Devin Wilde on working with clay: 'It teaches me to see and appreciate the beauty in imperfection'

Beginner Ceramics, a Brooklyn-based studio, showcases a playful yet technically proficient approach to clay, transforming everyday objects into sculptural art. The studio's latest collection features new interpretations of their signature Endless Lamp, a series of Looping Mirrors, and an ambitious Dune Signal Vase, all characterized by a confident sense of exploration and a deep understanding of form. The brand challenges its name, demonstrating mastery in crafting pieces that blend functionality with artistic expression. The Endless Lamp series expands with new double- and triple-stacked configurations, emphasizing height, repetition, and scale. These lamps are constructed from hand-thrown ceramic sections, forming a rhythmic silhouette. Each lamp is topped with an unglazed shade, designed to emit a soft, linen-like glow, and includes a brass dimmer for enhanced tactility and warmth. The design draws inspiration from early ceramic traditions and Brancusi’s 'The Infinite Column,' merging a playful aesthetic with precise execution through vibrant color choices. Complementing the lamps, Beginner Ceramics introduces the Looping Mirrors, which reimagine reflection through rhythmic, sculptural frames. These mirrors are available in various shapes—round, square, oval, and rectangular—each framed by hand-sculpted ceramic coils. These coils are joined to create continuous, flowing patterns, reminiscent of cursive script and Art Deco lighting. The repetitive nature of the coils introduces a sense of movement and softness to the mirror's edges. Functioning as both reflective surfaces and sculptural art pieces, these mirrors enhance interior spaces with dramatic flair and personality. Custom sizing options ensure seamless integration into any design scheme. The collection is further highlighted by the Dune Signal Vase, which represents one of the studio’s largest and most intricate creations to date. This piece skillfully combines two of the studio’s signature vase silhouettes: the embracing handles of the Dune Vase and the distinctive negative-space framing of the Signal Vase. The resulting design features geometric, layered details that invite contemplation, guiding the observer's eye across its complex form. This vase exemplifies the studio's commitment to creating objects that are both visually striking and thought-provoking. Across its range of lighting, mirrors, and vases, Beginner Ceramics consistently blurs the boundaries between functional objects and artistic sculptures. The new collections are a testament to the studio's philosophy of treating everyday items as opportunities for creative experimentation, personal expression, and aesthetic enjoyment. Each piece—whether stacked, looped, or scaled—is designed to be both useful and captivating, inviting engagement and appreciative observation without being overly serious. #CeramicDesign #HomeFurnishings #SculpturalObjects #ModernLighting #DecorativeMirrors #VaseDesign #ArtisanCraftsmanship #InteriorDecor #DesignInnovation

The online tile retailer clé has unveiled its new Artist Cement Collection, a series of handmade encaustic cement tiles. This collection is a collaborative effort, featuring designs from eleven artist studios spanning Europe, South America, and the United States. The curated group of artists, architects, designers, and sculptors includes ALT for Living, Boris Aldridge, Coletivo Muda, Deborah Osburn, Erica Tanov, Gachot Studios, John Whitmarsh, Michelle Weinberg, Ruan Hoffmann, Sarah & Ruby, and Smink Things. The Artist Cement Collection showcases a diverse range of aesthetic styles, moving from bold, graphic geometric patterns to motifs inspired by nature, and even incorporating typography. Each tile is available in 8-inch by 8-inch square and hexagonal formats, offering flexibility in design application. A key feature of these tiles is their pre-polished and pre-sealed finish, which enhances their durability and versatility. This treatment makes them suitable for a wide array of applications, both indoors and outdoors, and for installation on either walls or floors, expanding their potential use in various architectural and interior design projects. Among the featured designs, Coletivo Muda contributes the 'Lagoa' tile, which appears multiple times in the illustrations, highlighting its distinct appeal. Michelle Weinberg's contributions include 'Pattern 1' and 'Pattern 2,' demonstrating a varied artistic approach. Smink Things presents several designs that bear its studio name, indicating a unique and recognizable style. Ruan Hoffmann offers a selection of patterns, including 'Amsterdam Express,' 'Arrow Dynamic,' and 'Bio Circuit,' each bringing a different visual narrative to the collection. Deborah Osburn's 'Manuscript Letters' introduces a textual element, adding another dimension to the tile offerings. Boris Aldridge provides 'Pattern 4' and 'Pattern 5,' showcasing his design philosophy. Gachot Studios also features 'Pattern 4,' suggesting a potentially different interpretation or variation from Aldridge's similarly named pattern. Erica Tanov presents 'Baccio' and 'Jacobson,' contributing unique artistic expressions. Finally, Sarah and Ruby's 'Pattern 5' completes the selection of artists and their designs, ensuring a rich and diverse collection for consumers and designers. The collection emphasizes both artistic expression and practical application. The use of cement as a medium for these artistic designs provides a tactile and durable surface, while the handcrafted nature of the tiles ensures uniqueness in each piece. The curated selection of artists from various global locations brings a wide spectrum of cultural and artistic influences to the collection, allowing for a broad appeal across different design preferences and styles. The collection aims to provide distinctive and high-quality options for residential and commercial spaces, allowing for personalization and artistic flair in surface design. #CementTiles #ArtistDesigned #EncausticTiles #HomeDecor #InteriorDesign #TileCollection #ArchitecturalSurfaces #HandmadeTiles #GlobalArtists

The sustainable Clay Plasters Rustic Range by UK brand Clayworks offers a textured surface finish for internal walls and ceilings, designed to emulate the look of concrete, stone, and earth. The product line is a celebration of imperfection, introducing an organic and raw aesthetic to interior spaces. Made entirely from unfired clays and blended with natural pigments and minerals, the Rustic Range is an eco-friendly alternative to traditional plasters. This plaster is applied at a thickness of five to 10 millimeters, allowing for a highly textured finish and enabling skilled plasterers to create intricate three-dimensional patterns. Clayworks emphasizes that this material can replicate the popular finishes of materials like concrete without the associated environmental impact. The brand highlights the product's versatility, noting its wide array of textural variations, from delicate to very coarse, and its ability to be carved for unique storytelling effects. A key aspect of the Clay Plasters Rustic Range is its environmental sustainability. The use of natural materials ensures that the plaster is compostable, free from toxic ingredients, volatile organic compounds (VOCs), and formaldehyde. Beyond its aesthetic and ecological benefits, the plaster also offers practical advantages for interior environments. It is easy to repair, possesses sound-absorbing qualities, and contributes to regulating the humidity and temperature within a space, enhancing overall comfort and indoor air quality. Clayworks is featured in Dezeen Showroom, an initiative that provides a platform for brands to showcase new products and highlight their designs and projects to a global audience interested in architecture and design. This particular product exemplifies a commitment to sustainable design, offering both aesthetic flexibility and environmental responsibility for contemporary interiors. The range aims to bring a touch of natural, rugged beauty into modern living and commercial spaces. #ClayPlasters #Clayworks #SustainableDesign #InteriorSurfacing #TexturedWalls #EcoFriendlyMaterials #NaturalPigments #ArchitecturalFinishes #DezeenShowroom

Michael Chandler, the artist and founder of Cape Town-based Chandler House, created a unique, hand-painted, nature-inspired tile installation for a fashion boutique in Miami. The project involved designing a large 'tree of life' motif in blue, adorned with birds, flowers, and a silhouetted climber, which spans the entire facade of the Cult Gaia store. A key element of the design is a ribbon above the entryway bearing the inscription: “May all the doors of the world always be open to you.” The commission began with an unexpected email inquiry from the Cult Gaia brand. Chandler initially found the idea audacious but proceeded with Zoom consultations and email exchanges, eventually leading to his involvement in the project. He executed the artwork in modular sections, meticulously numbering and mapping each tile to ensure a seamless installation on the building's exterior. Chandler was granted significant creative freedom in this collaboration. Drawing inspiration from the ancient world, he developed the 'tree of life' theme, which allowed him to incorporate a diverse array of natural elements including flowers, fruits, birds, and muses. He emphasizes that providing artists with creative autonomy often leads to exceptional outcomes. The aesthetic of the facade incorporates influences from traditional art forms such as Delft Blue pottery, Chinese porcelain design, and early Persian ceramics. Currently, Chandler is engaged in other projects, including a series of small panels for a vineyard located near Cape Town and a coral-themed mural for a family home with ocean views. The artist is particularly drawn to ceramic tile as a medium due to its inherent durability and longevity. He expresses enthusiasm for the idea that his artwork will endure for centuries, potentially bringing joy to future generations long after his lifetime. His work is accessible through the Chandler House website, which showcases his commissions, an art gallery featuring other artists' work, and an online shop. #MichaelChandler #TileArt #PublicArt #CeramicArt #ArchitecturalDesign #MosaicArt #ArtInstallation

Rammed earth, an ancient construction method, continues to offer significant potential for contemporary earth architecture, particularly regarding its aesthetic qualities. The unique visual characteristic of rammed earth walls, a layered appearance, emerges as formworks are removed, revealing horizontal stratifications of earth tones, varied material content, and nuances from the curing process. This distinctive aesthetic can be intentionally manipulated and enhanced through thoughtful consideration of patterns, textures, pigmentation, and the inherent colors of natural clays. This approach allows architects and designers to expand the creative boundaries of rammed earth in architectural applications. The aesthetic potential of rammed earth walls is deeply rooted in the geological composition of the earth used. The natural color of the clay and aggregates within the earth mixture determines the fundamental hue of the wall. Variations in mineral content, such as iron oxides, manganese, and organic matter, contribute to a diverse palette of natural colors, ranging from reds and browns to yellows and greys. Understanding these natural variations is crucial for predicting and designing the final appearance of the wall. Beyond natural variations, pigmentation offers a direct means of controlling and expanding the color range. Introducing natural or synthetic pigments into the earth mixture can produce a wide spectrum of colors, from subtle enhancements of natural tones to vibrant and bold statements. The amount and type of pigment, along with its dispersion within the mix, directly influence the intensity and uniformity of the resulting color. The layered compression process inherently creates patterns within rammed earth walls. Each layer, compacted individually, can differ slightly in material composition, moisture content, or compaction pressure, leading to visible horizontal striations. These layers can be intentionally varied to create distinct patterns, such as alternating colors or textures, introducing a dynamic visual element. The texture of a rammed earth wall is influenced by the aggregate size, the compaction method, and the final finishing. A rougher texture can highlight the material's earthy quality, while finer aggregates and smoother compaction can result in a more refined surface. Both patterns and textures contribute to the tactile and visual richness of the walls. Exploring the interplay between natural clay colors and pigmentation requires a deep understanding of material science and artistic vision. For example, some projects might leverage the subtle beauty of local earth, allowing its natural variations to dictate the aesthetic. In contrast, others might use pigmentation to achieve a specific brand identity or to integrate the structure with a predetermined color scheme. Careful experimentation and mock-ups are essential to predict the final appearance, as the color of dry rammed earth can differ significantly from its wet mixture. The curing process also plays a role, as moisture evaporation and chemical reactions can slightly alter the final tone. By skillfully combining the inherent beauty of natural earth with controlled pigmentation and intentional layering, the aesthetic versatility of rammed earth construction can be fully realized, providing a sustainable and visually compelling building material. #RammedEarth #NaturalClayColors #Pigmentation #EarthConstruction #SustainableArchitecture #MaterialDesign #ArchitecturalAesthetics #BuildingMaterials #Clayworks

Dutch designer Inge Sluijs has developed a novel method to transform landfill waste into a durable, rock-like material she calls 'plasma rock,' offering a potential solution to waste management and a source of sustainable materials. The process involves subjecting waste to extreme temperatures using plasma, which is ionized gas capable of generating intense heat. Waste collected from landfills, particularly coastal ones, is first heated in a gasifier to 800 degrees Celsius, converting it into gas. This gas is then superheated to 1,500 degrees Celsius and blasted with plasma, reaching temperatures exceeding 5,500 degrees Celsius—hotter than the sun's corona. This intense heat breaks down the gasified waste into its atomic elements. The end product of this gasification process is a slag that, upon cooling, solidifies into a vitrified, rock-like material with sharp edges. The chemical composition of plasma rock varies depending on the type of waste processed, but it predominantly consists of silica, lime, and alumina, along with traces of titanium, magnesium, sodium oxide, iron oxide, phosphate, and potassium. Crucially, tests confirm that the process consistently yields syngas (a potential fuel), reusable heat, and the plasma rock, irrespective of the initial waste material, whether it be food scraps, plastic, or even baby diapers. Approximately 100 kg of landfill waste can be converted into 20 kg of plasma rock. Sluijs emphasizes that despite originating from toxic landfill waste, the resulting plasma rock is virtually un-bleachable, meaning any hazardous materials present are rendered inert and will not leach out. This quality makes the material mechanically strong, very dense, and environmentally stable. To showcase the versatility and practicality of this innovative material, Sluijs and her collaborators have created various functional and decorative items. For example, waste from the East Tilbury landfill in Essex, England, has been transformed into 'Tilbury Tiles,' which are sold as souvenirs. Furthermore, Sluijs has crafted glass vases adorned with plasma rock specks, illustrating how discarded landfill materials can be repurposed into aesthetic pieces for home decoration, thereby giving waste a 'second life' and contributing to a more circular economy. #PlasmaRock #SustainableMaterials #WasteManagement #EcoDesign #CircularEconomy #LandfillWaste #EnvironmentalInnovation #MaterialScience

The selection of hard surfaces for residential, hospitality, and commercial projects is undergoing a significant shift, moving away from cooler neutrals towards warmer tones. For several years, gray and white tones dominated the market; however, current trends indicate a preference for warmer neutrals, including cooler grays with subtle "greige" or taupe undertones. This evolution is evident across various materials such as porcelain tile, natural stone, and engineered quartz surfaces, which now offer a diverse array of new warm options and key colors. Green has emerged as a predominant color trend in all aspects of design, including surfacing, cladding, textiles, wall coverings, furnishings, and accessories. Shades range from deep emerald to sage, jade, and mint green. This surge in popularity is often attributed to the influence of biophilic design, which emphasizes connecting indoor spaces with nature. While green was historically common in textiles, its recent widespread adoption in hard surfaces marks a significant return. Natural stone now offers numerous green marble and quartzite options, featuring striking or subtle veining. Interior designers are increasingly specifying these stones, recognizing green's enduring appeal, similar to blue, due to its natural association with water and greenery. Engineered quartz slabs and porcelain tiles also feature a variety of soft and dark green choices, expanding beyond traditional glass or mosaic green tile options to include large-format panels and slabs. Beyond green, other colors are making a notable impact on surfacing trends. Natural stone is seeing an emergence of deep merlot-toned, rust, soft coral, violet, and deep aubergine slabs. These colors, whether in the veining or the body of the slab, are creating bold statements, reflecting an exciting period for more vibrant surfacing options. Porcelain tiles are also incorporating these hues in solids, patterns, and stone-look designs. Warm neutrals represent a major trend with significant longevity. There is a strong resurgence in the use of ivory travertine, both in its natural form and in porcelain tile iterations. Vein-cut travertine, including ivory and silver varieties, which blend warm gray tonality with ivory and beige, is particularly popular. Taj Mahal quartzite, a warm beige stone, is widely specified and highly favored for its universal appeal. Cristallo quartzite, known for its soft white tones, warm golden veining, neutral aesthetic, durability, and backlighting capability, also enjoys widespread popularity. Soft beige-toned porcelain tiles, mimicking warm concrete, plaster, and natural stones like travertine, are being used for both indoor and outdoor applications, including porcelain pavers. Darker stone looks also constitute a significant trend, providing a contrasting option to the warm, light-toned surfaces. Black, dark brown, and even bronze tones are frequently specified in natural stone. The combination of these dark tones with warmer neutrals has proven to be a successful design strategy. Engineered stone and porcelain tile also offer a wide array of dark options. Looking ahead, green is expected to maintain its status as a top choice for bolder hues, followed by merlot and warm coral/rust tones. Warm beige, ivory, soft taupes, and greige will continue to be prominent neutral selections. The current era is characterized by a rich and diverse color palette in surfacing and cladding materials, with each year introducing new and exciting trends across all design facets. #NaturalStone #InteriorDesign #ColorTrends #SurfaceMaterials #GreenDesign #WarmNeutrals #PorcelainTile #Quartzite

The article explores a variety of cladding options designed to enhance both the aesthetic appeal and functional aspects of residential and commercial spaces. It highlights a comprehensive range of materials and styles, catering to diverse design preferences and practical requirements. The primary focus is on wall cladding panels, which are available for both interior and exterior applications, providing solutions for various home improvement and construction projects. The content categorizes cladding options into specific types: Interior PVCu Cladding, UPVC Cladding, Interior Timber Wall Cladding, and Shiplap Cladding. Each type is presented with a brief description, indicating its suitability for different environments and design goals. For instance, Interior PVCu Cladding and Interior Timber Wall Cladding are presented as solutions for updating indoor aesthetics, while UPVC Cladding and Shiplap Cladding are emphasized for their weather-resistant properties, making them ideal for exterior applications. The article includes a section of Frequently Asked Questions (FAQs) to address common queries regarding cladding. One FAQ clarifies that cladding panels are suitable for both internal and external use, provided that appropriate materials and installation methods are selected for each specific application. This emphasizes the importance of material selection based on environmental exposure and desired durability. Another FAQ provides detailed instructions on how to construct a bath panel using cladding materials. This involves measuring dimensions, cutting panels, attaching them to a frame with adhesive or screws, ensuring level installation, sealing joints with silicone bathroom sealant, finishing edges with trim, and securely installing the finished panel. For those seeking simpler alternatives, the article also suggests ready-made bath panels as a convenient option. A third FAQ offers guidance on fitting bathroom cladding panels. The process outlined includes measuring the wall area, cutting panels to size, applying waterproof adhesive to the back of each panel, pressing them firmly onto the wall starting from a corner, and using trim for edges and corners. It also stresses the importance of allowing the adhesive to fully dry before exposing the panels to moisture from showers or baths. The discussion underscores the versatility of cladding materials, emphasizing their role in both functional and decorative capacities. The range of materials, including PVC and timber, offers choices that combine durability with varied aesthetic outcomes. The article encourages readers to explore the available categories to find suitable cladding solutions that align with their vision for home enhancement. #Cladding #InteriorDesign #ExteriorDesign #HomeImprovement #BuildingMaterials #WallPanels #PVCuCladding #TimberCladding #BathroomDesign

Clayworks, a UK-based brand, has developed a diverse range of natural clay plasters designed to create smooth, rustic, or rammed earth aesthetics on interior surfaces. These plasters, showcased as part of Dezeen Showroom, provide sustainable and visually engaging options for both residential and commercial interior design. Crafted by mixing unfired clays with minerals and pigments, these Cornwall-based company's plasters offer breathable finishes for walls and ceilings. Beyond their aesthetic appeal, the high-performance clay plasters serve as an eco-friendly alternative to traditional gypsum plasters or paints, contributing to better indoor air quality by regulating humidity and absorbing toxins and odors. The collection includes various finish options, starting with the Classic range's Smooth finish. This particular finish presents a seamless and cloudy appearance, available in a palette of neutral and earthy tones. An example of its application can be seen in a London house extension designed by Magri Williams Architects, which was recognized and shortlisted for the 2019 Don't Move, Improve! award. For those seeking a more tactile and robust texture, Clayworks offers the Rustic finish. This option introduces depth to surfaces, with its appearance varying based on the application technique. Specialized tools allow the plaster to mimic the look and feel of different types of stone or even concrete. Notable installations of the Rustic finish include Snøhetta's Aesop store in London's Chelsea neighborhood, another Aesop outpost in White City, and a cafe located in the UAE. Expanding beyond the Classic options, Clayworks also provides a Custom finishes range, featuring the Rammed Earth finish. This specific finish is designed to replicate the ancient building technique of rammed earth construction, characterized by textured layers that form distinct bands of varying hues. The Rammed Earth finish has been incorporated into London's Gaucho restaurant, where it adds rich tonal variations to the bar areas. Clayworks is deeply committed to environmental sustainability, ensuring its products have a low embodied carbon footprint. Furthermore, the plasters are recyclable and compostable, aligning with eco-conscious design principles. The company's founders, Adam Weismann and Katy Bryce, have extensively researched clay as a building material globally, and have authored two books on the subject, underscoring their expertise and dedication to natural building solutions. Additional details about Clayworks and their product offerings are available on their official website. #Clayworks #NaturalPlasters #InteriorFinishes #SustainableDesign #EcoFriendlyMaterials #RammedEarth #InteriorDecoration #BuildingMaterials #ArchitecturalFinishes

Expanded Eye, an artistic duo composed of Lisbon-based artists Jade Tomlinson and Kevin James, is exploring the divine feminine and the 'peaceful power of the Earthmother' through their recent sculptural works. Their art blurs the lines between abstraction and figuration, incorporating characteristic geometric and figurative elements. The duo is well-known for their unique approach to tattoos and assemblages, which often utilize wood and repurposed materials to create bold and textured compositions. They have temporarily paused their tattoo practice to dedicate their focus to developing these sculptural reliefs. Ceramic work has become a central part of their artistic process, drawing inspiration from Portugal's rich tradition of azulejo tiles, which symbolizes cross-cultural exchange. The artists aim to use this ancient, earthy material to depict serene guardians in earth-toned colors, seeking to evoke a sense of stillness and calm in contemporary society. Their compositions represent a convergence of past and present, exploring themes of timelessness and continuity through traditional techniques of working with clay, carving, and building. The graphic elements and fragmented features within their work also draw parallels to early 20th-century art historical Modernism, particularly the Cubist movement. Tomlinson and James highlight that the fusion of traditional materials with a modern artistic approach is a significant source of inspiration for them, serving as a connection between historical practices and the present day. Expanded Eye is currently undertaking their largest tile commission to date, and they intend to further integrate ceramics with other aspects of their diverse artistic practice. Their work continues to evolve, pushing the boundaries of material and form while maintaining a consistent thematic thread of earthy connection and timeless spiritual presence. #ExpandedEye #CeramicArt #WoodSculpture #Assemblage #FigurativeArt #AbstractArt #PortugueseArt #EarthMaterials #ContemporaryArt

Laetitia Rouget, a ceramicist known for her distinctive and playful pieces, shares insights into her artistic journey and creative philosophy. Having transitioned from fashion design after studying at Central Saint Martins, she has since explored various mediums including print, textiles, and paint, before focusing on ceramics. Her work is characterized by a blend of British humor and eccentricity with a touch of French 'je ne sais quoi', infused with the light and sunshine of Lisbon, where she currently resides. Rouget's artistic development began at a young age, with a natural inclination towards drawing and a fascination with bold and vibrant colors. She honed her unique style around the age of 18, particularly through her passion for depicting the human body and creating original characters. Throughout her career, she has found inspiration in various sources, with a significant impact from artist Hylton Nel, whom she met during a trip to South Africa. This encounter directly influenced her decision to delve into ceramics upon her return. Beyond specific artists, Rouget emphasizes that her primary sources of inspiration are the people she encounters daily, the natural world, and the experience of traveling. She believes that visiting countries with diverse cultures opens the mind to unexpected ideas. She highlights that inspiration is fundamentally a state of mind, requiring curiosity, a willingness to step outside one's comfort zone, and an openness to subtle cues. Sometimes, even a minor detail can spark a new project or shift in direction. Her career shift from fashion design to selling her paintings and ceramics was initially a temporary exploration, but it quickly evolved into a full-time pursuit as she realized she could sustain herself through her artistic passion. Rouget cherishes memories and views objects as their vessels. She enjoys collecting pieces that tell a story, whether through interactions with artisans worldwide or by acquiring and refurbishing old furniture and items from second-hand markets. Her most extensive collection is ceramics, reflecting her passion for the medium and her support for fellow ceramicists, with each piece serving as a reminder of a specific period in her life. Rouget's personal preferences also contribute to her creative environment and perspective. She finds solace and motivation in music, particularly genres from South Africa and South America known for their happiness and energy, which she listens to while painting or drawing. She expresses a fondness for the energy and landscape of Menorca, particularly small towns where architectural details and tiles offer unexpected inspiration. Her literary tastes include _The Zebra_ by Alexandre Jardin, valued for its character's freedom and reality-creation, and _Journey to the Centre of the Earth_ by Jules Verne, which she plans to revisit with a fresh perspective. Culinary preferences lean towards French comfort food, such as gratin dauphinois with entrecôte, and a signature passion fruit and mango crumble. She enjoys dining at Mazi, a Greek restaurant in Notting Hill, and appreciates the unique experience of theatre, alongside a broader enjoyment of films and documentaries. Beyond Hylton Nel, she admires David Shrigley for his drawings and Grayson Perry for his tapestries and ceramics. #LaetitiaRouget #Ceramics #ArtisticInspiration #InteriorDesign #CreativeJourney #FashionToArt #ArtistProfile #HomeDecor #CulturalInfluence

This article presents a Studio Snapshot conversation with Brent Linden and Chris Brown, the founding partners of Linden, Brown Architecture, a Portland, Oregon-based firm. Established in 2018, the studio, recently rebranded as Observation Studio in July 2024, comprises five individuals. The founders met while working on museum projects at Allied Works in Portland and decided to combine their creative energies and desire for collaborative practice, aiming to pursue larger and more ambitious residential and hospitality projects than their individual small firms could handle. They shared a common appreciation for dynamic spaces, rich materiality, and meticulous detailing. The firm operates with a highly collaborative structure, ensuring that both founding partners are actively involved in every project. Three studio associates work closely with Linden and Brown, developing and clarifying core concepts through various methods such as design studies, drawings, and models. The intentionally small size of the firm allows each team member to contribute significantly from the initial concept phase through construction, fostering valuable skill development and comprehensive project experience. The partners expressed a flexible approach to growth, indicating that while they are open to scaling up, any expansion would be intentional. Their primary focus remains on maintaining the high quality of collaborative dialogue among themselves, their colleagues, and clients. They acknowledge the challenges of running a practice in an unpredictable construction climate, particularly balancing design vision with client budgets and project timelines. Despite these challenges, they are supported by trusting clients and a dedicated team. When hiring, Linden, Brown Architecture seeks individuals with curiosity, passion, and an interest in making, materiality, and dynamic spaces. The firm's design philosophy is deeply inspired by the Pacific Northwest's pioneering spirit, robust material culture, environmental reverence, and entrepreneurial ethos. They emphasize collaboration and iterative design, working with real materials from concept to execution to infuse their projects with a physical presence. The practice prioritizes sustainable material use, local sourcing, and experimentation with unconventional construction systems, viewing their role as facilitating a passionate conversation that engages clients, contractors, and craftspeople. The unique architectural context of the Pacific Northwest is highlighted by the founders, who note its rugged frontier, healthy pioneer spirit, and high tolerance for risk-taking, leading to a diverse range of project typologies. The region's commitment to craft results in buildings that are finely made and appeal to both aesthetic sensibilities and the communities they serve. This is coupled with a reverence for environmental conservation and inspiring natural landscapes. The partners also shared their admiration for several local creative practices, including Studio Noyes (apparel design), Grovemade (product design), Spartan Shop (design gallery), and Sequitur Wine (winery), all of whom exemplify high standards in their respective fields. A memorable project mentioned is the Gradient House and Studio in Portland, completed in mid-2020. This project notably integrated a professional design studio into a residential setting, addressing questions of live/work separation even before the global pandemic. The project's success is attributed to its rich material articulation, dynamic spaces, abundant daylighting, and integral relationship to the site and landscape, reflecting the firm's core design principles. The firm describes its practice as observational, conversational, and intentional, and its work as crafted, immersive, and material. #LindenBrownArchitecture #ObservationStudio #PortlandArchitecture #PacificNorthwestDesign #ArchitecturalCraft #StudioSnapshots #SustainableDesign #ResidentialArchitecture #HospitalityDesign

This article highlights ten interior spaces that utilize custom plaster wall finishes by the British brand Clayworks to create visual interest and unique atmospheres. Clayworks emphasizes the transformative potential of clay plasters, stating they can elevate ordinary spaces into extraordinary experiences through their aesthetic opportunities and the integration of contemporary material science. The featured projects showcase a diverse range of applications and finishes, demonstrating the versatility of Clayworks' products in various settings, including residential homes, hotels, shops, and offices. One featured project is the Gold Flake Demi Rustic finishes at Hundred Acre Wood House in the UK. Designed by Denizen Works, this residential space incorporates minerals resembling gold flakes into Clayworks' Demi Rustic clay plaster. The resulting seamless, light-diffusing wall surface adds depth and intrigue to the interior, providing a robust finish that complements the monumental scale of the house in Loch Awe, Scotland. Another example is The Teahouse in the UK, a collaboration between Clayworks and Sasa Works. This space, unveiled at the 2023 Surface Design Show, demonstrates the harmonious relationship between natural and handcrafted materials. Here, Rammed Earth and Fading Straw Arakabe Ombre finishes are used to create an atmosphere of balance and tranquility within the teahouse setting. The Red Room at The Connaught Hotel in Mayfair, London, designed by Bryan O'Sullivan Studio, features a striking red-to-orange clay plaster gradient. Clayworks’ technical team meticulously researched and developed several pigment proposals to achieve this fiery color ombre, creating a distinctive and luxurious ambiance within the hotel bar. For the Oro de Cacao chocolate shop in Zurich, Switzerland, by Moser Wegenstein, Clayworks developed custom pink ombre wall finishes. These finishes, made from natural minerals and pigments, exhibit a dual fade: a color transition from deep to light pink, coupled with a texture gradient from rough plaster at the top to a softer finish at the bottom, enhancing the shop's aesthetic. The Fellow coffee retail shop in Los Angeles, USA, designed by Studio Mai, utilizes Clayworks’ Rammed Earth surfaces for both walls and display plinths. The custom Rammed Earth design for this interior references California's geography, aiming to create a unique and immersive shopping experience for customers. At the Gaucho restaurant in Glasgow, Scotland, designed by Design LSM, a tough-textured rammed earth surface with grey, sand, and red hues evokes the Pampas landscapes of Argentina. This earthen feature wall contributes to a calming and comforting multi-sensory dining experience. The Room2 hotel in Chiswick, London, which claimed to be the world's first whole-life, net-zero carbon hotel upon its 2021 opening, incorporates Clayworks’ clay wall surfaces in an ombre terracotta-colored finish. These finishes were chosen for their low-carbon qualities, owing to their raw and unprocessed state, aligning with the hotel's sustainable design principles. The Self-Portrait Kings Road store in the UK, a collaboration between Self-Portrait founder Han Chong and architect Andreas Kostopoulos, features mint green clay walls with limewash-like markings and custom corrugated textures. This design leverages minimalism, materiality, and color to create an intimate, sensory retail environment free from visual distractions. In the Fulton Avenue home in Los Angeles, USA, designed by Diaz and Alexander Studio, a custom slim corrugated clay plaster was applied as a feature wall in several rooms. This addition introduces texture and irregularity, complementing the home’s soft, neutral tones and raw materials, and enhancing the residential interior. Finally, the CBRE Offices in Glasgow, UK, utilize Clayworks’ Rammed Earth collection, made from natural clay, minerals, and sand. The 10-millimeter-thick surface was applied to office walls to integrate the aesthetics of raw earth into an urban workspace, while also improving the acoustic and thermal performance of the space. #Clayworks #TexturedWallFinishes #InteriorDesign #RammedEarth #ClayPlaster #OmbreWalls #SustainableMaterials #ArchitecturalFinishes #ResidentialInteriors

Vivian Xu, a London-based potter, specializes in crafting unique ceramic homewares designed to provide comfort and aesthetic appeal. Her collection ranges from elegant vases to distinctive kitchen accessories, catering to individuals seeking original pieces for their homes. Xu's journey with pottery began at the tender age of six, when she first experienced throwing clay on a wheel. This early encounter fostered a lifelong passion, with a vase she created at that age still proudly displayed in her parents' home. She finds the process of pottery inherently soothing and therapeutic, captivated by the transformation of raw clay into functional and beautiful objects. Xu focuses on creating functional pottery and original art for the home, with some pieces being tailor-made for specific requests or designed as anniversary gifts. The experience of lockdown profoundly influenced her perspective, highlighting how well-chosen home accessories can significantly uplift one's mood. This insight drives her mission to infuse her work with a sense of comfort for others, particularly during challenging times. As the festive season approaches, a typically busy period for small businesses, Xu admits that a recent house move has impacted her preparedness. Despite this, she is actively fulfilling custom orders for personalized gifts and prioritizing the creation of more mugs, recognizing the seasonal appeal of a warm beverage. For the festive season, Xu describes her home preparations as encompassing Christmas trees, aromatic scents, candles, rugs, board games, and moments of cuddling. She views this period as a time for celebration, reunion, rest, and indulging in good food. To support her small business, Xu encourages potential customers to follow her work on Instagram and reach out with unique gifting ideas for their loved ones. She expresses genuine joy in crafting pottery that serves a purpose for others. Looking ahead, Xu plans to host an exhibition next year to showcase her more unconventional and experimental ceramic creations. The article also highlights several of her popular items available for purchase, including the Relaxed Bowl, Mixed Olive Green set, Balloon Vase, and Rimless Plate, detailing their prices and providing links to her online shop. The piece concludes by emphasizing the importance of supporting small businesses, especially during the holiday season. #VivianXu #Pottery #Ceramics #Homewares #SmallBusiness #LondonDesigner #HandmadeDecor #FestiveSeason #HomeAccessories

Henry Holland, a prominent figure initially known for his contributions to the fashion industry, has successfully transitioned into a ceramics artist, establishing Henry Holland Studio. This article delves into his creative journey and the diverse influences that have shaped his distinctive style, characterized by boldness and playfulness, which he views as a direct reflection of his personality. Holland emphasizes the role of clothing and home decor as forms of self-expression. His artistic inclination was evident from a young age, with teachers recognizing his creativity and early entrepreneurial endeavors like starting a Christmas card business. His mother served as a significant source of inspiration, fostering his creativity and exhibiting a strong sense of style. The profound impact of her loss over a year ago compelled him to actively seek joy in his work, as he believes sadness hinders his creative output. Presently, his inspiration primarily stems from his friends, family, and husband, as he is drawn to human stories and enjoys weaving narratives into his characterful ceramic and homeware designs. Moving to London from Northern England marked a pivotal moment in Holland's development, where he recognized the importance of taste and personal style amidst the city's diverse cultural landscape. His career path has been serendipitous; he initially pursued journalism but found himself drawn to fashion through a hobby that quickly evolved into a brand. Similarly, his foray into ceramics during the pandemic began with lessons and organically grew into his current studio. He highlights the unexpected synergies between the fashion and homeware industries, noting that his fashion background provided invaluable business training, and he now appreciates the more relaxed pace of the homeware sector. Travel has also played a crucial role in shaping his creative vision. Childhood experiences in the French countryside, accompanying his parents to antique markets, exposed him to various design periods, from art deco to mid-century modern. This early exposure instilled a deep appreciation for diverse aesthetics. He is an avid collector of Richard Bernstein's *Interview* magazine covers from the 1970s and 80s, valuing them as miniature pieces of pop culture history that illustrate the nascent intersection of fashion, culture, and celebrity. His most cherished item is a Debbie Harry cover signed by Andy Warhol and Truman Capote. While not an extensive reader, Holland finds value in self-help and spiritual guides, citing Eckhart Tolle's *The Power of Now* as particularly impactful. He also utilizes Blinkist to access condensed book summaries, a testament to his admitted impatience. Film, specifically costume and set design, provides another rich source of inspiration. He admires Baz Luhrmann's visually striking films, particularly *Romeo & Juliet*, and often references 1990s teen movies like *Clueless*, *Hackers*, and *Empire Records* in his fashion work. His musical tastes lean towards 90s pop, influenced by his first job at *Smash Hits* magazine, and he enjoys sharing these playlists with his studio team. Despite not being a keen cook, he hopes a forthcoming kitchen renovation will spark culinary creativity, though he prefers dining out. His favorite restaurant is Brat in London, known for its exceptional food and cocktails and its chef, Tomos Parry, whom he considers a friend. Holland expresses admiration for numerous contemporary creatives. He acknowledges the challenges faced by professional creatives and values the heart and soul they invest in their projects. He is particularly impressed by Es Devlin's set design and fellow ceramicists like John Booth, whose vibrant use of color he appreciates, and Alma Berrow for her humor. He also follows Christabel MacGreevy's transition into ceramics and is a significant admirer of Dirk Vander Kooij's work, especially his innovative use of recycled plastic materials, exemplified by a Melting Pot dining table that represents their first significant home investment. #HenryHollandStudio #InteriorDesign #CeramicsArt #CreativeInspiration #FashionToHomeware #PopCultureInfluence #TravelInfluence #DesignPhilosophy

The world of interior design is currently experiencing a vibrant tile renaissance, moving beyond conventional applications and embracing expressive, personality-driven choices. This shift is evident in how designers and homeowners are utilizing tile to create unique and captivating spaces, with a strong emphasis on individual style over fleeting trends or resale value. While classic materials like marble and concrete remain popular, new trends are emerging that encourage bold experimentation with color, pattern, and texture. Interior designers report a growing interest in making intentional, expressive tile choices. Clients are no longer defaulting to standard white subway tiles but are instead opting for designs that reflect their personal aesthetic. This newfound freedom allows for dramatic shower walls, intricately patterned floors, and jewel-box powder rooms, transforming utilitarian spaces into design highlights. The overarching trend is an anti-trend sentiment, prioritizing joy and personal expression in interiors. Experts highlight several key trends shaping the tile industry. Scalloped edges, seen across various home decor elements, are now making a playful yet tailored appearance in tile designs. This whimsical touch adds a unique character to bathrooms and other tiled areas. A retro revival is also underway, incorporating kaleidoscopic patterns and 70s-inspired color palettes. This trend allows for a nostalgic nod to bygone eras while maintaining a contemporary feel through striking visual focal points and zesty colorways. Color-drenching, or in the tile context, "mineral drenching," is gaining significant traction. This approach involves enveloping entire spaces in rich tones and textures, often mimicking natural stones like marble, onyx, or travertine, to create an immersive and cohesive aesthetic. Small-format tiles with whimsical patterns and vibrant colors are particularly popular for achieving this effect in bathrooms and kitchens. The return to natural materials is also prominent, with earthly natural stones such as travertine, limestone, and bold vein marbles bringing sophistication and romance to bathrooms, characterized by warm tones and elegant veining. Hand-glazing techniques, like those found in Zellige tiles, further enhance the organic and multi-tonal qualities of these materials. Custom configurations and mosaics are offering exciting possibilities for personalization. Designers are increasingly using mosaic tiles to craft bespoke designs, ranging from branded tile walls to intricate, ancient Greece-inspired residential bathroom floors. The tactile dimension is explored through 3D relief tiles, which add depth and dynamism to spaces by playing with light and shadow. This trend contributes to the creation of spa-like, restorative environments at home, enhancing the sensory experience. Unexpected material pairings, such as mixing limestone and marble, signify a departure from strict matching, leading to more freeform and creative combinations. Deeper tones like oxblood marbles and green onyx are also being explored. There is a move away from highly polished, shiny surfaces towards more natural and organic-looking tiles, including matte and honed ceramics, which impart warmth and dimension to spaces. Patterned layouts are gaining popularity, where different colors and placements create checks, stripes, or abstract designs, focusing on pattern creation through arrangement rather than printed tiles. Handmade slabs with their inherent imperfections are valued for adding soul to a space, often seen in mosaics or geometric layouts that mix shapes and patterns. Subtle textures, featuring earthy, sun-faded tones and dimensional, sculpted tiles, introduce texture and warmth with a modern yet nostalgic mid-century edge. Playful stripes and checkerboard patterns are being embraced, particularly in all-over tile applications, as clients increasingly prioritize personal enjoyment over resale considerations. Grounding colors, such as deep evergreen, are used on floors to provide a vibrant yet timeless aesthetic. Bolder backsplashes are extending beyond powder rooms into kitchens, adding personality and style. Finally, timeless materials like marble, in various forms such as hexagons, basketweaves, mosaics, and subway tiles, are favored for their longevity and classic appeal in floors, shower walls, and backsplashes. Ribbon tiles and fluted formats are also being used to introduce subtle yet dimensional texture and rhythm without relying on bold decorative patterns, keeping spaces elevated and restrained. #TileDesign #InteriorTrends #HomeRenovation #BathroomDesign #KitchenDesign #DecorativeTiles #DesignInspiration #MaterialTrends #TexturedTiles