Working environment has huge impact on artist creative process

The design of a workspace significantly influences employee creativity and productivity, often in ways that are not immediately obvious. Research suggests that elements such as lighting, wall color, and even ceiling height can profoundly impact an individual's cognitive processes and ability to generate innovative ideas. Traditional office designs, particularly cramped open-plan layouts, may inadvertently hinder creativity, as they were often conceived with a manufacturing mindset rather than one that prioritizes innovation and comfort. People require a sense of security and comfort in their environment to foster creativity, and without these conditions, creative output can diminish. Environmental design psychologists advocate for incorporating specific design principles to enhance creativity. For instance, the choice of wall color plays a crucial role. Green has been directly linked to increased creativity, as have light blues and yellows. These calmer colors are less stimulating than saturated hues like red, which helps reduce distractions. Green also evokes a sense of nature, potentially promoting relaxation. Conversely, red should generally be avoided in creative spaces, as it has been associated with degraded analytical performance and increased aggression. The optimal level of brightness in an office is approximately 500 lux, similar to the light at sunrise on a clear day. However, natural light is considered the most beneficial, as it is known to improve mood, enhance sleep quality, and boost productivity. To maximize the benefits of natural light, it should be accompanied by views of natural elements like greenery, water, or wood, as these have a universally positive impact on individuals. Artificial lighting also requires careful consideration. Warmer light colors are ideal for collaborative workspaces that demand creative thinking, while bluer light is more suitable for tasks requiring concentration and analytical thought. A study from Cornell University highlighted that focused, indirect uplighting significantly increased office workers' satisfaction and productivity compared to the common wide, parabolic downlights found in many open-plan offices. The physical dimensions of a space, particularly ceiling height, also affect cognitive function. Higher ceilings tend to promote more abstract and free-thinking, fostering creativity, while lower ceilings are more conducive to hands-on tasks. This phenomenon aligns with historical observations, such as Edward Hall's 1966 work on places of worship, where grand cathedrals with high ceilings inspire freedom and openness, contrasting with the confinement suggested by smaller, contained chapels. Implementing these design principles involves creating diverse office spaces tailored to different types of work. This could mean having rooms with high ceilings for creative work and others with lower ceilings for tasks requiring concentration. Different wall colors can also be used to establish varied moods in distinct areas. While office design is not the sole determinant of creativity—colleagues, management, and passion for work also contribute—a thoughtfully designed environment can provide a significant creative boost. Even in existing, less-than-ideal spaces, simple additions like plants or colorful photographs can help stimulate creative thinking. The overarching goal is to develop environments that maximize the potential for success by accommodating various work styles and psychological needs. #WorkplaceDesign #CreativityBoost #OfficeEnvironment #ColorPsychology #NaturalLight #CeilingHeight #ProductivityImprovement #EnvironmentalPsychology #WorkplaceInnovation

This article, adapted from Donald M. Rattner's book 'My Creative Space: How to Design Your Home to Stimulate Ideas and Spark Innovation,' delves into the psychological impact of ceiling height on creativity, particularly in home environments. Rattner's book, published last year, offers 48 science-based spatial strategies to optimize living spaces for enhanced creative performance, covering aspects from color psychology to the influence of scent on problem-solving. This excerpt focuses on 'Tactic #3: Do creative work under a lofty ceiling,' emphasizing the recommendation to perform creative tasks in spaces with ceilings ten feet or higher, or to visually manipulate surroundings to exaggerate apparent height. The rationale behind this tactic stems from research indicating that individuals in rooms with higher ceilings (ten feet or more) tend to score higher on creativity assessment tests compared to those in rooms with lower ceilings (eight feet). This phenomenon is attributed to the parallel relationship between our perception of mental space and physical space. A greater sense of spatial depth and expansiveness, including vertical dimensions, is believed to foster a more open mind, encouraging unorthodox ideas and fresh perspectives. Conversely, lower ceilings were found to promote more focused, analytical, and logical thinking. A 2007 study provided empirical support for this theory, demonstrating that subjects were more adept at innovative problem-solving in a ten-foot-high room, while those in an eight-foot-high room excelled in analytical tasks. Further neurological research using fMRI brain scans revealed that high ceilings activate the part of the brain associated with visual exploration, suggesting a predisposition to a 'big brush abstract view of the world,' a concept William Lidwell termed the 'Cathedral Effect.' This effect is historically evident in the design of grand cathedrals with exceptionally tall naves, implying an ancient understanding of vertical space's influence on contemplation and abstract thought. The article then provides practical methods for implementing this tactic, particularly for individuals without naturally high ceilings. It highlights that perceived truth in matters of the human psyche can be more potent than actual truth, allowing for visual manipulations to create the illusion of greater height. These techniques aim to emphasize the vertical axis and draw the eye upward, simulating the Cathedral Effect. Recommendations include applying vertical elements and patterns to walls, such as striped wallpaper, architectural paneling, or vertically arranged structural elements. Exploiting furnishings and décor, such as tall bookcases, full-length drapes, portrait-oriented artwork, vertically mounted decorative accessories, and standing lamps, can also amplify visual height. Lighting also plays a crucial role; lighter walls and ceilings, independent of each other, make a space appear taller, debunking the misconception that contrast between ceiling and wall color impacts height perception. Another technique involves extending the wall color or material into the ceiling as a border, or even applying the same color/material to both walls and ceiling, to create a seamless vertical flow. Raising door and window headers significantly influences height perception, as higher openings lead to a perception of a more elevated space. Finally, 'topping off' the space with elements like light fixtures, skylights, ceiling fans, or decorative features draws attention upwards, serving as a prime for the mind to register the room's height. Conversely, the article advises against design elements that diminish height in creative environments with lower ceilings. These include chair rails, oblong wall paneling, deep friezes, picture molds, heavy cornices, wallcoverings and drapery with longitudinal patterns, openings wider than they are tall, and oversized or horizontally profiled furniture like straight-back sofas. These considerations offer a comprehensive guide to optimizing spatial design for creative thinking, drawing on both psychological research and architectural principles. #WorkFromHome #RemoteWork #Creativity #SpatialDesign #CeilingHeight #PsychologyOfSpace #HomeDesign #InteriorDesign #CreativeWorkspaces

This blog post features an interview with Jason Apilado, a Senior Interior Designer, who offers insights into the interior design industry, discusses his notable projects, and shares his recommendations for cultural experiences, dining, shopping, and community engagement in Los Angeles. The interview begins by addressing common misconceptions about interior design, highlighting the blend of creativity and business acumen required for success. Apilado emphasizes the technical skills involved, including mathematics, geometry, engineering for cost calculation and collaboration with architects, and deep dives into psychology, history, and cultural studies for robust conceptual development. He also touches upon the challenges of navigating new design languages and effectively communicating these to various stakeholders, all while managing logistics and meeting deadlines. Apilado stresses the importance of artistic restraint and balancing imagination with practicality, without compromising design values. He introduces his '3 R's' approach—Recognize, Reassess, Recalibrate—to prioritize time management and support creative discipline, a skill he developed over 14 years in the field, including a significant period as a freelancer. Resilience, problem-solving, and leading with confidence without ego are also identified as crucial for designers. Apilado then shares details about some of his favorite projects, including a brutalist home/event space in Eden, Utah, designed in collaboration with Tom Wiscomb Architects and Benchmark Modern. This project features art installations and furniture by renowned artists and designers such as Jónsi, James Turrell, Rick Owens, Vibha Galhotra, Naama Tsabar, Pedro Reyes, and MAD Architects. Other significant works mentioned are the Soulmate Restaurant in West Hollywood, a G550 jet interior, and a contemporary residence in the Hollywood Hills, developed with Belzberg Architects and Dobkin Construction. The discussion also covers his recent ventures into dealing antique furniture, launching a textiles collection, and selling curated goods online. The interview shifts to local recommendations for Los Angeles. For cultural experiences, Apilado suggests Casa Perfect Los Angeles 3.0, Anat Ebgi gallery, Vardan Gallery, Arcana Books, and the Endeavour space shuttle. Dining recommendations include Santa Monica Seafood Market, Santa Monica Farmers Market, Spoon & Pork, Kang Ho Dong, and Siam Night Market. Shopping highlights feature H. Lorenzo and the Rose Bowl Flea Market. For community engagement, he recommends In Sheep’s Clothing hifi, Ambient Church, Brain Dead Studios, Aroma Golf Range, and the LA River West Bank Bike Trail. Finally, Apilado expresses gratitude to numerous individuals who have inspired and supported his career. He acknowledges fellow designers and craftsmen, emphasizing the importance of community and mutual support among artists. He specifically thanks his parents for fostering his creativity, his brothers for their support, and his high school teachers and college mentors for seeing his potential and never giving up on him. Special recognition is given to Sean Leffers for trusting him to build a design studio, and a list of influential figures such as Riza Stillwell, Scott Pennington, David Waggoner, David Goggins, Bjarke Ingels, Ridley Scott, The Wachowskis, Craig Green, and Richard Feynman are mentioned for their impact on his professional journey. #InteriorDesign #CreativeProcess #DesignProjects #LosAngelesCulture #BusinessAcuemen #ProfessionalJourney #ArtisticRestraint #CommunitySupport

A study conducted by YouGov, commissioned by the Affordable Art Fair, reveals the significant impact of artwork in the workplace on employee well-being and productivity. The findings indicate that a substantial 50% of individuals working indoors report the absence of any artwork in their work environment, with 65% unable to view art from their desks. Despite this, nearly a third (29%) of respondents believe that installing artwork in workplaces could boost productivity, ranking it higher in importance than amenities such as sleep pods (17%), ping pong tables (14%), and beanbags (12%). Beyond mere aesthetics, the study highlights a profound psychological benefit: 27% of workers in art-adorned offices reported feeling happier, while 21% experienced a sense of peace. Additionally, almost one-fifth of participants credited the presence of art with stimulating creative discussions, essential for brainstorming and problem-solving activities. These insights are particularly relevant in the context of the growing trend of remote work, where establishing a productive home office environment is crucial, even within limited spaces. Decorating a wall with art emerges as a straightforward and cost-effective strategy to enhance productivity and overall mood in a home office. The research further identifies the most preferred types of artwork for an office setting: a photograph of a landscape (35%), a painting of a landscape (33%), an abstract painting (25%), textile artwork (14%), and a large sculpture (14%). These preferences suggest a lean towards visually calming and thought-provoking pieces that can contribute positively to the work atmosphere. Dr. Harriet Shortt, an expert in workplace environments, emphasizes the subtle yet powerful influence of workplace design elements, particularly artwork, on daily employee experiences. She asserts that the study's conclusions serve as a critical call to action for organizations to reconsider the prevalent starkness of their office walls. This reconsideration is not merely about aesthetic enhancement but about fostering a workforce that is more reflective, imaginative, and inventive. In a rapidly evolving professional landscape that values innovation and adaptability, investing in art could be a strategic method for inspiring employees and facilitating creative dialogues. Following this discussion, the article also includes a separate section recommending various hallway mirrors to create the illusion of space and enhance home decor. This section showcases diverse mirror styles, including a Scandi Metal Frame Rectangular Hall Mirror, a Pink & Green Glass Wall Mirror, an Essentials Round Wall Mirror, a Gold Art Deco Wavy Wall Mirror, a Scalloped Round Wall Mirror, a Pebble mirror, a Large mango wood mirror, a Square Wall Mirror, a Wiggle Oval Wall Mirror, an Octagon Wall Mirror, a Small Talasa Mirror - Spruce, a Full Length Arch Mirror - Brass, a Vivian Wall Mirror, an Aurora Green Round Wall Mirror, a Bobbin Round Wall Mirror, and an Apartment Arched Wall Mirror. Each recommendation provides details on its design, material, and how it can contribute to a home's aesthetic and functional appeal. #HomeOffice #WorkplaceProductivity #ArtworkBenefits #InteriorDesign #HomeDecor #StressReduction #CreativeStimulation #WallArt #RemoteWork #HallwayMirrors

The article offers an intimate glimpse into the home office of Tali Roth, an interior designer based in Melbourne, Australia, as part of the “Where I Work” series. It delves into her daily routine, the aesthetics of her workspace, and the elements that inspire her creative process. Roth begins her workday at 9 a.m., often engaging with U.S. contacts as early as 7 a.m., and concludes her initial office hours at 5 p.m., only to resume work on her sofa around 7:30 p.m. She describes her office space using three words: chic, pretty, and well-stocked. A central component of Roth's office is her collection of stone samples, which she considers the most important items for informing her designs, emphasizing the natural origin of beautiful materials. Her walls are adorned with significant art pieces, including a photograph by Oded Bality depicting an ultra-Orthodox wedding in Israel and an abstract painting from a friend. A pinboard serves as a rotating display for inspiring saves and Polaroids. Roth identifies movies as her current source of creative fuel, particularly noting how films like 'In the Heights' can stimulate new perspectives and emotions, which she believes are crucial for her design work. When faced with creative blocks, Roth turns to vintage shopping, which she finds offers a sense of transportation and fresh ideas, especially in times when travel is restricted. Her organizational system relies heavily on both written and digital lists, complemented by calendar reminders, a method she developed to overcome a natural tendency towards forgetfulness. She admits to not having a favorite pen, using whatever is available, but highlights her personalized Papier notebook, which she uses daily and goes through several of each year. A noteworthy and somewhat ironic detail about her workspace is her desk chair, the Meandre Side Chair from Design Freres, which she describes as “truly uncomfortable but so so attractive,” indicating a prioritization of aesthetic appeal in her personal workspace. To combat the afternoon slump, Roth typically takes a break to visit a local milk bar (an Australian term for a convenience store or bodega) to pick up a gluten-free snack, such as garlic dip, hummus, and jalapeño chips, as her office lacks a kitchenette. Her preferred soundtrack for work includes artists like Maggie Rogers, Lana Del Rey, and 90s Silverchair, creating an eclectic backdrop for her design tasks. The article provides a comprehensive overview of an interior designer’s professional environment, highlighting the blend of personal taste, practical tools, and external inspirations that contribute to her creative output. #InteriorDesign #HomeOffice #WorkspaceInspiration #DesignerProfile #CreativeProcess #WorkLifeBalance #OfficeDecor #TaliRoth

This article highlights essential items for enhancing a home arts and crafts studio, emphasizing the importance of creating an inviting and inspiring space for creative endeavors. Whether the space is a small corner or a dedicated room, the goal is to improve both functionality and style. Different crafts and art forms have varying requirements, but common needs include easy access to materials, adequate storage, and suitable work surfaces. Potential locations for a home art studio, such as small sheds, attics, or underutilized dining rooms, are also mentioned. Several key items are recommended to immediately improve a creative workspace. Proper lighting is crucial, and while industrial task lighting is common, stylish options with similar functionality are available. Effective storage solutions are paramount for organization. For illustrators and painters, compartmentalized shelves help keep canvases tidy and prevent damage. Slender drawers are suggested for safely storing and easily accessing pens, markers, and brushes, with the added benefit of being stackable for increased storage capacity. Rolling storage carts offer discreet storage and mobility, allowing supplies to be moved as needed within the workspace. Metal lockers, offering a blend of functionality and distinct style in various colors, serve as an alternative to traditional industrial cabinets. Technological tools also play a role in a modern craft studio. A vinyl cutter, such as the Cricut Air, is highlighted for its versatility in creating stickers, stencils, and iron-on patches, often available with starter kits. Pegboard storage systems, a long-standing favorite for garages, are presented as a great addition for organizing small items and hanging tools like scissors and rulers. Comfortable and adaptable seating, such as adjustable stools, is essential for long hours of creative work. Functional tape dispensers, especially those designed to hold various types of tape, combine practicality with aesthetic appeal. For those needing flexible workspaces, a foldable supply cart is ideal for art spaces that need to be tucked away when not in use. A trash can that is both functionally sized and aesthetically pleasing is important for managing waste in a space prone to creative messes. A rolling cart with features like side space for paper rolls and ample drawers offers versatile storage for various art supplies. Flexible work surfaces are critical, with corner desks providing space for both digital and analog work, including raised drafting sections. Chalkboards are recommended for sketching, brainstorming, or reminders, adding an old-school, creative touch. Rotating organizers are presented as an industrial-chic solution for storing small materials like buttons or stamps. Drawered cabinets, reminiscent of antique apothecary furniture, are suggested for housing small supplies. An antique flat file is identified as a high-end, functional, and visually striking item for storing large paper and materials without creasing. A wall-mounted kraft paper roll is highlighted for its utility in note-taking, package wrapping, and sketching. Wire storage baskets offer a durable and easily cleanable alternative to traditional baskets, allowing visibility of contents. For artists who work with analog mediums, a large flatbed scanner is an essential tool for digitizing artwork accurately. Finally, a standing desk or table provides ergonomic flexibility, allowing artists to work comfortably in seated, standing, or intermediate positions, with options for custom accessories. #HomeStudio #CraftRoom #ArtStudio #HomeOrganization #CreativeSpace #WorkspaceDesign #ArtSuppliesStorage #StudioEssentials #HomeImprovement

Proper placement of art is crucial for creating a balanced and intentional living space. Poor placement can diminish the impact of even magnificent artwork, making it appear awkward. Beyond aesthetics, certain environments within a home can be detrimental to the longevity and appearance of art. Interior designer Lauren Saab emphasizes that harmony in art placement stems from considering height, proportion, and alignment relative to surrounding furniture and architecture. When art is hung too high or scattered without a cohesive rhythm, a room can lose its sense of gravity. Several specific locations in a home are generally ill-suited for displaying art due to environmental factors or traffic. Bathrooms and other high-humidity spaces pose a significant risk, as moisture can lead to discoloration, mold, mildew, and peeling. Art advisor Kelly Cahn advises against placing artwork in direct splash zones and recommends ensuring any art in a bathroom is framed under glass for protection. Additionally, hanging pieces above the backsplash line or near natural light where they can air out can help prevent damage. UV-tinted window film or strategic placement in shaded areas like bookshelves or reading nooks can protect artwork from fading or glare caused by excessive natural light, especially in south-facing rooms. Unprotected fine art, such as oil or acrylic paintings, may also benefit from a layer of UV protectant. Active fireplaces present another problematic location. Although popular for mantel decor, the heat generated by fireplaces can damage artworks over time, causing color changes, fading, warping, and cracking. If art must be placed above a fireplace, its preciousness and size should be carefully considered, ensuring a sufficient buffer zone between the mantel and the artwork. Artwork with rich textures or softer colors is often more suitable than reflective pieces that might produce glare. High-traffic areas, such as narrow hallways or entryways, also warrant caution. Art in these locations is susceptible to being bumped or jostled. While the standard art hanging height is typically around 60 inches, Kelly Cahn suggests hanging art higher in stairways or hallways to reduce the risk of damage. Alternatively, placing art in safer, less exposed areas, such as behind a sofa or on a dining room wall, is advisable. When hanging art over a sofa, it is important to ensure it is high enough to prevent accidental contact with people's heads. Finally, oversized art above headboards, a common bedroom decor choice, can often dominate a room rather than enhance it and is frequently hung too high. Lauren Saab suggests that bedroom wall art should be placed lower and be more integrated with the surrounding furniture. Instead of a single large piece, a gallery wall composed of smaller pieces near a nightstand can create an intimate and architectural vignette, giving the room warmth without visual heaviness. The goal is for art to feel like an integral part of the room's design, rather than an afterthought. Sometimes, leaving a space blank is a more impactful choice if a piece doesn't genuinely contribute to the mood or meaning of the room. #ArtPlacement #HomeDecorTips #InteriorDesignAdvice #ArtCare #RoomHarmony #HumidityDamage #SunlightProtection #FireplaceDecor #HighTrafficAreas

In the competitive interior design industry, retaining talented employees is crucial for a firm's long-term success. Five prominent interior designers, Allison Lind, Cheryl Luckett, Courtney McLeod, Summer Thornton, and Francis Toumbakaris, offer their strategies for motivating and retaining staff members, highlighting approaches that prioritize growth, practical experience, communication, and a strong company culture. Courtney McLeod, founder and principal designer at Right Meets Left Interior Design, emphasizes the importance of creative freedom and increased autonomy as key motivators. She believes that as team members demonstrate success, they should be granted more independence and creative input in new assignments. This strategy not only acknowledges good work but also establishes a clear path for professional development, fulfilling the desire for growth that many designers share. McLeod views this approach as a strategic investment in employees who contribute to the firm’s sustained health. Francis Toumbakaris, principal designer at Francis Interiors, highlights the value of hands-on, on-site experience. Coming from a general contracting background, his studio provides young designers with opportunities to interact directly with tradespeople like plumbers and tile setters, verify drawings at millwork shops, and even participate in construction when deadlines are tight. This practical exposure allows designers to witness their work transforming into reality, acquiring invaluable skills that cannot be learned solely through computer-based tasks. Allison Lind, an interior designer at Allison Lind Interiors, focuses on customizing growth opportunities to individual interests. Recognizing that creative professionals dislike monotony, she strives to offer new challenges or educational experiences tailored to each team member's aspirations. For example, if an employee shows a preference for kitchen design, they are given a more significant role in kitchen renovation projects. Lind asserts that demonstrating trust, valuing employees, and investing in their professional growth are essential for fostering loyalty and encouraging them to develop within the firm. Cheryl Luckett, principal and interior designer at Dwell by Cheryl Interiors, draws from her corporate experience to implement 'stay interviews.' These mini-performance evaluations, conducted at 30, 60, and 90-day intervals, ensure that new employees are properly onboarded and set up for success. By establishing formal, one-on-one dialogues, Luckett creates a platform for employees to voice concerns, ask questions, and express their career development aspirations early on. This open communication is critical for promoting longevity and encouraging employees to thrive in their roles. Summer Thornton, principal and interior designer at Summer Thornton Design, prioritizes grit and personality fit during the hiring process over résumé or prior experience in the same role. She believes that when individuals work within their natural talents, their output is exceptional, and they genuinely enjoy their work. Retention, for Thornton, is deeply rooted in culture and personal relationships with each employee. She maintains a manageable office size to ensure she can connect with every team member. Her firm fosters a strong team culture through social activities like karaoke nights, team dinners that include spouses, and inspirational trips, such as a recent holiday party in London, which aim to strengthen bonds and provide shared experiences. #InteriorDesign #EmployeeMotivation #TalentRetention #CreativeFreedom #HandsOnExperience #CustomizedGrowth #FeedbackMechanism #CompanyCulture #BusinessAdvice #DesignManagement

This article features an interview with Ann Flemings, a contemporary abstract painter based in Austin, Texas. Flemings discusses a significant project she undertook in 2017: a self-designed residency focused on scaling up her artwork. Initially, she envisioned painting "big" but lacked the necessary studio space. To overcome this, she arranged a trade with an artist friend, pet-sitting in exchange for using a large studio for two months. Her plan involved working on ten 4-foot by 4-foot canvases, dedicating June to preparing small study paintings, and acquiring larger art supplies like brushes, mixing containers, and gallery-wrapped canvases. She set up ladders as easels and felt a sense of excitement rather than intimidation by the large scale. Flemings began painting on July 5th, using her reference studies as a starting point. She quickly realized that scaling up presented unique challenges, including mixing larger quantities of consistent color and effectively wielding bigger brushes. To translate images from smaller studies to large canvases, she used a tracing-paper grid. While she started with vigor, the work output gradually slowed down as the larger canvases required more time and attention. Challenges arose from the studio environment, which lacked air conditioning in Texas during July and did not have a bathroom. The intense heat caused her paint to dry rapidly, necessitating the use of gel mediums and water to revive it, which altered the paint's texture and flow, hindering her process. Despite these difficulties, she persevered, finishing two paintings and making modest progress on two others. After four weeks, Flemings decided to complete the remaining two canvases at home due to the studio conditions. This self-directed residency, while frustrating, provided invaluable lessons about the complexities of scaling up artwork. She now enjoys painting large-scale pieces, with the primary limitation being the size of canvases that can fit in her car. This experience boosted her confidence in tackling ambitious projects and refining her artistic approach. She also views the self-directed residency as a beneficial strategy for exploring concepts for future formal residency applications. Flemings, born in Los Angeles and raised in Pennsylvania, has a BFA and previously worked in fundraising. She re-engaged with art in 2015 and now creates vibrant abstract art through layering, excavating, and revealing, aiming to evoke peace and beauty. Her process is intuitive, influenced by emotions and memories, allowing the painting to guide her. She emphasizes the importance of listening to the painting and believes each piece has a unique story and soul, bringing personality and spirit to a home. She hopes her work conveys a sense of calm energy, balance, and "relaxed spaciousness," a Buddhist concept she incorporates into her life and art. The article also covers how to foster a supportive environment for artists. Flemings encourages individuals to attend exhibitions, become museum members, visit local art shows, purchase original art directly from artists, and contribute to arts non-profits. She advocates for voting for representatives who support the arts and encouraging community engagement in the creative ecosystem. She highlights the role of art in offering beauty and reflection, quoting Brian Rutenberg on how art encourages "slowing down" and "breathing." Flemings believes that finding original artwork that resonates with an individual is a special experience and strives to share her work widely through social media and, ideally, in person, emphasizing the unique experience of engaging with handmade art in a technology-driven world. Flemings shares a story about resilience, recounting a challenging portfolio review in 2015 that criticized her composition, color use, and lack of focal points. Despite initial devastation, she adopted a practical, objective approach, deciding to strengthen her foundational skills. She joined a life drawing group, practiced "notans," and worked with a respected teacher to improve her drawing, painting, and color mixing. This rigorous training, though frustrating at times, helped her develop a stronger artistic eye and a better understanding of line, tone, and value. A year later, her improved work was well-received by the public, validating her growth as an artist. She expressed gratitude for the candid feedback, attributing her increased strength as an artist to that challenging experience. #AnnFlemings #AbstractArt #ArtistInterview #ArtResidency #PaintingChallenges #CreativeProcess #ArtistResilience #ArtisticGrowth #HomeDecor #ArtCommunity

Dana Toledo's journey began in Los Angeles, where she established her career as a hospitality interior designer. She relocated to LA from Atlanta in 2014 and developed a strong connection to the city, building her chosen family and professional network. In the summer of 2021, after a 5-month layoff due to the pandemic from a respected design firm, she experienced a pivotal shift. This period, while challenging due to reduced staff and increased workload, offered invaluable creative and professional growth and mentorship opportunities. The shift to remote work in March 2020 freed up commute time, allowing Toledo to rediscover metalsmithing, a craft she had recently picked up. Her enjoyment in interior design involved material curation during the concept phase, appreciating the process of combining diverse materials like metals, fabrics, stone, glass, wood, and wallpaper to form cohesive palettes. This tactile satisfaction translated into metalsmithing, where she found flow and could spend hours filing, sawing, and hammering metal to create jewelry. Upon being laid off, Toledo launched a collection of ten rings, selling seven within 48 hours, suggesting a potential livelihood as an independent artist. However, a mutual decision to end her relationship with her partner put her jewelry plans on hold as she prioritized finding new housing. Initially set on staying in LA, the financial strain of zero income made living alone daunting. She quickly pivoted, signing a lease for a loft in Atlanta three weeks before her LA lease ended. With limited funds and no clear job prospects, she left LA, a city she loved, to return to Atlanta, a place she had previously vowed never to revisit. The initial months in Atlanta were challenging. The city had changed significantly, and she was starting anew, compounded by personal losses earlier that year. Despite anxiety from unemployment and limited resources, perseverance eventually led to positive changes. She secured a website design client, leveraging a bootcamp course she had taken, and received a call for a remote, part-time position from her first interior design job in LA. Toledo credits this turnaround to the principle of starting with what one has and doing what one can. Moving back to Atlanta, though impulsive, proved transformative. She rejected the option of moving in with her mother in Texas, fearing complacency, as her ambitious nature required a catalyst to pursue her dreams of becoming a successful multidisciplinary artist and creative entrepreneur. Toledo later launched Medjo Rebelde, translating to “A Little Rebellious” in Tagalog, a brand born from years of self-discovery and challenging cultural expectations within her Filipino upbringing. Despite early artistic inclinations, her father discouraged art, labeling it “useless,” which led her to abandon art for 15 years. Coming from a family of medical professionals, she pursued a science-oriented academic path, moving from pre-pharmacy to IT, then Exercise Science, ultimately graduating with a B.S. in Exercise & Health Science, aiming for a doctorate in Physical Therapy. Her interest in interior design was initially rejected by SCAD. A year into living in LA, inspired by the city's diverse creative influences, she reconsidered grad school and enrolled in UCLA’s Interior Design & Architecture program, simultaneously starting her career as a hospitality interior designer. This marked LA as a place that allowed her to embrace her creative identity, while Atlanta facilitated its full adoption. The decision to return to school for interior design at 24 was daunting, fueled by fear of family disapproval. After exploring various options, including sports marketing, she found a Craigslist job that launched her interior design career, confirming her path. Interior design became her entry into the creative world, leading her to explore metalsmithing, painting, and eventually apparel design with Medjo Rebelde. This passion project, developed during her transition from LA to Atlanta, emphasizes stepping out of comfort zones and pursuing passions, irrespective of societal expectations, while respecting heritage. She aims to empower Filipinos and Filipino-Americans to break away from traditional mindsets, encouraging self-expression and permission to live authentically, fostering a “little rebellious” spirit. Toledo acknowledges the bumpy but rewarding path to thriving as a creative entrepreneur and building stronger family relationships through living her truth. Toledo finds the creative process itself most rewarding, entering a state of flow where time ceases to exist. Working primarily with her hands in metalsmithing or painting, she values the direct transfer of ideas to a medium. The satisfaction of seeing thoughts materialize into a unique, personal expression, open to interpretation, is a core motivator. To foster a supportive environment for artists, Toledo advocates for active engagement and open-mindedness. Learning about the artist, being present with their work, and recognizing the significant thought and effort invested in concept development and presentation are crucial. She emphasizes that artistic creations, whether by a painter, musician, baker, or architect, are carefully curated and deliberately planned, resulting from extensive repetition and experimentation. Financial support is acknowledged as vital for sustaining artistic endeavors, akin to any business. Beyond financial contributions, she encourages continued engagement, sharing artists’ work with others, and fostering deeper connections through repeated interactions. #DanaToledo #CreativeJourney #InteriorDesign #Metalsmithing #Entrepreneurship #MedjoRebelde #FilipinoCulture #CareerTransition #ArtistSupport

The article features an interview with Leo Cesareo, an interior designer, discussing his journey, artistic influences, and personal recommendations for exploring Los Angeles. Cesareo recounts his decision to start his own business after years of working for other designers. He describes a pivotal moment at his last firm, where a negative interaction with a junior designer led him to quit on the spot and establish Leo Cesareo Design seven years ago. This experience highlighted his desire to focus on design rather than office politics and bureaucracy. He notes that this decision was a positive one, as he has not encountered similar issues with his own clients. Cesareo attributes his artistic inclination to his family background. His grandfather was an illustrator and 'Ad Man' in Buenos Aires during the 1950s and 60s, creating hand-drawn advertisements for magazines like Time and Life. His father was an architect and contractor, and Cesareo credits learning to draw by observing his father's work at a drafting table. He humorously mentions learning three-point perspective by kindergarten, much to his elementary teacher's surprise. His artistic education continued at the Visual Arts program at LACHSA and then at RISD, where he studied Film and Art History. During his film studies, he developed an interest in set design, focusing on 'world-building' and the psychology behind characters and their environments, which ultimately led him to transition into interior design. At Leo Cesareo Design, his firm aims to create unique, tailor-made interiors for contemporary individuals and households, drawing on his visual arts background to influence spatial composition and light. When asked about local spots in Los Angeles, Cesareo, a native, emphasizes approaching the city through its individual neighborhoods due to its spread-out nature. He suggests that framing LA in this way makes visitors more open to experiencing different areas, even if it involves traffic. He highly recommends The Cara Hotel, praising its transformation from a 1950s motel into a chic, European-feeling establishment with elegant rooms and a stylish courtyard. Its central location is also a plus for accessing both the East and West Sides of the city. For shopping, he points to Departamento in Downtown LA, highlighting the area's growth into a vibrant, walkable neighborhood with interesting shops and cafes. His favorite Korean BBQ spot is Dan Sung Sa, valued for its unique interior design with cubby booths and graffitied walls, which contributes to its 'frenzied cool' atmosphere, making the long wait worthwhile. For an authentic LA experience, he recommends late-night taco trucks, particularly those on Sunset in Echo Park, and diners like Norms and the iconic Johnie’s Broiler (now a Bob’s Big Boy), noting the historical significance of Googie Architecture and fast food in LA's development. For nightlife, he suggests El Cid, Akbar, and underground or gay bars, describing a quintessential LA experience involving secret passwords and unexpected celebrity sightings in unusual locations. Cesareo concludes by giving credit to his alma maters, the LA County High School for the Arts (LACHSA) and the Rhode Island School of Design (RISD). He emphasizes that these institutions provided him with the foundational experiences, work ethic, and community that have supported him since he was 15 years old. The article also provides contact information for Leo Cesareo Design, including his website, Instagram, LinkedIn, and Facebook profiles. #InteriorDesign #Entrepreneurship #LosAngeles #ArtisticInfluence #CreativeJourney #BusinessStartUp #LocalCulture #DesignPhilosophy #RISDEducation

Acquiring the appropriate artwork for a home can present a significant challenge for individuals aiming to achieve aesthetic harmony within their living spaces. The process involves numerous considerations, such as selecting a piece that complements the room without overwhelming it or becoming lost in the background, and ensuring it physically fits the designated area. Interior designers regularly address these complexities, recognizing art's integral role beyond mere ornamentation. They emphasize that correctly chosen and placed art can profoundly influence a living space's mood, identity, and overall harmony, while also enabling clients to express their personal tastes. Brigette Romanek of Romanek Design Studio, a prominent Los Angeles-based designer, advises a deliberate and intuitive approach to art acquisition. She suggests that a single, deeply loved piece of art can contribute more soul to a room than multiple pieces selected simply to fill space. Romanek also highlights the critical importance of framing, describing it as an "unsung hero" that can dramatically alter a piece's aesthetic impact. Furthermore, she encourages utilizing often-overlooked small spaces like kitchens or powder rooms to introduce personality and unexpected elements, sometimes employing bold contrasts such as sculptural pieces in minimalist settings. Michael Bargo, an independent designer from New York City, advocates for extensive exposure to art as a foundational step. He recommends viewing a wide variety of artworks to develop a personal aesthetic, asserting that "empty walls are better than bad art" and that building a significant art collection requires patience. Bargo cautions against buying art solely based on trends or recognizability, stressing that purchases should be driven by genuine affection for the piece. He suggests beginning the collection process with the rooms that are most frequently used and cherished. Justina Blakeney, founder of Jungalow, known for her bohemian and maximalist style, emphasizes practical considerations for art care. She advises careful placement, especially for valuable pieces, to protect them from environmental factors like direct sunlight that could cause wear and tear. Blakeney also highlights the importance of scale, noting that an artwork's size relative to its space is crucial. She recommends balancing smaller pieces on large walls with other decorative elements, such as wall lighting, to achieve visual cohesion. Proper placement, she adds, helps align the artwork with the desired ambiance of the home. Adam Charlap Hyman, co-founder of Charlap Hyman & Herrero, encourages broadening one's artistic horizons beyond familiar galleries. He suggests exploring auctions and noting artists encountered in museums to discover diverse works. For high-traffic areas like TV rooms or playrooms, Charlap Hyman recommends durable options such as large-scale photographs behind glass, which also reflect light, acknowledging that these pieces may endure minor impacts. Nicole Hollis, founder of NICOLEHOLLIS Inc., advises allocating a larger portion of the art budget to "high-impact" rooms such as living rooms, dining areas, and entryways, as these spaces are frequently observed and can house pieces that may appreciate in value. She often uses artwork as a starting point for developing color schemes and selecting furniture. Hollis also stresses the importance of considering long-term value, recommending consultation with art advisors or gallerists and diversifying collections with more accessible pieces from emerging artists or prints to support a broader range of artists and balance financial investment. Lucy Williams, a British independent designer and consultant, advises visualizing how an artwork will appear within a specific room, rather than relying solely on its presentation in a gallery setting. She frequently uses design applications like Canva or InDesign to mock up artworks in situ. Williams also promotes experimentation, suggesting that mixing art styles—such as pairing contemporary photography with antique decor or incorporating soft, whimsical pieces into modernist spaces—can create a more dynamic home environment. She notes that even a small, well-placed piece can have a significant impact. Shawn Henderson, founder of Shawn Henderson Interior Design, acknowledges the intimidating nature of the art world and encourages thorough research and preparation for significant art purchases, including understanding the artist’s practice and potential investment value. To foster confidence, he advises clients to explore local galleries and online platforms like Artsy to gain exposure to various artworks and develop their preferences. #InteriorDesign #ArtBuying #HomeDecor #ArtCollection #DesignTips #HomeArt #InteriorStyling #ArtPlacement #HomeAesthetics

Melinda Cardenas, an interior designer and creative thinker, discusses her career path and inspirations. She explains her decision to pursue a creative field, attributing it to a natural inclination towards design, organization, and creativity from a young age. As she matured, she focused on developing these innate skills into a professional career. Her research into interior design and architecture led her to fully commit to the field, despite recognizing its inherent challenges. Cardenas emphasizes that the profession allows her to utilize her core strengths in design, organization, and creativity, and she continuously seeks opportunities for growth to enhance her capabilities as a designer and creative asset within the industry. Cardenas describes her journey in interior design as both challenging and rewarding. She recalls long nights during college studio sessions and highlights the satisfaction derived from client reviews and project completions. She expresses gratitude for working in a field she enjoys, which also allows her to positively impact spaces and the individuals who inhabit them. Key to her professional development has been a commitment to continuous learning and maintaining confidence in her design decisions. She also values surrounding herself with more experienced and knowledgeable individuals, which has been instrumental in navigating problems and developing effective solutions. Cardenas advocates for consistently asking questions, regardless of how trivial they may seem, and lives by the motto, “Life begins at the edge of your comfort zone.” This philosophy encourages her to push boundaries, embrace new experiences, and engage in uncomfortable situations as a means of personal and professional growth. When asked about local attractions in Los Angeles, Cardenas highlights the city's diverse offerings, from natural beauty to vibrant nightlife. She suggests a day trip up the coast to Malibu, starting with breakfast burritos at Lily’s Cafe and coffee at Le Cafe de la Plage. Relaxation at Lechuza Beach would follow, enjoying the ocean scenery. For evening entertainment, she recommends dinner at Grandmaster Recorders, possibly followed by a show at the Pantages Theater. Another favored activity is attending outdoor concerts and movies at the Hollywood Bowl, appreciating the combination of good food, music, and the picturesque Los Angeles backdrop. Cardenas takes the opportunity to acknowledge Sarah Barnard, an interior designer who served as an early mentor. Barnard provided guidance on professional conduct, impactful contributions to the design community, and helped Cardenas refine her design influences during her formative years. This mentorship proved crucial in shaping Cardenas's understanding and approach to the design profession. #InteriorDesign #CreativeThinking #CareerPath #ProfessionalGrowth #LosAngeles #Mentorship #DesignCommunity #WorkLife

This article introduces Shadé Akanbi, a Brooklyn-based freelance pattern designer and the Creative Director and Designer behind Printed Pattern People. Akanbi's design philosophy is rooted in her multicultural upbringing, which has instilled in her a passion for creating global fusion lifestyle and brands. Her work involves translating traditional ethnic patterns and textiles into contemporary interpretations suitable for everyday use. Akanbi's creative process often begins with identifying a specific motif or detail from traditional textiles. This chosen element then serves as the central inspiration, around which she constructs new patterns using fresh colors and additional details. She is prolific in her output, creating between one to six prints daily, drawing inspiration from personal collections, client ideas, or a combination of both. Akanbi is known for her collaborations with various brands, in addition to maintaining her extensive collection of global textiles. Her first major collaboration was with Anthropologie in early 2020, where her artwork was featured in an accessories and sleepwear collection. Since then, she has partnered with notable brands such as Intermix, Zuri, S'well, Chasing Paper, Netflix, and Target. Her most recent collaboration at the time of the article's publication was with Bounty Paper Towels, as part of their Inclusive Artists Project initiative. This partnership involved her artwork being featured on the Bounty Prints collection paper towels and her image appearing on the packaging, an experience she described as surreal due to the widespread nature of the household item. The article highlights Akanbi's ambition and future aspirations. As an avid traveler, she expresses a desire to collaborate with airlines and boutique hotel brands, specifically mentioning Delta, Jetblue, Kimpton, and Hyatt, envisioning these as platforms to showcase diverse art mediums. Her interest extends to athletic footwear brands like Nike, Adidas, Puma, and Vans, reflecting her passion as a sneaker collector. Furthermore, her background as a collegiate basketball player and a fan of the NBA/WNBA drives her dream to work with her favorite sports teams. Ultimately, Akanbi seeks to partner with brands with which she shares strong personal connections, aiming to utilize these collaborations as unique avenues for artistic expression. Her personal history significantly influences her artistic vision. Akanbi recounts how her upbringing, from her mother's styling choices to her father's Nigerian cooking, and her early travels, particularly her first trip to Nigeria, profoundly shaped her as an artist. These diverse experiences, encompassing sights, sounds, textures, tastes, and emotions, have cumulatively impacted her design sensibility. Her ability to blend cultural influences and her innovative approach to pattern design underscore her unique position in the design world. The article concludes by encouraging readers to explore more of Shadé Akanbi's work via her Instagram and mentions a past collaboration where she provided a Designer Desktop wallpaper for Design Milk. #PatternDesign #ShadeAkanbi #TextileArt #CulturalFusion #BrandCollaborations #ArtisticProcess #DesignInspiration #GlobalTextiles #CreativeDirector

The desire to integrate art into living spaces has become widespread, moving beyond an exclusive realm to encompass a broader audience interested in contemporary pieces. Art serves as a valuable medium for cultural and historical narratives, offering aesthetic pleasure. The challenge lies in harmonizing art with other interior elements to achieve balance. Interior designer Natalie Tredgett emphasizes a purposeful approach to design, ensuring each art piece is thoughtfully placed to enhance, rather than compete with, the room's energy. When incorporating art, the objective is not to directly match the room's decor to the art or vice versa. Instead, the focus is on creating a balanced environment where all elements coexist harmoniously. This involves considering a complementary color palette that works with the art, building upon a wider spectrum of colors. Beginning with hues that resonate with the artwork, contrasting colors can then be introduced. Instead of exact matches, the strategy involves selecting color families, drawing inspiration from paint charts that display various shades of a color, or observing natural palettes. Fabric choices can also incorporate a multitude of colors that align with the art. The complexity of the artwork also influences design decisions. For intricate pieces, pairing them with calm textures and patterns helps maintain balance, preventing either the art or the room from overpowering the other. Each element is given its designated place and purpose within the overall design. Beyond selecting existing pieces, there is an opportunity to commission unique artworks and objects. Social media platforms and art fairs have broadened access to artists, making it easier to collaborate on custom pieces. The aim is to create items that deeply resonate with the homeowner, bringing personality, happiness, and enjoyment to their spaces. An example includes commissioning lamps made from upcycled plastics, where the artist and designer collaborated on size, color palette, and form to create a distinctive, cherished piece. Layering is a fundamental aspect of this design philosophy. A home is not a static museum; it evolves with its inhabitants' lifestyles, and art and objects must adapt to these changes. Layering acknowledges that other elements, such as furniture, family photos, books, and lighting, will interact with the art. The key is to identify the central focal point in a room and use it as an anchor, positioning it where the eye is naturally drawn. The surrounding elements, including art, lamps, objects, and textiles, should then build upon this anchor with color harmony, contrasting patterns, and varied materials. This approach ensures that while each piece has its individual presence, they collectively form a cohesive composition. Successful design involves a dynamic interplay where the eye dances across a diverse array of unexpected yet unified pieces. When a room is designed effectively, no single element monopolizes attention. Instead, the art and the room together function as an installation that marries form and function, rich with memories and emotions unique to the owner. The beauty of the design lies in the synergy of its components. Achieving this balance, allowing each piece to have its breathing room and significance without overshadowing others, encourages homeowners to tell their personal stories through their curated spaces. The ultimate goal is to integrate art thoughtfully, giving each piece the presence it deserves within a cohesive and evolving home environment. #InteriorDesign #ArtIntegration #HomeDecor #ColorPalettes #ArtPlacement #Layering #CommissionedArt #NatalieTredgett

The Lieu Painting Studio, designed by ATELIER MOZH, is situated in Xi'an's High-Tech District. The primary objective of this project was to establish an artistic venue that could accommodate a diverse range of activities, including teaching, experiential learning, communication, and exhibitions, all within the urbanized environment of Xi'an. The studio's design was conceptualized to be highly adaptable, catering to various artistic and community functions while maintaining an aesthetic that resonates with its purpose. The studio's interior design emphasizes flexibility and functionality. The space is configured to seamlessly transition between different uses, allowing for painting classes, art workshops, communal gatherings, and art displays. This adaptability is crucial for an art studio aiming to serve a broad audience with varied needs. The choice of materials and the overall layout reflect a minimalist yet inviting atmosphere, fostering creativity and interaction among its users. The project spans an area of 150 square meters, making efficient use of the available space to create distinct yet interconnected zones for different activities. Key design elements include the strategic placement of workstations, communal areas, and exhibition spaces. The painting area is designed to maximize natural light, which is essential for artistic work, while also providing adequate artificial lighting for evening activities. Working desks and meeting areas are integrated to support both individual and collaborative work, fostering a sense of community and shared purpose. The use of robust and aesthetically pleasing materials like steel and concrete in combination with furnishings from brands such as BANG & OLUFSEN, FLOS, LG Hausys, and ZANOTTA, contributes to the studio's modern and sophisticated character. The project was completed in 2020, with photographs by FUSION showcasing the finished interiors. ATELIER MOZH's lead architects, Jie Zhang and Keigo Mori, guided the design process, ensuring that the studio met the client's vision for a versatile and inspiring art space. The construction was handled by Shaanxi Yuemei Design and Decoration Engineering Co., emphasizing quality and precision in execution. The design team also included Baolei Liang and Jingru Xu, who contributed to the detailed development of the studio. The Lieu Painting Studio serves as an example of how architectural design can create adaptable cultural spaces within urban settings. Its ability to host a variety of functions, from educational workshops to art exhibitions, underscores its role as a dynamic hub for artistic expression and community engagement in Xi'an. The studio's design successfully balances practical requirements with an artistic sensibility, offering a contemporary environment for creative pursuits. #CulturalInteriors #XiAnShi #ChinaArchitecture #ATELIERMOZH #PaintingStudio #FlexibleSpaceDesign #ArtStudio #InteriorDesign #UrbanArtVenue