This textile studio in Bengaluru is doused in modern monochromes

The Pattern Collective, founded by Brittany Ellis in 2015, emerged from a recognized need for a platform for independent designers to exhibit their work, distinguishing itself from the dominance of large-name brands in showrooms. Ellis initiated the venture to provide an outlet for boutique, global textile, and wallpaper producers. Her initial success involved convincing Barneby Gates, a Great Britain-based studio known for its hand-drawn, traditionally printed, and sustainably produced wallcoverings and fabrics, to partner with her, despite her nascent business lacking a website, branding, or a formal business plan at the time. This partnership was a crucial step in establishing her company. Originally launched in Los Angeles, The Pattern Collective eventually relocated to New Orleans, a city Ellis found to be an ideal environment for her innovative design business due to its creative clientele and rich design inspiration. For the first seven years, Ellis single-handedly managed all aspects of the business, from sample management and email correspondence to website design, all while caring for her newborn. She began her operations from her 600-square-foot apartment, utilizing four large file cabinets. In 2021, she expanded into a small storefront and hired her first part-time employee. Today, The Pattern Collective has achieved significant recognition among designers and design enthusiasts, garnering features in prominent magazines and appearances on several television renovation shows. The company has supplied wallpaper for various productions, including 'Sulphur Springs' on Disney+, 'Harlem' on Amazon Prime, the 'Charmed' reboot on The CW, 'Mean Girls: The Musical,' and the 'Matlock' reboot on Paramount+. Annually, the business serves over 5,000 clients, keeping both its website and its by-appointment-only brick-and-mortar showroom in Metairie bustling. The inventory is continually updated with artisan products, featuring diverse lines such as Minna, a digitally printed textile line from Hudson, NY, known for its chic, cottage-core aesthetics, and Siouxsie, a dark, dreamy, art deco-inspired lightweight velvet by Anna Hayman of Sussex, England. Ellis continues to source products globally, yet she considers New Orleans her home and a core inspiration for her business. She highlights the city's vibrant creativity, layered history evident in its music, food, design, architecture, fashion, and personal style. New Orleans' appreciation for color and individuality, seen in both personal attire and home decor, aligns perfectly with The Pattern Collective's mission to offer unique and distinctive designs, making the company an integral part of the city's creative landscape. #TextileDesign #WallpaperDesign #InteriorDesign #IndependentDesigners #HomeDecor #NewOrleans #GlobalTextiles #ArtisanProducts #SmallBusiness

The latest interior design trends for 2026 are embracing a maximalist approach, characterized by bold prints, rich textures, and a vibrant combination of colors. Wallpapers and upholstery are positioned as central elements in creating distinctive atmospheres and personalizing living spaces. The sector is also seeing a significant push towards sustainability, integrating eco-friendly materials and manufacturing processes into new collections. Wallpapers are moving towards designs that highlight natural reliefs, plant fibers, and handcrafted finishes, creating immersive and organic environments. Popular choices include hand-dyed raffias, murals that mimic plaster or clay textures, and surfaces reminiscent of traditional artisanal craftsmanship. This emphasis on natural aesthetics is coupled with a strong commitment to environmental responsibility. New wallpaper collections feature eco-friendly inks, low-impact printing techniques, and recycled backings. Concurrently, high-resistance vinyl wallpapers continue to gain popularity due to their durability and suitability for high-traffic areas, balancing aesthetic appeal with practical performance. In upholstery, the focus is on naturalness, volume, and sophistication. Thick linen, wool, and high-grammage cotton fabrics are prominent, offering a soft tactile experience, a refined look, and a natural feel that aligns with contemporary interior design preferences. The maximalist trend is further evident in the resurgence of jacquards, chenilles, and large-scale prints. Functionality is also a key consideration, with eco-friendly and easy-to-clean fabrics becoming essential for both residential and commercial spaces, ensuring that beauty and utility coexist harmoniously. The dominant color palette for the upcoming season is directly inspired by nature, featuring earthy tones such as terracotta, ochre, and clay, alongside calming forest greens. These colors are intended to imbue interiors with a sense of serenity and warmth. Deeper hues like petrol blue and aubergine are used to introduce contrast and an element of sophistication. Both geometric and floral motifs are making a strong comeback, characterized by a more expressive and ornamental visual language. These innovations in textiles, including wallpapers, upholstery, curtains, trimmings, and carpets, will be showcased at the upcoming Intergift event, scheduled from February 4 to 7, 2026. This fair will provide an exclusive platform for exploring the latest developments in international interior design. #InteriorDesign #MaximalistPrints #TextileTrends #WallpaperDesign #UpholsteryFabrics #SustainableDesign #ColorPalette #HomeDecor #IntergiftFair

This article highlights the enduring legacy and contemporary excellence of British textile design, emphasizing the importance of supporting homegrown talent. It begins by acknowledging Britain's rich heritage in textile manufacturing and how a new generation of designers is upholding these traditions while infusing them with modern sensibilities. The piece encourages readers to consider British craftsmanship when updating their homes, whether through re-upholstering furniture, refreshing curtains, or redesigning sofa cushions, aligning with current trends of sustainability and upcycling. Various British textile designers and brands are featured, each with a unique aesthetic and approach. Ellen Merchant draws inspiration from William Morris and the British Arts & Crafts movement, creating hand-drawn botanical forms using traditional skills. Chelsea Gem, founded in Chelsea, offers abstract fabrics and wallpapers with a muted, contemporary palette, hand-drawn and printed locally, and sourced sustainably. Chelsea Textiles, established by Monica Perlhagen, specializes in recreating antique embroidery with authentic materials, now collaborating with prominent designers and furnishing prestigious hotels. Christopher Farr Cloth, known for its playful and colorful designs, draws influences from diverse cultures and 20th-century artists, focusing on fine materials and traditional craftsmanship. Clovelly Cloth's designs are inspired by Victorian botanicals and the Arts and Crafts era, hand screen printed in soft mineral colorways, with many designs also available as wallpapers. Cole & Son, a brand founded in 1873, is celebrated for its bold wallpapers and fabrics featuring distinctive patterns like tropical birds, tigers, and florals. Colefax & Fowler, a leading example of British textile manufacturing since the 1930s, is renowned for its quality and evolving range of fabrics and wallpapers that balance traditional English roots with contemporary flair. Designers Guild, a firm British favorite since the 1970s, is recognized for its versatility and stylish interiors, with collections that reinvent florals in luxurious jacquards and printed velvets. Fermoie, founded by Farrow & Ball creators, is committed to sustainability, using natural dyes and raw materials for its wide range of collections. George Smith, primarily a furniture maker, also produces responsibly-sourced, sustainable, and British-made upholstery fabrics in classic, understated designs. GP & J Baker, a Royal Warrant holder, has a long history of supplying fabrics and wallpapers to the Royal household, adapting its vast archive of designs to modern tastes. House of Hackney, known for its quirky and colorful patterns, offers distinctive designs inspired by its London roots and collaborations with various creatives. Jessica Osborne's fabrics are inspired by wild and natural environments, printed in England on 100 percent linen, featuring vibrant repetitive patterns in highly pigmented colorways. Madeaux, based in East Sussex, produces charming fabrics and wallcoverings inspired by vintage tapestries and British wildlife. Nina Campbell's textiles are recognized for their playful, feminine patterns and timeless appeal, blending traditional florals with bold contemporary designs. Osborne & Little, launched in the 1960s, is celebrated for its imaginative approach, quality, and creative innovation, offering a mix of contemporary and classic designs. Parker & Jules, founded by Nancy Parker and Juliet O’Carroll, creates vibrant and maximalist fabrics inspired by British homes, fashion, and folklore. Penny Morrison's distinctive and characterful patterns are a staple in stylish homes, featuring bright colorways and collaborations. Rapture & Wright is unique for its hand-printed designs, ecological production in Gloucestershire, and use of British suppliers. Rose Uniacke has expanded her collection with organic and recycled fabrics, drawing inspiration from various historical and artistic periods. Sanderson, since 1860, is known for its elegant hand-drawn designs, bold colors, and patterns inspired by the English countryside and global influences. Finally, Soane Britain offers fabrics and wallpapers inspired by founder Lulu Lytle's antique collections, made in British mills using traditional methods, with a custom service available. #BritishTextileDesigners #HomeDecor #InteriorDesign #TextileManufacturing #SustainableDesign #ArtsAndCrafts #LuxuryFabrics #HomeFurnishings #Upholstery

Mahalaxmi Fabric Mills, a prominent textile company established in 1972 and based in Ahmedabad, specializes in the printing and dyeing of high-end fabrics. Their product range includes materials for shirting, suiting, and home textiles, catering to both domestic and international markets, particularly in European countries. The company currently boasts a production capacity of 50 lakh meters per month and supplies to leading brands such as Arvind, Birla, and Siyaram. The company's success is significantly attributed to its long-standing partnership with Stovec Industries Ltd., a competence center within the SPGPrints Group. Stovec is a global leader in integrated solutions for rotary screen printing and digital textile printing, offering equipment and consumables for textile and graphics printing since 1974. Stovec is recognized for its customer-centric approach, providing pre-sales techno-economic advice, efficient sales, installation, commissioning, and prompt after-sales support. Their extensive experience in rotary screen printing and application knowledge ensures optimal printing results for various fabric types, from bold cotton designs to delicate halftone effects on polyester, and uniform coverage on heavy draperies and upholstery materials. Mahalaxmi Fabric Mills has been a loyal customer of Stovec Industries since its inception, utilizing various models of their rotary screen printing machines, including RD VI, RD8 ID, and the advanced Pegasus Evo, alongside SPGPrints' bestLEN Laser engraving equipment and best image software for design and screen production. Mr. Himmatsingh Rathore, CEO of Mahalaxmi Fabric Mills, highlights that Stovec machines consistently deliver desired effects, praising their durability, reliability, and value. The Pegasus EVO, launched at India-ITME 2016, is a notable example, combining European technology with over 40 years of expertise in rotary screen printing. It features sophisticated components and the latest production technologies, offering an improved price-performance ratio. The Pegasus Evo can print 6 to 24 colors at speeds of 4 to 80 meters per minute and is equipped with a fully automatic wet glue application unit, ensuring efficiency and minimal waste. Mr. Rathore emphasizes that Stovec's understanding of textile printers' needs – such as delivering perfect quality, efficient operation, minimizing losses and rejections, and offering tailored machines – led to the development of models like the Pegasus Evo. These machines contribute to high productivity, predictable maintenance, user-friendly interfaces, and reduced production costs. Mahalaxmi Fabric Mills' continued use of older Stovec machines underscores their durability and reliability. The company's first choice for printing machines and consumables has always been Stovec due to their geographical proximity and the established bond of trust. Mahalaxmi Fabric Mills' focus on value-added and high-quality products is reinforced by their investment in Stovec's technology. These machines have led to significant benefits, including power savings, minimized maintenance, enhanced printing quality, a highly satisfied workforce, and healthy profit margins. Mr. Rathore also appreciates Stovec’s methodical approach, service orientation, and the sales team’s technical knowledge. Looking ahead, Mahalaxmi Fabric Mills plans to diversify into its own garment line, stitching unit, and brand, aiming to double its current turnover of Rs. 300 crores within the next five years, with an annual growth rate of 12-15%. The mutual understanding and trust between Mahalaxmi Fabric Mills and Stovec Industries continue to drive both companies towards producing quality products and striving for market leadership through continuous research and development. #TextilePrinting #RotaryScreenPrinting #FabricManufacturing #StovecTechnology #MahalaxmiFabricMills #TextileInnovation #CustomerPartnership #TextileMachinery

The "Meeting of minds" article highlights a growing trend where artists, textile specialists, and interior designers are collaborating to create distinctive and innovative design solutions for homes. This collaborative approach fosters a synergy that leads to unique aesthetic outcomes, moving beyond conventional design practices. Traditionally, the fields of art, textiles, and interior design have often operated in separate silos. However, this article indicates a shift towards interdisciplinary cooperation, where the strengths of each discipline are combined to produce a more holistic and personalized living space. Artists contribute their creative vision and mastery of form and color, often translating their fine art skills into functional design elements. This could involve bespoke murals, custom sculptures, or curated art pieces that serve as focal points within an interior. Textile specialists play a crucial role by bringing their expertise in materials, textures, patterns, and weaving techniques. Their contributions extend beyond merely selecting fabrics; they are actively involved in designing custom textiles that complement the artistic vision and overall interior scheme. This might include developing unique weaves, dyeing techniques, or digital printing methods to create textiles that are both aesthetically pleasing and functional, adding depth and warmth to a room. Interior designers act as the orchestrators of these collaborations, integrating artistic elements and specialized textiles into a cohesive and livable environment. They are responsible for understanding the client's needs and translating the collective creative input into a functional and beautiful space. Their role involves balancing aesthetics with practicality, ensuring that the artistic and textile contributions enhance the home's overall design while meeting ergonomic and spatial requirements. This trend signifies a move away from mass-produced, generic interior elements towards a more bespoke and artisanal approach to home design. Clients are increasingly seeking spaces that reflect their individuality and tell a story, and these collaborations enable the creation of highly customized interiors. The article suggests that this interdisciplinary approach results in richer, more layered, and personally resonant environments that transcend typical design trends. Furthermore, such collaborations often involve a deep understanding of historical and cultural contexts, allowing for the incorporation of diverse influences into contemporary designs. This fusion can lead to innovative reinterpretations of classic styles or the creation of entirely new aesthetic languages. The article implies that the collective intelligence and varied skill sets of these professionals lead to designs that are not only visually striking but also imbued with a deeper sense of artistry and craftsmanship. This evolution in design practice underscores the value of cross-disciplinary engagement in pushing the boundaries of what is possible in home aesthetics and functionality. #InteriorDesign #TextileDesign #ArtisticCollaboration #HomeDecor #CustomInteriors #CreativeDesign #Craftsmanship #DesignInnovation