A Brooklyn Townhouse Is Seamlessly Transformed With European Oak

Light and Air Architecture (L/AND/A), a Brooklyn-based studio, has completed a significant renovation of a 2,700-square-foot (251-square-meter) row house, originally built in the 1880s in the Bedford Stuyvesant (Bed Stuy) neighborhood. The project, named Switchback House, focuses on redesigning the interior around a new structural stairwell, aiming to address the inherent challenges of traditional row houses, which are often characterized by their dark, narrow, and divided spaces. The renovation strategically replaces the original stacked stair with a more dynamic "switchback" staircase. This design alteration is central to the project's goal of enhancing natural light penetration and visual connectivity throughout the home. A key element of this transformation is the installation of a 14-foot (four-meter) skylight directly above the new vertical stair volume. This skylight is designed to flood the interior with natural light, which then cascades down through the various levels of the house, thanks to the reconfigured stairwell. To facilitate the new staircase and improve structural integrity, steel beams were integrated at each of the three storeys. These beams reinforce the existing joists and enabled the doubling of the staircase's original opening, thereby creating a more expansive and open vertical circulation space. The switchback design also allowed for the removal of a traditional hallway that typically connected stacked stairs, resulting in a continuous 32-foot-high (10-meter) volume that visually unites the three floors. Additionally, other interior walls were eliminated to create open-plan living areas, further contributing to the sense of spaciousness. The interior aesthetic of the Switchback House is characterized by a minimal approach, complemented by warm material choices. The existing wooden spools and railings of the original staircase were replaced with solid white guardrails, harmonizing with the overall minimalist theme. American white oak flooring is used throughout, along with other timber accents that add warmth and texture to the spaces. The ground floor features a living room and a kitchen with a dining area, separated by a storage area and a powder room. The kitchen cabinetry includes lower timber units that match the flooring, tables, and chairs, contrasted with white storage units and white marble countertops. A large black pendant light by Brendan Ravenhill hangs above the dining table, serving as a focal point. The first floor accommodates a large bedroom and a bathroom, while the upper level houses three additional rooms and another bathroom. These stacked floor plans highlight the narrow footprint typical of row houses, with a private garden situated at the rear of the building. Light and Air Architecture noted that the house was found in disrepair, with much of its historic detailing removed and the original layout having been modified into a rooming house with multiple small apartments. This presented an opportunity to reimagine the potential of an urban townhouse, transforming a historically grand but subsequently neglected space into a bright, open, and visually interconnected contemporary home. This project is part of a broader trend of property renovations in New York City that often involve significant alterations to staircases to enhance light and open up interiors, as seen in various other Brooklyn and New York City projects. #SwitchbackHouse #BrooklynRenovation #StaircaseDesign #NaturalLight #OpenPlanLiving #NewYorkCityArchitecture #ResidentialInterior #HomeRenovation #MinimalistInterior

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

The article details the renovation of a redbrick townhouse in Boerum Hill, Brooklyn, by the design firm White Arrow. The project aimed to preserve the home's historic character while enhancing its modern functionality for a contemporary family. The renovation commenced with significant architectural alterations, including a 10-foot extension and a complete redesign of the rear facade. White Arrow's distinctive design philosophy is evident throughout the home, beginning with the parlor floor. This area features a sophisticated palette of moody wall colors and custom-built millwork, establishing a refined atmosphere. A notable addition is a dramatic bar, elegantly clad in Waterworks marble and accented with Classic Brass hardware, illuminated by sculptural sconces designed by Sophie Lou Jacobsen. The dining area is designed to integrate with the outdoors, with a glass wall offering views of the garden. However, the interior elements quickly capture attention, including bespoke cabinetry crafted by White Arrow, Maison Jansen brass sconces, and a floral painting by Lizzie Gill. An Anna Karlin chandelier hangs above a walnut dining table, complemented by a handcrafted Zia Tile Zellige floor that introduces an artisanal touch. The kitchen, while maintaining traditional structural elements, is executed with an airy and modern aesthetic, incorporating stone countertops, Water Monopoly plumbing fixtures, and a luxurious Lacanche oven. Moving to the private spaces, the bedrooms are characterized by a sense of understated luxury. The primary bedroom is distinguished by a 1950s Swedish chandelier and ceramic lamps, with an oak bed from Pinch flanked by a vintage Kjell Lönnblad painting and custom drapery from Carolina Irving Textiles. The guest bedroom fosters warmth through a wood-framed Woodbridge bed, vintage oak drawers, and 1950s opaline pendant lighting. Maine Cottage nightstands and oil paintings by Georges Darel and R Debray contribute to a nostalgic ambiance. The cellar has been transformed into a versatile retreat with an industrial aesthetic. It features Arthur Umanoff’s iron and rattan bar stools that add a retro flair, while Rejuvenation sconces highlight the darker tones of the space. A secondary living room on this level is furnished with a Rowe sectional, McGuire armchairs, and a vintage brass and opaline chandelier by Hans-Agne Jakobsson. The library, designed to feel intellectual, is filled with vintage finds, including a framed Elliott Erwitt photograph, a leather floor lamp by Lisa Johansson-Pape, and a reissued Jacques Adnet coffee table. The home includes two distinct bathrooms: a primary bathroom and a children's bathroom. The primary bathroom boasts a custom oak vanity, Apparatus sconces, and Lind and Almond medicine cabinets, all illuminated by an RW Guild flush mount light. The children's bathroom is designed with a playful and whimsical character, featuring yellow accents, bold Schumacher wallpaper, and a baby blue freestanding tub. Ultimately, each room in this Boerum Hill townhouse is curated to tell a unique story, rich with diverse textures, carefully selected objects, and intentional design choices. The overall result is a living space that feels simultaneously traditional and refined, yet avoids any sense of primness or conservatism, achieving a balance between historical reverence and contemporary living. #BrooklynTownhouse #HomeRenovation #InteriorDesign #WhiteArrow #BoerumHill #LuxuryInteriors #CustomMillwork #VintageFurniture #ModernClassic #ArchitecturalRenovation

This article details a home renovation project undertaken by designers Josh Linder and Tom Egan of Evolve Residential for Margaret Chu-Moyer and Mike Moyer's Brookline home. The initial request was for updated furniture on the first floor, but the project evolved into a comprehensive reconfiguration to improve flow and connectivity between rooms. The designers introduced the concept of "enfilade," a term for a row of aligned doorways, to describe the redesigned space, which Chu-Moyer described as "brilliant." The renovation focused on optimizing existing spaces with relatively minor structural changes. On the left side of the house, a significant improvement was the replacement of a large gas fireplace with a picture window in the family room, which increased natural light. This change created a brighter and more inviting atmosphere. A custom sectional sofa, upholstered in striated velvet with verdigris and plum colors, was chosen as a durable and family-friendly centerpiece, accommodating the entire family. Chu-Moyer's grand piano was strategically placed in a nearby niche, integrating it seamlessly into the new layout. The right side of the house exemplified the "enfilade" design, with the living room, dining room, and kitchen flowing front to back through newly widened cased openings. The kitchen underwent a complete renovation to maximize space and functionality. Quartzite countertops, chosen for their lower maintenance compared to marble, featured wavy horizontal veining, adding visual interest. A wood-lined breakfast bar was incorporated to cleverly conceal coffee-making equipment, contributing to a clean and organized aesthetic. Lighting fixtures also played a crucial role in the design. Spiral chandeliers with red cords were installed above the kitchen island, casting cool shadows that Chu-Moyer particularly appreciated. These red accents were intentionally included to subtly reflect Chu-Moyer's Chinese heritage, adding a personal touch to the contemporary elements. Egan noted that these chandeliers were visible from the living room, bridging the contemporary kitchen design with the more traditional furnishings of the living room. The dining area was made more inviting with a curved settee that complemented a round table the couple had owned for 30 years. This choice was deliberate, as Egan explained that upholstered seating encourages people to use dining rooms more frequently. Indeed, the family began using their dining table daily for meals and work, a change Chu-Moyer initially did not expect. The living room featured a symmetrical arrangement with an antique Biedermeier chest flanked by striped chairs, positioned to create an appealing view. Incorporating such antique pieces is a signature of Evolve Residential, highlighting the value of older, well-crafted items. The living room's seating arrangements combined a curved custom settee in midnight blue chenille with a tufted rust mohair sofa, creating a welcoming yet sophisticated ambiance. The designers favored plush fabrics for their rich color palette, making them versatile for pairing with other textiles. Ceramic garden stools provided additional functional elements around a diminutive coffee table, and an abstract artwork by Ken Sloan added a lighthearted touch to the space. The final element, a Persian rug with purple accents, was installed after all other furnishings and was noted by Chu-Moyer as an unexpected yet perfectly cohesive addition, demonstrating the designers' expertise in bringing diverse elements together to achieve a harmonious overall effect. #HomeRenovation #InteriorDesign #BrooklineHome #EvolveResidential #EnfiladeDesign #KitchenRemodel #LivingRoomDesign #DiningRoomTransformation #CustomFurnishings

A circa 1824 brick townhouse in Brooklyn Heights, formerly owned by landscape designer Alice Ireys, underwent a decorative makeover by Brooklyn-based design studio White Arrow for a family with two school-age children. The homeowners desired a design that honored the home's history while incorporating a fresh, modern sensibility, with a particular appreciation for cozy, antique elements and the simplicity of modern design. Keren Richter, co-founder and principal designer of White Arrow, aimed to create interiors that felt rooted in tradition yet updated for a young family. This project was a decorative overhaul rather than a gut renovation, as the townhouse's historical integrity, including Federal-era details like the newel post, stair, and parlor moldings, had been well-preserved by the previous owner. The structure, mechanical systems, and the four-story layout were suitable for a family of four, described by Richter as not overly grand, allowing for an intimate living experience. The design approach was strategic, focusing on enhancing existing features and introducing new decorative elements. Inspired by British decorating aesthetics, characterized by pattern mixing, florals, and a sense of coziness, White Arrow removed old wallpaper, repainted walls, and introduced layered lighting. Most of the furnishings were new acquisitions. The front parlor, designated as an adult entertaining space, features a crescent-shaped green velvet sofa and a Kant coffee table by RW Guild, chosen for their curvilinear forms to promote gathering and a convivial atmosphere. The room's white paint was selected to highlight the patterning of the antique fireplace tiles, avoiding visual clutter that wallpaper might introduce. The entry hall includes a Sawkille Rabbit bench beneath a contemporary photograph by Dean West. The rear parlor houses the formal dining room, which is adorned with hand block-printed wallpaper by Marthe Armitage for Hamilton Weston. A custom O’lampia chandelier illuminates a Nickey Kehoe Harvest dining table and Svenskt Tenn dining chairs. A modernist console and various artworks were brought by the homeowners from their previous residence. The garden level hosts the kitchen in the center, with a dining/breakfast area at the rear and a children's play area at the front. The kitchen cabinets are painted a pale blue from Fine Paints of Europe, complemented by Gordon stools from Lostine and rattan cone lights from Soane. The family dining area, situated at the rear of the garden level, opens to the backyard through sliding glass doors and features a round Bobbin table by Alfred Newall. A boldly striped stair runner connects the four floors of the house, adding a consistent design element. The second floor includes a sitting/family room adjacent to the primary bedroom. This room, painted in a deep blue, is conceived as an evening space with ample seating, including a rolled-arm sectional and a Chinese Art Deco rug. The dark color scheme in this room is intended to create a cozy, English library-like atmosphere and discreetly camouflage the television. The primary bedroom is furnished with a Kyma headboard by Ensemblier and a Nickey Kehoe bench upholstered in striped fabric by Flora Soames. The main bathroom retained its existing claw-foot bathtub and blue painted floors, requiring minimal intervention. The children’s top-floor bedrooms feature dormer windows, with the daughter's room enveloped in Svensk Tenn botanical wallpaper and the son's room decorated with bold primary colors, both designed to create lasting memories. #BrooklynHeights #TownhouseRenovation #InteriorDesign #EnglishDesign #WhiteArrow #HistoricHome #DecorativeMakeover #FamilyHome #TraditionalModernBlend

In Park Slope, New York, a townhouse renovation blends the old with the new, focusing on the transformation of a client's childhood home into a contemporary and functional space for a young, artistic family. Ethan Pomerance of Ethan Pomerance Architecture was tasked with this challenge, aiming to infuse new life while respecting the home's original Romanesque Revival architectural style. The design subtly weaves in echoes of the home's exterior and traditional downstairs elements with fresh interpretations, maintaining an airy feel. The project held significant sentimental value for the client, a filmmaker, who desired a vibrant space to raise her family above her mother, a Renaissance art historian. This artistic environment necessitated a design that honored historical elements while introducing modern, unique features. The renovation of the kitchen, which was originally the client's childhood bedroom, required innovative solutions to accommodate ample storage and cooking needs, as well as a dining table, despite the presence of an original chimney stack and a pathway to a terrace. Pomerance embraced these structural challenges, allowing the chimney breast to dictate the placement of the cooktop and sink, thus preserving its form and integrating it as a visual and functional anchor. To maintain the room's loftiness and volume, upper kitchen cabinets were reconceived as horizontal, shorter, and wider elements, hanging on the chimney stack like a tree trunk to create a sense of verticality. These sculptural cabinets feature sliding doors with blue geometric forms that act as functional elements and artistic statements, creating a full, dark circle when closed. The material palette combines traditional architecture with modern elements. Speckled terrazzo countertops, chosen from Concrete Collaborative, incorporate various colors present in the kitchen, tying together warm wooden parquet flooring, plaster walls, and the oat, white, and blue cabinet scheme. This selection aims to make the kitchen appear to 'grow out of the floor,' ensuring a radiant and blended look without feeling sterile, and augmenting the natural light. Exposed ductwork was utilized to eliminate soffits and preserve plaster crown moldings, adding to the room's dynamic shapes and forms. Playfulness and color were crucial to the design, with different colored cabinet frames and unique cabinet pulls adding mindfulness and a sense of mystery to everyday activities. The use of soft geometry, like the half-ellipse vent hood, introduces personality and meaning, symbolizing a balance of power. The most striking feature is the Delft tile backsplash, which Pomerance transformed into a modern, surreal collage by cutting and arranging traditional blue and white tiles, adding a storybook quality with animal and nature scenes. Subtle details, such as squiggle handles, further enhance the space's character, blending functionality with a playful aesthetic. The overall design successfully marries historical reverence with contemporary artistry, creating a unique and personal kitchen. #TownhouseRenovation #KitchenDesign #DelftTiles #ModernKitchen #ArchitecturalPreservation #InteriorDesign #TerrazzoCountertops #GeometricForms #ParkSlope

This article details the transformation of a newly constructed Brooklyn townhouse into a warm, personalized, and comfortable family home with a mid-century modern aesthetic. The homeowners, who are lovers of the outdoors, sought to create an urban oasis that felt like an escape from the city, particularly benefiting from the property's quiet, tree-lined street and enclosed backyard. Interior designer Lucy Harris led the project, focusing on seamless transitions between indoor and outdoor spaces, incorporating super durable pieces suitable for a young child, and maintaining a light and bright color scheme. The entryway, designed to function as both an entrance and a mudroom, immediately sets an eclectic and welcoming tone with custom millwork for storage and a colorful tiled floor from Heath Ceramics, featuring bright blues and golds. Accessories such as a natural-feeling leather mail/key holder from Lostine and a simple half-moon mirror from Bower contribute to the unique character. In the kitchen, which was recently installed in the new-build, minor but impactful changes were made to integrate it into the home's overall aesthetic. Rattan counter stools from Stahl and Band introduced natural materials, while green pendants from In Common With tied in with the dining area's color scheme. The dining nook is highlighted as one of the most dramatic alterations, featuring custom banquette seating upholstered in a deep green wool boucle fabric from Tibor, complementing the leafy street view. A brass fixture from Apparatus adds texture, and a custom-sized solid wood table from Yucca Stuff, along with vintage-inspired Tre 3 chairs by Angelo Mangiarotti, complete the inviting space. The living room was conceived as a casual, peaceful, and fresh area, utilizing a serene palette with vibrant earthy accents. It showcases a colorful area rug by Christopher Farr, an original Bauhaus design, and a soft sofa from Poiat, contrasting with an organic-shaped coffee table in the style of Paul Frankl. An adjacent reading area in the living room features a leather Ojai chair from Lawson Fenning, reflecting the mid-century modern influence throughout the house. A Miniforms Soda glass side table adds material contrast, and custom millwork displays the homeowner’s vintage objects, infusing personality into the new construction. The connection between indoor and outdoor living is emphasized through large houseplants and green color palettes inside, and an inviting balcony dining space leading to a landscaped backyard, designed by Michael Cafiero. The outdoor area includes Fermob Luxembourg chairs and a customized Croft House dining table, suitable for the terrace. The family room introduces a different palette with deep blues and rich rusty oranges, creating an inviting atmosphere with mixed patterns. A custom rug collaboration between Lucy Harris and Carini, a wool and leather ottoman, and a comfortable Albarese sofa by DePadova define the space. A home gym adjacent to an outdoor terrace benefits from a leafy view. The primary bedroom combines pastel colors with vibrant accents for a serene yet interesting backdrop, featuring a walnut nightstand by Hedge House, a scalloped sconce by Nickey Kehoe, and a colorful quilt by Thompson Street Studio. Subtle patterned wallpaper by Rebecca Atwood and Caroline Z Hurley drapes add texture and quirkiness. For the nursery, a playful desert theme was chosen, reflecting the owners' love for hiking. Geometric patterns, a neutral cactus wallpaper, and terracotta accents, including a Kartell Componibili, create a vibrant yet sophisticated space. The guest bedroom on the fourth floor extends the natural beige, orange, and brown palette, with a second walnut nightstand from Hedge House and a rug from Nordic Knots, complemented by green and blue accents in the Room & Board bed and Rebecca Atwood drapery. This comprehensive redesign transforms the builder's spec townhouse into a soulful city oasis with distinctive character and style. #InteriorDesign #MidCenturyModern #BrooklynTownhouse #HomeRenovation #FamilyHome #OutdoorLiving #CustomDesign #ColorPalette #SustainableDesign

The decision of whether to paint original woodwork in old homes, particularly brownstones and row houses, is a common dilemma for homeowners, architects, and designers. This choice is influenced by factors such as the owner's personal preference, the architectural style and era of the house, and the inherent quality and condition of the wood itself. While design trends fluctuate, with fads like all-white interiors giving way to bold colors such as navy blue or hot pink, natural wood finishes and neutral painted options like cream or gray remain popular in Brooklyn. Interior designer Louisa Roeder, for instance, opted to paint the well-preserved mahogany woodwork in her 1870s Prospect Heights brownstone white during a 2014 renovation. Her goal was to achieve a modern kitchen aesthetic, and she found that extending the white paint to the parlor floor and hallway woodwork significantly modernized the space, moving away from a Victorian feel. She acknowledged the decision as a "big gamble" due to its permanence. Fellow interior designer Tamara Eaton bases her decisions on the quality of the craftsmanship. She meticulously preserves elaborate, high-quality woodwork, such as mahogany with mother-of-pearl inlays, but is more liberal with painting lower-grade wood, as demonstrated by her choice to paint an entire parlor level with less distinguished woodwork a dark gray. Eaton emphasizes that owning a townhouse means embracing its history while adapting it for modern living, highlighting the constant negotiation between preservation and modernization. Preservationists, including Andrew Dolkart, a notable author and former director of Columbia University's Historic Preservation program, often consider painting original, unpainted woodwork as sacrilegious. Dolkart argues that if the intention was for the wood to be painted, less expensive materials like plaster would have been used. He points out that before the 1870s, woodwork was commonly painted, often with faux graining. In the late Victorian era, elaborate, natural woodwork on main levels was a status symbol. Pine and poplar in secondary spaces were typically meant for painting. The early 20th century saw a rise in white-painted woodwork with the Colonial Revival and natural oak in Arts & Crafts interiors. The mid-to-late 20th century 'brownstoning movement' led to stripping paint to reveal original wood beauty. Dolkart asserts that painting over beautiful original wood destroys the character of an old house, questioning the purpose of buying such a home if its historical artistry is not appreciated. Conversely, architect Jeff Sherman of Delson or Sherman often recommends painting woodwork, even if his clients frequently prefer restoration. He suggests that old moldings often require patching and replication, and sometimes stripping reveals inferior wood species like poplar. Sherman believes that painted molding can unify a home's aesthetic, especially in shades of white or pale gray, which can lighten and authenticate dark, wood-heavy rooms. Interior designer Fawn Galli embraces color, sometimes painting both woodwork and walls the same hue for a modern look or using contrasting colors. She famously painted a newel post in her Carroll Gardens brownstone hot pink, viewing it as an opportunity to inject fun and even shock into a space. Galli acknowledges that while townhouses tend to be dark, beautiful wood should be left natural, with an icy gray paint on the walls to brighten the space. #InteriorDesign #Woodwork #HomeRenovation #Brownstones #ArchitecturalPreservation #BrooklynHomes #DesignTrends #HistoricHomes

This article details the comprehensive renovation of a Brooklyn brownstone, highlighting how architect Joshua Keay of Eponymous AD and interior designer Anne Brewer of Lewis Birks transformed a historic space for a young family. The project addressed several key areas, starting with a significant decision regarding the brownstone's original staircase. Despite its traditional appeal, the staircase was in poor condition due to age and construction wear, leading the team to replace it while salvaging and refinishing the handrail, spindles, and newel posts to retain some of its historical essence. This choice underscored the common dilemma in historic renovations: whether to preserve or completely overhaul. The renovation extended to the parlor floor, which previously featured a series of square-shaped living and dining rooms and a narrow kitchen. Keay and Brewer reimagined this layout by introducing large ceiling beams and removing a dividing wall to create a full-width, open-concept living space. This transformation allowed for a more functional and expansive kitchen area, moving away from the previously restrictive "series of countertops." A notable design element introduced during this phase was the creation of a wet bar in a transitional space. Instead of simply replacing the worn-down pocket doors that once framed the living room, Brewer designed a "jewel box" wet bar. This striking feature involves deep red painted walls and ceiling, complemented by a turquoise Calacatta marble countertop from ABC Stone, creating a dramatic visual transition from lighter adjacent rooms. In the kitchen, soft gray custom stained oak cabinets from Shinnoki were selected to harmonize with the blue-green veining of the marble island. Storage was maximized with tall cabinets along one wall, discreetly incorporating non-operable panels where a chimney prevented functional space, ensuring a seamless aesthetic. A built-in bench, upholstered in durable vinyl fabric resembling leather, offered practical and stylish seating. The dining table, a custom piece by Withers & Grain made from bleached ambrosia maple, added a unique touch with its distinctive beetle-made markings. The kitchen's design also addressed the challenge of limited wall space due to the staircase's protrusion. The solution was an asymmetrical arrangement of open shelving, including a thin stainless steel ledge above the range, which bisects the stone backsplash. This innovative shelving provides an airy feel while maintaining functionality for daily essentials. The main bedroom underwent a design update as well, inspired by a green-gray rug. The walls were painted a sky blue, with the exception of the wall behind the headboard, which was adorned with a subtle, watercolor-like silk Phillip Jeffries wallpaper. In the bathroom, space constraints led Keay to design a curved bench, providing a practical surface for toiletries without obstructing movement. The floor featured a custom mosaic tile design from Nasco Tiles, chosen for its ability to conform to rounded surfaces, echoing a French mosaic pattern discovered by Brewer. Overall, the renovation successfully blended the brownstone's historic character with modern functionality and dramatic design elements, particularly in the transitional spaces. #BrooklynBrownstone #HomeRenovation #InteriorDesign #StaircaseDesign #OpenConceptLiving #WetBarDesign #KitchenDesign #CustomCabinetry #BathroomRenovation

This article highlights a two-bedroom corner condominium located at 29 Tiffany Place in Brooklyn's Columbia Street Waterfront district. The residence is a warehouse conversion that seamlessly blends rustic structural elements with sophisticated, custom renovations. The home features 11-foot ceilings and expansive oversized windows equipped with attractive wood blinds. These design choices complement the exposed post-and-beam construction and original wood details, maintaining the building's historical character while introducing modern comforts. The interior design incorporates a diverse color palette, transitioning from serene grays to a distinctive Tiffany blue, which adds a unique touch to the living space. The kitchen has undergone a recent renovation, featuring new GE appliances, including a range and refrigerator, a GE dishwasher, and sleek quartz countertops. A wooden breakfast bar serves as a functional and aesthetic divider between the kitchen and the generously proportioned, open-plan living room, fostering a sense of continuity and spaciousness. Attention to detail is evident throughout the condominium, particularly in the bedrooms. The master bedroom is painted in a pale Farrow & Ball gray, creating a tranquil atmosphere. Storage solutions have been carefully considered, with custom walk-in his-and-hers closets designed by transFORM, maximizing organizational efficiency. The second bedroom is also equipped with optimized storage, featuring closets designed by transFORM, along with additional coat and storage closets to meet diverse storage needs. The bathroom is presented as fresh and modern, characterized by ample natural light, contributing to a bright and inviting environment. Beyond the individual unit, the building offers a range of desirable amenities, enhancing the living experience for residents. These include a well-equipped gym, a communal roof deck offering scenic views, convenient laundry facilities, and additional storage options. The presence of a live-in superintendent ensures prompt assistance and maintenance, while a dedicated bike room caters to residents' cycling needs. This condominium at 29 Tiffany Place represents a harmonious blend of historical architecture, modern renovation, and practical amenities, making it a distinctive offering in the Columbia Street Waterfront neighborhood. #BrooklynRealEstate #CondominiumLiving #WarehouseConversion #ColumbiaStreetWaterfront #InteriorDesign #CustomRenovation #TiffanyPlace #NYCRealEstate #RusticModern

Textile designer Aelfie Oudghiri's Brooklyn townhouse, shared with her husband, Hicham, and daughter, Mirah, serves as a living showcase for her eponymous line of bedding, soft goods, rugs, and furniture. Housed in a former industrial pencil factory, the 1,800-square-foot space reflects an easy, comfortable, and effortlessly stylish aesthetic deeply rooted in Oudghiri’s upbringing. Her parents, both builders and developers, introduced her to the transformative power of design early on, and an oversized Kerman rug from her childhood ignited her passion for textiles, inspiring her eventual career. Many pieces in her home are samples from her company, allowing her to live with and test products before their official launch, ensuring they are practical and durable. Oudghiri's journey into design began with an e-commerce store in her teens, focusing on products made by other young women, which taught her the foundations of design. Her childhood dream, however, was to design bedding, driven by frustration with the gendered, corny, or poor-quality synthetic options available at the time. Her early sketchbooks are filled with bedding concepts, foreshadowing her future in textile design. When designing her home, the living room was the starting point, prioritized for its comfort, openness, and suitability for entertaining. Her Moroccan husband influenced the layout, seeking a space reminiscent of a Moroccan salon with ample seating for guests. This led to the inclusion of a mint green sofa from CB2, praised for its durability, and another from ABC Carpet & Home. Oudghiri approaches home design with a lack of inherent attachment to spaces, a common sentiment in New York, preferring to evolve the design slowly. Her access to her own home decor line means her apartment is filled with a complementary array of her designs, from bath mats and pillows to poufs and tables, all serving as practical testaments to their wear and tear resistance. A key design element for Oudghiri was baby-proofing and creating a kid-friendly environment for her daughter, Mirah. The massive, open layout allowed for a play-friendly space free from hard obstacles or fragile items. The open and industrial nature of the former factory presented challenges in making the space feel cozy and welcoming. Oudghiri overcame this by strategically using rugs and artwork to soften the industrial brick walls and warm up the cold aesthetic. Her favorite aspects of the home include the exposed beams, high ceilings, abundant wall space for art, and the intricate texture of the floors. A design element she recommends for readers is foregoing a traditional coffee table in favor of side tables and poufs. This decision, initially driven by an inability to find a beloved coffee table, later proved invaluable for creating a large, open play area for her daughter. Visitors often comment on the home's established feel, assuming Oudghiri has lived there for a long time, despite only a few years passing, indicating the successful integration of her personal style and products. #TextileDesign #BrooklynHome #HomeTour #InteriorDesign #ColorfulDecor #PatternMixing #KidFriendlyDesign #IndustrialConversion #DesignerHome

A Swiss embroidery designer and her British brand consultant husband undertook a meticulous renovation of their 1910 brownstone in Cobble Hill, Brooklyn. Their primary design vision was to integrate oak wood extensively throughout the home, creating a space that reflected both the homeowner's Northern European heritage and their shared appreciation for Japanese aesthetics. Designer Claire Hung was instrumental in translating this vision into reality, paying close attention to the intricate details of the wood, such as ensuring no visible cathedral grain patterns were present, opting for a streamlined look by cutting down the center of such markings and mixing panels. The renovation focused on achieving a specific warmth in the oak wood, described as "warm, but not too warm," a testament to the homeowner's detail-oriented nature, stemming from her profession. This design philosophy extended to the selection of other materials, where travertine was chosen over marble for its quieter, more understated feel, harmonizing with the oak. The integration of stone is evident where it tops parts of the stair treads and forms the fireplace mantel, seamlessly matching the oak's stain. Beyond aesthetics, the renovation incorporated functional elements. The main living area and stairwell feature slatted oak panels that enhance the ceiling's height. Hidden storage solutions were ingeniously built, such as pull-out wood boxes under the first few steps and additional storage beneath a nearby window bench, designed to keep children's toys out of sight. The living room boasts an extra-low sofa, appearing almost sunken, which was a collaborative effort between the millworker and an upholsterer, featuring a luxurious yet stain-resistant linen fabric from Métaphores. The walls were painted with Benjamin Moore’s Scuff-X finish for added durability, particularly important for a family with young children. The renovation, which spanned over two years, also addressed the primary bathroom layout. While the family intends to stay, the designer considered future resale value, incorporating a bathtub by the window for an enhanced experience. The primary bathroom and bedroom are connected by a glass threshold, and a full wall mirror amplifies natural light, making the space feel more expansive. The overall design successfully marries a rich wood aesthetic with practical, family-friendly solutions, resulting in a home that is both beautiful and highly functional. #BrooklynBrownstone #OakWoodDesign #HomeRenovation #InteriorDesign #JapaneseInspired #EuropeanHeritage #CustomMillwork #HiddenStorage #TravertineStone

This article explores a historic 1920s double-wide townhouse on the Upper East Side of New York City, which served as the 47th Annual Kips Bay Decorator Show House. The clients purchased the entire building after attending the show house, initiating a gut renovation led by Francis Nicdao, principal designer and chief creative officer of Pembrooke & Ives, and Stephanie Sarkies-Schabot, the firm's managing director of decorating. The renovation, which began during the COVID-19 pandemic, aimed to create a family home capable of displaying a vast, museum-quality art and antique collection without feeling overly formal. The design achieved a balance between contemporary cleanliness and traditional detailing, respecting the building's historical character. The entryway features checkerboard marble flooring and a spectacular spiral staircase connecting five of the six levels, designed to facilitate a smooth transition to vertical living. The living room, expansive due to the home's double-wide layout, is furnished with collectible design pieces and art, creating a grand and impactful atmosphere. Gold accents add a glamorous edge to a soft color palette. The combined breakfast and family room functions as the home's hub, with a custom back-to-back sofa dividing dining and lounge areas. This space, which opens into the kitchen, incorporates rich textures and blue hues, overlooked by Ralph Goings's artwork, _Tom’s Diner_. The kitchen, located on the entry floor, was designed for high functionality and ease of maintenance, with easily cleanable surfaces and ample counter space. Its blue island and barstools create a cohesive connection with the adjacent breakfast room. The wine cellar and wet bar, located in the basement and dining room respectively, demonstrate that even lower-level spaces can be glamorous, featuring specialty lighting for the wine display and a high-gloss blue paint with a mirrored backsplash in the wet bar. The primary suite, one of seven bedrooms, offers a dreamy ambiance with pink details and natural light enhancing its glow. The unique layout connects the bedroom to a walk-in closet and bathroom through a windowed corridor along the back facade. A guest bedroom provides a relaxing retreat with a neutral color palette, plush carpeting, embroidered drapery, a custom upholstered headboard, and a high-gloss wall finish. The primary bathroom integrates decorative lighting as a focal point, with a stunning chandelier and sconces, alongside symmetrical design and stone detailing for a luxurious and modern feel. Finally, the backyard patio, designed by landscape architect Luciano Guibbilei, serves as a “zen-like enclave” in the city, covering approximately 1,500 square feet and featuring a mural by artist Annie Morris, providing a serene outdoor escape. #NewYorkCity #TownhouseRenovation #InteriorDesign #LuxuryHomes #HistoricPreservation #ArtCollection #PembrookeAndIves #KipsBayShowHouse #HomeDecor

Jessica Wright, an associate at a law firm, focusing on commercial litigation, antitrust, and international human rights, and a writer of personal and political essays, resides in a 1,190-square-foot Dumbo, Brooklyn, loft. Her home, despite her legal profession, was designed to evoke an artist’s loft, a vision brought to life by interior designer Crystal Sinclair. Wright sought to replicate the European apartment aesthetic she admired during her time living in Berlin, Paris, Delhi, London, and Kabul, with Paris being the most significant influence on her design preferences. The loft is situated in a former warehouse for Kirkman and Son Soap Company, a building that garnered extra attention due to its exterior being featured in a TikTok as a facade in 'Gossip Girl.' Wright secured the highly sought-after space through luck and a personal letter, which highlighted her appreciation for the loft's original character, unlike other similar properties in the neighborhood that had been converted into luxury rentals. Her real-estate agent, Mary Elizabeth Smith of Corcoran, advised her to express her deep connection to the property. Crystal Sinclair collaborated with Michal Cisowski of Smart Interiors on the renovation, aiming to blend the industrial origins of the turn-of-the-century building with romantic design elements. Key modifications included wrapping the large pillars in warm terracotta tile and encasing the washer and dryer within a slatted wood structure. A primary goal was to make the mezzanine, previously lacking permanent access, easily accessible. This area was transformed into a cozy mini library and reading nook, furnished with Wright’s Afghan rugs and low, cloud-like chairs from Pottery Barn Teen. Wright, drawing from her experiences in Afghanistan where sitting on the floor is common, found the low-ceilinged space perfectly comfortable. The kitchen, a central element for hosting, as Wright highlighted in her letter to the previous owner, underwent a significant transformation. Sinclair adorned the walls, backsplash, shelving, and countertops with honed Arabascato marble and replaced the old microwave-vent hood with a sleek oxidized steel shell. Despite initial concerns about storage, the custom island incorporates drawers on its front and sides, proving to be highly functional. In the living room, a 250-pound, 6-foot-wide vintage chandelier serves as a focal point. Another notable feature is the Frame TV, which, positioned on an antique easel, often fools guests into believing it’s a real painting, especially when a screensaver is displayed. The living area is completed with a curved sofa, chosen by Sinclair to optimize the corner setup and create a soft, sensual, light, and airy ambiance. Wright’s bedroom showcases a Nuristani mirror and a Qashqai rug, both acquired in Afghanistan, as her most cherished possessions. Given that she works from home four days a week, a dedicated workspace was essential. Sinclair designed a desk that spans the entire wall, offering ample space for both work and a makeup station, strategically placed by the window to provide an outside view. The overall design harmoniously combines industrial history with personal touches and European-inspired elegance, creating a unique and functional home tailored to Wright's diverse life and preferences. #BrooklynLoft #HomeTour #InteriorDesign #MezzanineNook #IndustrialChic #EuropeanInspired #CustomFurniture #ResidentialDesign #DumboRealEstate

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation