How I brought la belle époque to a Grand Canal apartment

Chelsea Harris, a copywriter for Schoolhouse, successfully transformed her plain white rental bedroom in Portland, Oregon, into a cottage-worthy space for under $500. This renovation was part of a larger effort to update her circa-1940s apartment, which she moved into to reduce rent expenses and enjoy historic charm. She had previously renovated her galley kitchen with checkerboard floors, painting lower cabinets yellow, adding a peg rail, and applying butcher block-inspired contact paper. Following this, she tackled her bathroom, where she installed a beadboard wall and decorated it with pink accents. The bedroom was her final frontier for adding color and personal touch, aiming to keep costs under $500. Harris adopted an "ask-forgiveness-not-permission" approach to decorating her rental, prioritizing a comfortable living space over concerns about her security deposit. Her bedroom makeover began with choosing a paint color, a process she found challenging. She ultimately selected Behr's Nature’s Gift, a sage green hue, and applied two to three coats directly to the walls without priming. The initial painting process in gloomy Portland weather required later touch-ups in natural sunlight to ensure full coverage. The next step involved adding a subtle wallpaper. Harris lived with the newly painted room for several months before deciding on a wallpaper that would significantly change the space. She opted for the Ric Rac wallpaper from Spoonflower, noting its small-scale squiggles that appear as a solid color from a distance, which suited her preference given her existing plaid rug. Calculating the necessary amount of peel-and-stick wallpaper was straightforward using the website's tools. Installation took approximately two and a half hours, complicated slightly by slanted walls, which required careful painting of the ceiling trim to create a visually straight line for the wallpaper. To address the wallpaper appearing a bit short and to add a traditional touch, Harris installed a wide piece of trim from Home Depot along the bottom edge of the wallpaper. This process involved two hours of painting the trim due to its crevices and then mounting it with a nail gun. For storage, she utilized free shelves from a friend who was moving. These shelves were integrated above a reading corner, providing additional storage without adding bulky furniture. To create a cohesive, built-in look, she painted the shelves and their Amazon-sourced brackets the same sage green color as the walls. Finally, Harris incorporated gauzy curtains from IKEA and brass curtain rods from Target. She already owned the curtain rods, which complemented her desired warm brass accents. The sheer nature of the curtains was intentional, allowing for privacy while still letting in natural light, a crucial consideration for a room without abundant light. She also repainted a thrifted wardrobe, which had a poor sponge-paint finish, to match the room's aesthetic. This wardrobe, along with a living room closet, serves as primary clothing storage, as her partner uses the main bedroom closet as a workspace. Harris primarily executed the DIY aspects of the renovation, with her partner moving in after much of the work was completed, benefiting from the updated space. #RentalRenovation #BedroomMakeover #DIYDecor #BudgetDesign #SageGreen #PeelAndStickWallpaper #PortlandHome #CottageStyle #HomeRenovation

Homepolish designer Tali Roth offers practical advice for renters looking to personalize their temporary living spaces, emphasizing that a rental unit's potential should not be wasted due to its temporary nature. She asserts that individuals often reside in rentals longer than anticipated, making it essential to create a comfortable and personalized environment rather than living in a state of limbo. Roth's own Chelsea loft serves as a prime example of how to infuse personal style into a rental without undertaking extensive, permanent renovations that could jeopardize a security deposit. Roth suggests focusing on easily modifiable elements within a rental. Lighting and window treatments are identified as key areas for impactful changes. For instance, an existing, generic light fixture can be replaced with a more aesthetically pleasing one. In her dining room, Roth replaced an IKEA light with a Synapse chandelier by Apparatus Studio, which helped to make the space feel cozier by lowering the ceiling's visual height. For those hesitant to alter existing wiring, sculptural wall lamps that plug into outlets and can be mounted high are presented as a viable alternative. Installing blinds and full-length curtains is also recommended to add warmth, texture, and privacy, with Roth opting for gray Belgian flax linen curtains to complement her home's modern color scheme. The article highlights Roth's innovative approach to customizing furniture, particularly her collaboration with Semihandmade to transform standard IKEA cabinet systems. Through this, she added custom taupe doors, a counter, and brass hardware to her units, demonstrating how affordable, modular furniture can be elevated to appear bespoke. One of the most significant transformations in Roth's loft was the application of faux concrete to a large wall by i faux. This technique was used to address the challenge of vast, white rental walls, adding significant texture and depth to prevent the space from feeling like a stark, empty box. Roth's design philosophy embraces geometric patterns and chunky forms, which she refers to as a "Flintstones aesthetic," influenced by her appreciation for modernism. This theme is consistently applied throughout her home, evident in sculptural vases, Hubble Wall Sconces by Pietro Russo for Baxter in the living room, and terrazzo wallpaper in the bathroom. While Roth chose traditional wallpaper, the article also suggests removable wallpaper options for renters seeking less commitment. The process of designing each rental space is also presented as a learning opportunity, allowing individuals to refine their tastes and understand what works best for their lifestyle, including considerations for living with young children. Roth shares a personal insight regarding her velvet couch, noting that its susceptibility to watermarks might lead her to choose a different material in future rentals, at least until her son is older. Ultimately, Roth emphasizes that customizing a rental is a common practice, particularly in cities like New York, where landlords generally expect tenants to personalize their living spaces. She reassures renters that most lease agreements simply require the unit to be returned to its original state, detailing her plans to reverse her changes, such as reinstalling the original light fixture, deconstructing the faux concrete, removing wallpaper, and repainting walls white, before moving out. #RentalDesign #LoftLiving #InteriorDecor #HomepolishDesigner #TaliRoth #DIYDecor #ApartmentRenovation #ModernAesthetic #IKEAHacks

Francesca Neri, founder of Milan interior design studio FNA Concept, recently completed a project involving a historic Venetian apartment situated on the Grand Canal. Neri's design philosophy emphasizes a comprehensive approach, where she designs every element from architectural features like stairs and windows to smaller details like handles and ashtrays, a method she terms "from arch to ashtray." She encourages her team to seek inspiration through travel, believing it prevents design from becoming unoriginal and stagnant. The Venetian apartment, originally a single large dwelling, was divided into two units by FNA Concept, with one side serving as a pied-à-terre for the client, a family of five. The building required extensive renovation, including updates to heating, cooling, and mechanical systems. Despite these modern interventions, Neri preserved original historical elements, such as the living room's 16th-century terrazzo floor, which displays layers of additions from various eras. Neri's design process is unconventional, prioritizing material selection before layout. She prefers to utilize locally available materials and collaborate with Italian craftspeople, describing her projects to them and fostering interaction to ensure a cohesive narrative. This localized approach, combined with the use of antique goods, facilitated the project's timely completion even amid the COVID-19 pandemic and two lockdowns, with all materials transported by boat, the sole means of delivery in Venice. Neri's background includes serving as creative director for luxury linen company Frette and spending three years in architect Alessandro Mendini's studio, whom she credits as a mentor for instilling the importance of detail and color. This influence is evident in the apartment's balanced blend of eclectic styles and objects. Many furnishings, such as the golden Vienna wicker settee in the living room, were sourced with the client from European antique markets like Mercanteinfiera in Parma and Marché aux Puces in Paris. Custom pieces complement these antique finds, including Murano glass objects and FNA's own brass and bamboo cocktail tables. Contemporary elements, such as a sculptural Draga Obradovic console, are also integrated. The bedrooms are designed with distinct color themes—red, green, and blue—and feature unique lamps crafted from antique fabrics meticulously collected over time. Social areas showcase luxurious materials like Rubelli silk damask wallcoverings and Pierre Frey fabrics, paired with Moroccan rugs. A rare gilded Japanese screen, perfectly sized for the dining room wall, adds an unexpected touch, reflecting Venice's historical role as a port city where diverse cultural influences converged, leading to the incorporation of Asian elements in its traditional interiors. The overall design achieves a sophisticated yet inviting atmosphere, avoiding a "stuffy" aesthetic. #VenetianApartment #InteriorDesign #FNAConcept #GrandCanal #HistoricPreservation #CustomFurniture #LocalCraftsmanship #EclecticStyle #LuxuryInteriors

Interior designer Robert Olson, alongside his partner Francisco Peruzzo, transformed a 120-year-old former grocery warehouse in Salt Lake City into a sophisticated Parisian-style loft. The apartment, originally divided into a two-bedroom unit, presented a significant challenge with its orange walls, rust-stained cement floors, and dark gray cabinets with tiger print granite. Despite its unappealing state, Peruzzo recognized the potential of the space, leading them to purchase it. Olson, a Francophile with over 30 years of experience living in New York, envisioned restoring the 875-square-foot unit to its original lofty grandeur. The renovation began with the removal of all interior walls to create a true loft feel. The original cement floors, which were extensively stained, were painted white to stay within budget, a decision that also enhanced the reflection of light throughout the space. This all-white aesthetic provides a neutral backdrop for Olson's extensive collection of traditional furnishings, which includes early 18th-century oil paintings, vintage gilded mirrors, and accurate reproductions of Louis XV chairs, collected from various locations including New York and Paris. The white walls prevent the traditional pieces from making the space feel dated, instead contributing to an almost glowing interior that shifts in ambiance with the changing natural light. Olson emphasizes that the furniture collection in the loft is an edited selection from a much larger previous home, comprising a mix of antique, reproduced, and flea market finds that are harmoniously integrated. The living area, for instance, features pieces alongside an abstract painting, a 40th birthday gift from a friend, which Olson finds perfectly complements the furniture. Etchings designed to appear antique through tea-stained paper are also displayed. A notable feature in the living area is a pair of solid wood columns, discovered during renovations after false walls were removed. These raw, neoclassical columns, originally from a local residence, were bought by Olson at a flea market and are cherished for their aged appearance. He values items that show signs of age and decay, believing they add character. The art collection further mixes centuries-old paintings and lithographs with contemporary posters. The building itself, constructed in 1901, served as a grocery warehouse for one of Utah's early settlers. Olson notes that the surrounding architecture in Salt Lake City evokes a sense of the West Village in New York. A recent trip to Paris significantly influenced the design, reinforcing Olson's long-standing affinity for French culture and lifestyle, particularly the appreciation for a slower pace of life, which he sought to integrate into his Salt Lake City home. The overall transformation showcases a blend of historical charm, personal collecting, and modern design principles, resulting in a unique and luminous living environment. #InteriorDesign #LoftConversion #WarehouseRenovation #ParisianStyle #HomeTour #RobertOlson #SaltLakeCity #AntiqueCollecting #AllWhiteDecor

This article explores the use of contact paper as an affordable and versatile solution for home improvement, particularly for renters or individuals looking for budget-friendly decor upgrades. The author details their personal experience using contact paper to enhance their rental apartment, addressing bland surfaces and unappealing fixtures without permanent alterations. The piece highlights contact paper's evolution from a functional item to a stylish and accessible decor tool, noting its removability as a key advantage for temporary home customization. The article clarifies the distinction between contact paper and peel-and-stick wallpaper, explaining that contact paper is generally less expensive, made of vinyl, and suited for horizontal surfaces like counters, while removable wallpaper is often paper-based, pricier, and applied vertically on walls. The author's journey into using contact paper was inspired by DIY home design blogs and Pinterest, discovering its expanded applications beyond traditional uses. Modern contact paper designs are shown to be diverse, ranging from realistic textures to trendy patterns, allowing for creative applications on refrigerators, stair risers, bookshelves, and bathroom countertops. To guide readers in their own DIY projects, the article features a curated list of specific contact paper products available on Amazon, including options such as waterproof green marble, realistic white-painted wood, checkerboard patterns, terrazzo-style designs, and modern gold cube motifs. Each recommendation includes a brief description of its aesthetic appeal and potential uses. The author emphasizes the importance of accurate measurement before purchasing and advises ordering all necessary rolls in a single transaction to avoid slight variations in color or texture that can occur between different production batches. Beyond decorative applications, the article also showcases functional uses of contact paper, such as whiteboard and chalkboard wall stickers for note-taking, grocery lists, or creative expression. The author shares a personal anecdote about using an organic-shaped polka dot contact paper on their refrigerator, transforming a utilitarian appliance into a fun kitchen focal point. An additional recommendation is made for a Moroccan tile-inspired contact paper, praised for its durability and ease of installation as a kitchen backsplash. Finally, the article concludes by recommending an affordable contact paper installation kit, comprising a smoothing squeegee and a razor, to ensure a precise and bubble-free application, underlining the practicality and accessibility of this home decor hack. #HomeDecor #DIY #RentalFriendly #ContactPaper #BudgetDecor #HomeImprovement #InteriorDesign #AffordableLiving

The author shares a detailed reveal of her historic home's living room, emphasizing its significance as the heart of her family's home. The open-plan living room and kitchen area was a focal point for their design energy, aiming to create a space that reflects the family's unique identity. The design concept for the living room was a blend of 'Parisian Apartment meets a bit of irreverence,' seeking to achieve an elegant yet fun and youthful atmosphere. This involved combining chic, elevated aesthetics with pops of color and playful elements. The author expresses particular fondness for the juxtaposition of the luxurious Schumacher fabric used for drapery and pillows with vibrant neons and various colorful accents throughout the room. A central feature of the living room is the custom Taylor Burke sofa and chair. The author highlights the sofa's performance velvet fabric, which allows for a light color choice despite having young children, as it cleans easily and has already withstood spills. The chair, in a distinctive acid green (chartreuse-like) hue, is also a favorite, although the author humorously notes the challenge of having a swivel chair with two small children. The overall layout of the room is designed to comfortably accommodate a growing family, with ample space for everyone to gather without feeling cramped. Practical additions like two ottomans hidden under the main console provide extra seating when needed, demonstrating a thoughtful approach to both style and functionality. Technology is seamlessly integrated into the design with a Samsung Frame TV, which the author mentions often goes unnoticed as a television, blending in as a piece of art. The article also mentions a Freddie Mercury photograph, acquired from a rock gallery, as a cherished item. The author collaborated with Prudence Home & Design for the overall design and styling of the room. Key design elements and furnishings are attributed to various sources, including Taylor Burke Home for custom furniture, LM Custom Carpets for the rug, and Woodbridge Furniture for the console table. Decorative details such as the Schumacher Lotus Garden fabric for drapery and pillows, art from Sonder Living, a custom neon sign by Let There Be Neon, and vintage items from Fairfield County Antiques further contribute to the room's unique character. The author encourages reader engagement by asking for comments and feedback on the room's design. #LivingRoomReveal #HomeDecor #InteriorDesign #HistoricHome #FamilyLiving #CustomFurniture #DesignInspiration #PerformanceFabric

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article highlights the evolving and personal home decor journey of Daniel King and Meghan Lavery, the founders of Home Union, a popular vintage store in Brooklyn. Their apartment serves as a dynamic showcase for their constantly shifting collection of vintage finds and personal treasures, reflecting their business and their lifestyle. The couple's decorating adventure began when they moved in together and embarked on a trip to Maine to find secondhand furniture for their new rental. What started with a few Danish dining chairs quickly escalated into a passion for collecting, leading to a significant surplus of vintage pieces. This surplus was the unexpected catalyst for the creation of Home Union, initially an Instagram account for their finds, which subsequently expanded into a storage unit, a showroom, and ultimately, a successful retail store. Initially, their individual design preferences—Meghan's love for all-white spaces and romantic boho vibes, and Daniel's inclination towards dark wood and Danish furniture—presented a challenge in blending their styles. However, over time, their aesthetics merged into a distinct and bolder style characterized by space-age Italian modernism, 1980s influences, and a curated selection of Danish pieces. Their confidence in using color has grown, contributing to the vibrant atmosphere of their Williamsburg home. Their apartment, located in a building with double-height ceilings, allowed for grand design statements despite its 1980s construction. The couple took on numerous DIY projects to personalize their rental, replacing undesirable original features such as doorknobs and a metal railing with more contemporary and minimalist elements like red plastic handles, canary yellow pulls, and a plywood balustrade adorned with hanging plants. They even undertook a rental-friendly kitchen renovation, painting cabinets, and installing a new countertop, sink, faucet, and tiled backsplash with landlord approval, showcasing their hands-on approach and long-term commitment to making the space feel like home. The living space is a carefully curated blend of items from their store and personal cherished possessions. Pieces like a Milo Baughman burl-wood credenza and a Terje Ekstrom spider-like chair rotate through their home, illustrating the fluid nature of their decor. A Paul Mayan floor lamp, which couldn't be sold due to a minor flaw, became a beloved fixture. The living room also features a limited-edition rug from a collaboration between Home Union and Swedish designer Katherine Plumb, highlighting their commitment to unique and meaningful pieces. The couple's dedication to finding the perfect decor extends to international searches, exemplified by their years-long quest for a pair of cherry red Gerd Lange sconces. After discovering one, they spent years searching eBay and messaging European sellers until they finally found a matching piece, demonstrating their perseverance in achieving their design vision. Daniel King, with his background in furniture-making, personally restores pieces for their store and also creates his own designs. The upstairs den, a multi-functional space, now features his built-in plywood chairs and a bookcase, transforming it into a cozy retreat. Their apartment is described as an ongoing project, constantly evolving with small tweaks such as painting the front door, upgrading the bathroom vanity, and tiling the balcony doorstep. The addition of new items like squiggly vases, futuristic lamps, or vintage Marcel Breuer rattan chairs continually refines their living space. Daniel and Meghan's home is a testament to their passion for vintage design and their collaborative journey in developing a unique and ever-changing aesthetic. #HomeUnion #VintageDecor #BrooklynApartment #InteriorDesign #DIYHomeRenovation #MidCenturyModern #RentalFriendlyDecor #DesignEvolution

Samantha Hauvette and Lucas Madani, a Parisian interior design duo, have transformed a 1,720-square-foot duplex apartment in Paris's 16th arrondissement for a young family. The apartment, located on the top two floors of a 1980s building, was originally decorated in an Art Deco style and featured extensive oak paneling. The designers, known for their affinity for wood, particularly stained and varnished maple, embraced the existing oak, which had been bleached by the sun over nearly 40 years. They salvaged all the panels, sanding and staining them a dark chestnut hue, reflecting their preference for unconventional wood tones and their philosophy of creating interiors that "sing" without relying heavily on colors or patterns. The apartment's lower level comprises public spaces, two bedrooms, and two bathrooms, while the upper level includes a reading space on a mezzanine and a parental suite with a 215-square-foot terrace. Due to the decision to preserve the original paneling, significant structural alterations were limited. The designers' primary modification involved removing a sliding partition between the dining room and kitchen. Most architectural elements, such as the brass staircase banister, the marble-and-brick fireplace, and the building’s elevator shaft integrated into the mezzanine, were retained. Notable changes included the addition of a trumeau mirror in the sitting room and a complete overhaul of the primary bathroom, which now features a 1930s-style oak vanity. Hauvette and Madani draw inspiration from various sources, including Art Deco maestro Jean-Michel Frank, the film "High Society," and the spirit of the 1970s, which they interpret as a lifestyle approach rather than a literal use of period plastics. They were particularly keen to incorporate the work of Pierre Paulin, whose curved furniture provides a counterpoint to the apartment's more rigid shell. The duo's design philosophy centers on achieving "équilibre" or equilibrium, often through the harmonious combination of furniture from different eras, fostering intriguing dialogues between pieces that might not stand out individually. In the sitting room, a vintage painted-wood console by André Sornay is paired with Ronan and Erwan Bouroullec’s angular Facett sofa, and a parchment-clad 1970s cocktail table by Aldo Tura rests on a traditional Mauritanian rug. A prominent feature is the large Isamu Noguchi paper pendant light suspended over the dining room table, chosen for its size and lightness to avoid overwhelming the existing wood paneling. Pale tones are used throughout to lighten the atmosphere, with a cool blue in the main bedroom and a moodier blue in the small kitchen. The kitchen walls were custom-painted by Austin Redfield Tondini and Violette Bonis Dattner, known for their patinated finishes that give the impression of age and permanence, aligning with the designers' aversion to overly new-looking interiors. The goal is for their projects to feel as if the design has always been there, seamlessly integrated into the space. #HauvetteMadani #ParisApartment #EclecticAccents #InteriorDesign #WoodPaneling #ArtDeco #VintageFurniture #PierrePaulin #DesignPhilosophy #ArchitecturalPreservation

Interior designer Charlie Ferrer's new Greenwich Village apartment in New York City is a testament to his evolving aesthetic, moving from a "spare masculine" midcentury modernism to a more eclectic, colorful, and "granny feminine vibe." Ferrer sought a pre-war building with a working fireplace in the West Village, a combination he found in a 1931 Bing & Bing condominium on Christopher Street, directly above the Stonewall Inn. This location, described as a "dynamic little intersection of energies," offered a livelier environment than his previous Chelsea residences. His stylistic shift mirrors a personal transformation, having grown up in Greenwich, Connecticut, with a "heteronormative white preppy" aesthetic. After moving to Los Angeles, coming out, and entering the furniture business, his design preferences naturally broadened. As a largely self-taught interior designer, Ferrer has expanded his studio to include luxury condominium model apartments and a vintage furniture collaboration with CB2. He notes that different projects and evolving interests taught him to integrate pattern and color into his designs. The apartment's inherent pre-war character, with its solid proportions and charming details like entry vestibule railings, facilitated this transition towards a layered and collected look. Ferrer, who also operates his own vintage design gallery, furnished the apartment by hand-picking pieces from his inventory. He describes his approach as "iterative or incremental, based on discoveries," rather than a pre-conceived "full vision." This method involved customizing chosen items to ensure they complemented each other. Examples of his unique customization include a sofa with added pleats, cast-bronze animal claw feet, and magenta piping. A swiveling "Elda" chair by Joe Colombo, selected for its "weirdness quotient," was reupholstered in a dark green alpaca-hair fabric. Striking molded acrylic dining chairs were given chartreuse-hued textile cushions to contrast with their rosy-amber bases, a design choice Ferrer playfully admits few clients would approve. These chairs pair with an antique wooden table featuring a figurative bronze sculpture by French artist César. In the bedroom, a 1930s archival print from French textile house Le Manach covers the bed, which Ferrer affectionately calls "grandma, but I think it’s super sexy." Above the bed hangs a collection of small crosses from a Parisian estate sale, recontextualized by Ferrer as an "aesthetic gesture" rather than a religious symbol. Unexpected details also appear in the kitchen, where the cabinet interiors are finished in Hermès-orange, contrasting with a wall lined in textured grasscloth. Ferrer justified the choice of absorbent grasscloth due to his minimal cooking habits. Ferrer continuously refines the apartment's details, even installing a new fireplace mantel just before the photo shoot. This collector's approach to interior design has created a personal sanctuary that balances the vibrant energy of the neighborhood with a distinctively curated aesthetic. The apartment serves as a compelling example of how personal narrative, playful experimentation, and a passion for vintage finds can converge to create a truly unique and evolving living space, demonstrating that personality and character can triumph over larger, more conventional layouts. #InteriorDesign #CharlieFerrer #NewYorkApartment #VintageFurniture #EclecticDecor #PreWarBuilding #DesignEvolution #CustomInteriors #GreenwichVillage

Laura Collins, a designer with For Porter, transformed her 1958 rental bungalow in Calgary into a vibrant, English-inspired family home, largely by incorporating cherished heirlooms from her Grandmother Audey and embracing a bold pink color palette. Despite the property being a rental, Collins was determined to infuse it with character, drawing inspiration from its existing features like pink terrazzo floors in the primary bathroom and unique fluted glass in the entry. The home's layout, while somewhat unconventional with its chopped-up rooms, offered a kid-friendly environment, a significant improvement from their previous multi-level Victorian. Collins's design approach was deeply influenced by her grandmother's timeless taste, ensuring that even with modern updates, the pieces retained their original charm. She integrated a 100-year-old pine hutch into the dining room and a floral Laura Ashley sofa into her studio, items that once graced her grandmother's home. The designer’s love for color became evident as she navigated the landlord's only two painting restrictions: no purple or black. This led her to a pink-centric scheme, starting with the primary bathroom where she used Benjamin Moore’s Rosedale for the wall paneling and a lighter hue, Soulmate, above the molding. This bold decision marked a shift from years of muted interiors, as Collins decided to wholeheartedly embrace painting her house pink. Beyond the bathroom, Collins extended her colorful vision to other areas. The sunken den was painted in Benjamin Moore’s Amaryllis, while the library bookcases, custom-built by her father-in-law, received a coating of Savannah Clay. This terracotta-tinged shade was also applied to the adjacent sitting room after an initial attempt with a 'bubblegum' pink proved too sweet. Collins describes her aesthetic as walking a fine line between a colorful home and a 'funhouse,' but ultimately, the playful environment is designed for her children, reflecting this particular stage of their lives. She envisions a more muted aesthetic for a future era. Textiles play a significant role in Collins’s design, influenced by her background in fashion design and marketing. She frequently circulates a collection of pillows throughout the house and involves her children in the process. She is a proponent of finding deals on furnishings, like the $150 Parsons chairs in the den, which allows her to invest in fresh upholstery. This practice aligns with her admiration for English aesthetics, where furniture pieces are continually reupholstered and passed down through generations. The kitchen, however, presented a challenge, forcing Collins to minimize her belongings due to limited cabinet space, leading her to appreciate a more minimalist approach to kitchen essentials. The rental also features intriguing architectural details, such as clever built-in nooks and crannies, including a shoe cubby leading to the basement, suggesting the original homeowner was a millworker. Collins embraced these elements, even tackling a DIY painting project in the mudroom with Farrow & Ball’s Citron, an undertaking completed between nap times. The overall design emphasizes a personalized and joyful living space, demonstrating how a designer can transform a rental into a deeply personal home using inherited items, strategic color choices, and a focus on family life. #HomeTour #InteriorDesign #RentalDecor #PinkInteriors #VintageFurniture #FamilyHome #DesignInspiration #ColorPalette #HeirloomFurniture

This blog post details the comprehensive renovation of a historic 1872 loft located in Chicago's West Loop, transformed by Goesling Group and kitchen design studio O’Brien Harris. The 1,250 sq. ft. condo, featuring two bedrooms and two bathrooms, is part of the landmarked Holden Block and retains much of its original industrial character, including tall ceilings and exposed brick. The property had endured decades of environmental damage and several flooding incidents, including a burst pipe during the renovation, necessitating more than just superficial updates. The design philosophy behind the renovation, loosely inspired by Fleetwood Mac's "Songbird," focused on balancing expressive design with architectural integrity, honoring the building's history while introducing modern elements. The Goesling Group emphasized integrating vintage and repurposed materials to achieve an elegant and contemporary feel rather than a rustic one. Key to the transformation was the kitchen, which became the project's central point. It features bespoke blue-green lacquer cabinetry with walnut interiors and brass hardware from O’Brien Harris. A brass-trimmed sculptural hood draws attention upwards, complemented by marble countertops and a half backsplash for a cohesive look. Instead of a traditional island, a restored 19th-century fruitwood trestle table, paired with vintage Danish chairs and a teak sideboard, creates a warm and flexible dining area. Original brick walls, discovered behind drywall in the bar area, were restored and incorporated into a glass-and-brass shelving system sourced from Urban Archaeology. The living room extends this layered aesthetic with a custom marble-clad bar, reclaimed timber shelving, and a ruby velvet sofa. A salvaged fireplace mantle, refinished to fit, adds a personal touch, blending memory with material. The bedroom offers a lush and quiet retreat, adorned with hand-printed Morris & Co. wallpaper, velvet drapery, and vintage 1950s walnut nightstands. The primary bathroom was reconfigured to accommodate structural updates and now showcases a custom walnut vanity, Calacatta Michelangelo stone, blue-green glossy subway tiles, and unlacquered brass fixtures designed to develop a natural patina over time. The guest bathroom features a mid-century walnut dresser repurposed as a vanity and a striking starburst tile from Fireclay, hand-painted in a neutral colorway, which extends from the floor into the shower, demonstrating that bold design can be effective in smaller spaces. Goesling Group, a multidisciplinary design studio led by Sarah and Becca Goesling, specializes in intentional and highly personal designs, integrating a curious perspective and collaborative process to realize each client's vision. #LoftRenovation #InteriorDesign #HistoricHome #KitchenDesign #VintageDecor #ChicagoRealEstate #ArchitecturalIntegrity #HomeRemodeling

This article details the renovation and interior design of an 1800s New Orleans home located in the Audubon Park neighborhood, transformed by Atlanta-based interior designer Paige Goodloe. The project aimed to update a historic residence to suit the lifestyle of a modern family with three children, incorporating vibrant colors, diverse patterns, and practical solutions while preserving the home's original charm. The entry of the home establishes a sense of lightness, contrasting historic details with contemporary design elements. A fireplace in the foyer serves as a gathering spot, enhanced by seating featuring wooden chairs from the owner’s time in Malaysia and an antique entry table sourced from Atlanta. A modern light fixture complements an ornate ceiling medallion, and dark-toned Hunt Slonem art provides a striking counterpoint to the bright space. The kitchen design prioritized warmth and functionality for family gatherings, centered around a La Cornue range. It features a classic off-white palette, softened with custom Roman shades and pleated fabric shades on brass light fixtures. Brass accents are consistently used throughout the kitchen, from the custom hood to hardware. Appliances are discreetly hidden behind pocket doors in a pantry, maintaining a clean aesthetic. The kitchen island incorporates Hickory Chair counter stools covered in camel vinyl for durability, essential for a family with young children. Addressing the challenges of an older home, particularly narrow spaces, the powder room was completely redesigned. A custom marble sink from Waterworks was created to fit the restricted area, allowing sufficient clearance for the door. The space is further enhanced by Phillip Jeffries grasscloth wall covering and framed intaglios on marble paper from Tyler + Tate, which are also referenced in the room’s soap. An addition to the back of the house created a casual breakfast area, fulfilling the homeowner's desire for a banquette. A round table and antique-inspired chairs maximize this cozy nook. Color is introduced through a commissioned artwork by William McClure, unconventionally hung with a Collier Webb picture rail over a window, making it appear to float and drawing attention to the gardens outside. Adjacent to the breakfast room, a long hallway offers a quiet retreat. A significant addition is a blue lacquered bar, constructed in the former space of a back staircase. This custom bar features brilliant blue cabinetry that matches a de Gournay wallpaper adorned with pelicans, honoring the husband’s favorite NBA team. The wallpaper, which took six months to arrive and required specialized installation, informed the entire color scheme of the bar area. Another repurposed area is a large room that now functions as a combined laundry room and children’s homework hub. This multi-purpose space is divided into distinct zones, equipped with two washers, two dryers, and two desks. It serves as a central point for family activities, offering storage solutions for various household items. The room is decorated with a cheerful yellow floral Schumacher wallpaper, complemented by vibrant yellow paint on the trim and doors. In the Jack-and-Jill bathroom connecting the two older children’s rooms, custom cabinetry was installed to conceal pull-out hampers and provide ample storage, effectively managing clutter. The bathroom was fully renovated with Waterworks tile, featuring a soft green hue that harmonizes with both bedrooms. A vintage rug adds color and pattern to the floor. The daughter’s bedroom is designed with a distinctly feminine aesthetic, featuring Peter Fasano peachy-pink wallpaper, Visual Comfort & Co. bow sconces, and Chelsea Textiles gingham fabric on the window seat. Needlepoint pillows, handmade by the homeowner, add a personal touch. The older son’s bedroom is designed for longevity, with a neutral taupe Pierre Frey stripe wallpaper and streetcar art by a New Orleans artist, intended to age gracefully with him. Classic spindle beds and rattan side tables from 1stDibs, along with a rattan light fixture from Serena & Lily, contribute to a warm and timeless atmosphere. When the family expanded, the attic was converted into a nursery and playroom. The nursery space, designed to accommodate the attic’s angles, features green Schumacher ticking wallpaper on the walls, ceiling, and doors, with a Malta fabric on the window seat and ottoman, creating a light and fresh environment despite the challenges of older walls. The playroom is designed to be bright, cheerful, and durable, with performance or vinyl materials throughout. The color palette, derived from Brenda Bogart’s art, includes pink, blue, and mustard, unified by an Oushak rug. #NewOrleansHome #HistoricRenovation #InteriorDesign #PaigeGoodloeInteriors #FamilyHome #ColorfulDecor #PatternedWallpaper #CustomCabinetry #ModernLiving

After residing in Paris, a homeowner returned to Singapore and selected a walk-up apartment in the leafy enclave of Portsdown Road, Queenstown, driven by an appreciation for historical elements like architecture and cobblestone streets. This residence, a Black and White colonial house, became a canvas for a personalized interior design that integrates Parisian antiques, art from the Salvation Army, and contemporary items from Ikea. The resulting aesthetic is an eclectic mix of Chinoiserie and Baroque styles, which, combined with the Parisian market and store finds, imbues the interiors with a distinctive personality. The living room serves as the central design feature, characterized by high ceilings and a spacious rectangular layout. This space was intentionally chosen to accommodate the homeowner's Parisian-inspired decor. Framed artworks are displayed above antique wooden shoe molds, acquired from Parisian markets, establishing an authentic 18th-century ambiance. The homeowner carefully selected each piece, prioritizing items with historical significance and either a Baroque or industrial vintage style, contributing to the room's carefully curated atmosphere. The dining area continues the Parisian theme, featuring an elegant vintage table and chair set. Overhead, striking enamel "gas station" lamps introduce an industrial element, creating a blend of styles that enhances the French aesthetic of the apartment. This combination of different design elements is a key factor in the space's captivating appearance, effectively evoking the character of a French-style dwelling. The master bedroom functions as a comfortable retreat, seamlessly blending Eastern and Western influences with both old and new pieces in a relaxed style. This room showcases the homeowner's preference for French antiques and Parisian aesthetics, combined with a laid-back vibe. The furniture includes an antique dresser and a luxurious upholstered headboard, contributing to the room's vintage charm. The apartment also features a long balcony at tree canopy level, which is a significant outdoor amenity. This space provides an area for relaxation and entertaining, surrounded by lush greenery, offering a peaceful escape from the urban environment of Singapore. The combination of elegant French decor, vintage Parisian antiques, and unique design choices highlights the homeowner's sophisticated taste and appreciation for pre-war architectural details. The overall design creates a unique and engaging living space. #Colonial #HomeTour #Queenstown #VintageFurniture #WalkUpApartment #ParisianStyle #InteriorDesign #AntiqueDecor #EclecticStyle

The owner of a two-bedroom London maisonette, Gemma Edwards, who frequently travels for work with a government conservation agency, opted to hire interior designer Sean Symington to transform her home. Edwards sought a unique and non-standard interior, explaining her desire to avoid a “cookie-cutter” look and her focus on enjoyable aesthetic changes rather than extensive structural renovations. Symington, known for his adept use of color and pattern, was selected to invigorate the apartment. The living room, despite its inherent character, was previously described as dull and lacked a central feature. Symington addressed this by introducing a fireplace surround and incorporating alcove shelving, which served both as a focal point and provided display and storage options. A marble mantelpiece, sourced from a reclamation yard, enhances the room's coziness, particularly when candles are lit, despite not being a functional fireplace. The room features watermelon velvet sofas from Sofa.com and an armchair upholstered in an animal spot velvet. Edwards's existing Dashiki curtain fabric was adapted for the south-facing living room, with Sean lengthening them using an additional panel, offering a cost-effective alternative to purchasing new curtains. The room also benefits from a small balcony, providing a pleasant outdoor space for morning coffee and a developing potted garden, accommodating Edwards's busy schedule that limits traditional gardening. In the kitchen and bathroom, the strategy focused on redecorating rather than replacing existing fixtures and appliances, which were of good quality, to avoid waste. Edwards prioritized investing in fabrics and furniture, elements she could potentially take with her if she were to move. The kitchen now boasts soft, earthy red walls contrasting with dark blue cupboards and a chequerboard floor. Radiators were painted to match the walls, a budget-friendly solution. A matching Roman blind and sink skirt introduce softness, and vintage dining chairs were reupholstered. The narrow hallway was not overlooked in the decorative scheme. One wall features a gallery of framed prints, each without a backing to expose the wall behind. The radiator is cleverly concealed by a fabric skirt and a shelf, providing both style and utility. The main bedroom showcases a vibrant palette of emerald and mustard, combined with natural materials. A half-tester over the bed creates a bold statement, complemented by a classic William Morris print wallpaper. Table lamps from Pooky and smaller reading lights with scalloped seagrass shades adorn wicker-topped bedside tables. Fitted wardrobes, painted in Bancha by Farrow & Ball to match the woodwork, include both panelled doors and open shelves, aiding in creating a sense of spaciousness, with Ikea baskets used for storage. The home office underwent a significant transformation from an unliked baby blue to a warmer Farrow & Ball India Yellow. This color provides a suitable backdrop for a painting and a kilim rug, a souvenir from Edwards's time working in Africa. An antique desk from Vinterior and practical shelves with decorative scalloped edging complete the space. Edwards expresses her satisfaction with the final result, highlighting how each room now possesses a distinct character and individual color scheme, attributing the elevated aesthetic to the paint colors and fabrics chosen with Symington's expertise. #LondonMaisonette #InteriorDesign #ColorfulHome #PatternedDecor #BudgetDecorating #LivingRoomDesign #BedroomDesign #HomeOfficeIdeas #Renovation #SeanSymington

This blog post showcases the meticulous redesign of an elegant Brownstone apartment located on 5th Avenue, Upper East Side, NYC, opposite The Met. The apartment is part of a 1926 block and retains classic period details, which the owners were keen to preserve while updating the interiors for modern living. Interior designer Joshua Smith was tasked with this challenge, aiming to create a timeless, elevated, and elegant space that was also highly livable and harmonious, providing a tranquil escape from the bustling city. The design process prioritized classic and timeless aesthetics over fleeting trends. Smith emphasized the importance of considering the building's architecture in relation to the interior design, blending antiques with comfortable, modern furniture to achieve a fresh, light, and serene atmosphere. This approach is evident from the entryway, which was designed to create a sense of arrival. Architectural interest was added through varying ceiling colors, complemented by an antique French mirror, vintage brass lamp, and Swedish chairs upholstered in Fortuny fabric, creating a welcoming and visually engaging space. In the large formal living room, Smith addressed the challenge of its size by creating distinct zones. The room features a desk area, a primary seating arrangement with a coffee table, and a grand piano at the opposite end. Contemporary elements, such as striking lamps from Christopher Spitzmilner, were introduced to balance traditional styles. A light sisal rug was used to add warmth and texture, while silk velvets from Romo Fabrics and detailed finishes like fringe on pillows added sophistication, with careful consideration given to every detail. The kitchen design capitalized on the original architecture, featuring simple cabinets that align with the classic Upper East Side paneled ceiling. Smith focused on functionality, incorporating custom-made barstools in vegan leather with contrasting welting and buttons. The eat-in kitchen area, considered the central part of the house, was designed to be soft and transitional in color. A custom banquette in vegan leather was paired with mismatched antique chairs, utilizing fabrics from Kravet and Schumacher, and wallpaper by Philip Jefferies, to tell a cohesive design story. The dining room serves a dual purpose, functioning as both a dining area and a home library with an inviting seating and reading space. The custom-designed green and cream diamond-patterned carpet served as the initial inspiration, bringing a fresh and youthful geometric element to the room. A 1940s Lucite glass table with a brass base and coordinating vintage porcelain lamps further enhanced the blend of old and new. Antique cameos in gilt frames added a touch of heritage. However, the designer expressed a desire to have used Fortuny fabric for the club chairs in this room for a more playful touch. The primary bedroom was designed to be a serene and beautiful sanctuary, with a focus on rich textures and fabrics to add modern appeal. Achieving the perfect ethereal softness on the walls required multiple attempts. A custom-designed modern bed by Dune, with Sabina Fay Braxton fabric on the headboard and a Christopher Spitzmilner lamp on the nightstand, contributed to the elevated look. The layout of the large bedroom also cleverly incorporates a seating area with a leather-topped antique desk and chair, maximizing the use of space. For the guest room, Smith opted for a more vibrant color palette, combining lavender blue and aqua with custom watercolor stripes on the walls. The Romo fabric on the custom bed served as the starting point for this room's color scheme. Vintage furniture pieces, such as a curved-back 1940s chair upholstered in contemporary purple wool fabric and a custom white lacquer nightstand, added character. The room also features detailed millwork, a custom marble floor, and a tufted Greek edge banquet cushion, demonstrating a cohesive design aesthetic throughout the apartment. The overall success of the redesign is attributed to its classic and timeless approach, consciously avoiding trends, resulting in a cohesive and deeply appreciated transformation by the clients. #LuxuryApartment #InteriorDesign #NewYorkCity #HeritageHome #TransitionalDesign #ElegantInteriors #HomeRenovation #ClassicStyle #CustomFurniture