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13 Worst ‘Trading Spaces’ Designs, From the Sob-Inducing Fireplace to Straw-Covered Walls (Photos)
In anticipation of the return of TLC’s popular home design show, “Trading Spaces,” this article revisits some of the most memorable and, at times, disastrous room transformations from its original run. The show, known for its rapid makeovers and the often-unpredictable choices of its designers, frequently left homeowners with mixed emotions, ranging from delight to outright dismay. This compilation highlights 13 instances where design choices went awry, leading to shocked reactions and even tears from the homeowners.
One recurring figure in these infamous makeovers is designer Hildi Santo-Tomas, whose unconventional and provocative approach often pushed the boundaries of interior design. Her projects included covering walls entirely with straw, a decision that predictably met with homeowner disapproval. Another of Santo-Tomas's bold moves involved a dining room accent wall featuring a floor-to-ceiling mosaic portrait of her own face, a unique and unforgettable personal stamp on a client's home. She also once transformed a kitchen into a 'horror show' with off-putting red paint, coffin-shaped shelving, and a blood-stained tarp as an 'art project,' which was far from appetizing for the homeowners. In a bathroom makeover, Santo-Tomas stapled hundreds of fake flowers to the walls and painted the trim gold, a design choice that, while peculiar, could have been worse by her standards. Perhaps her most audacious design was inverting an entire living room, hanging all the furniture from the ceiling, rendering the space impractical for daily living.
Designer Doug Wilson also contributed to some of the show's most controversial designs. He once crammed a small room with a loud red-and-white pattern and oversized lounge seating, making the space feel even more confined. Wilson was also responsible for one of the show's most infamous moments, dubbed the 'Crying Pam' episode, where he covered a brick fireplace with a modern white facade, leading to the homeowner's emotional breakdown during the reveal. In another instance, he created a jungle safari-themed bedroom with zebra print walls and bamboo accents, a concept that prioritized theme over comfort and taste. Wilson's collaboration with Santo-Tomas on a monochromatic room challenge also yielded surprising results; while Santo-Tomas impressed her homeowners with an all-black room featuring an intricate ribbon wall, Wilson's all-white room was less well-received.
The article also touches on other regrettable design decisions. Santo-Tomas's attempt to paint walls with paintball guns resulted in a greasy, unremovable mess that damaged the drywall. Another designer, inspired by a homeowner's interest in glass beads, incorporated them excessively into pillows, curtain rods, and a fireplace facade, complementing it with an uninviting concrete floor. Lastly, Wilson's all-white room, created as part of a monochromatic challenge, involved painting over the homeowners' newly refurbished wood floors against their explicit wishes, creating a sterile, Kubrickian aesthetic that was far from what they desired. These examples collectively illustrate the unpredictable nature of 'Trading Spaces' and the wide spectrum of reactions its designs elicited from homeowners.
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