built for cats, tan yamanouchi's japanese home unfolds around a playful spiral staircase

Kiri Architects has designed a compact family home in Nishitōkyō, an area west of Tokyo's city centre, known as Light-Filled Stair Hall. This 79-square-meter residence is shortlisted in the Urban House category of Dezeen Awards 2022. The design centers around a significantly expanded stairwell that occupies approximately one-third of the total living space, transforming it from a mere transitional element into a versatile social hub for the family of four. Inspired by the *engawa*, a traditional Japanese veranda, principal Keisuke Kiri envisioned the staircase as a dynamic space capable of various functions beyond simple circulation. The stairwell stretches across the entire width of the house, positioned directly behind a full-height glazed facade. This strategic placement allows ample daylight to permeate the interior while simultaneously providing a visual buffer that offers privacy from neighboring properties, a crucial consideration in densely populated Tokyo where land parcels are often small. Constructed with a minimalist approach, the staircase features 50-millimeter-thick wooden treads and risers supported by a system of timber columns and suspended steel rods. This open structure not only maximizes light penetration but also integrates the staircase seamlessly into the living environment. The wide stair treads are designed to be comfortable for sitting and relaxing, and the handrail can even serve as an extended washing line on sunny days, highlighting its multifunctional intent. The ground floor of the house features an open-plan layout intelligently divided by a stepped floor level. One section accommodates a kitchen and dining area with a large island counter, while the other functions as a lounge, complete with a family piano. A wall of integrated storage, including a pantry, flanks this area. Upstairs, a family bathroom is located adjacent to a spacious bedroom. This bedroom is fronted by six glazed doors, which provide flexibility for future subdivision of the space as the children grow, allowing for adaptability in room configuration. An additional feature is a small work-from-home area, thoughtfully incorporated with shelving and a desk at the end of the first-floor landing of the stairwell. Light-Filled Stair Hall is recognized for its innovative use of space and its response to the challenges of urban living, making it a contender for the Urban House of the Year at the Dezeen Awards. The project demonstrates how architectural elements, traditionally seen as functional, can be reimagined to enhance social interaction and adaptability within a compact urban dwelling. #JapaneseArchitecture #ResidentialArchitecture #TokyoHouses #StaircaseDesign #CompactLiving #UrbanHouse #DezeenAwards #KiriArchitects

Architectural firm Tan Yamanouchi & AWGL undertook the renovation of a residential condominium in Tokyo, transforming it into the 'Tokyo Clubhouse,' a semi-private and semi-public apartment. This renovation aimed to create a home without walls, reflecting modern urban living standards and the client's lifestyle. The project involved merging two existing units to form a single open-plan dwelling. The core design concept revolves around a sculptural stepped ceiling constructed from dusty pink wood wool cement boards. This intricate ceiling features varying heights and contours that effectively delineate public and private zones within the apartment without the need for physical walls. The textured ceiling creates a subtle transition between different areas, accommodating intimate spaces, zones for hosting friends, and a dedicated play area for the client's cats. The Tokyo Clubhouse challenges traditional Japanese 'n-LDK' classification systems for residential layouts, which often prioritize room count over functionality. By eliminating superfluous walls, the design emphasizes adaptability and flexibility, catering to the client's dynamic lifestyle as a professional who works both remotely and in an office, and frequently hosts guests. The apartment is designed to function as a 'second living room' for friends and visitors, promoting a sense of community and openness. Material choices further define the different functional areas. Public spaces are distinguished by herringbone brick tile flooring, offering a rustic warmth. In contrast, private zones feature old solid wood boards, contributing to a sense of coziness and intimacy. A curved wall, finished with textured roughcast plaster, encircles the kitchen, providing a tactile contrast to the sleek, repainted kitchen units. The guest entry, given equal prominence to the private entrance, showcases a rich material palette including brick tiled flooring, roughcast plaster, glass-enclosed shoe displays, and the distinctive wood wool cement board ceilings, creating an inviting and warm welcome. The duality of openness and intimacy within the Tokyo Clubhouse draws inspiration from the nearby Shinjuku Gyoen National Garden. This garden, a semi-private oasis in the heart of Tokyo, is a beloved spot for locals and holds cultural significance, appearing in various animated movies. This external influence underscores the design's intention to create a space that balances privacy with communal interaction, offering a unique approach to urban residential architecture. #TokyoClubhouse #TanYamanouchiAWGL #ApartmentRenovation #OpenPlanLiving #SteppedCeiling #InteriorDesignJapan #FlexibleLivingSpaces #ResidentialArchitecture #WoodWoolCement

Architects Daisuke Ibano and Ryosuke Fujii of id+fr designed the 'Diagonal House' in a densely populated residential area of Tokyo for a couple and their children. The project addressed the challenge of strict height limitations due to category 1 height control district regulations on the front half of the lot, requiring an innovative approach to urban housing. The primary goal was to integrate the kitchen, living space, and terrace, which were important to the client who spends significant time cooking. This led to the implementation of a design featuring staggered floors, aiming to achieve spatial continuity and facilitate smooth vertical circulation throughout the residence. To enhance the sense of spatial continuity, the architects incorporated a slab above the living room that folds upwards along a slanted line. Additionally, a portion of the uppermost slab was partially raised to create a large kitchen terrace opening, further connecting indoor and outdoor spaces. These design choices resulted in unique features that encourage diverse activities within the home. For instance, the sloped floor of the terrace is suitable for sunbathing, while the area beneath the raised section of the top slab forms an alcove that can be utilized for sleeping. The architectural compositions extended to other design elements, including platforms integrated at a diagonal angle alongside the stairwell that navigates between the staggered floors. Correspondingly, storage units on the opposite wall also adopted a diagonal angle. A triangular light garden was positioned at the end of a large opening in the living room, establishing a diagonally oriented axis that contributes to a more spacious feel within the interior. The numerous diagonal lines throughout the 'Diagonal House' were carefully considered to optimize visibility and establish interconnected relationships between various spaces. These diagonals became a defining characteristic of the design, fostering a sense of openness and connection to the external environment. The architects aimed to create a dwelling that not only harmonizes with the varied architectural forms of the surrounding residential buildings but also provides a microenvironment where the family can experience a strong sense of urban life from any point within their home. The project successfully blends functionality with an aesthetic that responds to its tight urban context, offering inventive solutions for modern living in Tokyo. #TokyoArchitecture #ResidentialDesign #SpatialContinuity #DiagonalElements #StaggeredFloors #UrbanHousing #JapaneseArchitecture #idfrArchitecture #InnovativeDesign

KIRI architects, based in Tokyo, has designed a compact dwelling featuring a prominent, light-filled stair hall. This unique architectural element occupies one-third of the house's total volume and extends across its entire length. The design strategically positions the living areas to the north, while an open, sunny garden is situated to the south. The glazed and elongated stair hall serves a crucial function in bringing natural light and external views into the interior spaces, which might otherwise be confined and dimly lit. This central feature transforms what could be a compact and potentially dark home into an airy and inviting residence. Within the expansive stair hall, the design team at KIRI architects has incorporated various spaces intended for lingering and relaxation. These include a spacious engawa, a traditional Japanese veranda, which offers views of the garden. Additionally, a dedicated study area is positioned to provide a vista of the street. The architects emphasize the multi-functional nature of the stair hall, noting its adaptability. For instance, the handrail can be utilized as an extended clothesline on sunny days, while the stair treads are designed to be wide enough for sitting and relaxing, allowing residents to enjoy activities such as listening to music from the lower level. This zone is described as a 'sublime space filled with light and breeze,' highlighting its role as a comfortable and dynamic hub within the home. The structural integrity of the staircase is maintained by a series of slender timber columns and 16-millimeter steel rods that are suspended from the ceiling. The timber treads and risers of the stairs are securely bolted together and fastened onto a steel girder, ensuring both stability and a refined aesthetic. The architects acknowledge that, at first glance, the scale of the staircase might appear disproportionate for a dwelling of its size. However, they clarify that the light-filled stair hall is not merely a functional element for vertical circulation but also acts as a significant mediator of the surrounding environment. The slender yet overlapping columns within the stair hall subtly delineate the living spaces from the garden and neighboring properties. This arrangement allows a substantial amount of sunlight to enter the home, which is then filtered and softened by the various elements of the staircase—including the stairs themselves, the handrail, and the hanging rods. The result is a mellow and ample quality of light that permeates the living spaces beyond the central hall. In adherence to the principles of metabolism, a architectural movement that emphasizes flexibility and adaptability, the bedroom on the upper floor facing the staircase features a recurring series of folding doors. This design choice anticipates future needs, allowing for the potential division of the space into smaller children's rooms as the family evolves. Similarly, the ground floor living room is designed to open up completely to the garden, providing children with direct and unhindered access to the outdoor space. This thoughtful integration of flexible design and natural light creates a living environment that is both aesthetically pleasing and highly functional, responding to the dynamic needs of its occupants within a compact Japanese urban setting. #JapaneseArchitecture #CompactLiving #StaircaseDesign #NaturalLight #ResidentialArchitecture #FlexibleInteriors #MetabolistInfluence #ArchitecturalInnovation

Tato Architects, led by founder Yo Shimada, undertook the renovation of an 87-square-metre traditional Japanese house in Hyogo Prefecture for a young couple. The original structure, a single-storey residence, featured a layout comprising six main rooms, a configuration deemed unsuitable for the clients' modern lifestyle. The renovation aimed to transform the segmented interior into a more open and adaptable living space. The core of the renovation involved completely stripping the interior to expose the existing wooden structural framework. Instead of re-establishing traditional partitions, Shimada introduced a novel approach using two curving lengths of plywood to define different functional zones. This design choice was influenced by an earlier experimental project by Tato Architects in 2013, which involved a public toilet building on Shodoshima Island where curved walls were used to divide space. While that project focused on a new build, Shimada believed the concept held greater potential when applied to the renovation of an older structure, allowing for a blend of historical context with modern spatial dynamics. The plywood screens were strategically placed within the house. One screen was installed along the north-eastern side, creating a private area that encloses a bedroom and an adjoining closet. The second screen was positioned towards the back of the house, wrapping around a bathroom and a guest bedroom. This curvilinear partitioning system allowed for a fluid transition between areas, contrasting with the rigid divisions of the original layout. The front portion of the building was specifically designed to be more open plan, maximizing natural light and offering direct access to a newly designed narrow garden. Budgetary constraints influenced the material selection for the curved walls. Initially, 20-millimetre-thick plywood was considered, but it proved to be too flimsy for the desired structural integrity and aesthetic. To overcome this, a solution was devised where a framework of steel rods was sandwiched between layers of plywood, providing the necessary stability while maintaining the curved form. This simple yet effective modification allowed the architects to achieve their design vision without exceeding the project's financial limits. The redesign also incorporated new flooring throughout the living areas, featuring a mortar floor with integrated underfloor heating for enhanced comfort. The bathroom was finished with polycarbonate plastic, offering a clean and modern aesthetic. A small loft space was added above the main bedroom, accessible via a ladder, providing additional utility. For the exterior of the house, a new cladding of charred cedar boards was chosen, contributing to a refreshed facade while respecting traditional Japanese architectural elements. #TatoArchitects #Hyogo #Japan #ResidentialArchitecture #HouseRenovation #JapaneseHouses #PlywoodInterior #CurvedWalls #ModernRenovation

The Tokyo-based architecture firm matsuokasatoshitamurayuki, led by Satoshi Matsuoka and Yuki Tamura, has completed a courtyard house in a commuter town near Tokyo. This residential project features a distinctive pleated radial floor plan and integrates a small garden and outdoor living spaces around its perimeter. The design aims to strike a balance between interior privacy and connection to the surrounding environment, drawing inspiration from traditional Japanese house designs, particularly the 'geya' architectural element. The design strategy involved lowering a small roof attached to the main house to align with the site's borders, following the natural contours of a berm. This approach, combined with the pleated plan, creates varied depths within the structure. The architects aimed to preserve the appearance of the area's characteristic 'geya' house design while fostering the community culture associated with small gardens and berms. The pleated internal spaces are designed with initial specific functions but are intended to adapt to evolving uses over time. The house is configured to accommodate two families within a limited floor space, meaning individual rooms are not designed to be self-sufficient but rather part of a larger interconnected whole. Key interior elements, such as counters and tables, are positioned to extend beyond their designated areas, promoting a fluid transition between spaces. Abundant natural sunlight is a central feature, filtering through windows to illuminate every corner of the home. The 'geya' section, located beneath the small roof, provides a comfortable, sunlit area near a window, suitable for family gatherings or individual relaxation. This space is envisioned to be versatile, functioning as a communal hub while also allowing for separate activities. A central room, measuring 4.5 x 5.5 meters with a ceiling height of 4 meters, forms the core of the house. This area offers a private, bright space for the family, flexible enough to adapt to future needs and changes. The design consciously integrates the concept of a courtyard house, where internal spaces are protected while maintaining a connection to the outside. Unlike typical courtyard houses that are often closed off from the exterior, this residence opens sensitively towards the surrounding berm, ensuring privacy for the residents while remaining approachable to neighbors. The architects describe it as a "closed home" that allows the family to live in peace. The exterior of the main house features a tower-like central room, which serves as a symbolic icon for the family. By adopting and adapting the characteristic appearance of vernacular homes in the area, the architects hope the house will become an enduring and integrated part of the local community. The project details include a wooden structure, with wood and steel as major materials. The site area is 166.58 square meters, with a building area of 82.40 square meters and a total floor area of 101.72 square meters. The structural consultant was ASA – Akira Suzuki, and the general contractor was Yasumatsu Tekken. #Architecture #ResidentialDesign #CourtyardHouse #PleatedFloorPlan #JapaneseArchitecture #Tokyo #GeyaConcept #FamilyHome #ArchitecturalInnovation

A townhome in Lewes has been transformed into a mindfulness retreat, drawing inspiration from Japanese architecture and aesthetics. The project, designed by Scott Edmonston, principal of Millville-based SEA Studio Architects, in collaboration with Camenisch Company Inc., sought to create a serene escape for a bachelor who desired a quiet space for writing, away from his primary residence in Manhattan, while also accommodating occasional family visits. The design implicitly embraces several Japanese principles, including *wabi-sabi*, which celebrates the beauty of transience and imperfection; *shibui*, emphasizing simplicity, subtlety, and economy of line; and *miyabi*, denoting refinement and polish. These concepts were expertly integrated by the project’s contractor, Milton’s Camenisch Company. The homeowner's desire for a mindful retreat, coupled with the structural limitations—an HOA mandate against external or window configuration changes—led to a design that maximized internal flexibility and aesthetic coherence. The two-story home, an award winner at the 2022 AIA Delaware, functions to promote mental clarity and a healthy lifestyle, encouraging occupants to slow down and immerse themselves in their surroundings. This is achieved through thoughtful architectural choices that foster a sense of calm and remove daily stressors. Key design elements include custom built-in furniture, such as a sofa in the living room and cabinetry in the kitchen and primary bedroom, fabricated by Alleghany Woodworks. The kitchen features vertical-grain white oak cabinetry with concealed hardware and Pental Quartz countertops and backsplash, designed to seamlessly integrate into the living space and even disappear when not in use. Throughout the home, the flooring is white oak with a custom finish. Light plays a pivotal role in the design, with natural illumination flooding the spaces. The existing clerestory windows are augmented by a system of Japanese *shoji* screens, built by Brian Holcombe Woodworker. These screens not only enhance the aesthetic but also provide flexibility in partitioning space, allowing small areas to feel larger and offering privacy when needed, particularly in the 130-square-foot “bunk room” which can adapt to host varying numbers of guests. The primary bathroom is a standout feature, designed as an open-style wet room with built-in seating, multiple shower fixtures, and a deep soaking tub from Signature Hardware. This space evokes the tranquility of Japanese *onsens*. The materials used, such as Riad Tile in Zellige natural white for walls and Tilebar’s Bronx Collection for flooring, contribute to the serene ambiance. The interior is further curated with select furniture and art, including a Japanese banner that translates to “clear skies for 1,000 miles,” symbolizing both the views of the nearby bay and the clarity of mind the home aims to inspire. #JapaneseDesign #TownhomeLiving #MindfulnessRetreat #CoastalHome #InteriorArchitecture #CustomBuiltIns #ShojiScreens #WabiSabi #Shibui

Yuji Kimura Design has completed House K, a three-storey residential project located in a busy Tokyo neighborhood. The primary design challenge was to reconcile the client's desire for private outdoor terraces with the need for privacy on a street with significant traffic. To achieve this, the architects implemented a design strategy that involves a tall, white perimeter wall effectively shielding the house and its outdoor spaces from public view. The house is conceived as an elongated box extending from east to west, a configuration that optimizes natural light exposure. The southern facade incorporates the bedrooms and terraces, strategically positioned to receive ample sunlight throughout the day. To further enhance privacy on these terraces while still allowing light and air, slatted timber and translucent panels are used as screening elements, preventing direct views from passersby. In contrast, the northern facade features smaller, horizontal slit windows. These openings are designed to bring natural light into specific areas such as the ground-floor living room and toilet, and the first-floor bathroom and hallway, without compromising the overall sense of seclusion. Upon entering House K, residents are greeted by a functional and uncluttered entrance hall on the ground floor. This space integrates full-height cabinets with recessed handles, creating a streamlined appearance and maximizing storage efficiency. The entrance hall transitions into an open-plan living area, which includes a kitchen, dining room, and a study area. A notable design detail in the ground-floor toilet is the full-height door, which, when closed, blends seamlessly with the wall, contributing to the minimalist aesthetic. Connecting the different levels of the house is a steel staircase with open timber treads. This design choice is not merely aesthetic; it also facilitates the flow of natural light between the upper and lower floors, enhancing the brightness of the interior. The staircase extends upwards to a loft space, further contributing to the natural illumination within the dwelling. The first floor is dedicated to private quarters, housing three bedrooms along one side and a bathroom and separate toilet on the other. Consistent with the ground floor, the doors to these private rooms are also full-height, maintaining a cohesive and less obtrusive visual language when closed. Throughout the interior, Yuji Kimura Design has maintained a minimalist material palette, predominantly featuring white walls and light timber floors, which contributes to a bright, spacious, and serene atmosphere. The total area of the house is 95.98 square meters, built on a site of 120.1 square meters, with a building area of 47.99 square meters. #TokyoArchitecture #JapaneseHouses #PrivacyDesign #ModernResidential #WhiteFacade #TerraceDesign #MinimalistInterior #YujiKimuraDesign

This article highlights the comprehensive renovation of a contemporary Bay Area home, transformed by interior designer Noz Nozawa of Noz Design into a Japanese-inspired sanctuary. The project, initially a cosmetic update of the kitchen and bathrooms, escalated into a full gut renovation of the 4,000-square-foot residence. The homeowners, a young family, sought a visually tranquil, modern, and functional living space, drawing inspiration from the wife's Japanese upbringing. While significant structural changes were minimal, such as the addition of a Jack and Jill bathroom, nearly every aspect of the house was updated, including a new roof, exterior roller shades, and skylights. Nozawa adopted a restrained, material-focused palette to achieve an atmosphere of calm. She collaborated with Brimer Workshops to custom-design cabinetry and built-ins throughout the home. These pieces primarily utilized local, sustainably sourced wood varieties like silvered oak, gray elm, and red elm, ingeniously concealing clutter behind rich wooden surfaces. For artistic accents, Caroline Lizarraga Decorative Painting contributed a moody mural for the powder room, evoking San Francisco's city lights at night. The design incorporated features to support the family's entertaining needs. The living area was conceptualized with flexible seating arrangements, including a Flexform sectional, a daybed, and Ligne Roset swivel chairs. This setup allows guests to engage with hosts in the open kitchen or enjoy the panoramic city views. A transparent Da Vinci fireplace was chosen specifically to maintain unobstructed vistas. A unique request involved accommodating a collection of approximately 300 wine glasses for entertaining. Nozawa ingeniously integrated storage for about 150 glasses within kitchen drawers and dining area cabinetry, exemplifying the design's commitment to minimizing visual clutter. Further efforts to reduce clutter included wall-height cabinets crafted from salvaged red elm to house the family's guitar collection. To avoid traditional curtains in the window-heavy interior, a motorized exterior shade system from Lutron, controllable via smartphones, was installed for privacy and sun protection. Japanese cultural influences are subtly woven throughout the home, extending beyond the minimalist aesthetic. A 300-year-old Hinoki cypress slab, imported from Japan, serves as the dining table. A hidden broom closet door features a subtle reference to the Japanese mending technique of kintsugi. The home integrates heirloom pieces, such as Japanese Tansu chests and a dragon image symbolizing prosperity, alongside contemporary furniture from brands like B&B Italia and Cassina. The primary bathroom includes a Hinoki plunge tub, maintained at a constant 36 degrees Fahrenheit, with an external refrigeration unit to regulate its temperature. Nozawa, who is half-Japanese, consciously balanced a commitment to Japanese modern aesthetics with the home's inherently Western architecture. The entryway embodies the project's essence, combining contemporary and traditional elements. A supermodern, site-specific glass lighting installation by Jeff Zimmerman, resembling giant milk drips, provides a striking contrast to antique Japanese wall panels from the clients' collection. This blend of old and new, East and West, reflects the clients' current identity and heritage, creating a unique and harmonious living environment. #JapaneseInspired #CaliforniaHome #InteriorDesign #MinimalistAesthetic #CustomCabinetry #NaturalMaterials #FlexibleSeating #SmartHomeTechnology #CulturalIntegration

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

Architect Andrew Lister designed a distinctive home for actor Yuri Kinugawa and film producer Owen Hughes in the Auckland suburb of Waterview. The residence, characterized by its tall silhouette, narrow upper window, and a blank cedar-clad facade, adheres to the principles of the Direct Compass, a Japanese discipline akin to feng shui. The home's exterior, covered in cedar weatherboards, initially appears utilitarian, yet conceals a thoughtfully designed interior. The house's structure is composed of two primary boxes connected by a passageway and an adjoining bathroom. Despite its compact footprint, the design creates an illusion of greater spaciousness, as noted by Hughes. A prominent feature of the living room is a two-story bookcase spanning the entire northern wall, housing Hughes’ extensive book collection. This vertical storage solution ingeniously maximizes space, drawing the eye upwards and adding visual texture without encroaching on floor area. The central area of the home is laid out efficiently, with the kitchen to the left and the bedroom to the right. Above these spaces, two offices are stacked, accessible via a stairway at the rear of the room. The interior is enriched by family antiques and Japanese textiles, which introduce complementary textures, transforming the angular space into a welcoming environment. Following Direct Compass principles, the bedroom, considered vital for family relationships, overlooks a small zen garden on the south side of the house. This placement is believed to promote mental clarity due to cooler temperatures. A six-foot-long passageway clearly delineates the transition from the public kitchen and dining areas to the private bedroom. The traditional Japanese bathroom, situated off the central passageway, serves as a space for washing before bathing in a wood-lined onsen (tub). While the north side of the house offers views of an estuary, the street-facing facade maintains a minimalist, private appearance. In stark contrast, the west-facing side features a double-height glass wall that can be fully opened, merging the living space with a veranda. This outdoor area overlooks the garden, estuary, and harbor, providing a setting for observing sunsets and occasional dolphin sightings. The home's exterior features low-maintenance Canadian cedar cladding and aluminum joinery, designed to age gracefully and harmonize with the surrounding garden's sculptural desert plants. The durability of these materials is crucial, given the home's exposure to south-westerly winds laden with salt from the estuary, a condition the chosen plants tolerate well. #JapaneseDesign #BoxHome #TwoStoryBookcase #SmallSpaceLiving #DirectCompass #AucklandArchitecture #CedarCladding #ZenGarden #OpenPlanLiving

Tamada & Wakimoto Architects have completed the 'Roof House' in the rural outskirts of Tochigi, Japan, on a former farmstead surrounded by rice fields and small factories. This residence is designed to integrate daily life with its garden surroundings. The project is situated on a 2,000-square-meter plot, which previously held a large farmhouse and was framed by hardwood trees. The client, a young individual relocating from the city, sought a space that could facilitate living, working, and social connection, while also offering adaptability for future needs. The architects responded to this brief by disaggregating the house into several compact buildings, which are then strategically arranged around semi-outdoor courtyards. These intermediate spaces, referred to as 'earthen floor' gardens, are unified beneath a single, thin, and extended roof. This design approach results in a relaxed, low-slung architectural form that encourages fluid movement between indoor rooms and outdoor areas. This integration allows the surrounding landscape, prevailing weather conditions, and local daily rhythms to significantly influence and shape the occupants' interaction with the house. The design of Roof House imbues each side with a distinct character. The main garden is oriented towards the existing trees, and an outdoor kitchen is incorporated for cooking and social gatherings, particularly during the spring cherry blossom season. Near the entrance, a shaded zone beneath the eaves serves as an informal space for sitting, conversing, or receiving visitors. To the north, a walled garden provides a dedicated area for weekend activities such as carpentry or car maintenance, reflecting common rural pursuits. Central to the Roof House's concept is its inherent adaptability. The architectural plan allows for future reconfigurations over time. For instance, the private section of the house, which includes the bedroom and bath, could continue to function as a vacation home. Concurrently, other segments of the structure are designed with the flexibility to be repurposed, potentially serving as a small retail shop or an art gallery. This forward-thinking design ensures the residence can evolve with the client's changing needs and aspirations, maintaining its utility and relevance in the long term. #JapaneseArchitecture #ResidentialDesign #GardenIntegration #AdaptableArchitecture #RuralLiving #CourtyardHouse #ArchitecturalInnovation #TamadaWakimotoArchitects

In a quiet residential area of Tokyo, the Japanese design studio Nendo has crafted a new house, aptly named the 'Stairway House,' which features a supersized staircase as its central element. Designed for two families from different generations, the project emphasizes openness and connectivity while maximizing natural light within the site's constraints. The site, surrounded by other apartment buildings, led Nendo to strategically offset the new volume to the north end of the plot. This arrangement creates ample space at the southern elevation, allowing for a largely glazed facade that ushers natural light and ventilation deep into the interior. This glass frontage also facilitates a visual connection between the residents and a garden area, integrating a touch of nature into the urban environment. The house accommodates an older couple on the first floor and a younger couple with their child on the upper floors. The first-floor program includes a kitchen, living/dining room, bedroom, study, bathroom, toilet, and storage. Notably, Nendo incorporated a dedicated cat room for the older couple's eight cats, providing them free access to roam and keep the mother company while gardening. This thoughtful inclusion reflects the family's lifestyle and relationship with their pets. The second and third floors, designated for the younger family, feature a spacious open-plan kitchen, living, and dining area, two bedrooms, a bathroom, a study, and various storage solutions. To seamlessly connect these distinct living spaces, Nendo introduced a massive 'stairway-like' structure that traverses all three levels. This architectural element serves as more than just a means of vertical circulation; it creatively houses essential functions such as bathrooms and additional storage, optimizing the use of space. The upper portion of the 'stairway' transforms into a semi-outdoor greenhouse. This area is rich with greenery and provides a sunny spot for the cats to climb and relax. This design decision blurs the boundaries between indoor and outdoor, enhancing the living experience with natural elements. The stairway, filled with plants, subtly links the upper and lower floors along a diagonal axis, fostering a sense of connection among the three generations while preserving their individual privacy. Furthermore, this innovative structure extends conceptually beyond the building itself, connecting to the southward-facing road at ground level and reaching towards the sky through a rooflight, symbolizing a broader integration with its urban and natural surroundings. Project details confirm the location as Tokyo, Japan, with Nendo as the designer. Photography credits go to Takumi Ota and Daici Ano. #Nendo #StairwayHouse #TokyoArchitecture #ResidentialDesign #MultiGenerationalLiving #NaturalLight #IndoorPlants #JapaneseArchitecture #ModernHome

The "Sunroom House in Tsukaguchi" project by FujiwaraMuro Architects is situated in a tranquil residential area, replacing the client's original family home. The architectural design strategically divides the structure into two main volumes: an LDK (living, dining, and kitchen) area and separate private rooms. A key design element is the use of split-level floors within the main living space, which serves to enhance the perception of spaciousness. This vertical segmentation also fosters improved connectivity and communication among occupants across the dining room and kitchen areas, allowing for visual and auditory interaction across different levels. The residence was completed in 2024 and spans an area of 105 square meters. The project's photography was carried out by Katsuya. Taira (studioREM). FujiwaraMuro Architects acted as the lead architects for this residential undertaking in Japan, focusing on a house typology. The design emphasizes thoughtful spatial organization to maximize both functionality and aesthetic appeal within a relatively compact footprint. The split-level approach, common in modern Japanese residential architecture, is utilized here to create dynamic interior volumes and distinct zones while maintaining an open feel. The overall design philosophy appears to prioritize a sense of openness and inter-connectivity, which is crucial in urban residential settings where space is often limited. By integrating the LDK and private rooms into a cohesive yet differentiated layout, the architects aim to support contemporary family life, providing both communal gathering areas and quiet retreats. The project reflects a careful consideration of the site's context and the client's needs, resulting in a design that is both practical and visually engaging. The selection of materials and finishes, while not explicitly detailed in the provided text, would typically align with modern Japanese architectural trends, often incorporating natural elements, minimalist aesthetics, and efficient use of light. The term "Sunroom House" in the title suggests a focus on natural light and potentially a specific area designed to capture sunlight, contributing to the dwelling's ambiance and energy efficiency, though further details on this aspect are not available in the given text. #ResidentialArchitecture #JapaneseArchitecture #SplitLevelDesign #InteriorDesign #ModernHome #FujiwaraMuroArchitects #Tsukaguchi #ArchitecturalPhotography #SpaceOptimization

Kichi Architectural Design has completed the House of Kubogaoka, a cube-shaped residence in Ibaraki Prefecture, Japan. The house features small square windows intermittently placed across its facades. The structure utilizes a timber framework, but its front and rear facades are finished with plaster, providing the appearance of solid concrete construction. In contrast to these two facades, the side walls of the house are painted white. According to the architects, the use of white on the side walls creates a clear visual distinction against the basic mortar color of the other exterior walls. The main entrance of the house is created by an apparent cut-away section at one corner of the cube. Upon entering, a corridor extends directly through the house to a terrace located at the rear. This corridor features a dark tiled floor, which the architects liken to the traditional earth floors found in older Japanese homes. This design element aims to evoke a sense of historical Japanese dwelling immediately upon entry, extending the concept of an 'earth-floored room' to the outdoor yard beyond. The interior of the house introduces varying floor levels and materials to define different spaces. The main living area of the first storey is raised by two steps from the entrance corridor. This change in elevation is accompanied by a transition in flooring material, moving from the dark tiles of the corridor to a wooden surface. Further into the house, this wooden surface then gives way to a grid of tatami mats, forming a traditional Japanese room. The architects state that this combination of tatami and tiles harmonizes Japanese and Western interior styles within the residence. The traditional Japanese room is designed with sliding partitions, allowing it to be separated from an adjacent long, narrow space. This adaptable space serves multiple functions as a combined living room, dining room, and kitchen. This layout facilitates an open-plan living environment while retaining the option for privacy or distinct area definitions through the use of traditional sliding screens. An outdoor dining area is integrated into a recess at the back of the house. This area is strategically aligned with a sheltered balcony on the upper floor, suggesting a vertical connection between the outdoor spaces. A staircase, constructed with wooden treads, provides access to the upper storey. The upper floor accommodates two bedrooms, which are situated along opposite walls, with a second tatami room positioned between them. Photography for the project was carried out by Ippei Shinzawa. Floor plans for both the ground and first floors, as well as a cross-section, are available to illustrate the layout and design. #ResidentialArchitecture #JapaneseHouses #KichiArchitecturalDesign #IbarakiPrefecture #CubeHouse #TatamiRooms #TimberConstruction #ArchitecturalDesign

Furuya Design has meticulously transformed an existing wooden bungalow on Amami Ōshima into a SANU Second Home, deeply integrating it with the island's subtropical environment. Situated in Tatsugo Town, near Amami Airport and overlooking Akaogi Bay, the project is part of SANU's membership-based vacation home network. The site is characterized by its tranquil inland sea, coral stone foundations, and resilient akagi trees, which have adapted to the strong ocean winds. The design philosophy behind this renovation focused on blurring the lines between the built structure and the surrounding natural landscape, emphasizing framing, texture, and creating an immersive atmosphere. The architects addressed the compact footprint of the original bungalow by introducing robust, expressive exterior walls, creating a double-skin facade. This innovative approach integrates existing elements like storm shutters and aluminum sashes while enhancing the home's performance and aesthetic appeal. The outer layer, clad in wood, is designed to mimic the textured, layered appearance of local fan palms, creating dynamic shadow play throughout the day. A crucial design intervention involved elevating a new attic-level viewpoint. This addition provides occupants with a unique vantage point to observe the coastline, framed by palm fronds, and to experience the sensory input of shifting leaves and distant surf, establishing a profound connection to the natural soundscape. Internally, Furuya Design implemented a significant vertical expansion by removing the original ceiling. This created a double-height atrium, linking the newly added attic viewpoint with the main living areas below. This central space functions as an indoor balcony, serving as a transition zone between the comfort of the interior and the expansive outdoors. The floor plan radiates from this atrium, incorporating distinct zones for living, dining, sleeping, and utility, ensuring a flexible layout suitable for both private contemplation and communal activities. The interior design prioritizes permeable boundaries, with carefully positioned openings that frame specific views of the landscape, drawing inspiration from the art of Isson Tanaka, known for his depictions of Amami's natural beauty. The renovation also paid close attention to Amami's unique botanical character, where tropical plants like hibiscus, plumeria, and bougainvillea flourish outdoors year-round, unlike their indoor cultivation in colder climates. Furuya Design collaborated with a local botanical garden to augment the site's existing vegetation, selecting species native to the island to enhance the ecological richness of the grounds. This botanical focus extended to a broader ecological consideration, particularly in light of the pest damage affecting sago palms, a symbolic species on Amami. The project became an opportunity to reflect on the role of architecture not only in preserving natural aesthetics but also in fostering a deeper engagement with and responsiveness to natural ecosystems facing environmental challenges. This partnership with SANU underscored a commitment to addressing the declining natural systems and promoting environmental awareness through architectural design and landscaping choices. #FuruyaDesign #SANUHome #AmamiOshima #JapaneseArchitecture #BungalowRenovation #NatureImmersedDesign #WoodArchitecture #SubtropicalEnvironment #ArchitecturalRenovation

Ryuji Yamashita Architects has designed a two-story residence in Hokkaido, Japan, for a family with four children, emphasizing connection and interaction among siblings while still providing individual private spaces. The design incorporates open floor layouts and timber accents, creating a warm and inviting atmosphere. A central playroom on the first floor serves as the primary meeting point, linking all four children's rooms. This common area is intentionally designed to foster a sense of togetherness, preventing the potential isolation that separate private rooms might otherwise create. To enhance the playful nature of the space, a 70 cm height difference exists between the bedrooms and the common playroom, necessitating steps at each entry point from the ground floor and from each child's room. The architect integrated thoughtful features to encourage ongoing interaction. A large window provides ample natural light to the playroom, and two types of openings further reinforce familial bonds. Glass tiles are strategically placed within the wooden flooring outside the private rooms, creating a visual connection between the two floors and allowing light to filter through. Additionally, each child's room features a small window positioned just above their desk. When these windows are open, the first floor transforms into a large, integrated study area, facilitating direct interaction and collaboration among the siblings. This innovative design offers a flexible environment that adapts to the children's needs for both privacy and shared experiences. The 'With four children' house, completed in October 2021, measures 69.56 sqm for the building area and 125.65 sqm for the total floor area. The project was constructed by Kobayashi Shoten Co., Ltd, with photography by Ikuya Sasaki. This architectural approach by Ryuji Yamashita aims to transcend the traditional binary of private versus large rooms or individual versus group settings. Instead, it seeks to establish a dynamic space where family members can connect through various senses of distance, offering a balance between personal retreat and collective engagement. The design prioritizes the development of strong sibling relationships through carefully considered architectural elements that promote both visual and interactive connectivity within the home. #RyujiYamashitaArchitects #JapaneseArchitecture #FamilyHomeDesign #SiblingBonds #PlayroomDesign #OpenConceptLiving #TimberAccents #Hokkaido #ResidentialArchitecture