This eclectic Ahmedabad home is Moroccan in spirit

The article explores the transitional design style, which combines traditional and contemporary elements, in the context of the Pakistani Ambassador's residence. This eclectic approach to design is gaining popularity in residential and commercial spaces. The residence, built in 2007 as part of the Pakistani embassy complex, was designed by Indonesian architect Adhitya Sasongko in consultation with Pakistani architects. The house is an L-shaped, two-story structure connected to the embassy. The architectural inspiration for the residence draws from Islamic architecture, featuring mosaic-tiled round domes and geometrical patterns reminiscent of the Mughal era. A prominent round dome silhouette adorns the entrance facade. The interior's modern aesthetic is achieved through a beige and white color palette, which contributes to a bright ambiance. The layout centers around a large sitting area, which leads to a high-ceiling dining room and a guest room. The sitting area is conceptually divided into three islands and benefits from abundant natural light provided by a skylight. This space exemplifies the transitional eclectic interior style, showcasing a mix of Pakistani fine artworks alongside Indonesian and oriental-themed decorative items. Ambassador Mohammad Aqil Nadeem and Madame Tahsina Aqil, who host many social functions in the residence, have a significant influence on the interior. Madame Tahsina Aqil, with a background in art and an interest in interior design, personally undertook the interior decoration of the house, incorporating suggestions from her husband. She describes her decorating style as transitional eclectic but appreciates other styles like minimalist and modern designs. Her approach prioritizes comfort and visual appeal for occupants, ensuring ample space for movement within the house. The couple are art collectors, and many of the artworks displayed in the residence reflect the social, cultural, and political history of Pakistan. Notable pieces include a canvas print by the renowned artist Sadequain, known for his murals and calligraphy, and two pen-and-ink sketches by Pakistani painter Abrar. These art pieces contribute to a harmonious contrast within the home. For the Ambassador and Madame Aqil, successful home design balances comfort, elegance, and style. They carry meaningful decorative items, such as handmade Pakistani rugs, paintings by famous Pakistani artists, and pieces representing their heritage, as they move between diplomatic postings. The transitional eclectic design of the residence provides a distinctive and original character, proving practical for their diplomatic lifestyle, which requires frequent relocations. Madame Tahsina highlights how this style allows her to integrate furniture acquired from previous occupants, efficiently addressing the challenges of furnishing a new residence every three years. The design philosophy embraces versatility and adaptation, making it suitable for a transient yet distinguished diplomatic life. #TransitionalStyle #PakistaniResidence #InteriorDesign #IslamicArchitecture #EclecticDesign #ArtCollection #DiplomaticResidence #HomeDecor #ArchitecturalDesign

Interior designer Dina Sebti undertook the redecoration of a 1960s Casablanca home, originally reimagined by architect Jacqueline Alluchon, who founded Casamémoire to preserve Casablanca’s architectural heritage. Sebti's primary challenge was to modernize the 1,500-square-meter property while respecting its historical integrity. Upon her initial visit, Sebti noted the house's serene, cocoon-like atmosphere, enhanced by birdsong from the garden and a spacious layout. A significant feature that captivated her was the extensive art collection, which provided a strong visual and emotional identity to the space. The homeowner is a notable art collector, and the brief emphasized creating an environment that could stylishly and sensitively showcase their collection. This collection includes significant works by Moroccan masters such as Mohamed Melehi, Chaïbia Talal, Mahi Binebine, and Hassan El Glaoui, alongside pieces by European artists like Picasso, Miró, and Buffet. A key issue identified was the lack of natural light on the ground floor and the need to update some finishes. Sebti aimed to introduce clarity and modernity without compromising the home's authentic character, fulfilling the client's desire for a comfortable, accessible, and bright living space. Sebti maintained her admiration for Alluchon’s original interior architecture, particularly her well-planned layouts and striking ceilings. Consequently, Sebti preserved the existing ceiling designs, intricately inlaid floors, and original woodwork. Her focus was on restoring the finishes that were part of Alluchon’s earlier renovation. Room functions were reconfigured to align with the client’s contemporary lifestyle, and bathrooms, electrical systems, and lighting were upgraded. The interiors were refreshed with a palette of warm neutrals and rich earthy tones, complementing the home's style and location, and fostering the tranquil atmosphere the client desired. To address the issue of insufficient natural light on the ground floor, Sebti implemented several strategies. She applied a silver-leaf finish to the ceilings, which introduced a soft, reflective quality that distributed light more effectively. The walls were painted in a creamy white with a subtle metallic sheen, further enhancing light reflection. Additionally, mirrored paneling was installed in strategic locations to amplify light and integrate the lush garden views into the interior. A central principle guiding Sebti’s design decisions was that the art should be the focal point. To this end, she devised an innovative modular picture-rail system throughout the house. This system allows for easy rearrangement and evolution of the art display over time, providing flexibility and dynamism to the collection's presentation. To enrich the home's character, Sebti sourced artisanal and vintage pieces from Clay Concept, a design hub based in Dubai that specializes in Moroccan heritage. This curated selection included 1970s Arflex sconces, Modernist items by Knoll, and contemporary pieces from Italian and Danish brands like &Tradition;, Tacchini, and Gubi. She also incorporated unique vintage finds, handmade decorative objects, and candles to create a warm and inviting ambiance. Sebti noted that the year-long project benefited from an unhurried approach, allowing for thoughtful layering and organic maturation of the design, resulting in a home that harmonizes modern design with heritage architecture, respecting its past while embracing its future. #CasablancaHome #InteriorDesign #ArtCollection #MoroccanHeritage #VintageFurniture #LuxuryHomes #ArchitecturalRenovation #DesignInspiration #ModernDesign

The article details a vacation home in Palm Springs designed by Michelle Boudreau, which draws inspiration from Moroccan aesthetics, particularly the vibrant style of Yves Saint Laurent's Marrakech residence. The Canadian owners, who frequently visit Morocco, sought to recreate the country's rich cultural ambiance in their winter home. Boudreau, having traveled extensively in Morocco, channeled the "Majorelle blue" color palette associated with Saint Laurent's former home and infused the interiors with diverse textures, Moorish motifs, intricate tilework, and flamboyant filigree. The home, a modern new build in Vista Las Palmas, provides a neutral white backdrop that allows the predominant blue palette to make a significant impact. While the color scheme is reminiscent of Saint Laurent's Marrakech house and its original owner, French painter Jacques Majorelle, the design also incorporates aquatic themes, reflecting the clients' interest in watersports. This influence is evident in elements like shibori upholstery on Pierre Jeanneret re-edition dining chairs, creating a watery dimension, and wallpaper by A–Street Prints with a blurred trompe-l’oeil ikat textile effect, reminiscent of North African textiles brought via the Silk Roads. A diamond pattern in the wallpaper further evokes the glint of water in sunlight. Key design features emphasize movement and dimension. Filigree-inspired pendant lamps in the dining room project scattered light, while a taxidermy marlin with teal streaking contributes to the aquatic motif and adds a sense of motion. The media lounge, or "casbah," is designed with low cushions and high-pile rugs, echoing the tent culture of North African nomads. Custom wallpaper in this space features a tonal-blue arabesque pattern, mimicking the complex designs of handcrafted zellige tile, a signature element of Moroccan design rooted in Islamic heritage. Boudreau applied a modern interpretation of this ancient art form using three-dimensional turquoise tiles on the living room hearth, creating an oceanic, barnacle-like effect. In the kitchen, Clé tiles with kinetic geometry add energy. The design also incorporates midcentury materials like cane and brass. Cane-frame club chairs in the living room offer a light contrast to brass accessories, such as tea sets and side tables. Serena & Lily rattan barstools at the kitchen island complement Tom Dixon brass lamps, which are shaped like tagines, traditional North African cooking vessels, adding a touch of glamour. The primary bedroom serves as a serene contrast to the vibrant colors elsewhere, utilizing an ecru palette. Moroccan textiles, including imported blankets and rugs from Soukie Modern, provide tactile interest through varying piles and pompoms. Moroccan poufs contribute to the dune-like aesthetic, offering casual seating. A dramatic beaded chandelier is suspended through the frame of the four-poster bed, an intentional design choice to prevent the neutral palette from appearing flat. This design effectively merges Moroccan inspiration with the Palm Springs setting, creating a unique and sophisticated vacation home.

This article highlights the design of a 2,100 square feet, four-bedroom apartment in Worli, Mumbai, overlooking the Arabian Sea. The interior design, a collaboration between Maulika Gandhi of Magnolia Design Studio and Richa Bahl of Richa Bahl Design Studio (RBDS), combines modern and traditional elements, drawing inspiration from American farmhouse, French modern, and English country styles. Gandhi, the homeowner and a trained lawyer who transitioned into interior design, sought to create a space that reflects her personal memories and family journey. The design process involved Bahl focusing on layouts and material selection, while Gandhi curated furniture, art, and decor. A defining feature is the consistent use of deep sage green, complementing the kota-like flooring, which Bahl envisioned to provide warmth and coziness, counteracting the typical high-rise glass complex feel. The aim was to create a home that could fit anywhere globally, like New York, London, or Paris, yet avoid a traditional Indian aesthetic, despite the family's previous residence in South Mumbai's older, gentrified areas. The entryway features a French checkered marble floor, softened by a foliage-printed cabinet, an arch-designed oakwood console, a colonial cane chair, and vintage glass lights from Hesperus. This foyer opens into a large living space, including a dining area and a bar. A key design challenge in the living room was integrating a round pillar and a fixed rounded window, which Bahl creatively incorporated as a central element for a curved bar unit. Magnolia manufactured most of the furniture, reflecting Gandhi's preference for transitional living. The living room includes an ochre sofa and a tomato-colored daybed with self-textured geometric fabric. Floor-to-ceiling windows offer panoramic views of the sea and skyline, making the living room Gandhi’s favorite spot, enriched by her carefully selected art, upholstery, oakwood tones, and blinds. The home is divided into two wings: the left wing houses the kitchen, children's bedroom, and master bedroom, while the right wing contains the powder bathroom, a family den, and the grandparents' bedroom. The fourth bedroom was converted into a den, a cherished family space with vibrant wallpaper and playful artwork, designed to be adaptable as a guest room with a sofa-cum-bed. Bahl introduced a half-glass partition to replace a wall in the passageway, enhancing natural light and creating a more open, 'villa-like' ambiance. Gandhi's extensive collection of art and decor, gathered over 12 years of global travel from art shows, museums, and local markets, is thoughtfully distributed throughout the home. Bahl ensured that each piece aligned with the mood and color scheme of its designated space. The master bedroom features a built-in arched niche, showcasing some of Gandhi's collected artifacts. The color palette of warm yellows, pinks, greens, and faded blues in the furniture contrasts with the subtle wall and floor colors. The dining area includes a farmhouse-style table and cane-back chairs, set against a pale green tiled wall. The use of pastels, like light green flooring and various shades of blue, contributes to a cohesive design, while detailed elements like panelled walls and wooden mouldings add visual interest, balancing the expansive high ceilings and large windows. #MumbaiHomes #LuxuryHomes #EclecticDesign #TraditionalModernMix #InteriorDesign #HomeDecor #MagnoliaDesignStudio #RichaBahlDesignStudio #WorliApartment

The Agarwal family's Ahmedabad duplex, designed by Marigold Interiors, embodies a dual aesthetic: a 'zany' upper level for entertaining and a 'zen' lower level for tranquility. This unique vision originated from brothers Yash and Jai and their father Devendra, who sought to combine vibrant social spaces with peaceful retreats. Initially, the family acquired two unconnected apartments in an Ahmedabad high-rise, necessitating the integration of a staircase where none existed. Architect Kshama Parmar of Marigold Interiors addressed this challenge by converting two existing storerooms into a stairwell. The resulting staircase, asymmetrical and cast in solid concrete, features gentle curves that influenced the design of subsequent furniture and decor. This curvilinear theme is evident in the rounded rectangular dining table, arched-back chairs, a live-edge table, and the artworks throughout the space. The design incorporates practical and aesthetic considerations, such as the use of Kota stone flooring, which holds sentimental value for the family, having been a feature of their childhood home for forty years. This material, with its cool touch and glistening speckles, played a role in shaping the home's primary color palette. The downstairs area predominantly features various shades of grey, interspersed with white or wood accents, creating a calming sanctuary. Arches strategically placed within the design act as visual portals, enhancing the sense of transition and exploration within the home. Each room within the duplex is meticulously designed to reflect the individuality of its occupant. For instance, the primary bedroom showcases an eclectic mix of decor, softened by beige limewash-finish walls and abundant textures. Distressed furniture and pastel floral upholstery contribute to a timeless, evocative ambiance. In contrast, Yash's personal space utilizes a raw plaster texture, while Jai's incorporates European design elements. The fourth bedroom, designated as a versatile guest suite, features sweeping French windows and a discreetly hidden television nook. The upcycling of leftover Kota stone for panelling in the TV room further demonstrates a thoughtful approach to material use and sustainability. This duplex successfully merges cherished memories of the past with a forward-looking design. The careful selection of materials, the innovative integration of a staircase, and the personalized design of each living space reflect a comprehensive approach to creating a home that is both functional and deeply personal, catering to diverse needs for social engagement and peaceful introspection. #AhmedabadHomes #DuplexDesign #MarigoldInteriors #IndianArchitecture #InteriorDesign #HomeDecor #ResidentialDesign #KotaStone #CurvilinearDesign

This article showcases a Los Angeles home meticulously designed by Betsy Burnham, where Moroccan motifs are ingeniously integrated to bring vibrancy to a predominantly neutral black and white palette. The design strategy emphasizes defining details and a careful selection of materials and furnishings to create a unique and sophisticated interior. The tour begins in the entryway, where a vintage mirror is strategically placed above a custom console, immediately setting a tone of elegant eclecticism. Instead of conventional runners, Burnham chose to "carpet" the entry with inlaid mosaic stones from Country Floors, demonstrating a creative approach to flooring that adds a distinctive Moroccan touch from the outset. The living room exemplifies the designer's philosophy of "defining details." Here, the plaster-relief ceiling has been hand-painted, adding an intricate layer of artistry to the space. Custom furniture pieces, including a sofa covered in Holly Hunt leather with Pindler fabric cushions and an ottoman in Clarence House's Bukhara Crewel, are thoughtfully combined with swivel chairs in Rose Tarlow Melrose House's Canvas Cloth and armchairs in Rogers & Goffigon's Bechamel. Fritz side tables by Mitchell Gold + Bob Williams complete the sophisticated arrangement. In the dining room, Burnham expertly balances white floors and black accents with feminine elements. Key pieces include a Montalvo chandelier by Dennis & Leen, Windsor Smith's Scalloped Antique mirror, and chairs upholstered in Le Gracieux's Kirachi linen. Vintage Baguès sconces further embellish the space, adding a touch of whimsy and historical charm. The powder room showcases Ann Sacks's Maghreb 4 tiles on the walls, creating a striking Moroccan-inspired backdrop. Arturo sconces by Paul Ferrante, a Forbidden City mirror by Bunny Williams Home, and a Mehraab sink by Viya for Stephanie Odegard with THG's Versailles fittings contribute to a luxurious and exotic atmosphere. The master bedroom's design is inspired by a 19th-century Indian rug from Rugs & Art, which dictated a soft, serene color scheme. The room features a bed by Posse Furniture, sheets by Deborah Sharpe Linens, a throw from Jayson Home, and a vintage lamp from Downtown. Curtains in S. Harris's Tibet silk with Lee Jofa's Vintage Link trim add texture and elegance. Throughout the house, walls are painted in Benjamin Moore's White Dove, providing a consistent, clean canvas. The guest bedroom is designed to "pop" with color and pattern, incorporating a vintage suzani headboard and Moroccan rugs to create a vibrant and inviting space. The staircase is transformed into a graphic installation with patterned tiles by Country Floors, including a Moorish mosaic, Country Floors' Nabeul Noir, mixed with diagonal striped flooring, making a strong visual statement. Outside, the patio is outfitted with Kingsley-Bate's Southampton seating and cushions in a Perennials fabric. An Indonesian daybed is enlivened with vintage textiles and a seat cushion in Great Outdoors' Fresh Canvas. An etched-brass tray table adds historical depth to the outdoor seating area. The infinity-edge pool, flanked by urns transformed into fountains, offers a breathtaking view that, according to Burnham, blurs the lines of geographical location until the Los Angeles skyline is visible. Southampton woven-wicker chaise longues by Kingsley-Bate complete the outdoor retreat. #MoroccanDesign #InteriorDesign #NeutralPalette #HomeDecor #LuxuryInteriors #CustomFurniture #TileWork #OutdoorLiving #BetsyBurnham

Architectural Digest features a 21,000-square-foot Alibag holiday home designed by Farah Ahmed Mathias and Dhaval Shellugar of FADD Studio. The property, inspired by Spanish Revival aesthetics, breaks free from a singular style, embracing an eclectic mix of objects sourced from across India and beyond. Mathias emphasizes that the house needs to be experienced multisensorially for its aesthetic to be fully appreciated. The design team, including Pranav Dakoria, Manoj Gowda, and stylist Manisha Mittal, meticulously curated the decor to create a 'potpourri of objects' that stand out individually yet harmonize together. The home's exterior features a hacienda-style porch with pink bougainvillaea, leading to a vestibule adorned with tribal Naga panels and antique totems. The living room is described as a 'Wunderkammer' of curiosities, showcasing a Kavita Singh sofa, a Naga table by Bari, a Jaipur Rugs carpet, a canoe planter by The Purple Turtles, a green daybed from ZJM Exports, and custom chandeliers and sconces. Adjoining the living room, a parlor doubles as a sunroom, furnished with a Pinakin Studio cane sofa and a Cane Boutique table with vintage tiles, complemented by emerald green floor lamps by Harshita Jhamtani and a collection of antique and client-owned tchotchkes. Every design choice in the home is rooted in a significant moment, whether a conversation, a travel experience, or an accidental find. A prominent example is the swimming pool, strategically positioned to be visible from the main entrance. The dining room serves as a focal point with a large black stone table and Chandigarh chairs from ZJM Exports, contrasting with the garden designed by Hemali Landscape Studio. The attention to detail is evident throughout, from the pantry's delicate door handle made of rice Indonesian paper to the celestial angel sculptures by the window, which are balanced by European-inspired elements like a country-style antler chandelier and Georgian-esque doors that reinforce the Spanish Revival theme. The breakfast area highlights a China mosaic floor and a vibrantly tiled ceiling resembling inverted stepwells, creating a unique visual experience. The grand staircase lobby impresses with flagstone walls, chevron flooring, a bone inlay table from House of Things, and Balinese chandeliers. In contrast, the family room offers a cozy atmosphere with a wood-paneled ceiling, a tropical-print sofa by Kavita Singh, and furnishings by Tahir Sultan and Sharma Farms. The interplay of light throughout the day continuously transforms the home's character. Shellugar concludes that the residence transcends the definition of a mere holiday home, offering a heavenly sanctuary for its inhabitants. #AlibagHolidayHome #EclecticDecor #FADDStudio #SpanishRevival #InteriorDesignIndia #LuxuryHomes #ArchitecturalDigest #HomeDecoration #CustomFurniture

Architect Shiraz Jamali designed a 1,200-square-foot apartment in suburban Mumbai as a surprise gift for his parents. The design intentionally deviated from their typical preferences, aiming to introduce them to a more uplifting and fun living environment, especially considering their grandchildren. The apartment, initially a basic builder-finished space with marble floors and laminate doors, did not require extensive structural changes. Jamali converted one bedroom into a home office to accommodate his parents' work-from-home needs during the pandemic and divided a bathroom into a powder room and a laundry closet. The public area, including the living and dining spaces, is designed for openness and interaction. Arched windows between the living room and home office create a seamless flow and transparency. The dining area features a booth-like seating arrangement, suitable for family gatherings, and a large mirror behind it visually expands the space. The architect emphasized the living area as the central hub for family interaction. The two bedrooms, situated off the main living-dining area, maintain a simple and elegant aesthetic, promoting relaxation. The furniture selection is an eclectic blend of antique Art Deco pieces and custom-designed, contemporary items. Jamali aimed to incorporate elements reminiscent of his parents' childhood homes, which were Art Deco and colonial bungalows in Bandra. Many of the antique pieces were restored or acquired from local antique shops, while modern items were custom-made to adhere to budget constraints. The overall design emphasizes a vibrant and playful atmosphere through the use of colorful upholstery in yellow, pink, green, and plum, balanced by neutral marble floors and light wood finishes. High contrast is achieved with white walls and black molding in the living area. Various materials contribute to a rich sensorial experience, including rustic oak wood, dark wenge wooden doors, high-gloss surfaces, tumbled waste marble chips in the powder room, and terrazzo in the kitchen. This thoughtful design approach aims to provide the occupants with a comfortable and uncomplicated lifestyle, balancing spaces for work, family time, and personal hobbies. #Mumbai #Apartment #Decor #ArtDeco #HomeDesign #InteriorDesign #ShirazJamali #EclecticDesign #FamilyHome

The Evert House, a residential project located in Ahmedabad, India, was completed in 2023 by VPA Architects. The project spans an area of 2467 square meters and is characterized by a design philosophy that emphasizes sentiment, honor, and elegance, with a focus on subtle aura and element play. VPA Architects were responsible for the architecture, interior design, and landscape architecture of the house. Other key contributors include SMI for MEP and general contracting, Swaminarayan Engineering Solutions for HVAC, and AMU Consultants (specifically Chintan Mehta) for structural engineering. Inclined Studio provided the photography for the project. The design of The Evert House aimed to meet the specific ideological requirements of its clients, presenting a unique yet challenging task for the architects. The architectural firm, VPA Architects, led the project with Ronak Patel as the Project Architect, Naiya Patel as the Project Interior Designer, and Jinal Patel overseeing the Project Landscape Design. Jigar Patel from SMI acted as the General Contractor and Project Manager. The project utilizes a variety of materials, with wood, steel, and concrete being prominent, contributing to the overall aesthetic and structural integrity of the residence. The house integrates various manufactured products from notable brands such as Saint-Gobain, Asian Paints, Century Plywood, Chemestone, Fevicol, Flexstone, Greenply, Gyproc, Ishan Enterprise, Jaipur Rugs, Kerakoll, Kohler, Ledium, Litomatic, Midea, Norisys, Orange Tree Home, and Pepper fry. These selections indicate an attention to detail in material choices and finishes, aiming to achieve a high standard of quality and design within the residential space. The integration of these elements speaks to a comprehensive approach to design, encompassing both the macro architectural vision and the micro details of interior and landscape elements. The project falls under the categories of "Houses" and "House Interiors," reflecting its primary function as a private residence and the significant emphasis placed on its internal spaces and their design. Located in Ahmedabad, a city in India, the house contributes to the regional architectural landscape while embodying a modern and sophisticated design approach. The emphasis on "pure sentiment, honor, and elegance" suggests a design that goes beyond mere functionality, aiming to create an emotional connection and a sense of refined living for its occupants. Overall, The Evert House represents a collaborative effort to deliver a distinct residential experience, blending architectural innovation with client-specific aspirations. The project's documentation highlights the comprehensive services provided by VPA Architects and the contributions of various specialized consultants and manufacturers, culminating in a dwelling that is both aesthetically pleasing and structurally sound. The design's focus on a subtle yet impactful presence within its environment underscores the architects' commitment to nuanced and personalized residential solutions. #ResidentialArchitecture #HouseInteriors #Ahmedabad #India #VPAArchitects #InclinedStudio #LuxuryHomes #ModernDesign #ArchitecturalPhotography

Apartment 1701 in Mumbai, designed by Sahiba Madan of Insitu Design Studio, embodies a maximalist approach that celebrates Indian craft traditions, nostalgia, and warmth across its 2,250 square feet. The design integrates ornament and memory, with each detail, from brass inlays and carved columns to hand-painted tiles, intentionally placed to create an intimate yet exuberant residence. The home's design philosophy is evident even before entering, with a lift lobby featuring a handmade marble fountain and a Kalakaari Haath wallpaper with playful parrots. A stained-glass partition framed by hand-carved solid wood columns offers a glimpse into the interior's maximalist character. The spatial flow of the apartment is defined by its Kota stone flooring, which extends throughout, creating a warm, abstract canvas. The subtle variations in the stone mimic the patina of traditional Indian homes, grounding the maximalist aesthetic in an everyday Indian context. The living room is anchored by a Jaipur Rugs carpet, whose vibrant colors complement the surrounding elements. A classic swing sourced from Rani Arts in Chennai is centrally placed, inviting relaxation while offering views of the balcony. The home utilizes craft as its primary spatial language, with the living area serving as a central nexus from which the den and dining room extend. Brass flower inlays punctuate the Kota stone, creating delicate patterns, while the den and dining areas feature bolder expressions with large-scale floral white marble inlays, executed with meticulous craftsmanship. A significant design element is the majestic sliding-folding partition papered in Kalakaari Haath. This partition functions as a mural when closed and, when opened, dissolves boundaries to create an expansive space ideal for entertaining. The den’s brick-clad walls provide a contemporary contrast to the polished ornamental details found elsewhere. Recurring motifs such as lotuses, peacocks, and cypresses appear in wallpapers, inlays, and carved elements, establishing a cohesive visual narrative rather than merely decorative excess. The master suite draws inspiration from Jaipur's palatial aesthetics. A partition with floral brass inlays separates the bedroom from a cozy lounge, featuring pivoting wooden panels that allow for visual continuity or separation as desired. The lounge is adorned with beautifully carved jharokhas, adding dramatic framing, while a four-poster bed reflects traditional craftsmanship. These elements contribute to the room's regal presence, thoughtfully curating an authentic contemporary Indian lifestyle. The master bathroom brings nature indoors with hand-painted tiles by Shibani, depicting birds among blooming branches on the shower wall. White marble flooring, interspersed with brass leaf inlays, mimics fallen foliage, creating a serene and personalized space that reflects the client's affinity for flora and fauna. The Mumbai home distinguishes itself through its emotional resonance, utilizing materials like Kota stone, teak wood, brass, and stained glass that evoke Indian domestic memory. Each surface and detail is intentionally designed to foster a sense of cultural rootedness. Rather than pursuing luxury through minimalism, Apartment 1701 embraces a “more is more” philosophy, guided by intention, narrative, and a profound respect for Indian craft traditions. The residence successfully blends heritage with modern clarity, allowing tradition and innovation to coexist harmoniously. #MumbaiHome #IndianCrafts #MaximalistDesign #InsituDesignStudio #HomeDecor #InteriorDesign #TraditionalCraftsmanship #ModernIndianHome #ArchitecturalDigest

Unit93 Designs has created a contemporary home in Mumbai named "Geometry of Grace," a 2,600-square-foot residence at Le Palazzo in South Mumbai. The project aimed to translate the clients' desire for understated sophistication and emotional warmth into a luxurious yet restrained urban dwelling. The design integrates geometry, light, and texture, overcoming structural grid constraints by incorporating curves within linear frameworks and concealing lighting to achieve a seamless spatial experience. The founders, Bhavin and Rishit, describe the design philosophy as one where luxury is conveyed through silence, shadow, and texture, emphasizing balance over ostentation. The home features arches that soften strong lines, while subtle contours and layered materials add rhythm to the spaces. The double-height living area, serving as the home's heart, showcases a dramatic interplay of black and gold, complemented by marble inlay and sculpted arches. A custom flooring with a wave-inlay motif, a signature of Unit93 Designs, flows throughout the home, creating a seamless continuum. The design evolves with the changing light, transitioning from morning calm to evening drama, imbuing the home with a cinematic quality. A central glass-encased grove offers an unexpected biophilic element, providing a connection to nature that softens the surrounding richness. The dining niche features a bold palette of emerald green with burnt orange accents, creating a dramatic yet comforting atmosphere. The kitchen is designed with tropical granite, offering a grounded, sleek, and warm aesthetic with natural grains and veining patterns that add effortless elegance. The five bedrooms each possess a distinct character. One bedroom incorporates a Murphy bed storage unit, an extension of black marble inlay, and can transform into an entertainment room. The master bedroom is a sanctuary of soft textures, muted tones, and diffused light, designed for quiet indulgence with layered textures, bold contours, and gold accents. The guest bedroom maintains a lighter, playful mood, while the parents’ bedroom balances tradition and calm, exuding stillness. The daughter’s room is whimsical, featuring a pink onyx headboard with sculpted "bunny ears," cylindrical storage units resembling mushroom stems, and an illuminated stretch ceiling as the "cap." The overall palette celebrates contrast, combining cool whites with warm woods, and brushed brass with soft blush tones. This interplay of color and form creates an atmosphere that is both refined and intimate, demonstrating that true sophistication lies in elegance, restraint, and meticulous detail. #MumbaiHomes #IndianHomes #ContemporaryDesign #HouseDesign #Unit93Designs #LuxuryInteriors #GeometricDesign #InteriorArchitecture #HomeDecor

A New York family, after 14 years of renting a 19th-century cottage in Orleans on Cape Cod, decided to purchase the property when it went up for sale. They affectionately referred to their vacation spot as the "Magic Farm" due to its secluded acreage and the cherished memories formed there. Upon acquiring the property, the family, seeking a more spacious home for their extended family, engaged Polhemus Savery DaSilva Architects Builders from Chatham, with Senior Designer Sharon DaSilva leading the architectural design. They aimed for a larger home that wasn't overly grand, honoring the original cottage's history by blending iconic New England farmhouse architecture with shingle-style elements. The new 4,271-square-foot structure features a gracious entryway and wide hallways, ensuring a comfortable flow throughout the space. New York-based interior designer Kyle Timothy Blood was brought in as the project manager, tasked with creating an interior that felt both open for entertaining and cozy for family life, while keeping it unfussy. The design incorporated practical elements such as an informal wraparound porch with cedar-clad walls, easy-to-clean porcelain floors in high-traffic areas like the mudroom, bathrooms, and pool house, and durable outdoor fabrics for kitchen seating. Blood's interior palette was inspired by an Ocean Blue travertine slab used for the fireplace surround, which dictated the sophisticated earth tones used throughout the home. A handwoven natural wool rug further complemented this central design element. A unique request from the homeowners was a Moroccan-themed master bathroom. Blood undertook extensive research into Moroccan design, resulting in a stunning interpretation of classic Casablanca chic. The master bath is divided into four distinct areas—tub, shower, water closet, and vanity—each subtly differentiated by variations in tile patterns. Lattice panels, hand-carved in Morocco in the mosharabi style, were incorporated into certain doors to provide light and privacy. The walls and floor of the master bath are adorned with zellige tile, intricate geometrical terra-cotta-and-enamel mosaics set into plaster. Bridging the aesthetic of the elaborate Moroccan bathroom with the coastal Cape Cod setting for the master bedroom presented a design challenge. Blood addressed this by integrating understated North African elements, such as medallion-patterned drapery, a geometric cowhide rug, an ikat-upholstered headboard, and nightstands with stamped metal fronts, into the space. The design team also paid homage to the original 19th-century rental cottage. Custom millwork above the new fireplace mantel echoes the original cottage's design. Additionally, a tower featuring a screened porch on the first floor and an upstairs sitting area was inspired by a distinctive lighthouse-shaped addition to the old cottage from the 1960s. The landscaping was intentionally kept simple to preserve the rural ambiance of the property, with planting beds strategically placed for privacy and grass extending directly to the front porch, surrounded by trees, including a century-old maple. This thoughtful design approach created a serene and unexpected retreat, truly embodying the spirit of their beloved "Magic Farm." #HomeDesign #CapeCodArchitecture #InteriorDesign #FarmhouseStyle #MoroccanBathroom #CustomMillwork #CoastalLiving #LuxuryHome #RenovationProject

The Mumbai home of Sonali Saini in Andheri, designed by Teena Sanghvi of Lyraa Designs, presents a distinctive aesthetic that blends the gravitas of antique furniture with a lively, bohemian color scheme. The project began after Saini purchased a three-bedroom apartment in a 25-year-old building, primarily to be closer to her aging parents. Due to limitations in altering the existing layout, the design approach focused on interior elements and furnishings. The homeowner embarked on extensive antique shopping, primarily from Prachya Décor, collecting pieces from various parts of India without a definitive plan. This accumulation led her to enlist Teena Sanghvi, known for refurbishing old pieces and working with Indian cultural elements. The collaboration involved integrating over 100-year-old antiques, with Sanghvi often facing the challenge of physically incorporating these large items into the apartment. Saini's vision for her home was a space rich in history, culture, and art, yet simultaneously quirky and fun. The design process prioritized functionality, mapping the family's daily movements and activities—cooking, eating, and entertaining—to ensure every element accommodated their lifestyle. This emphasis on practical living underpinned all design choices. The aesthetic ambition extended to incorporating historical architectural elements. Saini desired old doors, pillars, windows, and benches, adapting them to the apartment's scale. For instance, three antique doors were re-sized for the powder room, main entrance, and as parts of the ceiling. An old window pane was repurposed into a cabinet, featuring large printing blocks as handles, and an antique brass tiffin was transformed into a pendant light above the dining table. The floor tiles were laid to evoke the appearance of traditional rangoli patterns. Textiles from Baro Market, India Circus, and Freedom Tree were also incorporated. The home's design embraces bold and unexpected color applications, such as ochre accents on the ceiling, contrasting with muted grey walls and floors that provide visual balance. The daughter's room features a black and gold palette with a four-poster bed from Kolkata and wooden angels from a Goan church pew. The primary bedroom showcases a flamingo theme with vibrant colors and fluted glass cupboards. Commissioned art by college students, including flamingo and banana leaf motifs, adorns the walls, reflecting a preference for personalized art over impersonal wallpapers. Despite the visually demanding elements, functionality remained a primary concern throughout the design process. The design team aimed to create a home that was both deeply personal and adaptable. Saini expressed confidence in the longevity of the design, noting that many pieces are movable and replaceable, reflecting a design philosophy that allows for evolution with the inhabitants. #MumbaiHome #AntiqueFurniture #BohemianDesign #InteriorDesignIndia #LyraaDesigns #EclecticDecor #RepurposedAntiques #ColorPalette #FunctionalDesign

Villa Z, located in Jardins d'El Menzah 2, Tunisia, is a 450 m² residential project designed by ARK-architecture and completed in 2018. The architectural design of Villa Z represents a harmonious blend of North African architectural elements and features inspired by Arab and Islamic art. This integration is evident in the careful consideration of traditional motifs and functional aspects within a contemporary living context. A key characteristic of Villa Z is the prominent use of sheer white walls, which not only contribute to the aesthetic appeal but also play a crucial role in managing light and temperature, a common practice in North African architecture. The interplay of light within the villa is a deliberate design choice, creating dynamic spaces that change throughout the day. This manipulation of natural light is achieved through strategically placed openings and the overall orientation of the structure, maximizing brightness while controlling heat gain. Another significant element incorporated into the design is the Mashrabiya, a traditional architectural feature found in Islamic cultures. Historically, Mashrabiyas are latticework screens that serve multiple purposes, including privacy, shade, and passive cooling. In Villa Z, the Mashrabiya is reinterpreted to fit contemporary needs, offering both functional benefits and a distinctive aesthetic that connects the building to its cultural heritage while addressing modern living requirements. The project emphasizes a fusion of tradition and modernity, adapting historical architectural vocabulary to current lifestyles. This approach allows Villa Z to maintain a strong sense of place and cultural identity while providing comfortable and efficient spaces for its occupants. The design team, led by Bilel Khemakhem and including Zied Hattab, Walid Jaafar, Boutheina Hannachi, and Fatma Kammoun, focused on creating a residence that reflects its Mediterranean and Oriental influences while embracing contemporary design principles. The interiors of Villa Z feature materials and finishes that complement its architectural style. For instance, the use of concrete, glass, and wood contributes to a modern yet warm ambiance. The kitchen showcases thoughtful design with elements like sophisticated countertops and integrated appliances, providing a functional and aesthetically pleasing space. The living areas are designed to be open and airy, with large windows that allow ample natural light and offer views of the surroundings. The overall material palette and interior layout contribute to a cohesive and elegant residential environment. The exterior photography highlights the facade of Villa Z, emphasizing its clean lines and the effective use of materials such as concrete. The seamless integration of interior and exterior spaces, along with the careful detailing of windows and structural beams, further enhances the villa's appeal. The project successfully demonstrates how traditional architectural concepts can be re-envisioned to create modern, livable spaces that are deeply rooted in their cultural context. #ResidentialArchitecture #HouseInteriors #TunisianArchitecture #ModernDesign #Mashrabiya #LightManipulation #ConcreteDesign #ContemporaryLiving #NorthAfricanInfluence

This article explores four distinct Indian homes, each embodying a unique blend of old-world charm and contemporary design. The first residence, an 80-year-old apartment in Mumbai's Art Deco quarter, was revitalized by Studio Mestry, led by Akshaya Mestry in collaboration with Bhakti Loonawat. The renovation focused on preserving the home's ancestral character while integrating modern functionality and comfort for a couple and their two daughters. Key design elements include luminous open-plan spaces, abundant natural light, high ceilings, wooden accents, chandeliers, monochrome palettes, traditional furniture, terrazzo flooring, and black granite, all contributing to an opulent, old-world atmosphere. The careful selection of materials like terrazzo, Indian marble, and wood created diverse patterns, giving each space a unique identity. The second home featured is a 5,000-square-foot apartment in Vadodara, Gujarat, designed by Surabhi Kankaria Shah and Arpit Jain. This residence seamlessly merges contemporary Indian design with classic vintage charm. The designers aimed for an accessible, simple, and functional space, characterized by light-filled interiors, spaciousness, and airiness. The design reflects the tranquil surroundings through open windows that maximize natural light and a soft color palette combined with natural elements. The living room showcases a sophisticated mix of modern and traditional aesthetics, incorporating organic textures and luxurious accents. A muted beige and brown palette in the family room emphasizes earthy tones, while cane-style furniture adds warmth. An attached balcony enhances the indoor-outdoor connection. The dining room, with its muted scheme, features a green wall adorned with nature-inspired artworks, a wood and brass dining table with a sleek marble top, and a distinctive lighting installation. The third property is a Victorian-era 2-BHK apartment in Bengaluru, nestled amidst lush greenery. Designed by Vinithra Amarnathan, principal designer at Weespaces, with Design Assistant Lavanya Chopra, this home was envisioned as a Victorian townhouse updated for a young couple with a newborn and a dog. The design retained the original structure's beauty, making minimal structural changes primarily in the main bedroom. The project presented challenges due to its smaller size compared to typical Bengaluru homes. The chosen palette was largely neutral, featuring greys and pastels, complemented by materials such as white marble, brass accents, and wood. The entryway, reminiscent of a colonial club, serves as the central axis of the home, leading to various rooms. A striking black and white harlequin flooring makes a significant visual impact, and three glass and brass 'handi' pendants introduce old-world glamour. An arched mirror at the hallway's end creates an illusion of expanded space. Finally, the article highlights an Art Deco apartment in Mumbai, known as Sunshine apartments, with surreal views of the Oval Maidan and iconic city structures. Interior designer Annkur Khosla undertook this project, drawing inspiration from her experiences in Paris. Built in the 1920s, the apartment embodies Bombay's Art Deco movement. Khosla's design ingeniously managed space and flow. The entrance foyer features a minimal floor pattern and a subtly fluted oak backdrop concealing a closet. A mirrored partition opens into the dining space, which is paneled with a similar ribbed effect. The open balcony retains original features like twin columns with Ionic capitals and a restored Art Deco grill. Khosla focused on custom hardware, including brass door handles, knobs, and intricate carpentry details. A tall brass handle at the apartment's end stands as a sculptural element. The design maintains a consistent visual language through custom furniture, unique carpeting, and art mounted on a waved wall. Wooden screens with geometric patterns function as versatile partitions, transforming private rooms into open public spaces, with varying wood finishes adding texture and depth. #IndianHomes #OldWorldCharm #VintageDesign #ArtDeco #ContemporaryInteriors #MumbaiHomes #VadodaraDesign #BengaluruArchitecture #InteriorDesign