Rarares Is The Ultimate Art Gallery For Interior Design Addicts

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

This article presents a curated selection of ten residential interiors, meticulously designed to highlight and integrate significant art collections. It serves as part of the Dezeen Lookbooks series, offering visual inspiration for individuals interested in design. The featured homes range from minimalist, gallery-like spaces that provide a neutral backdrop for art, to more eclectic and busy environments where the art is woven into the overall aesthetic. Each example demonstrates unique approaches to displaying various forms of art, including paintings, sculptures, ceramics, and even bespoke furniture. The Former Artists Studio in the UK, transformed by Rodić Davidson Architects, showcases an eclectic mix of furniture and art within whitewashed brick walls and an open-plan layout, illuminated by a glass sloped roof. Alison Brooks Architects extended a Georgian farmhouse in the UK to create Windward House, featuring a double-height gallery space with niches specifically designed for particular art pieces, and a staircase integrating a mini-gallery of 100 small works. In Canada, Ali Budd Interiors designed Muskoka Cottage with pure white walls, stained wood floors, and wood-lined ceilings to serve as a backdrop for a client's art collection. Noteworthy pieces like Faye Toogood's Roly Poly chair and Paul Rousso's graphic art are strategically placed. John Wardle Architects renovated Kew Residence in Australia, his own home, incorporating Victorian ash on walls, ceilings, and floors to create a neutral setting for his collection of Japanese sculptures, ceramics, and vibrant artworks. Built-in shelving and cabinetry discreetly store collections without detracting from views. i29's Home for the Arts in the Netherlands displays an extensive art collection across two levels of a loft-style apartment. Double-height larch wood and grey HPL shelving conceal a staircase while housing books and sculptures, with grey resin floors providing a blank canvas. The Artery Residence in the US, designed by Hufft, was conceived around its owner's vast art collection, featuring expansive wall spaces for paintings, photography, and sculpture, complemented by specialized lighting and climate control systems akin to those found in art galleries. Stern McCafferty Architects renovated a 20th-century country home in Massachusetts, the Cambridge Residence, to better exhibit art. White matte walls with large baseboards and pale wood floors evoke a gallery aesthetic while maintaining country heritage. Casa Salvatori in Milan, Italy, by Elissa Ossino Studio, is situated in a 200-year-old palazzo and features marble and stone furnishings, sculptures, and artworks set against original rippled terrazzo floors. A green-stained wood-lined ceiling complements the stone palette and green-hued artworks, with woven wicker and brown butterfly chairs offering textural contrast. Magdalena Keck's Four Seasons Residence in Tribeca, Manhattan, is a two-bedroom home characterized by a minimal, monochromatic design. Its pared-back material palette, high ceilings, and large windows create a sophisticated, gallery-like environment for displaying art, softened by herringbone floors and a mix of vintage, contemporary, and custom furnishings. Finally, the Residence for Two Collectors in Chicago, US, by Wheeler Kearns Architects, is a penthouse apartment designed for an art collector couple. The open-plan space with walnut flooring functions both as a welcoming home and an event venue, showcasing a range of artworks, including a George Nakashima bench, Harry Bertoia sculptures, and Paul Evans furniture. #ArtFilledInteriors #HomeDesign #InteriorDecoration #ResidentialArchitecture #ArtCollectionDisplay #GalleryLikeHomes #ModernInteriors #ArchitecturalDesign #DesignInspiration

Acquiring the appropriate artwork for a home can present a significant challenge for individuals aiming to achieve aesthetic harmony within their living spaces. The process involves numerous considerations, such as selecting a piece that complements the room without overwhelming it or becoming lost in the background, and ensuring it physically fits the designated area. Interior designers regularly address these complexities, recognizing art's integral role beyond mere ornamentation. They emphasize that correctly chosen and placed art can profoundly influence a living space's mood, identity, and overall harmony, while also enabling clients to express their personal tastes. Brigette Romanek of Romanek Design Studio, a prominent Los Angeles-based designer, advises a deliberate and intuitive approach to art acquisition. She suggests that a single, deeply loved piece of art can contribute more soul to a room than multiple pieces selected simply to fill space. Romanek also highlights the critical importance of framing, describing it as an "unsung hero" that can dramatically alter a piece's aesthetic impact. Furthermore, she encourages utilizing often-overlooked small spaces like kitchens or powder rooms to introduce personality and unexpected elements, sometimes employing bold contrasts such as sculptural pieces in minimalist settings. Michael Bargo, an independent designer from New York City, advocates for extensive exposure to art as a foundational step. He recommends viewing a wide variety of artworks to develop a personal aesthetic, asserting that "empty walls are better than bad art" and that building a significant art collection requires patience. Bargo cautions against buying art solely based on trends or recognizability, stressing that purchases should be driven by genuine affection for the piece. He suggests beginning the collection process with the rooms that are most frequently used and cherished. Justina Blakeney, founder of Jungalow, known for her bohemian and maximalist style, emphasizes practical considerations for art care. She advises careful placement, especially for valuable pieces, to protect them from environmental factors like direct sunlight that could cause wear and tear. Blakeney also highlights the importance of scale, noting that an artwork's size relative to its space is crucial. She recommends balancing smaller pieces on large walls with other decorative elements, such as wall lighting, to achieve visual cohesion. Proper placement, she adds, helps align the artwork with the desired ambiance of the home. Adam Charlap Hyman, co-founder of Charlap Hyman & Herrero, encourages broadening one's artistic horizons beyond familiar galleries. He suggests exploring auctions and noting artists encountered in museums to discover diverse works. For high-traffic areas like TV rooms or playrooms, Charlap Hyman recommends durable options such as large-scale photographs behind glass, which also reflect light, acknowledging that these pieces may endure minor impacts. Nicole Hollis, founder of NICOLEHOLLIS Inc., advises allocating a larger portion of the art budget to "high-impact" rooms such as living rooms, dining areas, and entryways, as these spaces are frequently observed and can house pieces that may appreciate in value. She often uses artwork as a starting point for developing color schemes and selecting furniture. Hollis also stresses the importance of considering long-term value, recommending consultation with art advisors or gallerists and diversifying collections with more accessible pieces from emerging artists or prints to support a broader range of artists and balance financial investment. Lucy Williams, a British independent designer and consultant, advises visualizing how an artwork will appear within a specific room, rather than relying solely on its presentation in a gallery setting. She frequently uses design applications like Canva or InDesign to mock up artworks in situ. Williams also promotes experimentation, suggesting that mixing art styles—such as pairing contemporary photography with antique decor or incorporating soft, whimsical pieces into modernist spaces—can create a more dynamic home environment. She notes that even a small, well-placed piece can have a significant impact. Shawn Henderson, founder of Shawn Henderson Interior Design, acknowledges the intimidating nature of the art world and encourages thorough research and preparation for significant art purchases, including understanding the artist’s practice and potential investment value. To foster confidence, he advises clients to explore local galleries and online platforms like Artsy to gain exposure to various artworks and develop their preferences. #InteriorDesign #ArtBuying #HomeDecor #ArtCollection #DesignTips #HomeArt #InteriorStyling #ArtPlacement #HomeAesthetics

Yoselin Alonso, the associate interior designer at METHOD & CONCEPT, approaches interior design as more than just surface aesthetics, seeing it as a holistic discipline that encompasses functionality and architecture. Her upbringing provided a foundational understanding of construction, with her father, a builder, teaching her practical skills like door installation and stair construction from a young age. Her mother, a seamstress, further cultivated Alonso's inclination towards working with her hands and fostering creativity. At METHOD & CONCEPT, Alonso collaborates with Chad Jensen, extending beyond traditional design tasks to integrate art and architecture. The firm, which is a sister company to the Thomas Riley Artisans’ Guild, functions as both a design studio and an art gallery, emphasizing the fusion of design and art. This approach ensures that artisanship is central to all projects, with spaces meticulously planned to highlight artworks. The team often commissions custom furnishings or millwork from Thomas Riley to realize specific visions or functional requirements, or they design entire rooms around a client's beloved art pieces. Alonso stresses that artists are considered integral to the design process itself. Alonso's role is comprehensive, involving her in every stage of a project. Her responsibilities range from conceptualizing designs and attending client meetings to conducting site visits, ordering materials, and developing project plans. She excels in creating 3D renderings, a skill Jensen notes was a valuable addition to the team. Additionally, Alonso is actively involved in developing METHOD & CONCEPT’s proprietary line of soft goods, which is scheduled for release in an upcoming season. Chad Jensen sought specific qualities when hiring for the associate interior designer position, describing his ideal candidate as a 'unicorn.' He was particularly drawn to Alonso's dualities: her polished and articulate presentation contrasted with her willingness to engage in hands-on tasks, such as driving a pickup truck and getting her hands dirty. Jensen observed that he and Alonso share a common design philosophy, prioritizing intentionality in their projects. This involves carefully considering how individuals will experience each space, its practical usage, and how the ambiance of a room transforms throughout the day. Jensen also values Alonso's genuine passion for her craft and her eagerness to learn, noting that she often dedicates weekends to the studio to learn from him, as he is also a practicing artist and maker of furniture and functional art objects. Alonso's personal creative inspirations often stem from her parents' native Mexico, drawing from places like Las Pozas, a surrealist garden in Xilitla. This sense of discovery fuels her desire to create unique and meaningful designs. At 27, she is rapidly refining her unique style, influenced by her work with Jensen and the METHOD & CONCEPT team, as well as her desire to remain close to her family in Bonita Springs. She expresses contentment with her current professional and personal environment, affirming that she has found her ideal place. Her initial attraction to the company was solidified by observing Chad Jensen's office, which showcased materials, sketches, and renderings that illustrated a detailed and considered design process, aligning with her preference for thoroughness in design. #InteriorDesign #HomeDesign #ArtIntegration #ArchitecturalDesign #CustomFurnishings #DesignProcess #CreativeInspiration #LuxuryInteriors

Art history frequently features paintings of home interiors, offering valuable insights into artists' lives and working environments. For example, Henri Matisse's 1911 painting, *Red Studio*, not only showcases his identifiable artworks and objects but also reveals the arrangement of his studio, functioning as a historical record of his artistic space. Recognizing the historical and personal significance embedded within these interior paintings, the creative agency NeoMam, in collaboration with the home-improvement service HomeAdvisor, embarked on a project to re-imagine six such historically significant rooms. They transformed these famous art-historical interiors into realistic computer-generated (CG) renderings, presenting a modern interpretation of how these spaces might appear today. One of the re-imagined rooms is Vincent van Gogh's *The Bedroom* (1888), which provides an intimate glimpse into his personal life in Arles, France. Van Gogh intended the painting to evoke peace and relaxation. Historical analysis by the Van Gogh Museum in Amsterdam indicates that the vibrant, strongly contrasting colors seen today are partly due to years of discoloration; the walls and doors were originally purple, not the blue that is now prominent. Another featured interior is from Grant Wood's 1928 painting *The Sun Shine on the Corner*. Wood, a Midwestern realist painter renowned for his rural American depictions, including *American Gothic* (1930), presents a charming and inviting nook in this work. The painting's muted, earthy color palette contributes to its welcoming atmosphere. Wassily Kandinsky's 1909 painting *Interior (My Dining Room)* is also among the chosen works. Kandinsky, a pioneer of abstraction, used this painting not only to explore color and texture but also to depict his home. The eclectic palette employed in the artwork imbues the space with a distinct personality, reflecting his artistic approach even in a domestic setting. Konstantin Korovin's 1913 painting *Interior* portrays a Russian Impressionist setting. Korovin, known for his landscapes, portraits, and still lifes, used rose and beige hues, complemented by the view of winter snow outside the window, to create a quiet and comforting environment in this work, emphasizing warmth and tranquility through its depiction of bare wood. Finally, the project includes Roy Lichtenstein’s 1991 work, *Interior With Restful Paintings*. This piece, representative of Lichtenstein’s mature Pop Art style, is part of his “Interiors” series. In this series, he depicted domestic environments, often drawing inspiration from furniture advertisements. A recurring element in these works is an artwork placed within the artwork itself, here positioned above a couch. The CG rendering of this interior provides a contemporary view of Lichtenstein's distinct flat pop imagery in a three-dimensional context. The collection also highlights Eduard Petrovich Hau’s 1835 watercolor of *Empress Alexandra Feodorovna’s Sitting Room*, detailing the opulent interior of Russia's last empress's living space with rich ornamentation. #ArtHistory #InteriorDesign #FamousPaintings #DigitalArt #CGIRenderings #HomeDecor #ArtInterpretation #VisualCulture

Art serves as a transformative element in home décor, offering a means to refresh living spaces and reflect personal tastes without extensive redecoration, particularly beneficial for renters. Experts suggest that a strategic selection and display of artworks can revitalize a home's ambiance, evoking emotions or establishing specific moods. For instance, abstract art with loose, expressionistic marks can create a romantic atmosphere, while a more graphic style can impart a modern, urban feel. The flexibility of art allows for periodic reconfigurations, mirroring how public galleries re-hang their collections, providing a renewed perspective within a home. Practical considerations for hanging art include using small nails for easy patching in rental properties or opting for leaning art against ledges, book stacks, mantelpieces, or consoles for a casual display. When integrating new art, it should complement existing furniture and homeware rather than compete with them. This can be achieved by placing art alongside items with similar aesthetic qualities, such as echoing patterns in a rug or the curves of ceramics, or by creating juxtapositions with personal ephemera like postcards or family photos. Wall-hung art can also provide a visual counterpoint to bulky furniture, acting as a focal point that balances the weight of larger pieces like sofas. Furthermore, carefully chosen art can unify a room by linking disparate design elements, such as contrasting materials or colors, ensuring a cohesive look. Artworks can reflect or complement tones present in fabrics or wood, thereby integrating the room's overall design. Beyond traditional wall art, incorporating usable art, such as art-themed coasters and placemats, can make art acquisition and display more approachable and enjoyable. Artists like Selina Snow demonstrate how personal art collections, including works by family members, travel souvenirs, and her own creations, can be curated against a neutral backdrop to create a unique and personal environment. Snow emphasizes the importance of linking colors and motifs in a way that enhances individual pieces without causing them to blend indistinguishably. She advocates for professional framing for original artworks to ensure their preservation and suggests installing UV protective window film in bright areas. Sculpture also has a place in home interiors, extending beyond gallery settings. Instead of relying solely on tables or plinths, sculptures can be displayed on affordable free-floating shelves at varying heights to create engaging domestic arrangements. For those looking to start an art collection, visiting art exhibitions, auctions, and open-studio events is recommended to discover art that resonates personally. Many galleries offer a 'try before you buy' service, allowing potential buyers to see how art integrates into their home environment at different times of day and in various locations. Before making permanent hanging decisions, it is advisable to experiment with configurations by laying pieces out on the floor. Ultimately, the selection of art should be deeply personal, reflecting what truly speaks to the individual, whether adhering to a specific theme or simply choosing pieces based on intuition, as there is no right or wrong approach to art selection. #HomeDecor #ArtDisplay #InteriorDesign #ArtCollection #LivingSpace #HomeStyling #ArtConsultancy #RoomTransformation #PersonalExpression

The article addresses the contemporary relevance of gallery walls in home decor, a popular method for displaying art and prints. It acknowledges that gallery walls have recently faced scrutiny, with some branding them as 'too put together' or outdated. However, interior designers Elizabeth Bennett of Kobel + Co. and Hayley English of Hayley English Interiors suggest that the continued relevance of gallery walls depends on the desired design intent for a space. If the goal is a collected, artistic space with eclectic elements, a traditional gallery wall incorporating mixed media and frame styles can still be effective. The piece highlights that while the conventional display of matching artwork sets may be waning, innovative approaches can keep the gallery wall concept fresh and modern. One key recommendation is to 'mix it up' by ensuring a gallery wall is personal and reflective of individual style. This involves integrating artwork collected over time, representing personal taste, and combining various mediums to introduce interest and texture. Hayley English suggests that if curating multiple pieces feels overwhelming, a scenic hand-painted or wallpaper panel could serve as an alternative. Another modern approach discussed is going 'oversized.' The article advises against using numerous small framed artworks, which can appear chaotic and muddled, drawing the eye in too many directions and making a space feel cluttered. Instead, hanging two or three oversized art pieces can make a bold statement and bring the room to life. Mounting artwork is also suggested as a technique to occupy more wall space effectively and allow individual pieces to stand out prominently. The importance of including original artwork is emphasized to add authenticity. This doesn't necessarily mean expensive heritage pieces; original drawings or photographs that evoke specific feelings are equally valuable. Elizabeth Bennett stresses that genuine artwork—such as vintage oil paintings, drawings, and photography mixed together—will inherently appear more sophisticated than pre-curated digital art sets. The advice is to avoid pre-selected sets that can feel forced or inauthentic, leading to an uninspired and old-fashioned look. Placement, or the 'right place, right time,' is crucial for a modern gallery wall. The article notes that living room gallery walls, particularly those placed behind a sofa, can seem dated due to their repetitive nature. Alternative locations are proposed to refresh the concept. Displaying a gallery wall as staircase wall decor is presented as a way to enliven an often-uninspiring area, offering new visual discoveries. Curating a gallery wall in a bathroom is another novel idea, especially when tiles cover only half the wall, allowing the painted section to showcase beloved artwork, potentially with vintage or thrifted frames to complement traditional bathroom designs. Finally, for those with a minimalist aesthetic, the article suggests choosing similar scales for artwork. Modern minimal homes can benefit from grids of artwork featuring clean lines and uniform scales. Elizabeth Bennett advises that for a streamlined result, repeating imagery in the same scale and format can achieve a clean and tailored look suitable for all art mediums. These updated strategies aim to ensure that gallery walls remain a relevant and stylish element in contemporary interior design. #GalleryWalls #InteriorDesign #HomeDecor #ArtDisplay #ModernInteriors #DesignTrends #PersonalStyle #OversizedArt #OriginalArtwork

Gilles Clement, an acclaimed designer and art dealer based in Greenwich, transformed a Colonial-style home in Purchase, New York, for a family of five. Clement's design philosophy challenges the conventional idea of aligning interior aesthetics with exterior architecture, emphasizing that personal identity and taste should dictate home design rather than architectural style or geographical location. His approach incorporates a bold, internationally inspired aesthetic, drawing from European flair and global influences, which is also reflected in his eponymous art gallery. The project began unexpectedly when Clement's future client purchased a distinctive and expensive Visionnaire console from his gallery. This uncommon purchase, made without Clement's direct sales involvement, piqued his interest, leading to a meeting that revealed the client's desire for a full home renovation. The client, who had lived in Manhattan, traveled extensively, and developed a strong appreciation for design and aesthetics, proved to be an ideal muse for Clement's distinctive style. She resonated deeply with his gallery's curated collection, which blends old and new elements and features art from international artists like David Datuna, Debra Franses Bean, Clement Kamena, Devorah Sperber, and Curtis Cutshaw. Clement characterizes his design style as "transitional and contemporary," opulent and luxurious, a sensibility that extends to the art, furniture, and decor showcased in his gallery and, ultimately, in his clients' homes. The Purchase home's transformation is anchored by its art collection, beginning with the Visionnaire console in the hallway, an Italian piece with a bold design featuring black beveled glass and cascading chains. Above it hangs a three-dimensional rendition of Vermeer's 'Girl with a Pearl Earring' by Clement Kamena, a creative duo composed of Clement's parents. This piece is part of their 'Jar Memory' series, which reinterprets art history masterpieces within jars, aligning with Clement's vision of making art accessible and collectible. The hallway is further enhanced by two Italian Terzani pendants, each crafted with seven handblown crystal balls. In the living room, an Il Pezzo Mancante lighting fixture, another Italian creation, acts as a central sculptural element, featuring handblown crystal balls and polished nickel and black powder-coated lacquer rods. The room also showcases another Clement Kamena 'Jar Memory' piece, a representation of Jeff Koons' 'Diamond,' chosen for its scale, color, and vibrant presence. Additional artwork includes a mixed-media piece by Natalia Kldiashvili, celebrating Coco Chanel's life through historical clippings and fashion collages. The space is completed with a luxurious silk rug from Nepal, distinctive Klismos chairs in black piano lacquer, and Clement's signature feather-adorned pillows. The powder room, curated around the homeowner's photograph of a woman with ostrich feathers, demonstrates Clement's commitment to integrating existing art into new designs. Despite its small size, the room achieves a "jewel box" aesthetic with dark paint, a mosaic brass-tile floor, a Maison Valentina vanity from Portugal, and a black toilet, an unconventional choice that Clement defends for its ability to blend seamlessly with the gold-leaf Japanese wallpaper and diamond-shaped lighting fixture from Holland. Clement emphasizes the critical role of lighting, often choosing sculptural, artistic fixtures from Europe that also serve as art statements. The kitchen, previously outdated, was expanded and reconfigured to accommodate the family of five and visiting grandparents. Clement personally designed the custom chandeliers, inspired by Brand van Egmond, to mirror the client's love for jewelry and glamour. The cabinetry, custom-built in Clement’s workshop, features piano lacquer with brass inserts. A backsplash combining solid brass and Nero Marquina marble, along with two angled Calacatta Gold Ultra Quartz islands, provides both luxury and functionality. The breakfast nook, an extension of the kitchen, features a Paolo Castelli chandelier, a custom silver-leaf ceiling, and Portuguese brass furniture. The dining room continues the opulent theme with Terzani lighting, Elitis wallpaper, custom furniture with Romo Zinc fabric, a custom rug, and a unique video artwork by MARCK from Switzerland. Throughout the home, Clement's design ethos is to create environments that are not only aesthetically pleasing but also mood-enhancing, viewing art as the "soul of the home" and a vital element in improving daily life. #HomeDesign #InteriorDesign #ArtCollection #LuxuryLiving #GillesClementDesigns #ContemporaryDesign #InternationalInfluence #CustomFurniture #WestchesterHome

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

This article offers a virtual tour of 14 spectacular homes belonging to renowned artists and architects around the world. These residences, usually open to the public but now virtually accessible, provide a glimpse into the personal spaces and creative environments that shaped these influential figures. The article highlights unique architectural styles, interior designs, and personal touches that reflect each artist's personality and work. The tour begins with Frederic Church's Olana in New York's Hudson Valley, a 19th-century landscape painter's home that blends Victorian and Middle Eastern motifs. Oscar Niemeyer's Casas das Canoas in Rio de Janeiro showcases his signature curves and reinforced concrete, with organically positioned boulders integrated into the design. Frank Lloyd Wright’s Taliesin in rural Wisconsin is described as his architectural autobiography, an 800-acre estate that is now a UNESCO World Heritage site. Philip Johnson’s Glass House in New Canaan, Connecticut, features wraparound windows designed to integrate with the surrounding landscape, a meticulously sculpted environment inspired by a 17th-century painting. Duncan Grant and Vanessa Bell’s Charleston House in Sussex, United Kingdom, embodies bohemian charm with hand-painted cupboard doors, patchwork chintz curtains, and stenciled paisley walls, complemented by a vibrant garden. Frida Kahlo’s Casa Azul in Mexico City, the site of her birth, death, and many years of her life, is a cobalt-washed residence with chartreuse floors and bright white walls, showcasing local folk art, handmade ceramics, and pre-Columbian sculptures. Auguste Rodin’s La Villa des Brillants in Meudon, France, served as his workshop, business place, and home, filled with dazzling white sculptures. Jackson Pollock and Lee Krasner’s East Hampton home has remained untouched since Krasner’s death, featuring paint-splashed floors in the studio and an eclectic interior with a broken anchor and Krasner’s seashell collection. Georgia O’Keeffe’s home and studio in Abiquiu, New Mexico, radiates natural light and includes surprises like a rattlesnake skeleton, along with an extensive potager garden. Clementine Hunter’s modest cabin at Melrose Plantation in Louisiana showcases her prolific artistry, with thousands of paintings depicting daily life. Frederic Church's Olana, a Persian-inspired fortress, is rich with hues of mustard, cherry, and clay, lavishly draped in Turkish rugs and ornate frames. Jim Thompson’s teak Thai-style home in Bangkok, though not an artist's own work, houses an extraordinary collection of traditional Thai art. Sam Maloof’s 1952 California ranch-style home, relocated to Pomona, features treehouse vibes with redwood walls, a hand-carved spiral staircase, and whimsical stained-glass windows. Irma Stern’s The Firs in Cape Town, South Africa, is a colorful collage of portraits and tribal artifacts, painted in mint green, sunny yellow, and and vivid corals. Finally, Claude Monet’s home in Giverny, France, is famous for its poetic interior with a stream of copper pots in the kitchen and lemony yellow dining room, alongside his collection of Japanese art. #ArtistHomes #ArchitecturalDesign #InteriorDesign #CulturalTourism #VirtualTours #ArtHistory #HistoricHomes #TravelInspiration #GlobalArt

The article explores the emerging trend of displaying artwork by leaning it against walls or surfaces rather than hanging it. This approach is described as effortless, casual, and relaxed, contrasting with traditional art hanging methods that often involve concerns about size, proportion, and positioning. The author, Emma Breislin, suggests that overly structured gallery walls can sometimes appear contrived, leading to a shift towards more individualized and flexible ways of showcasing art. Architect Georgina Wilson and principal of Smac Studio, Shona McElroy, support this trend, noting a move away from perfect symmetry towards more personality in art display. Leaning artwork, whether small pieces on shelves and countertops or larger ones on the floor, avoids the need for nails and offers a dynamic alternative to traditional hanging. This method can off-center a piece, making it a more interesting focal point and contributing to the room's narrative. The key to successful leaning art is to ensure it looks intentional rather than accidental or unfinished. Experts advise against placing a single leaning piece in an obvious space where it might appear to be waiting for installation. Instead, the art should be surrounded by other elements that balance the eye and integrate it into the overall design. Georgina Wilson emphasizes that even a relaxed placement must feel purposeful, considering balance, scale, and the art's relationship to surrounding furniture and architecture. Going big with artwork is recommended for this trend, as larger, oversized pieces tend to make a stronger impact when leaned. This approach allows for greater flexibility, enabling homeowners to easily move pieces around to suit changing moods or seasons, thereby altering a room's tone without significant effort. This adaptability contributes to a continuously evolving space and style. The concept aligns with the 'One Amazing Thing' theory in design, which posits that an unexpected or out-of-place element can enhance a space's impact. By subverting conventional art display, leaning art encourages a different interaction with the pieces, elevating the entire room's aesthetic. It creates a more personal and lived-in feel, breaking the traditional eye-level rule and adding a 'cool factor' that makes the experience more intimate. The casualness of leaning art contributes to a relaxed, considered, and quietly confident ambiance, suggesting that the room is not trying too hard to impress. The article also provides product suggestions, such as picture frames, rubber grip tape, and double-sided adhesive dots, to aid in securely and aesthetically leaning artwork while preventing slips or damage. #ArtDisplay #InteriorDesign #HomeDecor #LeaningArt #StylingTips #EffortlessDesign #ModernInteriors #HomeStyling #ArtPlacement

Art Deco, a style characterized by geometric patterns, animal prints, and glitz, continues to captivate over a century after its inception. While genuine Art Deco residences from the 1920s and '30s are rare, many individuals seek to infuse this historic style into modern homes. This article showcases seven distinctive homes that either preserve original Art Deco elements or are inspired by its opulent aesthetic. One featured residence is designer Wesley Moon's Park Avenue apartment, where gilded wall panels, reminiscent of Paris’s Restaurant Le Gabriel, utilize customized wallpaper to create a delicate and neutral backdrop for salon-style art. Moon’s approach involves reinterpreting classical elements for contemporary times, as seen in a marble fireplace mantel embossed with python scales and turquoise molding, a collaboration with Cocobolo gallery director Benjamin Wiener. The apartment blends Old World grandeur with modern sensibilities. In Melbourne, interior designer Greg Natale transformed a 4,000-square-foot penthouse into a lavish space inspired by the owners' luxury watch and jewelry business. Natale infused the formerly minimalist apartment with jewel tones, particularly pink and maroon, creating a grand entrance with mirrored panels and arches. Sculptural Kelly Wearstler lights and a postmodern Art Deco rug further enhance the glamorous and sultry ambiance, reflecting both the owners' and Natale's love for luxury. Washington, D.C.-based interior designer Lorna Gross reimagined an 1870 row house in Georgetown, drawing inspiration from the golden age of travel and the Orient Express. The client, a writer and historian, desired a home that evoked the feel of a bespoke train car. Gross installed antique furnishings and lighting from the 1930s on the first level, creating an Art Deco-period atmosphere in the long and narrow space. Antique chandeliers were re-envisioned, and wall coverings provided a warm setting for a mix of antique and contemporary pieces. In a New York City high-rise, designer Alexander Doherty and architect Danielle Albert undertook a dramatic renovation of a top-floor unit. To achieve a unique and refined interior, they reworked the layout, extended the living space, and increased ceiling height by relocating ductwork. A lake-like depression in the ceiling, covered in 24-carat gold leaf, adds glimmer and enlarges the room. Doherty selected Art Deco and modernist pieces from Paris galleries and international auction houses to furnish the space, creating a style that complements the contemporary glass structure. A Dublin home, designed by LyonsKelly, transforms an unassuming 1930s semi-detached house into a spacious, arching gallery. The design firm created a unified architectural and interior vision, resulting in a three-story house with a basement. The procession of rooms on the ground floor, with formal areas at the front and family spaces overlooking the garden, embodies an Art Deco spirit while maintaining a timeless appeal. Celebrity chef turned interior designer Travis London found his ideal home in a 1940 Miami town house. The property featured pristine original Art Deco details, including a fireplace, travertine floors, and interior arches. London embraced the home's character, using it as a canvas for self-expression and a showcase for his design business, Studio London Co. The dining area, for instance, features Jonathan Adler chairs in pink velvet around a brass Boca do Lobo table, exemplifying a chic and grown-up aesthetic. Finally, a Chicago co-op in a prestigious 1920s building underwent a significant transformation by Jessica LaGrange. Moving away from its dated decor, LaGrange guided the design with the building's history, creating a high-contrast home. A custom terrazzo-and-bronze circular design, inlaid in the foyer, serves as a focal point, radiating like a sunburst and setting an Art Deco-inspired yet exceedingly modern tone for the art-collecting couple's pied-à-terre. #ArtDeco #InteriorDesign #HomeDecor #LuxuryHomes #ArchitecturalRenovation #DesignInspiration #ModernArtDeco #HistoricHomes #GlamorousInteriors

Successfully hanging an art collection requires meticulous planning and careful consideration, encompassing everything from selecting appropriate fixtures and frames to creating a cohesive visual narrative among grouped artworks. Experts in art installation, interior design, and gallery direction offer comprehensive advice on optimizing the display of art in domestic settings. The initial step involves a thorough assessment of the chosen space, considering the artwork's size, potential physical obstacles, and the overall visual flow of the room. Guy Morey, operations director at Momart, an art installation service, emphasizes the importance of measuring both the walls and the narrowest points of entry into the building to avoid issues with oversized pieces or artworks that might be too imposing for a home environment. Planning the arrangement beforehand is crucial; collectors can collaborate with installers to experiment with different placements by leaning artworks against walls to determine the most aesthetically pleasing configuration. Some installers leverage 3D modeling software for precise planning. General guidelines exist for hanging height, with a consistent center-line often recommended across all artworks in a room. This center-line is typically set at eye-level or 120 centimeters from the ceiling to the artwork's center, though it may vary depending on the piece's size. Smaller works can be grouped around a shared center-line, while larger pieces might require individual placement. Lighting is another critical factor, influencing both the aesthetic appeal and preservation of an artwork. Interior designer Verity Woolf, director of Woolf Interiors, advises considering natural light exposure to prevent damage and suggests incorporating artificial lighting solutions, such as concealed ceiling lights that can be adjusted to suit different artwork sizes. Frame selection also plays a significant role in an artwork's presentation and narrative. Woolf highlights framing as an art form in itself, noting that an unsuitable frame can diminish a piece's impact, while a well-chosen one can enhance its meaning. Technical details, such as fixings, are equally important. John Paul Black, managing director of Art Works Exhibition Services, recommends implementing a versatile hanging system, such as aluminum rails hidden in cornices with wires, to facilitate easy rearrangement and temporary storage of artworks, especially to protect them from sunlight at certain times of the year. Unlike gallery settings, private homes present unique challenges with limited space and numerous obstacles like furniture, radiators, and fireplaces. These elements can affect the optimal placement and center-line of an artwork. Ben Cotton, director of Hang-Up Gallery, stresses the importance of harmonizing artworks with existing furniture. He advises against rigidly adhering to gallery-style hanging heights in a home, encouraging collectors to adapt to their space to maintain balance. Furthermore, creating a visual connection between artworks within a collection is essential for a cohesive display. This can be achieved through shared color palettes, themes, genres, or even by featuring the same artist, ultimately forming a compelling narrative for the viewer. #ArtCollection #ArtInstallation #InteriorDesign #HomeDecor #ArtDisplay #FramingArt #LightingArt #ArtPlacement #ArtHangingSystems

The article explores the significance of affordable art in enhancing home aesthetics and personalizing living spaces, offering guidance on where to source various types of art to create a 'Museum of Me.' It emphasizes that accessible art is crucial for brilliant finishing touches, serving as a lynchpin for gallery wall ideas and transforming a house into a home filled with beauty and individual style. The integration of art is presented as a means to showcase personal taste and complete a home with beloved pieces, contributing to a sense of pride and positivity. The article highlights the feel-good factor of supporting grassroots creatives, ensuring that individuals can painlessly integrate diverse artworks. Various categories of affordable art are introduced, starting with graphic art, exemplified by artist Margo McDaid, known as Margo in Margate. Her work features simple yet striking acrylic portraits of women, inspired by real individuals in Margate, characterized by maritime stripes, sharp bobs, and sophisticated expressions. Her personal project of painting daily for 20 years underscores a dedication to accessible art. For those seeking statement pieces with an uplifting message, the article recommends People I've Loved, a printmaking workshop. Their straightforward imagery and micro-messages, such as 'We are not meant to be happy all of the time,' aim to provide daily reminders of human connection, embracing the complex yet beautiful aspects of life, and fostering a hopeful and calming aesthetic. Abstract art is discussed as an enigmatic style that, when incorporated into a gallery wall, can spark reactions with bold shapes and forms without overshadowing figurative pieces. Christopher Smith's work, available on Etsy, is highlighted for bringing this often-exclusively priced genre into the affordable bracket. Smith's art, influenced by everyday objects and nature, crystallizes into geometric and color compositions. For affordable cartography, Archie’s Press is featured, offering letterpress city prints that serve as 'love-letters' to cities, capturing essential gestures and neighborhoods. These prints, inspired by printed ephemera and typographic signage, create a tactile relief that complements modern aesthetics. Collage art by Vivienne Strauss is presented as a unique way to add interest and texture to a gallery wall, incorporating historical ephemera, nostalgia, and botanicals. Her work, characterized by charming names and a mix of mediums including oils, watercolors, and photography, offers both original collages and limited-edition prints. For pop culture art, the article suggests Pet Portraits by Marion and Tiny Riot, allowing individuals to feature their pets in a humorous, artistic way or showcase iconic figures through hand-pulled silkscreen prints. Personalized portraiture by Lucie Sheridan offers a distinctive, original ink portrait style, with a 'no smiling' policy, capturing unique personalities. For beginners in art collection, Drool Art is recommended as an online platform that helps users discover their style while supporting young and emerging creatives. The platform ensures artists receive maximum value from their sales, validating their craft. The article concludes with expert advice on creating an effective gallery wall from interiors guru Coral Atkinson. Her tips include mixing different art styles while maintaining color themes, incorporating neon lights, mirrors, and typography prints, using thin oak frames from specific retailers, and planning the layout with newspaper cutouts to visualize the arrangement before committing. The goal is to achieve an easy-on-the-eye and cohesive display, positioning impactful pieces at eye level. #AffordableArt #HomeDecor #GalleryWall #InteriorDesign #ArtSourcing #ContemporaryArt #PersonalizedArt #ArtCollection

The article showcases Laura Gonzalez's first solo exhibition in NYC, titled "New York Splendor," held at The Invisible Collection's The Townhouse. Gonzalez is known for her opulent and eclectic interiors, which have graced establishments such as Saint James Chateau-Hotel, Sir Winston, Lapérouse in Paris, and various Cartier stores. Her exhibition, on display until 1 March, is characterized by a rich array of textures, fabrics, fringing, and patterns, embodying a maximalist aesthetic without appearing chaotic. Gonzalez drew inspiration for "New York Splendor" from the elegant, classic style of Upper East Side New York flats, while infusing them with contemporary furniture pieces. She maintained architectural elements like moldings, then modernized the spaces with iconic designs such as the Nenuphar table, Lilypad chandelier, Mawu chairs, and Casa sofa. The exhibition aims to reimagine these traditional New York spaces by adding a "quirky color" touch, a signature element of her design philosophy. The designer emphasizes creating an inviting and warm atmosphere through vivid staging, where every corner offers an exuberant juxtaposition of elements. Her design approach involves blending contrasting patterns and fabrics to imbue spaces with a distinct soul. She frequently incorporates vintage furniture and floral wallpapers, combining various fabrics to achieve an elegant harmony with other furnishings. Gonzalez has a particular affinity for fabrics, considering their texture, colors, and patterns to be central to her designs. For "New York Splendor," she collaborated with Pierre Frey Fabric House, a company she has admired since childhood. Gonzalez's Franco-Spanish background and childhood spent in the south of France significantly influence her design language. She consistently seeks inspiration from museums, art exhibitions, natural light, architectural details, and the vibrant colors encountered during her travels. Her furniture pieces, specifically designed for this exhibition, are considered an evolution rather than a fixed collection. These unique pieces are crafted in Europe by various artisans and houses, including Lesage, Jean Roger, and Pierre Frey. Notably, the Mawu chairs feature intricate embroidery from the Lesage house, known for its extensive embroidery collection, highlighting a blend of haute couture craftsmanship in furniture design. Gonzalez established her interior design agency in 2008, driven by a lifelong passion for reinventing and renovating spaces. She views each project as an opportunity to create a new, unique universe. The exhibition serves as a testament to her vision of blending classic elegance with modern maximalism, offering a fresh perspective on luxurious interior design. #LauraGonzalez #InteriorDesign #Maximalism #NewYorkSplendor #TheInvisibleCollection #FurnitureDesign #TextileArt #Exhibition #DesignInspiration