Decorator's Dream

Interior designer Bee Osborn shares the story and design choices behind her idyllic country cottage in the Cotswolds, a home that became a permanent family residence during the pandemic. The article details the extensive, yet thoughtful, renovations undertaken to transform a tired three-bedroom property into a warm, stylish, and functional living space. Osborn emphasizes the use of texture, natural materials, and practical space-saving solutions throughout the house. The renovation began with the property itself, which had been in the same family for years and was in need of updating. Osborn, initially looking for a rental, stumbled upon the cottage and felt an immediate connection, likening it to her childhood home. She purchased and moved into the cottage with her builders, who started gutting and rewiring the property immediately. The transformation of the kitchen is highlighted, where a tiny original kitchen was expanded by integrating an accessible barn. Osborn decided to maintain the barn's original sunken level and natural walls, creating a unique feature. Reclaimed materials were extensively used, including an old kitchen floor for the roof and a stripped-down original Crittall window that now forms doors. The flooring in the kitchen is 'Barnwood Floor' from Osborn Interiors, and the cabinets were custom-made by a local joiner with a natural, raw wood finish. High-end pendant lights from Pinch were a significant investment, balancing the rustic elements with smart design. The kitchen also features a TV snug with L-shaped seating made from repurposed fence planks, equipped with built-in USB plugs, and a mirrored TV from Picture Frame TV with a custom-painted frame. The dining room boasts a large, custom-made pendant from Hadeda, serving as a focal point within a nine-circuit lighting scheme that creates subtle pools of light. The main attraction is a resin and 10-year-old oak table, meticulously crafted over four months, which has proven both beautiful and practical. The Blue Room, inspired by an inky off-black wall in a previous office, features a sofabed custom-made to fit the space and contrasting with the dark wall color. Despite planning permission issues for French windows, a large window was installed. Linen fabrics, leather, and wicker are used throughout, reflecting Osborn's preference for natural materials. The living room maintains its original fireplace, with versatile hampers and baskets serving as storage and side tables. The paint color in this room is a custom mix, and artwork is sourced from antique markets. The master suite, initially a small room with limited space, underwent a significant redesign. Osborn removed the fireplace and stained glass window to reorient the bed and create space for an en-suite bathroom. The bedroom connects visually with the downstairs through wood-clad ceilings and walls from a reclamation center, and hidden cupboards are integrated throughout. The en-suite bathroom includes a second-hand eBay bath and discreetly placed loo. Expensive Porta Romana lights and Anthropologie wardrobe handles add luxurious touches. All bedrooms feature 100% linen sheets for a relaxed aesthetic. Finally, an outdoor 'Pod' by Sandman Homes, measuring 3m x 5m, is made from reclaimed wood, features a wildflower roof, an electric wood burner, and collected baskets, providing an additional charming space. Osborn's design philosophy prioritizes natural materials, thoughtful construction, and practical solutions, creating a harmonious and personalized home. Osborn's work can be further explored through her Instagram and website, OsbornInteriors.com. #InteriorDesign #CotswoldsCottage #HomeRenovation #NaturalMaterials #SustainableDesign #ReclaimedWood #SpaceSavingSolutions #CountryLiving #BeeOsborn

The Craftsman style, originating from the Arts and Crafts movement of the late 19th and early 20th centuries, emphasizes simple lines, nature-inspired details, and handcrafted elements. This style emerged as a reaction to the industrial age's mass production, advocating for functional and aesthetically pleasing interiors. Arts and Crafts pioneers like William Morris and Gustav Stickley championed a return to natural materials such as wood, brick, and stone, incorporating low-slung rooflines and open floor plans, which significantly influenced American home design, including Frank Lloyd Wright's Prairie Style. Craftsman decor is characterized by its simplicity and elegance, moving away from the ornate Victorian aesthetics towards more geometric lines and minimal ornamentation, often featuring natural motifs in textiles, objects, and furniture. Integrating the Craftsman style into a bedroom can transform it into a serene and inviting space. One key aspect is the use of nature-inspired shades, including browns, beiges, grays, and various greens, which complement the style's botanical motifs and natural materials. Wood, frequently left unfinished and unpainted, is central to this design, appearing not only in furniture but also in structural elements like beams and planks. The emphasis on clean lines reflects the "less is more" philosophy, where simple, natural wood furniture and minimal decor create a contemporary yet timeless feel. Natural building materials such as brick and stone are integral to achieving an Arts and Crafts aesthetic, often seen in rustic interior walls that contrast with lighter elements. Fireplaces, traditionally large and prominent in Craftsman homes, can be incorporated with wooden, stone, or carved surrounds, even if they are faux mantles. Stained glass is another distinctive feature, providing privacy while allowing ample light, often found in light fixtures, windows, and doors. Built-in cabinetry and bookshelves, typically crafted from rich woods, are common, offering both functionality and aesthetic appeal. Mission-style furniture, a synonym for Craftsman pieces, is particularly prevalent in bed frames with their characteristic multi-slatted vertical designs. These pieces blend seamlessly with various design styles, from contemporary to farmhouse. Architectural details like picture and chair rails, often made of wood, add another layer of Craftsman charm, providing slender shelves for decor or simply adding visual interest. The style also plays with contrasting elements, such as pairing a rustic brick wall with light, airy bedding and large windows. Botanical textiles, inspired by William Morris's famed patterns of plants and flowers, can be introduced through drapery or bedding. Similarly, wallpaper with repeating floral patterns can create a strong Craftsman statement. The value placed on individual craftsmanship means that handmade touches, such as quilted textiles or artisan furniture, are highly desirable. Carved details, though simple, often feature floral or botanical motifs, distinguishing Craftsman furniture from its Victorian counterparts. A focus on textures, especially those found in nature, adds depth to the neutral color palettes. Simple, well-constructed furniture pieces are preferred over overly ornate designs, with an emphasis on various wood finishes. Abundant natural light is a hallmark of Arts and Crafts homes, often achieved through large windows designed to embrace the surrounding landscape. The architectural style frequently features a horizontal orientation, with lower-slung furniture and pieces influenced by Eastern aesthetics from China and Japan. Lighting fixtures, particularly those with handmade glass or stained glass, provide soft, adaptable light. For those seeking a modern interpretation, lighter variations can incorporate contemporary furniture and softer floral bedding while maintaining the core principles of Craftsman design. #CraftsmanStyle #BedroomDesign #ArtsAndCraftsMovement #InteriorDesign #HomeDecor

This article offers 25 cottage decor ideas for creating a cozy and inviting home environment. It emphasizes incorporating personality-packed patterns, colors, and collections to achieve a style reminiscent of the English countryside. The recommendations cover various rooms and design elements, suggesting ways to blend new and vintage accessories for a unique cottage aesthetic. The article also briefly mentions farmhouse-style decor as an alternative. Specific ideas include using pastel or cool paint colors, such as the serene blue-green of Quiet Moments by Benjamin Moore, to add character. Quilts are highlighted as a means to introduce color and pattern, whether used as bedspreads, drapes, or stacked for warmth. Glass-front cabinets are recommended for displaying dishes and collections, with Palm by Farrow & Ball suggested for cabinetry paint. The article encourages the use of multiple patterned textiles, such as a chintz armchair paired with a buffalo check sofa, to add a feminine touch and visual interest. Architectural features are also addressed, with the suggestion to expose wood beams, especially when paired with white walls or zellige tile backsplashes. Displaying personal collections, like amateur seascape paintings, is presented as a meaningful and affordable way to decorate. Incorporating passed-down furniture and decorative pieces, such as vintage spongeware, is encouraged to give cottages a unique soul. Handwoven baskets are noted for their character-filled decorative potential, particularly when hung from ceilings in spaces like breakfast nooks. The article also suggests practical yet stylish elements like slipcovers for a relaxed living room feel, with white cotton duck slipcovered pieces paired with flea-market finds. Adding patterned wallpaper, such as romantic florals, and pairing them with complementary patterns like stripes or gingham is another key idea. For bathrooms, a sculptural claw-foot tub is recommended to layer on charm, with tongue-and-groove planks adding texture to a simple palette. Painting floors with a classic checkerboard pattern, for instance, a mint green and white in a dining nook, is proposed to add a graphic punch. Further suggestions include repurposing antique pieces, like former general store fixtures, for kitchen storage and adding plate racks for extra cottage charm. Embracing old house quirks like exposed studs for shelving and painting everything white can create an easy, breezy feel in coastal cottages. Similarly, sloped ceilings in attic bedrooms can be embraced to enhance coziness, using accent walls for dimension. The article also highlights focusing on whites and woods for a simple yet cozy design, using cheerful palettes like yellow and blue in tiny kitchens to make them feel open and airy. Hanging floral paintings is suggested as a year-round way to add colorful blooms, and installing beadboard paneling can introduce texture and a wainscoting effect to spaces like mudrooms. Finally, the article recommends selecting furniture with patina, such as mismatched painted pieces, to bring warmth and one-of-a-kind charm to a dining room. #CottageDecor #InteriorDesign #HomeDecor #VintageStyle #RusticCharm #ColorPalette #DIYHome #AntiqueFurniture #PatternMixing

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

In a period marked by global confinement and escalating concerns over environmental destruction, a new wave of visual artists is leveraging 3D rendering to construct utopian and fantastical environments. These digital creations, ranging from ethereal seaside homes to surreal, pastel-hued dreamscapes, have gained considerable popularity as individuals seek imaginative escapes from their daily realities. This trend is further fueled by the pervasive influence of the coronavirus pandemic, which has amplified the desire for alternate realities and a change of scenery, even if purely fictional. These digital spaces are not merely aesthetic exercises; they serve as a powerful outlet for imagination and a response to the contemporary need for escapism. Prominent figures in this emerging field, such as Paul Milinski of Vaulter and interior designer Charlotte Taylor, highlight the growing demand for these imaginative renderings. Taylor, who often collaborates with 3D artists to actualize her conceptual spaces, notes that these utopian settings tap into a fundamental human desire for novelty and wonder. This sentiment was evident during events like Offsite Online, a virtual design fair where designers, unable to physically produce and photograph their work, collaborated with visualizers to create digital photoshoots. This collaboration led to the emergence of highly imaginative and fantastical spaces, demonstrating the adaptability and creative potential of digital visualization in the design industry. The featured artists showcase a diverse range of approaches to creating these fantasy worlds. Charlotte Taylor, in collaboration with Riccardo Fornoni of Cream Atelier, envisions Villa Saraceni, an oceanside home seemingly carved from chalky white stone, blending realistic details with fictional architecture. Andrés Reisinger's work explores dreamlike spaces, such as a lilac room with an eye-shaped portal, emphasizing emotional connection over strict realism, and demonstrating how digital concepts can manifest in physical forms, as seen with his Hortensia Chair. Alexis Christodoulou, influenced by video game aesthetics, crafts sophisticated sun-dappled scenes with circular pools and craggy boulders, seeking to evolve the genre beyond conventional fantasy and sci-fi tropes. Barcelona-based Six N Five studio draws inspiration from Japanese culture to create tranquil tatami mat-lined rooms overlooking meticulously pruned gardens, designed to invite relaxation and meditation. Stefano Giacomello presents a striking living room against a rugged rock face, where furnishings appear bathed in intense desert sunlight, reflecting his minimalist and evolving aesthetic. Mue Studio's "Somewhere in the World" series offers idyllic, potentially nonexistent global locations, aiming to provide a peaceful 'rest stop' for viewers navigating a digitally saturated world. Kefan Weng, drawing inspiration from cinematic architecture and dreams, creates oddly scaled buildings hovering over dark waters, emphasizing the audience's individual interpretation. Paul Milinski designs whimsical scenes like "Work Party," filled with playful elements such as oversized balls and a blush pink sofa, intending to evoke infectious high spirits and transport viewers to potential future inspirations. Lastly, Davit and Mary Jilavyan's Sonora Art Village project features vibrant, geometric buildings and spiky cacti under blue skies, presenting an imaginary community in Mexico that offers a vivid contrast to the 'grey reality' of the pandemic. These artists collectively demonstrate the power of 3D rendering to fulfill the contemporary need for escapism, imagination, and utopian visions in design and art. #DigitalArt #3DRendering #FantasyInteriors #UtopianDesign #EscapistArchitecture #VisualArt #ArchitecturalVisualization #InteriorDesign #CreativeRendering

This blog post delves into a magical design dimension, drawing inspiration from the legendary illusionist Houdini and Yale’s 2010 book, 'Art and Magic.' The article explores the intersection of illusion, trickery, and creative design, showcasing a collection of decadent design pieces within deep shades and hidden corners. The featured items include furniture, lighting, and decorative objects that evoke a sense of mystery and grandeur. One of the central pieces highlighted is the '1085 Edition' chair by Kristalia, whose leather hide is intricately tied and stitched, reminiscent of Houdini’s iconic straitjacket escape. This piece sets the thematic tone for the entire collection, blending design with the art of illusion. The article then introduces dynamic lighting by Dutch duo Os & OOs, which subtly illuminates the space while its rope-style form creates an ominous, shaping presence. The second room of this curated space is characterized by a "flurry of magical boxes" resting on Philippe Starck-designed checkerboard flooring, adding to the theatrical ambiance. Among the showcased items, an Antonio Citterio 'Febo' chaise longue in dark velvet is noted for its slender form and abstract, secretive quality, enhanced by a hidden backrest. The 'Scrigno' container sideboard by the Campana Brothers for Edra contributes a hallucinatory atmosphere with its fragmented design. A dramatic scene is depicted with a smoking shotgun surrounded by tables resembling chess pieces, evoking the dangerous allure of Russian Roulette. This setup features pieces like the 'Graal' console table by Lapo Ciatti, an antique mirror, and various decorative elements that enhance the mysterious narrative. The article continues to describe how Kvadrat’s seamless blinds are used to conceal scenes, providing a minimalist and restrained finish. A spotlight focuses on the intricate pattern of Tom Dixon’s 'Smoke' rug for Ege, which establishes a deep and engaging mood within the room. Visionary illusions are further created through the strategic use of mirrors, archways, enclaves, and clever lighting, featuring pieces like 'Mirage' mirror panels by Tokujin Yoshioka and a 'Level' table by Cooperativa Panorámica. Another highlight is a thin Glas Italia table, positioned centrally to evoke the classic 'sawing a woman in half' magic trick. The Louis Weisdorf-designed 'Multi-Lite' pendant light by Gubi adds transformative intrigue, as its shape changes depending on the viewing angle. The final room of this magical dimension contains grand treasure chests and magical wares from prestigious brands such as Linley, Agresti, and Bertoni. The 'Bunch of Boxes' hanging cabinet by Ditte Hammerstrøm, doubling as an art piece, tempts viewers to explore its contents, concluding the journey through this illusion-inspired design world. #DesignIllusion #FurnitureDesign #MagicalInteriors #HoudiniInspiration #LuxuryDesign #InteriorStyling #ArtisticFurniture #DesignExhibition #ConceptualDesign

Sweet Cooie's, a confectionery in Congress Park, Denver, has opened its doors as a sister store to the popular Little Man Ice Cream, owned by Paul Tamburello. The shop, which underwent a renovation before its February opening, is designed as a tribute to Tamburello's late mother, nicknamed "Cooie." The interior design aims to encapsulate her elegant and refined personal style, transforming the space into a whimsical and enchanting jewel-box. This aesthetic choice is a deliberate departure from typical confectionery designs, emphasizing a high-style approach to creating a unique customer experience. The interior design was meticulously crafted by Melissa Friday of Denver-based Xan Creative, with a focus on achieving authenticity while incorporating a feminine touch to honor Cooie. The design invites patrons to linger and appreciate the intricate details throughout the space. The walls are painted in Sherwin-Williams' Meander Blue, accented with brass trimmings, providing a sophisticated backdrop. These elements highlight a range of beautiful and playful features, including a substantial marble countertop, sparkling light fixtures that contribute to the shop's ethereal glow, and a custom-built back bar. This back bar is thoughtfully lined with jars filled with gumballs, adding a nostalgic and charming element to the overall design. Complementing these features are wavy vinyl booths, which offer comfortable seating and introduce a contemporary yet inviting texture to the environment. A particular design highlight is the use of Amelia Lincrusta paintable wallpaper from Brewster Wallcovering Company, applied beneath the wooden chair rail. This wallpaper mimics the texture and pattern of pressed-tin tiles, adding a layer of historical charm and intricate detail without the weight or cost of actual tin. This choice further enhances the shop's unique blend of classic elegance and playful whimsy. The combination of these design elements with the alluring scents of handcrafted truffles and cotton-candy-wrapped waffle cones creates a multi-sensory experience that extends beyond mere confectionery consumption. The article suggests that the success of Sweet Cooie's lies in its ability to demonstrate that exceptional design, much like delicious ice cream, is more than the sum of its individual components; it is about the harmonious integration of style, atmosphere, and sensory delight. The article was originally published in the June/July 2017 issue of 5280 Home, indicating its focus on local design and home decor trends within the Denver area. This feature underscores the establishment's contribution to the local design landscape, presenting it as a source of style inspiration. The detailed description of the interior design choices provides insights into how a commercial space can be personalized and elevated through thoughtful design, creating an immersive and memorable environment for its visitors. The integration of personal history and a distinct aesthetic vision has resulted in a confectionery that is not only a place for sweet treats but also a destination for design enthusiasts. #InteriorDesign #ConfectioneryDesign #DenverDesign #RetailDesign #WhimsicalDecor #PaulTamburello #MelissaFriday #HomeDecor

The author shares her experience transitioning from a 'sad beige' or neutral home aesthetic to a more vibrant and maximalist 'dopamine decor' style. She initially embraced a minimalist, neutral palette influenced by Scandi, Japandi, and 'old-money' aesthetics, leading to a home dominated by shades of cream and flax. However, she was inspired by the colorful and textured home videos of Gabbi Deiuliis, a content creator known for her maximalist approach to interior design. This inspiration led her to question her adherence to neutral decor and consider embracing a more colorful environment. The article delves into the concept of 'dopamine decor,' which emphasizes creating spaces that evoke happiness and joy through the use of color, texture, and eclectic elements. Gabbi Deiuliis, a proponent of this style, highlights that the key lies in letting go of the need for everything to match. She explains that focusing on individual pieces that bring joy, rather than cohesive sets, leads to a more curated and personal aesthetic. Her favorite item, a dark brown tiled coffee table that is actually an outdoor piece, exemplifies this philosophy of choosing items based on personal affection. Deiuliis believes that the freedom from matching allows a space to feel more authentic and less constrained. Lucy Sutherland, Director of Insights & Trends at Temple & Webster, provides additional expert perspective. She suggests that the shift towards colorful and quirky decor is a natural evolution post-COVID-19, as people seek more joy and comfort from their living spaces after prolonged periods at home. Sutherland notes that cultural trends often see a rebound from prevalent styles, with maximalist and 70s-inspired interiors emerging as a counter-movement to the minimalist trends like Japandi and Scandi. She defines 'dopamine decor,' also known as 'Dollhouse Chic,' by its bold, vibrant colors, layered palettes, large statement pieces, and playful elements like curves, squiggles, and scallops. The author then details her personal home transformation, illustrating the changes she made to her rental apartment. Starting from a functional but plain 'sad beige' space with white melamine furniture and a small cream rug, she integrated elements of dopamine decor. She kept her neutral sofa but revitalized it with an assortment of mismatched, fun pillows and textured throws, taking Sutherland's advice to use cushions for adding character. Art was introduced as a 'lipstick of interior styling' to uplift the room, and the coffee table and TV unit were updated. Plants were also incorporated to add life to the space. The author emphasizes that the transformation was achieved on a budget, demonstrating that dopamine decor doesn't require expensive designer items but rather a focus on personal joy and intentional styling. The resulting space, while retaining some neutral elements, feels more personal and less like an 'empty shell.' Both Deiuliis and Sutherland offer practical tips for those looking to implement dopamine decor. Deiuliis advises against striving for perfect matches, encouraging the use of tools like Canva for mock-ups, seeking inspiration widely, avoiding fleeting trends, and fully committing to color choices. Sutherland's recommendations include thoughtful color scheme planning, creating focal points with statement pieces like rugs or art, starting small with design changes, and embracing both texture and pattern to add depth and vibrancy to a room. The article concludes with a curated list of products that align with the dopamine decor trend, ranging from side tables and coffee tables to vases, coffee table books, cushions, mirrors, and lamps, all available for purchase to help readers achieve a similar aesthetic. #DopamineDecor #MaximalistInteriors #HomeDecor #InteriorDesign #ColorfulHomes #StyleTransformation #RentalDecor #HomeStyling

This article details the journey of Ivy Karlsgodt, a former costume designer who founded Ace of Shades, a Brooklyn-based business specializing in handmade lampshades. During the 2020 COVID lockdown, Karlsgodt, laid off from her costume industry job, began making lampshades to personalize her apartment, driven by a long-standing appreciation for vintage glamour and maximalism. This newfound hobby quickly evolved into a passion, leading her to document her intricate lampshade-making process through videos shared on Instagram and TikTok. Her online presence rapidly cultivated a significant following, captivated by both the soothing nature of her process videos, often set to old-timey music, and the visual appeal of her finished products. These creations are characterized by unique color palettes and opulent combinations of silk, lace, beads, and fringes, drawing inspiration from Victorian, Art Deco, and Art Nouveau aesthetics, yet with a modern twist. Her work is also recognized for its meticulous, slow craftsmanship, a refreshing contrast to the fast and inexpensive production common in today's market. Karlsgodt's approach to learning the craft was largely self-taught, building upon her extensive professional background in sewing and hat-making techniques. She utilized instructional DVDs by Mary Maxwell for foundational knowledge but largely developed her own methods. She emphasizes that while her videos are crucial for business growth and exposure, she only records a fraction of her work, prioritizing unique or particularly ornate commissions due to her heavy workload. The recording process, although sometimes disruptive, is deemed worthwhile due to its impact on her business success. She notes that the formulaic nature of her videos and efficient editing help mitigate the time commitment. Her design process is iterative, often starting with a specific frame shape, fabric, or color combination, then building the rest of the design around that initial inspiration. She utilizes an iPad for detailed drawings, comparing various material and color options before finalizing a design and sourcing supplies. When working on commissions, she offers clients extensive involvement in the design process, often presenting multiple versions for their selection. Materials for her lampshades are sourced globally, including custom-made frames from LA, wholesale fringe and braid from Spain, and fabrics and trims from NYC's Garment District, Etsy, and eBay. She also prioritizes the reuse of vintage materials, such as old dresses or embroidery, to create unique lampshades. Karlsgodt expresses surprise at the unexpected evolution of her hobby into a full-fledged business, a path she had not initially envisioned for her career. Her proudest moment to date involved her work being licensed for Stevie Nicks' concert backdrop, a significant full-circle experience given Nicks' influence on her style. This unexpected journey highlights the power of combining traditional craftsmanship with modern digital platforms to build a successful and personally fulfilling enterprise. #LampshadeDesign #HandmadeCrafts #SocialMediaMarketing #HomeDecor #MaximalistDecor #DesignProcess #CostumeDesignInfluence #VintageGlamour #ArtisanEntrepreneurship

A-dormers offer a visually appealing alternative to traditional doghouse or shed dormers, particularly for homes requiring an exciting design element and enhanced weather sealing. These dormers are characterized by their gable wall aligning with the exterior wall of the house below, making them one of the few dormer types that appear aesthetically pleasing without being recessed into the roof. A-dormers are especially suitable for steeply pitched roofs, where they may provide minimal additional floor area but effectively accommodate tall windows and facilitate intricate cathedral ceiling designs. One significant advantage of A-dormers lies in their simplified exterior trim and inherent weatherproofing qualities. They typically feature a uniform soffit width and extended rakes that connect with minimal horizontal fascia, contributing to a clean and streamlined appearance. Unlike other dormer types, A-dormers integrate their entire roof into a valley with the main house roof, eliminating common detailing challenges such as cheeks, corner boards, or complex siding-to-roof flashings. This design characteristic not only simplifies the finishing process but also enhances their resistance to the elements. The initial framing steps for an A-dormer largely mirror those for other dormer types, commencing with the framing of the main roof. This involves erecting the gables, setting the ridge beam, and installing common rafters, with double or triple rafters specifically placed to frame the dormer openings. For a project on Block Island, Rhode Island, A-dormers were supported by 5-ft. high kneewalls that extended inward from the exterior wall, with beams in the ceiling below providing the necessary support. The process began by framing these kneewalls and setting all common rafters for the main roof outside of them. Due to the flush alignment of A-dormer gable walls with the wall below, specific common rafters must have their tails trimmed flush with the exterior-wall plate. A triangulation method, utilizing the dormer pitch and kneewall height, helps determine which common rafters require this flush cut and which need full tails to support the fascia between dormers. Subsequently, the gable faces of the dormers are framed. This involves snapping lines on the subfloor to delineate the top and bottom plates and king studs, then framing the walls according to these lines before lifting them into position. This method is a scaled-down version of raising a main gable. The project dormers had a steep 24-in-12 pitch, necessitating 64° bevel cuts for the tops of the studs, a task that often exceeds the capacity of standard saws. For efficiency, studs for the narrow dormers, numbering approximately eight per dormer, were mass-produced by stacking them on edge and gang-cutting them, using an 8 1/4-inch circular saw or a regular saw supplemented with a reciprocating saw for completion. Following this, dormer ridge heights were established from the architectural plans, and headers were installed between the doubled common rafters on each side of the dormers, supported by hangers. After plumbing the gables, ridge boards were cut, laid out, and nailed. A pattern rafter was then created and tested, followed by the installation of a pair of rafters on each dormer gable. Short studs were cut and installed under these gable rafters, outside the kneewalls, to serve as nailers for the sheathing and to connect the common-rafter ends to the dormer's gable rafter. Finally, the sheathing from the main house was extended onto the dormer gable, completing the structural framing. #A-dormers #DormerFraming #RoofFraming #NewEnglandArchitecture #HomeConstruction #Weatherproofing #BuildingTechniques #SteepRoof #FramingMethods

The author, Jaime Derringer, details her experience redesigning her master bedroom with the help of Homepolish, a design service. She explains that, unlike previous homes where she prioritized public spaces, she was determined to create a "grownup" master bedroom in her new residence. The design process began with a consultation with Orlando Soria, an LA-based Homepolish designer, who had previously worked with Emily Henderson. The collaboration involved phone discussions, a visit to the author's home for measurements and idea exchange, and the creation of a Pinterest board for inspiration. The Homepolish service model is highlighted, which includes a small consulting fee and an hourly rate, along with access to discounts from partner brands. The initial inspiration board presented by Orlando Soria featured various design elements. However, many of the suggested products were deemed impractical for a home with a toddler, such as a mirrored dresser and pendant bedside lamps. This led to a revision of the product selection, focusing on items that aligned with the author's practical needs and aesthetic preferences. Key design decisions included selecting a specific bed that became the room's centerpiece, opting for wall sconces from FLOS, and a rug from West Elm. The author also desired a sofa at the foot of the bed due to the room's deep layout, choosing a cotton candy pink sofa from CB2 for its size and aesthetic appeal. As products were chosen, the mood board was continuously updated to reflect the actual items being incorporated into the design, helping the author visualize the evolving space. The redesign also involved sourcing artwork, with the author utilizing Saatchi Art's advisory service to select a large piece by UK artist Aimie Herbert called “Something Else.” To complement this artwork, a large white dresser from AllModern was chosen. Custom window treatments were acquired from Barn & Willow, and luxurious white bedding from Parachute completed the textile elements. The final mood board integrated most of these chosen products, with the wall mural being the only element still in progress. The author acknowledges the challenges inherent in a full room redesign, such as damaged products, sizing issues, discontinued items, budget constraints, and delays. Despite these obstacles, the process was described as manageable with proper planning, patience, and the supportive guidance of the designer, Orlando Soria. The article concludes with an anticipation of the final reveal and a source list for the products used, encouraging readers to explore Homepolish for their own design needs. #InteriorDesign #MasterBedroom #Homepolish #HomeDecor #DesignProcess #Furniture #Artwork #Textiles

Faye Toogood, a British designer, has launched her latest furniture collection, "Lucid Dream," showcased at two New York galleries: The Future Perfect in the West Village and TIWA Select in Tribeca. The exhibition runs from May until June 21, coinciding with the NYCxDesign festival. The collection is notable for its fusion of fine art and furniture, with each piece individually hand-painted by Toogood herself in her London studio, following fabrication by small-scale artisans. "Lucid Dream" presents an experimental and intuitive approach to artmaking, utilizing existing furniture lines such as the Roly Poly Dining Table set and the Gummy furniture line as canvases. Toogood enhances these pieces with expressive and often haphazard painted motifs and shapes, giving them a sculptural quality. David Alhadeff of The Future Perfect characterized the collection as evoking the atmosphere of a "moody evening with Faye," highlighting its vibrant creative energy and expressive color palette, particularly evident in the living space display at The Future Perfect. At the TIWA Select gallery, the nocturnal influences of "Lucid Dream" are emphasized, with Toogood showcasing crumpled lighting made from Japanese paper. These lighting pieces are also adorned with linear improvisations, demonstrating the designer's distinctive artistic style. Alex Tieghi-Walker, founder of TIWA, expressed his belief that "Lucid Dream" underscores the significance of handmade, one-off design. He further remarked on Toogood's ability to bridge the conceptual gaps between two galleries, each with distinct philosophies regarding design and craft, through a cohesive body of work. The collection’s methodology involves a deeply personal touch, transforming functional furniture into unique art objects. Toogood's practice combines industrial design principles with fine art techniques, resulting in pieces that blur the boundaries between the two disciplines. The exhibition aims to offer visitors an immersive experience into her creative process, where each piece tells a story through its spontaneous and dreamlike aesthetic. This approach not only showcases Toogood’s artistic vision but also champions the value of bespoke craftsmanship in an era of mass production. Overall, "Lucid Dream" serves as a testament to the power of artistic expression within functional design. Toogood’s decision to hand-paint each item ensures that every piece is distinct and imbued with an individual character, reinforcing the concept of art as an integral part of daily living. The dual exhibition across two prominent New York galleries highlights the collection's versatility and its capacity to engage with different interpretive spaces, from the domestic setting of The Future Perfect’s townhouse to the more art-focused environment of TIWA Select’s studio. #FayeToogood #LucidDream #FurnitureDesign #FineArt #HandPainted #NYCxDesign #TheFuturePerfect #TIWASelect #Exhibition

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

The article explores how to incorporate Art Deco style into contemporary bedrooms, emphasizing subtlety and knowing key references to avoid a 'themed hotel' look. Art Deco, an influential design movement from the 1920s, is characterized by rich materials, elegant shapes, and bold patterns. The piece highlights eight distinct approaches to achieving a modern Art Deco aesthetic. One key method involves introducing burled wood furniture, particularly for headboards. Burled wood, valued in the Art Deco era for its exoticism and decorative veneers, provides a timeless depth that bridges contemporary design with nostalgia. Designers Justin Capuco and Brittany Hart note that selective use of burl adds subtle texture and highlights key pieces, with its maximalist patterning and a combination of graphic straight lines and curves creating a streamlined Art Deco feel. Another technique is to use wicker, which experienced a renaissance during the Art Deco period. While traditional wicker designs featured bold geometric forms and intricate detailing, modern interpretations balance these classic elements with a more pared-back simplicity. Interior designer Nicole Dohmen used a wicker cabinet in a bedroom to introduce playful curves and soften the overall look, demonstrating how to blend heritage with modern design elements effectively. The article also suggests mixing straight lines and curves to achieve a cohesive Art Deco style. Interior designer Yana Molodykh, who admires Art Deco for its creative freedom and geometric characteristics, used striped wallpaper as a foundation and layered contrasting shapes. Rounded bedheads, plush rugs, and vintage artwork softened the dynamic patterns, creating a space that subtly nods to the Art Deco era while maintaining a contemporary feel. For those seeking a more extravagant Art Deco feel, mixing patterns is recommended. Oscar Lucien Ono's design for the Maison Cassandre Hotel in Paris combined embossed walls and leopard-print lampshades with neoclassical statues, creating a 'cabinet of curiosities' spirit. Bold geometric motifs and varied pattern scales contribute to a rich and sophisticated Art Deco scheme. Classic Art Deco wallpaper is another effective way to infuse the style. Jamie Watkins, co-founder of Divine Savages, explains that Art Deco wallpapers feature bold geometric patterns, symmetry, rich jewel tones, and metallic accents, bringing glamour and sophistication. These wallpapers work as a strong focal point, easily combined with other wall coverings like paneling for added texture. The strategic use of black as a contrast is also highlighted. Oscar Lucien Ono incorporated black picture rails throughout the Maison Cassandre Hotel bedrooms, creating a stark contrast with lighter, golden tones. This detail, reminiscent of Art Deco frames, punctuates the space with visual rhythm and elevates it with a timeless, luxurious character. Built-in furniture offers another avenue for Art Deco integration. Small design flourishes in handles or closet door styles can evoke the era. Jacu Strauss, creative director of Lore Group, designed hotel apartments with octagonal and hexagonal shapes reinterpreted in headboards and wardrobe mirrors, using warm materials like bookmatched burl wood to blend simpler geometric patterns with luxurious elements. Finally, decorative lighting is crucial. The article emphasizes the Art Deco approach to lighting, which put fixtures center stage. While some modern pieces might lean towards Art Nouveau, the principle remains: choose lighting that is decorative and bold. The use of a Murano chandelier, described as capturing bohemian elegance, exemplifies how statement lighting can serve as a dreamy counterpart to rich textures and patterned walls, enhancing the overall Art Deco charm. #ArtDeco #BedroomDesign #InteriorDesign #LuxuryInteriors #HomeDecor #DesignTrends #Wallpaper #FurnitureDesign

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

Dane Pressner, the design director of D’Aquino Monaco in New York, maintains a compilation of samples, swatches, and inspirational images to constantly fuel his design ideas. His current mood board reflects a "moody and dramatic" aesthetic, characterized by saturated hues and diverse textures that, despite their apparent disparity, cohere harmoniously. Pressner emphasizes the importance of storytelling in design, noting that each element in his palette has a narrative, connected by his appreciation for craft, color, and the making process. He seeks to create a serene foundation, then introduces a contrasting element to add dynamism. Pressner details 20 specific items from his current inspiration. These include the "Victoria" fabric in denim by The Sign, valued for its saturated color and tactile quality, and the whimsical "Argo 2" fabric by Raf Simons for Kvadrat, chosen for its incredible color and playful nature. He incorporates "Anaconda Velvet" fabric in Petrol by House of Hackney, drawn to its symbolism of rebirth and transformation, and describes it as both luxurious and "menacing." Wood samples like "Iced Grey Fir" and "Iced Barn Wood" from Barn in the City are included for their "showstopping" potential. Artisanal elements such as glazed lava stone samples by Ian Felton Studio are highlighted for their sophisticated palette and Felton's understanding of proportion. Joseph Algieri’s "Large Cactus Foam Lamp" samples are noted for sparking joy with their unconventional green color. "Judy Stripe" wallpaper by Voutsa creates an illusion of draped fabric, which Pressner imagines Mame Dennis would have used. The "Series 108 Hardware Suite" by D’Aquino Monaco for SA Baxter, inspired by Francine Monaco and vintage automobiles, is praised for its versatility across modern and traditional interiors. Further inspirations include the "Lapis Glaze" sample by Danny Kaplan Studio, which features archaic yet modern forms and stunning new glazes, and metal finish samples by Alexandr Zhikulin of Lanin Design, whose straw marquetry interpretation in metal showcases boundless talent. Minimalist and sophisticated "Maykume Wood Panel" samples in Gris Noir by May Furniture are chosen for their texture and tone. The "C-Thru 2 lamp" by The Alpha Workshops, hand-cast in plaster with an aluminum-leaf faux bois finish, is appreciated for its beauty and the non-profit's mission. Pressner expresses an obsession with Pierre Frey's "Majestic" fabric in Noir & Or. Élitis's "Panama" wallpaper in Dandy is his go-to for natural textures, particularly the wild ones, envisioning an entire room in this black and natural grass cloth. "Raphia Rosace" wallcovering in Polaire by CMO Paris is described as magical, evoking an island ambiance due to its hand-crafted, 3D raffia. Custom hand-knotted zebra-print flat weave rugs by Tai Ping are valued for showcasing visible craftsmanship, which Pressner finds grounding. "Rialet Rug" samples by La Manufacture Cogolin are a "must-use" for their captivating color combinations. "Strata Linea Stone Plank Tile" by Clé Tile is appreciated for its innovative use of repurposed stone remnants, warmth, and color. "Sheepskin Upholstery" in Shadow by Opuzen is a frequently used fabric for its cozy texture and adaptability. Finally, "Armor Side Table Chain Mail" samples in Satin Nickel by Konekt are admired for their paradoxical ability to be both cold and soft, fitting into any decor scheme. #InteriorDesign #DesignInspiration #MoodBoard #TextileDesign #MaterialSelection #ArtisanCraftsmanship #HomeDecor #ColorPalette #SurfaceDesign