Bubbles lighting collection by Brand van Egmond

The article delves into the history and design of the iconic Bubble Lamps, a creation by industrial designer George Nelson and his studio, George Nelson Associates, Inc. These lamps are celebrated as prime examples of American modernism and demonstrate the innovative use of modern materials and production techniques. The inspiration for the Bubble Lamps arose from a practical challenge Nelson faced: the high cost of a silk-covered Swedish pendant lamp he desired for his office. This led him to recall a newspaper image depicting Liberty ships undergoing mothball treatment, where their decks were covered in netting and sprayed with a self-webbing plastic. This technique sparked the idea for a new, more affordable lighting design. In 1947, combining the aesthetic appeal of the Swedish pendant with the practical application of the self-webbing plastic, Nelson and his team developed the first Bubble Lamp. The Bubble Lamps are characterized by an internal steel wire skeleton, which is then spray-coated with a translucent plastic polymer. This specialized plastic, initially observed in the mothballing process, creates a unique finish that is simultaneously opaque and transparent. The resulting lamp functions not only as a light source but also as a sculptural art piece. When illuminated, it emits a consistent, soft glow. The lamps were designed in various shapes, including the classic spherical ball and the elongated cigar, and are available in multiple styles such as pendant, floor, table, and wall lamps. This versatility has allowed them to become a staple in modern interior design. The article emphasizes Nelson's role as a founding father of American modernism and his significant contributions to furniture, lighting, and accessories, particularly during his tenure as director of design at Herman Miller. His ability to merge aesthetic vision with innovative material application resulted in timeless designs that continue to be relevant. #GeorgeNelson #BubbleLamp #HermanMiller #IndustrialDesign #MidcenturyModern #LightingDesign #Modernism #InteriorDesign #ProductDesign

The Talia Chandelier by Visual Comfort has become a prominent design trend in 2025, captivating both the design world and the internet. This lighting fixture is a creation of designer Julie Neill, known for her "traditional with a twist" aesthetic, and is part of Visual Comfort’s collaboration. Its design artfully balances sculptural artistry with practical illumination, featuring delicate glass bubbles complemented by a brushed metal frame, which collectively imparts a sense of movement and elevates any interior space. The chandelier embodies a minimalist yet not stark aesthetic, offering an elegant and playful presence. The Talia Chandelier's widespread appeal stems from its ability to blend classic and contemporary styles seamlessly, making it suitable for various interior designs. Neill describes it as the "epitome of playful elegance," highlighting its sophisticated yet unpretentious nature. This versatility allows the fixture to integrate effortlessly into diverse settings, from residential dining rooms and foyers to commercial spaces and even television sets. Its popularity was significantly amplified by its appearance in the final season of the Netflix series *You*, where it was prominently featured in a Manhattan apartment. In the show, the chandelier served not just as a light source but also as a key design element, enhancing the room's moody aesthetic. This exposure propelled the Talia Chandelier into the public consciousness, generating significant buzz among design enthusiasts. On social media platforms like TikTok and Instagram, the Talia Chandelier has inspired numerous home influencers and design aficionados to share their own interpretations of "bubble lighting." The installation process, though described as somewhat precarious, has garnered considerable attention, with hashtags such as #BubbleChandelier accumulating millions of views. For many, it represents a desirable accent piece, a finishing touch that completes a thoughtfully designed room. Part of the Talia Chandelier's adaptability lies in its availability in various sizes and styles, including flush mounts. This allows designers to incorporate it into a wide range of spaces, from warm minimalist bedrooms to maximalist glam living areas. For instance, designer Anita Yokota utilized two flush mounts in the "cocoon room" of the 2024 Whole Home project, demonstrating its flexibility in different spatial contexts. The concept of bubble lighting is not entirely new, but the Talia Chandelier offers a more refined and sculptural interpretation compared to earlier, more overtly whimsical or midcentury-inspired versions. Neill’s fine art background is evident in its serene and elevated design, aligning with current interior trends that favor organic forms, tactile materials, and lighting that functions as art. The chandelier’s ability to be airy yet bold, without being overpowering, is what makes it a standout piece in contemporary design. #TaliaChandelier #BubbleLighting #InteriorDesignTrends #VisualComfort #JulieNeill #LightFixtures #HomeDecor #DesignInspiration

Beau & Bien, a design studio founded in 2005 by Sylvie Maréchal, has introduced its new bespoke chandelier collection, 'Aqua'. This collection pays homage to nature and the rich history of Limoges Porcelain, featuring delicate, warmly glowing, handmade porcelain bubbles that cascade poetically from the ceiling. The Aqua chandeliers are designed to be tailored in size and number for specific interiors, offering a unique lighting installation for various domestic and retail spaces. Each piece is crafted with meticulous attention to detail, embodying a blend of modern LED technology and traditional French artisan savoir-faire. Beau & Bien's design philosophy emphasizes a 100% made-in-France approach, utilizing locally-sourced materials such as Limoges Porcelain, mouth-blown glass, resin, and bronze. This commitment not only supports traditional craftsmanship but also minimizes the brand's carbon footprint. The use of energy-efficient LEDs further reinforces their dedication to sustainability. The Aqua chandelier's concept is inspired by water, reflecting its preciousness and fundamental role in existence. Maréchal's design captures this essence through a delicate cloud of bubbles and water droplets, each softly illuminated from within, creating a mesmerizing visual effect. The production of the Aqua chandeliers takes place in Beau & Bien's workshops located in the Limoges region of France, the historical heartland of Limoges Porcelain. Here, age-old craft methods, dating back to the 18th century, are modernized and integrated with contemporary design. This process ensures that each porcelain element is carefully shaped and finished, resulting in a perfect fusion of the designer's artistic vision and the artisan's skillful hand. The bespoke nature of the Aqua collection allows for extensive customization, including the overall size, quantity, dimensions of the individual pieces, composition, arrangement, finishes, and cable lengths. This adaptability means that each chandelier can be uniquely configured to suit the specific aesthetic and functional requirements of any client or architectural context. The Aqua chandelier transforms a lighting fixture into a focal point, merging artistic expression with functional illumination. Its design evokes a sense of tranquility and natural beauty, making it suitable for enhancing the ambiance of a wide range of interiors, from private residences to commercial establishments. The combination of sustainable practices, traditional craftsmanship, and innovative design positions the Aqua collection as a significant contribution to contemporary lighting design. It underscores Beau & Bien's expertise in creating luminaries that are both visually stunning and environmentally conscious, celebrating the enduring legacy of French artistry while embracing modern technological advancements. #Chandelier #PorcelainLighting #BespokeDesign #LimogesPorcelain #LEDLighting #FrenchCraftsmanship #HomeDecoration #InteriorDesign #SustainableDesign

The article explores the most influential lighting trends predicted for 2025, emphasizing the significant impact of well-chosen lighting on home interiors and overall well-being. It highlights the growing field of sensory interior design and how lighting contributes to creating multi-functional and stress-free living spaces. The piece moves beyond traditional single light sources, advocating for layered lighting techniques to enhance coziness, incorporate natural elements, and accentuate architectural features. Twelve specific trends are identified and detailed, drawing insights from design experts. The first trend discusses rechargeable lights, focusing on their convenience and versatility in illuminating hard-to-reach areas without complex wiring. This includes innovations like wireless pendants and floor lights, eliminating the need for electricians and offering flexible design options. Next, sophisticated stone, particularly alabaster and travertine, is presented as a material that adds timeless luxury and textural impact to lighting fixtures. These natural materials, often seen in curved forms, align with the 'quiet luxury' trend and contribute to a calming aesthetic within the home. Warming bronze tones are also highlighted as a comeback trend, adding elegance and a golden glow to spaces. This metallic finish is versatile, pairing well with various color schemes and offering a budget-friendly way to achieve a luxurious look in living rooms and kitchens. Intriguing bubble designs are gaining popularity, transforming functional lighting into artful features. Bubble chandeliers and pendants, with their circular and unusual shapes, are expected to provide depth and a visually stunning focal point in various rooms. Fluted glass, a prominent interior design trend, further enhances these designs. Artistic curation is another key trend, where lighting fixtures double as art pieces. This involves sculptural pendants and wall fittings that can be arranged to create dynamic plays of light and shadow, utilizing materials like glass, textured metals, natural stone, and organic elements such as rattan. Mood-enhancing maximalism, driven by the rise of dopamine decor, encourages bold and colorful lighting. This trend involves layering eclectic prints, textures, and clashing colors, with vibrant table lamps and lampshades making strong statements. Incorporating varied textures like feathers and chains, and colorful sockets, further amplifies this style. Nature as a muse emphasizes bringing outdoor elements into the home through lighting. Materials like wood, rattan, and natural stone are integral to this trend, aligning with design philosophies such as Japandi. Lighting designs are increasingly mirroring natural forms, with designers drawing inspiration from elements like lotus flowers and butterflies. Sustainable and eco-friendly solutions are gaining traction, with a focus on environmentally conscious production. Examples include lighting collections made from recycled plastics. Additionally, repairing vintage lighting is promoted as a sustainable way to add character and reduce waste. Architectural lighting aims to accentuate a space's structural features. This involves using decorative lighting to highlight unique elements like pitched roofs or domed ceilings, creating captivating atmospheres. Even in homes without grand architecture, simple features like tall ceilings or arches can be emphasized with appropriate lighting. Technology-led and smart lighting trends focus on advanced components, such as integrated LED systems that mimic natural sunlight and offer adjustable warmth levels. Smart lighting provides convenience through automation, programming, and remote operation, with gesture-controlled lighting offering hygienic, touch-free solutions in areas like kitchens. Adding sculptural pieces to lighting schemes involves using sculptural forms to create focal points and add softness to a room. These ethereal designs, often incorporating unusual materials like silk, allow for an expression of personal style. The article concludes by stressing the importance of a balanced lighting scheme that combines ambient, task, and accent lighting, and even extends to personalizing sockets and switches to harmonize with the overall decor. #LightingTrends #InteriorDesign #HomeDecor #RechargeableLights #NaturalMaterials #BronzeTones #BubbleDesigns #MaximalistDecor #SustainableLighting #SmartLighting #ArchitecturalLighting #ArtDeco

The 'Accent Light' is a limited-edition desk lamp designed by Zürich-based designer Fritz Jakob Gräber, focusing on perspectives, symmetries, and colors. Gräber, who possesses extensive experience across various crafts, aims to create an eclectic range of products, furniture, and lighting. The 'Accent Light' exemplifies his approach to design, which centers on transforming flat materials into three-dimensional forms. The development of the 'Accent Light' was driven by Gräber's ambition to establish his own design practice and produce his own editions, a challenging endeavor for a young designer. The lamp is designed to be highly practical, emphasizing ease of production, storage, and shipment through its super flatpack design. This minimizes labor costs and logistical complexities, making it an efficient product to manufacture and distribute. The lamp's aesthetic is minimalistic yet visually striking, crafted from a specialized type of paper. This material choice is integral to the lamp's ability to create volume from a flat form. The production process involves a unique technique where all envelopes are hand-printed on a Dainippon flatbed offset machine, a vintage piece of equipment from 1971. This detail highlights Gräber's dedication to craftsmanship and his appreciation for traditional printing methods, adding a unique character to each lamp. Functionally, the 'Accent Light' emits a subtle warm downlight, designed to create an inviting and cozy atmosphere. The lamp is a limited edition, with only seven pieces produced, all manufactured in Switzerland. This exclusivity underscores its status as a collectible design object, reflecting the designer's personal commitment to quality and unique artistry. The limited availability and local production emphasize the bespoke nature of Gräber's work and his focus on maintaining high standards of craftsmanship. The design reflects a blend of artistic vision and practical considerations, addressing both aesthetic appeal and the challenges of independent production. The 'Accent Light' is not just a lighting fixture but a statement piece that embodies the designer's philosophy of creating impactful objects from simple materials while managing the complexities of establishing an independent brand in the design industry. #LightingDesign #LimitedEdition #DeskLamp #FritzJakob #MinimalisticDesign #SwissDesign #Handcrafted #ProductDesign #InteriorDesign

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

This article explores the benefits of upgrading swimming pool lighting to LED technology, focusing on energy savings, reduced maintenance, and enhanced aesthetic appeal. Many existing pools, equipped with older incandescent or fiberoptic lighting systems, present a significant opportunity for service professionals to offer LED conversions. LEDs offer substantial energy savings compared to traditional lighting. Incandescent lights consume up to 500 watts, fiberoptic lights use 150 to 200 watts, while LED pool lights typically use between 20 and 50 watts per hour. This drastic reduction in energy consumption can lead to considerable cost savings for pool owners, potentially paying for the conversion within one to two years, depending on usage habits. Beyond energy efficiency, LEDs also boast lower maintenance requirements. Incandescent bulbs need replacement approximately every 2,000 hours, and fiberoptic systems require replacement every three to seven years, alongside other components like motors and color wheels. LED lights, in contrast, have a much longer lifespan, often exceeding 10 years, significantly reducing the frequency and cost of replacements. This longevity makes LEDs a more sustainable and economically sound option for pool owners. The ease of upgrading is another compelling factor. Many LED models are designed to fit into existing light niches, simplifying the installation process for service technicians. For instance, Hayward’s Universal ColorLogic LEDs are UL listed for various niche styles, eliminating the need for technicians to determine specific niche types. Similarly, Pentair’s GloBrite lights are made entirely of plastic, removing the need for grounding or bonding and making them suitable for gunite, fiberglass, or vinyl pools. One of the most appealing aspects of LED pool lighting is its ability to introduce a vibrant spectrum of colors. Pool owners can select from a wide range of hues or program dynamic light shows to match specific moods or events. This customizable lighting transforms the backyard ambiance, offering a significant upgrade from the static illumination of older systems. The transition to LEDs also extends beyond just the pool; modern platforms allow for the integration of multiple LED lights on a single transformer, enabling homeowners to illuminate landscaping, water features, and other outdoor elements, thereby creating a cohesive and visually striking outdoor environment. This expanded application presents additional opportunities for service professionals to broaden their offerings. Specialized LED replacements are available for fiberoptic systems as well. Companies like Fiberstars offer small-niche LED lights that fit directly into existing wall fittings, replacing fiberoptic cables and connecting to a 'Power Tower' controller with built-in transformers and wireless remote control. This allows for a straightforward conversion from older, more expensive fiberoptic systems to modern, color-rich LED lighting. Finally, the convenience of remote control is a major draw for contemporary pool owners. Systems like Zodiac’s iAqualink enable users to manage their pool lighting and other features via smartphones or tablets, enhancing user experience and control. The inherent safety of low-voltage LED systems (typically 12 volts) is also highlighted, particularly in contrast to the potential electrical hazards associated with high-voltage pool lights. Overall, upgrading to LED pool lighting offers a combination of energy savings, reduced maintenance, aesthetic versatility, and enhanced safety, making it an attractive investment for pool owners. #LEDLighting #PoolDesign #EnergyEfficiency #HomeImprovement #OutdoorLighting #SmartHome #PoolMaintenance #TechnologicalAdvancement #BackyardDesign

The 'Illan' lamp, designed by Hungarian architect and designer Zsuzsanna Horvath for Italian lighting company Luceplan, is a distinctive pendant light crafted from laser-cut birch plywood. This unique fixture utilizes precise laser-cutting technology to create equidistant circular lines from a thin sheet of plywood. These delicate wooden outlines are then suspended together, forming the body of the lamp. The design is characterized by its simplicity, apparent weightlessness, and a harmonious blend of emotion and technological creativity. Horvath's prototype for the 'Illan' lamp first garnered attention at Salone Satellite during a previous Milan Furniture Fair. The name 'Illan', meaning 'something temporary' or 'fleeting' in Hungarian, reflects the designer's intention to celebrate the transient moments of beauty encountered in everyday life. Horvath describes the lamp as emerging from the exploration of laser-cutting various materials, where geometrically cut sheets of paper and wood acquire new characteristics when suspended by gravity. She considers the 'Illan lamp' to exist at the intersection of art and design, balancing functional quality, aesthetic appeal, and a touch of the magical elements desired in daily existence. The fabrication process involves innovative materiality and construction, contributing to the lamp's sculptural integrity. When installed, the thin wood pieces naturally fall into a unique curved form. A golden-hued LED light source is discreetly placed within the upper section of the lampshade. This light permeates the translucent wooden structure, producing a warm, diffused glow that enhances the ambient atmosphere. Horvath emphasizes the lamp's defining attributes as translucency, flexibility, and a subtle undulating movement. The simple, concentric cutting motifs transform the wood into a three-dimensional sculptural object. This structure is designed to react to even the slightest air currents, creating a gentle, dynamic movement. The warm illumination from the LED light reflects off the wooden surfaces, producing a relaxing sensation and a harmonious visual resonance. The 'Illan' lamp stands as a testament to combining advanced fabrication techniques with poetic design philosophy, creating a lighting fixture that is both functional and artful. #PendantLamp #LightingDesign #ZsuzsannaHorvath #Luceplan #BirchPlywood #LaserCut #HomeDecor #ItalianDesign #MilanFurnitureFair

British designer Bethan Laura Wood resides in a 575-square-foot apartment in a 1925 Art Deco building in East London, reflecting her vibrant and unconventional design aesthetic. Her home is an extension of her professional work, which is characterized by a bold use of color, texture, and a blend of industrial materials with artistic references. The apartment features powder pink stairwells, mint green window frames, and baby blue accents, providing an appropriate backdrop for her colorful creations. Inside, Wood’s living space is a dynamic display of peach, pistachio, and mauve walls, complemented by geometric rugs and a collection of unique objects. These include Pyrex lamps shaped like floral bouquets, a side table made from extruded pastel plastic, and various pieces she has designed or acquired. Wood emphasizes color as her primary language for interpreting places, drawing inspiration from regional palettes such as London's earthy grays and Venice's saturated blues. Her work often incorporates industrial materials like laminate, manipulating them to imitate other substances and exploring themes of globalism and authenticity through design history. Her current exhibition, "Ornate," at Milan’s Nilufar Gallery, draws inspiration from diverse sources including Japanese kimono fabrics, Victorian boudoirs, and insect anatomy. The exhibition features pieces like scalloped aluminum cabinets, glass light fixtures resembling hard candies, and an aluminum and brass headboard with shimmering gold and purple squiggles. Wood's living room is a visual feast, showcasing both her own designs and works by other artists and designers. Notable pieces include the Royal Daybed by Nathalie Du Pasquier and George Sowden, and a circular, jellyfish-like green, yellow, and blue resin lamp by Gaetano Pesce. A woven jacquard tapestry, designed by Wood and inspired by stained-glass windows in Mexico City, covers an entire wall, alongside an earth-toned laminate dining table with geology-inspired marquetry and a totemic light fixture made of stacked beaker-esque forms, produced with Italian glassblower Pietro Viero. Collaboration is central to Wood's practice, and many items in her home are products of partnerships or exchanges. Her collection extends into a narrow hallway adorned with hats and handbags hanging on Murano glass hooks, and artworks covering the walls. Her bedroom features an Ultrafragola mirror by Ettore Sottsass and a neon glass light by Jochen Holz, illuminating a 1970s floral textile acquired during a trip to Brazil. A small, sunny library, dubbed her "room for dreaming," houses art books, animal figurines, glass sculptures, and wooden busts, including a birthday card from her mentor, Martino Gamper. Throughout the apartment, Wood masterfully combines high design with evocative everyday objects found during her travels or at London flea markets. She deliberately positions pieces to create dialogues, such as a multicolored rope mask by Bertjan Pot near a painting of a knight in psychedelic swirls. She also notes the connection between a jar of "pickled" balloons by Saelia Aparicio and a poster by Scottish Pop artist Eduardo Paolozzi, whose motifs she frequently references. Wood's passion for collecting and creating began in childhood, influenced by her mother's accumulation of eclectic items. While her minimalist father preferred these objects to be hidden, Wood's home openly displays her collections, which she views as a material record of her life's experiences, travels, and relationships. Living surrounded by pieces from friends and fellow makers provides her with comfort and connection, especially during times of isolation. #BethanLauraWood #HomeDesign #InteriorDesign #ColorfulInteriors #ArtDeco #DesignerHome #ContemporaryDesign #LondonDesign #ArtisticLiving

The Stockbridge collection by Vaughan, a renowned British brand specializing in decorative lighting, furniture, and textiles, draws inspiration from the historic Hampshire village of Stockbridge, England. The collection integrates the natural aesthetic of the ancient terrain, characterized by chalky hills, open spaces, woodlands, and wildlife, with contemporary design principles. Co-founder Lucy Vaughan highlights that the design process for this extensive collection, which encompasses several smaller sub-collections, is largely inspired by nature. The range reflects Vaughan’s forward-thinking and pared-down approach, emphasizing high-quality materials, exceptional craftsmanship, and timeless style. A key starting point for the collection was the Kimmeridge chandelier, a reinterpretation of an original 1970s Italian design. This piece features carefully pressed steel leaves, hand-painted in a distressed green finish, complemented by gilded acorn details that showcase expert craftsmanship. Another highlight is a group of lights featuring a hand-painted, rust-effect finish, which imparts texture and depth differently across various designs. For example, the Rye chandelier’s graceful curves gain a 19th-century patina with this finish, while the Milland table lamp and Corfe chandelier, inspired by midcentury aesthetics, have their sculpted features accentuated and softened by the same rust effect. The Stockbridge collection aims to push the brand forward by offering an eclectic mix of styles and perspectives suitable for diverse interiors. Examples include the Westbourne table lamp, with its vibrant orange, crackle-glazed ceramic base, providing a pop of color, and the sleek, functional Midhurst reading light. The collection also expands on existing popular designs by introducing new sizes and finishes. This includes a smaller, six-light version of the Compiegne Leaf chandelier and a larger Selborne mirror, as well as a distressed green-painted finish for the Anjou chandelier, offering new nuances. A fresh and exciting piece in the collection is the Langley ceiling light, a rework of a 1950s French design. Crafted from brass with an alabaster shade, it combines a current and fresh feel with classical gravitas, attributed to its hand-polished, unlacquered brass and hand-finished alabaster. The brand suggests installing these in multiples for a dramatic effect in hallways. Vaughan emphasizes the use of fine, globally sourced materials throughout the Stockbridge collection. Notable materials include slip-cast earthenware with delicate crackle glazes for ceramics, solid cast brass, bronze, painted-rust finishes, and antiqued mirror. These material choices underscore Vaughan’s commitment to unique and high-quality design elements that define the brand's aesthetic. The collection also includes several mirrors, such as the Exton oval mirror and the Hensting mirror, and tables, alongside various lighting fixtures like the Finkley lantern, Antibes chandelier, Candover wall light, Childrey candlestick table lamp, Buckton desk lamp, and Hannington table lamp, ensuring a comprehensive offering for interior designers and enthusiasts. #VaughanDesigns #StockbridgeCollection #LuxuryLighting #FurnitureDesign #TextileDesign #DecorativeLighting #InteriorDesign #HomeDecor #Craftsmanship

The article highlights the significance of lighting in interior design, emphasizing its capacity to unify a room and establish ambiance, often overlooked in favor of larger furniture items. It showcases eight Hudson Valley-based businesses and artists specializing in diverse lighting solutions, aiming to provide local alternatives to urban design sources. These establishments offer a range of styles, from hand-blown glass pendants and modern-chic sconces to vintage fixtures and custom neon art. Niche Modern, located in Beacon, NY, is featured for its brightly colored, hand-blown glass pendant lighting. Founded by Jeremy Pyles and Mary Welch, the company is known for its contemporary yet deeply colored glass products, operating from a historic factory building and offering significant discounts at annual factory sales. The Culture+Commerce Project in Hudson, NY, a design consultancy, represents regional artists, including Rafael Avramovich of Work and Design. Avramovich creates "Living in Harmony" pendants using recycled metal strips of iron, steel, and brass, designing pieces that evoke emotion and blend organic-industrial aesthetics suitable for various settings. While their retail store has closed, they continue operations online and by appointment. Materia Designs, led by husband-and-wife team Matt Ensner and Megan Sommerville, integrates diverse backgrounds from choreography to landscape design into their work. They produce lighting, furniture, and home accessories, along with undertaking residential and commercial interior design projects. Their design philosophy focuses on elemental materials such as marble, parchment, porcelain, un-lacquered brass, and leather, resulting in authentic, high-quality pieces. Their operations, including a showroom, design studio, and workshop, are consolidated in a 4,500-square-foot facility in Accord. Luddite Antiques in Germantown, NY, caters to those seeking vintage lighting. This Brooklyn retail expat offers a wide array of early electric lighting, from Victorian chandeliers to Art Deco sconces and neon bar signs, alongside other antique furnishings like wooden card catalogs and 18th-century apothecary cabinets, all displayed in their tin-ceilinged showroom. Lite Brite Neon in Kingston, NY, began in 1999 as artist Matt Dilling’s studio, focusing on neon's decorative and architectural potential. It has since grown to include a team of neon artists creating everything from gallery pieces to commercial signage and restoration. The studio moved its production to a 15,000-square-foot facility in Kingston, where its 12-member fabrication team handles hundreds of projects annually, transforming client concepts into neon realities. FRG Objects & Design/Art in Hudson, NY, is founded by FR Gillette, a stylist, photographer, and interior designer. His 3,000-square-foot space serves as his home, office, and showroom, reflecting a curated aesthetic characterized by a disruptive approach to color and mixing fabrics and art. Gillette's work was showcased at Design Hudson 2018, and he recently collaborated with Italian engineer Daniele Gualeni on the "Design by Demand" lighting collection, featuring pieces produced in Italy by master craftsmen using metal, ceramic, Murano glass, and marble. Lightexture, a Troy-based design studio, creates perforated white clay spherical and egg-shaped pendant lamps. These lamps are designed to illuminate modern kitchens and dining areas by casting star-like patterns on walls and ceilings while providing warm light below. Each pendant uses an energy-efficient xenon bulb with a long lifespan. Finally, Entner Glass in Rhinebeck, NY, showcases Barry Entner’s sculptural lighting. His works, which are more artistic visions than commercial products, involve meticulously planned designs using hundreds of components to create gravity-defying glass and metal sculptures. Entner’s art has been exhibited internationally and is part of numerous private and public collections. #HudsonValley #LightingDesign #InteriorDesign #HomeDecor #ArtisanLighting #VintageLighting #NeonArt #GlassArt

Netjets, a private jet airline, has maintained a 16-year partnership with Art Basel, consistently unveiling collaborative projects at the fair. This year's iteration featured a bespoke installation by Swedish artist Frida Fjellman within the Netjets collectors' lounge. Fjellman's contribution, titled 'Crystal Atmosphere,' brought a new spatial interpretation to her signature blown glass lanterns. These lanterns, first showcased in a solo exhibition in 2015, have since evolved into various colors and sizes, all retaining their distinctive mouth-blown glass and metal components. They are presented both as individual pieces and as elaborate chandelier-like clusters. Fjellman's artistic journey with these lanterns involved a two-year development period in collaboration with The Glass Factory, an art glass producer situated in Boda, a small village nestled within Sweden's forests. The artist initially conceived these lamps not for traditional beauty or utility, but to evoke the impression of exaggerated, somewhat unconventional jewelry—beautiful yet intriguing. The unexpected popularity of these pieces has been a point of interest for Fjellman. The lanterns gained significant attention when they were displayed at Design Miami/ in 2016 as part of a large-scale installation by Hostler Burrows. This exposure captured Netjets' interest, leading to the current collaboration. For the Art Basel lounge, Fjellman was granted complete creative freedom. Over a period of four months, she developed her largest installation of these works to date, comprising 100 lanterns in a spectrum of shades and sizes. This project also involved the creation of a new large-scale piece that pushed existing production boundaries. The installation within the lounge featured the lanterns suspended from the ceiling in color-coordinated clusters. The lighting of these pieces was designed to be discreet, with lights slowly fading in and out, mimicking a breathing pulse. Fjellman's stated intention for the 'Crystal Atmosphere' installation was to cultivate a serene environment, providing a calming respite from the often-hectic atmosphere of the art fair. 'Crystal Atmosphere' underscores Netjets' ongoing commitment to the arts. Previous artistic collaborations by the private aviation company include projects with the art/design duo Snarkitecture and British artist Rebecca Louise Law. Fjellman reflected on the inspiration behind her installation, noting her interest in the almost magical sense of tranquility experienced during flight above the clouds, likening it to a rare oasis of calm in an increasingly hyper-connected digital world. #ArtBasel #Netjets #FridaFjellman #InstallationArt #BlownGlass #DesignMiami #CrystalAtmosphere #ContemporaryArt #ArtCollaboration

Ambience Studio, a lighting design firm based in Melbourne, has introduced the Linear LEGO Luminaire, a lighting fixture crafted entirely from repurposed LEGO bricks and plates. This innovative design offers a vibrant and playful addition to any space, utilizing a sleek, minimalist form while radiating a whimsical character through its colorful frame and diffused LED light source. The luminaire's frame is meticulously constructed from carefully chosen LEGO pieces, ensuring a lively and engaging aesthetic. At the core of the Linear LEGO Luminaire's design is a 7W opal diffused linear extrusion, which emits a soft, even LED glow. This lighting element is seamlessly integrated into the LEGO brick frame, creating a harmonious blend of recycled materials and modern illumination technology. The light is designed for versatility in placement; it can be suspended from the ceiling as a pendant light, adding a focal point to a room, or positioned upright on the ground to serve as a decorative sculptural element. This adaptability is facilitated by a two-toned, color-matched flex cord that complements the vibrant LEGO construction. This new offering is a part of Ambience Studio's 'Symphony' range, a collection that specializes in creative linear, pendant, profile, LED neon, and strip lighting solutions. The studio, established in 1987, has a notable history of collaborating with prominent clients such as Aesop, MUJI, and Hilton, and has received international acclaim through various design awards including \[d\]arc, LIT, and the London Lighting Design Awards. Their expertise in lighting design is evident in the thoughtful execution of the Linear LEGO Luminaire, which combines sustainable practices with sophisticated design principles. The Linear LEGO Luminaire represents an intersection of playful nostalgia and contemporary design, transforming discarded toy components into a functional and aesthetically pleasing lighting solution. The use of repurposed LEGO bricks not only champions sustainability but also injects a sense of fun and creativity into interior lighting. The product's design ensures that it is not merely a light source but also a conversational art piece that can enhance the ambiance of diverse environments, from residential spaces to commercial establishments. Through this design, Ambience Studio continues to demonstrate its commitment to innovative lighting concepts and environmentally conscious product development. #LightingDesign #LEGO #RepurposedMaterials #SustainableDesign #LinearLuminaire #PendantLight #LEDLighting #HomeDecor #ProductDesign

Johannes Budde's LITE is a unique light installation that challenges traditional perceptions of lighting design by merging elements of art and function. The piece playfully explores the boundaries of physics and established viewing habits through its 'floating candle' concept. Budde, a German designer, has crafted LITE using a combination of industrial and natural materials, specifically wired glass and sandstone, to create a sconce-style lamp that is both visually intriguing and interactively engaging. The core components of LITE include a large sheet of wired glass, typically used in industrial applications, and a base made from natural sandstone. The wired glass is upcycled from a German manufacturer, demonstrating a commitment to sustainability and material reuse. The sandstone is locally sourced from a family-owned business, minimizing transportation impact and supporting local economies. Budde meticulously cuts and files the sandstone to form cube-shaped feet that securely hold the wired glass sheet in place. One of the most captivating aspects of LITE is the illusion of a 'floating' candle. This effect is achieved through a cleverly designed screw connection with a pointed stick, inserted into the center of the glass sheet. From the front perspective, this attachment is not visible, creating the impression that the candle levitates unsupported. This design choice not only adds a magical element to the installation but also encourages a more intimate interaction, as users must manually light the candle. This interactive quality distinguishes LITE from many traditional art pieces, which often adhere to a 'no touching' rule. Budde's material selection is deliberate, combining the raw, industrial aesthetic of wired glass with the organic, earthy texture of sandstone. This juxtaposition highlights the beauty in repurposed materials and showcases how everyday substances can be elevated into sophisticated design elements. The use of sustainable and locally sourced materials underscores a thoughtful approach to design, focusing on environmental responsibility. LITE is presented as a piece that blurs the lines between art and functional design. While it serves as a lighting fixture, its conceptual nature and unique form provoke contemplation on the definition of art itself. The installation's antique sconce-like silhouette provides a sense of familiarity, yet its innovative execution and interactive component push the boundaries of what a light can be. The design invites viewers to question their conditioned viewing habits and engage with the object on a deeper, more personal level. #HomeDecor #ArtDesign #SustainableDesign #LightingDesign #IndustrialDesign #MaterialInnovation #JohannesBudde

This article delves into the extensive range of lamp fixtures offered by Edison Light Globes, highlighting their distinctive steampunk aesthetic characterized by heavy brass and exposed hardware. The company, known for its unique bulbs, also presents a diverse collection of lighting solutions that merge industrial design with a vintage sensibility. The article showcases various examples, beginning with the Multi Bulb Heavy Table Lamp, which features an adjustable neck and exemplifies the brand's commitment to brass components and intricate details. It also explores innovative designs like the Plumbing Pipe Wall Lamp, which reimagines plumbing fixtures into sophisticated lighting pieces, demonstrating a creative approach to material use beyond conventional applications. Further examples of wall-mounted lighting include the Bronze Medium Bulb Cage Upright Wall Lamp, praised for its appealing design. The article then transitions to pendant lighting, presenting options such as the Four Cage Tube Bulb model, which integrates multiple bulbs within a caged structure. An adjustable variant without a cage is also featured, offering flexibility in design. For enhanced functionality, the Nickel Scissor Pendant provides height adjustability and can be augmented with a shade, illustrating the versatility of the company's offerings. Even with a plain enamel shade, the proprietary bulbs from Edison Light Globes are noted to elevate the overall aesthetic. The collection also includes colorful options like the Plumbing Pipe Green Russian Insulator Table Pendant, which adds a vibrant touch to the industrial theme. Another notable piece is the Vintage Edison Train Carriage Light, reflecting a historical design influence. In the tabletop lamp category, the Brass Fire Hose Nozzle Lamps are highlighted for their unique, trophy-like appearance. The article also addresses practical considerations, such as bulb replacement in caged designs like the Vintage Brass Steampunk Banker Lamp, suggesting that it requires a careful hand due to the intricate construction. The article concludes by inviting readers to explore Edison Light Globes' comprehensive website, emphasizing the breadth and depth of their product line. #EdisonLightGlobes #SteampunkDesign #IndustrialLighting #BrassFixtures #VintageLamps #HomeDecoration #LightingDesign #UniqueLighting

The "Vegas" lighting collection, a collaboration between Italian artisanal manufacturer MASIERO and industrial designer Marc Sadler, reinterprets iconic glass and metal Art Deco lights. This collection aims for a luxurious and high-end aesthetic, blending contemporary design with a timeless quality, inspired by the bold and flamboyant energy of Las Vegas. The partnership brings together MASIERO's in-house artisanal manufacturing capabilities in northern Italy and Marc Sadler's extensive experience and technical design prowess, recognized by multiple international design awards including the Compasso d’Oro ADI. Sadler, known for pioneering innovative uses of materials, has a diverse background, having worked across Europe, Asia, and North America, with his designs featured in permanent collections at the MOMA in New York and the Beaubourg in Paris. The Vegas collection is characterized by its meticulous combination of glass and metal. Transparent glass strips are precisely positioned around a metal structure, held in place by invisible eyelets and an ultraviolet gluing process, eliminating the need for visible screws or drilling. The bases, stems, and internal structures are crafted from metal, beautifully gilded in champagne gold leaf, though other metal finishes are available to meet customer preferences. Illumination is provided by dimmable LED strip lights, integrated along the frame and protected by plexiglass for easy cleaning. The aesthetic of the Vegas collection is opulent and refined, achieving a classical feel through the use of soft gold and clear, textured glass. The glass strips evoke both ice and precious jewels when illuminated, contributing to a sculptural quality where they appear delicately suspended. The inner metal structure provides a clean geometric form, and when viewed through the glass, it creates a rippled gold effect, adding depth, particularly striking in the curved vertical wall lights. Each glass strip is unique, featuring a ‘rock’ effect created by a special heat process that deliberately deforms thick glass pieces, incorporating trapped air bubbles. This technique imparts an "emotional allure" reminiscent of the work of master glass artisans. The collection offers an extensive range of individual pieces, unified by consistent materiality and the repeated use of curved glass strips nestled over a gold band. Pendant styles include single lights from 12cm to 60cm in diameter, as well as circular clusters of three or five lights, with the largest cluster measuring 80cm. Rectangular alignments of pendant lights are available with three, five, or seven drops, and variations with multiple vertical tiers exist, including a tall piece at 175cm in height with a 27cm diameter. For larger surfaces like dining tables or billiard rooms, there are sweeping oval shapes with vertical glass strips and long tubular forms that run horizontally, echoing the tiered drops. The collection also comprises curved vertical wall lights and ceiling variations, along with an oval table lamp. This broad array of refined shapes, resulting from dedicated experimentation and adherence to the design concept, makes the Vegas collection highly versatile for both commercial and residential applications. Its dramatic and sculptural presence is designed to be a focal point in any space, offering a refined flair. #LightingDesign #LuxuryLighting #ArtDecoInfluence #GlassAndMetal #ArtisanalCraftsmanship #ContemporaryClassic #MarcSadler #Masiero #InteriorDesign