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See How Neon Colors Totally Transformed a Traditional Southern Home
The article details the renovation and interior design process of artist Dana Gibson's 1912 Colonial Revival home in Richmond, Virginia. Gibson, known for her vibrant home accessories and textiles, collaborated with interior designer Sara Hillery to transform the 118-year-old house into a colorful and character-filled space. The house, purchased by Gibson and her general contractor husband, required extensive structural renovations, including roof replacement, leak repairs, and chimney reconstruction, before the interior design phase could begin. Initially, the plan was to paint everything white and gradually redecorate, but Gibson enlisted Hillery's expertise after being impressed by her work at a local designer show house. Over six months, Gibson and Hillery worked closely, with Hillery guiding decisions from window treatments to floor finishes. Gibson highlights the value of hiring a professional designer, particularly in managing unexpected issues that arise during decorating.
The foyer, featuring many of Gibson's antiques, was modernized with a glossy, Granny Smith-green Oomph console and a large, patinaed Venetian glass mirror sourced from England. Custom Fine Paints of Europe were used for the door. In the living room, a portrait by Gibson's great-grandfather, Charles Dana Gibson, inspired the bold fuchsia silk curtains. The room includes vintage sofas upholstered in Sunbrella velvet, pillows in Designer's Guild fabric, an antique chair with Dana Gibson fabric, and a ceiling painted in Benjamin Moore's Polar Sky. Deep-green piping accentuates the scalloped shape of the Lexington sofa, complemented by Dana Gibson pillows, wallpaper, and sconces. The dining room, after an initial attempt with moss-colored walls proved too dark, was painted a soft gray, with the coffered ceiling featuring a pale coral hue that matches the home's front door. The space is furnished with a John Richard Collection ceiling fixture, Dana Gibson buffet lamps, Barclay Butera for Lexington armchairs, Dana Gibson for Norwalk side chairs, and an Annie Selke rug.
The kitchen showcases Peter Dunham's Fig Leaf fabric for window shades, blending Gibson's collection with designs she admires. It features RH wall shelves, a Dana Gibson lamp, and Morris Tile. The powder room utilizes Gibson's own Grackle wallpaper as a decorative element, paired with an antique mirror and Dana Gibson hand towels. The office features a blue-and-white Thibaut print wallpaper, a design choice that brought Gibson and Hillery together professionally. It is equipped with a Dana Gibson pendant and table lamp, a Ballard Designs desk, and a vintage chair upholstered in Dana Gibson fabric. The main bedroom's decor was initiated by an architectural fragment found by Gibson, which was re-imagined as a bed crown. Hillery designed the bed hangings using a combination of blue silk, bright pink spots (Little Ditty by Dana Gibson for Stroheim), and a small-scale apple-green print (Bellamy by Dana Gibson). The room also contains prints from Ornis Gallery, Designers Guild bedding, Le Chateau European Interiors nightstands, and Dana Gibson lamp and chair upholstery.
The guest bath adheres to a black-and-white theme, inspired by the original tile, with black-and-white accessories, an antique portrait, Dana Gibson bath accessories, a One Kings Lane side table, John Robshaw towels, and a faux geranium. The sunroom retains its original tile floor and tinwork ceiling, serving as a versatile space for morning reading and evening drinks. It includes a Dana Gibson for Norwalk settee, a Selamat chair, Dana Gibson side table and pillows, and a Target stool. The article concludes by emphasizing the personal and collaborative nature of the design process, culminating in a home that truly reflects Gibson's artistic vision and personality.
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