This South End Brownstone Was Completely Transformed

Designer Rebecca Philipson undertook a significant remodel of a 1990s-built, 5,300-square-foot home in Aurora, Ohio, focusing on transforming the kitchen, great room, and lounge into more open and inviting spaces. The homeowners sought to infuse warmth and an open concept into their residence, a vision Philipson brought to life through a blend of traditional and rustic elements, with distinct French Country influences. Central to the design is the incorporation of Amish hand-hewn ceiling beams and elaborate stonework, which serve as prominent features, particularly in the lounge. This area, designed for relaxation and entertaining, includes a wet bar, a built-in refrigerator, and custom alder cabinetry. The adjacent sunroom houses a pool table, creating a seamless flow for social gatherings and post-dinner interactions. The overall layout was reimagined to foster a sense of togetherness, allowing family and guests to interact comfortably across the connected rooms. Philipson achieved this open concept by strategically removing the wall between the great room and kitchen, then linking the kitchen to the lounge. Archways were introduced to formalize these open transitions. The kitchen underwent the most substantial transformation. Previously walled off, it featured an angled peninsula, an irregularly shaped island, and low-hanging soffits. Philipson replaced these with faux beams to maintain the rustic aesthetic and installed a central island with seating for three. The homeowners' desire for warmth and intricate details was met through design elements such as decorative island legs. Attention to detail extends throughout the kitchen, with intricate touches found in the baseboards, legs, valances, and along the bottom of the island cabinetry. The refrigerator was artfully concealed with cabinet panels and mirrored glass, designed to resemble an armoire rather than an appliance, fulfilling the client's wish for cabinetry that emulated furniture. A built-in coffee maker contributed to a decluttered countertop space. The great room further showcases the sophisticated stonework, with cream-colored stone extending from floor to ceiling around the fireplace. This central feature is flanked by built-in cabinets that mirror the design of the kitchen's concealed refrigerator. Oversized iron hardware on the cabinetry adds a dramatic flair, complementing the multi-tiered iron chandelier, which serves as a focal point. Recessed lighting supplements the chandelier, with all lighting choices made to enhance the room's warm ambiance. The remodel successfully integrated rustic charm with French Country elegance, creating a cohesive and welcoming environment across the main living areas. #HomeRemodel #AuroraHome #FrenchCountryStyle #RusticDesign #KitchenRenovation #GreatRoomDesign #LoungeArea #InteriorDesign #OpenConcept

This article details the comprehensive renovation and interior design of a 1901 limestone row house in Brooklyn's Park Slope, situated near Prospect Park. The project, described as more of a restoration than a renovation, was a collaboration between Brooklyn Heights-based CWB Architects and Portland, Oregon's Jessica Helgerson Interior Design (JHID). The homeowners sought a casual, eclectic, and kid-friendly aesthetic, deliberately avoiding a fancy or pretentious feel. CWB Architects focused on structural and functional updates while preserving the home's original character, including well-preserved inlay floors and exquisite woodwork. Key architectural changes involved installing all-new bathrooms and a new kitchen, which was relocated to what was formerly part of the butler’s pantry, necessitating the removal of a service stair to the cellar. A significant remodel transformed a top-floor area into a playroom for the family's three sons, and central sinks and closets on the second floor were removed to create a library, integrated into a new master suite. Jessica Helgerson Interior Design was responsible for the complete furnishing and decoration of the house. A notable design decision involved painting the dining room's wood-paneled walls white, a choice made after considerable deliberation to brighten the space, which was not naturally super-bright, and to balance the existing abundance of wood from floors, box beams, cabinets, and trim. Most rooms feature white walls, allowing color to be introduced primarily through the furnishings. Specific design elements and material choices are highlighted throughout the article. The ground floor was designated as a play space for the single-family occupants. The entry vestibule features custom floor tile designed to echo the ironwork on the original exterior doors. In the front parlor, a blue tufted sofa and many other upholstered pieces are custom designs by JHID, complemented by a pink wing chair by Frits Henningsen for Carl Hansen and a Bubble chandelier by Lindsey Adelman. The middle parlor includes two custom curved sofas by JHID, and its existing fireplace was updated with new tile work. The dining room received new cabinetry with leaded-glass doors, a table designed by JHID, spindle chairs by BassamFellows, and an ultra-modern chandelier by Lindsey Adelman. A wide hallway connects the dining room to the kitchen, lined with new cabinetry. The kitchen, located in an existing extension at the rear of the parlor floor, received added windows above the sink. It features stain-grade butternut cabinetry, white marble counters, and a Cluny range from Lacanche. Custom wall tiles in the kitchen were crafted by Tempest Tileworks from a pattern by artist Lindsay Cowles. The master bedroom opens onto a deck above the kitchen extension. A multi-purpose library area, accessed through new arched French doors, is furnished with a custom JHID table and four blue Saari chairs by Arper. The master and children’s bathrooms are similar in design, both featuring vanities by Drummonds and mosaic floor tile designed by JHID and produced by Pratt & Larson. The children's bath includes a tub instead of a shower. The top floor hallway showcases newly made leaded glass in the skylight and a built-in storage cabinet. An upstairs playroom, with an upholstered, skylit reading nook, was created from a former cluster of closets. #ParkSlope #LimestoneHouse #HomeRenovation #InteriorDesign #Brooklyn #CWBArchitects #JessicaHelgersonInteriorDesign #CustomFurnishings #HistoricPreservation

Lisa Tharp's design firm often undertakes renovation projects, but for a specific residence on Beacon Hill, the team encountered a property that had already undergone a thoughtful gut renovation in 1900. This pre-existing modernization aligned well with the new homeowner's design preferences. The client desired a calm, relaxing interior with a minimalist sophistication, integrating existing cherished pieces while creating a fresh aesthetic. Crucially, the interior design needed to complement her extensive collection of modernist and contemporary art. The residence's curved bow windows offer panoramic views from the state capitol to Back Bay, a feature the client particularly admired. Tharp and her team drew inspiration from the rich wood tones in the library and subtle violet hues present in artworks by Alex Katz and Sol LeWitt to establish a soft and nuanced color palette throughout the home. Tharp also provided expert consultation on potential new art acquisitions, ensuring that any additions would seamlessly integrate with the existing collection and enhance the overall artistic coherence of the space. This collaborative approach underlined the significant role art played in unifying the design elements. The selection of furniture was heavily influenced by the client's collector's sensibility, with each piece chosen for its sculptural quality to harmoniously interact with the artwork displayed. This approach created an environment reminiscent of an art gallery, where furniture and art engage in a continuous dialogue. The design deliberately incorporated a blend of historical eras and influences, such as 1930s French art deco dining chairs and a contemporary settee paired with a vintage floor lamp beneath a Picasso in the library. This eclectic mix was intended to imbue the home with a sense of history, character, and timelessness, making it feel lived-in and deeply personal. To ensure the home immediately felt familiar, some of the client's personal belongings were incorporated into the new design. Rugs were resized to fit their new spaces, and a beloved patterned velvet from a chaise lounge was repurposed to adorn the library's window seat. A significant challenge arose with an oversized sectional from the client's previous residence, which was too large for the living room and obstructed adjoining areas. Tharp's team ingeniously relocated the sectional to the family room, reconfigured and reupholstered it, transforming it into a modular seating arrangement. This creative solution allowed the client to retain her comfortable, cherished piece while achieving a more open and elegant layout in the formal living room. Tharp's ability to address such design challenges, including the bold decision to modify a client's treasured possession, stemmed from the strong trust she had built with the homeowner. The client, described as an accomplished woman with a warm and flexible yet refined personality, shared Tharp's appreciation for good design and magnificent art. The interior design successfully mirrored the client's identity, reflecting her support for the arts and her discerning taste. Even the client's French poodle, often found lounging on the curved living room sofas by French designer Jean-Louis Deniot, seemed to appreciate the exquisite design. The project’s success is attributed to the synergistic relationship between the designer and the homeowner, resulting in a residence that is both aesthetically pleasing and deeply personal. #BeaconHill #InteriorDesign #HomeDecor #ArtCollection #Renovation #LuxuryHomes #LisaTharp #ModernistArt #EclecticDesign

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

This article details the comprehensive renovation of a vintage four-story wood-frame row house in Sunset Park, Brooklyn, undertaken by architect Jane Kim for a couple relocating from Manhattan. The project involved an extensive overhaul, including a new kitchen, new baths, a restored facade, the installation of solar panels, and a transition to an all-electric system. The homeowners, despite being retirees, embarked on this ambitious project with the intention of being active members of their new community and using the parlor floor for meetings and entertaining. The renovation maintained some of the home's original character, with salvageable elements such as doors, moldings, stair rails, and newel posts being preserved. However, the architect described the overall scope as "very nearly a gut renovation." New reclaimed oak floors were installed throughout the house, except for the top floor, which was designed as a flexible-use space complete with a home office, kitchenette, and a skylit bath. A significant portion of the renovation focused on the exterior. The rotted wood siding was replaced, and elaborate Victorian woodwork was meticulously restored. This restoration process involved consulting old photographs and examining nearby houses to guide the replication of details. Although the house is not situated in a landmarks district, the homeowners expressed a desire to honor the home's historical aesthetic. Hector Gonzalez of Park Slope Painting was responsible for the detailed exterior restoration, which included stripping asphalt shingles, replacing damaged wood, and applying a multi-color paint scheme featuring Benjamin Moore Philipsburg Blue for the main body and Benjamin Moore Evening Dove and Abyss for the trim. The exterior previously reflected its appearance in a circa 1940 tax photo. Inside, the entry hall features cleaned-up original woodwork and new hardware. The existing stair rail, balusters, and newel posts were retained, but the stair treads were replaced with new oak. A new bath on the parlor level, located at the rear of the front hall, showcases marble tile combined with vertical Blue Fog ceramic tile from Heath and includes a stall shower for guests. The garden-level kitchen is described as "almost a chef's kitchen," equipped with walnut cabinetry, Caesarstone countertops, and an oversized stainless steel island with two sinks and a trash chute. The kitchen floor is clad in porcelain tile designed to mimic slate. An inviting brick-walled nook with a window seat overlooking the backyard provides a cozy spot for morning coffee. A previously closed-off archway between the kitchen and dining room was uncovered during demolition and meticulously restored to its original size and detail. The second floor is dedicated to the primary suite, which includes a bedroom at the rear and a bay-windowed library at the front, featuring a walk-in closet/dressing room. The primary bath is characterized by a vintage-style sink on chrome legs, Art Deco sconces, a marble-topped window ledge, and a walk-in shower. The open top floor, intended for multi-purpose use and frequently serving as a home office, includes a small kitchenette. Stairs from this level lead to the roof, offering harbor views. The skylit bath on the top floor features jade porcelain tile and a freestanding tub, which was one of the first items purchased for the renovation, primarily for visiting grandchildren. The rear exterior wall was finished with Hardie Plank fiber cement half-round shingles, creating a fish-scale effect similar to parts of the front facade. #WoodFrameHouse #HomeRenovation #SunsetPark #BrooklynDesign #JaneKimArchitect #SustainableHome #VictorianRestoration #InteriorDesign #FacadeRestoration

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

A 19th-century brownstone in a Historic District, featuring extensive mahogany woodwork, underwent a significant renovation to balance the preservation of its original details with the creation of a brighter, more contemporary living space. The project was led by architect Kim Letven of NV/design.architecture, with construction completed by Brooklyn-based Burda Construction over 14 months. The brownstone's layout was reconfigured, dedicating three floors to the homeowners and reserving the garden level for visiting relatives. The parlor floor now houses the living room and a new kitchen/dining area, the second floor contains the primary bedroom, a study, and a new bathroom, while the third floor accommodates two children’s rooms and two new bathrooms. A key aspect of the renovation involved extensive structural modifications, including blowing out the rear walls on both the parlor and garden levels. These openings were then fitted with large steel and glass installations to maximize natural light entry. Despite these modern interventions, great care was taken to restore the original architectural elements. The magnificent burled mahogany doors, carved moldings, and plasterwork throughout the house were meticulously retained and repaired, ensuring that the historical character of the home remained intact. Beyond aesthetics, the renovation encompassed a complete overhaul of the building's infrastructure. All mechanical systems, including plumbing and electrical, were replaced. Radiant heating elements were installed beneath new pale white oak floors, which feature a herringbone pattern on the parlor floor and a straight run elsewhere, contributing to both comfort and a clean, modern aesthetic. The interior decor was influenced by the clients' preference for the color blue, evident in the sectional sofa in the front room. Specific design choices highlight the blend of old and new. The kitchen features lower cabinets painted in Benjamin Moore’s Beau Green, complemented by white Caesarstone countertops and matte gold fixtures from Restoration Hardware. A subtle gap in the crown molding above the new window wall discreetly integrates an automatic roll-down window shade. The primary bedroom emphasizes minimalism, allowing the intact original moldings and window trim to stand out. The second-floor study/library is distinguished by blue-backed bookcases and a preserved plaster arch. Bathrooms throughout the house received modern updates. The primary bath employs a subtle color scheme with a custom wood vanity designed to resemble furniture, gold-toned hardware, and gray marble hex tiles. One of the top-floor baths features turquoise glass tiles in the shower and marble mosaics on the floor, while another uses Popham encaustic cement tiles from Ann Sacks. A new large skylight and a wood-veneer pendant from LZF illuminate the top floor landing, further enhancing the home's brightness. Even a boy's room was personalized with a wall covered in a rocket ship blueprint, adding a unique touch. The lower level, designated for guests, also received an expansive kitchen as part of its renovation. #ParkSlope #BrownstoneRenovation #HistoricPreservation #InteriorDesign #ModernHome #ArchitecturalRenovation #BrooklynRealEstate #NVdesignArchitecture

In 2001, Marion and Jeffery Barker purchased a 1960s brick ranch home on 18 acres in Virginia's Northern Neck, overlooking Nomini Creek, a tributary of the Potomac. Despite the house being outdated and the timing of the purchase—just a week after 9/11—being uncertain, the couple was drawn to the property's prime waterfront location and its manageable two-hour drive from their Bethesda residence, making it ideal for weekend escapes. At the time, Marion owned the consulting firm Palladian Partners, and Jeffery was a scientist at the National Institutes of Health. They envisioned transforming the modest ranch into a modern dream home but knew it would require significant time and resources. After saving for 15 years, the Barkers initiated a gradual redesign in 2016, enlisting Jeffery’s daughter, Brooklyn architect Alexandra Barker, for the project. A key challenge was environmental regulations, which mandated that the new structure adhere to the existing foundation and original footprint due to its proximity to the water. Despite these constraints, the renovated home represents a dramatic transformation from its original, cramped layout. The new design emphasizes an open floor plan, extensive walls of windows, and expansive water views, creating a stark contrast to the previous structure. Alexandra Barker's design strategy focused on maximizing the property's natural surroundings. She incorporated oversized storefront glass instead of standard residential windows to offer uninterrupted vistas, a feature she considers the home's most special detail. The architect also prioritized the use of locally sourced materials where possible, including granite for the kitchen backsplash from Richmond, reclaimed-oak floors, and bluestone around the pool area. This approach not only supported local businesses but also integrated the home more deeply with its regional environment. The homeowners, Marion and Jeffery, were described by Alexandra as highly collaborative and flexible clients, contributing to a smooth design process. An added benefit for Alexandra was the prospect of personally enjoying the finished product with her family. The redesigned home includes three guest rooms, each with an en suite bathroom, providing comfortable accommodation for visiting family members, including Alexandra and her siblings. The primary suite, located on the second floor, is a highlight, featuring 365-degree views and access to a private roof deck. This rooftop space, initially intended for an office, was repurposed due to budget considerations and ultimately became one of the owners' favorite features. The renovation was completed in 2021, and the retired couple, Marion and Jeffery, expressed that the two-decade wait was worthwhile. They now share their property with local wildlife, including bald eagles, deer, ospreys, and otters. The constant natural beauty, particularly the sunrises and sunsets over Nomini Creek, provides immense satisfaction, with Jeffery reportedly having captured hundreds of photographs of these daily spectacles. The project successfully converted a dated ranch into a modern, waterfront marvel that harmonizes with its natural setting. #HomeRenovation #ModernDesign #WaterfrontProperty #ArchitecturalTransformation #VirginiaRealEstate #SustainableMaterials #BeforeAndAfter #FamilyProject #NorthernNeck

The Kaufman House, a historical landmark in Zelienople, Pennsylvania, originally built in 1902, has undergone a significant restoration after being severely damaged by a fire in 2011. This 121-year-old building, which served as a hotel, factory worker housing, and an iconic tavern, was a vital rest stop for travelers and a community focal point. After the fire, the building remained closed until 2020, facing potential demolition. However, the Zelienople Borough recognized its cultural and economic importance, purchasing it in 2017 with a state Redevelopment Assistance Capital Grant to ensure its preservation. The restoration project aimed to maintain the building's original aesthetic, particularly concerning its windows. James Druschel, former vice president of finance and CFO of Veka, played a crucial role by initiating the project and facilitating the donation of window profiles from Veka Inc. Wincore Windows contributed by charging only for labor, glass, and hardware. The choice was made to use residential windows, specifically the 7700 Series from Veka, to replicate the original single-hung, wood windows. These included double-hung, fixed, and awning glass windows, with picture windows on the street level and double-hung windows on the upper floors. The 7700 Series is an LC-rated product, deemed suitable for the project. Technical specifications include white interior and exterior frames and low-e argon insulated glass with a 0.29 U-value, totaling 51 double-hungs, 30 fixed, and 3 awning windows. Beyond windows, the restoration also involved reinforcing the Main Street-facing balcony on the second floor with beams and updating it with VEKAdeck in Signature Storm color and white Veka rails, with the contractor receiving a reduced price for these materials. The rehabilitation proved more extensive than initially anticipated, as structural deficiencies were progressively discovered. Many previous repairs had overlooked structural integrity, leading to a situation where 60 percent of the building's structural integrity was found to be compromised and required replacement. The interior was gutted, re-walled, rewired, and re-plumbed, essentially rebuilt to meet modern codes. In its reimagined state, the Kaufman House now serves multiple purposes. The ground floor has been re-established as a restaurant, coffee shop, and bar. The second floor features a banquet hall, retail and office spaces, and meeting rooms. The third floor accommodates the regional office of a marketing firm. The basement is designed to host entrepreneurs offering complementary products to the restaurant. To ensure compliance with local codes, an elevator and a new stairwell were installed. Looking ahead, the building is also slated to function as a boutique hotel and a training facility for the tourism, culinary arts, and hospitality industries, further cementing its role as a revitalized community asset. #HistoricPreservation #BuildingRestoration #ArchitecturalDesign #WindowRenovation #KaufmanHouse #CommunityRevitalization #VekaWindows #WincoreWindows #ZelienoplePennsylvania

This article details the renovation and expansion of a 1740s saltbox farmhouse in Weston, Massachusetts, transforming it into a vibrant, personalized home for a modern family. The homeowners, seeking to move beyond traditional neutral palettes, collaborated with architect Frank Shirley and interior designer Katie Martinez to achieve a home that integrates historical character with contemporary design. The original section of the house, featuring a center hall entry, living room, and office, was preserved, while Shirley designed a nearly 3,600-square-foot addition. This expansion was carefully planned to complement the existing post-and-beam structure, creating the impression of organic growth over time rather than a stark modern imposition. Interior designer Katie Martinez developed a colorful and eclectic design scheme, drawing inspiration from the home's historical elements, such as handhewn beams and wide-plank floors, while incorporating the family's existing furniture and new bespoke pieces. The design emphasizes a lived-in feel through the strategic use of artisanal wallpaper, textiles, lighting, antique rugs, and vintage furniture. A deliberate mix of colors and patterns, often not perfectly matching, contributes to this eclectic aesthetic. For instance, the entry features a green Marthe Armitage wallcovering with a meandering botanical pattern, which transitions into the living room, where an original wood ceiling was uncovered. The living room's design is centered around existing drapery with red climbing vines and a notable red velvet-mohair sofa. The dining room serves as a transition point between the old and new sections of the house, blending formal and informal elements. Midcentury-modern chairs from Ramble Market are paired with the owners' antique table, complemented by a Noguchi lantern. New wainscoting painted in an earthy green connects to the original fireplace panels, and peach-and-blue Marthe Armitage wallpaper nods to the property's agricultural past, showcasing an unexpected yet evolving color combination. The family room is rendered in a salmon-y shade of Benjamin Moore’s “French Macaroon,” incorporating multiple colors like rose, chartreuse, olive, and lake blue, alongside floral and leafy patterns. A salvaged age-worn wood mantel from the husband’s grandparents' home, adorned with an authentic Delft tile surround, grounds the space. The kitchen and breakfast nook combine modern functionality with a classic, cozy aesthetic. It features bisque-colored cabinetry, marble countertops, nickel-gap walls, and a large walnut-topped island, inspired by English kitchen designs. A handwoven rattan pendant, vintage chairs with rush seats, and unlacquered double spigots enhance the English country vibe. Upstairs, the design continues to embrace youthful energy with mismatched patterns and colors in the landing and boys’ bedrooms. The primary bedroom is enveloped in a lively fern-patterned GP&J Baker wallpaper, complemented by an upholstered headboard and a bohemian throw. In contrast, the primary bathroom maintains a minimalist approach with wide wooden floorboards instead of marble, and a luxurious soaking tub overlooking the natural surroundings. The project, including architectural design by Frank Shirley Architects and construction by Tall Guy Builders, resulted in a vividly transformed home that respects its history while embracing a modern, colorful lifestyle. #FarmhouseRenovation #HistoricHome #InteriorDesign #ColorAndPattern #WestonMassachusetts #KatieMartinezDesign #FrankShirleyArchitects #EclecticDecor #HomeExpansion

Designer Laura Hodges transformed a 2,000-square-foot industrial loft in Baltimore's Fells Point neighborhood into a serene, light-filled home. The original space featured raw concrete floors and exposed HVAC piping under 18-foot ceilings, elements Hodges systematically replaced or reconfigured. Hodges, a New York School of Interior Design alumna who previously worked for Jamie Drake and Thomas Jayne, established her firm in Maryland in 2016 and later opened her home boutique, Domain by Laura Hodges Studio. The renovation began with a complete overhaul of the existing floor plan and infrastructure. The concrete floors were covered with wide-plank oak, and a clunky builder-grade stair was replaced with a minimalist white-painted metal version with oak treads and handrails. A glass-framed mezzanine was added above the stairwell, contributing to the refined aesthetic. Hodges emphasized the role of artwork in the design, with the walls serving as a neutral canvas. The open-plan living areas were painted in various finishes of Benjamin Moore’s Super White, and all custom design details were constructed on site. The living room, designed for media and entertaining, includes twin sofas, a Bernhardt armchair, and vintage chairs upholstered in chocolate brown Edelman Leather. A custom niche with grass cloth backing and integrated lighting houses a large bookcase, accessed by a custom white oak rolling ladder on a steel track. The kitchen underwent a complete renovation, replacing a turquoise-painted space. Hodges concealed an existing column within a paneled box and installed new floor-to-ceiling cabinetry, including specialized storage for a coffee bar and a movable spice rack. The kitchen now features Imperial Danby marble counters and backsplash, Fisher & Paykel appliances, and Visual Comfort pendants. BB LaMartina's artwork adorns the space. Hodges ingeniously created a secondary space by inserting a wall into the living room, forming a den that functions as a guest room for the homeowners' daughters. This space incorporates a sliding door and blackout curtains for privacy, alongside bronze transom windows that subtly reference the loft's industrial heritage. A wall-mounted desk, sleeper sofa, closet, and an additional bathroom were integrated into this versatile area. The dining area is distinguished by double-height windows equipped with motorized sheer curtains and blackout shades. Hodges custom-designed the dining table, featuring a starburst-patterned cerused white oak top and ebony legs, in collaboration with Goodwood Studios. Oly dining chairs complete the setting. Throughout the renovation, Hodges prioritized maximizing natural light and views of downtown Baltimore. The transformation successfully converted a formerly stark industrial environment into a peaceful and elegant residence, reflecting a blend of modern aesthetics with functional design and a nod to the building's history. The homeowners expressed satisfaction with the outcome, highlighting the ample light and scenic views achieved through the design. This project exemplifies Hodges's ability to create sophisticated, livable spaces from challenging industrial settings. #InteriorDesign #LoftConversion #IndustrialToResidential #BaltimoreRealEstate #LauraHodgesStudio #ModernDesign #HomeRenovation #OpenPlanLiving

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Story Hill Renovations recently undertook a project to modernize a 1922 English Revival brick Tudor home located in Milwaukee’s Kenwood Park–Prospect Hill Historic District. The residence, originally designed by Clas, Shepherd & Clas for Edward and Ida Dahinden, presented the challenge of integrating contemporary living with its historic architectural integrity. The renovation focused on updating the kitchen and bathrooms while preserving the home’s original details, such as the subtly vaulted Gothic plaster living room ceiling, intricate plaster sloped and curved crown molding in the dining room, and original woodwork and radiators throughout the house. Karly Mandell, Story Hill Interior Designer, emphasized the philosophy of modernizing for today’s lifestyle without erasing the past. This approach guided material and fixture selections, with permanent fixtures like millwork, cabinetry, and plumbing adhering to the home's original style. More temporary elements, such as wallpaper, allowed for creative expression. An example of this is the striking skull wallpaper in a first-floor half-bath, which reflects the owners’ desire for a “punk rock country club” aesthetic. Similarly, new millwork and tile in an upstairs guest bathroom were designed to appear original to the century-old home, showcasing a blend of old and new. The historical context of the Dahinden family and the house itself provides a backdrop to the renovation. Edward Joseph Dahinden, born in Milwaukee in 1875, was a prominent businessman who, with his wife Ida, commissioned this home after relocating from the Near West Side to the more desirable upper East Side. The architectural firm of Clas, Shepherd & Clas, led by the renowned Alfred Clas, completed the house and a detached garage in a remarkably short period in 1922 for $22,000. This rapid construction, using skilled craftsmanship, highlights the building practices of the era. The property's ownership history reveals its evolution through different periods, including its brief use as the Fourth Church of Christ Scientist and later as a rooming house, which led to a sale in 1958 due to neighborhood complaints. Subsequent owners maintained the home until the current residents, a young couple, engaged Story Hill Renovations to adapt it to their needs. Their aim was to integrate their modern, eclectic style while respecting the home’s integrity, resulting in updated takes on traditional elements, such as tile wainscotings with cleaner profiles and a modern color scheme for traditional herringbone tile patterns. Expanding the main bathroom presented a significant structural challenge, requiring cantilevering over an existing load-bearing wall. Project Manager Tom Van Heijningen detailed the need for precise execution to protect the ornate plaster wall in the dining room below and manage complex plumbing installations. The project involved nearly 20 trade professionals, coordinating their efforts over six months. A standout feature of the renovated home is the “Yellowstone Room,” an upstairs space with a central fireplace and windows on three sides. This room, reminiscent of a similar space in architect Alfred Clas’s own home, was enhanced by the discovery and restoration of a 1700s chandelier, adding historical depth to the modernized space. The renovation successfully balances the preservation of historical charm with the introduction of contemporary functionality and personal style, ensuring the house continues its story into the future. #HomeRenovation #HistoricPreservation #InteriorDesign #TudorRevival #MilwaukeeArchitecture #StoryHillRenovations #Modernization #ArchitecturalHistory #ResidentialDesign

The 'Optimism' project showcases interior designer Jake Arnold's approach to transforming a one-story, mid-century Californian ranch designed by architect Gerard Colcord. Arnold was entrusted by his clients to locate a home with character, leading him to this property in Beverly Hills, distinguished by Colcord’s classic architectural elements such as colonnaded porches, large paneled windows, and pitched roofs. The residence offers expansive canyon views. Arnold's renovation involved stripping back an unsympathetic interior, meticulously refurbishing original wooden floors, reinstating paneling, and gradually layering decorative elements. His color strategy was informed by the clients' preference for neutral palettes, yet he introduced bolder, tonal hues that resonate with the natural surroundings. Arnold's design philosophy incorporates historical prints from renowned brands like Fortuny, Liberty, Ralph Lauren, and Schumacher, which imbue the space with timeless gravitas. These are harmonized with textural plains from de Le Cuona, Holland & Sherry, and Pierre Frey. The curation of old, new, and custom-made pieces is central to the project, reflecting Arnold's commitment to exploring and integrating diverse treasures. The living room is designed to foster relaxed conversation and intimacy, achieving visual impact through scale, materiality, and form. Creative zoning of rooms optimizes flow, enhancing opportunities for entertaining and comfort. Curved, bespoke furniture contributes to a gentle fluidity and intimacy, counterbalancing the linear elements of paneling, bookcases, and angular rooflines. A capacious home office features a bespoke curved sofa upholstered in de Le Cuona velvet, its blue-gray hue mirroring the Farrow & Ball De Nimes shade used throughout the property. Natural materials, including custom-made brass and suede bars, antique rugs, vintage oak and sheepskin chairs, primitive wooden tables, Audoux Minet vintage lights, and Brèche de Vendôme stone flooring, lend a sense of soul and quiet luxury. Arnold emphasizes that great design is about remaining grounded and expressing creativity, believing that a home, regardless of its size, should be a place of comfort and well-being. The home library, painted entirely in mauve, offers an enveloping atmosphere. The kitchen diner pairs a vintage trestle table with mid-century rattan and wood chairs by Charlotte Perriand. A cozy breakfast nook is characterized by a curved corner banquette, designed by Arnold and upholstered in a nostalgic Claremont checked fabric. The dining room, featuring new wall panels that match the original wainscoting and an organically shaped dining table complemented by round chairs, offers stunning views of the outdoor space. In the main bedroom, Farrow & Ball's London Stone paint on walls and ceilings creates a soft, cocooning effect within the vaulted space. The guest bedroom suite, situated among the treetops, harmonizes with its natural environment. The guest bathroom features a tactile rattan mirror and curtaining on the vanity, adding warmth and softness. The project exemplifies Arnold's skill in crafting serene, sophisticated interiors that honor architectural heritage while introducing modern comfort and aesthetic appeal. #JakeArnold #MidCenturyModern #CaliforniaRanch #HomeRemodel #InteriorDesign #LuxuryInteriors #NeutralPalette #CustomFurniture #NaturalMaterials

A comprehensive renovation project was undertaken for a landmarked five-story brownstone in Cobble Hill, Brooklyn, prompted by the structural deterioration of its rear wall. The initial repair evolved into a complete top-to-bottom transformation, encompassing significant architectural and interior design changes. The project involved the installation of a new three-story wood and glass window system on the rear facade, enhancing natural light and views. The formerly low-ceilinged attic space was converted into a skylit home office, complete with a kitchenette and access to a newly created roof terrace. The restoration work paid careful attention to preserving historical elements, including the meticulous repair and reinstallation of original lacy plasterwork and other intricate historic details throughout the house. Concurrently, the homeowner, an interior designer, curated an entirely new color palette and furnishings scheme, blending modern aesthetics with the home's 19th-century character. Built in 1850 in the Anglo-Italianate style, the house is part of a unique architectural complex where three row houses are designed to appear as a single, larger mansion. This architectural type, characterized by its approximately 16-foot width and absence of a high stoop, is a notable, albeit rare, feature of the neighborhood. The English basement primarily serves for storage, with utilities entering at this level. The first floor, historically the staff and kitchen area, was reconfigured to improve light, airflow, and sightlines. The front room was preserved as a cozy sitting area with an arched window, while the kitchen and dining area were relocated to the middle and rear, offering expansive views of the backyard. The elegant second floor, known as the _piano nobile_, features a grand staircase leading to a central hall that separates a formal living room at the front from a more casual family room at the rear. The decorative plaster crown moldings on this level were restored, and the staircase was reinforced and given new treads. The third and fourth floors are dedicated to bedrooms, with a primary suite on the third floor and children's rooms on the fourth. The primary suite's layout was reconfigured so that it is entered from a generous hallway in the center of the house, rather than at one end, which is typical for row houses. A fitted closet connects the bedroom and bathroom, with the two-level bathroom design dictated by plumbing considerations. Children's rooms and bathrooms on the fourth floor were designed with vibrant patterns and colors. In the former attic space, The Brooklyn Studio created a functional penthouse study and a central kitchenette/bar area that opens onto an outdoor deck with a brick fireplace. An oval glass insert in the kitchenette floor allows natural light from the new skylight and sliding glass doors to extend to the floor below. The kitchen features a custom brass stove hood, a marble backsplash with prominent veining, and hand-blown glass knobs by Danish artist Nina Norgaard on the stained oak millwork. The design prioritized an airy feel by minimizing upper cabinetry. Throughout the renovation, existing floor structures were maintained where possible, with new parquet veneer flooring laid over original surfaces in some areas to preserve the underlying structure. #CobbleHill #BrownstoneRenovation #InteriorDesign #HistoricPreservation #TheBrooklynStudio #HomeOffice #Kitchenette #RoofTerrace #StructuralRenovation