Nate Berkus And Jeremiah Brent Add Finishing Touch To Upper West Side’s Marlow

This article highlights the top five most popular stories on Brownstoner from the past week, offering a glimpse into real estate and interior design trends in Brooklyn. The first featured story showcases a duplex condo loft in south Williamsburg, located at 330 Wythe Avenue in the Esquire Building, a converted shoe polish factory. This unit is noted for its industrial aesthetic and a bespoke handcrafted kitchen, drawing parallels to the work of sculptor JB Blunk. Despite its spacious layout, the loft contains a single bedroom and bathroom, and is listed for $1.495 million. Another prominent story details a comprehensive gut renovation of a four-story brownstone in Carroll Gardens. The homeowners, in collaboration with Dan Kaplan of Bowerbird Architects, opted to maintain the original configuration of two duplex apartments. The article specifically references the upper duplex, which has been transformed into a high-end rental unit. This renovation was particularly extensive due to significant termite damage in the lower two floors, which now form the owner’s three-bedroom apartment, necessitating the replacement of joists and substantial internal structural work. A related piece further elaborates on this project, highlighting how the architect addressed the dire structural condition of the narrow Carroll Gardens brownstone, initiating a full gut renovation after a plaster medallion fell, nearly causing injury. The list also includes news outside of residential real estate, announcing the official opening of the Trader Joe’s Williamsburg outpost. Located at 200 Kent Avenue, the store was set to open on Friday, December 10, with live music to mark the occasion. The article mentions that a mural adorned the entrance, and interior work was ongoing just prior to the opening date, indicating community anticipation for the new grocery store. Finally, the fifth popular story presents a renovated two-family brownstone in Bed Stuy. This property, though described as petite, features appealing historical details such as intricate plasterwork, decorative moldings, and five mantels. The listing price for this brownstone is $1.695 million, and it boasts updated kitchens and bathrooms, combining classic charm with modern amenities. Together, these stories provide an overview of notable residential properties, renovation projects, and local developments attracting significant attention within the Brooklyn real estate and lifestyle landscape. #BrooklynRealEstate #WilliamsburgLoft #CarrollGardensRenovation #BrownstoneRenovation #HomeDesign #InteriorDesign #RealEstateMarket #TraderJoesWilliamsburg

The article discusses designer Nate Berkus' recent bedroom project, highlighting his successful integration of contemporary and vintage elements to create a rustic modern aesthetic. Berkus is known for his ability to blend pieces from different eras and styles, making them feel harmonious and artfully considered, even in new constructions. This particular bedroom design showcases his mastery of this approach, emphasizing a refreshing simplicity that belies thoughtful curation. The core of Berkus' design philosophy, as demonstrated in this project, revolves around a neutral color palette and a minimalist approach to furnishings. Despite the apparent simplicity, the design incorporates meaningful vintage pieces that contribute a sense of luxury and history. Notable examples include a vintage-style flush mount light and a shabby-chic wooden wardrobe. The light fixture evokes the thoughtful interiors of the 19th and 20th centuries, suggesting a curated selection rather than mass-produced items. The wardrobe, with its intricate carvings and worn wood, serves as a timeless, functional element that has evidently endured over time. Berkus further enriches the vintage appeal by adding a three-tiered floor lamp, which appears to be mid-century in style. This demonstrates his willingness to mix various vintage aesthetics, preventing the space from feeling too uniform or period-specific. The lamp, crafted from gold metal and wrapped in leather, introduces warmth and a sense of luxury, effectively contrasting with the rustic charm of the wardrobe and the elegant simplicity of the overhead light. A key aspect of Berkus' talent lies in his ability to balance these vintage touches with modern design elements. The bedroom features an angular chair, a contemporary interpretation of a mid-century form, juxtaposed with a stark marble pedestal. The marble piece adds an organic luxury, showcasing how materials and forms can bridge different design eras. The success of this eclectic mix is attributed to Berkus' meticulous consideration of color, texture, and pattern, which ensures a fluid and modern feel throughout the bedroom, despite the stylistic contrasts. To complete the design, Berkus incorporates elements that introduce softness and align with the modern organic trend. This includes a plush, neutral-toned carpet, subdued gray curtains, and organic linen bedding. These textures soften the overall aesthetic and add comfort. A particularly bold and characteristic design choice, noted as typical of Berkus' style, is the framing of the bedroom's entrance with custom-made leather doors, accented with gold to tie into the luxurious details within the room. This project serves as a masterclass in combining diverse pieces to achieve a cohesive and inviting space that feels both rustic and modern.

The article details Nate Berkus's recent design project for clients on the Upper East Side of New York City, who specifically requested a home reminiscent of his former West Village townhouse, which he famously renovated with his husband, Jeremiah Brent, in 2020. The clients, who split their time between Los Angeles and New York, were drawn to Berkus and Brent's personal style and a similar architectural aesthetic, as both townhouses were built in 1899. Berkus acknowledged the flattery but was careful to avoid directly replicating his and Brent's shared design, ensuring sensitivity to his husband’s original contributions. However, many elements from his former home, such as certain finishes, wallcoverings, and a notable double-height white oak bookshelf, were adapted for the new project. The renovation focused on creating a comfortable, timeless family home. Key design choices included retaining the overall layout of the home to save costs, particularly in plumbing and electrical work. Original architectural features like banisters, hardware, windows, shutters, and marble fireplaces were meticulously restored. The staircase, for instance, was repainted and fitted with a stair runner to conceal wear, maintaining its historical integrity while being cost-effective. The living room features new white oak flooring and a 19th-century French chaise, positioned to connect the homeowners with the city's activity. Vintage French iron sconces and grasscloth-covered walls add texture and warmth to the family room, with a custom-made sofa accommodating the unique space. In the kitchen, the original layout, cabinets, range, and refrigerator were kept, but finishes and other appliances were updated. Cabinets were repainted, and the island was enlarged, making it suitable for large family gatherings. A distinctive Italian stone with a notched edge was incorporated as a key feature. The dining area includes a custom banquette and a natural oak table, complemented by vintage chairs and a ceiling light sourced from 1stdibs, creating an eclectic yet cohesive space. The primary bedroom features an antique tapestry, found on LiveAuctioneers and customized to fit behind the headboard, offering a timeless alternative to a direct replication of Berkus’s own scenic wallpaper. A cherished family chandelier from the clients' parents' home found a new place above their bed, symbolizing a new chapter for them. The primary bathroom underwent a significant transformation, with space reallocated from the home office to create an en-suite with a double vanity, separate WC, soaking tub, and stand-up shower. Berkus chose classic, enduring finishes, such as white oak floors, marble moldings, and a freestanding black enamel tub. The home office retained its original architectural details, which were carefully restored and integrated into the room's design, including a bookcase from 1stdibs, existing sconces, a mirror from Lorfords Antiques, and wallcovering from Holland & Sherry. The home office bathroom, painted in Benjamin Moore’s Great Barrington Green, features a mirror from 1stdibs and a Nero Marquina marble countertop, reflecting the homeowners’ desire for warm, handsome spaces over stark white walls. #InteriorDesign #NateBerkus #HomeRenovation #LuxuryHomes #NewYorkCity #HouseTour #ArchitecturalStyle #TimelessDesign #InteriorDecor

HGTV stars Nate Berkus and Jeremiah Brent recently updated their New York City townhouse kitchen, transforming it from a darker aesthetic to a brighter, more airy space. The couple, known for their show "Nate & Jeremiah by Design," had previously lived in and renovated the Fifth Avenue home before moving to California. Upon their return to NYC and re-acquiring the townhouse, they made a significant design choice to repaint their kitchen cabinets from black to white. This decision was driven by a desire for a lighter and more open environment in one of the most frequently used areas of their home. Berkus shared on Instagram that the updated kitchen achieved the bright, airy, and chalky feel they envisioned. The kitchen features large windows that allow ample sunlight to stream in, further enhancing the brightness of the new white cabinetry. To complement the updated cabinets, they also incorporated a chic and dimensional marble countertop, specifically Calacatta Turquoise Antico from ABC Stone. The article also provides guidance for homeowners looking to emulate Berkus and Brent's approach to cabinet color selection. It emphasizes that painting cabinets is a relatively inexpensive, quick, and easily reversible way to refresh a kitchen's aesthetic. The process typically involves proper preparation, including removing hardware, thoroughly cleaning the surfaces, sanding, and priming before applying the new paint. Homeowners are encouraged to consider existing features in their kitchen or new elements they plan to introduce when choosing a cabinet color. For instance, if replacing countertops, it's advisable to coordinate cabinet paint with the new counter material, as Berkus and Brent did by pairing their white cabinets with Calacatta Turquoise Antico marble. The recommendation is to take samples of potential paint colors or counter materials to ensure cohesion in the design. Similarly, the article suggests coordinating cabinet colors with flooring and furniture to create a harmonious space, advising against overwhelming a room with too much of a single color. If other elements in the kitchen are predominantly white, selecting a light yellow or green for cabinets could introduce a desirable contrast. #KitchenDesign #CabinetPainting #HomeRenovation #InteriorDesign #NateBerkus #JeremiahBrent #DesignTrends #HomeImprovement

The Upper East Side of New York City, traditionally associated with a classic prewar lifestyle, is experiencing a resurgence of understated elegance, moving away from the super-tall tower trend. This shift is exemplified by 40 East End, a newly completed 20-story residential building located in Yorkville. Designed by ELLE DECOR Titan Deborah Berke Partners in collaboration with Gerner Kronick + Valcarcel Architects, the building aims to offer a luxurious yet grounded living experience. Architect Deborah Berke, a long-time resident of Yorkville, viewed 40 East End as a passion project. Her primary goal was to create a structure that felt deeply rooted in its urban context while simultaneously reinterpreting traditional architectural elements in a contemporary manner. This approach sought to achieve a timeless quality, ensuring the building harmonizes with its surroundings and endures aesthetically. Materiality played a crucial role in Berke's design philosophy for 40 East End. The facade features warmly colored charcoal and gray bricks, chosen for their richness and tactile quality, which contribute to the building's overall character. These external elements contrast with the internal common spaces, which incorporate more direct expressions of luxury. For instance, the grand parlor boasts a striking black and white marble chevron floor, a prominent crystal chandelier, and a bronze-clad iron staircase, all designed to add a significant touch of opulence. This commitment to diverse and high-quality materials extends to the 28 full-floor and half-floor units within the building. A notable example is the primary bathrooms, which are meticulously crafted using Arabescato Cervaiole marble and mirror-back Bendheim glass, reflecting a blend of sophistication and functionality. The design choices throughout the building underscore Berke's intention to create residences that cater to discerning individuals seeking a beautiful and luxurious long-term home, rather than properties primarily for investment. Berke emphasizes that 40 East End is not designed to be overtly showy. Instead, it embodies a philosophy of creating a comfortable and elegant environment where residents can establish their lives over many years. The project signifies a return to a more refined and enduring architectural style in New York City, focusing on livability, contextual integration, and sophisticated material palettes. #LuxuryRealEstate #NewYorkCity #ArchitecturalDesign #DeborahBerkePartners #UnderstatedElegance #Yorkville #ResidentialArchitecture #InteriorDesign #Materiality

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

The article details the collaborative effort between Brooklyn-based architecture firm Worrell Yeung and cooperative gallery and design studio Colony to renovate a 3,000-square-foot historic loft overlooking Union Square in New York City. The project aimed to transform the triangular-shaped space into a contemporary residence suitable for homeowners, including a concert violinist, and also function as a recital venue for entertaining guests. The loft, which occupies an entire floor, was revitalized by Worrell Yeung, focusing on its fundamental geometries and classic materials. Worrell Yeung initiated the renovation by exploring strategies that emphasized the loft's distinct characteristics and preserved original elements. A key aspect of the design involved creating unique volumes to define spaces within the open layout, such as a custom metal screen and bookcase near the front door and a circular bathroom. The renovation optimized the space to offer unobstructed views from the 14 northwest-facing windows, resulting in a light-filled open loft environment. The design team aimed to enhance the existing structure rather than completely redesigning it, focusing on subtle yet impactful changes. Following Worrell Yeung's architectural design, Colony, led by founder and creative director Jean Lin, took charge of elevating the interior through carefully selected textures, patterns, and colors. Lin emphasized creating an elegant home by layering textures, colors, and comfort, ensuring these elements complemented the loft's open nature while adding personalized touches. The collaboration aimed to bridge the gap between monumental architectural design and the intimate signatures of a home. The furnishing choices reflect both functionality and aesthetic appeal. The living area, designed to accommodate musical recitals, features substantial seating arrangements. These include a moss green Bristol Sofa by Poliform, a Gentry Sofa by Moroso, and a Seal Chair by Brdr Petersen, all strategically placed around a circular Lania Rug by Woven, near a Mason & Hamlin grand piano. These pieces were selected to provide comfort for guests and complement the expansive feel of the space. A multifunctional den was incorporated into the design, offering flexibility as a home office or a more private space. This den can be closed off using sliding metal and glass doors, which discreetly recede behind the entryway bookshelf when open. The den features a black desk paired with a Wishbone Chair by Carl Hansen, blending functionality with modern design. The private areas of the loft are accessed via a hallway, where a cylindrical powder room is a notable feature. The powder room's interior is adorned with sage Mutina Biscuit ceramic tiles and a single slab of forest green Cipollino Apuano on the floor, providing a striking visual and textural contrast. The main bedroom, situated at the narrow end of the triangular layout, is furnished with a green Dubois Bed by De La Espada, flanked by smoked glass Crux Pendant Lights by Allied Maker. Tonal Precipice – Alpamayo wallpaper by Flat Vernacular adds further texture to the walls, creating a serene and sophisticated atmosphere. The primary bathroom continues the theme of refined details, featuring a curved shower wall clad in white Mutina Biscuit ceramic tiles. The second bedroom, serving as both an office and a rehearsal space, includes a striped Arc Lounge Chair by Moving Mountains and Coven Wallpaper by Maison C, contributing to its dual-purpose functionality and artistic ambiance. This project marks the second collaboration between Worrell Yeung and Colony, highlighting their evolving design vernacular and their commitment to pushing the boundaries between architecture, interior design, and furniture, while prioritizing the client's needs and creating a truly bespoke home. #LoftTransformation #NewYorkCityLoft #WorrellYeung #ColonyDesign #InteriorDesign #HistoricRenovation #ContemporaryResidence #UnionSquare #ArchitecturalRenovation

Foster + Partners' 63-story residential skyscraper, 100 East 53rd Street, is nearing completion in Midtown Manhattan, New York. Situated at the intersection of Lexington and 53rd Street, the tower stands in close proximity to two significant 20th-century modernist structures: SOM’s 'Lever House' (1952) and Mies van der Rohe’s 'Seagram Building' (1958). The design of 100 East 53rd Street features a minimalist geometric form, intended to harmonize with its iconic neighbors. The project was developed by art collector and real estate developer Aby Rosen, co-founder of RFR Holding. Foster + Partners served as the architect, with William T. Georgis overseeing a significant portion of the interior design. The building’s lobby and amenity spaces have been completed, and residents have begun occupying the premises. Final touches are currently being applied to other areas, including two new model apartments located on the 36th floor. The lobby, designed by Georgis, incorporates a fluted Calacatta marble wall, a full-height bronze fireplace, and integrated cove lighting. A notable art piece by Rachel Feinstein, titled 'Panorama of New York,' is also featured in the lobby. The building's amenities are comprehensive, including a 60-foot sunlit swimming pool and a wellness center equipped with a pilates/ballet room, a yoga studio, and a sauna. Residents are also provided with access to a dedicated lifestyle manager, global travel arrangements, and personalized shopping services, among other benefits. Foster + Partners emphasized the tower's slender form, which contributes to a narrow floor plate. This design choice maximizes natural light penetration into the interior spaces and offers expansive views of the city from all sides. An innovative glazed skin encases the building, meticulously concealing structural elements beneath integrated shadow boxes. To maintain the facade's smooth aesthetic, opening vents within the glazing are designed to fold discreetly inwards. This approach results in a sheer envelope that presents a striking contrast to the dark bronze of the adjacent Seagram Building. #FosterAndPartners #SkyscraperArchitecture #NewYorkCity #ResidentialTower #LuxuryRealEstate #InteriorDesign #ModernArchitecture #MidtownManhattan

The article highlights the completion of 670 Union, New York City’s first mass timber condominium, a collaborative project by MESH Architectures and The Brooklyn Home Company. This six-story building, spanning 22,000 square feet, features 14 residential units ranging from studios to three-bedroom residences. The project represents a significant step in sustainable urban development, leveraging mass timber as a primary construction material following its approval by the International Code Council for tall buildings. Eric Liftin, principal of MESH Architectures, spearheaded the initiative, inspired by the material's potential after observing architecture students' experiments. The design philosophy behind 670 Union emphasizes the intrinsic beauty and tactile qualities of wood, with the mass timber left exposed across ceilings and structural elements. This intentional visibility enhances the space's aesthetic and contributes to a unique tectonic quality that influences residents' mood and energy. The building's exterior integrates a modular brick façade and a 17-foot width, carefully matching the scale and aesthetic of its neighboring structures. A key architectural detail involves concealed joints that fasten the timber beams and columns together. These interlocking aluminum plates are hidden to protect them from potential fire exposure while maintaining a clean, simple, and effortless appearance. Beyond its innovative use of mass timber, 670 Union incorporates Passive House principles, demonstrating a comprehensive commitment to sustainability and energy efficiency. The building features triple-glazed windows for superior insulation, Zahnder energy-recovering ventilation systems to optimize air quality and reduce energy loss, and air-source heat pumps for efficient heating and air conditioning. Additionally, solar photovoltaic panels are installed on the roof, contributing to the building's renewable energy supply. The mass timber itself is Glued Laminated Timber (GLT), primarily sourced from softwood trees grown in second-growth forests, further emphasizing the project's environmental responsibility. The interior spaces of the condominiums are thoughtfully designed with a mix of contemporary and custom furnishings. The living rooms feature pieces like a France + Son floor lamp, a CB2 sofa, and a DWR chair, all set on a Lulu & Georgia rug. Kitchens are equipped with Kraus sinks, Brizo faucets, Reform cabinetry, and Infinity porcelain countertops. Dining areas showcase a France + Son table paired with Vitra chairs. Bedrooms feature custom beds by The Brooklyn Home Company, often complemented by Jenni Kayne tables and Crate and Barrel lamps. The primary en-suite bathrooms are adorned with 2-inch Carrara marble mosaic tiles, Restoration Hardware medicine cabinets, custom marble vanities by Reform, and Brizo faucets. The flooring throughout includes Roots Custom southern yellow heart pine engineered with a white stain, and custom-designed hexagonal tiles by MESH Architectures add unique detailing. Kids' rooms are brightened with Design with Reach poufs and rugs, Jenni Kayne desks, and custom beds, while guest rooms feature Jenni Kayne-designed beds, tables, and chairs, alongside CB2 lamps. This project represents a pioneering effort in urban residential construction, combining architectural innovation with advanced sustainable practices. By showcasing the aesthetic and structural capabilities of mass timber and integrating robust energy-efficient systems, 670 Union sets a precedent for future developments in New York City and beyond, highlighting the potential for environmentally conscious and beautifully designed living spaces. #MassTimber #SustainableArchitecture #CondominiumDesign #NewYorkCity #MESHArchitectures #BrooklynHomeCompany #ResidentialDesign #PassiveHouse #GreenBuilding

This article explores a historic 1920s double-wide townhouse on the Upper East Side of New York City, which served as the 47th Annual Kips Bay Decorator Show House. The clients purchased the entire building after attending the show house, initiating a gut renovation led by Francis Nicdao, principal designer and chief creative officer of Pembrooke & Ives, and Stephanie Sarkies-Schabot, the firm's managing director of decorating. The renovation, which began during the COVID-19 pandemic, aimed to create a family home capable of displaying a vast, museum-quality art and antique collection without feeling overly formal. The design achieved a balance between contemporary cleanliness and traditional detailing, respecting the building's historical character. The entryway features checkerboard marble flooring and a spectacular spiral staircase connecting five of the six levels, designed to facilitate a smooth transition to vertical living. The living room, expansive due to the home's double-wide layout, is furnished with collectible design pieces and art, creating a grand and impactful atmosphere. Gold accents add a glamorous edge to a soft color palette. The combined breakfast and family room functions as the home's hub, with a custom back-to-back sofa dividing dining and lounge areas. This space, which opens into the kitchen, incorporates rich textures and blue hues, overlooked by Ralph Goings's artwork, _Tom’s Diner_. The kitchen, located on the entry floor, was designed for high functionality and ease of maintenance, with easily cleanable surfaces and ample counter space. Its blue island and barstools create a cohesive connection with the adjacent breakfast room. The wine cellar and wet bar, located in the basement and dining room respectively, demonstrate that even lower-level spaces can be glamorous, featuring specialty lighting for the wine display and a high-gloss blue paint with a mirrored backsplash in the wet bar. The primary suite, one of seven bedrooms, offers a dreamy ambiance with pink details and natural light enhancing its glow. The unique layout connects the bedroom to a walk-in closet and bathroom through a windowed corridor along the back facade. A guest bedroom provides a relaxing retreat with a neutral color palette, plush carpeting, embroidered drapery, a custom upholstered headboard, and a high-gloss wall finish. The primary bathroom integrates decorative lighting as a focal point, with a stunning chandelier and sconces, alongside symmetrical design and stone detailing for a luxurious and modern feel. Finally, the backyard patio, designed by landscape architect Luciano Guibbilei, serves as a “zen-like enclave” in the city, covering approximately 1,500 square feet and featuring a mural by artist Annie Morris, providing a serene outdoor escape. #NewYorkCity #TownhouseRenovation #InteriorDesign #LuxuryHomes #HistoricPreservation #ArtCollection #PembrookeAndIves #KipsBayShowHouse #HomeDecor

The 2024 Brooklyn Heights Designer Showhouse, located at a landmarked four-story Greek Revival townhouse at 182 Clinton Street, opened to the public and will run through November 3. Benefiting the Brooklyn Heights Association, the showhouse features rooms envisioned by various local interior designers, transforming the mid-19th-century dwelling with inventive and colorful vignettes. The house, historically part of “Doctors’ Row” and later home to the Penny Bridge Opera Company and Alcoholics Anonymous founder Bill Wilson, now showcases a diverse range of design aesthetics. Jennifer Morris of JMorris Design created an enchanted forest theme for the entry area and original staircase, inspired by local green spaces. She commissioned a 33-panel mural from Brooklyn maker Eskayel, which wraps the vestibule, entry hall, and lower floors, transitioning to a pale limewash on upper levels. Mossy green carpet on each floor enhances the illusion of a natural canopy. Allegra O. Eifler designed the front parlor, blending sophistication with casual elements. The room’s salmon wall color was inspired by the original marble mantel. Slipcovered seating with custom button details and antique wood pieces are arranged minimally on flatweave rugs, complemented by a gilded chandelier made of pressed metal leaves, adding a touch of lightness to the traditionally formal space. Steven Walsh’s rear parlor draws inspiration from Hubert de Givenchy's 1970s Paris apartment, exuding a glamorous yet refined ambiance. Faux suede wallcovering, a backless daybed, black leather club chairs, rose gold-plated nesting tables, and an abstract painting create an inviting and impressive space for entertaining. On the second floor, Lynn Kloythanomsup of Landed Interiors envisioned the primary bedroom as a late-summer meadow. This concept is brought to life through extraordinary bas-relief plaster ornamentation by Brooklyn-based Arkada Plus, depicting wildflowers and wheatgrass. A woven leather headboard by Jim Zivic Design, a Josef Hoffmann chandelier, and an Arts and Crafts-era chair add contrast, while a steel floor lamp introduces an unexpected element. Isy’s Interiors designed the en suite primary bathroom, incorporating a leafy Rebel Walls pattern to align with the house's overall forest theme. The designers worked with existing beige travertine countertops and floors, adding playful scalloped backsplash tiles and deep green-painted wood window shutters to enhance the space. Sisters Parul Jain Ghei and Kanika Jain Gupta of Studio Jai created a dramatic and functional writer’s study. Dark blue-green wallpaper from Ever Atelier, a chandelier with pastel glass discs by Tracy Glover Studio, and custom millwork with hidden desktops and bookshelves define the space. Whimsical art and accessories, such as a Hansel-and-Gretel candelabra by Nicholas Devlin, complete the room. Megan Prime and Joe McGuier of JAM crafted a "Midnight Study" with bold red-orange wallpaper, a William Morris carpet, and an asymmetrical amber marble mantel of their own design. The room features a 1930s Swedish cabinet, wood ceiling trim, and Art Deco plaster crown molding. A 1970s French table lamp and a cocktail bar, converted from a closet with gilded walls and a furry rug, showcase their unique approach to vintage finds and bespoke elements. Jennifer and Albe Angulo of Casa Angulo furnished a top-floor study for a creative individual using pieces sourced from live auctions. The room, described as a collector’s trove, includes an antique secretary desk, a shearling-covered Danish sofa, a Kandinsky-inspired wall hanging, 19th-century footstools, and a 1950s Gino Sarfatti pendant light, all anchored by an antique Persian rug. Rebecca Amir designed a charming and versatile children’s room with a blue-gray palette. The room features a canopy bed with a Schumacher print and an ethereal floral mural by Robert Christian on closet doors. Inspired by Block Island, the design incorporates white shiplap on the ceiling, shutters, and vintage white wicker furniture. Alyssa Alon of Alon Studio transformed a ground-floor powder room and a skylit top-floor bath. The upstairs bath, previously pink, now features waterproof tadelakt plaster, a marble vanity shelf, egg-and-dart molding, and brass sconces from Rosie Li Studio. Kate McElhiney took a practical approach to an existing top-floor bath, using Venetian plaster walls and “rental hacks” such as a Velcro-attached vanity skirt, battery-powered sconces, and a fabric window treatment using tension rods. Shapeless Studio created a nocturnal fantasy in the ground-floor mudroom, featuring a ceiling dusted with silver stars, polished brass wall hooks, a mural by children’s book illustrator Esmé Shapiro, a large Calacatta Viola marble bench, and a hand-carved sculptural screen by James Harmon, replacing a stair rail. Rinehardt | Miller Interiors designed a dining room/lounge on the garden level, prioritizing books, art, and conversation. A blue velvet banquette, a gleaming double-pedestal table, a striped velvet swivel chair, and an open expanse of ruddy textured carpet define the space. A neon sign above the mantel, reading “It was all a dream,” adds a celebratory touch. Ingui Architecture and BIA Interiors renovated the kitchen at the rear of the garden level, transforming it from white-on-white to a rich, deep emerald. The design emphasizes luxury and elevation, with two-tone limestone floors, a marble island with triple-bullnose edging, and vertically ribbed glass behind backlit shelving. Sliding glass doors connect the kitchen to the backyard. Project Plant designed the back garden with four tiers of expansive limestone hardscaping, offering a breathing space for city dwellers. Seasonal goldenrod and rudbeckia, ferns, and shade-tolerant species create a living canvas, complemented by acuba along a butter-colored back wall. Hormuz Batliboi of Batliboi Studio conjured an atmospheric plum-colored media room in the subterranean cellar. The room features crimson drapes, plush tiered seating with child-size nooks, and state-of-the-art hexagonal speakers disguised as wall art. A turntable for vinyl records and the immersive feel evoke an old-time movie palace, blending modern technology with nostalgic elements. The showhouse is open Wednesdays, Fridays, Saturdays, and Sundays from 11 a.m. to 7 p.m., and Thursdays until 8 p.m., through November 3. General admission is $50, with discounts for BHA members and students. Proceeds support the Brooklyn Heights Association's community initiatives, including plans for the BQE reconstruction and small business development on Montague Street. #BrooklynHeightsShowhouse #InteriorDesign #GreekRevivalTownhouse #BespokeDetails #LocalDesigners #HomeDecor #Renovation #ArchitecturalGrandeur #DesignImagination

Nate Berkus recently undertook a design project for longtime associates who became clients, seeking to replicate the aesthetic of his former West Village townhouse. The clients, based in Los Angeles, purchased an Upper East Side residence with similar 1899 architectural characteristics, intending it as a New York City base for visiting their son. Berkus noted that the couple shared similar personal styles, extending to preferences in restaurants and clothing, making their desire for a home akin to his own a logical progression. The inspiration for the four-bedroom, four-and-a-half-bath property largely stemmed from Berkus's previous home, though certain elements were considered off-limits for direct replication. Berkus emphasized the collaborative nature of his own townhouse's design with his husband, Jeremiah Brent, and wished to respect Brent's unique contributions by not reproducing them for another client. Despite these considerations, many finishes, wallcoverings, and notably, a double-height white oak bookshelf, will be recognizable to those familiar with Berkus and Brent's design journey. Other features, such as a vintage French iron railing and the primary bathroom, represent entirely new concepts introduced for this specific project. Berkus highlighted that starting with a clear point of view facilitated the development of a cohesive design language for the entire residence. The objective was to create a comfortable family home with a timeless appeal, designed to remain relevant and avoid dating over the next 10 to 20 years. Specific areas of the home showcase this design philosophy. The stairway features custom double-height millwork, a direct replication from Berkus’s former West Village townhouse. A 19th-century French wrought iron railing, sourced from a Texas auction, was restored and customized to fit the space. The living room includes new white oak flooring, with a 19th-century French chaise placed by the window, offering a reading spot and connection to the city outside. A midcentury steel chair, reupholstered in Dedar fabric, serves as a sculptural element. The grand double-height family room on the garden level is accentuated by vintage French iron sconces. A custom-made sofa addresses the challenge of finding appropriate sizing for the space, while grasscloth wallcoverings add texture and dimension, moving away from a stark white aesthetic. The kitchen layout, including cabinets, range, and refrigerator, was largely maintained. Updates focused on finishes, appliances, cabinet paint, and an enlarged island featuring Italian stone with a notched edge, designed to accommodate family gatherings. The dining room, adjacent to the kitchen, incorporates a custom banquette, a natural oak table, and vintage chairs and ceiling light from 1stdibs. In the primary bedroom, Berkus opted for an antique tapestry found on LiveAuctioneers instead of replicating wallpaper from his own home, cutting it to fit behind the headboard to create a timeless look. A chandelier, a cherished family heirloom from the clients’ parents, was incorporated, symbolizing a new chapter for the homeowners. The primary bathroom was created by reconfiguring space from a home office, enabling the inclusion of a double vanity, separate WC, soaking tub, and stand-up shower. Classic finishes such as white oak floors, marble moldings, and a freestanding black enamel tub were selected. The home office retained its original architectural details, including banisters, hardware, windows, shutters, marble fireplaces, and paneling, all meticulously restored. The home office bathroom features warm, handsome spaces with walls painted in Benjamin Moore’s Great Barrington Green, a 1stdibs mirror, and Nero Marquina marble countertops. Berkus also shared insights on cost-saving measures, such as maintaining the existing layout, limiting plumbing and electrical relocation, and preserving original doors and hardware. Kitchen cabinets were repainted, and new stone countertops and backsplashes were installed. The stairs were repainted and fitted with a runner to conceal imperfections. Furniture sourcing combined high and low pieces, including catalog counter stools reupholstered in green leather, and the retention of original fireplace mantels. These approaches underscore a thoughtful balance between honoring existing structures and introducing new, personalized elements. #NateBerkus #HouseTour #UpperEastSide #InteriorDesign #HomeRenovation #LuxuryInteriors #TimelessDesign #VintageFinds #DesignInspiration

The Beverly Hills Penthouse, perched 39 floors above Los Angeles, offers spectacular views of the local country club and the Pacific Ocean. Designed by The Scale Collective, this project prioritizes sanctuary over spectacle through deliberate material choices, moving away from the typical high-rise aesthetic towards a more grounded and tactile experience. The initial inspiration came from beauty entrepreneur Darya Pishevar, who referenced Pierre Paulin’s Pumpkin Chair, setting the tone for a design focused on warmth and comfort. Sara Alexander of The Scale Collective anchored the design around two vintage pieces sourced from Los Angeles showrooms: the Little Petra Chair in shearling and the Marenco Sofa. These foundational elements guided the selection of subsequent materials and textures. Unlike conventional glass towers that emphasize verticality with reflective surfaces and cool tones, this penthouse interior adopts an opposing approach. It incorporates materials such as shearling, hair-on-hide, boucle, and mohair, which absorb light and sound, thereby softening the sharp edges often found in modern high-rise environments. The use of walnut and oak for joinery adds a structural warmth without the visual heaviness commonly associated with traditional paneling. This layering of diverse textures and natural wood tones contributes to an ethereal quality within the space. The design's ethereal effect is not primarily due to airiness but rather to how these carefully chosen materials modulate the intense California sunlight streaming through the floor-to-ceiling windows. Farrow & Ball's nuanced neutral paint tones further complement these textural elements, creating a cohesive and inviting atmosphere. Custom collaborations with Los Angeles showrooms, including The Future Perfect, Stahl & Band, and Garde, enabled Alexander to precisely calibrate furniture proportions to suit the expansive volume of the penthouse. An example of this meticulous approach is the HAOS 20.01 armchair, one of only three produced globally in leather, selected for its unique stance and upholstery texture that seamlessly integrates into the overall composition. Furthermore, a bespoke Apparatus chandelier was designed to overcome the apartment's limited electrical infrastructure while maintaining the project's refined and restrained aesthetic. This custom piece underscores the attention to detail and thoughtful problem-solving employed throughout the design process. The combination of luxurious tactile materials, custom-designed elements, and a muted color palette results in a sophisticated yet comfortable living space that serves as a serene retreat high above the city. The project successfully redefines luxury in a high-rise setting by emphasizing sensory experience and a connection to natural elements rather than overt opulence. #BeverlyHillsPenthouse #InteriorDesign #LuxuryLiving #TactileMaterials #TheScaleCollective #ModernDesign #CustomFurniture #NeutralPalette #HighRiseInterior

Nate Berkus, a prominent figure in interior design for 26 years, shares his insights on the evolving landscape of home aesthetics, especially in the context of recent global events. Berkus, who gained widespread recognition after his 2002 debut on 'Oprah,' emphasizes the shift towards authenticity and personalization in design. He notes that the pandemic played a significant role in this change, moving clients away from Instagram- and Pinterest-driven trends to a desire for spaces that reflect their individual stories and needs. This shift has fostered a period of deep creativity, where clients are increasingly seeking unique, layered interiors. A growing appreciation for handmade and one-of-a-kind items marks another key trend. Berkus recalls attending art fairs as a child, where handmade goods were often overlooked, contrasting it with the current demand for such pieces in auction houses and among clients. This renewed interest extends to antiques, where online marketplaces like eBay, Etsy, and Chairish have democratized access. Clients are now more informed and actively involved in sourcing unique items from around the world, mixing them with handcrafted elements to create distinctive, personalized spaces. The ease of online shopping and shipping has made it simpler to assemble collections of vintage and antique objects, which Berkus believes are essential for a finished room. The concept of home functionality has also been redefined, with increased interest in separate structures for offices, studios, or guesthouses. This desire stems from a need for adaptable living spaces that can accommodate various activities and provide privacy, especially in a world where remote work and learning have become more common. Berkus highlights the appeal of guest rooms that offer comfort and independence, reducing concerns about proximity and hygiene. Furthermore, he discusses the emergence of 'sanitation rooms' or transitional entries equipped with advanced mechanics, like infrared lighting, designed to keep homes cleaner and safer. This trend resonates with Berkus's long-standing germaphobia, indicating a broader societal concern for health and well-being within the home environment. Social media, initially viewed with skepticism by Berkus, has become an integral part of the design world, mirroring the move towards authenticity. He explains that social platforms now serve as valuable tools for understanding clients' aesthetic preferences and for fostering genuine dialogue within his community of followers. Berkus differentiates his approach from simply reposting beautiful imagery, emphasizing his commitment to sharing his extensive experience, including successes, challenges, and mistakes, through initiatives like 'History Lessons.' This segment delves into the historical context and origins of design movements and objects, connecting personal aesthetic choices to broader cultural narratives. Finally, Berkus observes a shift towards a 'more is more' philosophy, redefined not by excessive spending or material accumulation, but by sentiment, practicality, and thoughtfulness. This means maximizing the utility and emotional connection within a space, designing for a new lifestyle that might include hybrid work arrangements or evolving family needs. The emphasis is on creating homes that are responsive and adaptable, greeting their inhabitants with comfort and functionality, regardless of immediate circumstances. This holistic approach underscores a deeper engagement with the home as a dynamic and evolving sanctuary tailored to individual well-being and evolving needs. #InteriorDesign #NateBerkus #HomeDecor #DesignTrends #AuthenticityInDesign #HandmadeGoods #VintageFinds #FunctionalLiving #SocialMediaAndDesign

The Metropolitan Opera's Patron Lounge, now known as the Keebler J. Straz Lounge, underwent a significant redesign by ELLE DECOR A-Listers Christine and John Gachot of Gachot Studios. This renovation marks a new chapter for the storied space, originally decorated by Billy Baldwin when the opera house opened in 1966. The Gachots, longtime fans of the Met Opera, were tasked with refreshing the lounge to reflect contemporary luxury while honoring its rich history and the grand aesthetics of the opera house. The original lounge, characterized by its wall-to-wall windows and domed ceiling, was designed by Baldwin to offer practical, flexible seating areas for guests. However, after decades, the space required a modern update. The Gachots were selected for their expertise in warm, sophisticated interiors, demonstrated in previous luxury hospitality projects like the Pendry Manhattan West and Detroit’s Shinola Hotel. Their approach to the Met Opera lounge involved a deep dive into the Met’s extensive archives, studying original sketches and photographs to reinterpret Baldwin's vision while introducing a fresh perspective. Inspired by Baldwin's initial layout, the Gachots divided the lounge into distinct zones for various activities, including a bar area, comfortable sofas, and tables for gathering. This zoning strategy ensures that the space remains versatile and inviting. The design seamlessly integrates with the opera's iconic common areas, such as the lobby with its red carpeting and travertine accents. The chosen color palette of blush, red, and camel complements these existing elements, creating a cohesive aesthetic throughout the venue. One of the standout features of the redesigned lounge is a glittering gold custom carpet by Creative Matters, which evokes the effervescence of freshly popped Champagne, serving as a luxurious counterpoint to the lobby's famous red carpet. Other custom elements include a brass Amuneal bar, screens upholstered in Clarence House fabric, and all furniture supplied by Roche Bobois. The bathrooms feature fixtures by Waterworks from the Bond collection, designed in collaboration with Gachot, alongside Waterworks sinks, mirrors, and stone. The lounge's new name, the Keebler J. Straz Lounge, honors a managing director on the Met Opera’s board who generously funded the renovation. Access to this exclusive space is reserved for Metropolitan Opera sponsor members. The redesign is intended to symbolize a renewed commitment to attracting and nurturing a new generation of opera enthusiasts and patrons, a sentiment echoed by both Straz and the Gachots. The project underscores the importance of cultural institutions and the role of design in preserving and evolving these significant spaces. #MetropolitanOpera #LoungeRedesign #GachotStudios #LuxuryInteriorDesign #CulturalRenovation #HospitalityDesign #NewYorkDesign #OperaHouse #InteriorDecor

First-time homeowners Kaisha and Joey Flynn embarked on a significant renovation of their unique Bernal Heights home, a property characterized by its unusual setback and hidden nature. Initially, the couple sought to revamp only two bathrooms, a task that proved challenging in San Francisco due to architects' reluctance to undertake small-scale projects. They enlisted Ryan Leidner, an architect who had recently established his own practice. While Leidner agreed to the bathroom assignment, he was immediately struck by the property's challenging layout, which involved descending over 30 stairs to a sunken front yard and then climbing another 20-plus steps to reach the front door. During a conversation, Joey Flynn asked Leidner what changes he would make without any limitations. Leidner, who had been contemplating the property's design throughout the meeting, proposed building a bridge to address the complex entry. This suggestion transformed the project from a modest bathroom renovation into a comprehensive reimagining of the entire property. The renovation, which began before the COVID-19 pandemic, spanned two and a half years. The finished entry now features a new gate that leads to a 30-foot-long footbridge. This bridge dramatically improves accessibility and offers an ideal vantage point to view the house. The property's exterior is clad in charcoal-stained cedar planks, evoking the appearance of redwood weathered by San Francisco's fog, and the landscape, designed by Stephens Design Studio, bursts with lush greenery. The bridge leads directly to the front door, opening into an entry landing illuminated by a skylight that connects to the main living area. The original exposed-beam ceiling has been meticulously restored, and the interiors feature light white oak floors and cabinets, complemented by gallery-white walls, providing a versatile backdrop for the couple's burgeoning art and vintage furniture collection. Both Kaisha and Joey Flynn are product designers themselves, working at Open AI and Instagram, respectively, and share a keen eye for detail. Leidner frequently collaborates with creative clients who are similarly committed to intricate design. The home showcases a blend of modern architecture and vintage pieces, carefully curated by Joey. Notable items include a 1970s patchwork leather sofa by Swiss brand de Sede and vintage Italian dining chairs. An innovative design feature is a cross-beam converted into a ceiling-spanning planter box, adding a touch of nature and a unique aesthetic. The home's design was also influenced by the couple's travels, particularly a record-listening lounge on the lower level, inspired by similar concepts in Japan. This room features floor-to-ceiling white oak, a dedicated turntable station, a comprehensive vinyl collection, a wet bar, and a built-in olive green daybed. The lounge can be fully opened to the front garden through disappearing pocket doors, integrating the indoor and outdoor spaces. The Flynns designed the house as a child-free couple but welcomed their daughter shortly after the renovation's completion, reaffirming their design philosophy that their choices would not have significantly changed even with children in mind, given their initial willingness to embrace the property's unique challenges. #BernalHeights #HomeDesign #ArchitecturalRenovation #ModernArchitecture #InteriorDesign #SanFranciscoHomes #LandscapeDesign #VintageFurniture #CreativeClients

Nate Berkus, a renowned interior designer, has publicly shared his preferred neutral paint colors, a topic of frequent inquiry from his followers. Berkus, known for his masterful use of layered neutrals in interior design alongside his husband Jeremiah Brent, revealed his top selections for creating elegant, cohesive, and sophisticated spaces. His choices lean towards warmer, subtle tones rather than stark whites, ensuring a comforting backdrop that complements various furnishings and design styles. Among his favorite paint brands, Berkus highlighted several shades from Benjamin Moore. These include Alabaster, Swiss Coffee, Smokey Taupe, and Snowfall White. These colors are favored for their ability to provide a soft, nuanced base for a room. He also expressed a strong preference for Portola Paints, specifically mentioning Saint Sauvant and Lisbon. Lisbon, described as a 'greeny gray,' is notably used in his children’s bathroom, showcasing its versatility and appeal even in more private spaces. While most of Berkus's preferred neutrals have warm undertones, he also acknowledged the demand for brighter white options. For those seeking a clean, crisp white, he recommended Clare Paint’s Fresh Kicks, alongside their white-green tone, Flatiron, in his Instagram caption. These recommendations provide a comprehensive palette for individuals looking to emulate his signature style of sophisticated neutrality. Berkus emphasized that neutrals serve as an ideal foundation, offering a 'blank canvas' that allows for flexibility in introducing different design styles or color schemes. He noted his preference for subtle experimentation, suggesting the use of accent colors in niches or shelving rather than on entire walls. This approach aligns with his philosophy of creating timeless interiors that can easily adapt to changing tastes or trends without requiring a complete overhaul. In a previous discussion with Homes & Gardens, both Nate Berkus and Jeremiah Brent underscored the enduring influence of neutrals in design. Berkus specifically lauded Behr’s Even Better Beige as a standout choice for decorating with beige, further solidifying his diverse range of neutral recommendations. The designer's insights reinforce the idea that these versatile colors are suitable for rooms of any shape or size, providing a foundation for diverse aesthetic expressions. The designer’s revelation is significant for design enthusiasts and professionals alike, offering direct access to the specific hues that define his highly acclaimed aesthetic. By sharing these 'go-to' paints, Berkus empowers others to achieve a similar level of design sophistication in their own homes, proving that neutrals, when chosen thoughtfully, are anything but boring. #NateBerkus #NeutralPaints #InteriorDesign #HomeDecor #BenjaminMoore #PortolaPaints #ClarePaint #DesignTips #CelebrityStyle