The Chic Home: Couple create metropolitan spirit in Claymore Road condo

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors

Lindsey and Ruth, a couple from Teesside with two young children, Aria and Ivy, faced significant challenges with their home's layout before renovation. The existing structure featured a cramped living room, kitchen, and dining room, offering limited living space and minimal storage. A major inconvenience was the tiny hallway at the entrance, which opened directly onto the stairs, making it difficult to maneuver a baby stroller and causing a bottleneck for entering and exiting the house. Furthermore, the cloakroom's location near the kitchen meant traversing the entire house to store coats and shoes, highlighting a general lack of practicality in their living arrangement. Despite having a beautiful garden, the house's internal design failed to optimize its potential or cater to the needs of a growing family. The couple allocated £52,000 for the renovation, surpassing their initial budget of £40,000, after securing design proposals from architects Laura Jane Clark and Robert Jamison on the BBC2 show 'Your Home Made Perfect.' They were particularly drawn to Laura Jane Clark's design, which promised to transform their disjointed dwelling into a cohesive, open-plan space. The core of Clark's innovative approach involved relocating the staircase to the left, which dramatically opened up the entrance. This created a spacious, light-filled hallway that not only solved the immediate problem of navigating with a pram but also established a clear connection between the front entrance and the rear of the house and garden. This alteration also provided ample storage solutions, addressing a critical need for the family. The renovation also entailed breaking down walls to merge the previously segmented kitchen, living room, and dining room into a single, expansive open-plan area. This change was crucial for Lindsey and Ruth, who desired an interconnected space where they could easily keep an eye on their children while engaging in other household activities. The new design incorporated bi-fold windows, allowing abundant natural light to flood the interior and offering continuous views of the garden. Although Clark initially envisioned the open space primarily for dining and an open kitchen, the couple adapted it to include a central dining table and a comfortable sitting area, effectively extending the living space by 1.7 meters into the garden. Another significant transformation involved the garage, which had previously served as an overflow pantry due to the kitchen's lack of storage. Despite Lindsey's initial reluctance to convert it for fear of devaluing the property, the garage was ultimately repurposed into a functional utility room, equipped with a washing machine and dryer. The comprehensive redesign included the integration of sleek, modern cupboards throughout the kitchen and in the new entrance hallway, ensuring that storage was no longer an issue. The outcome was a home that not only met the practical demands of the family but also garnered widespread praise from viewers for its stunning transformation and thoughtful design elements. #HomeRenovation #OpenPlanLiving #StaircaseRelocation #HomeDesign #InteriorTransformation #FamilyHome #ArchitecturalDesign #SpaceOptimization #StorageSolutions

Marie Lu, a bestselling author, and Primo Gallanossa, a game designer, sought a flexible and inspiring urban sanctuary in downtown Los Angeles's Arts District. They commissioned architecture firm CHA:COL to transform a 1,450-square-foot live/work loft into a space that could accommodate their writing and game design needs between frequent travels. The design brief emphasized creating a creative den for work, relaxation, and retreat. CHA:COL, led by design principals Apurva Pande and Chinmaya Misra, drew inspiration from the couple's professional backgrounds, particularly the game "Monument Valley" and the whimsical geometries of M.C. Escher. The central element of the loft is the "Writer’s Block," a custom-designed, multifaceted piece of oak veneer millwork. This versatile unit functions as a desk on one side, a lounge on the other, and incorporates shelving, effectively dividing the space while offering multiple uses. The design aimed to allow the clients to navigate and inhabit the loft in unique ways, much like Princess Ida moves through different levels in the Monument Valley game. The loft's design integrates both two-dimensional and three-dimensional elements. For example, white oak planks from the Writer’s Block seamlessly transition into FLOR carpet tiles that extend up an opposing wall, complemented by a matching mural. This playful mashup creates an optical illusion, making the two-dimensional elements appear three-dimensional and vice versa. Extensive studies were conducted to achieve the precise geometry for the wall art, eventually simplifying to paint swatches to complete the effect. Beyond the primary workspace, the loft also includes dedicated sleeping and kitchen areas. The kitchen features IKEA cabinets and a peninsular bar designed to encourage social interaction. Acoustic considerations were incorporated into the design, and the space is illuminated by a Zaneen pendant in addition to natural light from a facade of windows. The bathroom features a minimalist, monochromatic aesthetic with a custom white lacquer vanity and Porcelanosa tiles. The sleeping area is discreetly tucked away at the back of the loft, illuminated by a George Nelson Saucer Lamp. The project successfully created a highly functional and creatively stimulating environment. Initially conceived as an occasional getaway, the loft proved so effective that the clients found themselves spending more time there, reducing their need for frequent commuting. The design prioritized a simple, streamlined palette and carefully selected light fixtures that enhanced the spatial flow and movement within the loft, creating an urban oasis that fosters creativity and well-being. #LiveWorkLoft #CreativeSpace #GameDesignInspired #MultifunctionalFurniture #LosAngelesArchitecture #SmallSpaces #InteriorDesign #CustomMillwork

David and Emma Engerer, a young couple, have embarked on a significant endeavor to revitalize the historic Stuart Neighborhood in Kalamazoo through the renovation and rental of its aging houses. David, 28, from metro Detroit, and Emma, 22, from Austin, Texas, met at a skateboarding contest in Houston and later married in October 2019. Their venture into real estate began after David's graduation from Western Michigan University, encouraged by his father to purchase and renovate older homes to generate rental income. The couple's commitment to the neighborhood is evident in their hands-on approach to renovations, with David performing most of the restoration work alongside Emma. Their efforts have been lauded by local residents, including Gary Wark, president of the Stuart Area Restoration Association, who notes the positive contrast with absentee landlords. The Engerers are part of a growing trend of younger individuals investing in the historic area, which boasts many houses dating back to the 1870s when it was a thriving community for businessmen and professionals. David emphasizes the importance of maintaining a vision for the properties' potential, despite the inherent challenges of home fix-ups. Their first acquisition was an American Foursquare stucco house at 821 Kalamazoo Ave., built in 1910. Originally a single-family residence, it had been converted into a duplex in the 1920s and suffered from neglect, including foundation, roof, plumbing, and electrical issues. Emma humorously compared it to the 'Money Pit' movie. Despite its condition, the house had existing tenants, and its structural integrity was surprisingly sound. This initial project served as a significant learning experience for the couple. Following this, the Engerers purchased two more 19th-century homes in the neighborhood, with plans for additional acquisitions. One of these is their personal residence, a 4,000-square-foot Queen Anne Victorian at 418 Stuart Ave., known as the French/Allen House, built in 1895. This house, rich in history with four bedrooms, 3.5 bathrooms, stained-glass windows, and a sweeping veranda, was originally appointed by Marshall Field. It was once owned by Dorr French, a justice of the peace and city attorney, and later by Harold Allen, vice president of First National Bank and corporate secretary for The Upjohn Co. They acquired this house in May 2020 at a reduced price, undertaking interior upgrades such as replacing old galvanized steel pipes and plumbing, replicating door moldings, and re-doing bathrooms, all while meticulously preserving the historic integrity. David expresses strong disapproval of renovations that strip old homes of their original charming features. Local historian Sharon Carlson, a resident of the Stuart Neighborhood, commends the Engerers' dedication, noting that landlords who live in the neighborhood tend to be the most effective. In July 2020, they bought another rental property at 500 Stuart Ave., a four-unit dwelling built by George Rickman in the late 1880s, one of three brick Queen Anne-style houses on the street. They are currently performing exterior and limited interior renovations, with more extensive work planned as tenant leases expire. This house, along with its neighbors, is distinctive for its brick construction, unusual for Victorian homes of that era. Emma, who initially had no plans to leave Texas, credits her move to Michigan to her relationship with David and a strong sense of divine guidance. She discovered Michigan's distinct seasons, a new experience compared to Texas. David's background includes a past as an aspiring professional skateboarder and snowskater, sponsored by Ambition Snowskates. He graduated from Western Michigan University with a degree in exercise science, initially intending to become a physical therapist, but discovered a passion for home renovation after summer jobs involving repairs. David's father, a successful physical therapist and experienced home renovator, has been a significant mentor, guiding them with insights into making properties profitable and managing renovations. The Engerers emphasize that while financial viability is crucial for such projects, passion and vision are paramount. They plan to remain in the Stuart Neighborhood long-term, expressing their love for the community and its historical homes. #HistoricHomeRenovations #StuartNeighborhood #KalamazooRealEstate #PropertyInvestment #CommunityRevitalization #QueenAnneVictorian #OldHouseRestoration #RentalProperties #NeighborhoodDevelopment

Tony and Charlotte Perez, driven by a desire for freedom and a life of travel and volunteer work, designed and built their 280-square-foot tiny home on wheels. Tony, a builder with over two decades of experience in custom homes, constructed the dwelling for an estimated $35,000. Their motivation stemmed from extensive international travel, having visited nearly 60 countries and lived in Africa for four years, which cultivated a preference for a minimalist lifestyle and enabled them to work less and dedicate more time to volunteering. Currently situated on a friend's five-acre property in Northern California, their tiny home offers mobility, though the couple has found a stable base. The exterior of the home features white-painted standing-seam metal combined with cedar accents near the front door, offering a modern aesthetic with warm, organic touches and requiring minimal maintenance. An expansive deck with an outdoor kitchen extends the living space, seamlessly integrating the structure with its natural surroundings. Inside, the walls and ceiling are adorned with white-painted pine shiplap, and the floors are laid with waterproof vinyl planks, chosen for their practicality and ease of cleaning, even extending to the shower wall. The interior design emphasizes an open and airy feel to compensate for the compact footprint. The kitchen showcases pale gray cabinetry, custom-designed online and flat-packed for on-site assembly. These cabinets are primarily drawers to maximize efficient organization and feature soft-close undermount slides. Practicality is evident in repurposed elements, such as upper shelves crafted from a beloved coffee table that was too large for the tiny space. Innovations include three taps in the kitchen for carbonated water and home-brewed beer, reflecting the couple's personal preferences. An office area and storage are integrated beneath the stairs, and a sliding door separates the kitchen from the bathroom. The bathroom is notably spacious for a tiny home, housing a stackable washer and dryer, a large shower, and a six-foot closet system with ample hanging space and customized soft-close drawers, designed to accommodate varied clothing needs for international travel across different seasons. A thirty-inch sliding wall devised by Tony separates the washer-dryer unit from the toilet area, also concealing a full-length wardrobe mirror. In the loft bedroom, cubbies serve both as storage and a partial screen for privacy. The couple devoted a year to planning their home, meticulously considering every item they owned and its place within the small space. Specific features like a designated spot for a vacuum, cleaning supplies, a Vitamix, a juicer, a coffee bar, a wine area under the stairs, and a pull-out pantry were incorporated to ensure comfort and functionality. A wood-framed chalkboard folds down from the kitchen wall to extend counter space for food preparation or dining. The Perezes completed the construction of their home in two months, acknowledging the challenges but ultimately celebrating the fulfillment of designing and building their personalized living space, which they continue to cherish daily. #TinyHome #MinimalistLiving #DIYHome #SustainableDesign #TravelLifestyle #CustomBuild #NorthernCalifornia #InteriorDesign #OutdoorLiving #CompactLiving

This article details the interior design project undertaken by Lauren Wills of Fort Greene-based Wills Design Associates for a young couple's first home in Park Slope, Brooklyn. The couple, on the cusp of starting a family, acquired a three-bedroom brownstone floor-through apartment. Wills, a close friend of the couple, was tasked with furnishing and decorating the entire space from scratch, as the homeowners possessed only a king-size mattress and two flat-screen TVs upon moving in. The apartment itself was in excellent structural condition, featuring original moldings, tin ceilings, and a large vintage mirror, thus requiring minimal architectural alterations. The primary work involved installing an HVAC system, which necessitated opening up the hall ceiling, and addressing minor cosmetic needs like replacing missing baseboards and molding around one door. Beyond these adjustments, the project focused on cleaning, painting, and furnishing the space to create a fresh, comfortable, and easy-to-maintain environment suitable for a growing family. Wills, a Pratt Institute alumna with a BFA in interior design and prior experience with high-profile Manhattan designers, launched her own firm approximately a year and a half before this project. She managed the budget effectively, sourcing most furnishings from popular retailers like West Elm and CB2, complemented by items from online stores and vintage furniture sites like Chairish. The color palette for the main living areas utilized Benjamin Moore’s White Diamond for walls and Snow White for ceilings, chosen for its clean, fresh, and slightly gray-toned "invisible white" aesthetic, as specified by the client to avoid yellowish off-whites. The living room features a sectional sofa and TV console from West Elm, art from One Kings Lane, and a Verner Panton knockoff chair from Overstock. The dining area includes a distressed green cabinet from Chairish and a concrete composite dining table from CB2, which matches the living room's coffee table. Functional and aesthetic details include a cluster of circular mirrors near the entry to brighten the exposed brick, and ceiling lights from CB2 installed during the HVAC upgrade. In the master bedroom, Benjamin Moore’s Blacktop serves as a statement wall color, paired with a cane headboard from Serena and Lily and artwork from Pure Photo. A discreet bamboo cabinet hides electronics, and blackout shades from Home Depot provide light control without cords. The combo study/guest room is painted in Benjamin Moore’s Blue Danube, with a ceiling light from Jonathan Adler and a wall sculpture from One Kings Lane. An alcove was transformed into an office with a white laminate desk surface and stained-wood shelves. The existing bathroom received a splurge in the form of fish wallpaper from Cole & Sons, with the door painted in a coordinating Benjamin Moore Coral Gables pink. The overall design reflects a thoughtful balance of aesthetics, functionality, and budget-conscious sourcing, tailored to the clients' new phase of life. #InteriorDesign #ParkSlope #BrooklynLiving #FirstHome #WillsDesignAssociates #HomeRenovation #ModernAesthetics #BudgetFriendlyDesign #Brownstone

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

This article details the transformation of a previously outdated Park Slope condo into a vibrant, modern pied-à-terre for a couple. The project was undertaken by Studio Nato, a Brooklyn-based interior design firm, with a primary goal of enhancing brightness, reintroducing traditional architectural elements, expanding storage solutions, and significantly upgrading both the aesthetic and functionality of the kitchen and bathroom. The condo, located on the third floor of a vintage row house, had not seen significant updates since a developer's renovation two decades prior, resulting in an uninspired and impractical living space. Studio Nato's renovation involved several key interventions. Much of the existing recessed lighting, which contributed to a dull ambiance, was removed. New white oak flooring was installed throughout the apartment, complemented by new crown moldings and window sills to restore a sense of traditional elegance. A significant improvement was made to the long hall, where a series of disparate closet doors were streamlined. These were replaced with uniform painted MDF millwork that extends almost to the ceiling, wrapping around into the kitchen. This millwork conceals reorganized coat and linen storage, along with laundry facilities, creating a cohesive and minimalist look. Additionally, new bedroom doors and a re-envisioned bathroom door were installed, painted in Benjamin Moore’s Almost Black and fitted with new brass hardware. Creative solutions were applied to previously underutilized spaces. An alcove off the front room, often a challenge in row house apartments, was transformed into a functional reading nook featuring a new custom white oak bookcase. This space was furnished with vintage Danish armchairs and a copper end table/stool by designer Andrew Neyer, adding character and utility. The apartment's existing wood-burning fireplace, a positive feature, was also updated. Studio Nato addressed the issue of its brick wall absorbing natural light by wrapping the top half with Sheetrock and painting the bottom half white. A new wood surround was added, and the brick hearth was replaced with soapstone, matching the material used for the kitchen island. The kitchen, designed to be neat and compact, received custom cabinetry from South Carolina, painted white and featuring mortised edge pulls. The island is crafted from white oak with a waterfall soapstone countertop. The backsplash tiles were sourced from Clé, while lighting fixtures include Ambit pendant lights from Muuto. Bar stools from West Elm complete the kitchen's modern look. Space-saving appliances were chosen, such as a 30-inch-wide Liebherr refrigerator and separate cooktop and wall oven units. The long hall also saw an aesthetic upgrade with painted MDF and routed grooves for added texture, concealing ample storage. The main bedroom now features a dark-painted dado and gleaming sconces from Allied Maker. The bathroom's design is simple yet refined, featuring a custom vanity with Brizo wall-mounted faucets, white subway tiles, and matte black hex tiles from Clé on the floor. These comprehensive renovations by Studio Nato effectively revitalized the condo, making it a functional and aesthetically pleasing urban retreat for the couple. #ParkSlope #CondoRenovation #PiedATerre #StudioNato #InteriorDesign #BrooklynHome #HomeRenovation #KitchenRemodel #BathroomRenovation

Stacey and Peter Paulsen, who own Royal Crest Homes, decided to move to a 6,500-square-foot English Arts and Crafts house in Westlake after seeing a floor plan designed by Southlake-based Heritage Design Studio. The couple, along with their two sons, found the open-concept living and kitchen area, grand dining room, large media/family room, and primary bedroom appealing. Stacey Paulsen engaged Dallas designer Emily Larkin of EJ Interiors, with whom she had previously collaborated on their Keller home, to customize the new residence. Larkin participated in architect meetings, helping Paulsen modify the floor plan to suit their lifestyle. One significant alteration involved converting a planned wine bar into a functional prep kitchen, enhancing its daily utility for the family. The architectural design of the home draws inspiration from England, an aesthetic consistently maintained throughout the interior. This was achieved through the incorporation of cozy fireplaces with ornate mantels, varied textures, crown molding on walls, and traditional furniture. Each room in the house was approached with a distinct design concept, often beginning with a specific element like a fabric, an overarching vision, or a piece of artwork. For instance, the primary bedroom's blue-and-purple color scheme was developed around a floral Schumacher print, which Larkin identified as the central inspiration for the entire room due to its subtle lilac and gray tones. The piano room, originally intended as an office, was repurposed to accommodate the Paulsens' sons' piano lessons. To create a sense of larger space within this smaller room, Larkin opted for a dark color palette, influenced by a William Curtis Rolf photograph displayed above the fireplace. In the powder bathrooms, Larkin experimented with bold and playful designs. One bathroom features an Hermès print, which was initially outside Paulsen's comfort zone, paired with black trim to evoke the feeling of an English garden. Another powder bathroom, designated for the pool area, showcases a graphic Kelly Wearstler print, selected to achieve a more modern and vibrant aesthetic. The main living area also underwent an unconventional redesign; a breakfast nook was removed to make way for a second seating area. Paulsen preferred this arrangement over another dining table, considering the existing bar seating, dining room, and outdoor dining space. This new layout allowed the children to use the space for homework while she cooked. The kitchen furnishings were expertly handled by Lauren Haskett, a designer based in Houston and a long-time friend of Larkin's. The home's design has evolved over time to align with the family's changing needs, particularly as the sons have grown older, with one now attending college. Larkin has continued to adapt the design to accommodate these lifestyle shifts. The Paulsens' collaboration with Larkin highlights a personalized approach to home design, blending traditional English influences with functional and distinctive interior choices. #HomeDesign #InteriorDesign #WestlakeHomes #EnglishArtsAndCrafts #CustomHome #LuxuryInteriors #EmilyLarkin #ResidentialArchitecture

Interior designer Evans Geisler and her architect husband undertook a significant renovation of their two-story Williamsburg row house, transforming it from a dual-unit bachelor pad into a single-family home tailored for a family with three young sons. The couple purchased the house in 2014 from Geisler’s brother, who had acquired it in 2007. The initial state of the house was characterized by two separate units: one on the ground floor occupied by Geisler's brother's college roommate, and the second floor where her brother resided. The primary goal of the renovation was to consolidate these into a cohesive single-family residence, while also incorporating a small pied-à-terre apartment at the back of the second floor. Geisler described the house's original aesthetic as typical of two young men living in Williamsburg, lacking architectural personality and requiring a comprehensive update. The row houses in Williamsburg are often narrow and basic, prompting Geisler's initial improvement to be the removal of the entryway hallway, which she believed contributed to a sense of confinement. On the main floor, the design strategy focused on creating an open-plan layout by removing as many interior walls as possible, integrating the kitchen and living room into a single fluid space. A key element of this transformation was the restoration of the original staircase, which, along with a newly installed built-in bookcase, became prominent focal points upon entering the home. The original staircase, deemed the only element possessing inherent character, underwent extensive restoration. Layers of paint were meticulously stripped from the newel post, missing balusters were replaced, and the treads and handrail were stained dark, contrasting with white-painted balusters. In the kitchen, the design incorporated Caesarstone countertops and Ikea cabinets, complemented by open shelving. Geisler highlighted her preference for open shelving in the kitchen, noting that maintaining a coordinated look with white, off-white, and wood elements facilitated a clean and harmonious aesthetic. The renovation also extended to the rear of the first floor, where the bathroom was enlarged. A playroom was created in this area, featuring a Murphy bed for accommodating guests and a built-in desk designed for homework, catering to the needs of a growing family. Upstairs, new walls were constructed to define two bedrooms and to functionally separate the aforementioned rear apartment from the main living quarters of the house. Geisler's overarching design philosophy for the home was to create a casual and highly kid-friendly environment, given that she had a toddler and was pregnant during the renovation. This involved avoiding overly fussy or expensive elements and implementing organizational systems to mitigate clutter and manage the daily demands of family life. All three sons share a single bedroom, which is equipped with a crib and custom bunk beds. Geisler acknowledged that some might find this arrangement unconventional but noted its general effectiveness, particularly in fostering interaction among the boys. The interior walls throughout the house were uniformly painted in Benjamin Moore's Chalk White, and the floors were stained to the darkest possible shade. Geisler emphasized the importance of a cohesive design throughout the entire house, asserting that a consistent aesthetic facilitates a smooth transition between rooms and contributes to a unified overall impression. #WilliamsburgRenovation #InteriorDesign #KidFriendlyHome #OpenPlanLiving #StaircaseRestoration #KitchenDesign #CustomBunkBeds #FamilyHome #BrooklynDesign

The article details the renovation journey of Christine Bayles Kortsch and her husband, Daniel Kortsch, as they transformed their 1924 Craftsman bungalow in Denver's Congress Park neighborhood. The initial challenge with their 1,800-square-foot home was its traditional bungalow floorplan, characterized by a cramped, narrow kitchen at the back of the house. This layout presented several issues, including a significant lack of natural light, which was crucial for Christine's food photography, and a highly inconvenient back door placement that opened onto an L-shaped staircase, making grocery carrying difficult. A single-width door between the kitchen and dining room also created a constant point of congestion for their family of four, who frequently entertained guests. After years of attempting minor cosmetic fixes like painting dark cabinets white and updating living room furnishings, the couple realized these superficial changes were insufficient to address the fundamental problems of the dysfunctional layout. This realization prompted them to undertake a comprehensive kitchen remodel during the pandemic. For this significant project, they enlisted the expertise of Christine’s sister-in-law, Vivian Bayles, a Manhattan-based interior designer and architect, and local builder Jim Copeland of Copeland Craftworks. The core of the renovation involved a strategic overhaul of the floorplan. Instead of simply modifying the partition wall at the back of the kitchen, they removed it entirely. The small, unusable nook was transformed by replacing its window with a 10-light glass door leading to a new exterior deck. The area previously occupied by the nook now serves as a spacious landing for a new, straight staircase to the basement, significantly improving accessibility and flow. Furthermore, the narrow doorway connecting the dining room and kitchen was dramatically widened, creating a more open and integrated living space. Another key improvement was the removal of a hard-to-access, recessed pantry located behind the old kitchen, above the back stairs. This change allowed for the installation of a full-depth refrigerator, a high priority for Christine, aligning seamlessly with the new cabinetry and appliances. Storage capacity was also enhanced by extending the new cabinets to the ceiling, maximizing vertical space. Rick Lutz, a kitchen designer from Home Depot, assisted with the cabinet configuration, emphasizing efficiency within the existing footprint. To maintain the home's historic character while integrating modern functionality, crown molding was added throughout the kitchen, dining, and living room, sourced from Austin Hardwoods to match the period. For finishes, Christine prioritized texture and a sense of aged patina, moving beyond standard modern choices. She selected durable Super White dolomite for the countertops, which offered a neutral surface ideal for photography while adding a distinctive natural stone element. The backsplash features Liberty thin-brick Clé tile, inspired by early 20th-century New York City, chosen for its uneven, rough texture that introduces character. A notable design decision was to conceal the microwave in a custom cabinet beneath the countertop, avoiding its traditional placement above the range, and Daniel designed and built a custom plaster-and-white-oak hood. The dining area received an unobtrusive chandelier by the Light Factory, a refurbished wooden table, a custom-built bench by Daniel, and vintage 1960s Danish chairs, fostering a rustic, communal atmosphere. The renovation also integrated the kitchen's new aesthetic with the rest of the main floor by updating the living room's fireplace hearth with leftover dolomite and white-oak trim, tying it to the new white-oak floors and complementing the home's existing bold wallpaper. Christine emphasized that the project, constrained by footprint and budget, fostered creativity, resulting in a bright, efficient, and cohesive space that respects the home's history while meeting contemporary needs. #HomeRenovation #CraftsmanBungalow #KitchenRemodel #InteriorDesign #DenverHomes #HistoricPreservation #FloorplanTransformation #CustomCabinetry #ArchitecturalRenovation

Architects Annie-Laurie Grabiel and Arthur Furman, founders of Austin-based firm Side Angle Side, embarked on a seven-year-long renovation of their 1939 H-shaped bungalow in Texas. Their initial attraction to the property was its footprint, specifically its double-courtyard layout that allowed natural light to permeate from multiple angles, a characteristic appealing to architects. Despite the presence of a large oak tree shading the front yard and the bungalow having only two bedrooms for their family of four, the potential for light and the inherent charm of courtyard homes drew them in. The extensive renovation was unexpectedly triggered by the failure of a quirky, portable dishwasher. This appliance, which required a sink hook-up and was notoriously noisy, became a focal point. When it finally ceased to function, the couple's decision to replace it evolved into a more ambitious project. They reasoned that if they were updating cabinets for a new dishwasher, they might as well tackle countertops and lighting. This domino effect led to considering electrical upgrades, vaulting ceilings, and eventually, a full roofing overhaul. The sheer scale of their ideas initially led to a feeling of paralysis. However, Furman initiated the renovation by dismantling cabinets, creating a situation that necessitated moving forward. They enlisted the help of Waller Building Co. and Fort Structures to execute their vision. A significant change involved a temporary relocation from the house to facilitate a 200-square-foot addition. This seemingly modest expansion enabled the creation of an extra bedroom and bathroom, significantly improving the functionality of their home for a growing family. During construction, the couple demonstrated a commitment to sustainability and historical preservation by reusing many of the original steel casement windows. One innovative design choice was incorporating the home's original facade into the new foyer, maintaining a sense of honesty and creating an intentional sequence of arrival, as described by Grabiel. The exterior, once a faded blue, received a modern update with Sherwin-Williams Peppercorn, a black-gray shade with blue undertones. Internally, the design emphasized material consistency to avoid decision fatigue, with Saltillo tile used across the entryway, kitchen, bathrooms, and exterior courtyards. Reclaimed longleaf pine boards added warmth to the living areas and bedrooms, while crisp white kitchen cabinets and countertops provided a clean backdrop that allowed vibrant greenery, art, and daily objects to stand out. The project culminated with the addition of a swimming pool constructed from chukum, a Mexican resin known for its versatility. This material allowed for a seamless application across all pool surfaces, eliminating the need for coping or waterline tile. The challenging topography of their property, with a rear half climbing over 10 feet, required significant excavation—30 dump trucks of dirt were removed—to accommodate the pool, terraces, and cement retaining walls. Despite initial fears that nothing would grow again, the excavated area transformed into a mini oasis. The architects' goal was to create an inviting outdoor space for relaxation and social interaction, allowing for conversations to be heard without the noise of the old dishwasher, fostering a beloved outdoor lifestyle common in Texas. #ArchitecturalDesign #HomeRenovation #Bungalow #CourtyardHome #AustinHomes #InteriorDesign #SustainableDesign #OutdoorLiving

Kelly and Ben Wells embarked on a renovation project for their 1942 Atlanta home, specifically targeting its outdated kitchen and compartmentalized floor plan. They were drawn to the house precisely because it lacked a newly remodeled kitchen, presenting an opportunity to personalize their first home. The original layout was characterized by small, separate rooms that hindered social gatherings. To address this, the couple undertook a significant renovation that involved removing walls to merge three distinct areas into an open-concept living, dining, and kitchen space. This transformation aimed to create a cohesive and flowing environment suitable for their social lifestyle, marking a shift from a choppy to a modern motif. The home will be featured in the Junior League of Atlanta Tour of Kitchens. The renovation, which spanned five months, involved a comprehensive overhaul of the kitchen, including gutting and repositioning its layout. The main living area, originally split-level, was leveled to establish a continuous space, and the guest bathroom also underwent renovation. In the kitchen, transitional-style cabinetry from Schrock was installed, complemented by Statuario Maximus Caesarstone quartz countertops fabricated and installed by Stone Design. Floating shelves crafted from rift-cut oak by Jay Rambo Co. were integrated above a backsplash of weathered white Cle Tile. The kitchen was further equipped with high-end appliances from Viking, including a refrigerator, oven, and microwave, along with a brass faucet from Newport Brass. An exposed brick fireplace was enhanced with a reclaimed wood mantel from Atlanta Specialty Woods. The interior design style of the home blends transitional aesthetics with modern farmhouse elements. The Wells emphasized incorporating a mix of furniture styles and heirlooms to create a personalized and authentic living space, advising against a purely 'store-bought' look. Their décor includes pieces from a variety of retailers such as Serena & Lily, Ballard Designs, RH, Rejuvenation, Crate & Barrel, Redefined Home Boutique, Pottery Barn, Casabella, Anthropologie, and HomeGoods. Textiles and rugs were sourced from West Elm, Scott Antique Market, Amber Interiors, Serena & Lily, Peridot, Anthropologie, and HomeGoods. Lighting fixtures are from Circa Lighting and Serena & Lily, while art pieces come from Christine Flynn, Peridot, One Kings Lane, and Rejuvenation. The guest bathroom features honeycomb and subway tiles, with a vanity from RH and accessories from Rejuvenation. The master bedroom incorporates linens from West Elm and decorative pillows from Scott Antique Market, with a reading nook transformed from a former master closet. The 2,300 square-foot home in Atlanta's Springlake neighborhood comprises four bedrooms and three bathrooms. #HomeRenovation #KitchenRemodel #OpenConcept #InteriorDesign #TransitionalStyle #ModernFarmhouse #AtlantaHomes #HomeDécor #FloorPlanTransformation

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Kia and Bob Barker, residents of Oak Hill, undertook a significant renovation of their master bedroom and bathroom in their 5,000-square-foot French manor-style home. The couple, parents to three young children, desired a private sanctuary to escape their demanding daily routines. Their existing master suite, characterized by a dated 1990s aesthetic, featured a heavily draped pink-and-blue bedroom with a terracotta Southwestern-style fireplace and a builder-grade bathroom with dark counters and unattractive tiles. They enlisted Oakton-based interior designer Pamela Harvey to transform the space. Harvey aimed to blend Kia's traditional preferences with Bob's more modern tastes, creating a sophisticated yet comfortable retreat. The renovation began with the bathroom, which was poorly designed, featuring a walk-in closet off the bedroom and a divided layout with a sunken tub and small shower in one section, and vanities in another. Collaborating with builder and building engineer Bob Street, Harvey reconfigured the bathroom's layout, moving the closet to the back and completely opening up the space, retaining only the enclosed WC in its original position for cost efficiency. The new bathroom layout includes a wall of double vanities and lower cabinetry, a built-in dressing table with a tall corner storage tower, a double shower, and a freestanding tub in its own niche. Bob Barker, who favored a spa-like, modern bathroom, influenced the inclusion of heated floors, dual-head rain showers, and a sculptural tub. Both Kia and Bob appreciated marble, leading Harvey to select Calcutta Gold for the floors and a laser-cut chevron wall in the shower, appreciating its warm and cool tones. To prevent the strong veining of Calcutta Gold from being overwhelming, Harvey incorporated calming Mystic White marble for countertops, shower sidewalls, and as a “pencil liner” atop the bricked Calcutta Gold wainscoting in the bathtub niche. Additional bathroom design elements include an L-shaped arrangement of vanities and a dressing table against a contemporary damask-patterned wall covering, pearl-gray cabinetry with crystal knobs and polished chrome pulls, champagne-finish framed vanity mirrors, and a subtle sky blue paint on the ceiling. Acrylic accents, such as drapery hardware, a dressing table stool, and a tub table, were used to maintain an open, airy, and light feel. For the master bedroom, Bob Barker was keen on a complete overhaul, describing the old space as “hideous” and wanting a stylish, magazine-like appearance. Harvey addressed this by replacing the old fireplace with a contemporary one featuring a seamless sheet of smooth porcelain and a floating gas-fueled firebox. The bedroom’s color palette extends the neutral tones from the bathroom, incorporating charcoal grays, chocolate taupes, and forsythia yellows, with warm gold as the metallic accent. The design achieves a sophisticated, modern elegance with traditional grounding elements, fostering a relaxed atmosphere suitable for both adults and children. Kia desired a softer, more romantic bed, leading to the selection of a charcoal gray velvet platform bed with gray piping. This was layered with crisp white bedding and numerous pillows in the room's color scheme. Bob's preference for modern design was reflected in the inclusion of leather chairs and a white lacquered desk with shagreen drawer fronts and a sculptural metallic base, serving as a functional yet artistic element in the spacious 380-square-foot room. Harvey opted for mismatched nightstands—a darker faux reptile-finish chest for Bob and a white lacquer one for Kia—to add visual interest and avoid a overly matched look, while fluted gold gourd-shaped porcelain bedside lamps and gold-framed wall mirrors provided cohesion and glamour. A beaded chandelier and an acrylic-based, tufted botanical print bench further enhanced the stylish touches. Harvey utilized a mix of fabrics, including velvet, leather, linen, and textured embroidered materials, and incorporated diverse patterns in the window treatments, which featured floor-to-ceiling textured linen panels and flat valances with embroidered floral designs, along with pull-down blackout shades. The completed master suite provides the couple with a cherished retreat, where they can relax and unwind after their children are asleep, establishing new rules to preserve the sanctity of their newly remodeled space. #MasterSuiteRemodel #InteriorDesign #OakHillRenovation #LuxuryBathroom #BedroomDesign #HomeRenovation #PamelaHarvey #MarbleDesign #FamilyHome