Before & After: Three Creative Sisters Team Up to Remodel Their Mom’s Forever Home

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

This article details the home renovation project undertaken by Victoria and Marcus Ford, focusing on the transformation of their bedroom, bathroom, and laundry room. The couple's approach to home decor is described as "intentional," selecting items that reflect their personalities and bring soul to their living spaces. The bedroom makeover centered on creating a tranquil retreat using a light blue paint color for the walls, complemented by darker blue tones in a patchwork quilt and a Kazak-style rug. Personal touches such as souvenir pennants, vintage tennis rackets, and an old state fair sign were integrated to add meaning. A gallery wall above the bed features reproduced "Black ABCs" flash cards, reflecting Victoria's appreciation for African American culture. For functionality, a multipurpose desk replaced traditional nightstands, accommodating work-from-home needs and paired with a repurposed barrel chair. The bedroom also incorporated a pillow-top mattress from the Country Living Welcome Home collection to enhance comfort. Nautical elements, including a flag with Captain James Lawrence's famous order and wooden African American sea captains, were introduced on a dresser, which was painted in Sherwin-Williams' Courtyard, to align with Marcus's interests. The bathroom underwent a significant reconfiguration, moving from an off-center vanity layout to a symmetrical design featuring two wooden vanities. This transformation incorporated a mix of ribbed hardware, brass sconces, chrome faucets, and brass-framed mirrors to create a layered, evolved aesthetic. A large-scale, four-inch hexagon tile flower motif on the floor provided a fresh yet nostalgic feel. A key design element was the sixty-inch-tall blue beadboard wainscoting, adding both height and texture to the space. The shower area was also expanded by removing a glass door, and its walls and ceiling were covered with handmade dusty blue subway tiles, designed to seamlessly integrate with the bathroom's blue theme. For the laundry room, an unused bedroom and an extra hall closet were combined to create a dedicated and spacious area. The new layout features a space-saving laundry tower, built-in cabinets with folding space, and a small work sink. The couple chose a navy and white striped shirt motif wallpaper, which Victoria found appealing and appropriate for the room's function. A large checkerboard tile floor, laid diagonally, was selected to visually expand the space and complement the wallpaper and navy high-gloss paint on the millwork. A vintage sink, reminiscent of Victoria's childhood, was installed, accompanied by a print from artist Elizabeth Mayville. The article highlights the detailed choices and personal touches that defined each room's renovation, resulting in spaces that are both functional and deeply personal to the homeowners. #HomeRenovation #InteriorDesign #DIYProjects #BedroomMakeover #BathroomRemodel #LaundryRoom #DecoratingIdeas #CountryLiving #HouseTour

This article details the renovation of a 19th-century Newton home, transforming it into a luxurious yet family-friendly space for a family of six. The homeowners, moving from a condo, were drawn to the original charm of the 1848 abode, including its authentic millwork, curved staircase, and glass-etched double front doors. Their vision was to infuse the historic property with a fresh, modern energy while preserving its inherent character. Interior designer Cara Fineman spearheaded the "glow up" primarily focusing on the first floor. This involved minor modifications to improve livability in the kitchen, pantry, and three bathrooms. Key updates included new countertops, tile backsplashes, brass hardware, and modern fixtures. Notably, the existing custom Kochman Reidt + Haigh kitchen cabinetry was in excellent condition, necessitating only a fresh coat of wispy white paint. The adjacent pantry and wet bar received a more dramatic makeover with bold new color schemes on existing cabinets, complemented by Aux Abris grasscloth and Ferrick Mason wallcoverings, along with linen window treatments, enhancing both functionality and aesthetic appeal. Fineman's design strategy for the study, family, and living rooms centered on integrating soft furnishings crafted from family-friendly textiles and contemporary lighting. In the family room, a spacious and plush sectional, ottoman, and lounge chairs were installed to create a comfortable gathering space. The living room now features a sleek game table made of lacquered swirl resin, designed to encourage board games and social activities. A significant design element across the communal spaces was the strategic incorporation of color and pattern, particularly through wallpaper, fulfilling the clients' desire for a vibrant and dynamic interior. The home boasts a sophisticated yet serene atmosphere, achieved through a diverse material palette including silk, grasscloth, antique brass, velvet, and rattan. A personalized sanctuary was created for the mother of the house in the first-floor study. This feminine space, designed for quiet reading, features an opal wall color, warm artwork, and bookshelves filled with books, accompanied by an overstuffed sofa for relaxation. Despite having four young children under the age of six, the first floor was intentionally designed to feel luxurious and mature without being overly precious or inaccessible to the kids. The design philosophy emphasized materials that were not easily damaged and the rehabilitation of existing elements rather than complete replacement, such as using natural fibers and updating existing cabinetry. This approach allowed for the preservation of the home's originality while adapting it to the contemporary needs of a young family. The playroom, adjacent to the boys' bedroom, features a lively Serengeti wallpaper, beanbags, storage baskets, and wall shelves, designed to be age-appropriate yet durable for a growing family. #HomeRenovation #InteriorDesign #NewtonHome #HistoricHome #FamilyLiving #ModernDesign #LuxuryInteriors #ResidentialDesign

Lindsey and Ruth, a couple from Teesside with two young children, Aria and Ivy, faced significant challenges with their home's layout before renovation. The existing structure featured a cramped living room, kitchen, and dining room, offering limited living space and minimal storage. A major inconvenience was the tiny hallway at the entrance, which opened directly onto the stairs, making it difficult to maneuver a baby stroller and causing a bottleneck for entering and exiting the house. Furthermore, the cloakroom's location near the kitchen meant traversing the entire house to store coats and shoes, highlighting a general lack of practicality in their living arrangement. Despite having a beautiful garden, the house's internal design failed to optimize its potential or cater to the needs of a growing family. The couple allocated £52,000 for the renovation, surpassing their initial budget of £40,000, after securing design proposals from architects Laura Jane Clark and Robert Jamison on the BBC2 show 'Your Home Made Perfect.' They were particularly drawn to Laura Jane Clark's design, which promised to transform their disjointed dwelling into a cohesive, open-plan space. The core of Clark's innovative approach involved relocating the staircase to the left, which dramatically opened up the entrance. This created a spacious, light-filled hallway that not only solved the immediate problem of navigating with a pram but also established a clear connection between the front entrance and the rear of the house and garden. This alteration also provided ample storage solutions, addressing a critical need for the family. The renovation also entailed breaking down walls to merge the previously segmented kitchen, living room, and dining room into a single, expansive open-plan area. This change was crucial for Lindsey and Ruth, who desired an interconnected space where they could easily keep an eye on their children while engaging in other household activities. The new design incorporated bi-fold windows, allowing abundant natural light to flood the interior and offering continuous views of the garden. Although Clark initially envisioned the open space primarily for dining and an open kitchen, the couple adapted it to include a central dining table and a comfortable sitting area, effectively extending the living space by 1.7 meters into the garden. Another significant transformation involved the garage, which had previously served as an overflow pantry due to the kitchen's lack of storage. Despite Lindsey's initial reluctance to convert it for fear of devaluing the property, the garage was ultimately repurposed into a functional utility room, equipped with a washing machine and dryer. The comprehensive redesign included the integration of sleek, modern cupboards throughout the kitchen and in the new entrance hallway, ensuring that storage was no longer an issue. The outcome was a home that not only met the practical demands of the family but also garnered widespread praise from viewers for its stunning transformation and thoughtful design elements. #HomeRenovation #OpenPlanLiving #StaircaseRelocation #HomeDesign #InteriorTransformation #FamilyHome #ArchitecturalDesign #SpaceOptimization #StorageSolutions

Jamie and his wife undertook an ambitious renovation of a dilapidated two-bedroom 1960s bungalow in a Nottinghamshire village, transitioning from Birmingham city life to a more intentional, rural lifestyle. The decision to move was influenced by the pandemic, which highlighted their preference for a quieter environment away from city noise. Despite initially seeking a larger, fully renovated house, a last-minute sale fall-through led them to the bungalow. They were somewhat naive about the extent of work required but quickly committed due to their children securing places in local schools and their affection for the village. The village, with only 250 residents, offers a unique blend of countryside living and convenient access to Nottingham, being just 20 minutes away by car. The compact nature of the 1960s property presented a significant challenge for the family of four. To address this, Jamie enlisted architect David Jackson-Crane, who reimagined the single-storey layout. The redesign focused on creating open spaces and maximizing natural light, all while adhering to green belt regulations. Jackson-Crane proposed utilizing the roof’s volume to achieve higher ceilings instead of adding a second floor with sloped ceilings, a solution Jamie, being six-foot-two, found ideal. This approach successfully created space for the children's bedrooms and a home office. The main bedroom suite was positioned at the opposite end of the bungalow. The original part of the house was opened up to establish an open-plan kitchen, dining, and living area at the rear, fostering a more connected family environment. During the renovation, the family temporarily resided in a nearby village. The planning phase experienced frustrating delays, including a six-month wait for a bat survey due to seasonal restrictions after a single bat dropping was discovered. Despite these setbacks, the local planners were impressed with their design and efforts to incorporate eco-friendly solutions. Collaborating with specialists Carbon Legacy, they integrated an air source heat pump and solar panels into the property. Jamie and his wife strategically planned every detail to make the most of the smaller living space. Interior designer Laura Gray worked with the architect from the project's inception, ensuring that each room was both functional and thoughtfully furnished. Gray's involvement ensured that window designs complemented desired curtains and blinds, and she helped refine the layout to create a practical and livable home. The interior design adopted a mid-century modern aesthetic, with accents of Art Deco and bold colors, providing a fresh design foundation. To ensure a cohesive new interior, they even gave away most of their old furniture. Living in a single-storey home has provided unexpected benefits, including a stronger family connection and a future-proof design without steps or ledges. The eco-friendly installations have also significantly reduced their energy bills to a quarter of what they previously paid. Despite the challenges, including the prolonged planning process and exceeding the initial budget, Jamie remains confident in their decision, expressing daily appreciation for their well-designed and functional family home. #HomeRenovation #BungalowMakeover #InteriorDesign #EcoFriendlyHome #RuralLiving #OpenPlanLiving #FamilyHome #ArchitecturalRedesign #Nottinghamshire

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

David and Emma Engerer, a young couple, have embarked on a significant endeavor to revitalize the historic Stuart Neighborhood in Kalamazoo through the renovation and rental of its aging houses. David, 28, from metro Detroit, and Emma, 22, from Austin, Texas, met at a skateboarding contest in Houston and later married in October 2019. Their venture into real estate began after David's graduation from Western Michigan University, encouraged by his father to purchase and renovate older homes to generate rental income. The couple's commitment to the neighborhood is evident in their hands-on approach to renovations, with David performing most of the restoration work alongside Emma. Their efforts have been lauded by local residents, including Gary Wark, president of the Stuart Area Restoration Association, who notes the positive contrast with absentee landlords. The Engerers are part of a growing trend of younger individuals investing in the historic area, which boasts many houses dating back to the 1870s when it was a thriving community for businessmen and professionals. David emphasizes the importance of maintaining a vision for the properties' potential, despite the inherent challenges of home fix-ups. Their first acquisition was an American Foursquare stucco house at 821 Kalamazoo Ave., built in 1910. Originally a single-family residence, it had been converted into a duplex in the 1920s and suffered from neglect, including foundation, roof, plumbing, and electrical issues. Emma humorously compared it to the 'Money Pit' movie. Despite its condition, the house had existing tenants, and its structural integrity was surprisingly sound. This initial project served as a significant learning experience for the couple. Following this, the Engerers purchased two more 19th-century homes in the neighborhood, with plans for additional acquisitions. One of these is their personal residence, a 4,000-square-foot Queen Anne Victorian at 418 Stuart Ave., known as the French/Allen House, built in 1895. This house, rich in history with four bedrooms, 3.5 bathrooms, stained-glass windows, and a sweeping veranda, was originally appointed by Marshall Field. It was once owned by Dorr French, a justice of the peace and city attorney, and later by Harold Allen, vice president of First National Bank and corporate secretary for The Upjohn Co. They acquired this house in May 2020 at a reduced price, undertaking interior upgrades such as replacing old galvanized steel pipes and plumbing, replicating door moldings, and re-doing bathrooms, all while meticulously preserving the historic integrity. David expresses strong disapproval of renovations that strip old homes of their original charming features. Local historian Sharon Carlson, a resident of the Stuart Neighborhood, commends the Engerers' dedication, noting that landlords who live in the neighborhood tend to be the most effective. In July 2020, they bought another rental property at 500 Stuart Ave., a four-unit dwelling built by George Rickman in the late 1880s, one of three brick Queen Anne-style houses on the street. They are currently performing exterior and limited interior renovations, with more extensive work planned as tenant leases expire. This house, along with its neighbors, is distinctive for its brick construction, unusual for Victorian homes of that era. Emma, who initially had no plans to leave Texas, credits her move to Michigan to her relationship with David and a strong sense of divine guidance. She discovered Michigan's distinct seasons, a new experience compared to Texas. David's background includes a past as an aspiring professional skateboarder and snowskater, sponsored by Ambition Snowskates. He graduated from Western Michigan University with a degree in exercise science, initially intending to become a physical therapist, but discovered a passion for home renovation after summer jobs involving repairs. David's father, a successful physical therapist and experienced home renovator, has been a significant mentor, guiding them with insights into making properties profitable and managing renovations. The Engerers emphasize that while financial viability is crucial for such projects, passion and vision are paramount. They plan to remain in the Stuart Neighborhood long-term, expressing their love for the community and its historical homes. #HistoricHomeRenovations #StuartNeighborhood #KalamazooRealEstate #PropertyInvestment #CommunityRevitalization #QueenAnneVictorian #OldHouseRestoration #RentalProperties #NeighborhoodDevelopment

Juliet and Jonathan, owners of a Federation home on Sydney's Lower North Shore, embarked on a significant renovation to accommodate their growing family of five. Initially, their single-storey, one-bathroom house was suitable for them and their first child, William. However, with the arrival of their second child, Patrick, and later Ellie, the need for more space and an additional bathroom became apparent. They considered various options, including reconfiguring the existing floorplan or selling the property, but ultimately decided to add a second storey, with Ellie's impending arrival serving as the primary catalyst for this decision. The couple enlisted Coco Tully, founder and creative director of Cote Interiors, to bring their renovation vision to life. Tully's warm demeanor and American-coastal aesthetic, characterized by a balanced use of color and clean yet inviting interiors, resonated with Juliet. The renovation project began in 2023, with architectural plans by Bennett Murada already in place. The builders had initiated the conversion of the ground-floor study into a staircase and commenced the construction of a first-level addition. This new level was designed to include a main bedroom suite with a balcony, a new study, a bathroom, and an additional bedroom, effectively doubling the functional space of the home. Juliet, having previous renovation experience with an Eastern Suburbs terrace, actively collaborated with Coco on various design elements. Their collaborative process involved refining lighting fixtures, joinery designs, material finishes, paint colors, and furniture selections. Coco Tully highlighted that while Juliet had a clear vision and refined taste, the busy parents required professional support to execute their dream. The design philosophy aimed to respect the home's original Federation character while incorporating a breezy, holiday-inspired atmosphere. This was achieved through elements such as handmade tiles, cane accents, and a cohesive blue, green, and white color palette. Attention to detail was paramount in the renovation. The couple opted for enduring finishes and fixtures, including natural stone, weathered brass, and classic wall lights, demonstrating a preference for quality over cost or speed. Specific examples include the addition of a bead to the kitchen joinery profile, the use of marble capping tiles and skirting in the bathroom, and the selection of Schumacher 'Scattered Stars' wallpaper and blush Roman sheers for Ellie's room, designed to adapt as she grows. Every design choice throughout the home was meticulously considered to achieve an elegant and refined aesthetic. Practicality was another key consideration for the family. Juliet and Jonathan requested arched French doors to create a distinct separation between the entertaining areas at the rear of the house and the rest of the home. The laundry room was designed for maximum efficiency, featuring two washing machines, custom joinery to conceal laundry baskets, and a dedicated laundry chute. In the dining and living areas, where the family spends most of their time, Coco expanded the joinery to provide ample storage and shelving, offering spaces to display family photos, books, and decorative objects. Concealed storage along the bottom of the living room joinery was also incorporated to neatly store toys and games, promoting a clutter-free environment. Coco Tully emphasized that a home should be functional, easy to maintain, and facilitate a harmonious flow, thereby freeing up time for more enjoyable family activities. The renovation, spanning 14 months, was described by Juliet as an enjoyable and seamless process, resulting in a home that perfectly suits their family's current needs and provides an ideal setting for entertaining, especially with the added outdoor pool area. #HomeRenovation #InteriorDesign #FederationHome #FamilyLiving #CoteInteriors #SydneyHomes #ArchitecturalRenovation #HomeDecor #StorageSolutions

The Patricia Shoppe, a business inspired by its proprietor Erin Anchutz Bosman's great-grandmother, embarked on an extensive renovation project of the former Egg Harbor Town Hall. This historical building, originally constructed in the 1880s, served as a public meeting place and government building for over a century before being sold in 1990 and subsequently housing an antique shop. The renovation, completed in 2005, aimed to transform the structure into the new home for Patricia Shoppe, while simultaneously preserving its historical integrity. The original Patricia Shoppe, founded in Chicago in 1937 by Patricia McGrath Lind, was an exclusive women's boutique offering custom-designed clothing, hats, gloves, and jewelry. Erin, deeply inspired by her great-grandmother's elegance and entrepreneurial spirit, sought to continue this legacy with her own shop. The current Patricia Shoppe mirrors the original's focus on high-quality women's accessories and jewelry. The renovation of the Egg Harbor Town Hall presented significant challenges. Structural issues, such as a severely dry-rotted, hand-hewn central beam, necessitated its replacement. This required lifting the flooring, which ultimately led to the decision to replace the original pine floorboards due to their condition. During this process, workers discovered wood scraps with horseshoe imprints in the crawl space, suggesting that Belgian Draft horses were used to haul the massive beam into place during the building's initial construction. The usable portions of the original beam were repurposed for garden landscaping. New walls and plastering were also essential due to the building's long history of settling. Despite the need for modern upgrades, preserving the building's historical elements was a priority for Erin and her husband, Kevin. Salvaged pine floorboards were planed down and repurposed as window trim. The flagpole, though likely not original, stands as a testament to the building's past. The raised stage area was converted into office and storage space, with linoleum flooring designed to replicate the pattern once seen in the main hall. While the exterior and structural renovations focused on the building's history, the interior design aimed to evoke the 1930s era of the original Patricia Shoppe. This was achieved through details like a black and white checkered tile floor and replica fixtures in the bathroom. The main shop area features rustic cherry wood flooring, hand-oiled using a historically accurate technique. Silk paneling replaced the original bead board wainscoting, adding to the elegant atmosphere. Lighting fixtures were carefully chosen to reflect the style of the Chicago store, and antique display fixtures completed the sophisticated ambiance. The new Patricia Shoppe officially opened its doors in the spring of 2005. The property also includes a second historical structure, a former Egg Harbor Fire Department station, which Erin and Kevin aspire to renovate in the future. Their commitment to preserving local history and the success of the initial renovation have inspired them to continue these restoration efforts, further intertwining their family's legacy with the community's heritage. #PatriciaShoppe #EggHarbor #RenovationProject #HistoricPreservation #SmallBusiness #InteriorDesign #FamilyLegacy #ArchitecturalRestoration

Kelly and Ben Wells embarked on a renovation project for their 1942 Atlanta home, specifically targeting its outdated kitchen and compartmentalized floor plan. They were drawn to the house precisely because it lacked a newly remodeled kitchen, presenting an opportunity to personalize their first home. The original layout was characterized by small, separate rooms that hindered social gatherings. To address this, the couple undertook a significant renovation that involved removing walls to merge three distinct areas into an open-concept living, dining, and kitchen space. This transformation aimed to create a cohesive and flowing environment suitable for their social lifestyle, marking a shift from a choppy to a modern motif. The home will be featured in the Junior League of Atlanta Tour of Kitchens. The renovation, which spanned five months, involved a comprehensive overhaul of the kitchen, including gutting and repositioning its layout. The main living area, originally split-level, was leveled to establish a continuous space, and the guest bathroom also underwent renovation. In the kitchen, transitional-style cabinetry from Schrock was installed, complemented by Statuario Maximus Caesarstone quartz countertops fabricated and installed by Stone Design. Floating shelves crafted from rift-cut oak by Jay Rambo Co. were integrated above a backsplash of weathered white Cle Tile. The kitchen was further equipped with high-end appliances from Viking, including a refrigerator, oven, and microwave, along with a brass faucet from Newport Brass. An exposed brick fireplace was enhanced with a reclaimed wood mantel from Atlanta Specialty Woods. The interior design style of the home blends transitional aesthetics with modern farmhouse elements. The Wells emphasized incorporating a mix of furniture styles and heirlooms to create a personalized and authentic living space, advising against a purely 'store-bought' look. Their décor includes pieces from a variety of retailers such as Serena & Lily, Ballard Designs, RH, Rejuvenation, Crate & Barrel, Redefined Home Boutique, Pottery Barn, Casabella, Anthropologie, and HomeGoods. Textiles and rugs were sourced from West Elm, Scott Antique Market, Amber Interiors, Serena & Lily, Peridot, Anthropologie, and HomeGoods. Lighting fixtures are from Circa Lighting and Serena & Lily, while art pieces come from Christine Flynn, Peridot, One Kings Lane, and Rejuvenation. The guest bathroom features honeycomb and subway tiles, with a vanity from RH and accessories from Rejuvenation. The master bedroom incorporates linens from West Elm and decorative pillows from Scott Antique Market, with a reading nook transformed from a former master closet. The 2,300 square-foot home in Atlanta's Springlake neighborhood comprises four bedrooms and three bathrooms. #HomeRenovation #KitchenRemodel #OpenConcept #InteriorDesign #TransitionalStyle #ModernFarmhouse #AtlantaHomes #HomeDécor #FloorPlanTransformation

This article highlights two residential design projects in Edmonton, focusing on how local designers transformed family living rooms into functional and stylish spaces that balance lounging and entertaining. The first project, led by Jehan Hamdan-Fayad of Modern Era Design, involved finishing a basement in a MacTaggart home for a family of four. The initial stage focused on presenting various options for mirrors, lighting, flooring, counters, and 3D renderings for a potential bar area. Once the client hired a contractor and completed the structural work, Hamdan-Fayad returned for stage two, which involved finalizing lighting choices, the overall color scheme, incorporating metal cladding wallpaper on a feature wall, and furnishing the space. A key element of this basement transformation is a full band setup, catering to the family's shared love for music, including guitars, drums, amps, speakers, and microphones. The space also features a wet bar, designed to accommodate guests during musical jams or karaoke sessions. Hamdan-Fayad emphasizes the creative freedom and potential for surprising clients when working with unfinished basements, aiming to create comfortable and aesthetically pleasing environments rather than typical 'dungeon-like' basements. The result is a basement that serves as a stylish music venue, complete with a large, comfortable couch and an industrial-chic aesthetic. The second project, undertaken by Tracy Fortin of Flawless Interiors, focused on renovating a Riverbend family's living area, which eventually extended to the entire house. The primary goal was to make the living room a more utilized space, as the family had previously underused it. The renovation involved reconfiguring the layout, moving a piano from a less-used front living room to a newly opened main floor area. This was achieved by transforming the original living room into a dining room and removing a small office wall. A significant change involved replacing a bay window with a new backyard-facing window and demolishing a wall, which paradoxically increased the amount of natural light in the space. Fortin also addressed the flooring, replacing the original dark slate with porcelain tile in a herringbone pattern, chosen for its functionality and scratch resistance, and offering a unique alternative to common hardwood or luxury vinyl plank options. Despite the children largely having grown up and moved out, the redesigned space remains family-focused, emphasizing activities like reading by the window over screen time, reflecting the family's academic interests. The room, which previously had yellow walls and a closed-in feel typical of early '90s homes, now presents a transitional and family-friendly environment designed for comfort and togetherness, especially when the extended family gathers. #HomeDesign #InteriorDesign #LivingRoom #ResidentialRenovation #FamilySpace #InteriorStyling #BasementRenovation #FunctionalDesign

The article details the renovation journey of Christine Bayles Kortsch and her husband, Daniel Kortsch, as they transformed their 1924 Craftsman bungalow in Denver's Congress Park neighborhood. The initial challenge with their 1,800-square-foot home was its traditional bungalow floorplan, characterized by a cramped, narrow kitchen at the back of the house. This layout presented several issues, including a significant lack of natural light, which was crucial for Christine's food photography, and a highly inconvenient back door placement that opened onto an L-shaped staircase, making grocery carrying difficult. A single-width door between the kitchen and dining room also created a constant point of congestion for their family of four, who frequently entertained guests. After years of attempting minor cosmetic fixes like painting dark cabinets white and updating living room furnishings, the couple realized these superficial changes were insufficient to address the fundamental problems of the dysfunctional layout. This realization prompted them to undertake a comprehensive kitchen remodel during the pandemic. For this significant project, they enlisted the expertise of Christine’s sister-in-law, Vivian Bayles, a Manhattan-based interior designer and architect, and local builder Jim Copeland of Copeland Craftworks. The core of the renovation involved a strategic overhaul of the floorplan. Instead of simply modifying the partition wall at the back of the kitchen, they removed it entirely. The small, unusable nook was transformed by replacing its window with a 10-light glass door leading to a new exterior deck. The area previously occupied by the nook now serves as a spacious landing for a new, straight staircase to the basement, significantly improving accessibility and flow. Furthermore, the narrow doorway connecting the dining room and kitchen was dramatically widened, creating a more open and integrated living space. Another key improvement was the removal of a hard-to-access, recessed pantry located behind the old kitchen, above the back stairs. This change allowed for the installation of a full-depth refrigerator, a high priority for Christine, aligning seamlessly with the new cabinetry and appliances. Storage capacity was also enhanced by extending the new cabinets to the ceiling, maximizing vertical space. Rick Lutz, a kitchen designer from Home Depot, assisted with the cabinet configuration, emphasizing efficiency within the existing footprint. To maintain the home's historic character while integrating modern functionality, crown molding was added throughout the kitchen, dining, and living room, sourced from Austin Hardwoods to match the period. For finishes, Christine prioritized texture and a sense of aged patina, moving beyond standard modern choices. She selected durable Super White dolomite for the countertops, which offered a neutral surface ideal for photography while adding a distinctive natural stone element. The backsplash features Liberty thin-brick Clé tile, inspired by early 20th-century New York City, chosen for its uneven, rough texture that introduces character. A notable design decision was to conceal the microwave in a custom cabinet beneath the countertop, avoiding its traditional placement above the range, and Daniel designed and built a custom plaster-and-white-oak hood. The dining area received an unobtrusive chandelier by the Light Factory, a refurbished wooden table, a custom-built bench by Daniel, and vintage 1960s Danish chairs, fostering a rustic, communal atmosphere. The renovation also integrated the kitchen's new aesthetic with the rest of the main floor by updating the living room's fireplace hearth with leftover dolomite and white-oak trim, tying it to the new white-oak floors and complementing the home's existing bold wallpaper. Christine emphasized that the project, constrained by footprint and budget, fostered creativity, resulting in a bright, efficient, and cohesive space that respects the home's history while meeting contemporary needs. #HomeRenovation #CraftsmanBungalow #KitchenRemodel #InteriorDesign #DenverHomes #HistoricPreservation #FloorplanTransformation #CustomCabinetry #ArchitecturalRenovation

Alykhan Velji Designs undertook a significant renovation project in a mid-1990s home, focusing on updating its dated aesthetic to a more contemporary and functional space for a family of five. The initial state of the Calgary residence featured a kitchen dominated by granite countertops and sandy-white cabinets, while the second-floor hallway had an extensive railing, and the overall design incorporated an excessive amount of stone. The renovation’s primary challenge was modernizing these elements without completely altering the existing structural integrity, particularly for the home’s two prominent staircases. The main spiral staircase, a central feature, underwent a major transformation. Instead of demolishing and rebuilding, Velji’s team, in collaboration with Rawlyk Developments, opted to revamp the existing railing. This involved meticulous work to achieve a continuous curve for the new oakwood handrail, complemented by sleek black spindles. The stringers were painted a cool white to match the walls, and the steps were re-covered with a soft, kid-friendly cream carpeting from Karastan Carpet, updating its look while enhancing practicality. A second staircase in the formal living space, which was not up to code, also required attention. The designers increased the railing's height and introduced a swirl detailing on the post to soften its appearance. A key design decision here was to drywall over the spindles and a section of the second floor that resembled an interior balcony. This modification aimed to create more privacy and a cleaner wall line, ensuring ample natural light still permeated the upstairs area. Although the stone fireplace mantel remained due to budget constraints, a new plaster treatment on the massive wall introduced a desirable texture to the room. Beyond the staircases, the renovation extended to other critical areas of the home. The large windows, previously framed with white molding that lacked visual impact, were modernized with several coats of Benjamin Moore’s Black paint, instantly adding presence and sophistication. The entry space incorporated materials inspired by Mediterranean design; specifically, Centura’s Decoro tile was used to mimic a handwoven rug, and Arteriors wall sconces, reminiscent of gladiator armor, became a client favorite, preserving an "old-world, Roman-slash-European feel." The kitchen, initially characterized by its beige tones, was transformed with an emerald backsplash tile, introducing a bold contrast to the new black and white cabinet scheme. The kitchen's layout remained largely unchanged for efficiency, but a tall cabinet was replaced with a secondary bar sink to improve functionality for daily routines. The main bathroom received a cosmetic refresh, featuring graphic shower tiles, 12-by-24-inch marble-look floor tiles, and a custom white vanity. The choice of white cabinetry was strategic, designed to enhance the sense of spaciousness in the narrow room. In the dining room, an existing rectangular nook, offering sightlines into an adjacent hallway, was creatively addressed. Instead of walling it off, which would have made the space feel heavy, the designers placed a fiddle-leaf fig plant within the opening, effectively integrating an architectural quirk into the new design. Overall, the project successfully transitioned the home from its 1990s origins into a modern, functional, and aesthetically pleasing living environment through a series of thoughtful updates and material selections. #HomeRenovation #InteriorDesign #StaircaseMakeover #DatedHomeUpdate #ModernDesign #KitchenRenovation #BathroomRefresh #ArchitecturalFeatures #BeforeAndAfter

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Morgania Moore and Brook Bannister, an artistic couple, along with their son Monroe, have transformed Moore's inherited 1970s cottage in the rural Alexander Valley of Healdsburg into a dynamic canvas of handcrafted design. Both Moore and Bannister share deep family ties to the region, with Moore having spent childhood weeks at her grandmother's home and Bannister growing up fishing and swimming in the nearby Russian River. They met in their twenties and are now raising their 11-year-old son in the same home, fostering a strong connection to both the land and their creative living space. The home and an adjacent studio reflect the family's shared passion for craft. Bannister, a winemaker, musician, and woodworker, has personally constructed much of the home's furniture, including tables, shelves, and kitchen cabinets. Moore, whose artistic endeavors span lighting, floral design, jewelry, and textiles, infuses the rooms with large-scale natural elements sourced from the Alexander Valley, such as twisted branches, seed pods, and tumbleweeds. Their son, Monroe, attending a nature school, contributes to the creative atmosphere through music with his father and managing a significant Lego collection. The family maintains a balance between individual creative pursuits and communal activities. During the day, they immerse themselves in their respective projects throughout the house, converging in the kitchen as evening approaches to converse, read, and prepare meals together. They embrace the challenges of the creative process, viewing it as a means to produce interesting and unique works. Both Moore and Bannister draw inspiration from natural forms, such as the curve of a bone, the colors of river stones, or the shape of recycled metal. Bannister translates these into furniture or music, while Moore creates oversized papier-mâché pendant lights, braids textiles into cushions, and fashions large-scale installations from reclaimed fireplace screens. The home is adorned with entire tree limbs arching over seating areas and various finds from Moore’s past work on film sets, creating a space rich with artistic imagination. The couple is committed to preserving the home's original humble and bohemian character, resisting suggestions from interior designers to modernize it. They value the existing stains and marks as a testament to the house's long history. The surrounding environment also provides endless materials and inspiration; winter rains reveal clay and pebbles that Moore collects for jewelry, and the changing seasons offer unique visual elements, such as the sculptural bare branches of oaks. A significant project for Bannister involved salvaging a large black walnut tree trunk from the Russian River after a winter storm. He spent years milling and curing the wood, which now forms the distinctive live-edge cabinet fronts in their kitchen. This endeavor highlights their patient, faith-driven approach to craft. Their commitment to sustainable and local craft is deeply personal, driven by a desire to conserve natural resources for future generations, including their son. Bannister expresses strong feelings against deforestation and prioritizes salvaged and reclaimed materials for his furniture, finding them more beautiful and ethically sound than commercially sourced wood. Monroe has also engaged in carving spoons from the same walnut wood. The couple frequently finds themselves drawn to similar natural materials, symbolizing their artistic convergence. Their home is seen as a constantly evolving canvas, adapting to their creative journey and reflecting their philosophy of living in harmony with nature and artistic expression. Bannister Wines, owned by Brook Bannister, also features a tasting room in Geyserville that doubles as an art gallery, showcasing various artists and further extending the family's artistic influence into the community. #HealdsburgHome #HandcraftedDesign #AlexanderValley #ArtisticFamily #SustainableLiving #SonomaCountyArtists #NaturalMaterials #InteriorDesign #CustomFurniture

The article highlights the work of interior designer Whitney Durham, focusing on a significant renovation project in Milton, Georgia. The project involved transforming an outdated 1985 Cape Cod-style home into a functional and aesthetically pleasing residence for a family of six, including two dogs and four children. The homeowners, after two decades in Buckhead, chose a 5-acre property in North Valley, Milton, which offered ample space but required extensive interior modernization. The core challenge for Durham was to update the home's formal and somewhat antiquated aesthetic to better suit a contemporary family lifestyle, while also integrating a substantial collection of family heirlooms, antiques, rugs, and art pieces acquired from global travels. The renovation encompassed a 7,500-square-foot interior space, addressing various aspects from foundational elements to decorative details. Key structural modifications were implemented to achieve a more open and current floor plan. This included removing internal columns that previously separated the breakfast room and living room, thereby fostering a more fluid connection between these areas. Additionally, room casings in the kitchen were widened to enhance the sense of openness. The exterior of the house also received an update, with the paint color being lightened and shutters refreshed to complement the new interior style. Beyond structural changes, Durham focused on elevating the home's ambiance through lighting and decor. All lighting fixtures throughout the house were updated, with specific mention of Circa Lighting products used for keeping room ceiling fixtures, foyer lights, and library shelving. The design philosophy embraced by Durham emphasized a curated look, blending new and old elements, as well as high-end and more accessible pieces, to create a home that felt evolved over time rather than uniformly new. This approach was particularly effective given the family's existing collection of diverse items. The project details further illustrate the comprehensive nature of the renovation, listing various resources and suppliers involved. These included Circa Lighting for fixtures, Classic Home for furniture such as a sideboard cabinet and leather chairs, Elaine Burge for living room art, The Ellenburg Chair Company for sofas and club chairs, Made Goods for a living room side table, Myers Carpet for custom stair runners and carpets, and Schumacher for wallpapers and fabrics used in the dining room and powder bath. These selections underscore the quality and variety of materials and furnishings chosen to bring Durham's vision to fruition, transforming an older property into a thoughtfully designed and livable family home. #InteriorDesign #HomeRenovation #CapeCodStyle #FamilyHome #LuxuryInteriors #AtlantaDesign #EclecticDecor #HeirloomIntegration