Suzanne Tick: 2023 Interior Design Hall of Fame Inductee

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

The 2023 'Rising Giants' report from Interior Design magazine highlights the impressive growth and trends among the second tier of the largest design firms. In 2022, these firms collectively achieved total fees of $532 million, marking a substantial 50% increase from 2021 and surpassing pre-pandemic levels. This growth indicates a robust recovery and expansion within the interior design industry. The report categorizes these firms based on various metrics, including design fees, project values, square footage, and staffing. Hospitality projects emerged as the primary revenue driver for these Rising Giants, contributing 30% ($162 million) of their overall fees. This sector, while still dominant, saw a slight decrease from 38% two years prior. Corporate projects followed, accounting for 25% ($131 million), with residential projects at 17% ($89 million) and healthcare at 9% ($46 million). Projections for 2023 suggest stability in hospitality's contribution, a slight decline in corporate work, and an increase in residential projects. The furnishings, fixtures, and construction (FF&C) market experienced a significant boom, more than doubling to $35.8 billion, largely influenced by a single firm's substantial contributions, and is forecast to reach $38 billion in the coming year. The volume of projects undertaken by these firms saw a notable increase, with nearly 23,000 projects completed in 2022, up from 15,000 in 2021 and almost double the 12,000 projects in 2019. However, total square footage, at 188 million, did not keep pace with this project growth, suggesting a shift towards smaller-scale projects, diversification into consulting and branding, and the impact of hybrid work models on spatial requirements. Staffing levels also saw significant expansion, with design staff increasing by 62% to approximately 4,200 in 2022, and the total employee count rising by 27%. This influx of talent has led to an increase in salaries, with average designer salaries reaching $80,000, the highest recorded in the tracked data. The biggest challenges identified by these firms include recruiting and retaining qualified staff (89%), training staff (43%), and retaining existing staff (40%). Other concerns include creating new business opportunities (31%), recruiting diverse staff (28%), and offering appropriate pay and benefits (28%). Client-related issues highlight the difficulty in getting clients to understand design value (52.1%) and their willingness to pay what it's worth (66%). Economic uncertainties (62%) and earning appropriate fees (66%) are also significant business challenges. Despite these hurdles, the Rising Giants forecast a healthy 10% increase in total fees for 2023, reaching $583 billion, indicating continued confidence in the sector's growth trajectory. #InteriorDesign #RisingGiants #DesignIndustry #MarketTrends #HospitalityDesign #CorporateDesign #ResidentialDesign #StaffingChallenges #EconomicForecast

David Rockwell, a prominent figure in modern-day hospitality design and founder of Rockwell Group, has been inducted into the Interior Design Hall of Fame as an Icon. The article highlights his extensive career, which began in 1984, and the firm's growth to 330 employees with offices in New York, Los Angeles, and Madrid, having completed projects in 40 countries. Rockwell Group's diverse portfolio spans over 125 hotels, 500 restaurants, and hybrid hospitality ventures like NeueHouse Hollywood, Moynihan Train Hall, and a JetBlue terminal. Rockwell's accomplishments extend beyond architecture and interior design to include Emmy Awards for production design for the 2010 and 2021 Academy Awards, and a 2016 Tony Award for the sets of 'She Loves Me,' making him the only architect to have achieved both honors. Despite these accolades, Rockwell is characterized by his continuous drive and curiosity, a trait observed by collaborators like Oskar Eustis, artistic director of The Public Theater, with whom Rockwell has designed numerous stage sets, including for Shakespeare in the Park productions. His human-centered approach to design is central to his philosophy, which views architecture as deeply intertwined with the human experience. This is exemplified by his collaborations with figures like restaurateur Melba Wilson, with whom he worked on DineOut NYC, a pro-bono initiative during the 2020 pandemic to help restaurants stay afloat through outdoor dining solutions. Other pro-bono endeavors include Stoop NYC, designing for Citymeals on Wheels, and serving as chairman of DIFFA for over two decades. Architecture critic Paul Goldberger notes Rockwell's interest in how design relates to human interaction rather than a self-referential world. Rockwell fosters a collaborative culture within his firm, often engaging unexpected creative partners such as choreographers. Shawn Sullivan, a 26-year veteran partner at Rockwell Group, praises this collaborative environment, while Greg Keffer highlights the firm's cross-disciplinary approach and the diverse talents it attracts. Eva Longoria, principal of the Madrid office, emphasizes their commitment to pushing boundaries and notes the female majority in her studio and the firm's executive team. His inherent curiosity drives his exploration of how people connect and what makes experiences meaningful, leading to a constant questioning and experimentation within the firm. This inquisitive approach has also led him to author four books and design furnishings for various brands, including Stellar Works, Lasvit, Shaw Contract, Maya Romanoff, and Jim Thompson. Former New York mayor Michael Bloomberg attests to Rockwell's imaginative creativity, technical brilliance, and deep civic-mindedness, citing collaborations like the Perelman Performing Arts Center and the Imagination Playground at Burling Slip, a post-9/11 revitalization project for Lower Manhattan. The Johns Hopkins University Bloomberg Center in Washington, the firm's first higher-education project, demonstrates Rockwell's willingness to venture into new domains, applying his fresh perspective to foster connectivity and spontaneous encounters. This continuous exploration of new territory, rather than simply replicating past successes, underscores his defining characteristic of curiosity and commitment to innovative, human-centric design. #DavidRockwell #InteriorDesignHallOfFame #RockwellGroup #HospitalityDesign #Architecture #TheaterDesign #CollaborativeDesign #HumanCenteredDesign #IconAward

Tina Norden, the Interior Designer of the Year at The Brit List Awards 2021 and a partner at Conran and Partners, recently discussed her career and design philosophy. Norden's consistent presence and influential voice in the industry throughout the pandemic, addressing emerging trends, the impact on hospitality, inclusive design, and quality craftsmanship, earned her this prestigious recognition. Her dedication extended to mentoring junior team members and managing large-scale projects remotely, maintaining a positive and productive environment. Norden's passion for interior design and architecture stems from both her upbringing and personal interests. Her father, a landscape architect, and her formative years in Hamburg, Germany, a city known for its creativity, significantly shaped her career path. At 18, she moved to London, drawn by its vibrant music scene, and pursued higher education in architecture and design. A pivotal year-out placement at Conran and Partners solidified her belief that it was the ideal environment for her. During her time at the Royal College of Art (RCA), where she completed her Part II, Norden further developed her interest in interior architecture through a course that uniquely combined design and architecture. She continued her involvement with Conran and Partners throughout her studies and beyond, relishing the creative freedom and collaborating closely with Sir Terence Conran on notable projects. Her design approach emphasizes enduring style over fleeting fashion, a principle she attributes to Sir Terence Conran himself. This philosophy ensures that her projects are both aspirational and long-lasting. Over her career at Conran and Partners, Norden has revitalized numerous projects and led her team with an empathetic style. Her impressive portfolio includes the German Gymnasium, Skylon, South Place Hotel, Finsbury, and the Maximilian Hotel in Prague. More recently, she completed the new Park Hyatt hotel in Auckland, FEAST within Hong Kong’s EAST hotel, a new dining destination and members’ club at London’s Taj Hotel, and the Peninsula Boutique and Café in Hong Kong. Norden and her team also played a significant role in the HIX Event 2021, where they designed the WFHotel installation. This collaborative project explored how changing consumer attitudes towards working from home/hotel could reshape conventional lobby designs. Norden’s contribution focused on fostering community-focused interactions within these spaces, reflecting her commitment to human-centric design. This interview is part of an editorial series sponsored by GROHE, the Broadcasting Partner of The Brit List Awards 2021. #InteriorDesign #HotelDesign #Architecture #ConranAndPartners #TinaNorden #BritListAwards #HospitalityDesign #DesignTrends #LuxuryInteriors

The 2024 Rising Giants report from Interior Design highlights the performance and trends of the second tier of design firms, differentiating them from the top 100 firms. While both groups have recovered from the pandemic, Rising Giants experienced a more significant impact during COVID-19, necessitating a longer recovery period. Their design fees, at $576 million, are less than a tenth of the top 100 firms' $5.9 billion, meaning smaller changes in their financial metrics can lead to larger percentage swings. This volatility can also be influenced by the performance of a single large project or market. Despite the deeper impact of the pandemic, Rising Giants had a strong 2023. Design fees grew 11% since 2019 and 8% year-over-year. The value of furniture, fixtures, and equipment (FF&C) installed increased by 15% over the same period. The number of projects undertaken by these firms rose by 9% from 2022 to 2023, and more than doubled since 2019, reaching a total of 24,956 projects. This contrasts with the top 100 Giants, whose projects increased by only 13% in the same interval. Staffing trends also show a divergence. While the top 100 firms saw a 16% reduction in employees, Rising Giants experienced an equal percentage of staff growth, indicating a robust rebuilding phase after pandemic-related downsizing. The number of principals/partners increased by 109% since 2019, project managers by 61%, and designers by 36%. These figures account for both new hires and internal promotions. Financially, salaries for Rising Giants employees increased by 11%, but billable rates only rose by 2%. This suggests that these firms are undertaking more projects and paying their staff more, yet they are not significantly increasing their billable fees, possibly due to the competitive landscape for securing work. Forecasts for 2024 also reveal different outlooks. Last year, the top 100 firms predicted a decline that did not materialize, while Rising Giants anticipated an uptick, which occurred even more strongly than expected. For 2024, Rising Giants project a less significant slowdown compared to the top 100, reflecting their more optimistic recovery trajectory. The report identifies key challenges faced by Rising Giants. Client-related issues include a lack of understanding of design value (58%), client unwillingness to pay appropriate fees (56%), and challenges in explaining timelines (44%). Business issues highlight concerns about an uncertain economy (68%), earning appropriate fees (64%), and increasing client demands (51%). Practice issues predominantly revolve around recruiting qualified staff (74%), creating new business/diversifying segments (51%), and staff training (37%). Regarding project types, 49% of Rising Giants' work involves new construction, 44% is renovation/retrofit, and 7% is cosmetic refresh only. The majority of projects (88%) are domestic, with 12% being international. International projects are primarily located in Canada (40%), Asia/Pacific Rim (38%), and the Caribbean (28%). The average billable time for Rising Giants is 80%, with 44% of firms reporting 80-89% billable time. The methodology for the annual business survey includes North American firms generating at least 25% of their interior design fee income in North America. Fees encompass all aspects of interior design practice, including strategic planning, programming, design, and project management, and are based on work performed by full-time staff or equivalents. The research for this report was conducted by ThinkLab, the research division of SANDOW Design Group. #RisingGiants #InteriorDesign #IndustryTrends #BusinessPerformance #StaffingGrowth #FinancialAnalysis #ProjectManagement #MarketForecast

Suzanne Lovell, a Chicago-based design professional, discusses her integrated approach to architecture, interior design, and fine-art advisory services. Having honed her skills at Skidmore, Owings & Merrill, Lovell launched her firm in 1985, specializing in residential projects ranging from large estates to superyachts. Her work is characterized by a holistic design process, where architectural materials, furniture, fabrics, and art placement are considered interwoven from a project's inception. This integrated methodology ensures that every aspect of a space contributes to a cohesive aesthetic and functional environment. Lovell emphasizes the distinct nature of acquiring art versus creating an interior. While interior design involves sourcing and buying to achieve a specific aesthetic, art acquisition, particularly for serious collectors, requires a different approach. The art world often demands proof that the art is not merely decorative to grant access to significant pieces and private sales. Lovell and her colleague Kristin Murphy Romanski, who directs the fine-art advisory service, focus on educating clients and providing them with an enriching experience. The goal is for clients to be able to tell a story about their art and home, transforming the entire process, including house building, into an enjoyable and memorable journey. The fine-art advisory service offered by Lovell's firm is comprehensive, involving collaboration with auction houses and galleries. It manages clients' existing collections through logging pieces and coordinating appraisals. The service also assists clients in bequeathing art to museums, demonstrating a deep understanding of museum acquisition priorities. Interestingly, Lovell notes a growing trend among collectors to establish their own private museums, driven by a desire to create accessible art experiences for visitors rather than having pieces stored away in public institutions. Lovell shares details about current projects, including a residential renovation in upstate New York that adopts a Danish-Norwegian aesthetic with white plaster, Andes black granite, and raw oak, designed to complement the surrounding garden. She also discusses an anticipated trip to Cork, Ireland, to meet with Joseph Walsh, a maker renowned for his bentwood furniture and sculptures, to explore the integration of his work into architecture. Regarding her firm's location, Lovell attributes Chicago's unique environment to fostering a loyal team with strong communication and a lack of ego, which she believes has been crucial for building her business. She recounts her experience designing her first superyacht, highlighting the challenge and intrigue of working within limited space, which demands exceptional accuracy and organization for every element. Lovell's design philosophy embraces both traditional and modern elements, often blending them to honor clients' individual preferences rather than imposing a signature style. This approach is evident in her willingness to create diverse aesthetics, from knotty-pine houses to modern penthouses. Her work on a penthouse concept for Vista Tower in Chicago involved leveraging drone footage to understand views and noise levels, emphasizing the importance of creating serene spaces within urban environments and using art to provide memorable moments. She highlights art as a critical component in defining the character and experience of a living space. #SuzanneLovell #InteriorDesign #Architecture #FineArtAdvisory #ResidentialDesign #LuxuryHomes #SuperyachtDesign #ArtIntegration #ChicagoDesign

The Houzz Best of Houzz 2025 Awards highlight the most popular home designs and professionals, offering insights into upcoming interior design trends. Based on a community of 70 million homeowners and designers, these awards are a reliable predictor of future trends. Mitchel Parker from Houzz provides expert commentary on the featured designs, including kitchen features that enhance entertainment, inviting home offices, striking powder rooms, tranquil spaces, and more. One significant trend is the creation of 'quiet places' within the home. In contrast to many busy areas dedicated to daily tasks, these spaces are designed for relaxation, napping, reading, or silent contemplation. A comfortable sofa or bench near a window is ideal, as is a shaded outdoor area with cozy furniture for enjoying nature's sights and sounds. This emphasis on designated calming zones reflects a growing desire for mental well-being in home environments. Kitchens are evolving to prioritize entertaining, with many Houzz homeowners seeking features that facilitate social gatherings. Parker notes the popularity of extra-long islands that combine counter seating with a stepped-down dining table, offering face-to-face seating. This design supports communal dining and interaction. The Houzz Kitchen Trends Report further details other popular kitchen design elements for 2025, indicating a shift towards highly functional and social kitchen layouts. Another emerging trend involves the integration of home bars or beverage stations. These dedicated areas, equipped with beverage refrigerators and coffee bars, allow guests and children to serve themselves without disrupting the main kitchen activities. This not only enhances convenience during entertaining but also maintains the cook's workspace in the kitchen. Powder rooms are also becoming focal points for bold design statements. Parker suggests using these small spaces to create a 'moment of surprise' that can deviate stylistically from the rest of the home. Dramatic wallpaper and vanity combinations are a surefire way to achieve a striking and memorable look, adding a touch of personality and luxury to an often-overlooked area. With more people working remotely, inviting home offices are becoming essential. Designers on Houzz recommend equipping these spaces with built-in storage, comfortable furniture, and stylish colors and decor to foster an atmosphere conducive to productivity and organization. These offices are designed to be appealing and efficient, supporting both work and household management tasks. For living rooms, the focus is on providing ample and varied seating options for guests. Sofas, chairs, ottomans, and stools are combined to ensure everyone has a comfortable spot during social events. This trend emphasizes smart entertaining solutions, a theme that also appeared in the Houzz Emerging Winter Trends Report. Outdoor entertaining areas are also gaining prominence, offering extended options for social gatherings. These setups include designated spaces for lounging, dining, cooking, and even TV watching, maximizing the home's entertainment potential and blending indoor and outdoor living seamlessly. Mudrooms are being designed for enhanced functionality and organization. Proper storage solutions, such as lockers, shelves, hooks, and cubbies, help keep dirt, mud, snow, and sand out of the main living areas while significantly reducing clutter. This trend highlights a practical approach to home organization. In bathrooms, spacious low-curb showers are a popular choice due to their ease of access compared to traditional tubs. They also contribute to a light and airy aesthetic and prevent water from spilling onto the main bathroom floor, combining practicality with modern design. Wood vanities are trending in bathrooms to introduce warmth into spaces that often feature extensive tile and metal finishes, which can otherwise appear cold. The natural texture and color of wood balance these cooler elements, creating a more inviting atmosphere. Finally, bedrooms are increasingly designed as relaxing retreats. Homeowners seek soothing color palettes and plush, comfortable bedding to create a calm and inviting ambiance after a demanding day. This trend emphasizes personal comfort and tranquility within the bedroom space. #HouzzInteriorDesignAwards2025 #InteriorDesignTrends2025 #HomeDesignTips #HousingTrends2025 #KitchenDesign #HomeOffice #OutdoorLiving #BathroomDesign #BedroomDesign

Tiffany Clark, an interior designer, shares her journey, insights into managing social media for her business, and how she funded her venture. Clark emphasizes the significant role social media plays in her business, noting that 95% of her clientele comes from these platforms without direct advertising costs. She personally manages her social media, which involves content strategy, customer relations, responding to supporters, and brand promotions through high-quality visual content. Understanding platform algorithms and optimal posting times is crucial for visibility and audience engagement. Clark advises aspiring entrepreneurs to start immediately, even if it means creating a new account to attract a targeted audience with business-related content and a visually appealing page. Clark discusses her lifelong passion for interior design, which she discovered as a child while decorating her own room and later extended to family and friends. Her love for design was further nurtured by playing "The Sims" and watching HGTV shows like "Design on a Dime" and "Property Brothers." After serving nine years in the military, Clark decided to pursue interior design professionally in 2018. Despite initially struggling with self-doubt and fear of leaving a stable corporate job with good benefits, she enrolled in "The Interior Design Institute" to expand her knowledge. A pivotal moment for her was reading "Woman Evolve" by Sarah Jakes Roberts, which helped her overcome her fears and fully commit to her design career. This decision led to significant positive changes in her life, freeing her from previous anxieties. Funding her business began with "zero dollars" and a strong belief in her vision. Clark stresses the importance of faith and self-confidence for any entrepreneur, especially when seeking investors. She advises against waiting for the "right moment" to start a business, as there will always be challenges; instead, one should have a plan, a vision, and trust in divine guidance. Her journey highlights that achieving significant goals requires hard work, dedication, determination, and unwavering faith. Clark also shares a story of resilience, recalling her initial attempts to find employment with design firms after completing her studies. Despite curating a portfolio, she faced numerous rejections due to the close-knit nature of the industry and limited hiring opportunities. This period was discouraging and led her to temporarily stop designing for others. However, she eventually realized that these rejections were a redirection, guiding her towards starting her own business. Believing that a higher power had bigger plans for her, she launched her own company, allowing faith to lead the way. This leap of faith transformed her professional life, empowering her to become her own boss and find fulfillment in her purpose. Her contact information, including her website, Instagram, and Facebook profiles, is provided for those interested in connecting with her work. #InteriorDesign #Entrepreneurship #SocialMediaMarketing #BusinessFunding #CareerTransition #PersonalGrowth #Resilience #SmallBusiness #CreativePursuits

The Livingetc Style Awards for 2025 highlight a selection of top decorating products, emphasizing color, pattern, and texture to personalize living spaces. These awards recognize designs that bring personality to walls and surfaces, reflecting a confident approach to self-expression, often drawing inspiration from the natural world. The 'Best in Class' award goes to the Aurora fabric collection by Yarn Collective x Sister by Studio Ashby. This collaboration, inspired by the hues and textures of an early-morning sky, introduces two patterns and three plains that are described as cheerful and sophisticated. Judges praised the alluring and soft subtleties of the colors, noting the collection's dynamic and fresh feel. The 'Fabric of the Year' is awarded to Mata by Élitis, a design that evokes vintage floors and the comforting, retro style of the 1970s. Available in three colorways, the green variant was particularly noted for its livability. The design is said to bring a sense of nostalgia, reminiscent of childhood picnic blankets, making it feel very homely. Judges suggested a sofa upholstered in Mata would be an even more impactful use of the fabric than a simple cushion. For 'Best Wallcovering,' Indomito by Arte is recognized for its geometric pattern, carefully embroidered onto a woven raffia background with hessian. This natural material creates a distinct textured feel. The wallcovering is seen as versatile, capable of making vast spaces feel grand while also adding coziness to smaller rooms. The 'Best Kids’ Collection' is the Storybook Papers wallpapers by Little Greene. This collection, born from the creative director's personal connection to the target age group, features beautiful illustrations reminiscent of Beatrix Potter. These wallpapers are lauded for their artistry, appearing more like murals than traditional wallpaper and designed to delight young children. The 'Best Decorative Touch' award goes to the Kaleidoscope collection by Samuel & Sons, a collaboration with passementerie artist Elizabeth Ashdown. The collection is celebrated for its vibrant and varied colors, bringing a playful and fun final flourish to interiors. The 'Best Paint Collection' is 'The Dependables' by Beata Heuman x Mylands. This collection of 24 colors is designed to be a reliable toolkit for homeowners, ensuring well-curated and elevated spaces. It offers a solution for those overwhelmed by paint choices, providing dependable and effective options. Fromental’s Papier Chinois wallpaper collection receives the 'Best Decorating Innovation' award. This collection combines traditional hand-painted panoramic wallcoverings with augmented reality (AR) technology. When viewed through a smartphone, the birds, bees, and butterflies depicted on the wallpaper appear to take flight, creating an enchanting experience for both children and adults. The 'Best Sustainable Fabric' is Heavenly Hemp by House of Hackney. Made from 100% hemp, a renewable resource, this fabric was praised not only for its eco-friendly credentials but also for its aesthetic appeal and tactile quality, offering a perfect earthy feel. Naperon by Farrow and Ball is named 'Colour of the Year.' Inspired by the comforting warmth of a home-cooked meal, this color was chosen for its immediate appeal and its ability to evoke a sense of coziness. It was highlighted as a standout among the brand's new color launches. The 'Best Textile Collection' award goes to Ancient Memories by Marcel Wanders for Fischbacher 1819. This collection of fabrics is noted for its evocative nature and haunting beauty, featuring cloud-like shapes that create a dreamy atmosphere, sparking anticipation for its diverse applications in interior design. Finally, 'Best Kids’ Wallpaper' is 'Run Away to the Circus' by Annika Reed Studio. This design combines a blue stripe with whimsical illustrations, balancing playfulness with a sense of childlike wonder and nostalgia. It is considered ideal for children's spaces due to its charming and pretty aesthetic. #InteriorDesignAwards #DecoratingTrends #FabricDesign #WallpaperTrends #PaintColors #SustainableMaterials #TextileArt #HomeDecor #KidsRoomDecor

The 34th annual Hall of Fame awards, hosted by Interior Design magazine, convened on November 29 at the I.M. Pei-designed River Pavilion at the Jacob K. Javits Convention Center in New York. Editor in chief Cindy Allen initiated the event with a superhero-themed address, emphasizing the importance of relevancy for designers and honoring the 2018 inductees as 'Super Originals' whose work significantly contributes to making the world a better place. Publisher Carol Cisco then acknowledged the event's sponsors and expressed gratitude for the design community's contributions and the industry's unique opportunities. This year's Hall of Fame recognized five individuals for their profound impact across various design sectors, including workplace, hospitality, retail, and residential design. Their leadership and innovative approaches are expected to leave a lasting legacy on the industry. The 2018 inductees included Lisa Iwamoto and Craig Scott of IwamotoScott, Kengo Kuma, Patrick Tighe, and Marcel Wanders. Each inductee shared personal insights and perspectives on their design philosophies and careers. Patrick Tighe, an architect, spoke about design's power to uplift and illuminate in challenging times, asserting that designers can be a beacon of good. Lisa Iwamoto and Craig Scott, a design duo who have collaborated for 16 years, shared a heartfelt message of mutual appreciation. Iwamoto described herself as the 'heart' of their firm, while Scott was the 'soul,' highlighting their complementary creative partnership. Marcel Wanders expressed gratitude and humility, recalling his childhood inclination to transform everyday objects into new creations. He views his current large-scale design work as a continuation of this intrinsic pursuit, describing it as a significant opportunity and responsibility. Kengo Kuma, in his address, thanked his muse—materials. He elaborated on his continuous effort to introduce a new softness into his projects through material exploration, appreciating the extensive freedom available today to delve into material possibilities. Approximately 1,200 designers, architects, and industry professionals attended the black-tie event held within Pei's iconic glass superstructure. Notably, seven students and a faculty member from Auburn University’s College of Human Sciences Interior Design Program were present, their attendance sponsored by design luminaries Richard and Catherine Frinier. These students were selected through a rigorous academic process, recognizing their deep knowledge of the event's 35-year history and their genuine passion for the design profession. The entrance to the event was a collaborative design by architecture firm Tsao & McKown, in partnership with Sunbrella and Sunbrella Contract. Maintaining the structural concept from the previous year, which featured strategically draped Sunbrella performance fabric strips and cords suspended from the ceiling to manipulate viewer perception and direct focus towards the banquet area, the 2018 design introduced a new color scheme. This year's palette transitioned from muted tones to a gradient of warm browns, fiery reds, and creamy whites. Following the event, all the fabric used for the installation was slated for donation to Materials for the Arts, a non-profit organization. The evening concluded with Cindy Allen reiterating her admiration for all attendees, acknowledging them as heroes within the dynamic and inspiring design industry, marking another successful Hall of Fame celebration. #InteriorDesign #HallOfFame #DesignAwards #Architecture #DesignCommunity #KengoKuma #MarcelWanders #PatrickTighe #IwamotoScott

Textile designer Suzanne Tick, drawing inspiration from architectural forms, has collaborated with glass manufacturer Skyline Design to launch the Transcend collection. This new line, debuting at NeoCon, aims to revolutionize the use of interior glass, moving beyond merely decorative applications to offer sophisticated and versatile privacy solutions. Tick, known for her work with flooring for Tarkett and upholstery for Luum Textiles, views architectural skeletons as a constant source of inspiration, which she translates into her designs. She found a unique opportunity to apply this architectural sensibility to glass, a material she often observed to be either bland or overtly decorative in interior spaces. Her goal with Transcend was to emulate the exterior characteristics of buildings and integrate them into interior environments. The Transcend collection features six distinct patterns: three geometric and three textural. These designs leverage Skyline Design's advanced etching and printing capabilities, allowing for varying degrees of transparency and opacity within the glass panels. The patterns can fade in and out, creating dynamic visual effects. A key aspect of the collection is its customizable nature; designers can combine different patterns on various glass types, including transparent, translucent, or back-painted glass. This extensive palette enables a wide array of privacy solutions, catering to diverse aesthetic and functional requirements within a space. Adding a new dimension to Skyline Design's offerings, the etched patterns of the Transcend collection can also be applied to exterior glass. This innovation facilitates a seamless transition between indoor and outdoor environments, and between public and private zones within a building. This capability allows for a cohesive design language that extends from the building's facade to its interior partitions, blurring the traditional boundaries between these spaces. Tick emphasizes the importance of integrating discussions about privacy and openness early in the design process. She believes that glass, often considered an afterthought, should be a fundamental element in design considerations. By initiating these conversations proactively, designers can fully explore the numerous variables and possibilities that glass offers, preventing missed opportunities and ensuring that the material is utilized to its full potential. The Transcend collection serves as a testament to this philosophy, aiming to elevate glass from a simple partition to a sophisticated design element that actively contributes to the functionality and aesthetic of a space. This approach encourages a holistic view of material application, where each component is intentionally chosen to fulfill both practical and artistic objectives. #SuzanneTick #GlassDesign #SkylineDesign #NeoCon #InteriorDesign #ArchitecturalGlass #PrivacySolutions #TextileDesigner #ProductLaunch

Vancouver-based interior designer Sophie Burke, founder of Sophie Burke Design, has carved a niche for her understated yet sophisticated approach to both residential and commercial projects. Her distinctive style and client-centric methodology have earned her national recognition within Canada. Burke's design philosophy emphasizes creating spaces that authentically reflect the personalities and lifestyles of their inhabitants, eschewing generic trends in favor of bespoke, intimate environments. Burke's design journey began in Vancouver, where she studied art history at the University of British Columbia, followed by interior design studies in London, England. This international experience, particularly her initial role with Sir Terence Conran at Conran and Partners, exposed her to a rich tapestry of design influences, including European aesthetics and Scandinavian styles, alongside a blend of modern and historical architecture. This diverse background significantly shaped her approach, enabling her to draw from a broad spectrum of design elements. Upon returning to Vancouver, Burke established her own studio, concurrently managing her burgeoning career with raising three children. A hallmark of her work is the profound attention she dedicates to understanding her clients. She views each project as a collaborative journey, often spanning two to four years, during which she delves deeply into clients' hobbies, passions, daily routines, and functional needs. This meticulous process ensures that the resulting interiors are not only aesthetically pleasing but also highly functional and deeply personal, avoiding repetitive or formulaic designs. Burke notes that the year 2020 saw a significant shift in interior design priorities, partly due to global circumstances that encouraged more time spent at home. This led to an increased investment in home renovations and a heightened demand for spaces that offer comfort and appeal. Key areas of focus for clients included dedicated home offices, serene bedrooms, and personal wellness spaces, such as areas for practicing yoga, indicating a move towards creating functional and calming environments within the home. A prominent trend observed by Burke is the growing preference for natural materials, textures, and organic elements. This trend reflects a desire to foster a connection with the natural world, especially as individuals spend more time indoors. She anticipates a rise in the use of green hues, specifically mossy, forest-like tones, in 2021, further emphasizing this connection to nature. Additionally, disruptions in global supply chains have inadvertently spurred a positive development: a greater emphasis on sourcing local design and products. Burke highlights several Canadian companies and florists, such as Provide Home, Barter Design, Lock and Mortice, Marmalade, The Wild Bunch, and Quince, as exemplary local businesses contributing thoughtful and beautiful products to the design landscape. #InteriorDesign #HomeDecor #SophieBurkeDesign #VancouverDesigner #DesignTrends #PersonalizedInteriors #NaturalMaterials #LocalDesign #PostPandemicDesign

The "Design Awards 2013: best of the rest" article highlights a curated selection of innovative and influential designs across various categories, reflecting the top trends and notable reissues of the year. The first trend identified is the "puzzle-like" design, characterized by random patterns, asymmetric forms, and modern marquetry. This approach updates traditional inlay and overlay techniques by integrating diverse materials such as stone, wood, leather, acrylic, and ceramic, resulting in freestyle, decorative geometry. Examples include Patricia Urquiola's 'Azulej' tiles for Mutina, which blend ancient majolica with digital-print glazing to create mixed aesthetic patterns; Massimo Morozzi's 'Bois de Rose' cabinet for Edra, featuring random rosewood veneers and piano pedal-operated doors; and Urquiola's 'Fishbone' coffee table for Moroso, utilizing Alycrite to mimic natural materials in a herringbone pattern with a glossy finish. Additionally, Form Us With Love's 'Slab' vases for Cosentino/Silestone demonstrate the versatility of quartz compound beyond conventional surfaces, forming heavyweight, puzzle-like arrangements. The article also features significant reissues that have made a comeback. These include Ferdinand Kramer's 1951 'Calvert' coffee table, now produced by E15 in oak, walnut veneer, or colored lacquer, originally designed for flat-pack export. Giò Ponti's tableware, based on his 1951 sketches and manufactured by Sambonet, includes asymmetric 'Conca' flatware and a unique two-bowl centerpiece. Arne Jacobsen's 1939 'Mayor' sofa, conceived for Søllerød City Hall, is reissued by &Tradition; with a solid oak frame and Kvadrat upholstery. Le Corbusier's 'Projecteur 365' light, initially designed in 1954 and inspired by industrial lamps, is now produced by Nemo Cassina in various models. Further categories include "Best Reinvention," recognizing Muriel Grateau's revitalized gallery in Paris, showcasing her color-drenched ceramics, glassware, linen, jewelry, and new silverware and watch ranges in a newly whitewashed space. "Best Use of Material" highlights Chanel Fine Jewellery's 'Clair-obscur' ring, which ingeniously combines diamonds with industrial titanium, inspired by Gabrielle Chanel's original design philosophy and the celestial discovery of titanium. The "Best Plant Shop" award goes to Qusamura in Hiroshima, founded by Kohei Oda, which specializes in pairing unusual cacti with distinctive pottery, treating these botanical forms as sculptures for the home. Minotti's 2012 furniture collection is lauded as the "Best Collection," epitomizing a blend of innovation and continuity with detailed craftsmanship, luxurious materials, and mid-century and Scandinavian influences, featuring pieces like the 'Evans' table and 'Brice' coffee table, and adaptations for compact living spaces. "Best Future Vision" recognizes Cartier's 'ID Two' concept watch, a non-commercial prototype with a transparent ceramic case and vacuum-sealed interior, signaling future technological and aesthetic advancements in watchmaking. The "Best Finishing Touch" category covers beauty essentials, including Comme des Garçons' 'Amazingreen' Eau de Parfum, Chantecaille's 'High Definition Perfecting Powder', Matylda Krzykowski's 'Borste & Horne' brushes, and Shu Uemura Art of Hair's 'Essence Absolue Nourishing Protective Oil'. Other notable mentions include the "Best Lab," the Faculty of Pharmaceutical Sciences at the University of British Columbia by Saucier + Perrotte Architects and Hughes Condon Marler Architects, praised for its tree-inspired design and engaging spaces. "Best Comfort Food" highlights Jacob's Pickles in New York for its Southern soul food and East Coast pickle culture, and Häagen-Dazs' 'Ice Moons' designed by Doshi Levien. "Best Cover-up" showcases innovative outerwear from Herno, Sealup, CP Company, and Hancock, emphasizing technical fabrics and sharp silhouettes. "Best Bottom Drawer" features Nosigner's 'Cartesia' chest of drawers for MSY, a corner-fitting piece with trapezoid drawers opening in two directions. "Best Loo" recognizes Roca's 'In-Tank Meridian' toilet with a hidden cistern and CEA's 'Hydroplate' water jet cleaner. "Best Fixer-Upper" celebrates Jaime Hayón's redesign of Le Sergent Recruteur restaurant in Paris. "Best Bag" is awarded to Piquadro's 'Coleos' backpack for its extensive compartmentalization and thoughtful features. "Best Winter Retreat" goes to The Alpina Gstaad in Switzerland, a luxury hotel blending reclaimed timber and natural materials, with a Six Senses Spa and Japanese restaurant Megu. "Best Building Sites" features OMA's Shenzhen Stock Exchange in China, a symbol of economic power with a floating podium, and Paulo Mendes da Rocha and Metro Arquitetos' Cais das Artes in Brazil, an arts complex elevated above a plaza. Finally, "Best Getaway" highlights Casa Till in Chile by WMR Arquitectos, a remote, Spartan, yet stylish retreat with breathtaking sea views, constructed with local materials and labor. The article also mentions Trevor Paglen's 'The Last Pictures' project as "Best Mission," sending etched photographs into space to document human history for extraterrestrial audiences, and Daikanyama T-Site in Tokyo by Klein Dytham and Kenya Hara as "Best Bookshop," a vast complex designed to appeal to a broad demographic with an extensive collection of books, music, and a unique lounge bar. #DesignAwards #InteriorDesign #ProductDesign #Architecture #LuxuryGoods #Fashion #Beauty #Travel #FoodAndDrink

The article highlights Urbanology Designs' award-winning living room, recognized in the Design 9 Awards for its luxurious and functional design. The design philosophy centers on merging sculptural artistry with functionality to create a space that is both refined and inviting, tailored for everyday living. The core inspiration was to ensure the room felt sophisticated yet welcoming, providing an elevated setting for a family home. A central feature of the design is a custom fireplace, which has been finished in limestone plaster and features gently rounded edges. This fireplace serves as an anchor for the space, with its organic curves intentionally softening the home's more rigid architectural lines. This detail introduces a sense of warmth and elegance, contributing significantly to the overall aesthetic and comfort of the living room. The designers emphasized that every element in the living room, considered the heart of the home, was selected with meticulous care and intention. This approach ensured that each furnishing and design choice contributed to the room's overarching theme of elevated living. Key pieces of furniture, such as a custom tête-à-tête and a curved sofa, were specifically chosen to encourage conversation and enhance the welcoming atmosphere of the space. These selections reflect the homeowner's appreciation for bespoke craftsmanship, contributing to a sense of uniqueness and personalization within the design. The overall design aims to create a harmonious balance between artistic expression and practical livability. The living room is envisioned not only as a visually impressive showpiece but also as a comfortable and functional gathering place where elegance, comfort, and connection seamlessly intertwine. Details of the project include a single-family home type, with David Goettsche of Desco Homes as the builder and Urbanology Designs responsible for the interior design. Resources for the project feature a Yale Large Sconce from Arteriors, custom window treatments from Day Design, cement side tables from Noir, and a Mya side table from Nuevo. This combination of bespoke elements and carefully selected pieces underscores the project's commitment to creating a luxurious and livable environment. #DesignAwards #LuxuryLiving #InteriorDesign #HomeDecor #CustomDesign #LivingRoomDesign #UrbanologyDesigns #DallasInteriors #SculpturalArtistry

The Homes & Gardens Design Awards recognize exceptional product designs that introduce character and sophistication to interior schemes. These annual awards highlight items, from prominent statement pieces to subtle accents, that are both contemporary and enduring in their appeal. This year's awards encompass a wide array of categories, celebrating innovation, craftsmanship, and sustainability across various home furnishings and decor. In the rug categories, 'Lithic' by A RUM FELLOW was honored as the Best Rug Collection. Inspired by British landforms, this collection features designs that mimic weathered stone, evoking the wild landscape through ethically handcrafted rugs made from Tibetan wool, New Zealand wool, cactus fiber, and silk. These rugs are STEP and GoodWeave-certified, emphasizing their ethical production. The Best Rug Design award went to 'Acres' by Pelican House x Lucy Williams Home, a flatweave, handwoven from 100% New Zealand wool, reflecting the English countryside's pastoral beauty. For outdoor and sustainable rugs, 'Aster' by Weaver Green was recognized for transforming 100% recycled plastic bottles into wool-like fibers, creating ultra-durable yet authentic-looking kilims. The Best Runner Design was awarded to 'Skye' by Bombay Sprout x Laura Stephens, crafted by fourth-generation weavers in India from hand-harvested jute, a biodegradable and recyclable material. For flooring, 'Chicopee' by Unnatural Flooring won for its herringbone weave, combining sisal's rustic charm with synthetic yarn's practicality, making it water-resistant, UV-stable, and suitable for indoor or outdoor use. Furniture awards included 'Bill's carver' by Studio HÁM for Best Chair, inspired by early English antiques and made from oak with a woven seagrass seat. 'Lomada' by Isabel & Co received Best Desk for its custom-made design from solid oak, upholstered in various fabrics. The Best Sofa award was given to 'Dajo' by Porta Romana, noted for its retro aesthetics, modern craftsmanship, deep seat, elegant curves, and polished beech plinth. 'The Nautilus' by Astrid Houssin Interiors won Best Stool, offering decorative versatility with bespoke RAL colors and hand-painted finishes. 'The Bedroom collection' by Sims Hilditch x George Smith secured Best Furniture Collaboration, drawing inspiration from the Cotswolds' rolling hills. NiX by Nicola Harding's 'Shipshape chest of drawers in Sage Green' was recognized for Best Storage, featuring FSC-certified solid oak, a bold painted finish, and distinctive vertical handles. 'The Artesian' by Collection Seven won Best Bed for its customisable design, featuring poplar burl veneer posts and a luxurious upholstered base and headboard. 'Tides' by Brogan Cox x NAT MAKS was celebrated for Best Use of Colour for a Product, with marbled ink designs inspired by coastal life. Lighting categories saw several winners: 'Campanilla pendant light' by Birdie Fortescue for Best Affordable Design, offering handcrafted quality and timeless elegance. 'Insulator AB pendant' by Novocastrian won Best Fixed Ceiling Light, inspired by train journeys and made from machined brass and pressed glass. 'Thelma lantern' by Jamb received Best Pendant Light, blending historical craftsmanship with contemporary elegance. 'Bloomsbury' by Max Rollitt was named Best Table Light, honoring the Bloomsbury Group's artistic legacy with hand-turned and painted designs. 'Copper Coast rechargeable accent light' by Visual Comfort & Co x Waterford earned Best Portable Light, combining crystal craftsmanship with lighting expertise. 'Simone' by Hector Finch won Best Wall Light, drawing design cues from the Vienna Secession movement. Other notable winners include 'Bedding in Eva Belle by Liberty' by Coco & Wolf for Best Bed Linen, featuring a traditional ditsy floral print. 'Galia' by Porta Romana was awarded Best Mirror for its organic ceramic shape and customisable glazes. 'Anemone candle' by Grove England received Best Home Fragrance, combining chamomile, jasmine, and neroli with warming notes. Natasha Hulse's 'Bespoke design' won Best Headboard for its intricate, hand-painted, and embroidered artistic creations. 'The Palaces Collection' by The Soho Lighting Company x Historic Royal Palaces was recognized for Best Accessories Collaboration, drawing on historical patterns and crafted from solid brass. Rowen & Wren won Best Product Made in the UK for its commitment to British craftsmanship and sustainability. For outdoor accessories, 'Lampshade parasol in Double Cream' by Plia Parasols won for its fade-proof fabric and bullion fringe. 'Chatterley' by Francis Sultana for David Gill Gallery received Best Outdoor Collection for its sculptural, patinated bronze pieces inspired by the British landscape. Finally, 'Diamond Majesty mattress topper' by Vispring won Best Sustainable Design for its use of nature's finest materials and commitment to environmental responsibility. #HomesAndGardens #DesignAwards #InteriorDesign #ProductDesign #HomeDecor #SustainableDesign #Craftsmanship #LuxuryFurnishings #LightingDesign

Interior Design magazine has extended the submission deadline for its 2024 Best of Year Awards, inviting designers and manufacturers to showcase their top projects and products. This prestigious global design awards program acknowledges excellence across various categories in the architecture and design community. Submissions are now open until September 27th, providing an extended opportunity for participants to enter and gain recognition. The article encourages prompt submission to capitalize on this extended window. The Best of Year Awards are highly regarded within the industry for their ability to elevate brand visibility and transform professional practices. Past winners and honorees frequently share insights and testimonials emphasizing the significant impact of winning such an accolade. For instance, designers have revealed strategies to boost their chances of winning, often highlighting the importance of meticulous submission preparation and clear articulation of design intent. These insights often come from their direct experience of successfully navigating the submission process and standing out among a competitive pool of entries. Manufacturers also attest to the substantial benefits of a Best of Year win, particularly in terms of brand recognition and market positioning. Winning an award in categories like Contract Seating, for example, has been shown to dramatically shift the trajectories of businesses, leading to increased exposure and new opportunities. This recognition serves as a powerful endorsement of quality and innovation, distinguishing award-winning products and projects in a crowded marketplace. Several creative professionals have shared how receiving a Best of Year Award has profoundly transformed their practices. These testimonials often speak to the enhanced credibility, increased client interest, and overall growth experienced post-award. The awards not only celebrate design excellence but also act as a catalyst for future success, validating the hard work and creative vision of individuals and firms. The article underscores the value of these testimonials in demonstrating the tangible career and business advantages associated with the awards. In essence, the extended deadline for the 2024 Best of Year Awards presents a valuable opportunity for designers and manufacturers to achieve industry-wide recognition. The consistent feedback from past winners and honorees reinforces the awards' prestige and their capacity to significantly impact professional standing and brand visibility. The awards program continues to be a crucial platform for showcasing innovation and excellence within the architecture and design sector, with participants encouraged to submit their work to join the ranks of esteemed winners. #BestOfYearAwards #DesignAwards #InteriorDesign #Architecture #GlobalDesign #DesignExcellence #BrandVisibility #ProfessionalGrowth

The 2025 Sunset Western Home & Design Awards recognize top interior design firms and individuals who are creating distinctive and luxurious living spaces across the Western United States. This article highlights eight award-winning designers and firms, showcasing their unique approaches to interior aesthetics, ranging from livable luxury and small space solutions to organic modern and full-on glamour. Hoedemaker Pfeiffer, a Seattle-based architecture and interiors firm, was awarded for 'Best Livable Luxury' for their work on a remodeled Pacific Northwest island home. The design emphasizes quiet luxury through a blend of rich textures, including velvet, bouclé, honed marble, and handmade oak cabinetry, creating an idyllic and cozy family compound. Their expertise lies in masterminding properties with exquisite detailing that evoke a sense of understated opulence. Clara Jung of Banner Day Interiors received recognition for 'Best Small Space Solutions.' Jung, based in San Francisco, specializes in optimizing compact living areas, particularly in elegant city apartments and Bay Area bungalows. Her designs are characterized by a playful use of color and ingenious millwork that integrates smart storage solutions, effectively maximizing space without compromising on style or functionality for busy families. Susannah Holmberg Studios earned the 'Best Organic Modern' award. Holmberg, who relocated to Salt Lake City, draws inspiration from the American West, evident in her palette of warm neutrals. Her work, such as a four-season poolhouse in Park City featuring rosy zellige tile, showcases a strong artistic background with curvilinear shapes and bold, sculptural accents that appear in her projects throughout Utah and beyond. Redmond Aldrich Design, led by Chloe Redmond Warner, was honored for 'Best Scene-Setter.' Warner's approach involves creating immersive and imaginative interiors, as demonstrated by a Montana mountain home inspired by a fictitious Japanese art student. The San Francisco-based designer is celebrated for her creative vision, infusing luxury spaces with wit and distinct style. Romanek Design Studio, under the direction of Brigette Romanek, achieved the 'Best Full-On Glamour' award. Romanek’s clientele includes notable figures, reflecting her ability to craft stylish and comfortable environments. Her designs are distinguished by sculptural lines, museum-quality vintage pieces, and whimsical touches such as bold art and vibrant color schemes. Morrison Interiors, based in Orange County, was recognized for 'Best Family Compound.' Denise Morrison specializes in designing upscale retreats that balance luxury with a relaxed atmosphere. Her own Idaho lake-view home exemplifies her style, featuring comfortable seating, high-end finishes, and a low-key vacation ambiance, designed to accommodate large gatherings. Amber Interior Design Studio received the award for 'Best California Neo Classicist.' Amber Lewis's interiors are quintessential Californian, characterized by soft fabrics, organic materials, comfortable seating, understated opulence, and an uncluttered informality. Her work is described as modern, timeless, and exceptionally comfortable, resonating with contemporary lifestyle preferences. Finally, Sarahliz Lawson Design was honored for 'Best Elevated Mountain' design. Lawson, from Saratoga, California, is known for her classic designs with a contemporary twist. Her work, including a luxurious Tahoe residence, brings urban sophistication to mountain living, creating refined rural retreats that offer a compelling alternative to traditional outdoor activities. #InteriorDesign #HomeDecor #DesignAwards #WesternHomes #LuxuryDesign #SmallSpaceSolutions #OrganicModern #GlamourDesign #FamilyCompounds #CaliforniaStyle