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Wall-to-Wall Carpeting Is Back, and Other Surprises from ICFF
This article offers a firsthand account of the NYCxDESIGN event, with a particular focus on the International Contemporary Furniture Fair (ICFF) and its associated showcases, WantedDesign and The Crossroads. The author, a senior home guides editor, shares insights into emerging design trends and noteworthy exhibits from various designers and studios. The journey begins with a visit to Artemest Galleria in Chelsea, where Milan’s Dimorestudio transformed the space into a unique installation. The studio, inspired by American office aesthetics from movies like 'The Apartment' and 'Nine to Five,' presented furniture pieces within a moody and sensual environment. A surprising highlight was the prevalence of wall-to-wall carpeting, specifically a Pierre Frey design meant to evoke a timeworn forest floor, signaling a potential resurgence of this flooring style. Lighting designs also captured attention, with the Pizzo floor lamp noted for its playful yet elegant presence and structural tension. Other pieces at Artemest Galleria included a coffee table made of recycled cork, a velvet and smoked glass bench, and a large lacquered screen.
The narrative then shifts to the bustling Javits Center, home to ICFF and WantedDesign. The author notes a stark contrast between the quiet elegance of Artemest Galleria and the vibrant energy of the trade show. Among the exhibits, Zieta Studio from Poland showcased iridescent metal mirrors and unique air-inflated steel chairs and stools. A moment of respite was found in the mustard yellow Ligne Roset lounge, featuring iconic Togo sofas, which provided a comfortable break for fairgoers. The Crossroads, an immersive installation curated by David Rockwell and Pei-Ru Keh, featured innovative designs, including a chair by Liam Lee crafted from hand-felted merino wool on a poplar frame, praised for its unique, coral-like appearance and its ability to provoke thought about the essence of chair design.
Further exploration led to Forces at Play, a design collective presenting a debut collection of five pieces, including a bench, coffee table, wall mirror, and the standout Tortoise chair, described as a soft, cloud-like blob upholstered in vegan sheepskin. The article also highlights sustainable furniture, specifically a compostable chair by Samindaman from RISD's 'Rewilded Domesticity' show. Made from postconsumer paper pulp, corn starch, and woven cotton, this lightweight yet sturdy piece offered a hopeful vision for environmentally friendly furniture disposal. Nteje Studios presented the Ozo chair, a piece handmade in Nigeria, embodying a rich cultural narrative and demonstrating a movement away from fleeting trends.
Lighting innovations continued to impress, with D'Armes from Canada showcasing curvy, neon-like LED tube lights, and NJ Roseti featuring an intricately constructed lamp and chair made from wood veneer, set against a plush, cookie monster-adjacent carpet. Fefostudio, in collaboration with Déjate Querer, introduced felt rugs with organic shapes and topographical textures, suitable for various spaces. The article concludes with the Amadeus Chair by Wang Yichu, a piece inspired by Mozart and constructed from materials reminiscent of HVAC systems, yet possessing a regal aesthetic that challenged conventional expectations of design and material. The overall impression from the various exhibitions was a diverse landscape of design, ranging from the unexpected return of wall-to-wall carpeting to innovative, sustainable, and culturally rich furniture pieces, all contributing to a vibrant and thought-provoking design week.
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