Francesco Balzano’s Art-Filled Paris Apartment Name Drops Villa Medici and Versailles

French design firm Le Berre Vevaud, comprising Raphaël Le Berre and Thomas Vevaud, undertook the transformation of a three-floor hôtel particulier in Paris’s 16th arrondissement into a functional and luxurious family home. The project aimed to integrate the art of living with comfort for an art-collecting couple and their two children. The initial impression of the property revealed grand volumes and abundant natural light, necessitating extensive redesign. The designers focused on the first-floor living area, dining room, and kitchen, creating an open-plan layout to maximize natural light. To address the six-meter-high ceilings, a mezzanine level was constructed. This elevated platform now serves as an office overlooking the dining room and offers a view of an olive tree. This intervention cleverly utilized vertical space while maintaining the flow and original decadent character of the property. Adjacent walls were opened to create a larger lateral room, framing views between the living and dining areas. The dining room features a cloudy gold leaf canvas by Anne Féat Gaiss, a black round-legged Olbia cabinet from Le Berre Vevaud’s own furniture collection, minimal Sophie S’Assoit chairs from Maison Dada, and a custom marble table beneath a vintage 1950s eight-arm chandelier. The living room showcases mural artwork by Martin Berger, black wood sculptures by Charles Kalpakian, Ignazio Gardella armchairs, and a cantilevered bronze coffee table by Yann Dessauvage. A carved screen in cut-out brushed oak veneer was added to partition the sitting area from the entranceway elevator, which connects to street level. The design draws inspiration from a combination of materials and textures, spanning the Art Deco period to the bold colors and forms of the Memphis movement. Le Berre Vevaud's expertise extended beyond architectural ingenuity to interpreting the couple's extensive art collection within a domestic context. In the entranceway, a 17th-century portrait by Hans Hansen Rasch is casually displayed above a custom Belize bronze console. A bedroom features a Sophie Calle photograph and a pink and gold patterned de Gournay screen by David/Nicolas, alongside a custom-designed bed, presented in an unassuming manner. The home not only provides a backdrop for a diverse art collection—including modern and contemporary sculptures, photographs, paintings, and classical pieces—but also incorporates a 1,000-square-foot spa. Le Berre and Vevaud repurposed part of the ground floor courtyard for this zen-like space. The staircase leading to the spa features dark materials and waxed concrete to create a subdued atmosphere and mimic natural stone textures. Under a gridded skylight, a raised platform houses a circular Jacuzzi. Opposite, a shower room and hammam sauna are adorned with minuscule mosaic tiles designed in collaboration with Beton Blanché, aiming to transport the owners into a tranquil environment within their home. #ParisianHome #HôtelParticulier #LeBerreVevaud #LuxuryDesign #ArtCollectorsHome #SpaDesign #InteriorArchitecture #FrenchDesign #Mezzanine #ArtIntegration

Casey Neistat, a YouTube vlogger known for his dynamic, fast-paced content, and Candice Pool, founder of the fine jewelry companies Billy! and Finn, have created an urban sanctuary in their high-rise Battery Park City apartment. Eschewing the typical chaotic loft living often associated with creative New Yorkers, the couple sought to establish a tranquil, homey environment that contrasts sharply with Neistat's bustling SoHo office. Their goal was to find a suburban-like peace within the city's confines, a desire that became increasingly important as they grew their family. Working with New York City-based designer Daun Curry, who had previously designed showrooms for Pool’s jewelry brands, Neistat and Pool transformed their three-bedroom, three-and-a-half-bath apartment into a serene retreat. The couple explicitly wanted to avoid a stark, impersonal 'white box' aesthetic, which Pool, a former West Village resident, found unappealing. Curry addressed this by introducing dynamic layers and a sense of history into the modern condo space. One notable design choice was the application of matte-black wainscoting and painting everything below the window sills in the same dark shade. This technique visually grounds the space, drawing attention to the apartment's expansive views of the Hudson River while creating an illusion of depth and lowering the perceived floor level. The interior design adopted a 'Bohemian Aristocrat' theme, characterized by a 'laid-back luxe' aesthetic. The living room, for instance, features a large, comfortable Belgian linen sofa from Restoration Hardware, adorned with embroidered textiles from ABC Carpet & Home and a faux-fur throw from Barneys New York. This blend of comfort and subtle luxury is complemented by a diverse art collection, including a leopard photo by Caroline Gibello—a nod to Pool's South African heritage—a custom painting by Shantell Martin incorporating their initials, and a pastoral painting discovered during a stay at the Ocean House Hotel in Rhode Island. A gold skateboard sculpture, a Father's Day gift from Pool to Neistat, serves as a unique personal touch. The apartment's layout, which Neistat and Pool describe as perfect, provides distinct areas within an open floor plan, offering both spaciousness and defined living zones. Practical amenities, such as on-site laundry, further contribute to the suburban feel desired by the couple as parents of a toddler with another child on the way. Clutter avoidance was a key principle in their design philosophy, with Pool emphasizing that expanding square footage does not equate to expanding hoarding habits. Built-ins in the bedroom and the removal of excessive cabinetry from previous owners underscore their commitment to a calm, neat living space. Ultimately, the apartment has achieved its purpose: providing a genuine sense of home and belonging in New York City, a sentiment Neistat describes as a profound shift from merely surviving to truly living in the city. #CelebrityHomes #ApartmentDesign #InteriorDesign #NewYorkCity #ZenLifestyle #HomeDecor #UrbanRefuge #DesignerCollaboration #BohemianAristocrat

DG Arquitecto has completed a minimalist renovation of a 1920s penthouse in Valencia's Ruzafa neighbourhood, transforming a previously compartmentalized 100-square-metre space into a modern living area while meticulously preserving its original architectural character. The design, led by Isabel Roger Sánchez and Daniel González López, focuses on integrating contemporary functionality with historical elements such as mosaic floors, decorative mouldings, and arched doorways. The penthouse, situated on the top floor of an apartment block, originally featured narrow corridors and small rooms. The clients tasked DG Arquitecto with adapting the layout for modern living while ensuring that the apartment's unique original features remained central to the design. A key decision was to retain and restore the decorative mouldings and doors, which were painted white to conceal any wear and tear. The vibrant mosaic floors, a hallmark of Valencia's early 20th-century architecture from a significant factory in nearby Meliana, were carefully cleaned and preserved to highlight their original colours throughout the entire apartment, extending from the kitchen to the office area. To create a more open and functional living space, the studio combined the living room and kitchen into a single, integrated area. This transformation involved thoughtful spatial reorganization, allowing for a seamless flow between these primary communal zones. Despite these significant changes in the main living area, the apartment's three bedrooms, two bathrooms, and the terrace largely maintain their original layout, demonstrating a balanced approach to renovation. The new additions and interventions are characterized by a minimalist aesthetic and a consistent material palette. Oak was chosen for new built-in elements, including the kitchen cabinetry, wardrobes, and bookshelves, due to its inherent warmth and uniform appearance. An oak floor and a dressing room were incorporated into the main bedroom, further enhancing its modern appeal, while an office area with built-in shelving was strategically placed between the bedrooms and the terrace, offering a dedicated workspace. The architects emphasized that the distribution changes were intentionally limited by the objective of fully preserving the original mosaic flooring and the integrity of the moulded ceilings. This careful consideration allowed the studio to transform the existing spaces effectively without compromising their historical essence. The project stands as an example of sensitive renovation, echoing similar Spanish apartment projects that have successfully integrated modern design with the preservation of historical tiled floors, such as those found in Barcelona where colourful mosaics delineate original room layouts. Photography for the project was provided by Mariela Apollonio. #ValenciaArchitecture #ApartmentRenovation #MinimalistInteriorDesign #HistoricPreservation #MosaicFloors #DGArquitecto #OakWood #OpenPlanLiving #SpanishInteriorDesign

Sigla Studio has completed the renovation of a 150-square-meter apartment in Barcelona's Eixample district, located within the 1904 residential building Casa Salvador Viladevall III. The project focused on preserving and restoring the apartment's original early 20th-century features while integrating contemporary elements for improved functionality and comfort. Unlike many other renovations in the building that disregarded historical characteristics, Sigla Studio meticulously rehabilitated existing details, aiming for a harmonious blend of old and new. Key original features preserved and restored include the vibrant mosaic floor tiles and decorative plaster mouldings on the ceilings. The mosaic floors, identified as creations by Teotim Fortuny—a prominent manufacturer of hydraulic mosaics in Catalonia known for intricate modernist and traditional Catalan designs—were carefully restored, with missing tiles painstakingly sourced to maintain their integrity. Solid wooden doors were also preserved, and original windows were updated with double-glazing to enhance energy efficiency without compromising their aesthetic or tactile qualities. Structurally, a significant intervention involved opening up the kitchen to the hallway and introducing an internal window between the kitchen and living room. These changes were implemented to improve natural light penetration and overall flow within the central areas of the apartment. The kitchen also received a vaulted ceiling and warm red Alicante marble floors, which create a striking contrast with the cool steel kitchen cabinets. In the living and dining areas, a large table designed by the studio, featuring a marine plywood structure and a Roman travertine marble top, serves as a focal point. A silver pendant lamp hangs above it, accentuating a ceiling rose, part of the decorative plaster mouldings. The bedrooms adopt a more subdued, natural color palette, balancing the vibrant restored floors with softer tones to ensure seamless integration of historical and modern elements. To accommodate the client's request for an additional bedroom, the main bedroom was divided into two using a custom-built dressing room. This adaptive design solution avoided alterations to the original mosaic floors or ceiling mouldings, respecting the apartment's historical layout while meeting contemporary needs. Bathrooms feature custom-made red marble sinks and detailing, designed to visually integrate with the rest of the apartment rather than being isolated spaces. When not in use, their open doors contribute to a greater sense of spaciousness and improved lighting. The project underscores a commitment to celebrating Barcelona's rich architectural heritage through thoughtful restoration and contemporary intervention. #BarcelonaApartment #SiglaStudio #ApartmentRenovation #HistoricPreservation #MosaicFloors #CatalanModernism #InteriorDesign #ArchitecturalRestoration #EixampleDistrict

This article details the transformation of an early 20th-century Art Nouveau apartment in Catania, Italy, into a bed and breakfast. The project, undertaken by Marasco and Santangelo along with Galati Casmiro Giorno, focuses on reinterpreting the Stile Liberty language by blending historical elements with contemporary design. The core of the renovation involved restoring the original colored cement tile floors, which subsequently informed the color palette for new interior additions. These floors, a hallmark of the period, are not only preserved but also highlighted as central decorative features within each room. The spatial reorganization of the apartment was a key aspect, ensuring that each room now functions independently, equipped with its own private bathroom. The bathrooms are subtly separated from the sleeping areas by lightweight, colorful partitions. A deliberate design choice was made to keep these partitions lower than the original ceilings, allowing the distinctive vaulted ceilings to remain visible and untouched, thus respecting the apartment’s historical architecture. The entrance area has been reimagined with a striking red volume, which serves as a central hub for the reception and kitchen. This central space facilitates access to the various autonomous rooms, enhancing the functionality of the new hospitality concept. The project emphasizes a dialogue between the past and present, achieved through thoughtful additions and a cohesive color scheme derived directly from the existing architectural details. The minimalist design interventions for lighting, seating, and small furnishings complement the historical context without overshadowing it. This approach allows the Art Nouveau heritage to shine through while integrating modern amenities necessary for a contemporary hospitality experience. The renovation successfully bridges the gap between historical preservation and modern functionality, creating a unique and inviting atmosphere for guests. The completed project in 2024 showcases a sensitive yet innovative approach to repurposing a historically significant building. #ArtNouveau #StileLiberty #CataniaArchitecture #HistoricRenovation #HospitalityDesign #InteriorDesign #ArchitecturalPreservation #CementTiles #VaultedCeilings

This blog post explores a meticulously designed 968-square-foot duplex apartment in Milan, conceived by the architectural and interior design firm 23bassi. The apartment, situated on the penthouse level of a new building, demonstrates how innovative design solutions can transform a compact space into a highly functional and aesthetically rich home. The primary focus of the design revolves around maximizing space and integrating diverse aesthetic influences, ranging from 1980s elements to classic modern design pieces. The apartment's layout is unusual, characterized by its narrow and long structure, but benefits from abundant natural light provided by large windows. Central to the apartment's ingenious design is a disappearing round bed by Lago, a discontinued model, which serves as the focal point of the sleeping area. This bed appears to float, anchored only by a beam of light, and can be concealed behind an accordion-like metal fabric folding door by Dooor, a company famously associated with designer Gio Ponti. This design choice creates a futuristic and versatile sleeping nook that can be completely screened off and boasts its own ventilation system when closed. The sleeping area also incorporates Artemide’s Alphabet of Light lamp and practical shelving, all contributing to an 80s-inspired ambiance within this corner of the apartment. Complementing this modern feature is a Mezzachimera floor lamp by Vico Magistretti for Artemide, showcasing a blend of eras and styles. The apartment's entrance leads to a hallway equipped with custom-designed closets for practical storage, including a coat rack. An arched doorway opens into the living area, where custom cabinetry continues to seamlessly integrate essential kitchen appliances like the refrigerator and a dish drying rack. The walls in this section are adorned with a vibrant Osborne & Little wallpaper, creating a cohesive and lively aesthetic. The living space is furnished with iconic pieces from renowned designers, such as the Camaleonda sofa by Mario Bellini for B&B Italia, Superleggera chairs by Gio Ponti for Cassina, and the Vidun glass-topped table by Vico Magistretti for De Padova. Lighting fixtures throughout the apartment are also notable, featuring works from Davide Groppi, Paolo Ulian for Dilmos, and Flos. A recurring design motif across the apartment is the use of black iron frames, which delineate doors, arches, and skirting boards, adding a graphic and dramatic touch. This element is particularly striking in the bathroom area, where a series of iron and ribbed glass doors create an intricate geometric composition, enhancing the visual appeal and functionality of the service spaces. The European oak parquet flooring is accentuated with a circular white marble inlay, further highlighting these areas. The bathroom itself combines contemporary elements, such as tiles by Konstantin Grcic for Mutina, with an antique cabinet from Antichità Moglia, reflecting the homeowner’s passion for antiques. The apartment extends vertically to a terrace level, accessed via a custom white-painted iron spiral staircase. This upper level comprises an additional 484 square feet of outdoor living space. A glass-floored and walled enclosure allows natural light to filter into the living area below and serves as a small vestibule to the outdoor space. The terrace offers city views and features a small infinity pool. It is furnished with pieces from leading contemporary designers like Le Corbusier, Charlotte Perriand, Patricia Urquiola, and Francesco Rota. An orange outdoor kitchen adds a vibrant contrast to the sleek design. The pergola-covered terrace, with its warm colors and generously sized furniture, provides a tranquil retreat amidst the urban environment. #MilanApartment #SmallSpaceDesign #DisappearingBed #CustomFurniture #ModernDesignClassics #InnovativeLiving #DuplexApartment #ArchitecturalDesign #InteriorInnovation

Refugium Amoris, a hideaway apartment located on the top floor of a Venetian palazzina in Venice’s Cannaregio district, has undergone a restoration led by architect Francesco Pugliese. This project aimed to preserve and reinterpret the building's historical elements, offering a unique opportunity to experience Venetian architectural heritage from within its urban fabric. The apartment faces the Strada Nuova and features a rooftop terrace overlooking the Ponte delle Guglie, strategically placing it at an intersection of public and private life in Venice. The restoration process focused on revealing and restoring original Venetian features, notably exposed wooden beam ceilings and terrazzo floors. The terrazzo, crafted from marble and local stone chips, connects the interior aesthetically and materially to the lagoon environment. The exposed timber ceilings contribute to the spatial volume, transforming structural elements into architectural statements. Interior furnishings from Boselli, a Venetian design house, were selected to blend traditional substance with contemporary design, maintaining a dialogue between historical context and modern refinement. These pieces emphasize natural materials like leather, solid wood, and metal, treated to highlight their raw textures. A significant design element is the use of Fortuny textiles as wall coverings. These fabrics, produced on the island of Giudecca using traditional looms and printing techniques, add a layer of sensory depth. Their hand-pressed pigments and subtle reliefs interact with light and shadow, creating dynamic chromatic shifts throughout the day. The rooftop terrace is furnished with Fermob outdoor pieces, extending the living space and offering views of the city's rooftops and the Ponte delle Guglie. The durable, weather-resistant materials of the Fermob furniture align with the apartment’s refined and minimal aesthetic. Art is an integral part of the interior design, with works by Sicilian artist Elisa Anfuso providing a subtle contrast to the historic setting. Anfuso's surreal figuration prompts contemplation on the relationship between figuration and abstraction, and between history and contemporary elements within the space. Refugium Amoris eschews traditional hotel amenities, positioning itself as a private retreat focused on spatial quality, craftsmanship, and locally sourced design. Digital interfaces are minimized to promote engagement with the physical space and its materials. Natural light is prioritized, managed through Venetian shutters, while artificial lighting is warm and indirect, designed to accentuate materials and art. This deliberate layering of historical components with contemporary design elements establishes a continuum, inviting guests to inhabit a space that is deeply connected to Venice's history. The apartment offers a sanctuary within the dense urban environment of Venice, encouraging a slower pace of experience where details such as the texture of the floor, the weave of a Fortuny textile, or the city silhouette become focal points. The design emphasizes analog living, free from the distractions of conventional digital interfaces, providing a retreat that values authenticity and quiet reflection. #VenetianArchitecture #HistoricRestoration #InteriorDesign #LuxuryApartment #RefugiumAmoris #FrancescoPugliese #FortunyTextiles #Venice #HideawayApartment

CM Studio Paris, led by John Coury and Florent Maillard, undertook the extensive renovation of a 17th-century mansion, Maison Sémonville, located on Rue Quincampoix in the historic Marais quarter of Paris. This mansion, built during the early reign of Louis XIV, draws inspiration from Charles-Louis Huguet de Montaran, the Marquis de Sémonville, who served as France's ambassador to the Ottoman Empire. The property was in a severe state of disrepair, requiring a complete overhaul that included replacing floors and relocating rooms. The design team meticulously preserved original elements like the ancient fireplace and ceiling beams, establishing a foundation for the new design. The studio's approach was to blend vintage aesthetics with contemporary comfort. They curated an array of period furniture, fabrics, and artworks from global sources, alongside antique accessories such as carpets, lamps, and ancient objets d'art, sourced from renowned dealers. This selective curation aimed to imbue the space with a sense of history and grandeur, reflecting a philosophy of patience and diligent searching for pieces that align with their vision. Their design incorporates rich textures and bold colors, diverging from minimalist trends. Velvets, glowing silks, and gold fringe trims with tassels are prominently featured, contributing to a largely Baroque sensibility with touches of Rococo. The designers advocate for the use of color, viewing white as a safe, unadventurous choice. They also integrated contemporary art and exclusive objects into the classical interior, embracing an eclectic style that combines various periods and origins, drawing inspiration from both Eastern and Western influences. The renovation aimed to create an illusion of a space evolved over generations of collectors while ensuring modern conveniences were not compromised. Despite their passion for 17th and 18th-century architecture, the designers prioritized absolute comfort, integrating technological advancements into timeless interiors. Attention was given to fundamental architectural details such as facades, ceilings, the staircase, and living room beams, which were then complemented by antique furniture from the 16th, 17th, and 18th centuries. Notable pieces include a 2nd-century stone statue from Yemen in the dining room and a 17th-century painting depicting Cleopatra and Marcus Antonius, symbolizing the fusion of East and West. The living room serves as the apartment's focal point, featuring a five-meter-high ceiling and a monumental stone fireplace with old French inscriptions. Two large canvases by Italian Renaissance painter Andrea Vicentino, depicting the meeting of Ottoman and Venetian ambassadors and representing the Marquis de Sémonville, adorn the wall above the fireplace. The bedroom balances feminine peachy-pink tones with masculine imagery from a contemporary print by Chinese photographer Shen Wei, and modern elements like a Manhattan lamp by Hervé Isle de Beauchaine. CM Studio Paris emphasizes the excitement of combining old and new, believing that decoration is about reinterpreting space through the interplay of rooms, dimensions, surface and material choices, and object placement. The interiors feature a soft boudoir atmosphere with upholstered armchairs, rugs, Venetian mirrors, trimmings by Declercq, and a Louis XIV wardrobe. The bathrooms, inspired by Ottoman architecture, are finished in red marble. The studio collaborates with historic partners like Tassinari & Chatel for fabrics and Frette for linens, companies known for their long-standing lineage and quality, ensuring authenticity and harmony between the building's historical facade and its interior design. #ParisMansion #VintageInteriors #CMStudioParis #BaroqueDesign #RococoInfluences #AntiqueFurniture #EclecticDecor #HistoricalRenovation #LuxuryInteriors #ArchitecturalDesign

Porto-based architecture studio Fala Atelier undertook a significant renovation of a 60-square-metre apartment located in a historic tile-clad building in downtown Lisbon. The project, named Príncipe Real Apartment, was led by Fala Atelier co-founders Filipe Magalhães and Ana Luisa Soares. The primary objective of the renovation was to transform a cramped and spatially disorganised flat into a bright, open-plan living space. The initial state of the apartment was characterized by an erratic spatial system, with interior walls creating a tightly packed and inefficient layout. The architects decided to completely remove all existing interior walls, effectively gutting the apartment to establish a clean slate. Following this demolition, only two new partitions were introduced, allowing for a largely open-plan configuration that dramatically altered the flow and perception of space within the flat. A key design intervention involved the strategic relocation of living spaces. The architects moved the primary living and dining areas from the north side of the apartment to the south, thereby maximising access to natural light and offering enhanced views of the city from the small, enclosed balcony. This reorientation not only improved daylighting but also capitalized on the apartment's urban context. The redesigned layout incorporates mirrored and glass sliding doors, which play a crucial role in enhancing the sense of openness and light. These doors connect the central living and dining space to bedrooms and bathrooms positioned on either side. The reflective surfaces of the mirrored doors contribute to the illusion of a larger space and help distribute light throughout the interior. The balcony, featuring two glazed sides, was conceived as a direct extension of the living room, seamlessly integrating indoor and outdoor areas through two doorways and an adjoining white brick wall. Material choices further contribute to the apartment's aesthetic and functional improvements. The floor in the main living area is adorned with black and white patterned tiles, a design choice that subtly references the decorative facade of the building itself. Bright white paint was used extensively on both walls and ceilings throughout the apartment, creating a neutral and expansive backdrop. This 'clear canvas' approach allows for a curated selection of furniture pieces, which are treated as independent objects within the space, to stand out. Custom-designed furniture elements add character and functionality. A deep green sideboard, featuring a tessellating geometric print, is positioned in the living space, serving as a preparation area adjacent to the kitchen. In one of the bedrooms, a chest of pale-blue drawers with a diamond pattern cut into its surface provides both storage and a decorative accent. The apartment's previous layout included a windowless bedroom in the centre, which lacked views. This was rectified by re-situating both bedrooms side-by-side across the north facade, with the master bedroom gaining French doors that open onto a small balcony. The project effectively addressed the spatial deficiencies of the original flat, creating a modern, light-filled, and functionally superior living environment through thoughtful demolition, reorientation, and strategic material and furniture selections. #ApartmentRenovation #LisbonArchitecture #OpenPlanLiving #InteriorDesign #FalaAtelier #ResidentialArchitecture #SpaceRedesign #ModernInteriors

The Milan Design Week showcased a strong and growing synergy between luxury fashion and home décor, with several high-profile fashion houses extending their design expertise into interior furnishings. This trend highlights the increasing influence of fashion aesthetics on home design, offering consumers opportunities to incorporate runway-inspired pieces into their living spaces. Seven notable collaborations and collections stood out, demonstrating diverse approaches to this cross-industry integration. Fendi's new Casa collection, under the direction of Silvia Venturini Fendi, featured Christina Celestino’s “Ottavia” chairs. These chairs, inspired by the Roman landscape, boast a rounded back for comfort and sophistication, along with stained wood that accentuates the natural grain. The collection also included Piero Lissoni’s modular Taiko sofa system, the “Blow Up” modular seating by Controvento Studio under Gabriele Chiave, and a logo-adorned “Artichoke” pendant lamp by Louis Poulsen, reimagined in metal and yellow glass. Fendi's offerings emphasized fashion-forward color palettes such as yellow micro bouclé, pink velvet, and grey bouclé. Missoni unveiled a new line of poufs, bringing their iconic zig-zag prints and geometric patterns to life. The brand described its display as a "surreal space with decorative visions that overcome the force of gravity," offering more artistic than purely functional pieces designed to add glamour. A notable item was a circular stool embellished with Swarovski crystals, exuding a disco-inspired aesthetic. Dior Maison continued its collaboration with renowned designer Philippe Starck, presenting the latest iteration of the Monsieur Dior’s armchair at Milan’s 18th-century Palazzo Citterio. This modern reinterpretation of the classic medallion design was showcased through a sound and light extravaganza, available in various colors and materials, including a fluorescent orange toile de Jouy. Versace introduced the “Zensational” sofa, a modular seating system characterized by the brand's signature swirls and Medusa head adornment. This luxurious piece is offered in two distinctive options: crocodile-embossed leather or Baroque-print jacquard, embodying classic Versace style. Loro Piana's collection, developed with Argentinian designer Cristián Mohaded, featured 12 towering stone structures wrapped in the house’s archival interiors fabrics. The art-inspired furniture collection highlighted the transformation of raw materials into desirable items, emphasizing preservation and natural beauty. Materials like chiseled wood, undyed raw cashmere, silk velvet, and vicuña were prominently used. Loewe, under designer Jonathan Anderson, presented a collection that reimagined Welsh stick chairs. Anderson, an avid collector of these chairs, collaborated with artisans globally to transform these humble pieces into haute design objects. The chairs were adorned with various materials such as paper, twine, shearling, leather, raffia, and even emergency insulating foil, creating unique, emotionally resonant pieces. Marni collaborated with Belgian brand Serax to launch its first tableware collection, "Midnight Flowers." This 120-piece hand-illustrated porcelain set features whimsical florals and a fresh color palette, inspired by Marni's quirky-elegant runway collections. Creative director Francesco Risso noted the shared ground between ready-to-wear and tableware in their emphasis on dialogue, materiality, tactility, and sensorial emotions. These collaborations collectively underscore the expanding boundaries between fashion and interior design, bringing high fashion sensibilities into the home décor market. #MilanDesignWeek #LuxuryFashion #HomeDecor #FashionInteriors #DesignerCollaborations #FendiCasa #DiorMaison #VersaceHome

French-Mexican architect and designer Hugo Toro undertook his largest private home project to date: the revitalization of a historic 1911 house on the Left Bank of Paris. This sprawling residence, spanning over 10,000 square feet across six floors, had remained vacant for more than 15 years and was in a state of considerable disrepair upon Toro's initial visit in February 2022. The house featured ornate gilded plasterwork suffering from water damage and mold, with paint peeling from the walls, revealing a fusty Empire red beneath. The brief from the French family acquiring the property was to bridge the gap between the building's historical integrity and contemporary living, respecting its original character while infusing it with a distinct modern vision. Their sole specific request was the inclusion of a fish tank, leading to the installation of a two-and-a-half-ton aquarium in the family room. To achieve this, Toro embarked on a process of unearthing the house’s inherent charm. This involved restoring original elements such as the Art Nouveau curves of the window frames and uncovering a more muted, authentic color palette by meticulously scraping back layers of old paint. The renovation resulted in a blend of classic Parisian grandeur, characterized by soaring high ceilings, expansive windows, wainscoting, meticulously restored moldings, and traditional herringbone floors. This opulence is juxtaposed with a lively 1970s aesthetic, conveyed through a warm amber-hued palette, rich tactile materials, and statement furniture featuring curved, organic shapes. Toro, who admits to appreciating the playful spirit of the 1970s, incorporated this influence to create a vibrant yet elegant atmosphere. Aluminum accents, used for doors, door frames, and cabinetry, were strategically placed to define volumes, add modern polish, and provide a contemporary contrast to the warmth of the wood paneling. The renovated house now boasts six bedrooms, six bathrooms, a swimming pool, a spacious rooftop terrace, and a garden. The interior design showcases several bespoke elements by Toro, including a serpentine sofa in the living room, a seven-meter-long Murano glass chandelier illuminating the central spiral staircase, and a custom platform bed in the principal bedroom designed to create a transitional moment for bedtime. The principal bathroom features a swirling green onyx washbasin and tub, reflecting a luxurious and distinctive material choice. Toro's artistic flair extends to several of his own paintings adorning the walls, which, while distinct from his architectural work, share a common thread of rich texture and a sepia-toned, enveloping palette, influenced by his French-Mexican heritage. The ground-floor family room, designed for comfort and interaction, includes a plush caramel-velvet sofa by Toro, Michel Cadestin’s Yoga chairs, a round glass coffee table, an arcade game, and a football table, demonstrating a commitment to creating a functional and enjoyable family space. The dining room features 1959 Böhlmarks chandeliers, a custom-made rug, and tables designed by Toro, complemented by 1950s chairs by Arne Jacobsen. In the office, a chair by Nacho Carbonell is paired with Maurice Calka's 1971 Boomerang desk. Every aspect of the home's design is intended to immerse and inspire, fostering a warm and interactive environment for its occupants, suitable for year-round use and reflecting the family’s passions. Toro emphasizes that the goal was not merely to create an aesthetically pleasing image but an engaging space that truly invites living and interaction. #HugoToro #ParisianMansion #HomeRenovation #InteriorDesign #LuxuryHomes #ArchitecturalRevitalization #FrenchArchitecture #ContemporaryDesign #HistoricHomes

In Paris, BETH X EPISTĒMĒ STUDIO transformed a 248-square-foot (23-square-meter) studio apartment into a minimalist and functional living space. The design prioritizes efficiency and aesthetic appeal, demonstrating how small spaces can be optimized without sacrificing comfort or style. The central element of the apartment is a custom-built, raised platform made of okoumé wood. This platform serves multiple functions, integrating a sleeping area, a dining table or desk, and concealed storage. Its adaptable nature maximizes flexibility while maintaining an uncluttered floor plan. A notable feature of the raised platform is the built-in table, which draws inspiration from Japanese zataku, designed for floor seating. However, it incorporates a modern ergonomic adjustment: the platform is raised high enough to allow occupants to dangle their feet comfortably, improving comfort during meals or work sessions. This detail blends traditional design principles with contemporary needs. Every component within the apartment is custom-designed to enhance efficiency and maintain design cohesion. For instance, a bookshelf seamlessly transitions into a headboard, while a retractable desk can be tucked away into a storage module when not in use. Additionally, a wall-mounted Murphy bed further conserves space, allowing the apartment to transform with ease. These integrated solutions create an intentional and balanced interior, where each element serves multiple purposes without contributing to visual clutter. The material palette for the apartment is soft and natural, featuring light-toned wood, polished concrete, matte plywood, and aged brass. These materials create a calming and serene environment with a tactile quality. Linear lighting and clean architectural lines enhance the clarity of the space, promoting an open feel without making the area seem rigid or impersonal. Instead of using conventional walls to divide the compact apartment, BETH X EPISTĒMĒ STUDIO utilized built-in storage solutions and subtle shifts in surface levels to delineate different zones. Light is employed as a guiding element, facilitating movement and visually connecting various areas, contributing to an uninterrupted flow throughout the space. The design successfully avoids the common pitfall of minimalist interiors appearing sterile. Instead, it embodies a warm minimalism, influenced by Japanese aesthetics and the serene qualities of desert landscapes. The apartment achieves a cocoon-like atmosphere, offering its resident a sense of quiet comfort while remaining highly adaptable to evolving needs. This project exemplifies how small-scale design can be both functional and human-centric, balancing precision with softness to create a harmonious living environment. #ParisianApartment #StudioDesign #MinimalistInterior #SmallSpaceLiving #FunctionalDesign #CustomFurniture #JapaneseAesthetics #BethXEpistemeStudio #HomeDecor

The former residence of the late Japanese fashion designer Kenzo Takada, known as The Kenzo House, is currently on the market through Christie's Real Estate. Located in the Bastille area of Paris, the four-story home was originally constructed by Takada in 1993 within the courtyard of an 18th-century Parisian building. Takada, who founded his eponymous label in Paris, sought to create a living space that harmoniously blended Eastern and Western design aesthetics, reflecting his own cultural background and artistic vision. The initial design of the house, which took seven years to complete, aimed to incorporate elements reminiscent of Japan, providing a tranquil contrast to the vibrant Parisian atmosphere that inspired his fashion work. The property underwent a significant redesign in 2018 by acclaimed Japanese architect Kengo Kuma. Kuma's architectural philosophy, focused on a “frame of nature,” guided the renovation, emphasizing the integration of natural materials and light to foster a deeper connection with the environment. Kuma's redesign utilized organic Japanese building materials such as ceramic, stone, bamboo, and various types of wood, aligning with his belief that these materials enhance the experience of nature within architectural spaces. He championed transparency as a characteristic of Japanese architecture, employing light and natural elements to achieve a distinctive form of visual and atmospheric clarity within the home. The Kenzo House features an expansive layout including four bedrooms, six bathrooms, a music room, a fitness room, a study, an elevator, and staff studio apartments. A central aspect of the property's appeal lies in its meticulously designed outdoor spaces. The garden includes a stone pond inhabited by nishiki carp, and extensive landscape gardens featuring cherry trees, maple trees, bamboos, moss, rocks, and waterfalls, all crafted to evoke the serene beauty of a traditional Japanese landscape. A key element of Kuma's redesign involved reorienting each bedroom to face the garden, visually and materially framing the house with nature. The property also boasts a Japanese pavilion with a traditional tea-ceremony room, complete with tatami mats and shoji sliding doors, opening directly onto the koi pond. Further incorporating Japanese design, a terrace with an outdoor lap swimming pool was converted into an engawa, a traditional Japanese exterior corridor made of wooden latticing, providing a covered outdoor dining and entertaining area with lush green foliage. An elegant stone bathtub offers panoramic views of the Parisian rooftops, contributing to the sense of luxury, peace, and pleasure envisioned in the home's design. #KenzoTakada #ParisRealEstate #JapaneseArchitecture #KengoKuma #LuxuryHomes #HomeDesign #EasternWesternFusion #ArchitecturalRenovation #GardenDesign

This week, Paris is hosting a diverse array of art and design events, with the return of Art Basel Paris and Design Miami Paris for their third editions. The French capital's historical venues, including _hotels particuliers_ and landmark apartments, are showcasing collectible design that explores experimental and multidisciplinary approaches, from textile-like treatments of solid surfaces to the integration of music with design. This roundup highlights the most compelling design exhibitions available to explore during this period. India Mahdavi presents a triple bill of collaborative exhibitions. Her Project Room #20 features 'Parenchyma,' a solo exhibition by studio Kauani, displaying cactus-shaped sculptural lights, an intimate study of xerophytic plants, created by Inés Llasera and Inés Quezada. Her Tiny Room gallery hosts an exhibition of anthropomorphic chairs by Serban Ionescu, reflecting his Balkan origins and an improvised approach to wood. Additionally, Mahdavi collaborates with culinary collective We Are Ona for _Rose C'est La Vie_, a flower-clad restaurant pop-up with Mexican chef Jesús Durón, whose interiors evoke Mahdavi's iconic APT club in New York. Perrier Jouët returns to Maxim's for the second year with its 'Parenthèse Belle Époque,' transforming the legendary Art Nouveau venue with stained glass windows, Émile Gallé anemones, and vintage posters. This event includes exclusive gastronomic pairings by Maxim's chef Yann Meinsel and Maison Belle Époque executive chef Sébastien Morellon. Charles Zana unveils his new _In Situ_ furniture collection within a 500-square-metre Directoire apartment, formerly home to the Swedish Circle. The exhibition presents a 'fantasy' interior that mixes Zana's works to create an emotional experience rather than just an aesthetic. The display also features a coffee bar by pastry star Yann Couvreur and a soundtrack by Sébastien Tellier and Ray Mang. The Contributions design festival, curated by Anna Caradeuc and Élise Daunay, hosts its second edition, intertwining design and music through five installations. Highlights include Nifemi Marcus-Bello's M2 Shelf with an integrated speaker, in collaboration with La Boîte Concept, and Italian musician Andrea Laszlo De Simone's audiovisual piece _Una Lunghissima Ombra_, accompanied by a natural wine bar and micro-cinema by Harold Mollet and the design collective Metals. The inaugural Salon des Nouveaux Ensembliers, held at the Galerie des Gobelins under the patronage of France’s manufactures nationales (Sèvres and Mobilier national), brings together a new generation of interior architects. Under the theme ‘L’Ambassade de demain’ (the embassy of tomorrow), ten architect-decorators reinterpret diplomatic spaces, focusing on how design can embody representation, openness, and exchange while addressing ecological and social responsibility. Salon 94 Design showcases Massimiliano Locatelli and Fabio Zambernardi's 'Nullus Locus,' a collection of objects featuring embroidery on timber, transforming wooden vessels and furniture into unexpected canvases for floral designs, realized with the expertise of Graziano Ricami. Additionally, 'Un Souffle De Vent' by Yves Salomon Editions X Dimorestudio presents an immersive installation inspired by Georges Perec’s novel _Les Choses_, emphasizing contemplation of objects through tactile surfaces and a rich material palette. Nilufar and Métaphores present 'In The Mood for Touch,' an immersive installation exploring the tactile and emotional potential of interiors through their respective design and textile works. CØR Studio, Harold Mollet, and Monument present 'Im Zwischen,' a group exhibition exploring the 'in-between' as a bridge between historical and contemporary design, featuring a 10-metre light wall by François Chapuis and iconic designs by Ron Arad and Ingo Maurer. LVH Art showcases Donald Judd's minimalist work within a grand Parisian residence, providing a compelling contrast with ornate French interiors. Finally, Invisible Collection and Féau Boiseries exhibit 'Period Rooms of the Future,' where previously unseen Art Deco elements form the backdrop for contemporary pieces, bridging the cultural continuity between the 1920s and today's collectible design. Galerie Patrick Seguin hosts 'Saint Laurent – Charlotte Perriand,' where Anthony Vaccarello has selected and recreated four of Perriand’s lesser-seen works, produced in limited editions from archival drawings and original models. #ParisDesignExhibitions #ArtBaselParis #DesignMiamiParis #InteriorDesign #CollectibleDesign #IndiaMahdavi #CharlesZana #ContemporaryArt #FrenchDesign

Samantha Hauvette and Lucas Madani, a Parisian interior design duo, have transformed a 1,720-square-foot duplex apartment in Paris's 16th arrondissement for a young family. The apartment, located on the top two floors of a 1980s building, was originally decorated in an Art Deco style and featured extensive oak paneling. The designers, known for their affinity for wood, particularly stained and varnished maple, embraced the existing oak, which had been bleached by the sun over nearly 40 years. They salvaged all the panels, sanding and staining them a dark chestnut hue, reflecting their preference for unconventional wood tones and their philosophy of creating interiors that "sing" without relying heavily on colors or patterns. The apartment's lower level comprises public spaces, two bedrooms, and two bathrooms, while the upper level includes a reading space on a mezzanine and a parental suite with a 215-square-foot terrace. Due to the decision to preserve the original paneling, significant structural alterations were limited. The designers' primary modification involved removing a sliding partition between the dining room and kitchen. Most architectural elements, such as the brass staircase banister, the marble-and-brick fireplace, and the building’s elevator shaft integrated into the mezzanine, were retained. Notable changes included the addition of a trumeau mirror in the sitting room and a complete overhaul of the primary bathroom, which now features a 1930s-style oak vanity. Hauvette and Madani draw inspiration from various sources, including Art Deco maestro Jean-Michel Frank, the film "High Society," and the spirit of the 1970s, which they interpret as a lifestyle approach rather than a literal use of period plastics. They were particularly keen to incorporate the work of Pierre Paulin, whose curved furniture provides a counterpoint to the apartment's more rigid shell. The duo's design philosophy centers on achieving "équilibre" or equilibrium, often through the harmonious combination of furniture from different eras, fostering intriguing dialogues between pieces that might not stand out individually. In the sitting room, a vintage painted-wood console by André Sornay is paired with Ronan and Erwan Bouroullec’s angular Facett sofa, and a parchment-clad 1970s cocktail table by Aldo Tura rests on a traditional Mauritanian rug. A prominent feature is the large Isamu Noguchi paper pendant light suspended over the dining room table, chosen for its size and lightness to avoid overwhelming the existing wood paneling. Pale tones are used throughout to lighten the atmosphere, with a cool blue in the main bedroom and a moodier blue in the small kitchen. The kitchen walls were custom-painted by Austin Redfield Tondini and Violette Bonis Dattner, known for their patinated finishes that give the impression of age and permanence, aligning with the designers' aversion to overly new-looking interiors. The goal is for their projects to feel as if the design has always been there, seamlessly integrated into the space. #HauvetteMadani #ParisApartment #EclecticAccents #InteriorDesign #WoodPaneling #ArtDeco #VintageFurniture #PierrePaulin #DesignPhilosophy #ArchitecturalPreservation