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This 1,100-square-foot home in Khar West embraces fluidity like water
Umi, a 1,100-square-foot apartment in Khar West, Mumbai, designed by The Last Goldfish Design Studio, draws its inspiration from the fluidity and serenity of water, a concept reflected not through literal motifs but through the home's rhythm, restraint, and choice of materials. The homeowners, a young couple, provided an open-ended brief, trusting the designers' intuition to create a deeply personal and emotional space. The design aims to evoke the presence of the sea, which was a significant part of their previous home in Juhu, making it felt in their new Khar residence. The aesthetic employs a language of contrast, blending soft fabrics with brutalist concrete, Parisian moldings with earthy textures, and diffused lighting.
A central element of the design is a concrete dining table, cast on-site, which posed a significant challenge during its creation but ultimately became a tactile and honest anchor for the home. Above this, jute lampshades cast dappled light, harmonizing organic textures with raw minimalism. The designers prioritized materials that age gracefully, avoiding glossy finishes and trend-driven surfaces. Lime-plastered floors, linen, cane, jute, and terracotta are integrated to create a lived-in feel, emphasizing natural textures for their inherent qualities rather than mere ornamentation. The design encourages slow appreciation, where elements are noticed gradually.
The material palette across the home maintains a calm and textural consistency, featuring beige lime plaster, jute, rattan, linen, wood, and cane. Architectural details include a black arched crockery unit with fluted glass, providing a dramatic focal point in the dining area. The passageway leading to the bedrooms features black-and-white marble inlay flooring and an arched threshold, with a strategically placed mirror amplifying the geometric patterns. While the original spatial layout remained largely unchanged, the design team focused on refining foundational details, such as stripping back excessive cove lighting and correcting structural misalignments to allow the design to breathe and achieve precision.
Each room is designed with a distinct character. The master bedroom is furnished with a rattan wardrobe, while the nursery offers a serene environment. The guest bedroom is bathed in natural light from a large window. The kids' room features an extensive bookshelf filled with over a hundred books and a blue chaise lounge, encouraging imagination and relaxation. A painting, 'Garden of Flowers' by Gustav Klimt, serves as a final touch, introducing a sense of romanticism that unifies the entire space. The lead architect, Karan Anand Shandilya, notes a subtle homage to Achyut Kanvinde and the Bauhaus movement in the design, incorporating cubic forms, asymmetry, and exposed materials, balanced with softer elements like texture and light. Umi is characterized by a quiet tension between strength and softness, tradition and modernity, creating a timeless and enduring residence that doesn't conform to fleeting trends but instead embraces a sense of permanence and memory, much like the sea it quietly embodies.
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