Cobalt Glassworks adds more luster to an East Side gem

The article revisits the architectural material of glass bricks, highlighting their resurgence in contemporary design. Initially gaining popularity in 1977, as noted by Carter B. Horsley in a New York Times article, glass bricks were appreciated for their translucence, privacy, visual appeal, and structural order in residential and restaurant projects. However, after a period of widespread use, the material became associated with the dated aesthetics of the 1980s, leading to a decline in its perceived value. Despite this historical perception, contemporary architects are now re-evaluating and re-integrating glass bricks into modern designs. This renewed interest stems from their unique properties, which allow for innovative applications across various architectural contexts. The material offers a balance of natural light penetration and visual obstruction, making it suitable for spaces requiring both openness and privacy. Modern architects are employing glass bricks in diverse projects, moving beyond their previous utilitarian roles. Examples include their use in sleek, minimalist bathrooms where they contribute to a sense of spaciousness while maintaining privacy, and in industrial-themed bars and restaurants, where they add a distinctive textural and luminous quality. The material is also being incorporated into vintage residential windows, blending historical charm with contemporary functionality. Furthermore, glass bricks are finding applications in experimental urban facades, where they contribute to dynamic and visually engaging building exteriors. The versatility of glass bricks allows them to create different aesthetic effects, from smooth and uniform surfaces to more textured and fragmented appearances, depending on the type and arrangement of the blocks. Their ability to diffuse and transmit light without offering clear views makes them ideal for interior partitions, exterior walls, and decorative elements where controlled light and a sense of enclosure are desired. This adaptability supports a wide range of architectural styles and design intentions. The comeback of glass bricks signifies a shift in architectural trends, where previously overlooked or stigmatized materials are being re-imagined and utilized in innovative ways. This trend reflects a broader architectural movement towards material exploration and the re-evaluation of established construction components. The article suggests that the current "boom" of glamorous glass bricks is not merely a nostalgic revival but a sophisticated re-introduction driven by their inherent qualities and the creative approaches of modern designers, who are harnessing the material's potential to meet contemporary design challenges and aesthetic preferences. #GlassBrick #Architecture #MaterialInnovation #ContemporaryDesign #ResidentialArchitecture #CommercialArchitecture #GlassFacade #DesignTrends #BuildingMaterials

French design duo Ronan and Erwan Bouroullec have launched a new collection of architectural glass panels, developed in partnership with Skyline Design. This collection, which debuted at NeoCon, received a Silver award in the Architectural and Decorative Glass category. The project represents a thoughtful exploration of color, light, and scale, drawing inspiration from various observations in their daily lives. The design process began with the brothers capturing photographs of their surroundings, ranging from natural landscapes to urban scenes. The aim was to distill the inherent sensations of colors and light present in these everyday moments. From a selection of eight initial images, Erwan Bouroullec utilized a custom computer script to analyze the color information. This script then condensed the captured colors into a unique base color for each panel, simultaneously transforming the rhythmic qualities of the original images into distinct patterns. A subsequent layer of translucent patterns further enhances this foundational color, resulting in a multitude of additional color variations. The patterns are delineated by a darker outline, intentionally designed to evoke the lead lines found in traditional stained glass. This technique aims to mimic how lead frames shape the visual experience of stained glass, with the lines in the Bouroullec panels subtly influencing the distribution and density of colors, creating an almost imperceptible shift. The Bouroullec brothers specifically sought to reinterpret the captivating qualities of stained glass found in medieval cathedrals. Their objective was to translate the immersive and atmospheric experience of these historical artworks into contemporary architectural glass. The complex interplay of color and line within their panels is designed to create a sensation of being enveloped within an abstract landscape, evoking a similar sense of wonder that one might experience in a medieval cathedral. Skyline Design’s digital print and manufacturing capabilities bring these designs to fruition. The panels offer considerable customization options in terms of size, scale, and color, allowing them to be adapted for diverse applications. The collection features four distinct pattern variations: Oblique Regular, Oblique Bold, Chevron Stroke, and Chevron Fill. Each of these patterns is available in four monochromatic color schemes or four polychromatic palettes. These versatile glass panels can be integrated into various architectural contexts, both internal and external. Potential interior applications include feature walls, space dividers, and stair railings. For exterior use, the panels can be incorporated into facades, railings, and canopies, demonstrating their adaptability to different design needs and environments. #BouroullecBrothers #StainedGlass #ArchitecturalGlass #SkylineDesign #ColorAndLight #DesignInnovation #InteriorDesign #ExteriorDesign

A meticulously restored 19th-century co-op situated on a highly sought-after street in the East 70s has recently entered the real estate market with an asking price of $3.95 million. This apartment, located at 5 East 75th Street, is characterized by its original architectural details and impressive views, which are highlights despite the presence of bold wallpaper choices and numerous mirrors. The building, a historic limestone mansion, offers direct elevator access to the unit. Upon entering the co-op, residents are greeted by a mirrored foyer adorned with checkered marble floors and intricate dental oak molding. Adjacent to the foyer, a high-end kitchen features cabinetry that contributes to a serene, almost 'religious' ambiance. On the opposite side of the foyer, a spacious great room captivates with carved wood-paneled walls and towering twelve-foot ceilings featuring authentic carved beams. The exquisite millwork is a continuous design element throughout this room, extending to a functioning wood-burning fireplace and floor-to-ceiling cabinetry that includes bookshelves accessible by a library ladder. The private living quarters, located on the upper level, comprise a master suite that also includes a wood-burning fireplace. An adjoining second bedroom offers two generously sized built-out cedar closets. Both bedrooms provide picturesque "Parisian" views, looking out over the copper rooftops and mature trees of the elegant block. The property at 5 East 75th Street is ideally positioned within a historical limestone mansion, just steps away from Fifth Avenue. Its location offers convenient access to Central Park, with the Metropolitan Museum of Art located merely blocks away. This co-op represents a blend of historical charm and luxurious living in a prime Manhattan location. The emphasis on restored original details, such as the millwork and carved ceilings, preserves the character of the 19th-century building while providing modern amenities. The direct elevator access, high-quality kitchen, and the presence of two fireplaces enhance the comfort and sophistication of the residence. The apartment's views and proximity to iconic New York City landmarks further contribute to its appeal, offering a unique living experience in one of the city's most prestigious neighborhoods. The property is listed by Frances Katzen of Douglas Elliman, with additional details available through CityRealty. #CoOp #LuxuryRealEstate #HistoricHome #UpperEastSide #ManhattanRealEstate #ArchitecturalDetail #Millwork #NYCProperty #DouglasElliman

Shed Brand Studios, a third-generation glassmaking business in Charlotte, North Carolina, represents a rapidly dwindling group of craftspeople. The company's history traces back to 1969 when Suzy and Roy Knight, along with their son Marvin, founded the studio in a rented shearing shed. Initially, they focused on ceramics, candle-making, woodworking, and various forms of glasswork, predominantly stained- and beveled-glass suncatchers and lamps. Marvin's wife, Ellie, later joined the family business. In 1972, Shed Brand Studios moved from its original location to a storefront in Wesley Heights, and Marvin and Ellie expanded their glasswork to include windows and doors. A significant event in their history occurred in 1987 when they completed over 100 stained-glass windows for televangelist Jim Bakker's Fort Mill compound. Following Bakker's arrest and the closure of his PTL Television Network, the Knights sold all these windows within a week by advertising them as "PTL windows" in front of their shop. In 1988, the studio relocated to its current premises on Iverson Way in South End, across from Lowe’s. Today, Shaylor Knight, Marvin's son and a third-generation artisan, manages the family business. Shaylor started assisting with window construction at the age of 12 and, at 52, possesses a level of experience and expertise that is increasingly rare in the glass artistry field. His parents, Marvin and Ellie, now in their late 80s, are retired, though Ellie continues to create pottery for sale in the studio's showroom. Shaylor’s wife, Natalie Bork Knight, a contemporary fine artist and former art teacher, serves as a lead designer at Shed Brand and helps oversee the business operations. She emphasizes that Shaylor’s skills are a result of extensive practice, likening his approach to traditional Italian artisans who master their craft through hands-on experience rather than solely relying on formal credentials. Shaylor's career is marked by diverse projects, including recovering Tiffany-glass windows from dumpsters, crafting brass-and-leaded-glass doors for the Mecklenburg County Courthouse, and restoring elements of the historic Morrocroft estate, such as its roof tiles and 200-year-old German glass windows in the sunroom. The studio also famously repaired an Irish-made door at Rí Rá Irish Pub multiple times, eventually using tempered glass to prevent breakage. As one of the few remaining glass artisans of his caliber, Shaylor and Shed Brand Studios maintain a robust workload. The business now specializes in "finer wood and glasswork," encompassing doors, entryways, windows, window jambs, tabletops, cabinet glass, mirrors, backsplashes, glass domes, and skylights. Ninety-five percent of their clientele are located in North Carolina, with approximately 90% of their work involving new constructions and the remainder dedicated to restoration. The Knight family has contributed to the stained-glass windows of numerous Charlotte-area churches across generations. In addition to their custom projects, Shaylor and Natalie offer stained- and fused-glass workshops. The studio employs eight individuals, all of whom are trained by Shaylor due to a scarcity of skilled tradespeople. Despite being overloaded with work, the studio prioritizes quality and is cautious about expanding too rapidly. The office and workshop reflect a long history of craftsmanship, with hand-drawn designs, finished pieces awaiting pickup, and a wide array of colorful glass sheets. Natalie views Shed Brand Studios as a "historic landmark" within the community. The question of a fourth generation joining the business remains open, as Shaylor and Natalie do not pressure their 12-year-old son, Eli, to follow in their footsteps, though he has grown up immersed in the studio environment, mirroring Shaylor's own upbringing. #GlassArtisan #CharlotteHistory #FamilyBusiness #StainedGlass #CustomGlasswork #ArtRestoration #Craftsmanship #LocalBusiness

This article highlights the transformation of a Lake Claire duplex in Atlanta, a rare intown home nestled within a wooded ravine. The property, initially purchased by young film industry professionals as a second home, presented designer Jessica Davis with the challenge of revitalizing a unique midcentury-meets-industrial structure. The duplex was originally divided into two separate units with no internal connection and featured awkward open-concept layouts that blurred the lines between living and dining areas, along with dated bathrooms. Jessica Davis, discovered by the homeowners on Instagram, was tasked with infusing the home with her signature vibrant style while optimizing its layout for both livability and renter-friendliness. A key intervention was the installation of a new interior spiral staircase, which connected the upper and lower levels, allowing the clients to utilize the property as a single cohesive residence or to rent out the lower unit independently. This dual-purpose design was critical to meeting the clients' needs. On the upper level, which houses the primary bedroom, a daughter’s bedroom, and an open-concept living space, Davis implemented strategic design choices to define areas without obstructing the natural views. A stylish banquette was introduced to create a clear separation between the sofa and kitchen areas, ensuring a more functional and aesthetically pleasing flow. Low-profile furniture and retractable window shades were deliberately chosen to maintain an unobstructed vista of the surrounding woods. Although the kitchen and bathrooms had functional layouts and acceptable tile work, Davis performed light renovations, focusing on impactful yet economical swaps such as new hardware and updated base cabinets to refresh these spaces. The lower level was conceived as a self-contained apartment, catering to its potential as a rental unit or an in-law suite. Davis embraced the existing industrial aesthetic of this section. The kitchenette features happy blue cabinetry complemented by a utilitarian stainless-steel backsplash and a compact dining table that can also serve as an island. To maximize storage and better delineate spaces, the kitchen cabinets were extended along the wall behind the sofa, with a color variation that made them function as a credenza, effectively defining the living area. The office on this level was designed to be versatile, doubling as a guest room. Further design details across the home include a vibrant family room where a low-slung teal sofa and rainbow rug draw the eye while preserving the view of the ravine. A secondary seating area in the family room features rattan lounge chairs that swivel, offering flexibility to enjoy the view or engage with the main living space. The sunroom off the main living area, furnished with Couture Jardin sofas and a lime green-and-blue rug, creates a serene space immersed in nature. The daughter’s bedroom was transformed into a playful, treehouse-like environment with a Blu Dot desk and chair, a sculptural pendant, and a trundle bed, designed to adapt as she grows. In the primary bedroom, walls and ceiling were painted a peaceful blue to enhance the sense of space, and a built-in headboard serves as both storage and a focal point, accented by a wood knot sculpture. The primary bath received a refresh with a new floating vanity, knotted pulls, and bubble sconces, while the daughter’s bath was updated with new drawers, coral hardware, and a modern sconce. The downstairs guest bath creatively repurposed the old powder room sink, custom-fitted into a vanity with half-moon pulls and red hairpin legs, alongside a petite red sconce, giving it a contemporary vintage appeal. The overarching design philosophy centered on enhancing existing elements with colorful, modern touches to create a vibrant home that harmoniously integrates with its unique natural setting. #HomeDesign #InteriorDesign #LakeClaire #DuplexRenovation #MidcenturyModern #IndustrialStyle #JessicaDavis #AtlantaHomes #ColorfulInteriors

Crystal Plaza, a family-owned and operated wedding venue in Livingston, New Jersey, has recently undergone an extensive transformation, blending its historic charm with contemporary updates. Established over 100 years ago, the venue is known for hosting one event at a time, providing a highly personalized and accommodating experience. In 2020, Crystal Plaza expanded with a new 13,000 square foot event space and renovated numerous areas under the guidance of interior designers Judi Schwarz and Jennifer Lewicki of Judi Schwarz Interiors. Schwarz and Lewicki, who have worked together for 30 years and typically specialize in residential and office design, developed a clean, modern aesthetic with an edgy flair for Crystal Plaza. Their design incorporated mixed metals, eccentric materials, and customizable lighting to create versatile spaces that can be tailored to each client's vision. The venue ensures complete accessibility with three elevators and can accommodate up to 400 guests. Key renovated spaces include The Penthouse, an exclusive bridal suite designed to cater to every need of the bride and her bridal party. It features a full-service nail and hair salon, dedicated photo areas, organized wardrobes, multiple changing rooms, steam showers, and a massage area. A butler service provides food and beverage, and all furniture is movable for customization. Adjacent to The Penthouse is the Chandelier Suite, a tranquil space for the bride to relax, complete with a couch and en-suite bathroom. Flower arrangements throughout these spaces are provided by Dalsimer Spitz & Peck. Coming in the summer of 2021, The Vault is designed as a luxurious groom's lounge, offering a full-length bar, a fully-ventilated cigar lounge, a golf simulator, and a barbershop. This addition aims to provide a comprehensive experience for the groom and his party. The Atrium, Crystal Plaza’s new indoor ceremony location, is a versatile space suitable for weddings, bar/bat mitzvahs, and after-parties. It features a bright, clean white base, a large open ceiling, and unique details such as silver-speckled wood floors by Kuche+Cucina. The room's lighting, enhanced by West Essex Lighting Studio, can change colors, as can the icy glass panels by Galaxy Glass, allowing for adaptable ambiance. Windows in The Atrium can be covered by moving screen doors for photography or used as projectors. The Grand Ballroom, originally built in 1995, also received significant upgrades. Space was added to increase capacity, chandeliers were raised, lighting was modernized, and window dressings were removed to enhance brightness and openness. The room's intricate details were repainted in 14 Karat yellow-gold, imparting a palatial feel. A 30-foot round mahogany dance floor anchors the room, offering views of the nearly 2-acre manicured garden, which itself has been updated with new stone and lighting. Even the administrative offices at Crystal Plaza were part of the renovation, with lighting updates, new furniture, and a stunning restoration of a 100-year-old family heirloom desk. Custom pieces and elegant carpets by Starr Carpet contribute to a sleek and refined workspace for the Crystal Plaza team. Ultimately, Crystal Plaza's revitalization successfully merges its rich history with modern design, creating a versatile and enchanting venue that moves away from conventional event spaces, ensuring a unique and memorable experience for all its clients. #CrystalPlaza #WeddingVenue #VenueRenovation #InteriorDesign #JudiSchwarzInteriors #EventSpace #LuxuryDesign #NewJerseyEvents

Architectural details such as low-sloped roofs, arched front doors, or prominent turrets are commonly associated with charming homes like Craftsman, Spanish Colonial, or Queen Anne styles. However, even ordinary residences, such as split-levels or traditional brick row houses, can significantly enhance their curb appeal through the strategic use of exterior tile. The versatility and durability of porcelain and ceramic tiles, traditionally used in bathrooms and kitchens, can be extended to outdoor applications. The recent launch of OuterClé, a platform dedicated to outdoor-friendly tile products, highlights new opportunities for incorporating materials like terracotta and terrazzo into patios and garden pathways. Interior designers have also begun utilizing trendy materials like handmade zellige around firepits and swimming pools, further demonstrating the potential of exterior tiling. Architects are increasingly integrating tiles into building exteriors, whether by cladding entire facades or adding tiled sections to new additions. This approach allows for the creation of unique and personalized looks that can rival the character of historic Victorian or cozy Craftsman homes. The article presents eight examples of tiled exteriors, showcasing various creative applications and design impacts. One approach involves building custom patterns from simple rectangular tiles. For instance, Richard Christiansen, founder of Flamingo Estate, clad his garden office in Los Angeles with turquoise tiles arranged in various directions to create a patchwork effect. This design utilizes vibrant shades of green and blue, reflecting Christiansen's aesthetic preference. Another technique focuses on enhancing rooflines. In Costa Nova, Portugal, residences feature striped tiled facades, which, when combined with high-pitched roofs, create the illusion of increased height. Tile can also be used to create inviting covered spaces. In Lisbon, Portugal, an architectural firm utilized dark green tiles, including on the ceiling of a covered patio, to achieve a cocooning effect. This design transforms a simple overhang into a serene retreat, ideal for relaxation. Public transit systems can even serve as inspiration for exterior tile designs. London's Underground tube stations, with their distinctive curved corner tiles and specific pink glazes, have influenced architects to replicate similar aesthetics on Victorian terrace houses. This demonstrates how urban elements can be adapted for residential use, adding a unique historical and local flavor. For efficiency and cost-effectiveness, KitKat-style mosaic tiles offer a practical solution. These tiles come in large sheets, making installation quicker and more affordable. A Melbourne Victorian home, designed by Dan Gayfer, utilized this type of tile to introduce new natural light and update its interior efficiently. Tiled seating is another functional and aesthetic application. At a home in Buenos Aires, white square tiles were used to clad a rooftop entrance and integrate a built-in bench, effectively utilizing surplus material while maintaining a consistent design theme with large gridded windows. Mixing two tones of cement tile on a facade provides both durability and aesthetic depth. Cement tiles are robust, resistant to chips, scratches, dirt, and moisture, and available in a wide array of colors. An example from a UK home showcases the pairing of two similar blue shades in a random arrangement, creating a weathered, established appearance. Finally, framing windows with tile adds definition to flat architectural structures. A care home in Zoersel, Belgium, used minty green tiles for its facade, inspired by the surrounding forest, and further enhanced the windows with dark green tiles to provide contrast and visual interest to an otherwise boxy design. These diverse examples illustrate the transformative potential of exterior tiling in adding charm, personality, and architectural distinction to various types of homes. #ExteriorTile #ArchitecturalCharm #HomeImprovement #OutdoorDesign #FacadeRenovation #TileDesign #Zellige #CementTile #MosaicTile

The French-based design firm AD-3D, led by Bulgarian designer and artist Aleksandar Dimitrov, has introduced an innovative 3D-printed accessory called 'clip on glass.' This creation transforms an ordinary drinking glass, specifically the IKEA Pokal glass, into a functional vase for flowers. The design aims to add a secondary purpose to everyday items through a simple yet effective modification. The 'clip on glass' is engineered to be minimalistic while maintaining full functionality. Measuring 9 x 9 x 6 centimeters, the object is optimized for material efficiency, utilizing a minimal amount of polyamide. Polyamide was selected for its strength and flexibility, critical properties for the 'clip' mechanism. The material's fine surface texture allows for the necessary expansion and contraction during the clipping process, ensuring a secure fit without compromising the integrity of either the accessory or the glass. The design ethos behind 'clip on glass' centers on enhancing existing household items rather than replacing them, promoting a sustainable approach to home decor. By leveraging 3D printing technology, AD-3D offers a customizable and accessible solution for users to repurpose their drinking glasses. The ease of attaching the accessory means that users can effortlessly switch between the glass's original function and its new role as a vase, providing versatility in home styling. This project highlights the potential of additive manufacturing in creating practical and aesthetically pleasing objects for daily use. The ability to produce complex geometries with minimal material waste makes 3D printing an ideal method for such small-scale, high-utility designs. The product serves as an example of how thoughtful design can integrate new functions into common objects, extending their lifespan and utility. Aleksandar Dimitrov's work with AD-3D demonstrates a forward-thinking approach to product design, focusing on user-centric solutions and the innovative application of modern manufacturing techniques. The 'clip on glass' accessory is not only a decorative item but also a statement on adaptable design, encouraging creative uses of everyday objects and showcasing the transformative power of 3D printing in the realm of home accessories and functional art. #3DPrinting #HomeDecor #ProductDesign #IKEAHack #SustainableDesign #FunctionalArt #AleksandarDimitrov #AD3D #Polyamide

The new owners of a classic brick row house in Cobble Hill sought to maintain its original 19th-century details while significantly improving its functionality and natural light, particularly on the garden level and top floor. Having previously worked with Manhattan-based Platt Dana Architects, they engaged the firm for a comprehensive renovation. The parlor floor, with its preserved arched opening, moldings, and mantels, largely retained its historical character, but required the addition of a powder room. The garden level, originally dark and uninviting due to low ceilings and an obstructing rear balcony, was a primary focus for transformation. Platt Dana Architects, led by partners Kate Platt and Hope Dana, undertook extensive work throughout the house, including replacing almost every wall, ceiling, millwork, lighting, molding, doors, and hardware. A key intervention on the garden level involved opening up the ceiling to expose original wood joists, which added height and a rustic aesthetic to the kitchen area. The existing rear balcony off the parlor level, which cast shadows on the garden-level kitchen, was removed. The old wood and glass doors leading to the garden from the kitchen were replaced with lighter steel-and-glass units, and the dining area was repositioned closer to these new windows, featuring a new banquette for garden views. The kitchen itself was relocated to the center of this floor. On the parlor level, the architects addressed a previous renovation that had introduced chunky wood-framed doors and windows at the back. These were replaced with a sleek steel-and-glass system from Optimum, echoing the modern elements on the garden level and significantly enhancing natural light in the rear seating area. The front hall's second opening was doubled in width, and a new powder room was strategically added. The original floors, arches, fireplaces, and radiators on the parlor floor were meticulously preserved to honor the house's heritage. For improved safety on the stairs, an unusual 'pig’s ear' handrail was custom-fabricated. The homeowners' passion for books was accommodated through the design of distinctive thin, square-shaped bookcases that line walls throughout the middle of the parlor floor and create a cozy reading area off the primary bedroom. The existing stair connecting the parlor floor's sitting room to the kitchen below was retained, but the back wall around it was entirely rebuilt with black steel windows that integrate with the lower level's new facade. The all-new kitchen features a marble-topped island, custom wood cabinets painted in Farrow & Ball's Cornforth White and Stiffkey Blue, panel-ready appliances from Sub-Zero and Miele, and a Wolf range. Reclaimed heart pine flooring from The Hudson Company was chosen to match the home's existing wood. A TV/family room is situated beyond double doors at the end of this level. The garden-level powder room was updated with a unique wall covering made from recycled magazines. The primary bedroom and its adjacent sitting room on the floor above maintained their original layout, with Platt Dana adding a long built-in banquette and new bookshelves. The primary bathroom was entirely reconfigured and gutted, resulting in a skylit space on the top floor with a new gray and white mosaic floor. The top floor underwent a complete gut renovation to create four new bedrooms and two bathrooms. The house's entire rear facade received a new stucco coating, and the customized Optimum windows include a special bottom panel in the center bay that opens for pet access. The terraced backyard design was executed by Red Hook-based Dimastery Studio. The renovation successfully blended historical preservation with contemporary design solutions, significantly improving light and functionality for the new owners. #HomeRenovation #CobbleHill #PlattDanaArchitects #InteriorDesign #RowHouse #BrooklynDesign #NaturalLight #HistoricPreservation #CustomMillwork

New York-based design studio Trueing has unveiled its latest lighting collection, Cerine, at this year's NYCxDesign festival. The collection, which includes two pendants, a floor lamp, and a sconce, features bold, hand-formed chain links made from thick borosilicate glass in a variety of vibrant colors. The Brooklyn studio, co-founded by Aiden Bowman and Josh Metersky, aimed to offer an "interesting spin on the familiar" by reinterpreting traditional chain motifs found in jewelry, industrial settings, and architectural ornamentation. The design draws inspiration from diverse sources, such as delicate golden chain necklaces, robust metal chains seen in shipyards, and the decorative elements on Beaux-Arts building facades. Metersky explains that while chain is a common element in traditional lighting design, Trueing sought to create a fresh interpretation, making the chain itself the focal point rather than merely a functional component. Each individual chain link is precisely seven centimeters wide and twelve centimeters tall, and can be customized in seven opaque or transparent color options to suit various bespoke arrangements. Beyond their aesthetic contribution, the glass chains play a crucial role in the structural integrity of the lights, allowing them to be positioned and held in place. The metal finishes accompanying the glass elements are available in brushed brass, satin or polished nickel, and oil-rubbed bronze, providing a range of complementary material options. Metersky highlights the unique character of the hand-made links, noting that their individual imperfections contribute to a cohesive and natural overall appearance. The Cerine series showcases different applications of these distinctive chains to support mouth-blown glass bulbs. One pendant design uses two hooks to suspend the fixture from the ceiling, creating a significant, inverse-arch-like droop. The sconce variant incorporates three glass links that dangle from a metal arm, which in turn holds the light bulb. The floor lamp design features nine stacked pieces of Carrara marble forming its base, with five pastel pink glass links suspended from an arched arm that supports the glass orb. The glass orb itself can be specified in classic white opaline or a selection of custom colors. Trueing launched the Cerine collection through a partnership with Pas De Calais, a Japanese clothing store situated in Manhattan's Soho district. This collaboration was deemed a natural fit due to the shared design sensibilities between Trueing and the fashion label, both prioritizing purity, nostalgia, and a refined, elemental approach to traditional forms. Bowman emphasized that the collection's essence—recalling traditional design pieces rendered in a reductive manner—aligns perfectly with Pas De Calais's ethos and aesthetic. The Cerine exhibition at 482 Broome Street was open until the end of May, coinciding with NYCxDesign 2019, which ran from May 10th to 22nd. This marks Trueing's second collection, following their debut range launched in January at The Future Perfect in Manhattan. The NYCxDesign festival also featured other notable exhibits, including Workstead and Calico Wallpaper's designs showcased at New York's Arcade Bakery, and an immersive lighting installation by Snarkitecture. Photography for the Cerine collection was provided by Lauren Coleman, with additional images by Alan Tansey for the installation at Pas De Calais. #LightingDesign #GlassChains #NYCxDesign #ProductDesign #InteriorDesign #TrueingStudio #HandFormedGlass #DesignExhibition #CerineCollection

Cambria, a leading producer of American-made quartz surfaces, introduced six new countertop designs in November, marking a significant advancement in kitchen interiors. A key innovation is the brand's never-before-seen alloy veining, which is part of their new Alloy Collection. This feature is expected to revolutionize kitchen design by incorporating metallic elements directly into the quartz surfaces. Summer Kath, Cambria’s EVP of Design, emphasized the company’s commitment to innovation in quartz products, noting that the new designs, especially those in the Alloy Collection, are an industry first. This launch responds to the growing popularity of metallics in various design fields, from home interiors to fashion. The integration of metallics into countertops offers a novel approach to incorporating these trendy elements into home decor. The new collection includes several distinct styles. The Berkshire Brass Satin Ridge countertop features a subtly raised texture, created by Cambria’s Satin Ridge finish, and is adorned with brass veining and delicate gray accents on a marbled white background. For those who prefer a smooth surface, the Berkshire Brass Smooth offers the same aesthetic without the texture. Another variant, Berkshire Brass Sculpted, provides softly textured brass veining on a delicate marble backdrop, adding modernity and sophistication. For consumers who prefer steel accents, the Berkshire Steel Sculpted counter showcases softly textured steel veins accompanied by light gray accents on a warm, marbled white background. Cambria states that this design complements their existing Malvern and Whitby designs, which are known for their elegant, muted contrasts. Two additional designs from the new collection contribute to a refined kitchen aesthetic. The Abbey countertop, part of Cambria’s Luxury Series, combines cool-toned gray and warm gold veining on a cream-toned quartz, creating a striking contrast suitable for various design schemes. The Everleigh countertop, from the Grandeur Series, features a blend of cool gray and warm honey tones, forming a soft, natural sand dune pattern that evokes an organic feel. Styling these new metallic countertops effectively can enhance a living space. The Alloy Collection is ideal for homeowners looking to update their interiors. Incorporating metals in decor can be challenging, but Cambria's alloy countertops provide a subtle yet luxurious way to do so. For example, the Berkshire Brass Smooth can be paired with mixed metal accents like copper hardware and steel decor. Alternatively, the Everleigh countertop, with its natural aesthetic, can be complemented by biophilic design elements such as natural wood cabinetry and simple bronze accent pieces. With metallics becoming a staple in design, Cambria’s Alloy Collection offers an innovative option for integrating these materials into home interiors subtly and elegantly. #QuartzCountertops #MetallicAccents #KitchenDesign #HomeInteriors #AlloyCollection #Cambria #InteriorDesignTrends #SatinRidge #BrassVeining

Erin Crosby, owner of Crosby Glass Studio, operates her business from a converted garage behind a Victorian home in Bellingham's York neighborhood. Her studio is a vibrant space filled with colorful stained-glass creations, including a portrait of her beagle, glass recreations of famous album covers, and a large custom window depicting blue ocean waves, a pirate ship, and an octopus, destined for the Cayman Islands. Crosby is known for her intricate work and is currently undertaking a significant restoration project: repairing all the 100-year-old stained-glass windows at Western Washington University's Wilson Library. The library's windows, installed in 1923, have suffered a century of damage, with every pane requiring attention. Crosby is the first to work on them since their original installation. The Wilson Library is named after Mabel Zoe Wilson, the university's second and most influential librarian, who was instrumental in establishing and growing the institution's library from a small collection to a dedicated building. She meticulously categorized books and advocated for a proper facility, eventually leading to the construction of the Romanesque-style building that now bears her name. Crosby's archival research reveals historical photos of children studying diligently in the library, suggesting its role as a community resource. Crosby's journey into stained glass began in childhood, inspired by her mother's projects. She recalls being more captivated by the stained-glass windows in church than by the sermons. Originally from Texas, Crosby moved to Bellingham and apprenticed with local artisan Lee Alexander for five years. Under Alexander's guidance, she refined her techniques, focusing on speed and quality. Upon Alexander's retirement, Crosby acquired her materials and established her own studio. Creating stained glass is a meticulous and time-consuming process. It starts with collaborative design between Crosby and the client, resulting in a 'cartoon' or line drawing. Once the design is finalized, Crosby scores and cuts the glass pieces to shape, then leads them together by soldering each joint and curve. The process concludes with the application of a glazing compound, filling the glass, and then polishing and waxing. Crosby also attended classes in Everett to learn hand-painting techniques for adding intricate details to glass, which are then permanently fused using a kiln. This hand-painting skill allows for a level of detail not achievable with leading alone. Crosby notes that she is one of the few individuals in the county who specializes in stained-glass repair and one of only two or three who take commissions. Her work extends beyond restorations to include creating new stained-glass windows for various clients, including churches, contributing to the artistic heritage of homes and historical buildings throughout the county. Her efforts continue to inspire new generations with the beauty of stained glass. #StainedGlassRestoration #ErinCrosby #CrosbyGlassStudio #WWUWilsonLibrary #HistoricalPreservation #GlassArtistry #BellinghamArtisan #WindowRepair #Craftsmanship

The Newburgh Light House, an apartment building in Victoria, Australia, designed by Splinter Society, offers a highly sustainable housing solution on a challenging, almost unbuildable site adjacent to a historic train station. The project accommodates up to 21 residents across 10 levels, with each residence occupying a full level. The architects faced significant design complexities due to the site's lack of street access, a north facade directly bordering VicTrack land, and stringent fire, building methodology, acoustic, equitable light, and stability requirements. The architectural response to these constraints involved a 'mini-tower' typology, utilizing glass blocks as a primary material to fulfill both fire safety and lighting needs. Conceptually, the building's translucent facades, coupled with reflective interior finishes, create a lantern-like effect for the public realm while fostering an ethereal atmosphere within the residences. The design emphasizes modularity and a clean, simple aesthetic, often observed in dense urban environments, to address construction challenges. Prefabricated elements were incorporated into the north and south facades, which feature glass block panels and operable recessed glazing. This design maximizes natural light and views. The decision to use full translucency on these facades, combined with a minimal core, was critical for future-proofing access to light, particularly in scenarios where adjacent private land to the north might be developed. The ground level is constructed from concrete, chosen for its ability to withstand a potential train derailment, and includes integrated seating to activate a small coffee shop fronting the entry and a pedestrian railway link. Bluestone cobbles extend from the adjacent lane through to the pedestrian walkway, creating a complementary patterned surface and enhancing ground-floor permeability despite the compact plot. Client brief aimed to attract the 'leafy suburb down sizer' market, seeking safe, convenient accommodation with an 'inner city' feel. This led to a programmatic arrangement of full-level apartments with direct lift access and private car allotments. To broaden its appeal, especially given its proximity to the train station, the design incorporated separated bedrooms and bathrooms, the potential for a third separable room, and dedicated storage/bike space, catering to students or individuals sharing. This layout was not only functional but also instrumental in achieving required light levels, considering potential future development, and ensures excellent cross-ventilation. The interior material palette reinforces the architectural grid through timber paneling, natural stone, and ceramic tiles. The glass blocks provide a distinctive internal finish, creating dynamic light effects throughout the day. Textured glass doors and internal walls contribute to the permeability of light across the floor plate. The building includes a bespoke penthouse on the upper level and one two-level residence, offering unique living spaces despite the building's overall modular efficiency. The project demonstrates a balance between performance, scale, and site constraints, achieved through close collaboration among the design, consulting, and construction teams. By day, Newburgh Light House offers adaptable homes with abundant natural light; by night, it transforms into a beacon, illuminating the Auburn village and its historic train station. #AustralianArchitecture #ApartmentDesign #GlassBlockArchitecture #SustainableHousing #UrbanDevelopment #ModularConstruction #ModernApartments #ArchitecturalInnovation

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt

This blog post compiles recent articles and projects from Designboom focusing on the application of glass in art, architecture, and design. The collection highlights the versatility and aesthetic potential of glass, ranging from large-scale public installations to architectural facades and interior elements. The articles showcase how artists and designers are pushing the boundaries of traditional glass use, incorporating it into innovative structures and artistic expressions. Key examples include a luminous forest in Hanoi composed of mirroring steel branches, demonstrating glass's role in creating immersive public art. Another project features an 'invisible Tokyo bar' that utilizes heated, transparent acrylic glass panels to distort reality, illustrating glass's capacity for experiential design. Architecture projects frequently employ glass for facades, as seen in Selgascano's transparent seaside café in China with three parallel glass volumes, and Cossement Cardoso's Helsinki museum concept, which features a textured glass skin forming a curved roof. The DA VÀNG studio in Vietnam also uses 3,000 glass bricks to create a curved, translucent house facade, emphasizing both structural and aesthetic applications. The articles also delve into the use of glass in smaller-scale design and art pieces. For instance, Bottega Veneta's summer show features 'lucid murano blown-glass stools' that mimic sea waves, showcasing glass as a medium for elegant furniture and decor. Artists like Vincent Leroy use floating lenses in an optical mobile, and Ben Tuna transforms a Porsche 911 into an art car with cathedral-inspired stained glass, highlighting the material's artistic adaptability. Sarah Brahim and Ugo Schiavi explore ancient rituals through glass temples and vessels, linking glass to cultural and historical narratives. Further architectural applications include a gradient brick facade by Delmulle Delmulle in a Belgium house, transitioning from terracotta to glass, and Vinklu's triangular prism coffee shop in Romania, using glass to fill narrow urban gaps. SICIS uses decorative glass to create glowing swimming pool surfaces in Cambodian villas, while BBWORKSPACE's Thai café employs iridescent panels to evoke gemstones and refract light. EcoLogicStudio's microbial installation at Triennale Milano reimagines domesticity with glass components, and Apropos Architects use a translucent glass facade for the Czech pavilion at Expo 2025 Osaka, demonstrating its use in significant public structures. Industrial design also features glass, such as Bugatti's Brouillard Coupe, which includes a miniature glass sculpture in its gearshift. Fredrik Nielsen's Stockholm studio explores glass's resistance to fragility and embraces chance in its creation. Atelier Échelle’s lakeside gallery residence subtly integrates glass within dark clay brick structures, harmonizing modern elements with traditional aesthetics. The variety of projects presented collectively underscores glass's multifaceted role in contemporary design, from enhancing visual experiences and light manipulation to contributing to structural integrity and artistic expression across diverse scales and contexts. #GlassArt #GlassDesign #ArchitecturalGlass #PublicInstallations #InteriorDesign #ContemporaryArt #BuildingMaterials #DesignInnovation #SustainableDesign