Natasha Reid's designs champion social and psychological wellbeing

Dana Esser, an interior designer and creative, discusses her business, Dana Michele Design, and its profound impact on the daily lives of occupants in the spaces she designs. Esser highlights the significance of her work in creating therapeutic environments, such as offices for therapists and psychiatrists. These projects involved extensive research into layout, audio and visual privacy, color, texture, and furniture selections to ensure patients feel welcome, calm, comfortable, and safe. The insights gained from designing these therapeutic spaces are now applied to all her projects, ensuring they enhance the well-being of occupants and meet functional needs. Dana Michele Design distinguishes itself through an unwavering commitment to clients, with Esser acting as a 'client advocate.' With eight years of corporate interior design experience, she is now directly involved in every project, ensuring personalized attention and expertise for each client. The design process at Dana Michele Design integrates spatial intelligence with creative intuition, focusing on solving complex puzzles and understanding human needs to create spaces that resonate deeply. This process begins with in-depth client engagement to understand their aspirations and challenges, leading to designs that are not only aesthetically pleasing but also supportive of their present and future needs. Esser emphasizes the importance of professional integrity and personal well-being, stating a rule to only accept projects where her team is respected and valued, especially as a female entrepreneur in a male-dominated industry. Looking ahead, Esser plans to launch a non-profit arm of Dana Michele Design. This initiative will focus on community engagement by partnering with organizations that provide housing and support to vulnerable communities, aiming to create nurturing environments that empower individuals to thrive. The success of Dana Michele Design is attributed to human connection and the transformative power of thoughtful design, driven by a commitment to clients and the wider community. Outside of her professional life, Esser shares recommendations for enjoying Los Angeles with a visiting friend. Her ideal week would include coffee from Primo on Montana Street, brunch at Courtyard Kitchen in Santa Monica, leisurely strolls along the boardwalk, and beach volleyball. Nature excursions would involve hiking the Los Leones trail in Pacific Palisades for panoramic ocean views. Cultural experiences would include visiting the Broad or Hammer museum exhibits. Evenings would feature live entertainment at venues like the Hollywood Bowl or Aviator Nation’s Dreamland in Malibu, or attending a comedy show. Dining options range from Fia in Santa Monica to Osteria Mozza, followed by a night out in West Hollywood or Hollywood. Esser acknowledges several individuals who have significantly influenced her journey. She credits her family for providing essential physical and financial security and unwavering love. Her high school art teacher is recognized for channeling her creativity and introducing her to interior design at 16, a pivotal moment in discovering her passion. Lastly, she highlights the continuous inspiration, encouragement, and love from her closest friends, whom she considers her chosen family, calling them her backbone and biggest cheerleaders, especially when she experiences imposter syndrome. #InteriorDesign #CreativeEntrepreneur #TherapeuticSpaces #ClientAdvocacy #CommunityImpact #FemaleEntrepreneur #NonProfitInitiative #LosAngelesLifestyle #PersonalDevelopment

The article introduces Daphne Martino and Claudia Barroso, co-founders of M&B Design Studio, highlighting their journey into entrepreneurship as interior designers. Both women, having spent years assisting friends and family with design projects, decided to formalize their passion into a business once their children reached high school and college, providing them with the necessary time and space. Their motivation extends beyond personal ambition; they aim to set an example for their daughters, demonstrating that it is possible to pursue new career paths and achieve significant goals at any age. M&B Design Studio distinguishes itself through its commitment to honesty, transparency, and open communication with clients. This foundational trust is crucial for navigating design challenges and delivering spaces that are aesthetically pleasing and deeply meaningful to their clients. The founders emphasize that their path has involved considerable hard work and perseverance, acknowledging the inherent challenges and frustrations of the interior design industry. Despite these difficulties, they describe themselves as resilient, embracing both the positive and negative aspects of their work and striving to enjoy the process. Their families have been an integral part of their business, offering support with everything from physical help during installations to organizing project spreadsheets. This familial backing is presented as a key factor in their success. The studio prides itself on delivering thoughtful, timeless, and tailored designs that clients genuinely appreciate, reflecting their dedication to their craft. Beyond their professional lives, Daphne and Claudia share insights into their personal preferences and recommended activities in Miami. When friends visit, they curate an itinerary that blends outdoor exploration, culinary experiences, adventure, and relaxation. Their suggestions include a morning visit to Fairchild Tropical Botanic Garden, followed by refreshments from Wayside Market. Sundays feature a stop at the Pinecrest Farmers Market for local produce and artisanal goods. A quintessential beach day in South Beach, complete with lunch at Joe’s Stone Crab, is also on the agenda. For a change of scenery and a more relaxed atmosphere, a trip to Ocean Reef is recommended for boating, swimming, and golf. Their itinerary also highlights Miami’s vibrant art and design scene, with visits to Wynwood for its street murals and creative energy, and the Miami Design District for its architecture, high-end shops, and curated spaces. Relaxation and rejuvenation are factored in with a spa day at The Standard Spa or Tierra Santa at Faena. Dining experiences are diverse and include COTE Miami for a Korean steakhouse, Bouchon Bistro in Coral Gables for French cuisine, and Queen Miami Beach for a glamorous dinner and show. Iconic local spots like Ball and Chain, known for its live music and history, are also included to offer a taste of Miami’s cultural heartbeat. The week concludes with drinks at Bellini at Mr. C Coconut Grove, offering a sophisticated end to their Miami tour. In acknowledging those who have supported their journey, Daphne and Claudia express profound gratitude to their husbands and children. They credit their families with unwavering support, encouragement, and understanding, which have been constant sources of strength throughout the late nights, early mornings, and significant milestones of their entrepreneurial endeavor. Their families are seen not just as supporters but as an integral part of everything they do at M&B Design Studio. #InteriorDesign #Entrepreneurship #FemaleFounders #SmallBusiness #MiamiLifestyle #WorkLifeBalance #FamilySupport #DesignStudio

Meredith Stern, an interior designer and home stylist, defines her legacy through the relationships she cultivates with clients and the personal, transformative spaces she designs for them. Her design philosophy extends beyond aesthetics, focusing on understanding each client's lifestyle, preferences, and aspirations to create spaces that are not only visually appealing but also uniquely tailored to their individual needs. Stern limits the number of large-scale projects she undertakes to ensure each receives her full attention and commitment. Her undergraduate background in psychology significantly influences her design approach, enabling her to create homes that positively impact her clients' mood, productivity, and overall well-being. She emphasizes that the functionality and appearance of a home profoundly affect happiness and quality of life, aiming for her projects to leave a lasting impression of joy, comfort, and inspiration. Meredith Stern Interiors is characterized by its meticulous approach to client understanding, eschewing 'cookie-cutter' designs for personalized spaces that enhance daily life. Stern's psychological background provides a unique insight into how environments shape emotions and well-being, which she integrates into every project. She takes pride in the trust clients place in her to actualize their visions, finding immense reward in transforming homes and the lives within them. The human connections forged during projects are as meaningful to her as the design itself. Starting her own business, Meredith Stern Interiors, was a significant life transition initiated during the COVID-19 pandemic after renovating her own home in Florida. This experience rekindled her passion for design, though the entrepreneurial journey presented challenges such as client acquisition, balancing creativity with business operations, and establishing her brand in a competitive industry. Perseverance, hard work, and the support of her husband, family, and the design community were crucial to her success. She learned the importance of patience, resilience, and maintaining her vision, along with prioritizing quality over quantity by selectively choosing projects to ensure dedicated attention to each client. Stern articulates that Meredith Stern Interiors is more than just about creating beautiful spaces; it is about designing homes that genuinely reflect their inhabitants. Her overarching goal is to craft spaces that are aesthetically pleasing, highly functional, and transformative, ultimately bringing joy, comfort, and daily inspiration to her clients. She views design as a service that profoundly impacts lives by shaping the environments people inhabit. The interview also delves into a personal anecdote, outlining a hypothetical week-long itinerary for a best friend visiting Florida, filled with activities centered around thrifting, vintage hunting, and design inspiration. This includes visits to World Thrift in Lake Worth Beach, various thrift stores in Delray Beach, followed by dinner at The Grove. The itinerary extends to Miami to explore vintage and antique shops on Biscayne Boulevard, particularly mentioning Avra Art, Robert Massello, Cur8ed Studio, Iconic Design Gallery, CastellArts, and Michel Contessa. Meals at Mandolin in the Design District are suggested, alongside exploration of Wynwood's street art and the Design District's architecture. A visit to the Morikami Museum and Japanese Gardens in Boca Raton is also included, highlighting its serene beauty and intentional design. Stern attributes much of her success and confidence to her husband, who has been her biggest supporter and cheerleader since the inception of Meredith Stern Interiors, providing unwavering belief and encouragement throughout the challenges and triumphs of entrepreneurship. #InteriorDesign #HomeStyling #MeredithStern #ClientRelationships #PsychologyInDesign #Entrepreneurship #FloridaDesign #PersonalizedSpaces

In 1967, fiber artist Sheila Hicks collaborated with architect Warren Platner to design two linen-and-silk wall panels for the Ford Foundation headquarters in New York City. Platner was responsible for the interiors of the 12-story modernist landmark, designed by Kevin Roche John Dinkeloo and Associates. Hicks's original wall panels, which featured rosettes threaded around metal discs, suffered significant damage over the years due to an attempted fire retardation treatment in the 1980s, the abrasion from Eames executive chairs in the conference room, and cigarette smoke in the auditorium. Recognizing the historical and artistic importance of these pieces, Ford Foundation President Darren Walker, appointed in 2013, initiated their replacement. He commissioned Hicks to recreate the murals. Hicks accepted the project without an artist's fee, underscoring her commitment to the foundation and her artwork. The re-installation took place in August 2014, with Hicks overseeing the process. This reprisal of her work for the Ford Foundation coincided with a broader resurgence of interest in Hicks's art, marked by other large-scale public commissions, including a yearlong exhibition at the Palais de Tokyo in Paris, and a general renewal of appreciation for weaving as an art form. The modern tapestry was produced in smaller, modular sections by Enrico Martignoni, the chief installer, and project leader Dominique Pastor. This modular approach was adopted to facilitate easier replacement if any section were to be damaged in the future. Crucially, the new silk-blend threads will not undergo the same caustic chemical fire-proofing treatment that damaged the original works. Additionally, the new panels are more cost-effective, utilizing a silk-blend thread and plastic discs in place of the original metal components. The article also touches upon the broader design elements of the Ford Foundation building. Warren Platner, known for his opulent modernist style, integrated bold metallics into his interiors, such as the gold-plated, floor-to-ceiling doors leading to the subterranean auditorium. The landscape designer Dan Kiley, celebrated for his work on projects like the Miller House and the St. Louis Arch, created the lush indoor urban garden within the Ford Foundation. Architects Kevin Roche and John Dinkeloo designed the headquarters with the employee in mind, reversing the traditional skyscraper layout to ensure every office had exterior views or overlooked the indoor park within the ten-story glass atrium. Skylights at the top of the atrium, framed in Cor-Ten steel, allow natural daylight to flood the space. Even the executive chairs, modified by Charles and Ray Eames, featured brown leather upholstery and brass accents to complement Platner's design, and notably, still included pull-out ashtrays. #SheilaHicks #FordFoundation #TextileArt #ModernistDesign #InteriorDesign #ArchitecturalRenovation #ArtInstallation #WarrenPlatner #KevinRocheJohnDinkeloo

Empathy-driven design in architecture is a critical approach that shapes both the physical environment and social dynamics, focusing on fostering social equity. This method emphasizes understanding the lived experiences, struggles, and aspirations of individuals, particularly those in marginalized communities. The goal is to create spaces that promote dignity, accessibility, and social equity beyond mere aesthetics and functionality. By prioritizing empathy, architects can design environments that uplift communities, address disparities, and drive positive societal change through human-centered design. Central to empathy-driven design is a collaborative approach where architects engage directly with future inhabitants. This ensures that design solutions genuinely reflect the diverse needs and aspirations of the community, moving away from top-down processes toward a participatory model that empowers residents. This collaboration recognizes community vulnerabilities while instrumentalizing and empowering their competencies within the architects' framework, fostering ownership and identity, and deepening the connection between individuals and their environment. Empathy serves as a catalyst for social change in architecture by challenging designers to consider the broader impact of their work on social equity, thereby creating more inclusive and adaptable spaces. Whether dealing with affordable housing, public infrastructure, or community gathering areas, empathy-driven design elevates architecture's role in promoting social justice. By integrating empathy, architects can create equitable and caring environments that serve the common good, acting as active listeners and co-designers who immerse themselves in the community's context to reflect its values, needs, and identity. Several projects exemplify this approach. The Butaro District Hospital in Rwanda, designed by MASS Design Group, demonstrates how a hospital can meet healthcare needs while reflecting community dignity. The design incorporated natural ventilation, local volcanic rock, and views of the landscape, all contributing to a healing environment. Community members were involved in construction, ensuring local economic benefits and investing 85% of building costs into the local economy. Maggie's Centres, designed by various architects like Frank Gehry and Foster + Partners, provide supportive environments for cancer patients and their families. These centers feature natural light, gardens, and non-institutional interiors, emphasizing inclusivity and accessibility for all, regardless of physical ability, economic status, or cultural background. This approach contributes to healing and human dignity, showcasing the power of empathetic design in healthcare. In addressing the housing crisis, the Quinta Monroy Housing project in Chile by ELEMENTAL, led by Alejandro Aravena, offers "half-houses" that residents can complete as their financial situations improve. This adaptable design, based on extensive community consultations, allows families to personalize their homes, promoting ownership and social equity. Similarly, the Empower Shack project in Khayelitsha, South Africa, by Urban Think Tank, reimagines housing for informal settlements through participatory design. Residents are involved in the design and construction of affordable, expandable housing, giving them control over their living conditions and fostering social cohesion and economic opportunities. Despite the numerous benefits, empathy-driven design faces challenges, including balancing empathetic goals with practical constraints like budget, time, and regulations. Projects for underprivileged communities often have tight budgets, making extensive collaboration difficult. Overcoming deeply entrenched societal inequalities, such as poverty or discriminatory policies, is another hurdle, as architecture alone cannot resolve systemic issues. Cultural and contextual sensitivity is also crucial, requiring architects to avoid imposing their values and to adapt designs based on feedback from diverse populations. Despite these challenges, empathy-driven design represents a transformative shift in architecture, prioritizing collaboration and responsiveness to create more sustainable, equitable, and dignified communities. #EmpathyDrivenDesign #SocialEquity #InclusiveArchitecture #CommunityEngagement #HumanCenteredDesign #AffordableHousing #HealthcareArchitecture #ParticipatoryDesign #SustainableDesign

The article highlights Jules Stafford, an interior design alumna from George Fox University, and her impactful work at DesignCase, a firm recognized for its community-focused projects. Stafford, a bi-cultural woman with Mexican and Filipino heritage, integrates her understanding of diverse cultures into her design philosophy, emphasizing the creation of hospitable spaces that foster community. A notable project discussed is the Immigrant Food restaurant in Ballston, Virginia, which she helped design. This restaurant is celebrated for its vibrant aesthetic, reflecting various immigrant cultures, and its role as a hub for cultural exploration and community engagement. Stafford's work extends beyond commercial projects to pro bono community initiatives. DesignCase recently revamped teacher lounges in a local K-12 public school, designing intentional spaces for educators across different grade levels. This project deeply resonated with Stafford, who witnessed the profound positive impact these revitalized spaces had on the teachers, reinforcing her belief in the power of design to serve and uplift communities. She views these opportunities as a way to steward her talents and contribute meaningfully to society. The article also delves into Stafford's personal journey, detailing her upbringing in Hesperia, California, within a large family that instilled in her a strong sense of community and a knack for organizing events. Her early experiences with hospitality and planning naturally transitioned into an interest in interior design. As a first-generation college student of color, Stafford faced unique challenges in pursuing higher education. Her family, with no prior college attendees, found the prospect of university cumbersome. She navigated a crossroads between pursuing a design-focused school or a faith-based institution, ultimately finding George Fox University and its Mosaic Scholars Program, which offered both academic and leadership development support. Her transition to George Fox was initially difficult due to the distance from home and financial pressures. Overwhelmed, Stafford considered leaving after only two weeks. However, the unwavering support from university staff, particularly Bryce Coefield and Jenny Elsey, played a crucial role in her decision to stay. They provided her with options and encouragement, demonstrating the strong community ethos at George Fox. Further support came in the form of a nanny position with George Fox’s women’s volleyball coach, Emily Davis, which offered her housing and extended her stay at the university, allowing her to thrive academically and personally. Casey Martin, Stafford's interior design professor, also provided significant mentorship and practical assistance, including helping her secure employment when an initial job fell through. Martin's commitment to connecting students with industry professionals and offering comprehensive support, whether professional or personal, was instrumental in Stafford's success. The collaborative spirit among her peers in the interior design program, where students supported each other through competitions and celebrated collective achievements, further underscored the importance of community. Stafford's story culminates in her securing a position at DesignCase, a moment celebrated by her classmates, symbolizing a shared victory and the fulfillment of her aspirations. She continues to advocate for collaborative design, emphasizing the need for diverse perspectives to create impactful and meaningful spaces, believing that even small organizations can achieve significant positive change. #InteriorDesign #CommunityEngagement #AlumniSuccess #GeorgeFoxUniversity #FirstGenerationStudent #CulturalFluency #ProBonoWork #Mentorship #CareerJourney

This article celebrates Suzanne Tick's induction into the Interior Design Hall of Fame, highlighting her multifaceted career as a material innovator, textile designer, and artist. Tick's work is characterized by a forward-thinking approach, integrating sustainability, advanced technologies like 3D knitting, and concepts of transparency and digitalism into woven surfaces for commercial interiors. Her textile brand, Luum, for instance, launched its 'Fabric of Space' collection with patterns inspired by celestial phenomena, coincidentally aligning with the public release of images from the James Webb Space Telescope. Throughout her four-decade career, Tick has collaborated with prominent brands such as Tarkett, Tandus Centiva, 3form, and Skyline Design, creating a diverse range of products including upholstery, drapery fabrics, high-performance carpeting, broadloom, cement-tile, LVT flooring, and etched glass panels. Beyond her commercial endeavors, she maintains an active fine-art practice, producing tapestries and experimental handweavings for clients like the Gates Foundation and BlackRock. Before establishing her independent studio and Luum, Tick served as an in-house design lead for Knoll Textiles, Unika Vaev, and Brickel Associates. However, she values the autonomy and risk-taking opportunities afforded by her entrepreneurial path. This independence has enabled her to innovate, as seen in Luum's pioneering contract industry fabrics made from postconsumer-recycled biodegradable polyester and discarded garment waste. Her journey began in the early 1980s after earning textile design degrees, where she quickly sought to understand the entire production process, learning everything from fiber sourcing to pattern implementation, an experience that shaped her holistic approach. Sustainability has been a cornerstone of Tick's philosophy, encompassing raw material development, structural innovation, and manufacturing method revitalization. At Luum, the focus is on developing new fibers and constructions, resulting in distinct fabrics. Her handweavings also incorporate novel and salvaged materials, such as dry-cleaning hangers, shredded ledgers, and cut-up paint sample discards. Tick attributes her salvage mindset to her upbringing, influenced by her father's scrap-metal business and her mother's creative pursuits and Eastern philosophy interests. Meditation has also profoundly influenced Tick's creative process and studio culture. After a period of personal dissatisfaction, she embraced Vedic meditation seven years ago and now teaches it, crediting it with enhancing collective creativity and clarity within her design teams. This practice has also reinforced her commitment to social responsibility, leading to free weaving workshops and involvement with The Light Inside, an organization teaching meditation to prison inmates. Tick's dedication extends to environmental stewardship, evidenced by her role in creating Resolution, the first solution-dyed panel fabric for Knoll Textiles, and her studio's textile waste recycling efforts. Her work consistently pushes boundaries, merging technology, craft, and human ingenuity to promote circularity in design. #SuzanneTick #InteriorDesignHallOfFame #TextileDesign #MaterialInnovation #Sustainability #LuumTextiles #KnollTextiles #SkylineDesign #VedicMeditation #ArtInstallation

Anne-Sophie Rosseel, an interior and furniture designer, established House of RoRo after identifying a gap in the children's furniture market. Her motivation stemmed from a personal need for functional, ethically produced, and aesthetically pleasing children's furniture for her son that would integrate seamlessly into a home environment, rather than being confined to a playroom. Rosseel found existing options to be predominantly plastic, disposable, and overly cutesy, lacking the longevity and timeless design she sought. The initial prototypes of her furniture were developed for her own home and garnered significant positive attention from visitors, encouraging her to pursue the venture further. The process of creating her own collection offered a refreshing creative freedom, unburdened by client specific demands. The decision to officially launch House of RoRo was solidified when T Magazine expressed interest in featuring the upcoming line, providing an unexpected platform for her fledgling business. House of RoRo operates as a design studio specializing in children's furniture and objects, aiming to balance practicality with artistic expression. A core principle of the brand is the creation of high-quality, sustainable furniture that does not compromise on beauty. The brand's "Interlockables" collection exemplifies this philosophy, featuring flat-pack furniture designed like "puzzle pieces" that children can assemble themselves, with some parental assistance. This design choice addresses the common issue of children's furniture being short-lived and discarded, as House of RoRo's pieces are intended to grow with the child and endure over time. Rosseel emphasizes the importance of ergonomic design over mere cuteness, believing that children appreciate furniture that is comfortable and interactive. The Interlockables pieces are designed to be versatile and timeless, allowing them to fit into various home settings, including living rooms, without needing to be hidden away. Furthermore, recognizing that children's toys often accumulate, the furniture incorporates storage solutions to combine functionality with aesthetics. The brand prides itself on its ethical production practices, manufacturing locally with skilled artisans who receive fair wages. Production occurs in small batches to minimize waste, and even leftover material scraps are repurposed for samples or puzzles, demonstrating a comprehensive commitment to sustainability and conscious design. Her son, Iggy, is credited as a primary inspiration and motivator for the business, serving as the initial recipient and tester of the furniture. The endeavor, while demanding, was also seen as an opportunity to instill in her son the value of hard work in achieving one's aspirations. #InteriorDesign #FurnitureDesign #ChildrensFurniture #SustainableDesign #EthicalProduction #HouseOfRoRo #AnneSophieRosseel #Entrepreneurship #ProductInnovation

Fiona Simpson, a 28-year-old fiber artist residing in Sherman Oaks, finds profound solace and a therapeutic outlet in weaving, a craft she describes as the only activity, besides meditation, that stills her neurodivergent mind. Diagnosed with attention-deficit/hyperactivity disorder (ADHD), Simpson has long grappled with the challenges of a mind she perceived as scattered and restless. Her journey into weaving, however, has provided a unique form of self-regulation and a deep sense of presence. Simpson's creative inclinations are rooted in her family history, with both great-grandmothers being painters, her father a smooth jazz pianist, and her mother a collage artist. Despite this artistic lineage, she struggled to find her own creative path and manage her time and attention effectively. Early diagnoses of anxiety and depression did not fully resonate with her experience, leading to a prolonged period of uncertainty regarding her vocational direction. Her recent ADHD diagnosis, however, provided a crucial lens through which to understand her struggles and embrace her unique cognitive processing. Her foray into weaving began in 2017 when her 70-year-old neighbor, fiber artist Mary Beth Schwartzenberger, offered her a Leclerc floor loom. This gift marked a turning point for Simpson, who had previously explored various art forms like sculpting and ceramics without finding the same profound connection. Weaving, with its repetitive, rhythmic motions of threading and pulling the beater bar, resonated deeply with her, providing a meditative experience akin to "inhale, exhale." This tactile and systematic process helped her to focus, quiet her thoughts, and remain present, offering a much-needed antidote to the internal disarray she often experienced. Schwartzenberger, a former production weaver, recognized the meditative qualities of the craft and was delighted to pass on her knowledge to Simpson. She noted that Simpson's interest in fiber arts, nature, and paper arts set her apart from her peers, who were often more engrossed in technology. Schwartzenberger saw in Simpson a revival of a fading art form, recalling a time when weaving shops were prevalent in Los Angeles. She largely allowed Simpson to self-discover, emphasizing that Simpson quickly fell in love with the process itself. Despite an initial strong connection, Simpson temporarily ceased weaving, a period she now attributes to the insecurities often associated with neurodiversity. The questioning of her intelligence and capabilities, a common experience for those with ADHD, led to a pause in her artistic pursuit. However, her ADHD diagnosis, combined with individual therapy and a supportive community, proved transformative. She describes this realization as "putting on a pair of glasses," leading to a feeling of grounding and an ability to embrace her authentic self more fully. This newfound self-understanding has allowed her to return to weaving with renewed purpose and confidence. Simpson's works, displayed at M Street Coffee in Sherman Oaks, feature saturated colors and varied textures, often incorporating mixed media like embroidery, photographs, and dried flowers. Her creative process is largely spontaneous and driven by an intuitive sense of color. One of her pieces prominently features the Japanese proverb "Fall seven times, stand up eight," symbolizing her personal journey of resilience and growth. Through her art, Simpson aims to encourage viewers to pause, observe, and appreciate the present moment. She is currently pursuing a bachelor of fine arts in fiber art at Cal State Long Beach and plans to continue creating, regardless of the linear path her career takes. Her woven pieces, which draw inspiration from nature, are available for sale on her website, ranging from approximately $350 to $1,400. Schwartzenberger expressed satisfaction that her gift helped Simpson find her calling, highlighting the enduring value of passing on traditional crafts. #NeurodivergentArtist #FiberArt #WeavingTherapy #ADHD #MentalWellness #CreativeProcess #LosAngelesArtists #TextileArt #Craftsmanship

Riddhi Jain Satija, founder of Studio Medium, a Delhi-based apparel and home textile design space, reinterprets traditional handwoven textiles using intensive resist-dyeing techniques. Her work seamlessly integrates diverse textile traditions, such as the JamBan collection, which combines Bengal’s jamdani weave with Gujarat’s bandhani tie-dye. The design process at Studio Medium is textile-driven, starting with the selection and treatment of fabrics before garment construction. The team finalizes a color palette, which artisans then use to prepare for the tie-dye process, while Satija collaborates with her design team on sample sketches, garment construction patterns, and shade cards for upcoming collections. The dyeing processes at Studio Medium involve a meticulous back-and-forth approach, with a focus on achieving precision in shibori tie-dye patterns. Artisans engage in fabric tying using techniques like Arashi shibori, also known as the pole-wrapping technique. This method involves diagonally wrapping ivory fabric around PVC poles and securing it tightly with thread, then scrunching the cloth to create accordion-like folds. The term 'Arashi,' meaning 'storm' in Japanese, reflects the diagonal patterns that resemble falling rain. After preparation, the fabric-wrapped poles are submerged in a hot water bath, followed by the addition of natural and azo-free dyes. The shade is carefully monitored, and salt is incorporated to enhance color vibrancy. Once the desired color is achieved, the poles are sun-dried to remove excess dye, revealing intricate patterns resembling leaf veins upon untying. Following the dyeing and drying processes, tailors begin garment construction. The apparel then proceeds to artisans who hand-embroider or stitch to finalize each piece. Every stage of design and production at Studio Medium emphasizes high craftsmanship, detailed work, and a strong commitment to sustainability. Once completed, garments undergo rigorous quality checks, ironing, and display. The studio integrates core upcycling ethics into its operations, striving for zero-waste patterns and innovative upcycling of by-products. For instance, threads from the bandhani technique and fabric scraps from past collections or garment construction are transformed into unique textile art. Bandhani thread clusters are meticulously arranged on fabric and then sandwiched between another layer, secured with Kantha stitching to create textiles for outerwear in the 'Re' collection, which draws inspiration from Monet’s impressionist paintings. Another initiative is the 'Bor(r)o(w)' collection, which is based on Japanese mending philosophies, specifically the Boro art form. Artisans freely arrange fabric scraps from previous collections or waste materials onto new fabric, patching, stitching, and piecing them together to preserve their beauty. Studio Medium applies various dyeing techniques to hand-woven textiles to create a range of classic silhouettes, including kaftans, capes, shirts, saris, and jackets. Riddhi Jain Satija emphasizes that design is not merely about creating new items but about observing the environment and introducing simple innovations. She also highlights the importance of respecting the comfort and expertise of weavers and dyers, aiming to design mindfully and foster an inclusive and sustainable community of practitioners to generate unique narratives and experiences. Her personal journey into tie-dye began in her mother’s workshop in Kolkata, influenced by Jaipuri bandhani and Kutch district techniques, later exploring Japanese shibori at the National Institute of Design in Ahmedabad, where her fascination with the 'circle' as a design element continues to inspire her work. #TextileDesign #ResistDyeing #StudioMedium #RiddhiJainSatija #SustainableFashion #HandwovenTextiles #Shibori #Upcycling #IndianCrafts

The Design for Impact Challenge, a collaborative event bringing together students from George Fox University's interior design program and Portland State University's architecture program, showcased real-world design experience. Held at BORA Architects' Portland office, the event partnered students with industry leaders and higher education design programs. The challenge required teams, each comprising interior design and architecture students, to design a new entry and classroom space for a high school in Southern California. Each team was also paired with an industry mentor, a practicing architect or designer, who provided guidance throughout the five-hour design process. The prompt specified that ideas from the student proposals would be incorporated into the high school's upcoming renovation, adding a significant layer of real-world impact to the exercise. Students engaged in an intensive five-hour session, sketching, modeling, and refining their concepts. The focus was on balancing aesthetic innovation with practical application, demonstrating the students' creativity and problem-solving skills. Following the design period, each team presented their proposals to a panel of professional jurors from the architecture and design industries. This provided students with valuable experience in communicating their design vision and receiving expert feedback. The winning team included George Fox interior design seniors Ava Heflen and Kali Braukmiller, mentored by Shawn from VIDA Design. Their design was lauded for its strong understanding of biophilic design, which integrated native and location-specific plants to promote wellness and environmental harmony within the classroom space. Furthermore, their proposal incorporated trauma-informed design principles. This involved providing choice and flexibility in furniture arrangements and seating, careful attention to classroom acoustics, and the implementation of open sightlines complemented by AI-powered security systems. These elements aimed to create safe and calming environments conducive to learning. The design was further enhanced by curved elements in finishes and furnishings, adding softness and approachability, culminating in a thoughtful and forward-thinking solution. Ava Heflen highlighted the memorable nature of the experience, particularly the opportunity to collaborate with architecture students, which provided valuable insight into real-world design scenarios. She also emphasized the crucial role of the industry mentor in offering helpful feedback and encouragement throughout the process. Heflen noted that the collaborative environment fostered refreshing interactions and sparked numerous creative ideas. The event also served as an inspiration, allowing her to witness the diverse and thoughtful designs developed by other participants in the challenge. Another team, featuring George Fox interior design students Sam Kinsman and Michaela Vega, and mentored by Melissa from Gensler Portland, received the 'Best Concept' award. This recognition acknowledged their visionary approach and compelling presentation. The Design for Impact Challenge provided students with a unique platform for inter-institutional collaboration, direct mentorship from industry professionals, and constructive feedback from respected jurors. For the George Fox students, this experience underscored the practical application of design thinking in real-world contexts and highlighted the transformative power of intentional, human-centered design in shaping future educational spaces. #InteriorDesign #DesignChallenge #GeorgeFoxUniversity #PortlandStateUniversity #BiophilicDesign #TraumaInformedDesign #ArchitecturalDesign #StudentCollaboration #RealWorldExperience

The concept of biophilia, initially introduced by psychoanalyst Erich Fromm in the 1970s and further developed by biologist Edward O. Wilson in the 1980s, describes the innate human connection to nature and all living things. While a specific biophilic gene remains unidentified, the universal appreciation for the well-being derived from natural environments has propelled biophilic design into prominence across various industries. Biophilic design extends far beyond simply incorporating potted plants. It encompasses a broad spectrum of design elements, including patterns, colors, materials, and textures, to integrate natural elements into indoor spaces. This approach offers designers numerous opportunities to infuse elements of wellbeing into products and design processes. Table Place Chairs exemplifies how furniture can be a primary vehicle for integrating nature into an environment. The company emphasizes the acoustic properties of wood, ensuring all its oak and beech products are FSC certified. These wooden products are available in various natural stains that highlight the natural grain, allowing them to complement diverse biophilic design aesthetics, from bright, airy spaces to darker, more intimate interiors. Research indicates that visual connections to nature in workspaces can significantly enhance employees' cognitive functions. Table Place Chairs addresses this by offering clever solutions, such as natural wood finishes, grain enhancement on oak-framed chairs, and customization options like adding rattan to their Clover seating collection. Furthermore, the company utilizes recycled timber as a sustainable alternative for tabletops. Effective biophilic design integrates all elements of nature to create sustainable and livable spaces. This shift is evident in architecture and interior design, moving away from concrete-heavy structures towards incorporating more natural elements, such as vibrant oasis walls, freshwater aquariums, and advanced air filtration systems. Textiles and soft furnishings are crucial in unifying biophilic design schemes. They achieve this through the use of natural colors, organic and dry textures, and patterns inspired by flora, fauna, and botanicals. ILIV has recently launched two collections that draw inspiration from biophilic design. The Exotic Garden collection, influenced by warmer climates, features six coordinating designs with tropical origins, incorporating leaf details and intricate exotic plants to create balanced spaces. The Serene collection, designed to evoke calmness and tranquility, reflects a strong trend that emerged during the global pandemic. This collection aims to extend the feeling of relaxation and ease experienced in homes to contract environments. A study by Professor Sir Cary Cooper, titled 'Biophilic Design in the Workplace,' surveyed 3,600 office workers across Europe and the Middle East. The findings highlighted that internal green spaces, natural light, and foliage positively impact employee mood, productivity, and job satisfaction, while also reducing stress. Wallcoverings offer an excellent medium to combine color and print to emulate the natural world, featuring organic colors and textures of stone, wood, and botanicals, as well as prints inspired by landscapes, fauna, and flora. Newmor Wallcoverings provides interior designers with a wide array of biophilic-inspired patterns. Examples include Leaves, a large-scale skeletal leaf design; the witty Banshee cacti pattern by The Patternistas; and the dramatic Blooming Marvellous collection, which features large-scale palms and florals. These designs can be printed on vinyl wallcoverings or window film, expanding opportunities to incorporate biophilia into interiors. The application of biophilic-inspired designs in living, working, and relaxation spaces has been shown to enhance feelings of well-being, happiness, and serenity, as well as improve concentration, creativity, and productivity, and reduce stress and anxiety. #BiophilicDesign #InteriorDesign #SustainableMaterials #WorkplaceWellbeing #NaturalElements #TextileDesign #FurnitureDesign #Wallcoverings

Jasmine Roth, an HGTV star known for her shows like 'Rock the Block' and 'Hidden Potential,' transitioned into the design business unexpectedly and has since developed a passion for assisting individuals with home redecoration. She frequently uses social media to engage with her audience, viewing it as a vital communication tool that helps her connect with people who share similar experiences and design challenges. Roth emphasizes that social media has been instrumental in her career, offering a platform to share her design projects, such as decorating her outdoor space, and receive feedback from followers. Operating in a predominantly male-dominated industry like construction, Roth has been positively received and strives to empower other women and individuals who may feel apprehensive about construction and home design. She values the genuine relationships she has built with her followers through social media, appreciating their feedback and shared experiences. This interaction allows her to understand her audience better and witness how they adapt and evolve her design ideas, further reinforcing the impact of her work. Roth describes her career's rapid growth as surreal, expressing gratitude for the opportunities she encounters daily. She recently added 'author' to her accomplishments with the upcoming release of her book, 'House Story,' on September 28. Despite her professional achievements, Roth finds contentment in her personal life, particularly enjoying time at home with her husband, Brett Roth, and their daughter, Hazel. During her summer plans, Roth focused on redecorating her outdoor patio, a project she detailed as part of her partnership with Marshalls. She highlights the importance of selecting a consistent accent color in design to create a cohesive look, demonstrating this by incorporating yellow into her patio decor. This collaboration with Marshalls allowed her to fully design her outdoor space, showcasing her practical approach to home renovation and design. Through her various platforms, Roth continues to inspire and guide those interested in construction and home design, making it more accessible and less intimidating for a broader audience. #JasmineRoth #HGTVStar #HomeDesign #ConstructionAdvice #SocialMediaEngagement #MarshallsPartnership #InteriorDesign #FemaleEmpowerment #OutdoorSpaceDesign

Maria Isabel Segura, an architect and interior designer, discusses her journey and her philosophy of integrating creativity and design with wellness. She emphasizes that her legacy will be centered on how design can act as a powerful healing tool, promoting physical, emotional, and spiritual well-being. Segura, who emigrated from Costa Rica to Miami, faced a significant life challenge at 23 with open-heart surgery, an experience that reinforced her belief in resilience and starting anew. This pivotal event motivated her to pursue a career focused on healthcare design and holistic wellness, aiming to improve lives through thoughtfully designed spaces. Segura's professional path reflects a deep-seated passion for creating and designing spaces, which began in her childhood. She became a Registered Architect in Costa Rica in 2018. Following her move to Miami in 2019, she pursued a Master's in Interior Architecture, graduating with honors from FIU in Spring 2022. Her brand, MS ARQUITECTURA E INTERIORISMO, founded in Costa Rica in 2018, initially aimed to build a design community centered on interior architecture, wellness, and health. The goal was to demonstrate how interior design and architecture could be used as healing tools to enhance living quality and overall well-being. This vision materialized in Miami in 2022 with the establishment of MS DESIGN, WELLNESS & HEALTH. Currently, Segura operates as a Wellness Interior Designer, primarily focusing on residential consultancy. Her work involves designing unique spaces that facilitate healing and incorporate holistic interior trends to improve quality of life. MS DESIGN, WELLNESS & HEALTH is conceptualized as an Interior Architecture Lab that merges her core passions: creativity, design, and well-being. She advocates for design that transcends mere luxury and aesthetics, positioning interior architecture as a powerful means to boost health and wellness by creating conducive healing environments at home. Segura asserts that individuals are profoundly influenced by their physical surroundings, and an appropriate environment can foster a better version of oneself. The success of her design brand is attributed to this integrated approach, which allows her to enhance her clients' quality of life. Her services include Design Coaching, Professional Design Shopper, Healing Interior Design Residential Layout and Conceptualization, Consultancy, and Healing Color Palette Creation. Clients can connect with her through her webpage or Instagram for consultations. Segura also shares personal preferences, such as exploring natural spots like Bayfront Park in Miami and enjoying coffee in areas like Coconut Grove or Coral Gables with friends and family. Segura expresses profound gratitude to her parents, dedicating her story to them. She acknowledges their unwavering support, guidance, motivation during difficult times, and their belief in her when others did not. Her narrative underscores themes of personal growth, professional dedication, and the impactful intersection of design with holistic well-being, highlighting her journey from an immigrant with a dream to a successful wellness architect and interior designer committed to making a positive difference in people's lives through her work. #WellnessArchitect #InteriorDesign #MariaIsabelSegura #HolisticWellness #MiamiDesign #HealingEnvironments #EntrepreneurJourney #DesignPhilosophy

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

Violetta Ustayev, an interior designer, shares her journey of establishing Vi Design. After pursuing law and finance, a market collapse prompted her to follow her passion for design and fashion, leading her to start her own business. This decision was driven by a desire for autonomy and the ability to control her own growth trajectory. Vi Design operates as an interior design company that also functions as a retail store, offering wallpaper and fabric. The business further includes an upholstery shop and a recent partnership with a carpentry shop. Their primary focus is on mid to high-end interiors, often managing construction and delivering turnkey projects. A significant portion of their clientele comprises other designers who purchase materials and utilize Vi Design's custom carpentry and upholstery services. The distinguishing factor for Vi Design is its boutique approach, emphasizing personalized and hands-on client engagement, despite its diverse service offerings as a design retail store and fabricator. Ustayev's background in law, finance, and construction provides her with comprehensive project management skills. Ustayev expresses pride in being self-made, having built her business without working for other designers or holding a design degree. As a single mother of three young children, she manages her businesses while consistently seeking to scale and expand. She acknowledges that the path is not always easy, but views every obstacle as a learning opportunity for continuous growth. Her unwavering mindset is encapsulated by the phrase, "nothing can stop me." She recounts a significant challenge nearly two years prior when she broke her spine, an event that almost led to the loss of her business. However, her resilient outlook prevented her from giving up, instead prompting her to adapt and implement changes to prepare for unforeseen circumstances. Ustayev's overarching goal is to convey her profound passion for her work and her gratitude for daily experiences, lessons, and challenges. She aims to demonstrate that it is possible to launch a business, raise a family, overcome adversity, and still achieve success. She emphasizes that her business operations are guided by sincerity and strong moral principles. When asked about an ideal itinerary for a visiting best friend, Ustayev suggests a relaxing week in Miami. This would primarily involve visiting the beach, potentially enjoying a boat ride, and dining at her favorite restaurants. The emphasis would be on relaxation and shared enjoyment, with an openness to tailor activities to her friend's interests. Ustayev dedicates her success and current position in life to her parents. They immigrated to America in the late 1980s with her and her brother, both under five years old, with limited financial resources and no English language proficiency. They worked tirelessly for minimal wages to sustain their family. Their persistent message to their children was the importance of hard work to achieve aspirations and the value of self-employment to avoid limitations imposed by others. Witnessing their struggles instilled in Ustayev at a young age the ambition to become her own boss, a goal she has successfully realized through her various businesses. #InteriorDesign #Entrepreneurship #SmallBusiness #WomenInBusiness #MiamiLife #SelfMade #OvercomingAdversity #PersonalGrowth