
This Home is the Epitome of Chinoiserie Chic
This article explores a 1940s home in Richmond, VA, expertly designed by Allison Hennessy, an interior designer based in Atlanta. The home beautifully integrates chinoiserie, a decorative motif characterized by Chinese designs such as bamboo, blue-and-white porcelain, and pagodas, into traditional decor. Chinoiserie, pronounced sheen-waz-ree, gained popularity in the 18th century with increased trade with Asia, spreading from Europe to America. The homeowners, who vacationed in Boca Grande, FL, desired a home that captured the same fresh, energetic, and colorful spirit of the location. Hennessy's design approach combined the young family's heirloom pieces with vibrant colors and Asian influences, ensuring the home felt both classic and contemporary. She aimed to create a balance between traditional architecture and modern whimsy, preventing the space from appearing overly serious or dated.
The foyer sets the initial tone, featuring a green, pagoda-like light fixture against grass cloth walls and antique rugs. The designer explains that elements like the whimsical lantern, a modern David Hicks fabric geometric stair runner, and the casual warmth of the walls prevent the traditional architecture and antiques from feeling too formal. In the living room, the wife's passion for chinoiserie is prominent, showcased through bamboo chairs, bold red curtains, Asian accent pieces, and blue-and-white lamps, which were a wedding gift. A key design choice was covering two club chairs in Schumacher’s Chiang Mai fabric, known for its distinctive dragon pattern and vivid colors, to serve as a focal point for the fireplace. Hennessy emphasizes the importance of contrasting strong patterns with quieter elements to avoid overwhelming the eye, citing the simple gilt sunburst mirror and chinoiserie lamps as sufficient complements to the Chiang Mai fabric on the fireplace wall.
The dining room extends the theme of pattern, incorporating geometric Quadrille fabric on chairs alongside a floral window treatment. Here, elements such as the sideboard and lamps are intentionally subdued to create balance, while other features make a bold statement. Hennessy’s philosophy regarding the use of color, particularly red in this room, reflects her overall design approach: a preference for bright, clear shades over dull ones to maintain a vibrant and lively aesthetic throughout the home. The family room, designed as a comfortable and durable space for watching TV, features navy blue upholstery on Charles Stewart sofas, an alternative to beige and gray, paired with Schumacher throw pillows. The study, a retreat for adults, is filled with family antiques. Hennessy chose a creamy beige paint for the bookcases, fireplace mantel, and walls to warm the room without making it too dark, a color inspired by existing crewel curtains. The powder room introduces dimension and architectural interest through Cowtan & Tout’s trellis wallpaper. The article concludes by acknowledging the contributions of photographer Lucy Schaeffer for capturing the beauty of the home. The overall design successfully merges traditional and contemporary styles with a distinctive chinoiserie influence, creating a sophisticated yet lively living space.
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