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Portrait Gallery Walls That Are Better Than Friends
The article explores the growing trend of creating portrait gallery walls, presenting them as a unique and personal decor choice for those who find solace in art depicting human forms. It highlights how these galleries, unlike traditional ones, are designed to gather beloved and intriguing faces, offering comfort and companionship without the demands of social interaction. Historically, portraits have served as a means of remembrance, and this contemporary application extends that tradition into home decor, allowing individuals to curate a collection of faces that resonate with them.
The piece delves into various approaches to designing portrait gallery walls, featuring insights from several designers and decorators. Michelle Gage, a Philadelphia-based designer, shares her concept of "stranger art," where she curates collections of unrefined oil-on-canvas portraits. Gage describes her organic method of acquiring pieces from flea markets and estate sales, emphasizing that her hanging strategy is intuitive rather than meticulously planned. She recounts the story of her first portrait, a girl in a purple shirt, and another, a woman named "Betty," found under a pile of junk, illustrating the personal connections formed with these artworks. Gage also mentions a collaborative hanging process with her husband, where she eyes the placement and he handles the physical installation.
Danielle Nagel, a designer and photographer, discusses her vibrant portrait gallery, which is a tribute to her late grandmother. Her collection, backed by a striking red Hygge & West wallpaper, consists of her grandmother's paintings of women, characterized by bold and bright colors against dark backgrounds. Nagel drew inspiration from a Frida Kahlo art display and incorporated her grandmother's self-portrait, which she considers a signature piece reflecting her grandmother's essence. She details her methodical approach to planning the layout, which involved arranging paintings on the ground, photographing them, and even photoshopping them onto the wall to ensure harmony with the wallpaper and frame colors.
Liz Solms of Banana Tree Consulting shares her personal and eclectic approach to a portrait gallery focusing on the female nude. She explains her fascination with the varied and captivating nature of the nude female body, aiming for an illuminating rather than jarring display. Solms, a collector of Haitian art, began her collection with a piece by an unknown Haitian artist and sought to include a variety of styles and mediums. She highlights an eBay find—an oil and acrylic piece mixed with collage from the 1970s—as a favorite, noting its unique blend of allure and comfort.
Erin Wheeler, a stylist and designer, reveals that her bedroom gallery wall originated from a graphic wallpaper print, which she wanted to complement with portrait art. She chose pieces with colors that would both harmonize with and stand out against the wallpaper, featuring Janet Hill's "Florida" as a key piece. Wheeler emphasizes the importance of incorporating vintage elements into her designs, believing that the faces in her gallery bring soul to the room. Finally, Ali Arakawa, co-owner of Fare Well Trading, describes her collection of portraits featuring men with facial hair, primarily sea captains, which she acquired while sourcing for a client. She notes that these pieces serve as nostalgic reminders of her past projects. Arakawa offers practical advice on arranging portraits, suggesting that larger pieces be placed first and that head positions and eye directions be considered to create a sense of conversation or interaction among the artworks.
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