Molten Metal Meets Wood to Create One of a Kind Furniture

Freeze Design Build, a Minneapolis-based custom furniture company founded by Kiley Friese and Sam Busko in 2018, specializes in crafting unique furniture pieces. Their work, often discovered through word-of-mouth, demonstrates an experimental approach to design and a commitment to seeing projects through from conception to completion. Both founders are graduates of the Minneapolis College of Art and Design, where they honed their skills in both the design and construction aspects of furniture making. This comprehensive understanding allows them to address design challenges and problem-solve effectively, ensuring that their creations are not only aesthetically pleasing on paper but also physically beautiful in their finished form. The company’s capabilities extend beyond woodworking to include metalworking and exploring various material composites. This versatility enables them to incorporate diverse elements and designs into their custom pieces. In addition to bespoke commissions for residential clients, Freeze Design Build maintains an online shop where they offer a curated selection of items. These include functional pieces like entryway shelves, benches with integrated shoe storage, and various shelving units. A notable product line is their collection of plant stands, many of which are ingeniously crafted from scrap wood, showcasing their dedication to sustainable practices and creative reuse of materials. The founders emphasize their unique use of leftover wood and colored cork samples in items such as their entryway pieces, highlighting their resourcefulness. The bench with shoe storage is specifically mentioned for its integration of graphic elements, line, and pattern, resulting in a modern design. This product line serves as a platform for their creative expression and allows them to gauge public preferences while solidifying their brand aesthetic. Friese and Busko describe their work as “fun” and their creations as embodying a playful spirit, which resonates with their clientele. Customers often seek out Freeze Design Build when they have specific project requirements that other providers may not be able to accommodate, underscoring the company’s ability to tackle unique and complex design challenges. The firm's founders pride themselves on being approachable and enjoyable to work with, contributing to their positive customer relationships. This combination of design expertise, building proficiency, material experimentation, and a customer-centric approach positions Freeze Design Build as a distinctive presence in the custom furniture market, offering both unique bespoke pieces and a range of thoughtfully designed retail products. #CustomFurniture #FurnitureDesign #Woodworking #Metalworking #HomeDecor #MinneapolisDesign #SustainableDesign #InteriorDesign #ArtisanFurniture

Metal furniture, typically associated with industrial applications, is increasingly being integrated into home interiors, offering a unique blend of rawness and refinement. This trend is explored through eight diverse living spaces from around the world, showcasing how steel, aluminium, and chrome furnishings can complement various design aesthetics, from rustic log cabins to minimalist apartments. The growing interest in industrial metals among young designers highlights a movement towards sustainable practices, often involving the use of a single material left raw and unfinished to facilitate recycling. Designers such as Paul Coenen, Annie Paxton, and David Taylor are at the forefront of this trend, creating pieces like Coenen's steel furniture that folds from a single sheet, Paxton's unique chainmail-fringed side table, and Taylor's award-winning Knuckle light made of bent aluminum tubing. One example is the Relogged House in Ukraine by Balbek Bureau, which reimagines the traditional log cabin. Here, warm timber paneling is juxtaposed with an industrial palette of concrete and metal, featuring custom stainless-steel consoles in the bedroom that frame a low-lying bed. This project demonstrates how industrial elements can be harmoniously integrated with natural materials. In London's Highbury House, a renovated Victorian terrace by Daytrip, a vintage zinc-plated lamp and a brushed aluminum console by American sculptor Jane Manu introduce a gallery-like minimalism. This setting artfully contrasts modern metallic furnishings with organic textures and forms, achieving a refined yet edgy interior. The Frederic Chopin Apartment in São Paulo, designed by Tria Arquitetura, features an entire column enveloped in stainless steel sheets. This striking element provides a cool, sharp contrast to the apartment's warm wood tones and serves as a backdrop for the owners' extensive art collection, allowing the artworks to define the space. Studio Okami Architecten's renovation of a duplex apartment in Antwerp's brutalist Riverside Tower showcases a blend of different metal finishes. The exposed concrete structure of the building is complemented by sleek metal surfaces, including a baby-blue painted spiral staircase and raw metal cabinets and a sculptural kitchen island, creating a dynamic interplay of textures. In Melbourne, the Kerr Street apartment by SSdH, located in a former chocolate factory, uses eclectic metal furniture as a focal point. Pieces like folded aluminum stools, an armchair with an undulating frame, and Annie Paxton's chainmail-fringed side table add a distinctive character to the industrial-inspired space. Apartment A in Antwerp, by Atelier Dialect, adopts a more subdued approach, combining a chromed metal floor lamp with a steel-bottomed, velvet-upholstered daybed. The bedroom features a unique mirrored steel-wrapped bathtub, adding an unexpected, luxurious industrial touch to the mint-green room. The Canal Saint-Martin apartment in Paris, designed by Rodolphe Parente, extensively uses metal, particularly in the kitchen. The living room includes an unlacquered aluminum stool, and the bathroom features an aluminum chair polished to a mirror-like shine, reflecting light and expanding the space. Finally, the Gale Apartment in São Paulo by Memola Estudio integrates a custom metal bar in a converted balcony area. This element, matching the kitchen cabinetry, introduces an industrial edge to the lounge area, balanced by soft furnishings. These projects collectively demonstrate the versatility of metal furniture in contemporary home design, proving its ability to add industrial flair, modernity, and a touch of refinement to diverse living environments when contrasted with natural materials or used to highlight architectural features. #MetalFurniture #IndustrialDesign #InteriorDesign #HomeDecor #SustainableDesign #ModernInteriors #ArchitecturalRenovation #ContemporaryLiving #DesignTrends

The article presents the innovative furniture design technique developed by Hilla Shamia, an industrial designer trained at the Holon Institute of Technology. Shamia's "Wood Casting" method involves combining molten aluminum and whole tree trunks to create unique furniture pieces. This technique focuses on preserving the natural form of the wood while integrating it with metal, creating distinct boundaries and a unique aesthetic. The core of the "Wood Casting" technique involves pouring molten aluminum, which reaches a temperature of 1220 degrees Fahrenheit, directly onto wood. Given that wood ignites at 572 degrees Fahrenheit, the molten metal causes the surface of the wood to char. This charring creates a natural transition zone between the two materials, which is a key aesthetic and structural element of Shamia's designs. Instead of being a destructive process, the burning of the wood is transformed into a positive, emotional, and artistic value, as it preserves the tree trunk's natural form within defined structural boundaries. Shamia utilized entire tree trunks of cypress and eucalyptus for her furniture series. The process required collaboration with metalsmiths who were willing to experiment with this unconventional approach. Pouring molten aluminum directly onto the wooden surface allowed the metal to seep into the natural niches and crevices of the tree trunk. This interaction results in the aluminum solidifying within these organic patterns, creating an effect described as the metal being "frozen into that moment of melting" into the carbonized wood. The initial burning process shapes the exterior of the wood. Subsequently, the entire wooden plank is cut lengthwise and integrated into a metal frame, forming the final furniture structure. This method allows for a juxtaposition of the artificial, geometric feel of the metal with the organic, natural profile of the wood. The designer emphasized the challenge of finding metalsmiths adventurous enough to participate, as such a casting process could extend up to two weeks. The furniture series highlights how a seemingly destructive interaction between materials can be harnessed to create visually striking and structurally integrated designs. Shamia's work transforms raw materials into functional art, showcasing the beauty of material contrasts and the preservation of natural forms through an industrial process. The impact of this process on contemporary furniture design is noted as intriguing, demonstrating a novel approach to material combination and aesthetic expression in the field of industrial design. #WoodCasting #FurnitureDesign #MoltenAluminum #HillaShamia #IndustrialDesign #MaterialInnovation #WoodMetalFusion

This comprehensive guide provides step-by-step instructions on how to upcycle metal furniture, transforming old, chipped, and rusty pieces into refreshed items. The process is designed to be budget-friendly, fast, and customizable, suitable for DIY enthusiasts of all skill levels. The article emphasizes that spray painting metal furniture is an effective method for giving tired garden furniture a second life, while also being applicable to various other outdoor metal projects such as garage doors, benches, archways, and even indoor metal furniture. The initial phase of any metal furniture restoration project involves careful planning and preparation. Before beginning, it's crucial to gather all necessary tools and materials, which typically include a wire brush, steel wool, multi-surface spray paint, metal primer, and essential safety gear like a dust mask, gloves, and safety goggles. The article stresses the importance of adequate ventilation, especially if working indoors, and protecting the surrounding area from paint overspray using old sheets, cardboard, or tarpaulin. The estimated cost for materials is around £40, and a fairly simple makeover is expected to take about 4 hours, though a weekend is recommended to allow for sufficient drying time. Preparation of the project begins with thorough cleaning. Any detachable parts, such as glass tops or cushion covers, should be removed. The furniture is then cleaned with warm, soapy water to eliminate dust, dirt, and grime, followed by a clean water rinse and drying. For greasy or grimy surfaces, methylated cleaning spirits can be used, ensuring surfaces are wiped down and rinsed afterward. Following cleaning, the removal of old finishes, flaking paint, and rust is critical for a smooth paint application. Steel wool or a wire brush can be used to scrub away rust and loose paint, especially effective for intricate designs. For more severe rust, specialist gels or fluids may be necessary. Electric sanders with coarse grit paper are recommended for larger, flat areas or stubborn paint layers. If a completely stripped-back, industrial look is desired, a paint stripper can be applied. After this abrasive work, another thorough cleaning and drying are required to remove any remaining debris. Priming is the next vital step, ensuring the paint adheres well and offering additional rust protection. If multiple colors or intricate designs are planned, masking tape should be applied to create neat lines. The primer is applied in even, sweeping motions with the recommended safety equipment, and typically two coats are suggested for optimal results, allowing adequate drying time between coats. Once the primer is dry, the painting process begins. The spray paint can must be shaken vigorously before and during use to ensure proper mixing. Painting in sections is advised to cover all surfaces, including intricate details. The paint should be applied in slow, straight, and even strokes, maintaining the recommended distance from the furniture to prevent drips and runs. Two to three layers of paint are usually needed for the best finish, with approximately an hour of drying time between each coat. Any imperfections can be corrected with a lint-free cloth or fine-grit sandpaper, and the piece should be allowed to fully cure before removing masking tape. Finally, reattaching any removed fixtures and considering aftercare steps will complete the project. For unpainted metal, an exterior wax coating can provide protection against moisture and prolong the item's life. The article highlights the flexibility of renovation projects, allowing for future changes in style. Storing garden furniture in a shed, garage, conservatory, or under a plastic furniture cover when not in use can help preserve its finish. Minor touch-ups can be done by cleaning, priming, and repainting small areas. The article encourages creativity in design, suggesting various color palettes, stencils, and even combining different colors for a unique look. It also promotes finding old metal pieces from charity shops or car boot sales for future upcycling projects. #MetalFurnitureUpcycling #DIYHomeImprovement #GardenFurnitureMakeover #SprayPainting #FurnitureRestoration #OutdoorDecor #HomeDecoration #CreativeProjects #BudgetFriendlyDIY

Tel Aviv-based Hilla Shamia Design Studio's Wood Casting collection presents a unique approach to furniture creation by combining natural wood with molten metal. The process involves taking full-length tree trunks, splitting them into wooden planks, and then carefully inserting these planks into a custom-designed mould. Subsequently, molten aluminium is poured into the mould, filling the remaining spaces and integrating with the wood to form tables, stools, and benches. A distinctive feature of this technique is the interaction between the hot metal and the wood. The intense heat from the molten aluminium causes the edges of the wood to burn, creating a charcoal line that visually and texturally separates the two materials. This charring effect is not merely an incidental outcome but an integral part of the aesthetic, highlighting the fusion point where the organic and inorganic elements meet. The designer, Hilla Shamia, describes this transformation as a 'drama' involving high heat, flames, and smoke, which ultimately yields a third material: coal. This coal layer, with its dark hue, is seen as narrating a 'love story' between the wood and aluminium, symbolizing their initial encounter and sustained connection, much like the enduring dynamics of an elderly couple. The core concept of the Wood Casting collection originated from exploring the contrasting properties of wood and metal. Shamia recognized that wood, an organic material, is highly susceptible to fire and heat, potentially burning away completely. In contrast, metal, a natural resource, exhibits remarkable durability against heat, changing its state from solid to liquid without being destroyed. By leveraging these inherent differences, Shamia developed a specialized casting technology that allows for novel connections and geometrical arrangements between the two disparate materials. This innovative process enables the creation of furniture pieces that showcase the natural grain and form of the tree trunk sections while integrating them seamlessly with the structural strength and modern aesthetic of aluminium. The resulting collection emphasizes the beauty of natural imperfections and the dramatic transformation that occurs when materials with opposing characteristics are brought together in a controlled, artistic manner. The project is an evolution of Shamia’s graduate work from 2012, completed during her studies in the Department of Industrial Design at the Holon Institute of Technology, demonstrating a progression of her unique material exploration and design philosophy. #WoodCasting #FurnitureDesign #HillaShamia #MoltenAluminium #TreeTrunkFurniture #MaterialFusion #IndustrialDesign #UniqueCraftsmanship

Industrial designer Manu Bañó has expanded his OBJ collection with a modular shelving system crafted from a single sheet of hot-rolled steel. This new addition exemplifies Bañó's design philosophy, which centers on applying simple gestures to raw materials to create functional and aesthetically compelling objects. The shelving system's manufacturing process is intentionally straightforward, involving only several laser cuts to shape the steel sheet into its final form. This minimalist approach allows the inherent qualities of the material to remain prominent. A key characteristic of the OBJ shelving is its raw finish. Bañó deliberately chooses not to remove the natural scratches or defects that result from the manufacturing process, allowing the object to retain its original character and a connection to its industrial origins. This decision aligns with the designer's focus on material authenticity and a celebration of imperfection. The modular nature of the shelves offers significant versatility, enabling users to extend the system both vertically and horizontally, thereby adapting to various spatial requirements and display needs. Bañó emphasizes the dual function of the shelving system, noting that it can serve as a practical display unit for objects or stand alone as a sculptural piece. This interplay between utility and aesthetic ambition is a recurring theme within the OBJ collection. The designer's creative methodology is rooted in intuition rather than extensive preliminary research or reliance on references. He describes his process as an evolution from simple sketches in notebooks to tangible, three-dimensional objects, where initial strokes gradually materialize into functional designs. The OBJ collection, beyond the shelving system, includes a variety of utilitarian objects such as lamps and a lounge chair, all produced using similar simple manufacturing techniques like cutting and folding metal sheets and brass tubes. This consistency in approach across the collection highlights Bañó's commitment to a design language that values directness and material honesty. He acknowledges that while his designs prioritize aesthetic beauty, their functional purpose remains an inherent consideration, reflecting the designer's comfort in creating objects that can integrate into a living space and serve a practical role. Ultimately, the OBJ collection, and particularly the new shelving system, represents a contemporary exploration of material transformation through minimal intervention. By embracing the raw state of industrial materials and employing straightforward fabrication methods, Manu Bañó creates pieces that are both visually impactful and inherently functional. The collection challenges conventional notions of refined finishes, instead highlighting the beauty that can be found in simplicity and the untouched qualities of raw materials. #FurnitureDesign #SculpturalDesign #IndustrialDesign #MetalFurniture #ModularDesign #RawMaterials #DesignProcess #MinimalistDesign

The "Bolete" table series, a collaboration between Hong Kong-based architect and sculptor Henry D’Ath and design-art duo Batten and Kamp, introduces a family of limited-edition coffee and side tables. These pieces are distinguished by their mushroom-like forms, crafted from hand-carved solid wood and natural stone. The design integrates the sculptural weight typical of permanent furniture with a flexible, modular approach that features configurable, overlapping surfaces. The genesis of the Bolete series traces back to a custom commission where Batten and Kamp recognized a natural synergy between D’Ath’s carved wood creations and their signature raw stone bases. This initial insight led to the formal collaboration and the development of the Bolete collection, emphasizing a harmonious blend of two distinct material elements. Each table in the Bolete series is meticulously carved by Henry D’Ath, who allows the intrinsic patterns of the wood grain and the natural contours of the stone to guide the creation of subtly organic shapes. The wooden tops are available in two finishes: a natural, sealed varnish that highlights the wood's inherent beauty, or a glossy black finish achieved through layers of calligraphy ink. The choice of wood for the tops is Camphor, a variety prevalent in China and Japan, known for its aromatic properties and natural insect-repellent qualities. For the bases, raw Taishan Granite stones are used. These stones are culturally significant, often featured in Zen gardens, and are admired for their grey-white hues, reminiscent of the dramatic Karst Mountains. Each granite base is individually sourced and intentionally left untreated, ensuring that every table possesses a unique character. The collaboration is deeply rooted in the shared heritage and mutual admiration among Alexandra Batten, Daniel Kamp, and Henry D’Ath, all originally from New Zealand but now working together in a Hong Kong studio. This shared background is reflected in the design philosophy, which embraces natural materials, robust forms, and simplicity—elements integral to New Zealand aesthetics—while also incorporating local materials and subtle Zen influences. Alexandra Batten describes the collaboration as effortless, stemming from a lifelong connection and shared artistic vision. Initially launched as a side table in 2023, the Bolete series has expanded to include coffee tables. The modular nature of the design is key, allowing for diverse configurations and sizes through the arrangement of overlapping surfaces, which enhances the collection's adaptability and aesthetic appeal. The tables are produced in limited editions, with eight pieces plus four artist proofs available per configuration, highlighting their exclusivity. Plans are underway to exhibit the series in major art and design hubs, such as New York or Paris, in 2025, further solidifying its presence in the global design landscape. The project was submitted through a DIY submission feature, reflecting a direct engagement with the creative community. #FurnitureDesign #Woodwork #StoneCraft #TableDesign #ModularDesign #LimitedEdition #DesignCollaboration #NaturalMaterials #HandCarved

The Akin Collection, designed by Gothenburg-based Anny Wang, comprises a series of furniture pieces including a display shelf, a cabinet, and a side table. Each item in the collection features tubular steel frames combined with diverse, often textured or iridescent, supplementary materials, emphasizing a design philosophy where kinship emerges from differences rather than similarities in appearance. Wang's approach challenges conventional notions of furniture cohesion, suggesting that objects can belong together precisely because of their material and formal contrasts. One of the collection's key pieces is 'Float', an open shelving unit. This unit is constructed from a blue powder-coated square tubular steel frame, complemented by shelves made of blue-stained solid ash. A distinctive design choice for 'Float' is its lack of a defined front or back, which allows for versatile placement within a room, including in the center. This design promotes an airy and open aesthetic, characterized by its clear vertical lines and free corners, contributing to a sense of lightness in the piece. The 'Sway Cabinet' is another notable component, also built upon a square tubular steel frame with legs powder-coated in a light grey finish. The storage section of the cabinet is enveloped by interwoven panels of chameleon vinyl, a material typically associated with high-performance automotive applications. This iridescent vinyl presents a dynamic visual experience, shifting its color between bronze, gold, copper, pink, and purple, depending on the ambient light and the viewer's angle. Wang explains that 'Sway' represents a sense of enclosure and privacy, with the upholstered texture of the vinyl creating a flowing, undulating form that provides a soft counterpoint to the rigid, straight lines of the cabinet's steel structure. The 'Orbit' side table completes the collection, featuring copper-plated square tubular steel legs that form a rectangular frame. This frame extends upwards through a solid ash tabletop, creating an integrated handle and an L-shaped protrusion. The circular shape of the tabletop introduces a visual contrast to the angularity of the base. This circular top is also designed to be removable, serving as a large, functional tray. Wang highlights her interest in how contrasting elements can coalesce to form a unified whole, drawing a parallel to puzzle pieces that fit together despite their opposing shapes. Anny Wang personally undertook the welding for the collection, mastering Tungsten Inert Gas (TIG) welding to bring her designs to fruition. She is a recent graduate from the University of Gothenburg, where she earned a Bachelor of Fine Arts in Design in June. Currently, Wang operates as a multidisciplinary designer in Sweden. The photographic documentation of the Akin Collection was provided by Ellika Henrikson, capturing the unique material interplay and structural characteristics of Wang's furniture. The collection reflects a thoughtful exploration of material properties and their ability to create visual and tactile dialogues within functional objects. #FurnitureDesign #MaterialContrast #TubularSteel #ChameleonVinyl #AnnyWang #SwedishDesign #InteriorDesign #ProductDesign #ContemporaryFurniture

This article profiles Jacob Wener, founder of Modern Industry, a custom furniture design company. Wener, who has been in the industry since 2006, moved to Sarasota in July 2022 from Chicago, seeking a warmer climate and a new environment to influence his work. His background includes a childhood interest in woodworking, inspired by his grandfather, and an architectural education that he found applicable to furniture design, particularly in understanding space, human interaction with environments, and the subtle impact of design elements like finish and texture on mood. Wener's style has evolved since his move to Sarasota. While his Chicago work was characterized by an industrial vibe, his current designs lean towards a nature-inspired contemporary aesthetic, incorporating lighter, sun-kissed looks that resonate with the Florida Gulf environment. He frequently combines wood and metal but also enjoys working with leather and stone. White oak and bleached walnut are among his current preferred wood types, reflecting the natural, washed-out tones found in local surroundings like shells and sand. He operates a 2,200-square-foot workshop in north Sarasota, which serves as a functional workspace rather than a showroom, and is open for appointments to interested clients. Wener discusses current trends in furniture design, noting a shift away from "live-edge" and "river tables" that were popular in the early 2010s. Instead, he observes a move towards softer, more abstract interpretations of nature, subtle integration of natural elements, and a rise in mixing materials such as fabric-wrapped table legs or stone integrated into table bases. Asymmetry within balance and the use of tambour (fluting and half-round shapes) for bases, headboards, and wall paneling are also noted trends. Popular custom pieces include dining tables, which range from $5,000 to $10,000 for home use, potentially reaching six figures for large corporate conference tables. Coffee tables start around $1,500, and chairs are priced between $450 and $500 each, depending on materials. The typical build time for custom pieces is 12 to 16 weeks. Other frequently built items include sideboards and wall-mounted TV cabinets, with the pandemic driving demand for desks, bar carts, and home theater furniture. Regarding mass-produced furniture, Wener acknowledges their purpose but highlights the predictability of such items. He advocates for an interior design approach that blends investment pieces, vintage finds, and accessible items to create a personalized space. His own home reflects this philosophy, featuring his custom creations alongside items from big box stores. He emphasizes that custom furniture allows clients to realize their specific visions, even minor modifications like adding drawers to an existing design concept. His clientele often comes through interior designers and architects, with his aesthetic appealing to a younger demographic. In Sarasota, he works with many vacation home owners. These clients seek not just luxury but a unique story and a reflection of their personal input. Wener addresses the common misconception about the cost of custom furniture, stating that it can be comparable to higher-end mass-produced items from stores like Restoration Hardware, making it accessible beyond an exclusive elite. #CustomFurniture #FurnitureDesign #JacobWener #ModernIndustry #SarasotaCraftsmanship #Woodworking #Metalwork #InteriorDesignTrends #Sarasota

The article discusses the growing trend of mixing metal finishes in home interiors, moving away from uniform metallic aesthetics to a more layered and intentional design approach. Designers like Javier Burkle of Burkle Creative emphasize that individual fixtures, such as faucets and hardware, can each have their own distinct moment, contributing to a cohesive yet varied look that avoids the sterility of a catalog page. This design strategy applies to all rooms, utilizing appliances, hardware, and light fixtures to infuse personality and character into a space. Carla Hrncir from Dunbar Road Design highlights how introducing different metal fixtures and hardware elevates a space, citing an example where a custom-made brushed brass mirror and brass pulls were paired with a contrasting faucet. The sconce backplates were chosen to complement the vanity's paint color, ensuring a collected and classically beautiful bathroom. Understanding the characteristics of different metals is crucial for successful mixing. Warm metals include gold, brass, bronze, and copper, while silver metals like chrome and nickel are considered cool. Oil-rubbed bronze can vary in tone, adding another layer of complexity. Metals are also available in various finishes, such as satin, brushed, antiqued, matte, and polished. The objective is for the mixed metals to appear intentional, not haphazard. Seven guidelines are provided for effectively mixing metals. Firstly, choose a primary metal to prevent the room from appearing disheveled and use another metal for dimension. Secondly, avoid mixing metals of the same tone; instead, pair contrasting tones like brass with bronze or silver with brass, rather than polished nickel with brushed steel, which lacks visual distinction. Thirdly, assess the room's overall ambiance. For a light-filled space, a darker primary metal can create balance, or inspiration can be drawn from a beloved element like a backsplash or stone. Fourthly, designers recommend limiting the number of metal finishes to no more than two per space. Lisa Henderson, for instance, prefers unlacquered brass on door hardware and polished nickel on cabinetry. In kitchens, stove fittings are considered part of this rule, with coordinating unlacquered brass finishes on ranges, cabinetry, and plumbing hardware or polished nickel. Fifthly, repeat metals within a space to reinforce the intentionality of the mix. Sixthly, exercise caution when mixing different brands for the same metal, as their appearances can vary despite identical descriptions; ensure visual consistency. Lastly, consider incorporating unexpected styles, such as modernly shaped fixtures in traditional metal finishes like an oil-rubbed bronze faucet with contemporary lines. #HomeDesign #InteriorDesign #MixingMetals #HomeDecor #DesignTips #ArchitecturalHardware #FixtureSelection

The 'Connected' project, a collaboration between British furniture brand Benchmark and the American Hardwood Export Council (AHEC), emerged from the unique challenges posed by a global pandemic. This initiative brought together nine designers to create furniture pieces aimed at enhancing the working-from-home experience. A significant aspect of this project was the designers' inability to physically visit the workshop or interact directly with their creations, necessitating reliance on remote communication tools like Zoom and WhatsApp, and a considerable degree of trust in the craftspeople at Benchmark. Sean Sutcliffe, co-founder of Benchmark, highlighted the increased leap of faith required from designers in trusting the technical, visual, and sensory aspects of the craftsmanship without in-person observation. An example of the innovative problem-solving employed by Benchmark is demonstrated in Studio Swine’s chair, which required its red oak and cherry wood components to be submerged in the River Kennet for a week to facilitate steam-bending. This resourcefulness is characteristic of Benchmark's workshop, which boasts 58 skilled craftspeople. Sabine Marcelis, a Wallpaper* Designer of the Year, praised Benchmark's willingness to push creative and technical boundaries, a stark contrast to the limitations often encountered with other manufacturers. Marcelis's contribution to 'Connected' is the 'Candy Cubicle,' a maple-veneer box designed to conceal home-working tools, including her partner’s monitor, with a surprising acid-yellow interior. Sustainability is a core principle of 'Connected,' mirroring previous collaborations between AHEC and Benchmark. Designers selected from red oak, maple, and cherry—woods that represent 40 percent of American hardwood forests but are often underutilized. David Venables, European director at AHEC, explained the council's mission to reintroduce these 'unfashionable' woods to designers and consumers, thereby promoting the sustainable use of all natural resources. The project underscores how consumer choices influence forest composition, advocating for a broader appreciation of timber species beyond the obvious choices. The pandemic and the chosen materials appear to have fostered a renewed appreciation for nature among the designers. Works range from Thomas Heatherwick’s biomimicry-inspired maple planters to Studiopepe’s 'Pink Moon' chair, reflecting a collective desire to connect with the natural world. Despite a common theme of natural inspiration, each designer's individuality is evident. Maria Bruun created a Scandinavian-style table from rippled maple, while Jaime Hayon’s 'Mesamachine' showcases complex, humorous, and movable cherry wood components. Ini Archibong's 'The Gate,' an outdoor collection, draws inspiration from the Giant’s Causeway, featuring a hexagonal plinth of red oak and cherry and a green-lacquered red oak top with brass inlays. Maria Jeglinska-Adamczewska's seat utilizes barrel-making techniques for its curved form, and Sebastian Herkner designed 'Stammtisch,' a modern Lazy Susan with sliding trays made from various woods and finishes. The designers will see their completed pieces in person for the first time at London's Design Museum, where 'Connected' will be exhibited from September 11 to October 11. This exhibition marks the culmination of a project that navigated unprecedented challenges through remote collaboration, trust, and a shared commitment to design and sustainability. #FurnitureDesign #Woodworking #RemoteCollaboration #SustainableDesign #HomeOffice #Craftsmanship #DesignMuseum #HardwoodExports #InteriorInnovation

Roc H Biel, a designer and Royal College of Art alumnus, has created a sculptural furniture collection named "Dust Order," which redefines sustainability by utilizing wood dust, typically considered a waste product. The collection transforms this fine offcut material into monumental forms, drawing inspiration from classical columns and challenging traditional perceptions of weight and material. The design aims to evoke a sense of ancient history while maintaining a modern and otherworldly aesthetic. The "Dust Order" series comprises two primary objects: a sculptural chair and a modular desk system. Both pieces showcase the unique, granular texture of compacted wood dust, reminiscent of raw stone or sand casting, yet they possess a surprising lightness. Biel's approach reinterprets classical motifs through a contemporary lens, creating pieces that feel both familiar and futuristic, aiming to generate a moment of wonder where material, memory, and perception converge. The sculptural chair in the collection is constructed entirely from compacted beech wood dust. Its design features negative space that creates a visual rhythm, and its geometric profiles transition from octagon to circle to square, giving a modern edge to the classical column silhouette. The chair's surface texture belies its unexpected lightness, making it a conversation piece that challenges expectations of its composition. The modular desk system offers versatility and functionality. It consists of three 3D-printed components made from a bonded mixture of magnesium and beech wood dust. These components are designed to represent the classic elements of columns—shaft, capital, and entablature—but are reimagined for contemporary use. The modular nature allows for various configurations, transforming the desk into a stool, a bench, a bench with a side table, or a dining table. This adaptability is paired with a grainy texture that evokes compacted earth or pressed sediment, connecting its modern function with ancient materials. Biel's work in "Dust Order" highlights intentional contrasts: between weight and weightlessness, waste and refinement, and earth and atmosphere. The project serves as an example of how unconventional materials can be elevated into sophisticated design, proving that surrealism can manifest in powerful physical forms beyond digital realms. The designer's innovative use of wood dust not only promotes sustainability but also challenges the aesthetic and tactile expectations of furniture, transforming discarded material into objects of artistic and functional value. #FurnitureDesign #SustainableDesign #WoodDust #SculpturalFurniture #ModularFurniture #ClassicalModernFusion #MaterialInnovation #RocHBiel

Wood veneers are often misunderstood and sometimes associated with cheap furniture. However, interior designers, such as Cate Caruso of Studio C, explain that wood veneers have a rich history in furniture-making and millwork, spanning over 200 years. They are not merely a cost-cutting measure but a structurally significant aspect of design, crucial for sealing and stabilizing a strong core surface like furniture-grade MDF. This process addresses the natural expansion and contraction of solid wood with temperature changes, which can compromise the integrity of furniture, especially pieces with moving parts like kitchen cabinetry or drawers. The common misconception that veneers are inherently cheap stems from confusion with laminate materials. Laminates are typically made from plastic, paper, or foil, printed with a wood grain pattern, and are prone to wear at the edges, revealing their artificial nature. In contrast, genuine wood veneers are thin cuts of real wood. The quality of veneered furniture, like any woodworking, depends on the craftsmanship. Expert millworkers ensure seamless application with perfect corners, dispelling the notion that veneers are inferior. Beyond structural stability, veneers offer several advantages. They are considered an environmentally conscious option because they maximize the use of a single log by producing multiple thin sheets, with the core often made from furniture-grade MDF or other substrate materials. In certain cases, veneers can also significantly reduce costs, particularly when working with rare and expensive woods like Brazilian rosewood. Achieving a paneled room in solid rosewood, for example, would be exorbitantly expensive, making veneers a more accessible alternative. Veneers are also indispensable for specialized woodworking techniques. Book-matching, where wood grains are mirrored to create symmetrical patterns, relies on veneers cut from the same log, as finding naturally matching solid wood planks is virtually impossible. Similarly, intricate inlay arts such as marquetry and parquetry, which involve fitting precisely cut wood pieces into a surface, necessitate the use of veneers. These sophisticated applications highlight the versatility and artistic potential of veneers, demonstrating their distinction from less durable laminate surfaces. #WoodVeneers #FurnitureMaking #InteriorDesign #Millwork #SustainableDesign #Craftsmanship #HomeDecor #WoodworkingTechniques #MaterialScience

The selection and implementation of furniture joints are crucial to both the structural integrity and aesthetic appeal of a design. Contemporary furniture design seeks to integrate both beauty and functionality, moving beyond a trade-off between the two. Understanding various joint types opens up possibilities for creating diverse and robust furniture pieces. This article highlights several innovative examples of furniture design, each showcasing unique approaches to joinery. One such example is the Recess Table by Nina Cho. This piece redefines traditional table construction by integrating the legs into the tabletop's form, eliminating separate leg elements. The design features a tubular cavity and a circular recess within the tabletop, providing spaces for personalization, decoration, or storage. The table's structure ensures easy assembly without additional work. Nina Cho's design philosophy emphasizes minimalism and functionality, which is evident in the Recess Table's cohesive and practical form. Another innovative creation is the Wabi-Sabi Bed by Ethan Stebbins. Inspired by Japanese craftsmanship, Stebbins utilizes Japanese interlocking joinery methods with locally sourced materials from coastal Maine. This approach results in simple, stable, and durable beds that exude an exclusive luxury feel. The design highlights the natural beauty and raw textures of the materials, offering a fresh perspective on furniture design by drawing inspiration from the surrounding landscape. Stefan Diez, a German industrial designer, introduced the conceptual Boa table system. This system is based on aluminum tubes and was developed in association with BOA for HAY. Diez is known for his material experimentation and his belief that design should produce high-quality, long-lasting goods for future generations. The Boa system exemplifies this philosophy through its innovative use of materials and modular design. The Anvil console table by Erika Cross Studio offers a long-lasting furniture solution with straightforward joinery. Its whimsical appearance comes from rounded edges that soften otherwise sharp angles. The studio incorporates materials such as cork, Baltic birch, and ebonized or natural ash in its design. The solid forms of the Anvil evoke abstract planes, contributing to its distinctive aesthetic. Finally, the Embrace sideboard by Teixeira Design Studio showcases both storage utility and aesthetic appeal. This piece features unique joints and soft curves, designed to blend harmoniously with various interiors while providing clever hidden storage and cable management solutions. The studio's founder emphasizes that "Design is simply an attitude," reflecting the thoughtful integration of form and function in the Embrace sideboard. These examples demonstrate diverse strategies in furniture joinery, ranging from enhancing durability to maximizing visual appeal. Each design integrates these aspects, proving that it is possible to achieve both strength and aesthetic beauty in furniture construction. #FurnitureDesign #JoineryTechniques #InnovativeDesign #Woodworking #MinimalistDesign #JapaneseCraftsmanship #SustainableMaterials #InteriorDesign

The Curtain table, a collaborative creation by Berlin-based design studio Läufer & Keichel and German furniture manufacturer Zeitraum, showcases an innovative design characterized by its undulating legs. These distinctive legs are meticulously carved from solid wood, drawing inspiration from the flowing waves of curtain drapes, providing a unique aesthetic foundation for the table. The design aims to capture a fleeting moment in time, presenting a static object with the illusion of organic, flowing movement, akin to a sculpture that plays with perception. This conceptual approach emphasizes the symbolism of the wave, allowing the intrinsic material qualities of the solid wood to recede into the background, thereby enhancing the table's artistic impression. Crafted by Zeitraum, a brand renowned for its expertise in wooden furniture, the Curtain table is available in various configurations to suit diverse interior needs and aesthetic preferences. Customers can select between a rectangular or a semicircular tabletop, offering versatility in placement and function within a space. The material options for the tabletop and legs include high-quality ash, walnut, or oak finishes, providing a range of natural tones and wood grains to complement different design schemes. Furthermore, the table can be customized to lengths of up to four meters, with the wood grain maintained continuously across the surface, a testament to Zeitraum's craftsmanship and attention to detail. This continuous grain highlights the natural beauty and integrity of the solid wood, contributing to the table's harmonious and self-restrained composition. The designers, Läufer & Keichel, articulated their vision for the Curtain table, describing it as a piece that toys with human perception, where the symbolic movement of the wave becomes more prominent than the physical wood itself. They emphasized the harmonic symbiosis between the table's form and its material, suggesting that this unexpected combination allows the entire piece to be perceived as a cohesive and understated composition. The rhythmic interplay created by the 'curtains' (the undulating legs) is intended to evoke an atmosphere of floating serenity and inner calm, transforming the table from a mere functional item into a sculptural element that contributes significantly to the ambiance of its environment. The aesthetic qualities and thoughtful design make the Curtain table a notable piece within contemporary furniture design, demonstrating a blend of artistic expression and functional elegance. #FurnitureDesign #WoodenFurniture #TableDesign #InteriorDecor #ContemporaryDesign #GermanDesign #SolidWood #SculpturalFurniture

Harkavy Furniture, a company based in Portland, Oregon, was founded by brothers Dylan and Wesley Harkavy. The brand specializes in crafting modern furniture pieces that combine steel and wood in innovative and simple designs. Each item produced by Harkavy Furniture is handmade to order, emphasizing a commitment to bespoke quality and meticulous craftsmanship. The collection showcases a variety of tables, each designed with a distinct aesthetic and functional approach. One featured piece is the Cortado Coffee Table, which integrates walnut wood with powder-coated steel. Its design is characterized by a diagonally placed wooden element, creating the visual effect of the table being sliced in half. This particular table is depicted in several images, highlighting its unique construction and the interplay between the two primary materials. The use of walnut wood provides a natural warmth and texture, while the powder-coated steel contributes to a sleek, contemporary feel and structural integrity. Another significant offering is the Doppio Coffee Table, which presents a more streamlined design compared to the Cortado. This table features a powder-coated steel frame that supports both a cedar shelf and a cedar tabletop. The choice of cedar adds a distinct aromatic and visual quality to the piece, complementing the industrial aesthetic of the steel. The Doppio Coffee Table is illustrated with multiple views, demonstrating its simplicity, functionality, and the harmonious blend of materials. Completing the collection is the Ladder Back dining table. This piece features a walnut tabletop supported by a powder-coated steel base, further accented with walnut details. A notable design element of the Ladder Back table is its walnut-tipped feet, which are designed to resemble animal hooves, adding a touch of whimsy and organic form to an otherwise modern structure. The table's design underscores the brand's ability to infuse artistic details into functional furniture. Images of the Ladder Back table provide various perspectives, showcasing its elegant lines and the thoughtful integration of its components. Overall, Harkavy Furniture's approach centers on creating contemporary furniture that is both visually appealing and structurally sound, utilizing the contrasting yet complementary properties of wood and steel. The brothers' dedication to handmade production ensures that each piece meets high standards of quality and design, making their furniture suitable for modern living spaces. The showcased tables—Cortado, Doppio, and Ladder Back—exemplify the brand's signature style and its focus on clean, sophisticated designs. #HarkavyFurniture #ModernFurniture #WoodAndSteel #HandmadeFurniture #CoffeeTables #DiningTables #InteriorDesign #PortlandDesign #FurnitureDesign

Traditional interior design rules are being challenged, with designers increasingly embracing bold choices and unconventional combinations. One such evolving trend is the tasteful integration of mixed metals in home decor. This approach moves away from the past practice of adhering to a single metal finish throughout a space, instead advocating for a balanced blend of different metallic elements. Heather Smith, an expert from Decorating Den Interiors, provides guidance on how to successfully mix metals without creating a discordant look. Her primary advice centers on maintaining balance within a room. For instance, if light fixtures feature an oil-rubbed bronze finish and door hardware is shiny brass, the goal is to bridge these two different metals. Smith suggests introducing additional oil-rubbed elements, such as cabinet hardware, to connect with the light fixtures. Concurrently, a shiny gold accent, like a decorative mirror, can be incorporated to complement the brass door hardware. The objective is to prevent any single metal from dominating one area of the room, ensuring a harmonious distribution of metallic finishes. For those new to the concept of mixing metals, Smith recommends starting with smaller, more manageable accessories. Cabinet hardware, including pulls and knobs, offers an accessible and relatively inexpensive way to update a kitchen, bathroom, or even an older piece of furniture. By simply changing these small components, one can experiment with different metallic finishes. Beyond the finish itself, the shape and style of hardware can also contribute to a refreshed aesthetic. For example, replacing antique brass cabinet hardware with a more streamlined, simpler drawer pull featuring clean lines, such as a squared-off bar style, can modernize a space while still retaining a brass element. When incorporating shinier metals into a design, Smith advises using them as accents rather than as primary features. In her own home, she demonstrates this principle by combining oil-rubbed bronze light fixtures with a gold mirror and a cabinet featuring silver hardware within the same room. This illustrates that it is possible to blend more than two types of metals effectively. However, for highly reflective metals, a cautious approach is recommended, limiting their presence to smaller, decorative doses to avoid overwhelming the space. By adhering to these principles of balance, strategic accessorizing, and careful use of shiny finishes, homeowners can successfully integrate mixed metals into their decor, achieving a contemporary and sophisticated look. #Decor #Design #HomeDecor #MixingMetals #InteriorDesignTrends #HomeStyling #DecoratingTips #MetalFinishes