moving the staircase to improve flow and lowering ceilings to accommodate her tall husband. During this period, Mahon and her family lived in tents in the garden for eight months, an experience she now humorously reflects on as a time of simplified living.
Mahon's design philosophy centers on layering her own colorful fabrics and wall coverings, which she block-prints herself. She aimed to use her own creations, making the decorating process feel more intuitive. A prominent feature of her home's aesthetic is the extensive use of pink, specifically Farrow & Ball’s Pink Ground paint. Despite the cottage's forest location, which could make it feel dark, Mahon strategically applied pink in multiple rooms, noting its warm and comforting glow. She even admits that if she had her way, the entire house would be pink.
Her home is filled with accumulated furniture and objects from previous residences. Mahon actively engages in DIY projects, such as creating needlework cushions backed with fabrics from her studio. The fireplace mantel is adorned with paintwork inspired by the nearby Charleston estate, a historical gathering place for the Bloomsbury Group. In the kitchen, plain shelves are given an inexpensive yet distinctive touch with block-printed paper edges cut into scallops, demonstrating her resourcefulness with scrap materials.
The unstructured "skirt" lampshades found throughout the house are another example of her DIY approach, a design she loved so much that she began selling them. Mahon challenges the notion of craft being "granny-ish," emphasizing its transformative impact on her life. She also advocates for the use of bold patterns in tight spaces, such as hallways or staircases, to create a sense of depth and openness. Her own "ridiculously narrow" landing features oak leaf wallpaper, block-printed by her on-site, which effectively expands the visual space.
The primary bedroom embodies a maximalist approach with clashing prints. Mahon, disliking white rooms, used a large swath of fabric behind the headboard as an alternative to a four-poster bed or framed artwork, providing a safe and stylish solution. Simple slatted-wood bedside tables with glass tops are strategically placed to incorporate more soft furnishings. The children's bedrooms, designed with her own upholstered fabrics, are intended to be timeless, accommodating their growth through teenage years. Guest accommodations are flexible, with Lani's room, for instance, featuring two movable single beds to facilitate sleepovers. Each room is designed to have its own character while remaining comfortable for anyone, aligning with Mahon's overarching aim of creating an inviting and personal living space.
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